White Bicycles: Making Music in the 1960s

Book Description

"This is the best book about music I've read in years, and a gripping piece of social history."-Brian Eno

When Muddy Waters came to London at the start of the 1960s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running UFO, the coolest club in London; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd.

More than any previous sixties music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. As well as the sixties heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, Sister Rosetta Tharpe to Fairport Convention.

Record and film producer Joe Boyd was born in Boston in 1942 and graduated from Harvard in 1964. He went on to produce Pink Floyd, Nick Drake, Fairport Convention, R.E.M., and many others. He produced the documentary Jimi Hendrix and the film Scandal. In 1980 he started Hannibal Records and ran it for twenty years. He lives in London.

Customer Reviews:

Very slow and tiring read.......2007-08-31

This has got to be the most boring book about the music business I've ever read. I really tried to make myself believe it was going to be a true page turner, but it wasn't. The only reason I continued to turn the page is because, well... I'd paid for the book! I'm not the biggest fan of folk music, but I do like it and I love the blues, but this book made me dislike both genres (while I was reading, mind you). Mr. Boyd had such a long and fulfilling career in the music business, but the way he told the story was just plain boring. I've read many biographies on this business and have read some real bizarre stuff, but this book was quite tame. Don't get me wrong, I was GLAD that it was tame. I was quite impressed with Mr. Boyd's self-control and his professionalism. He sounds like a total "stand-up guy." But boy, does he tell a boring story. I usually pass my books on to friends so that they we can converse on the book, it's characters, the author, and so on. I must admit, when I FINALLY finished this book, I promptly threw it in the trash. I will give Mr. Boyd one other thing, I was so happy that he made mention of all the blues greats that have graced stages and auditoriums worldwide. That in itself was very much worth this book purchase, but that's about it.

"Matter of Fact".......2007-08-20

Woody Allen made a film called "Zelig" about a little guy who found his way into all the significant events of the 20th Century.

Well, record producer Joe Boyd's life in the 60's was kind of like that. He was all over the place, at the Newport Festivals (both jazz and folk), touring with bluesmen through Europe, and finally at the epicenter of both the British psychedelic and English Folk Rock scenes.

With all that material to draw from, you would think that this book would be a regular psychedelic sundae, vibrating like a day-glo art poster. Nope. It's just a recounting of Joe's ups and downs in the music business. There are nice reminiscences about Sandy Denny and Nick Drake, and Joe drops some little known facts about his resume, such as his involvement in the Eric Clapton/Steve Winwood "Powerhouse" recordings, and his production of Pink Floyd's "Arnold Layne"--plus his notable failures, such as missing out on opportunities to sign Procol Harum, or to profit from the Abba catalogue.

But, Joe is primarily known for his involvement with Folk-Rock, and he doesn't really pour forth with details, here. What about "Liege and Lief", generally called the greatest British folk-rock album of all time? What about Vashti Bunyan, a cult artist in her own right? She gets about one paragraph. And what about Linda (Peters) Thompson? Joe lets it drop that he was in an intimate relationship with her, yet she merits only a sentence or two.

This book isn't badly written, but it doesn't really give you a great picture of the music. It could have been much better. People who are curious about the time would be better served checking out the music. I guess a CD sampler of Joe's productions, also called "White Bicycles", is available. Otherwise, there is the great "Nuggets II" box set, which I recommend without reservation.

What a trip! And I wasn't even born yet when most of it happened!.......2007-08-10

As a musician and general music junkie, I'd rate this as a must have. Joe Boyd is just as important to learn from as those blues and jazz bands he resurrected in the last 50s and early 60s. I also sensed the sadness and reverence he had towards Nick Drake, the sad honesty about Sandy Denny, as well as rejoicing in the still flourishing career of Richard Thompson, all of which are influences of mine.

I wonder if he has ever been to the Philadelphia Folk Festival.

Somewhat interesting, ultimately disappointing.......2007-07-22

As previous reviewers said, I "couldn't NOT read this book" and "devour" it with the special anticipation of having seen the words 'Produced by Joe Boyd' on so many of my cherished album covers. However, though it contains a few new facts about the artists and some insight regarding the music business only an insider would know, the book was a disappointment. As earlier reviewers here have stated, it's too short - with not enough information about the actual sessions and music-making itself. The text also seems to be missing something - perhaps over-edited? Perhaps shortened for some reason at the last minute? And some of the potentially fascinating little stories he relates are left dangling in space. The subtitle of the book is 'Making Music in the 1960s', but there's very little of that in the narrative. I wanted to find out what is was like to observe luminaries such as Nick Drake at work in the studio. I wanted to be a fly on the wall at a Fairport Convention session with Sandy Denny & Richard Thompson. What made the Incredible String Band tick? How did these artists get their signature SOUNDS? I was looking for a window on Joe Boyd's working world; What we get are mildly interesting and too-quick glances of the surface of '60s-'70s music.

Sight Unseen, Sound Unheard.......2007-07-17

In the mid to late 60s, there were so many unheralded masterpieces, even the recording companies couldn't keep up with them. Most were relegated to
the old school, family-owned record store. Illinois Speed Press, The United States of America and Joe Boyd and the Field Hippies were a few of them. Some of their members went on to nominal fame in other groups, but they mostly languished in the bargain bins. If this is the same Joe Boyd,
and his way with prose is as adroit as his way with music, you are in
for an incredibly interesting ride. I haven't read the book yet, but I
haven't been moved to make a purchase of anything sight unseen or sound
unheard since I read an article in Hit Parader about CSN three months before their debut album was released in 1969.

Average customer rating:

Excellent book for those who love Star Trek ships...
Ships of the Line (Star Trek)
Beautiful book--but know what you're getting.
Disappointed
Another Great Star Trek Photo Book

Ships of the Line (Star Trek)

Manufacturer: Star Trek
ProductGroup: Book
Binding: Hardcover

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ASIN: 1416532439

Book Description

They dared to risk it all in a skiff of reeds or leather, on a ship of wood or steel, knowing the only thing between them and certain death was their ship. To explore, to seek out what lay beyond the close and comfortable, every explorer had to embrace danger. And as they did so, what arose was a mystical bond, a passion for the ships that carried them. From the very first time humans dared to warp the fabric of space, escaping from the ashes of the third World War, they also created ships. These vessels have become the icons of mankind's desire to rise above the everyday, to seek out and make the unknown known. And these ships that travel the stellar seas have stirred the same passions as the ones that floated in the oceans.

While every captain has wished that their starship could be outfitted in the same manner as the sailing ship H.M.S. Beagle -- without weapons -- that proved

untenable. From the start, Starfleet realized that each vessel, due to the limited range of the early warp engines, must be able to stand alone against any

attack. Thus arose the idea, taken from the days of wooden sailing ships, that every Starfleet vessel must stand as a ship of the line. Through the actions of their captains and crews, countless starships have taken on that role. Here we remember some of those ships and their heroic crews.

