Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)

Amazon.com

Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.

Book Description

A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.

Customer Reviews:

Chicken scratches vs. Detailed Storyboards.......2007-08-19

I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.

of moderate interest to readers of video magazines.......2007-08-13

as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars

Mind-opening, even if you aren't interested in directing.......2007-06-30

I've worked in the graphics design business for years, but more recently I've grown interested in working with video, primarily shorts and documentary work. I was looking for a book that could help teach me the "language" of motion and visual storytelling, and this book fit the bill. In fact, I found it to be incredibly inspiring as a student of art in general. It's extremely well-written, chock full of practical examples, and contains numerous time-worn techniques as well as cutting-edge experimentation. One funny thing: since it was written a few years before the desktop digital video revolution began, it talks about some of the difficult aspects of shooting which are now in many ways moot. But it's good to hear about the history of the craft.

If you have any interest in all in shooting, directing, or producing any kind of motion picture, show, or short, you'll definitely want to buy this book. However, be forewarned: you'll never be able to watch movies the same way again. You'll begin to pick up all the subtle nuances of filmmaking without even realizing it, so don't feel bad if you have to force yourself to re-engage with the actual story as you're watching!

Useful, pleasurable.......2007-05-07

I'm a college student, not at film school, who makes videos as a serious hobby. I thought this book was much better than other titles in the same market, because it's so specific. Instead of telling you what anyone with common sense knows, like "keep continuity" and "composition can affect the mood of a scene," this film lays it all out in detail. I recommend this for everyone who wants to improve. Even if you're not particularly interested in storyboarding, you'll learn how to think about your sequences in advance much better.

Learning the Rules Before You Break Them.......2007-01-13

Even though many of the great filmmakers may have not utilized storyboards, every one of them has pre-visualized their films.

Pre-visualization is the essence of what it means to be a director. A director can only be effective if he/she properly prepares for each scene. Even if one does not have every shot precisely planned out, they will still have an idea of the look and the flow of the process.

There are certainly many people who feel directing should be intuitive, that there should be no structure to the process or else creativity is stifled. This is a valid point from the perspective of the artist.

What is wonderful about this book is that it gives extensive insight into WHY one should cover a scene in a certain way. Directing as a profession requires a certain amount of preparation and PROOF that you have a handle on the film. Producers want reassurance that you have a vision worth pouring tens of millions of dollars into. Armed with the ability to properly express yourself in regard to your vision, you will have a much easier time convincing others to follow you.

So, in the end, if you are interested in studying the language of film and the methodology behind classic film composition and editing, then this book and the accompanying Film Directing: Cinematic Motion are essential.

Sight, Sound, Motion: Applied Media Aesthetics

Average customer rating:

5 stars
Best in field
motion graphics professor
Fundamental book on the theory of the moving image
The Filmmaker's Bible of Aesthetics or What Works and Why

Sight, Sound, Motion: Applied Media Aesthetics
Herbert Zettl
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Paperback

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Similar Items:

Media Unlimited, Revised Edition: How the Torrent of Images and Sounds Overwhelms Our Lives
Anatomy of Film
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Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know

ASIN: 0534526772

Book Description

This book describes the major aesthetic image elementslight and color, space, time-motion, and soundand how they are used in television and film. Zettls comprehensive coverage of aesthetic theory and his inclusion of effective visuals and examples place this text in a class by itself.

Customer Reviews:

5 stars.......2005-10-10

The book is totally new and under very good condition, and the dilievery time is much earlier than i expected.

Best in field.......2004-12-28

This text thoroughly explains the intricacies of applied media asthetics in a concise and completely accessible way. It is a well organizied text that ehances its presentation through the use of many illustrations. I believe that this is the best text on the subject and that it has been since its first edtion.

motion graphics professor.......2002-06-04

"Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book."

I would disagree with the above review. Only by learning WHY first, can we learn HOW later. This book is more than a cookie cutter approach to film and video. If you want to "click and drag" your way through an editing program, then true, this book is not for you. Add this to your collection if you want a book that teaches how to see and create film. Sight, Sound, Motion: Applied Media Aesthetics has staying power.

