Amazon.com
How does a spec script differ from a shooting script? What kind of fasteners should one use to bind a script? How did the term MOS come to mean without sound? You'll find the answers to these pressing questions and much more in David Trottier's eminently usable Screenwriter's Bible. The avuncular Trottier--a writer-producer, script consultant, and seminar leader--has written a friendly guide through the Hollywood morass. He touts it as six books in one: it's "a screenwriting primer, a screenwriting workbook, a formatting guide, a spec writing guide, a sales and marketing guide, [and] a resource guide."
Much of Trottier's advice is common sense: "Don't write anything that cannot appear on the screen"; to keep casting options open, don't make your physical descriptions too specific; "don't say Ron Howard is looking at the project if he is not." But there are things to know about Hollywood that are, well, quirkier. Don't write the title of your script on the front cover or side binding; present action sequences using the "stacking action" style; in query letters and scripts alike, avoid "big blocks of black ink." Trottier's guidance--from character development and revision to queries and pitches--is invaluable. Getting in the door can seem impossible, but it's not, necessarily. "If you write a script that features a character who has a clear and specific goal," says Trottier, "where there is strong opposition to that goal leading to a crisis and an emotionally satisfying ending, your script will automatically find itself in the upper five percent."
(By the way, MOS is said to have "originated with German director Eric von Stroheim, who would tell his crew, 'Ve'll shoot dis mid out sound'"). --Jane Steinberg
Book Description
The Screenwriter's Bible is six books in one. Book 1 -- A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 -- A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 -- A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 -- A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 -- A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 -- A resource guide that provides addresses and contacts for industry organizations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals. The "Bible" was a featured selection of The Writer's Digest Book Club.
Customer Reviews:
warning.......2007-09-23
The book is full of good information butif in browsing it, you see the website www.clearstream.com and hope to find the promised additional help on line, forget it. That web site is owned by a German investment company (for the past year or so). I Googled David Trotter (author of the book) and found him not.
This does not negate the value of the info in the book itself.
Must have for screenwriters.......2007-09-21
IT gives you what you need to have a screenwriting foundation - especially the technical aspect.
Top reference for writing Spec Scripts.......2007-09-04
Well written, easy to follow with alot of good advise. This really opened my eyes to the world of Spec Scripts which focus on the story (stay away from giving camera angles - because for the most part its the story that studios want to buy, they already have a staff who will put in the camera angles - they just want the story!!!).
Spec Scripts are what gets your foot in the door (just the story in a format that is read by the Hollywood script readers - who then intern recommend it to the studio).
If you are serious about writting (novels, plays, movies, managa) this book shows you the basic format of Spec Scripts. Once you have completed a sub script you can turn it into anything e.g. novel, play, movie, manga).
Anyone considering screenwriting NEEDS this book........2007-08-05
Hey everyone, I've owned and read two editions of this book so far and it never fails to help inspire me or answer my questions. I highly recommend this book for the beginner. It starts with a primer on plot basically. It seeks to create a strong foundation because if you know nothing about plot structure and try to write a movie it will turn out either confusing or very boring. David really stresses the 3 act, 7 plot point structure that is the basic framework of creative writing. This can be repetitive, but he really wants to hammer it into your head.
The book also have a whole section on format. I have screenwriting software to do the format for me so I don't look at this as much as I used to, but it still comes in handy. I wrote my first screenplay in Word so this chapter really taught me a lot. Also, software or not, you need to know the basic framework of a spec script.
So, maybe this book doesn't have everything, but I have found this to be the only book I've ever used. Other books I've read on sreenwriting have had a lot of talking by the author. The author just keeps rambling on about things and not teaching me. David stays focused and keep you focused. This book's main purpose is to fill your head with facts. David also injects humor into his writing so you can stay entertained. In the formatting section he writes an amusing story of how he teaches a class in spec script format for example.
When it comes to the more advanced writer, you probably don't need this book, but if you are looking for a refresher course then you need look nowhere else. But what is really good about his approach is that it is focused on you, the spec script writer. He doesn't want to cloud your head with unnecessary camera direction and specials effects- things that the spec writer has no control over. All this happens after the script is sold. It's your job to tell a story using as much detail and action as possible. Don't get caught in the dialog trap- movies are mostly visual.