In celebration of the fortieth anniversary of Star Trek, here for the very first time collected together are the spectacular images from the highly successful and acclaimed Star Trek: Ships of the Line calendars. Gloriously rendered, each of these illustrations was created exclusively for Pocket Books. With text by Michael Okuda (The Star Trek Encyclopedia), the story of each of these valiant starships comes to life.

Customer Reviews:

Excellent book for those who love Star Trek ships..........2007-09-22

I've been a fan of the "Ships of the Line" calendars for many years. This book is essentially a compilation of those stunning images, with some explanatory captions added. As such, it's a wonderful volume for any Star Trek fan who enjoys "beauty shots" of the various ships shown in the series. It should be noted, however, that these are pieces of original digital artwork. They are not screen captures of the various series or movies, but unique images created for the calendar series (and now, for this book). It was a great value and an excellent addition to my Star Trek book collection.

Ships of the Line (Star Trek) .......2007-09-21

Ships of the Line (Star Trek)was not what I was expecting. I was hoping for a more techincal review of the fleet.

With that said, the artwork was great, although I would have liked more on the ships other than that bad 'Enterprise' series!

The Romulan Warbird was the best pic, in my opinion!

Ian Johnson. Perth, Australia

Beautiful book--but know what you're getting........2007-09-19

This is a beautiful, imagination-stimulating, sometimes breathtaking book. But potential buyers should know three things: 1. This book is about half the size of the average coffee table book (FYI, in case you don't read the fine print or easily "get" measurements in the Product Description), so they are not big pictures. 2. This is an *art* book; these are "illustrations," not photographic reproductions from the Star Trek T.V. series(s) or movies. I wasn't familiar with the "Ships of the Line" calendars, so was expecting "real" photos of the Star Trek ships, not paintings. However, some of the pictures are computer-design artwork that very effectively look like photographs. I know it's a matter of taste, by I find these more enjoyable, more evocative.
3. While ships from all five of the T.V. shows are included (not the animated ST), there is of course a favored emphasis on the Enterprise in its various/successive generations. There are only 37 illustrations, so that doesn't leave room for a whole lot else. (Opposing/even-numbered pages are blank, except for a short paragraph of text by official Star Trek history guru Michael Ocuda, which offers interesting commentary, though more impressionistic thatn encyclopedic.) Also, the book's cover illustration is not repeated in the book, so if you get a torn or badly smudged copy, you're out of luck. I was also disappointed that a book called "Ships of the Line" didn't have a single schematic drawing or even a comparative illustration to scale of the various ships (like is sort of done on the cover picture).
Even given all these qualifications, there are at least 10 pictures in this book that really inspire me and excite my imagination; and any two of them, for me, are worth the price of the book.

Disappointed.......2007-09-04

Great art work, but I was expecting the entire book to give us a complete look at rarely or never before seen star fleet ships in various situations. There was a limited look, but mostly that of the series ships we're already quite familiar with. I wasn't too thrilled about the blank left pages as well. Lots of potential for a great coffee table top book. Hopefully we'll get more in a Volume 2.

Another Great Star Trek Photo Book.......2007-08-12

Margaret Clark & Doug Drexler have out done themselfs. This book is packed full of some of the best CGI graphics yet to be published. It's a must for any trekie as it will keep you spell bound just looking at page after page. The book covers all era's of trekdom with graphics of all the major ships we've come to love. It even has a few hints of things to come. The book is graphic intense with very little story, but that ok because some of the graphic will have you beliving that these ship are real. The only short side to this book is it's lack of alein ships as it's cover suggests. There are some aliens ship but none are the focal point of any of the graphics. All in all I would highly recommend this book for anyones library.

Average customer rating:

great for art/"Pocahontas" fans in general
A book as beautiful as its main character
Weak parts, but worth taking a look at.
Very beautiful!
Miniature Poachontas Book is Big on Color and Information

ART OF POCAHONTAS, THE
Steven Rebello
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786861584

Customer Reviews:

great for art/"Pocahontas" fans in general.......1998-08-24

I love flipping through this book once in a while just to be in awe of Disney animators all over again, but I agree w/ some of the other reviewers who say that there isn't enough about the actual people behind this artwork. I'd like to find out more about how the artists & voices influenced different aspects of the story, reacted to deadlines, etc. too--but the art almost makes up for it. The book also provides some more insight into the personalities of the characters in "Pocahontas," which I found enlightening. Overall, it's a beautiful accompaniment to the movie, and very inspiring as well--makes me want to learn how to draw a little better.

A book as beautiful as its main character.......1997-12-27

The art of Pocahontas is, to my mind, one of the most beautiful books about animation art. Its composition following the making of the film step by step helps the reader to understand how a huge production such as Pocahontas is made and all the production aeras are represented. The pictures taken from the film and the artist's sketches shown in it are so great they could make anyone that did not like the design of Pocahontas ( and god knows they are a lot in France ) loves it. The only thing that could be improved is about photos of the artists in their work environment, there should be more.

Weak parts, but worth taking a look at........1997-11-30

The only thing holding this book together is the easy way it flows. In the tradition of other Disney "Making of..." books, it follows the format of each animation process from concept to script to storyboard to animation. Its interesting, but at times bogs down some nice visuals. Not all the visuals are great, though. The pre-production art seems weak and cliche like the drawings of pilgrims and Indians you remember as a kid. Only in the animation chapters does it pick up, particularly the work of Glen Keane. As chief animator of the title character, his storyboards and animation seem the most inspired and studied. Other character designs seem less bold against Disney's first eco-feminist heroine who paved the way for post-feminist heroines like Esmeralda from Hunchback and Meg from Hercules. The book not unnique in its execution or format, but its worth taking a look at to compare with other films and books and to see the evolution of the thought process of great Disney animators like Keane and Ruben Aquino. And of course it has its share of Disney we-are-doing-this-and-no-one-else-can attitude.

Very beautiful!.......1997-11-26

First of all, I assume that these reviews are supposed to refer to the large hardcover edition, which was published in 1995, and not the smaller 1996 edition. The large one is gorgeous, allowing a look into the world of how the artists develop a film from start to finish. Some of the concept art is so beautiful that you wonder why it didn't make it into the film. My only gripe with this book is that, like Rebello's other books, it deals almost entirely with the visual aspect of the films and, although it talks about how songs developed the movie (the Colors of the Wind section is especially well done), what about the voices? In The Art of Animation: From Mickey Mouse to Beauty and the Beast, descriptions and photos are included of the actors who voiced the characters. While you might say that this sort of thing doesn't belong in an "Art of" book, I think it does, because the actor who voices a character often has a tremendous influence on the visual development of that character. For example, Belle in Beauty and the Beast would not have had the lock of hair that kept falling into her face - an endearing gesture that helped make her more real to the audience - if Paige O'Hara, her voice, had not had it first. The Art of Pocahontas would be perfect if it offered similar insights. But it's definitely worth reading or just looking at, to bask in the sheer beauty of the artwork.