Fundamental book on the theory of the moving image.......2001-05-20

This was the assigned textbook for my digital video 2 class, and it is simply wonderful. Zettl is a very knowledgable man on the subject of creating images for film, video, and even new media. (Zettl's text Video Basics 3 was used in my digital video 1 class as well) This book lays a solid foundation for the theory behind how and why the viewer perceives the moving image, and how the filmmaker and video producer can create more pleasing and coherent productions.

While the biggest complaint I've heard about this book is it's over-reliance on theory, it still does a good job of contextualizing theory into practical application. Thus the title of the book: APPLIED Media Aesthetics. Although I haven't read any of Eisentien's theories behind filmmaking, I suspect that Zettl's treatment would compete rather well, and is probably more accessible for a modern reader.

This book covers all the bases from color and light, time and space and structuring audio to image. Zettl succintcly deconstructs the intelligent mind behind the images and sound of our cultures film and television productions.

Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book.

The Filmmaker's Bible of Aesthetics or What Works and Why.......2000-11-04

This is probably the most important textbook a film production student can have on his/her shelf. NOT for how to work with actors or how to light a scene, but for understanding the underlying reasons of why things work due to our learned aesthetics and Western sensibilities.

Professor Herbert Zettl has written the most concise manual on why we has film viewers percieve things the way we do. He explains in detail (and layman's terms) how our aesthetics have been formed to interpret the dynamic medium of film and television.

How editing of action from shot to shot creates the illusion of continuous motion. How stagelines work so not to give the effect that your actor is jumping around from one side of the scene to the other. How to crop your shot BETWEEN the bodies natural cut-off points (i.e. neck, elbow, waist) to prevent the actor from looking like a disembodied head or torso.

This book is cover-to-cover insights into what we as viewers take for granted when we watch a good filmmaker's work, but may not consider when faced with the daunting task of mounting a film production and the on-set "reality" problems that dominate the filmmaker's mind when shooting a film.

I first read this book when I was in film school twenty years ago. Since then I have directed many professional film productions and I still review it before starting a new one to refresh myself.

Book Description

Model, film star, socialite, friend, lover, addict, Edie Sedgwick was the first "it" girl of the Andy Warhol Factory scene and later muse to Bob Dylan. The arc of Edie's life traced the rise and fall of the 1960s from idyllic experimentation to dissolute recklessness. After being toasted by the whole of New York City, Edie died alone of a drug overdose in California at the age of 28. David Weisman (with John Palmer) filmed Edie for the last five years of her life in his cult film Ciao! Manhattan. When he recently uncovered lost footage of Edie, David was inspired to create Edie: Girl on Fire, a book and a documentary film that explores Edie's true story. He and coauthor Melissa Painter have tracked down and interviewed many of Edie Sedgwick's surviving intimates, including Danny Fields, Baby Jane Holzer, and Ultra Violet. They also unearthed hundreds of never-before-published photos portraits, professional ad shoots, and heartbreaking snapshots of the girl who won New York's heart and nearly burned down the Chelsea hotel. The book also features a CD with Edie's last interview ever, a riveting account of a rollercoaster life. Sure to be seen as a rebuttal to Hollywood's highly fictionalized film Factory Girl (coming this fall), Edie: Girl on Fire creates an insightful and startling portrait of a woman that nobody quite knew.

Customer Reviews:

Superstar Edie!.......2007-05-13

I adored it...full of photo's I'd never seen before of Edie...new quotes, etc. Really gave me insight into her whole vibe & electricity. major fun! and it comes with a great CD with an interview.