When you have finished your work and need help marketing it, there is a section of the book devoted to this difficult step. This is the only book on screenwriting I have found useful. Most self-help books I get no use out of. I dig this out whenever I start a new screenwriting project. I do hope to find a more advanced book written in a style like this however, as I have moved past the meat and potatoes stuff.
One of the Best.......2007-08-02
If you are just starting off as screenwriter and can only afford one book, this is the one. It is organized like a classroom workbook. Personally, I learn better with this type of structure.
Book Description
Josh Bernstein, host of The History Channel's hit series Digging for The Truth, takes readers beyond the cameras for an even closer look at his adventures through some of the most intriguing, remote, and physically challenging locations on the planet as he explores the world's greatest ancient mysteries.
No location is too dangerous, no terrain too rough, no culture too exotic for explorer and survival expert Josh Bernstein. With his unique hands-on approach, he travels the globe, seeking answers to some of the most enigmatic mysteries of the ancient world. Digging for the Truth shares Josh's personal stories, journals, and insights, revealing the risks and dangers of what went on behind the scenes in shooting the show, and the fascinating details about what he uncovers along each adventure. Readers are right in the action as he:
• Discovers who built Egypt's pyramids and learns what secrets may be buried below the Sphinx.
• Follows the trail of the Lost Ark of the Covenant to the remote monasteries and churches of Ethiopia.
• Explores the journey of a potential Lost Tribe of Israel and examines DNA evidence that could make or break their claim.
• Visits the ancient site of Stonehenge, witnesses a Druid ceremony, and learns what purpose the stone circles may have served.
• Sails a Viking ship on a quest to determine if the Vikings landed in the New World five hundred years before Columbus.
• Lives with a remote and mostly naked tribe in the Amazon to search for hidden cities and learn the fate of one of the world's great explorers.
Readers will have access to all the inside details that viewers never see—everything from food poisoning and spider bites to the logistical challenges of shooting in some of the most remote places on earth. Complete with four-color photographs, Digging for the Truth will appeal to fans of the show as well as armchair travel and adventure readers.
Customer Reviews:
Digging for Something Other Than the Author's Ego.......2007-09-24
Maybe I was looking for information about archaeology, but what I received was a non-stop self-aggrandizement of the author. To be honest, I have not been able to get through the whole thing yet, but it's only because I was so disappointed in the part I have read.
Marcia Davis
Behind the scenes of a good tv show........2007-09-12
I really enjoyed this as a TV show when it was on the history channel and was pleased to see a 'behind the scenes' book. For those not familiar with the show, it is different from the usual talking heads feed you facts cable show, because the host really seems to get out and enjoy the work. Scrambling through ruins and up mountains to try and bring the viewer to the site really ads to the Indianna Jones sense of adventure brought by the cowboy hat, don't call it a fedora, wearing host.
This book ads to the serries by looking behind the scenes. Explaining the discomfort of lugging gear litterally over a glacer or dealing with grumpy officials in order to bring the show to the screen. If you've ever done filming or outdoor work, you know how this can go and Bernstien confirms with an almost gleeful sense of fun, that there were almost as many adventures behind the camera as were depicted on film.
If there's a down side to this book it is the nagging feeling that Bernstein isn't being entirely honest with us. Not about the big things but the small ones in his own life. He says he comes from the middle class of New York, but if you know the area and realize he is talking about family homes in the Hamptons and Bedford Hills, Westchester, vacation camps in Aruba and years of study in Israel, you realize he comes from money and either doesn't want to admit that or doesn't realize it. By the time the book has him worrying about ice storms in the alps while the producer is trying to get 'the shot' and everyone else is trying to survive, you're captivated by his style but that early misstep is an ugly distraction early on that stop this from being a 5 star for me. I kept reading and asking myself "Doesn't he know how lucky he is? does he take this for granted?" Anthony Bourdaine in his autobiography admitted early he came from money, got it out of the way and you never gave it another look. Bernstien will hopefully learn from the older tv presenter/turned writers for his next book. There will be another one, right?