Miniature Poachontas Book is Big on Color and Information.......1997-03-06

Don't let the small size of "The Art of Pocahontas"fool you; the authors have crammed the 5.5" by 4.5" book with loads of colorful artwork and interesting insights into the recent Disney masterpiece.

"The Art of Pocahontas" traces the creation of the film from conception to completion, including wonderful reproductions of concept sketches, background paintings, layout drawings and final animation art. The 189 pages of this small volume contain over 400 color and black-and-white illustrations.

The text was written by Stephen Rebello, an editor of "Movieline" and author of "Alfred Hitchcock and the Making of 'Psycho.'" He provides many insights into the collaborative and creative process behind the making of "Pocahontas."

Even though "The Art of Pocahontas" is an easy read--it takes less than an hour or two to read from cover to cover--the book provides plenty for fans of animation to contemplate. Much of the "behind the scene

Average customer rating:

Best book I've ever read!!!

Great book

Anazing !!

Suprisingly great book

Great book, but just a little over-embelished.

The Dirt: Confessions of the World's Most Notorious Rock Band
Tommy Lee , Vince Neil , Mick Mars , Nikki Sixx , and Neil Strauss
Manufacturer: HarperEntertainment
ProductGroup: Book
Binding: Paperback

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The Heroin Diaries: A Year in the Life of a Shattered Rock Star

Tommyland

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The Long Hard Road Out of Hell

ASIN: 0060989157
Release Date: 2002-07-09

Book Description

The most influential, enduring, and iconic metal band of the 1980's reveals everything a tell–all of epic proportions.

This unbelievable autobiography explores the rebellious lives of four of the most influential icons in American rock history.

Motley Crue was the voice of a barely pubescent Generation X, the anointed high priests of backward–masking pentagram rock, pioneers of Hollywood glam, and the creators of MTV's first ⯯wer ballad.⟔heir sex lives claimed celebrities from Heather Locklear to Pamela Anderson to Donna D ᄲ rico. Their scuffles involved everyone from Axl Rose to 2LiveCrew. Their hobbies have included collecting automatic weapons, cultivating long arrest records, pushing the envelope of conceivable drug abuse, and dreaming up backstage antics that would make Ozzy Osbourne blanch with modesty.

Provocatively written and brilliantly designed, this book includes over 100 photos, many never before published, for the most exciting and insightful look ever into the Crue.

Customer Reviews:

Best book I've ever read!!!.......2007-09-30

Art is a piece of work that moves you & this book did. I laughed, I was disgusted, I even cried. This is twenty years of a band strugling though fights, overdoses, suicide attempts, mariages, deaths, prison (it's all here!). I love how the story is told by different people so you can hearing everybody's version of what happened (crazy how everybody remebers things differently). You get to hear what happened behind closed doors & what wasn't in the tabloids. It truly was an awesome read - very hard to put down!

Great book.......2007-09-18

From page one your are on a journey, as told by each memeber of the band, from the worst part of L.A. and Motley Crue's beginnings, to their rise to super stardom in the world of rock and roll. I was never much of a Crue fan when they were in their prime, but as I got older, I started to like their music and enjoyed reading about their beginning and the typical crazy road that most rock stars take.

Anazing !!.......2007-09-18

I loved the book the most amazing thing i have ever read inmy life !!!

Suprisingly great book.......2007-09-17

You will wet your pants laughing within the first 5 pages. I am half way through the book and learning alot about the band and Nikki Sixx himself. There is alot people do not know. Can't wait to finish the rest.

Great book, but just a little over-embelished........2007-09-13

This book is a FUN read and I have no doubt that for the most part things went down exactly as described. However I've also read Neil Strauss' other books and while a brilliant writer, he tend to make things larger than life and more polished than they really were (read the Game especially for examples of this.) Some things in the book seem a little too "neatly" described and he glosses over some of the more negative aspects of Motley Crue (And I grew up with them and obsessively followed their press since I was in middle school.)

But definitely a thumbs up. Look forward to reading Nikki's new book for comparison.

Channels of Discourse, Reassembled: Television and Contemporary Criticism

Average customer rating:

Excellent Overview of Media Studies Methodologies

Channels of Discourse, Reassembled: Television and Contemporary Criticism
Robert C. (ed.) Allen
Manufacturer: The University of North Carolina Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0807843741

Book Description

Since its original publication in 1987, Channels of Discourse has provided the most comprehensive consideration of commercial television, drawing on insights provided by the major strands of contemporary criticism: semiotics, narrative theory, reception theory, genre theory, ideological analysis, psychoanalysis, feminist criticism, and British cultural studies.

The second edition features a new introduction by Robert Allen that includes a discussion of the political economy of commercial television. Two new essays have been added—one an assessment of postmodernism and television, the other an analysis of convergence and divergence among the essays—and the original essays have been substantially revised and updated with an international audience in mind. Sixty-one new television stills illustrate the text.

Each essay lays out the general tenets of its particular approach, discusses television as an object of analysis within that critical framework, and provides extended examples of the types of analysis produced by that critical approach. Case studies range from Rescue 911 and Twin Peaks to soap operas, music videos, game shows, talk shows, and commericals.

Channels of Discourse, Reassembled suggests new ways of understanding relationships among television programs, between viewing pleasure and narrative structure, and between the world in front of the television set and that represented on the screen. The collection also addresses the qualities of popular television that traditional aesthetics and quantitative media research have failed to treat satisfactorily, including its seriality, mass production, and extraordinary popularity.

The contributors are Robert C. Allen, Jim Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Kozloff, Ellen Seiter, and Mimi White.

Customer Reviews:

Excellent Overview of Media Studies Methodologies.......2002-07-04

In a critical writing course I taught in Spring 2002, I used Channels of Discourse, Reassembled as the core text for the course readings. The many chapters within are written by the best of the best in the fields of media studies and cultural studies, and the methodologies are presented in an easy-to-read manner which is informative and full of examples and case studies. This is an excellent book for media studies students, as its chapters lay out the basic information they should know about many of the methodologies often used in media criticism.

Average customer rating:

A worthy contribution to history free of myth and full of facts
Two Shortcuts To Becoming A Lone-Assassin Believer: Watch The 11/22/63 Real-Time Live TV Coverage....And Then Read This Book
Out of the Past
very good press reporting
JOURNALISM CLASSIC AND INSIDE SCOOP

When the News Went Live: Dallas 1963
Bob Huffaker
Manufacturer: Taylor Trade Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 1589791398

Book Description

Broadcast journalism came of age in the Kennedy Assassination crisis and helped to hold a mourning nation together. Four reporters on the scene relate their experiences.

Customer Reviews:

A worthy contribution to history free of myth and full of facts.......2007-04-03

There are so very few books that convey a sense of "being there" when it comes to the Kennedy assassination. This outstanding book takes the reader back to that fateful weekend of November 22nd 1963 in Dallas, Texas and does so in an open, honest and compelling manner.