The Girl Is On Fire.......2007-04-23

Edie: Girl On Fire is chalked full of rare pictures and new commentary from the people who knew Edie the best, her husband, friends & family. The co-author of the book, David Weisman, not only shares never-before-seen pictures of Edie but, also marvels at the Edie obsession some 36 years after her death. Weisman & Painter do an excellent job of portraying the real Edie through pictures & stories shared by Edie's family & friends. They don't romanticize Edie as being an victim. In fact, they show that Edie was just like the rest of us. A flawed human being who was trying to find a place in the world during a turbulent time period. Edie's flaws are not glossed over or explained away. Instead, they show what a disturbed and lost young woman she was. Weisman himself knew Edie personally for years. Weisman saw Edie at her zenith and watched her fall apart and ultimately lose her life because of her own addictions & obsessions.

One of the best parts of the book is the pictures. After years of seeing the same Edie pictures over & over, there are finally pages & pages of glorious "new" pictures including scrapped "Life" magazine photoshoots and newspapers covering one of the many fires that Edie started at various hotels due to her speed usage. Another awesome part is the cd of audio interviews Edie conducted towards the end of her life for what would be her last movie "Ciao! Manhattan!" (made by co-author Weisman). Edie talks about her many drug trips and her time at the Factory. She's candid, well spoken and heartbreaking. When listening to this cd of Edie's voice and looking at the pictures, you almost want the ending to change. You want Edie to pull through all this garbage and rise from the ashes like a phoenix. Just like any story, the ending never changes and there's really no happily ever after.

Edie: Girl on Fire Review.......2007-03-25

The book is filled with many great photos of Edie. Many I've never seen before. The text if fine, mostly quotes from many different people. I think I would have given this book a 5 if it contained more of a narrative type of text vs. many quotes.

Edie: Girl on Fire.......2007-03-21

This book is excellent. The pictures really tell the story of
Edie Sedgwick, '60's Warhol groupie, actress, model who lived a "roller coaster" life. Comments by those who knew her make the tale of her life
interesting & real.

Edie:Girl on Fire!.......2007-03-18

Hot coffee table book with lots of rare Edie interviews & photos! A must for all Edie fans & a great companion to the Ciao Manhattan DVD! Brilliant!

Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know

Average customer rating:

Handy overview
Not what I expected
The definitive shot guide...
An awesome reference book
Brilliant, a must have for film-makers

Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know
Jeremy Vineyard
Manufacturer: Michael Wiese Productions
ProductGroup: Book
Binding: Paperback

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Similar Items:

Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
The Five C's of Cinematography: Motion Picture Filming Techniques
What They Don't Teach You At Film School: 161 Strategies to Making Your Own Movie No Matter What
Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know
Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player

ASIN: 0941188736

Book Description

Over 100 storyboards with simple descriptions.

Customer Reviews:

Handy overview.......2007-09-22

I bought this book to review my shots--and to give my fellow producer/director a quick education in terms and shot design.

The book is very good, giving 2 page briefs on various types of shots, including a list of films to look for them in, and a storyboard to show how the shot proceeds. the list of places where the particular shot has been used is especially nice, as it lets you go to the library of films and see how a shot works.

It is in a fairly large and somewhat awkward format being wider than it is high--it's better to keep this one in the office or at home to scan when thinking than to take out in the field--a field book would be nice, as it could be used to explain shots to the actors/subjects (I'm shooting a documentary and jargon is Greek to most people.)

Not what I expected.......2007-08-24

But then if I'd really paid attention to the title of the book I'm sure I'd have figured it out.

While I applaud Jeremys' interests in movies and his desire to make them and share his 'experience' with us this book does not actually teach you anything about how to set up these shots. All it does is point out shots that you will probably already know. One thing that really does grate is that instead of consulting an experienced DP to find out the names of these shots he has come up with his own, which he feels are more descriptive.

I'd say that if you have a very short history of watching films then perhaps there is something you can learn from this book. However, if you have any experience whatsoever with a camera this book will prove to be a waste of time and (sadly) money.

The illustrations are good. Of a storyboard level and at least give you an idea of how to represent an idea but sadly the book was let down by the fact it didn't really deliver anything useful.

The definitive shot guide..........2007-06-18

This book explains the language of film in a simple, visual style. In clearly grouped sections, it shows a large, clear visualization of the movement with a description of how it is achieved, and the name the industry recognizes for that move.