Digging for the Truth.......2007-05-18
The book is an interesting and fun look at the series and some of the behind the scenes adventure and tedium that go into making the show. It's a pleasure to read. Josh Bernstein is an explorer and adventurer combining the scientific expeditions of the great age of exploration with the showmanship of Hollywood. This book is great by itslef and an excellent compliment to the TV series.
He's the bomb!.......2007-05-14
The book is great! He really makes what he does look easy and fun. The pictures were great! He's a cutie!!!!!!!!!!!!
good book.......2007-05-14
If you liked the show, the book will give you deeper insight on what goes on behind the scenes.
Customer Reviews:
Do you really want to write screenplays?.......2007-10-02
If so, you will love this book. As someone who reads all the books I can on screenwriting over and over as I write, I find this book invaluable. What separates it from the others? The chapters on subplots and scenes really help. I also have found Rob Tobin's book, John Truby's course, Kate Wright's book, Blake Snyder's book, Michael Hauge and Chris Vogler's DVD/books instruction to be helpful. These books don't just tell you to reveal character and move the story forward; they show you how.
Kind of boring, but good information.......2007-06-27
Linda Seger teaches or taught script writing at some school somewhere. She loves to tell you this in her book. I don't think she actually ever wrote any movies in her life that I can tell. According to the Internet Movie Database she was listed under Miscellaneous Crew in the "Never Ending Story II: The Next Chapter". Not exactly a block buster. So I think she should work a little harder on her craft. My guess is that she has made more money teaching and writing about movies than actually writing a movie. She is listed as script consultant in some random movies I've never heard of. Probably worth the $3 I paid used but not much more. Here's a tip for the author. Go write a movie we've heard of and then write a book.
Polish Your Hollywood Star.......2006-09-22
Reading a screenwriting book by Dr. Linda Seger is like taking a hundred meetings with Hollywood's best writers and directors, and listening in as Seger helps them mold their stories and scripts into a hit. Seger's experiences are vast, and she's generous with her advice, which is smart, visual, commercial, and practical. If you do what she says, your chances at selling and getting your screenplay made are tremendously magnified. Making a Good Script Great, for instance, is one of those books that every screenwriter should read (again-and-again) before starting the next project. A good screenplay is complex and sophisticated, but must read simply, easily, and enjoyably. The task is a multifaceted, intense, and long-suffering. Seger, however, provides the chisels and rouges to take your diamond in the rough, sharpen its edges, and polish its faces, until your script gleams and sparkles like a Hollywood star.
Linda's writing was helpful in the writing of my own book on screenwriting published by Michael Wiese Productions -- THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success.
Helpful.......2006-02-21
This book offers some good insight. This 'is' about "Making a Good Script Great" as the title says, so it's not for someone looking for a starting guide. For those people, I would reccomend "Lew Hunters Screenwriting 101."
I must warn, that the book references 'Witness' allot. So if you haven't seen it, see it. And see Ghostbusters too!
Overall though, this guide is one of the few that actually delivers, and is a quick and easy read.
-Matt
the publisher doesn't want to deal with you.......2005-08-18
The book is good, but the publisher is a horror for educators to deal with. (ex: requests for desk copies are met with a reply that amounts to 'buzz off')
Amazon.com
Aspiring screenwriters don't need another book on how to write a screenplay, says Karl Iglesias. What they need is a book on how to be a screenwriter. Voilà: The 101 Habits of Highly Successful Screenwriters, featuring interviews with 14 screenwriters, arranged by subject. The result reads like a panel discussion, touching on such subjects as collaboration, schmoozing, discipline, Hollywood, and story pitching. The dream of winning a Hollywood jackpot has lured everyone and his gardener into the screenwriting game. Still, despite the unencouraging odds, "all you need to do is write a good script," says Scott Rosenberg (Beautiful Girls). Some of the book's best advice concerns one of the screenwriter's most formidable hurdles: getting a screenplay read. Submit it to film festivals and screenwriting competitions, or follow Tom Schulman's (Dead Poet's Society) advice and hire an entertainment attorney. After all, "most of them know a lot of agents." --Jane Steinberg
Customer Reviews:
A Must Read.......2007-05-14
This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.