"When the News Went Live" is written by four journalists who were in Dallas on that day covering the presidential visit. Bob Huffaker and the other three newsmen share many interesting stories that you will not find elsewhere and that have been untold for many years no doubt to all but their personal friends. This is why the book is such a valuable contribution to the historical record. Such first hand observation regarding not just those few seconds in Dealey Plaza, the murder of Officer Tippet and the shooting of Lee Harvey Oswald by Jack Ruby, but how in fact the entire story unfolded, makes fascinating reading.

As an aid to anyone interested in the assassination, this book is a must have. I would emphasize - rarely do you find first hand knowledge like this - much of what is written on this subject is written by people many steps removed from the event where fact and fiction merge into one. Not so here. A fabulous book which is refreshingly free of the conjecture and myth that is so common in the Himalayan pile of work on the Kennedy assassination and is highly recommended.

Two Shortcuts To Becoming A Lone-Assassin Believer: Watch The 11/22/63 Real-Time Live TV Coverage....And Then Read This Book.......2007-01-02

"With three shots from a mail-order rifle, Lee Oswald set off a worldwide tragedy that developed too fast to print. .... Broadcast journalism came of age in that crisis of grief and uncertainty, and as it drew its mourning audience, it helped to hold the nation together." -- Bob Huffaker; From the Preface of "When The News Went Live: Dallas 1963"

----------------------

"When The News Went Live: Dallas 1963", published in 2004, paints a vivid word picture of many of the incredible events that surrounded President John F. Kennedy's assassination in November of 1963, as seen through the eyes of four journalists -- Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise -- who covered those events as they happened for CBS affiliate KRLD-TV and Radio in Dallas.

President Kennedy's shocking and appalling assassination on November 22, 1963, was the very first really big "Watch It Unfold Live On TV" news event of the television era, with four full commercial-free days being devoted to nothing but exclusive assassination-related coverage by all three major TV networks (with KRLD's on-the-scene Dallas reporters frequently feeding CBS-TV headquarters in New York).

And the four reporters whose intriguing stories unfold within this 224-page hardcover volume were right smack in the thick of things during the rapidly-developing events -- from the initial sketchy bulletins that told of the President being shot in Dealey Plaza during a motorcade drive through the city of Dallas -- to the announcement of JFK's death at Parkland Hospital -- to the capture of the accused assassin (Lee Harvey Oswald) in a nearby movie theater -- to Oswald's very own murder on live TV (with Bob Huffaker reporting live from the basement of the Dallas Police Department, where the single gunshot from Jack Ruby's pistol added yet another hard-to-believe chapter to the weekend's nightmarish story).

It was a mesmerizing weekend in American (and television) history, to say the least. And those days are re-lived with clarity in this engaging book by way of the recollections of four men who lived through and reported on those events when they were occurring.

"When The News Went Live" contains several excellent black-and-white photographs, too (some of them I haven't seen published elsewhere).

On a personal level, I have had the pleasure of communicating (via e-mail) with Bob Huffaker several times. He has been very cordial and gracious whenever answering the questions that I had for him. His personal insights into the events revolving around JFK's death are fascinating glimpses into the past, and are insights that I have enjoyed reading immensely.

A sample e-mail excerpt from Mr. Huffaker:

----------------------

"David, you're right about the presidential visit and motorcade being the main attraction that all Dallas media were covering, of course. But all our stations had limited capabilities for doing mobile TV, which then demanded either cables or microwave dishes--as well as a receiving dish within line-of-sight beaming or bouncing.

Hence the pool TV arrangements, limited to three planned locations. The local TV stations did live TV from the FTW {Fort Worth} breakfast, Love Field, and the Trade Mart. But this was, indeed, the day the news went live on television, unplanned.

WBAP-TV in Fort Worth had a non-running TV van, which they had towed all the way from Cowtown to Dallas Police headquarters, and we sent both of our KRLD-TV vans into duty--the Bread Truck at DPD and the Blue Goose on the 24th to the county jail, etc.

This was the first time in TV history when on-the-spot news suddenly demanded to go live from the scene. Before that, radio news on-the-spot descriptions such as ours that day were common (like the Hindenburg broadcast--radio only), and live TV was usually reserved for major speeches, sports, etc.

Bob" -- E-mail to this writer; May 30, 2006

----------------------

Relating to the subject of "WHEN THE NEWS WENT LIVE", I'd like to offer up the following observations as an extension of this book review.....

To those JFK conspiracy theorists who seem to favor the Oliver Stone-like or Robert Groden-promoted assassination scenarios (that feature a minimum of three gunmen and anywhere from 6 to 10 gunshots being fired at President Kennedy in Dallas' Dealey Plaza on November 22, 1963) -- I always suggest to them that they ought to dig up some of the originally-aired "As It Is Happening" live TV or radio broadcasts from that dark Friday in American history.

After performing that exercise of watching a few hours of the November 22 television coverage of the assassination (in real time), or listening to some of the radio broadcasts in real time (which works just as well) -- I challenge anyone to then arrive at the same conclusion that was slapped up on the big theater screen in 1991 via Director Oliver Stone's blockbuster, conspiracy-laden motion picture "JFK".

Watching the day's events unfold "live" in front of you (or listening to them unfold on the radio as it was happening) should, in my opinion, provide everyone with a good general idea of how utterly impossible a task it would have been to have "faked" so much stuff that was being IMMEDIATELY reported to the world on live television and radio within minutes and hours of the President's assassination (and within a very short space of time following Police Officer J.D. Tippit's murder as well).

Via those original live TV/Radio broadcasts, you're not going to hear a SINGLE report that resembles anything close to the Oliver Stone/Jim Garrison-endorsed nonsense of:

"Three gunmen fired six shots at President Kennedy's motorcade today here in Dallas!!"

What you will hear, instead, is live coverage, as it happened, of a ONE-GUNMAN assassination taking place from where the majority of witnesses said it took place (the Texas School Book Depository Building), with no more than three shots having been fired by the SINGLE SHOOTER, which is a shot count that over 91% of the witnesses concur with -- including the small percentage of witnesses who heard only one or two shots, who are witnesses that certainly don't do Mr. Stone's "6-shot ambush" theory any favors.

Upon evaluating virtually all of the TV networks' live assassination footage from November 22nd, 1963, there is no possible way that a reasonable person could arrive at a conclusion that JFK was shot by three assassins, firing from both front and rear. Let alone arriving at an even more-cockeyed "8-to-10-shot" shooting scenario, as purported by Mr. Groden and some other CTers, which is an outlandish conspiracy-flavored scenario that has John Kennedy and John Connally being shot by way more than just the two Warren Commission-backed Mannlicher-Carcano bullets from Lee Harvey Oswald's rifle.*

* = And Mr. Groden's theory (that sports from 8 to 10 gunshots) also features an additional hunk of lunacy, in that Groden thinks it's very likely that NONE of these eight to ten shots came from the "Oswald window" in the Book Depository! (I'm not making this crazy stuff up here. I promise. Anyone who owns a copy of Robert Groden's 1993 book "The Killing Of A President" can check out Groden's preposterous theory for themselves, on pages 20-40.)