It covers all the basics, plus many unusual, technical or simply rarely used angles and moves, making it the definitive work for the indie filmmaker and above.

An awesome reference book.......2007-05-14

I've seen this book by Jeremy Vineyard tagged as simplistic and cursory. If you're a super-hip film school graduate who's been involved in the industry, this book may not be worth your time.
However, if you're an amateur, like myself, this book makes a great reference. I recently shot a short film and used this book extensively while storyboarding.
Easy enough for children and a good reference for the amateur filmmaker. I've definitely gotten my money's worth on this one.

Brilliant, a must have for film-makers.......2007-01-16

Just buy it! Explains every standard shot, with examples.

Portable Video: ENG & EFP, Fourth Edition

Average customer rating:

Portable Video: ENG & EFP, Fourth Edition
Norman Medoff , and Tom Tanquary
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback

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Make it Memorable

ASIN: 0240804384

Book Description

Portable Video focuses on technique and technology for single camera electronic news gathering and electronic field production. Covering everything from basic creative and technical editing techniques to budgets and copyright issues, it is accessible to the home videomaker or amateur and to the professional seeking information on the newest advances in technique and equipment.

Portable Video: ENG and EFP, Fourth Edition has been revised and updated to cover all of the latest equipment and techniques. Additionally, it discusses the history of video production and electronic news gathering, and the importance of the verbal content in any production is explored in a chapter on scriptwriting.

A comprehensive guide to all aspects of field production
Theory is enhanced with real-life examples
Updated emphasis on digital video

Camera Assistant, The: A Complete Professional Handbook

Average customer rating:

Great starter book for AC's
The Camera Assistant - A Complete Pro Handbook (Hart)
The bible for operating camera personnel!
This is the new Bible.

Camera Assistant, The: A Complete Professional Handbook
Douglas Hart
Manufacturer: Focal Press
ProductGroup: Book
Binding: Hardcover

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The Camera Assistant's Manual, Fourth Edition
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ASIN: 0240800427

Book Description

Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field.

Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed.

Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.

Details both the practice and the theory necessary to be a camera assistant.
Concentrates on technique, not equipment.
Serves as a comprehensive manual, which teaches the necessary methods to get the job done and stay employed.

Customer Reviews:

Great starter book for AC's.......2006-06-12

Of the two major "textbooks" on ACing, this is the best one to start with. It gives enough information to initiate you into what is expected of all members of the camera crew, but is not overwhelming with technical info (not that you are not going to want that info someday, but if you are new, it can be confusing and even discouraging.) After this book, get David Elkin's Camera Assistant's Manual, which goes into much further detail. As you work with different cameras, download the manuals from the panavision/arri/aaton/etc websites so you can feel comfortable with the differences in individual cameras. Lastly, get a used copy of the very expensive American Cinematographer Manual for all the technical bits in one handy portable reference book. This, and tons of set experience, is probably all you need (and keep in mind some of the greatest cinematographers who ever lived worked without any of these aids). Rely on your eye!

The Camera Assistant - A Complete Pro Handbook (Hart).......2000-08-17

This is probably the best handbook for this discipline I've ever seen. I bought a copy when I was in the States three years ago - and it was swiped ! I plan to prescribe this book for my students from 2001 onwards. Well done !

John Hill ctftvs@netactive.co.za

The bible for operating camera personnel!.......1999-06-10

This book is a complete and highly insightful manual for motion picture camera assistants and operators. It covers the disciplines, techniques, skills and even the politics of the craft. For anyone involved or wanting a fabulous look into the workings of the film industry, buy this book!

This is the new Bible........1997-10-15

Compiled from years of teaching innumerable students at the International Film & Television Workshops in Rockport, ME, this book supercedes all previous texts on the subject. A former President of East Coast Camera Local 644, Hart writes in a manner as readable as it is thorough. Illustrations and appendices are completely useful. This is the new Bible for the working A.C. and anyone seeking to understand how the camera department really functions.