The truth you need to hear before pursuing your dreams.......2006-04-10
I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.
This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.
Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.
Yes, I am tired of reading old reviews on Screenwriting Books too........2006-03-06
I always find it frustrating when I go to Amazon and look at the reviews that are posted and find that they are at least 2 to 3 years old. So I decided to at least make a more up-to-date review.
First and foremost, this book is NOT a `How to Write a great Script' book. This book is about screenwriters and their knowledgeable insight on the practice we all know as Screenwriting. These established screenwriters ( Akiva Goldman: A Beautiful Mind, A Time to Kill, and the up coming The Da Vinci Code Steven E. de Souza: Die Hard, 48 Hours.) reference their past experience on what works, what does not work, and what habits you need to establish to have a successful career in the shark infested waters of Hollywood. Not sure how many hours you need to write day in day out? Thinking that you are the only one with a spouse and kids, fearing that you will not have enough time to write? Arrived at Hollywood lost with no plan of action on how to get your script read? Worried that you born yesterday and began sending inquiry letters to agents and producers? Fear of rejection (it is inevitable) from everyone? All these topics are discussed and more in this book.
This book is required reading for all serious screenwriters. I also suggest Breakfast with sharks by Michael Lent, The Art of Dramatic writing by Lajos Egri, Story by Robert Mckee, Making a good script Great by Linda Seger, and The Writer Got Screwed by Brooke A. Wharton.
A Must Have For Aspriring Screenwriters.......2005-11-28
This is one of thost books that you absolutely must read if you are an aspiring screenwriter. It's a goldmine of quality information to help you go from being a decent or lousy writer to a great one. Fourteen of Hollywood's most successful screenwriters share their secrets and tips to writing and selling your scripts to Hollywood. It's like getting private lessons from the pro's. Don't pass this book up, it will make a big difference in your writing career.
A good "dip-in" book for the isolated writer.......2004-12-20
Think of this book this way: it's you having a cup of tea with a bunch of good and not-so-good (but working) screenplay writers. This is not a formula for greatness, but rather a list of suggestions and experiences that you can greatly benefit from if you are so inclined.
Don't be put off by the cover. This is a good book. The best thing about it is it creates a sense of community and exchange of knowledge in what is essentially an isolated (and some might argue isolating) occupation.
This is a "dip-in" book which I find useful and refer to often.
Amazon.com
How Not to Write a Screenplay is an invaluable addition to any aspiring screenwriter's shelf--and you'd best make the shelf within arm's reach of the computer. Author Dean Martin Flinn, an experienced script reader, details the common rookie mistakes that drive script readers crazy. Flinn makes no pretense of being able to teach anyone how to write the next Great American Film--or for that matter the next Stupid Summer Blockbuster. Instead he offers information that will help keep the novice screenwriter's opus from being immediately tossed on the trash pile (arguably a more valuable service). As Flinn says in his introduction, if you follow the advice in this book, "you may not write a particularly good screenplay, but you won't write a bad one." Flinn offers practical advice on formatting, such as the proper form for a slugline and where to set your margins, and more general rules of thumb on giving the actors room to interpret their roles and avoiding dictating camera angles to the director (who will ignore them anyway). The second half of the book deals with content, also in a remarkably pragmatic way--structure, pacing, plot resolution, and dialogue that really stink are all handily dealt with. Flinn illustrates almost all his points with excerpts from screenplays both good and bad (names have been changed to protect the guilty), giving the reader concrete examples of the difference between poorly and well-structured scenes. Not sucking is an unusual goal for a screenwriting manual, but any script reader will agree it is a noble one. --Ali Davis
Book Description
Finally, what may be the last screenwriting book a writer will ever need to buy!