The bottom line is -- Very nearly all of the information being reported on TV and radio that November day favored a "Lone Assassin" shooting scenario (including the info concerning the Tippit murder in Oak Cliff), with very little evidence and information being broadcast that would support any type of a "conspiracy" whatsoever; and certainly no "conspiratorial" evidence that has ever panned out and "proved" that a multi-gun plot ended JFK's life in Dallas.

This is quite a telling "One Killer" fact. Because, in my view, if a vast conspiracy and subsequent "cover-up" had been in place on November 22nd (given the immense amount of TV and radio coverage, with reporters scrutinizing everything coming across their desks and digging hard for any type of case-solving clues during those first hours and days after JFK and J.D. Tippit were killed), I think that at least SOME pieces of the conspiracy would have leaked through to the sweeping television and radio coverage surrounding the two Dallas murders.

And I'm guessing that every reporter and newsman in the country (including Messrs. Huffaker, Mercer, Phenix, and Wise) would have loved to dig up some "conspiracy"-proving angle during that weekend in November of '63. Being the person who uncovered such a huge story would certainly be a feather in that reporter's cap, to be sure. But, as it turned out, nothing of that nature occurred....and has yet to occur all these many years later.

To think (as many theorists do) that these conspirators were so smart and so quick to have had the capabilities to immediately eliminate virtually every last scrap of information leading to a conspiracy plot of some kind, making sure that none of the "multi-gunmen shooting event" details seeped through to the media (multiplied by TWO separate murders as well, counting Tippit's!), is to think that any such evil-doers had powers similar to "Superman".

For example -- Almost every one of the initial reports concerning the number of gunshots heard by witnesses stated "3 shots". And while it's true that the very first report of the shooting from UPI's Merriman Smith (which was broadcast over all the television networks) stated "Three shots were fired...", it's also worth noting that Smith's initial bulletin was not the ONLY "three shots" account that was reported during those early hours just after the shooting.

For instance, Jay Watson of ABC affiliate WFAA-TV in Dallas (who happened to be in Dealey Plaza during the shooting and nervously reported the first bulletins to the unaware Dallas TV audience) is heard multiple times on November 22nd saying he heard "3 shots" fired.

Plus, several other members of the media are also on record stating their own PERSONAL beliefs that exactly three shots were fired by the assassin, including Robert MacNeil, Jack Bell, Bob Clark, Jerry Haynes, and Pierce Allman, among still others.

Some of the other "Three Shot" witnesses who were riding right in the Presidential motorcade itself include -- Photographers Tom Dillard, Robert Jackson, Mal Couch, and James Underwood. Plus, both John and Nellie Connally, who were riding in the same car with President Kennedy.

In addition, Presidential aides Ken O'Donnell and David Powers, who were both riding in the Secret Service follow-up car directly behind JFK's limousine, can also be added to the lengthy list of witnesses who heard precisely three gunshots.

And then there's also amateur filmmaker Abraham Zapruder, who took the most famous 26-second home movie in history when he captured the entire assassination with his 8mm Bell & Howell movie camera -- Zapruder showed up on live TV about 90 minutes after the President's murder took place and gave a graphic account of the horrifying event that had taken place in front of his very eyes.

Mr. Zapruder told the WFAA-TV viewing audience that he had heard two or three shots (but definitely no more than three), and he also demonstrated on live television where on the President's head he had seen the effects of the fatal gunshot. Zapruder puts his hand over the right-frontal portion of his own head to demonstrate where he saw the blood coming from JFK's head.

That's pretty amazing "LIVE" stuff from Mr. Zapruder's own lips (within approx. an hour-and-a-half of the assassination). And it's especially incredible and amazing if there had actually been many more than just two or three shots fired at the President, and if the fatal shot had actually (as many CTers believe) caused a huge hole in the BACK of John Kennedy's head, instead of the location where Zapruder placed it on live television -- i.e., the RIGHT SIDE AND FRONT portion of the head.

How could the so-called "conspirators" have possibly gotten THAT lucky with respect to Abraham Zapruder's live "on-the-air" WFAA-TV statements and head-wound "demonstration"? How?

And -- Could these ultra-clever conspirators have somehow managed to "manipulate" several reporters who were relaying the news live to the world immediately after the event, and have them ALL report on hearing just "three shots" (or, in a few cases, hearing only TWO shots, which is a number that certainly does not favor a "Multi-Shooter Conspiracy Plot")?

Or did the plotters just happen to get really, really LUCKY (again) when virtually all of the news reports favored the "Three Shots Fired" conclusion? With this 3-shot scenario matching the precise number of bullet shells that were found on the 6th Floor of the Book Depository after the shooting; and also perfectly matching the exact number of shots heard by TSBD witness Harold Norman, and also perfectly matching the precise number of bullet shells (3) that Norman heard hitting the plywood floor directly above his 5th-Floor location within the Depository.

Which, per Oliver Stone's movie, would mean that a full 50% of the ACTUAL number of gunshots were somehow inaudible to the enormous majority (91%+) of the earwitnesses! And, remember, Oliver has NONE of the shots within his movie's six-shot assassination ambush being "synchronized" in order to merge together with the sound of some of the other shots.

And yet, per Mr. Stone, we're supposed to actually believe that approximately 9 out of every 10 witnesses somehow missed hearing HALF of the gunshots fired that day! A reasonable thing to believe....or not? I ask you.

Were these so-called conspiratorial shooters so good that they could make 4 to 10 shots sound like only three to the vast majority of witnesses scattered all throughout Dealey Plaza? Highly doubtful, to say the least.

Again -- I'd advise all conspiracy theorists to sit down and watch the live TV footage....or listen to some of the surviving 11/22/63 radio tapes....and then try to find a "Multi-Gunmen Conspiracy" lurking within ANY of those original broadcasts. If anybody finds proof of a conspiracy via those means, please let me know. And let the world know too.

David Von Pein
December 2006
January 2007

Out of the Past.......2006-04-04

We have become accustomed (yea, verily, some would say desensitized)to horror unfolding before our eyes in our very own living rooms. Bob Huffaker's book brings us back to a time before the desensitization, when we could scarcely believe what our eyes were telling us. I recommend this book highly to those who were there, watching as I was, and even more so to those who were not there. The young, raised in an era of suicide bombers, need to understand that it was not always thus.

very good press reporting.......2005-07-30

1963 nov 22 brought to life again but with more professionalism.some very interesting facts that confirmed my own thoughts .

JOURNALISM CLASSIC AND INSIDE SCOOP.......2005-05-07

I stayed up all night reading when my copy of When The News Went Live, Dallas 1963 arrived. This book is a classic and should be included in the curriculum of every journalism and political science classroom in America.