Average customer rating:

Elvis at 21 Book
THE Best Elvis Book
spectacular
Elvis at 21 book
Elvis at 21

Elvis at 21: New York to Memphis
Alfred Wertheimer
Manufacturer: Insight Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 1933784016
Release Date: 2006-10-31

Book Description

In 1956, a twenty-one-year-old Elvis Presley was at the beginning of his remarkable and unparalleled career and photographer Alfred Wertheimer was asked by Presley’s new label, RCA Victor, to photograph the rising star. With unimpeded access to the young performer, Wertheimer was able to capture the unguarded and everyday moments in Elvis' life during that crucial year, a year that took him from Tupelo, Mississippi to the silver screen, and to the verge of international stardom and his crowning as "The King of Rock 'n' Roll.” As Alfred Wertheimer photographed Elvis during 1956, and again in 1958, he created classic images that are spontaneous, unrehearsed and completely without artifice.
Wertheimer’s photographs of Elvis are extraordinary and he appears almost ethereal, whether reading a newspaper while waiting for a cab, or washing his hands during one of his many train trips. After 1958 and Elvis’ induction into the army, the world seemingly forgot about Wertheimer’s magical photographs- for nineteen years- until Aug 16, 1977, the day Elvis died and Time Magazine called. “The phone hasn’t really stopped ringing in the last thirty years,” observes Wertheimer.
Many of the photographs in this visual treasury are previously unpublished and some have become almost as famous as the man himself.

Customer Reviews:

Elvis at 21 Book.......2007-06-30

i Love this Book it has very good quality photos of the king in his prime!

THE Best Elvis Book.......2007-04-11

If you only have one Elvis book in your library, or one photography book, let it be "Elvis at 21"...you will never buy a more sumptuous volume. The printing of the images is phenomenal, with wonderful use of gatefolds. It is one of the very few art books I've bought that I didn't balk at the retail price.

Wertheimer's photographs are collectively an artifact of our cultural history. It's amazing to see so many of them gathered together and in sequence. A much smaller selection of this body of work was published about 20 years ago as "Elvis '56"--this was my one-book-in-the-library, even back when I only had a photocopied edition. With this expansion, a whole new king is crowned.

2007 is of course the 30th anniversary of the King's passing. The world should expect a vast onslaught of new and revised offerings on the man. "Elvis at 21" throws down an early gauntlet so firmly, the other publishers might just as well crawl back into their niches.

Buy it, and wear a bib so you don't ruin the pages with your drool.

spectacular.......2007-02-14

the photographs are spectacular, but where is the non-limited edition that i've seen retail in the bookstore for $65?

Elvis at 21 book.......2007-01-20

This book is beautiful. The pictures are excellent and it is nice to have as a collectors item for any Elvis fan or give as a gift to any Elvis fan.

Elvis at 21.......2007-01-17

Alfred Wertheimer's photos is this book are FANTASTIC! It is a rare treat to be able to see Elvis at this stage in his life... when he was doing what he loved while still able to go in to restaurants, walk the streets, etc. and be recognized and appreciated by people around him, without being mobbed. What a wonderful time to cherish in these photographs.

Digital Video For Dummies (For Dummies (Computer/Tech))

Average customer rating:

It is the one
Very useful and reasonably up to date
Nice Primer
Digital Video Guru Course in a Book

Digital Video For Dummies (For Dummies (Computer/Tech))
Keith Underdahl
Manufacturer: For Dummies
ProductGroup: Book
Binding: Paperback

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Editing Digital Video : The Complete Creative and Technical Guide

ASIN: 0471782785

Book Description

So you have a camcorder and visions of being the next Spielberg. But how do you progress from shooting so-so footage to showing your own finished movie? Digital Video For Dummies, 4th Edition gives you the know-how and the show-how! Find out how to shoot and edit great movies, using iMovie, Windows Movie Maker, or Adobe Premiere Elements to add the finishing touches like special effects and your own soundtrack. With the latest information and lots of illustrations and screen shots, this friendly guide walks you through:

Getting your computer ready to work with digital video (complete with information about FireWire)
Choosing a camcorder, including features to look for and features that are useless
Digitizing old VHS videotapes to preserve memories
Purchasing other movie making gear, including audio and lighting equipment
Shooting better video, with tips on lighting, panning, using the zoom, and recording better audio
Creating your own sound effects such as footsteps, bones breaking, fire, thunder, insects buzzing, and more
Capturing digital video using iMovie, Windows Movie Marker, or Premiere Elements
Editing, including understanding timecode, organizing and previewing clips, and assembling clips in Storyboard and Timeline
Adding transitions, titles, and special effects
Importing and integrating video from phones and digital cameras
Using audio rubberbands in iMovie, Premiere Elements, and other editing programs
Adding narration, importing and working with CD audio, and adding a music soundtrack

Keith Underdahl has extensive professional video production experience developing kiosk and marketing videos for Ages Software. Realizing that you’ll want to polish and premiere your movie, he includes information on:

More advanced video editing, including animating video clips, improving light and color, compositing video (bluescreen or greenscreen), and more
13 categories of video effects, ranging from blur and sharpen to transform
Working with still photos and graphics
Sharing your video online using QuickTime (/QT), RealMedia (.RM), or Windows Media Video (.WMV)
Making tapes or burning DVDs in 9 steps

With a handy cheat sheet of keyboard shortcuts, a chart comparing 10 video editing programs, a glossary, and more, with this guide you’ll soon be saying “Lights, camera, action” and producing your own movie attraction.

Customer Reviews:

It is the one.......2007-03-22

If you're new to video editing, it is the one for you. It'S a good start

Very useful and reasonably up to date.......2007-03-18

The "Dummies" folks seem to be able to get it right pretty consistently, and they also seem to be willing to update titles with some frequency -- publish a new edition, that means.

When I bought this book, I bought another on the same topic from another publisher and neglected to check the date of publication. Well, it was antique, relatively speaking, so when I picked this one up, suddenly things started to make a lot of sense.

Also, the author seems to be able to cover three editing products without a lot of repetition. This is a good, workmanlike job.

Nice Primer.......2006-04-13

I wish I had bought this book initially.
I was pretty new to digital video. I had lots of questions about transferring, capturing analog, audio, and so far this book has answered them. It would have saved time to buy it first.
I'm using the digital video for a vidcast.

Digital Video Guru Course in a Book.......2004-02-05

"3rd Edition" I would recommend this book to anyone interested in becoming a Video Editing Guru. Now there isn't much fame or glory in such a title, and I'm not implying that after reading the book you will be able to instantly break into the "Pro" video editing business either. But it does give you some useful information on how to digitize those video clips and turn them into a respectable home movie or corporate presentation.

The book is very much based on Apple's "iMovie" and Pinnacle's "Studio 8". You'll skip around a bit because of the 2 different programs it explains, but you're really just getting 2 books in one if you ever decide to dabble in the 'other' program. If you're using a video editing program other than these, you may want to pick a different book.

Well organized and "dumb-ed down" enough for the beginner. The projects and included clips on CD Rom keep it interesting. I learned about many tips that I plan to use all the time in my projects now. Good work Underdahl!

Book Description

"Automated LightingTechnology, Applications, and Design" is a comprehensive text covering everything you will need to know as a working or aspiring lighting professional about automated lighting fixtures, systems, how they are used and design issues you will face. It is written in clear, easy-to-understand language but includes enough detailed information that the most experienced technician and engineer will appreciate and benefit from reading. Subjects covered include the history of automated lighting, DC and AC electricity, basic electronics, power supplies, digital electronics, electro-mechanical systems, optical systems (including dichroic filters, reflectors, lenses, and more), lamp technology, lighting effects (including color mixing, glass gobos, and more), data distribution systems, DMX, RDM, and ACN. State-of-the-art automated lighting fixtures in various applications including theatre, television, concert/touring, and permanent installations are discussed and special design issues are addressed.