Customer Reviews:
Almost Worthless.......2007-05-13
There are at least two valuable books on screenplay writing - this is not one of them. Once a writer has read David Trottier's "Screenwriter's Bible" and Robert McKee's "Story", it is obvious that "How Not to Write a Screenplay" is full of obvious points and platitudes that are almost worthless. Most of this book is excerpts from screenplays that blatenly seem to be there so the book has more pages. Don't waste money your money on Flinn's book.
Read this one - but not first........2007-03-12
I have several "How to" books on screenplay writing. If you do too, then you need this one. It tells you what you are doing wrong. I promise many more than one "Oop!" moment from this entertaining and easy to read work.
Entertaining overview of the things most new screenwriters do wrong.......2006-08-29
Flinn has a sense of humor. That is the first thing one notices while reading his book, and that's the one thing that makes it stand out.
"How NOT to Write a Screenplay" is a witty and entertaining tool for learning the DOs and DON'Ts of the screenwriting craft. Packed full of examples drawn from real and make-believe scripts, it can be a definite help to a writer new to the industry. Anyone who has ever read another of the many available books on script formatting will find his commentary amusing. For example:
"Don't use (CONTINUED) at the top and bottom of each page. You're wasting four lines. Anyone reading your screenplay who doesn't know he's supposed to turn the page is a numskull."
Or his comments regarding music suggestions:
"Leave the music track alone: 'THIS SHOULD BE AN UPBEAT SCENE WITH A GOOD MUSIC TRACK.' (Darn. The studio really wanted to use a bad music track.)"
The second half of the book, covering content and story development, provides similar information to that of books by more well-known authors such as Linda Seger or Syd Field, but offers that information encapsulated in smaller sections that make everything quite easy to relate to...sections such as "Suspense", "Believability", "Twists" and "Whammies".
While the book doesn't teach you how to write the perfect screenplay, it does cover many of the practical details. Its strength isn't in storycraft but rather in addressing all the little details screenwriters tend to forget or abuse. Though some of the information is repetitive, there are plenty of examples and excerpts from screenplays -- some good, most bad, and some you may even recognize. Flinn's advice coupled with the many examples can help you avoid the pitfalls so many screenwriters encounter.
Excellent workbook.......2006-08-07
So happy I purchased this before starting my screenplay so I didn't have to do endless edits.
As a reader of many bad screenplays Mr. Flinn certainly knows the pitfalls that will keep a screenplay from even being finished. excellent workbook.
Barbara Gilmer
Okay, Okay.......2006-08-05
This is a book that could have been a long article, or two. But those article would have been interesting. I found the book getting very repetitive in the last half, when we started getting the same material over and over again. But the notions is good: that you need short scenes, with a whammy.
Average customer rating:
- Good information
- Good to read, you will not waste time.
- A smooth, decent guide
- Same ol' song and dance
- good book. too much information in one book.
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Screenwriting for Dummies
Laura Schellhardt
Manufacturer: For Dummies
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Filmmaking for Dummies
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How Not to Write a Screenplay: 101 Common Mistakes Most Screenwriters Make
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The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script
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The 101 Habits of Highly Successful Screenwriters: Insider's Secrets from Hollywood's Top Writers
ASIN: 0764554867 |
Book Description
Includes all the essentials for writing a screenplay, from crafting dialogue to marketing a script
Packed with easy-to-understand guidelines and writing projects, Screenwriting For Dummies makes film writing accessible to novices and helps more experienced writers improve their scripts. This engaging guide walks readers through the essential elements of every good screenplay, from character development, to creating a story, to writing compelling dialogue, to adopting a screenplay from a different source. It also includes all the specific formatting details that go into writing a visual screenplay from scripting character introductions, to writing the camera into the script, to creating a cinematic collage. In addition, Screenwriting For Dummies covers the important task of selling a screenplay, including tips for getting a spec script into the proper marketing format, protecting intellectual property rights, and securing an agent.
Customer Reviews:
Good information.......2007-10-02
This book is full of helpful information in screenwriting. It is easy to understand and a go to if you get stuck in the middle of writing. I recommend this to all screenwriters.
Good to read, you will not waste time........2007-08-28
This was my second book about screenwriting. thats mean I had a good background of screenwriting when i decided to buy and read it.