Huffaker, Mercer, Phenix and Wise have written the Texas story of the Kennedy assassination, the inside scoop on Oswald's murder and the history of the evolution of modern journalism. These four men were Dallas television reporters, on the scene and on their own, in the middle of the news story of the century.

It is a salute to their training and their integrity as newsmen that their coverage under duress stands today as a compelling rendering of those fateful moments. I am glad they were the early ones on the scene, for they were the ones who broke the news to me in my elementary classroom. The story gives their perspectives more fully; all these years later, this book helps me understand the events and how they affected Texas and the nation.

Bob, Bill, George and Wes were there in Dallas with their Southern sensibilities. They weren't easily pushed around or manipulated that dark day and still aren't. They were taught to tell the truth as objectively as possible, and they reverted to that training and their good common sense when placed in positions lesser men might have blown or exploited. These four men cared about truth and justice and fairness and still do. I hope all young journalists will read this and learn about balanced reporting.

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Review
Wanted more of an autobiography
Intriguing,surprising insights about foucs & tenacity
The Women Who Raised Me
A wonderful book

The Women Who Raised Me: A Memoir
Victoria Rowell
Manufacturer: William Morrow
ProductGroup: Book
Binding: Hardcover

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ASIN: 006124659X
Release Date: 2007-04-10

Book Description

The story of a remarkable woman's rise out of the foster-care system to attain the American dream—and of the unlikely series of women who lifted her up in marvelous and distinctive ways

Born as a ward of the state of Maine—the child of an unmarried Yankee blueblood mother and an unknown black father—Victoria Rowell beat the odds. Unlike so many other children who fall through the cracks of our overburdened foster-care system, her experience was nothing short of miraculous, thanks to several extraordinary women who stepped forward to love, nurture, guide, teach, and challenge her to become the accomplished actress, philanthropist, and mother that she is today.

Rowell spent her first weeks of life as a boarder infant before being placed with a Caucasian foster family. Although her stay lasted for only two years, at this critical stage Rowell was given a foundation of love by the first of what would be an amazing array of women, each of whom presented herself for different purposes at every dramatic turn of Rowell's life.

In this deeply touching memoir, Rowell pays tribute to her personal champions: the mothers, grandmothers, aunts, mentors, teachers, and sisters who each have fascinating stories to tell. Among them are Agatha Armstead, Rowell's longest-term foster mother, a black Bostonian on whose rural Maine farm Rowell's fire to reach for greatness was lit; Esther Brooks, a Paris-trained prima ballerina, Rowell's first mentor at the Cambridge School of Ballet; Rosa Turner, a Boston inner-city fosterer who taught Rowell lessons of independence; Sylvia Silverman, a mother and teacher whose home in a well-kept middle-class suburban neighborhood prepared Rowell for her transition out of foster care and into New York City's wild worlds of ballet and acting and adulthood.

In spite of support from individuals and agencies, Rowell nonetheless carried the burden of loneliness and anxiety, common to most foster children, particularly those "orphans of the living" who are never adopted. Heroically overcoming those obstacles, Rowell also reaches a moment when she can embrace her biological mother, Dorothy, and, most important, accept herself.

Ultimately, The Women Who Raised Me is a story that belongs to each of us as it shines a glowing light on the transformational power of mentoring, love, art, and womanhood.

Customer Reviews:

Review.......2007-09-07

This was a well written book. The author gives a heartfelt account of her life in foster care. She begins her story as a small child in rural Maine and concludes as an adult actress in Hollywood. This is a great book that deals with foster care, mental illness, achievements, and adversity in a young woman's life.

Wanted more of an autobiography.......2007-08-16

I know the title says the women who raised me, but I really wanted to read more about how she got into acting, what it was like to be on the young and the restless and work with dick van dyke. She spends many chapters about her ballet years, but doesnt mention what it was like to get into tv acting, which is really her career, not ballet. She is known for being a TV star. She did a great deal of research into her families/friends - I think too much. I had to skip many many pages because it got boring. She mentions her marriage, but never talks about getting divorced. I never knew if she married Wynton or not, had to look it up on the net. She doesn't get into her relationships with men much or her children. I got the impression Wynton was raising her son? but who knows. She seems very multi talented though and it was great that she put so much time into writing a book in addition to her other charities/career.

Intriguing,surprising insights about foucs & tenacity.......2007-08-10

This is an exceptionally touching journey through the life of a foster child that was exposed to a number of phenomenal women.

All their lives were woven together beautifully by the author [Rowell]and revealed that despite backgrounds that were so different, these women all exhibited determined, giving spirits through their own talents.

A must read!!

The Women Who Raised Me.......2007-07-28

A very touching story , well written and informative. So sad at times. I loved that there were pictures of these incredible women to put faces on the heroes! Inspiring too, that with love and guidance, our children can thrive in difficult life situations.
As a grandmother to a mixed race child, very distubing also, that we still have so far to go in the US.

A wonderful book.......2007-07-01

I could not put down Ms. Rowell's life journey. I knew very little about her, only that she was an actress in a soap opera. She is an incredibly strong woman. I have great admiration for her. She could so easily have turned her back on her painful past and distanced herself from orphans; but she chose not to. She embraces her birth mother and all who assisted her.

Amusing Ourselves to Death: Public Discourse in the Age of Show Business

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Outstanding book - must read
Important read
The Audio Was Great
Another "Thin" Classic From Postman
Deserves to be Called a Classic

Amusing Ourselves to Death: Public Discourse in the Age of Show Business
Neil Postman
Manufacturer: Penguin (Non-Classics)
ProductGroup: Book
Binding: Paperback

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ASIN: 014303653X

Book Description

Originally published in 1985, Neil Postman's groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining controlof our media, so that they can serve our highest goals.

Customer Reviews:

Outstanding book - must read.......2007-09-27

One of the best books on the danger posed by entertainment to our civic community.

Important read.......2007-09-04

This book asks questions that we need to be asking but aren't. How can we not at least question the media and technology that we take in like oxygen? It's an important read and I recommend it to anyone who isn't apathetic.

The Audio Was Great.......2007-09-03

If you like people like Colin Wilson, you will love this well written and well thought out book. It is like listening to Colin Wilson without the references to literature but the lessons are intact.

Another "Thin" Classic From Postman.......2007-06-22

This is Postman's most famous and widely read book (as is attested by the more than 100 customer reviews here on Amazon) and it is, as other reviewers have suggested, a classic in the Media Studies field. The songwriter Roger Waters was inspired enough to title his album "Amused to Death" after reading Postman's book (although Postman states in one of his later works that he himself would never stoop to listening to the likes of a "Roger Waters").

Instead of giving the usual plot synopsis here as other reviewers have done, I would like instead to perform for you a Media Studies reading of the book. That is to say, instead of reviewing the book's contents, I would like to draw your attention to the medium and format of the book itself, and in doing so, point out what this reveals about Postman as a philosopher.