The text is amply illustrated with drawings and pictures. The newest technology in automated lighting--"digital" lighting or pixel-based automated lighting projection--is also covered in detail. This book is the antithesis of a reference manual or user manual. It is entertaining and educational with lots of graphic illustrations and easy-to-understand concepts. Its the most fun you can have without sitting behind a console.

* Numerous examples and illustrations
* Easy to read with little "tech-talk"
* Contains information on the newest lighting technology
* Minimal amount of math reduces the drudgery!

Customer Reviews:

A Great Resource.......2007-01-11

This book is an outstanding resource for anyone involved with Automated Lighting. It covers a wide range of lighting topics, but each with detail and accuracy. A must for anyone just starting to work with autoamtion (especially repairs), but has some great information for old pros as well. While this book has more for technicians than designers, any automation designer may find most of the content useful.

Greetings from E Street: The Story of Bruce Springsteen and the E Street Band

Average customer rating:

Bruuuuuuuce!
A suprising book
Super book for fans
More than you can imagine!
Great for your Springsteen super fan

Greetings from E Street: The Story of Bruce Springsteen and the E Street Band
Robert Santelli
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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Bruce Springsteen on Tour: 1968-2005
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Bruce Springsteen with the Sessions Band: Live In Dublin
Magic

ASIN: 0811853489

Book Description

Greetings from E Street celebrates the passionately loved group that has been entertaining the world for 35 years. Written with their cooperation, this fully illustrated informal biography combines rare photographs with 30 removable facsimiles of E Street memorabilia, including Bruce Springsteen's first business card and hand-written set list, and even two fabulous posters. Longtime band intimate Robert Santelli captures the ecstatic highs and devastating lows on the E Street Band's roller coaster ride to stardom. He follows the band from the early days in Asbury Park, New Jersey, to the critical acclaim of Born to Run, the mania of Born in the U.S.A. and international touring, and each member's unique projects. Throughout, the band's signature combination of friendship, humor, and stellar musicianship is revealed in stories, snapshots, and the ephemera of life of the road. Warm and personal, Greetings from E Street is a postcard from the most famous address in rock and roll.

Customer Reviews:

Bruuuuuuuce!.......2007-04-28

Robert Santelli's Greetings from E Street is a fascinating look at the development of Buce Springsteen and his mates in the E Street Band. The book takes us back to the very early days of Bruce as a musician on the Jersey shore and brings us up to recent times. Even Bruce struggled early on in a variety of cover bands. However, at the same time, he was gradually building a small, but dedicated following from the fans who knew who he was. A variety of musicians played with him along the way with the best known obviously being the E Street Band. The stories of the band's travels and recording sessions are priceless for any Springsteen fan. The facsimiles of memorabilia from Springsteen's career add a great touch. Even though we know that the items are not the real thing, it is still fun to get them out and let your thoughts drift back to The Stone Pony in Asbury Park. Mr. Santelli's book is a true treat for any fan of Springsteen and the E Street Band.

A suprising book.......2007-03-24

The book is wonderful. It has cool reproductions of memorabilia. My favorites are the backstage passes. The photos are amazing. The text offers no new info, but is presented in an interesting way. I recommend it for all hard core Springsteen fans. Even non-fans will find this book full of suprises.

Super book for fans.......2007-02-14

I bought this book for my brother who is a major Springsteen fan. I was very pleasant surprised when i recieved the book. It is absolutely fabolous with great pictures and lots of copies of tickets, backstage passes, posters, letters, lyrics and other great stuff.
I can definetely recommend this book for other fans...

More than you can imagine!.......2007-02-13

I purchased two copies of this book for memebers of my family that are EXTREME Springsteen fans and they absolutely loved it!! They had stopped purchasing books on Springsteen since allot of them were redundant but they couldn't believe the information and copies of concert ticket stubs, photo's and all the additional information you get with this book. If you know anyone that loves Springsteen, this is a "Must Have".

Great for your Springsteen super fan.......2007-01-21

Purchased as a gift for an all time super fan of Springsteen. He loved the book. A must have for any Springsteen fan.

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