For starters this is an excellent book to know every detail. some informations repeated in other chapters but u can skip if u understood them.
Too detailed and direct too! just as the title said.
the most thing i liked in this book is the "Formatting a Screenply". the book well organized and that is why i gave this book 4 stars. if its organized why some informations repeated in other chapters?
if this is the style of for dummies series, you can ignore my words about repeating.
A smooth, decent guide.......2007-07-22
If you're just starting out, this is a decent guide. There are other books which cover the basics like The Bare Bones Book of Screenwriting that are more simple, clear and precise. Overall Screenwriting for Dummies does its job.
Same ol' song and dance.......2007-04-10
A friend of mine bought this book and shouldn't have. Laura Schellhardt isn't a seasoned pro at screenwriting, she is a TEACHER. Not a good one at that.
Yes, the book is informative, but it doesn't say anything different that any other book does, other than the Screenwriter's Bible by David Trottier. Trottier is a professional writer with numerous credits under his belt. So my advice is to "Schell" out an extra dollar so you can buy the Screenwriter's Bible and just leave Screenwriting for Dummies alone.
good book. too much information in one book........2006-06-01
I bought it 1 month ago and I haven't finished it yet. it's more of a reference book. I refer to it quite a bit. her writing has flow and easy to understand. I personally don't like "dummies" series but this one is good.
I wish she had a CD with it for search and indexing. this book has lots of information, I orginally planned to finish it in a week and I am still reading it.
I haven't bought it for actually writing a script but for a project I am working on.
probably the best I've seen so for.
cheers
Book Description
With the average payment for a screenplay over $100,000, every writer knows that screenwriting is where the money is. In this guide, successful screenwriter and teacher Cynthia Whitcomb shares her extensive knowledge on writing for the screen. This book will teach you her proven techniques, including how to:
• test an idea for its commercial potential
• plan a compelling script
• write great openings and endings
• create characters that grow and evolve
• revise and hone your script to attract Hollywood agents and producers
Includes lists of the best movies to study—and why!
Cynthia Whitcomb has sold more than 70 feature-length screenplays, 25 of which have been filmed. She has made millions of dollars for her work, and her scripts have won and been nominated for many awards, including the Emmy Award, Cable Ace Award, Edgar Allan Poe Award, Humanitas Award, and Writers Guild of America Awards. Her students have also gone on to write successful box-office hits. She has taught screenwriting for many years, including seven at the acclaimed UCLA Film School.
Whitcomb's commercial success and teaching experience make this an essential resource for anyone who wants to write winning scripts for Hollywood.
Customer Reviews:
A Great Book!.......2007-04-04
I'm writing my first screenplay and found this book to be invaluable. Worth its weight in gold.
The best!.......2007-03-14
I've read other screenplay books, watched videos and this book is the best! Not just telling you what to do but with real world suggestions. She rewrites movie endings for you so you can see how a good movie could have been a great movie. She shows you mediocre dialogue and rewrites it so it's great movie dialogue.
It's a great book for novelists too. Creating crisp believable dialogue, creating conflicted characters, pacing. It's all here.
She is direct and like a great movie, gets to the real issues fast.
Read it Thrice.......2006-10-08
"A Brief History of Time" for scriptwriters.
Compressing novel-length stories into an interesting 90-120 minutes, is a big part of the art.
Whitcomb puts a huge quantity of important information into very few pages.
She writes with simple words in short sentences, yet the content is astonishingly information rich.
And spot on.
A rare talent seen only in the very gifted.
There are books on scriptwriting that run to 500+ pages that are quite good. J. Michael Straczynski's works come immediately to mind.
However you can re-read this book 5 times in fewer minutes than it takes to read any of those longer books once. With repetition, you'll surely retain much more of what you read.
Recommended. Highly.
Finally, somebody who knows what they're talking about!.......2006-07-04
Whenever I am about to buy a 'how to write' book, I first look at the bio to see what the writer has actually done. Just about every 'how-to' is written by a 'haven't-done-much.' Cynthia Whitcomb's professional experience is far and away the most.