To begin with the most important point: there are no pictures. Anywhere. And not only is this true of Amusing Ourselves to Death, it is true of every single one of Postman's books. This should alert us to something very important here about Postman: he is iconophobic. He is engaged in a battle against images of any, and every, kind. Not even Marshall McLuhan was so antipathetic to the use of images and illustrations, for his very first book, The Mechanical Bride, is a series of commentaries upon advertisements. In the age old battle of the Word vs. the Image -- a battle which goes way, way back before the twentieth century to the Iconoclastic debates amongst the Greek Byzantines whose iconophobes were in fact influenced by the aniconism of Islam, an entire religion which, like Judaism, had been based upon a rejection of images -- Postman, in this tradition, definitely aligns himself on the side of the Word against the iconophiles, be they Catholics or Hindus or lovers of comic books, or whomever.

Also, you will not find any references to works of art of any kind in this book. Postman apparently has an antipathy to painting and imagery of any kind whatsoever, be it "classical" or electronic. It is important to point this out because it reveals, in the tradition of Harold Innis, Postman's essential "bias" in this book. Indeed, Postman's dialogue with Camille Paglia, published in an old issue of Harper's, underlines this point, for Paglia is as much an iconophile as Postman is an iconoclast. "In the beginning was the Word," Postman quotes, as though to clarify his own personal theology, before proceeding onward with his dialogue with Paglia.

The next thing to notice about the book is its brevity. It is very short, as in fact, are all Mr. Postman's books, for Postman has been quoted as saying that he does not believe in writing long books, and that if one cannot express oneself in two hundred pages or less, then one has no business writing a book. The bibliography, accordingly, is also short, and so apparently Mr. Postman did not feel the need to read many books in order to write this book.

For Postman really only has a single point to make here, and it is an important point which he argues persuasively and eloquently: television is taking over our culture, and all our thought patterns in every aspect or division of our culture is taking its cue from the syncopated, discontinuous and ahistorical "mentality" of television. How this has affected our reading habits, and whether those reading habits still continue, albeit in a changed manner, Postman fails to address. For people have not stopped reading books; instead, they continue to read books, but their expectations of the book have changed. The brevity of Postman's book is itself perhaps an example of what happens to sustained intellectual discourse in the Electronic Age: books get shorter because our attention spans (Postman's included) have shrank. Nobody wants to wade through books on the scale and magnitude of Spengler's Decline of the West or Hegel's Phenomenology of the Spirit. I notice, furthermore, that the sorts of books which Postman exhibits in his Bibliography are, one and all, short books.

Thus, here is the secret of Postman's book: Postman himself suffers from the very same attention deficit disorder that he castigates others for having suffered at the hands of Electronic Society.

Hmm. One would expect a professor of Media Studies who was as well read and thoughtful as Postman to engage our attention for a while longer. If this book is the greatest thing Postman ever wrote, then we must confess, alas, that Postman's work does not contain a single magnum opus on the level of a Gutenberg Galaxy or an Understanding Media. Perhaps this fact in itself is evidence of a general decline in intellectual and literary ability in our culture during the latter half of the twentieth century.

The reader should not understand that I am saying that there is anything wrong with Amusing Ourselves to Death. But we should learn to understand its limitations in order to appreciate its place in the pantheon of Media Studies classics, upon which list, after all is said and done, Amusing Ourselves to Death places relatively low.
--John David Ebert, author Celluloid Heroes & Mechanical Dragons: Film as the Mythology of Electronic Society

Deserves to be Called a Classic.......2007-06-19

It seems unlikely that a book labeled "Current Affairs" could have a shelf life of more than a few years. It seems preposterous that a book dealing with television and referring to Dallas and Dynasty could have anything to see twenty two years after being published. Yet Neil Postman's Amusing Ourselves to Death, now in it's "20th Anniversary Edition" continues to be read and studied and to hold influence. Even today it is used as required reading in many high school and college level courses. Though written by a man who made no claim to Christianity, few modern books written by an unbeliever have been more widely read and quoted by Christians. It truly is a remarkable little book.

Postman had that rarely quality of being able to see behind a fad, behind what was late and great. He saw the significance of the rise of the image and the fall of the word, the rise of amusement and the decline of discourse. He saw that television would soon saturate every area of our lives and taint the way we understand politics, religion, education and every other area of importance. As we now transition from a television-based culture to a computer-based culture the image remains central. Perhaps we have already amused ourselves past the point of no easy return. Television is remarkably effective at doing what it does best--entertaining. Postman had no argument with television is a tool of entertainment. In fact, the best things on television are its junk and no one is seriously threatened by this. Where television fails is in attempting to do the more serious work that has traditionally been carried by the written word.

Postman makes it his goal in this book to make the epistemology of television visible, demonstrating that television's way of knowing is hostile to typography's way of knowing, and not only that, but it is inferior to it. "Serious television" is a contradiction in terms for television speaks only in the voice of entertainment, never of serious, weighty, discourse--the kind of discourse that is essential to politics, religion and education. Television's influence has been relentless, transforming our culture so that every area is now considered a venue for entertainment.

Electronic media, led by television but being superseded by the computer, has changed the way we view the world and the way we carry on any kind of public discourse. Gone are the days when content was of overwhelming importance. Instead we deal with sound bites, with discordant images torn from any kind of context, and with style when in former days we relied on substance. Politicians win and lose election campaigns not on the basis of what they say, but on the basis of how they look when they say it.

Throughout the book is an interesting interplay between Huxley's Brave New World and Orwell's 1984. In the latter an oppressive regime dominates the world while in the former the people allow themselves to be overcome by levity, by entertainment and by pleasure so that they have no need of an oppressive regime. They were controlled by their amusements. Huxley, Postman argues, had it right. And I would tend to agree.

Amusing Ourselves to Death is a good read, a disturbing read, a thought-provoking read and, dare I say it, a must-read. It deserves its status as a classic and, though already two decades out of date, it is as timely as ever.

The Wu-Tang Manual: Enter the 36 Chambers, Volume One

Average customer rating:

Wow!
Not for newcomers
The RZA makes another classic!
ABSOLUTELY ASTONISHING.
Must Have

The Wu-Tang Manual: Enter the 36 Chambers, Volume One
The RZA , and Chris Norris
Manufacturer: Riverhead Trade
ProductGroup: Book
Binding: Paperback

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ASIN: 1594480184
Release Date: 2005-01-04

Book Description

The first book, the definitive book from HIP-HOP'S ORIGINAL DYNASTY

Since the release of the revolutionary Enter the Wu-Tang (36 Chambers), the Wu-Tang Clan has been hip-hop's leading creative force. Over the course of four seminal group albums and a multitude of ambitious side projects, they have constantly redefined the outer edge of what hip-hop can do and where hip-hop can go. Now, after a decade of dark beats and mysterious lyrics hinting at a larger whole, the legendary Staten Island hip-hop collective fully reveals, for the first time, the complex, multi-layered Wu-Tang Universe.