Not to say other books don't have sound advice, but I sensed a depth here that was lacking elsewhere. I attribute that to her experience.
BTW, I'm a published prose writer, and I recommend this book for prose writers, since a lot of what she says translates over to the written page. It wouldn't hurt novelists to structure plots and develop scenes with as much craft and skill as screenwriters do.
Writer's Guide to Writing Your Screenplay.......2006-03-06
As an old writer who is new to the field of screemwriting, I have found the industry full of mystery when attempting to write a screenplay. Cynthia's book takes away a lot of the confusion and worry by succinctly explaining terms, giving multiple clear-cut examples, and laying out the entire process so that rookies can learn the basics, and experienced writers can get a quick review from an entertaining source. I am sincerely hoping Cynthia plans to write a similar book in the future with regards to publishing hints!
Book Description
Like the day Elvis died or O.J. was acquitted, the Tuesday you wake up paralyzed is not a day you soon forget. For writer Allen Rucker—baby boomer, husband, father of two, aging Hollywood also-ran—life started over that Tuesday when, at the age of fifty-one, he was struck by a rare disorder—transverse myelitis—that left him paralyzed from the waist down. Why him? Was he being punished? Was it his stressful life? His frustrating career? Telling too many Christopher Reeve jokes? Dazed and paralyzed, he was forced to reevaluate everything, from the simplest bodily functions to the mysteries of the universe.
In a style that is at once funny and moving, The Best Seat in the House offers an unpretentious and unapologetic account of learning to live with paralysis. Without trivializing his situation, and without sermons or clichés, Rucker invites all readers, whether disabled or not, to identify with him for better or for worse. This remarkably comic and heartfelt book speaks to the fragility of life and to the resilience and adaptability of a single, ordinary human being. Lucky for us, this human being has a sense of humor.
At first, it may not look like the best seat in the house, but read on. You might be surprised.
Customer Reviews:
The Best Seat in the House by Allen Rucker.......2007-08-16
A truly amazing book - very well written. Allen Rucker's account of overcoming adversity is a great story of courage, bravery and perseverance. A must read for everyone!
Laugh out loud, be moved to tears -- READ THIS BOOK.......2007-07-27
Allen Rucker's book is an entertaining read, a poignant portrait of a man who learns life's most important and hard-to-face lessons in a brand-new body in his 50s, and a spot-on social commentary about the way people with disabilities are treated in this culture. The most compelling and memorable aspect of this book is the way it reveals, through wit, at times scathing sarcasm, clear observation, and a healthy dose of compassion, the way a man navigates a new life in a new body. At turns poignant, revealing, terrifying, and hysterically funny, the book has no false notes and reminds disabled and non-disabled readers alike that we are given one body and we don't know what its future in this world will be, despite our most carefully crafted plans. The scenes and insights in this book will resonate when you read them and stay with you long after you've finished the book. Bravo!
solid........2007-07-04
Allen carries us through the deep interiors of emotional exhaustions, redemptions, and explorations of wrestling with a life-affirming, physical alteration. For this reason, the book and the man are close to my heart. He is clear with his words, direct in his perspective and his narrative. This story is an uncompromised one.
Allen broadcasts his investigations of the more difficult and frustrating moments of his adult life. In the same breadth, he reveals the liberating ones, reminding us that our own personal narratives may not always progress linearly. Not everyone welcomes introspection with both repose and vigor. Allen does here, and in doing so, he proves that achievement is not necessarily charted with self-awareness, but with self-discovery.
This book has many more facets than how it feels to wake up one day, paralyzed for life........2007-07-04
This book doesn't belong with all the somber "coping with illness" type of books. Allen Rucker's experience of the indignity and struggle of working in Hollywood alone is worth reading. After you commiserate with the dilemma that befalls Allen, and recognize how easily it could happen to any of us, anytime - we could take a nap one Tuesday and "wake up paralyzed for life" - the part that sticks with you is gratitude for the profound wake-up call you have received. It was hard to run after reading this book without thinking of Allen. Anyone who doesn't fully appreciate their body, or sees only the imperfections, will find that invaluable.