Spearheaded by the RZA, the "Abbot" of the Clan, The Wu-Tang Manual unravels the intricate web of personalities (and alter egos), warrior codes, numerological systems, and Eastern spiritual ethics that define the Wu-Tang dynasty. Here you'll find the key to Shaolin, to the Nine Rings and to the 36 Chambers, to the eight-point sun and to the rest of the enduring mysteries of Wu-Tang. The Wu-Tang Manual also contains the first official and comprehensive lyrical encyclopedia of the Wu-Tang, complete with musical, technical, and anecdotal analysis and annotation by the Clan.

For the hardcore Wu-Tang disciple and the recent initiate alike, The Wu-Tang Manual is the definitive guide to the essence of Wu.

Customer Reviews:

Wow!.......2007-08-29

I bought this book because I have been an avid fan of the Wu since high school. I had a feeling it would be good but little did I know that it would be in the tops of the bests books I've ever read in my life. If you've ever listened to a Wu song and wondered what this line meant, or what this word means, look no further. Who knew that there was actual rhyme and reason to ever since word picked for their lyrics.

If this is truely only a volume 1 out of many, I can't wait for the others. No matter what level of Wu fan you are, this will double it at least. Get this book.

Not for newcomers.......2007-08-18

The Wu-Tang Clan has been of the primary influences in my life, starting my interest in Hip-Hop music and culture as a youth through adulthood. This book is amazing; however, a novice listener of the Wu will not truly understand this book. A bandwagon listener of the Wu will not truly understand this book. This book is for the true heads, the people that have been intrigued with the sound, slang, style and charisma of the Wu-Tang ever since they first dropped on the music scene. If you're one of these fans, buy this book; you won't be dissapointed. For all you corny,wannabe, Johnny-come-latelys that claim to be a Wu fan and only own The W and Iron Flag, do us all a favor and don't buy this book; it will be a piece of genius that will go to waste collecting dust.

Witty Unpredictable Talent And Natural Game!

The RZA makes another classic!.......2006-11-05

This book is great for all Wu fans! Rza gives an in-depth look into the history of the Wu Tang Clan, its members, its songs and even the philosophies of the clan. This is a must read for anyone interested in the true innovators of the hip-hop game. From being the first rap group to have a clothing line, to the first rappers with a video game - the WU really taught all other rap labels how to stunt and laid a blueprint down for being successful in areas other than just rapping. Get this book to gain insight on the most prolific rap super group ever!

ABSOLUTELY ASTONISHING........2006-04-13

The Wu-Tang Manual is akin to all the EU (Expanded Universe) novels, comic books, and publications related to the Star Wars franchise for a hip hop fan of one of the culture's biggest phenomenons ever. The Manual is chock full of EVERYTHING an intellectual listener and avid fan of the Wu would want to know: biographies, lyrics explanations, philosophy, music equipment, and spirituality.

The Wu-Tang started a new sound in hip hop in early '93: gritty, minimalistic, atonal, and lo-fi, all exemplified in the classic debut 'Enter: The Wu-Tang'. From then on, a legend was born: numerous solo albums from all nine members, even including the honorary tenth member Cappadonna, movies, television, touring, guest appearances on other artists' projects, RZA even composed music for the original soundtrack to the Tarantino's two-parter 'Kill Bill'. The Wu-Tang even have their own "Expanded Universe" of branch-off emcees and groups that rivals the amount of material in that of the Star Wars EU (e.g. Cilvaringz, Killah Priest, Sunz of Man, Black Knights, Killarmy, etc.). And they're STILL going strong with a slew of new albums already dropping (Ghost's awesome 'Fishscale', Sunz' 'Old Testament', etc.). The Wu-Tang Clan are HIP HOP LEGENDS, and this Manual chronicles the beginning of the movement all the way to the present, even chronicling the events that shaped the life of Robert Diggs (RZA), which would eventually also shape his movement.

To the initiated, [hip hop] heads know the Wu stand for something and they're some pretty deep brothers. RZA quotes everyone from Nietzsche to the Hagakure, a guide of bushido commentaries for the warrior (samurai). Being heavily into philosophy myself, I was really intrigued and exhilerated to read what some of the artist's actually meant behind some of their poetic verses. I saw this book at a mom 'n' pop store (Hasting's) in San Marcos and absolutely fell in love with it.

If you're into hip hop, you're more than likely a fan of the Wu as well, and if you are, YOU NEED THIS BOOK -- become more intimately knowledgeable of the legendary Clan and everything they stand for and how they came to be. "CLAN IN THE FRONT!"

Must Have.......2006-04-05

If you're a Wu-Tang fan, you must buy this book. I think they could go deeper in few subjects, but it is good enough for the first book.

Average customer rating:

History and Movie comparison: Deadwood
Deadwood
Deadwood;Stories of the Black Hills
Great Book
insights for the fans

Deadwood: Stories of the Black Hills
David Milch
Manufacturer: Bloomsbury USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 1596912391
Release Date: 2006-10-17

Book Description

After just two seasons, Deadwood® has become one of cable’s highest rated series, a symbol of how great television can be when pushed to its limits. From the masterful acting to the surprisingly credible re-creation of a Western gold-rush town to the grippingly profane dialogue, Deadwood® is television made at the highest level of craft. Deadwood® is a vividly illustrated and comprehensive companion volume that brings fans behind the scenes to get the full story of HBO®’s award-winning drama—from Custer’s opening of the Black Hills (and defeat by the Sioux), to the compelling story of the frontier Chinese and how they braved racism and formed a shadowy society in the west. With unprecedented access, the book gives readers in-depth interviews with cast, crew, writers, designers, and historians. Original, specially commissioned photography provides a fresh look at the people and places of Deadwood®, with new portraits of the lead characters (based on actual persons), detailed depictions of the set (including the Gem Saloon and Jack Langrishe’s theater), and images revealing how the show is made, from costuming and makeup to the mixing of Deadwood® mud. A provocative, entertaining, and always evocative portrait of an era.

Customer Reviews:

History and Movie comparison: Deadwood.......2007-08-27

Great book! Showed and compared the real history of Deadwood to the movie. Went behind the scenes to talk about the movie. Enjoyed it tremendously!

Deadwood .......2007-08-24

What you would never hear in school or any other way. A fascinating piece of history ignored by main stream, but typically American.

Deadwood;Stories of the Black Hills.......2007-07-18

My husband Loved the book. He hated to see the HBO series end . This book gave him so much more insight to the charactors and the real life people they portrayed. He didn't want the book to end cause then it would be over!

Great Book.......2007-07-16

As a fan of Deadwood from day 1, I couldn't wait to dig into this book and see what it's all about. First off, the quality of the binding, paper and photos is exceptional. As expected, David Milch's text is very informative and well written. The bonus for me were the two page inserts written by the actors describing their character, and the process. Very good reading if you are even a minor fan of the show.

insights for the fans.......2007-07-13

I had to use the publishers link to find this book on Amazon but it was worth the work. Great bargain, photos, inside info, and American history from the actors and Milch. Fans will love this book.

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