After the book came out, Allen Rucker spoke at a Writers Guild press conference on diversity, responding to a UCLA study showing the low employment of minorities in film and TV. He reminded them that the disabled are by far the largest minority in America - 56 million - yet are invisible both on TV and in the report. Allen's book is paving the way for those over 50 who are feeling increasingly invisible and are waking up to the fact that unexpected things will happen to our bodies as we age, not many of them good, and provides an inspired blueprint for dealing with it.
Read this book even if you're not in a wheelchair!.......2007-06-29
Allen Rucker's gift is to share his unique perspective on a difficult experience through his book "The Best Seat in the House". And what a gift it is... the book is hysterically funny, touching, a little bit sad, matter-of-fact, but above all, triumphant. We can all learn from Allen's experience. Learn about what's really important and what's really necessary to live a full and positive life, and learn to laugh our way through almost anything. I've passed this book along to my brother who is eleven months out from a head-on car accident and is now a "low quad". He loves it!
C. Fisher
PS - Loved the bit about mingling at a party. Allen - my heart goes out to you! Nothing worse.....
Book Description
Explains the processes of developing, pitching, and submitting stories. The book includes such unique information as a 10-point checklist for a completed script, the eight most common reasons why a script can be rejected, what really happens to a script once it's submitted, how to navigate within the industry, and much more.
Customer Reviews:
Helpful for screenwriters at the start of their career.......2007-05-19
An industry veteran of 25 years, Kathie Fong Yoneda is both a story analyst at Paramount and a script consultant. Her background as a development executive gives her an excellent perspective for helping screenwriters can break down the gates to Hollywood. And this book aims to do just that.
The book is divided into four major parts: working on the script, meetings and pitches, submissions and relationships. It is a very clearly structured guide to the do's and don'ts for writers looking for their breakthrough (hint: the first step is to WRITE A GREAT SCRIPT!).
Yonada includes advice on how to behave towards executives, how to find an agent, the special vocabulary used in Hollywood, how to start a writers group, even how to prepare for a conference. All of this is written in a clear manner, making the book a very useful reference.
The downside to this is that most of this information is out there already. If you read screenwriting magazines and keep up with recent books on the business side of screenwriting, there will be very little here you don't know already. Moreover, the book is very "pro-system" -- there is no criticism of the way things are done, and the advice is very much "mainstream" common knowledge.
I don't think this book has very much to offer veteran writers who are already well acquainted with the vagaries of getting their scripts through the Hollywood maze. For writers who are starting out, however, the book will serve very well to inform them about the basics of getting your script sold to Hollywood.
The Best Book You will Ever Read About selling your sscreenplay.......2006-09-13
After writing my first screenplay, I was stuck on how to sell it. I have ran my own business for over tens years and have a natural flare for marketing - thinking that selling a script would be commonsense WRONG! After reading The Script Selling Game I was blown away by the fantastic real life tips and jargon given. It's motivated me more than ever to see my projects on the silver screen. IF YOU ARE SERIOUS ABOUT breaking into Hollywood - You MUST BUY THIS BOOK! It's easy-to-read and only an insider would know how to write it's contents.
Something For Everyone!.......2006-09-05
I loved this little book! Not only was it a quick read, but it was also filled with a variety of solidly helpful information for new and experienced screenwriters. I found the "10 Point Checklist for Completed Scripts", the "Big Eight" and the section on pitching particularly useful and now put the information to use on every project. The book is certainly worth more than you pay for it!!
Duane Kulikowsky.......2005-10-10
The book never forgot who was reading it. If you are at a point in your career where you need guidance in what to do and what's important, this book offers you that. Kathie Yoneda, I feel, just got the balance right between fact, figures and emotion. Kathie actually cares.
If it's Tuesday, it must be Warner Brothers...........2005-08-13
The Script-Selling Game is your "Biedecker's", your "Fodor's", or your "Lonely Planet" guide to the exotic, exciting, sometimes confusing, sometimes dangerous yet ultimately rewarding territory of Hollywood Script Sales.
Kathie Fong Yoneda has not only explored this territory, she has actually carved out, tamed, and settled a lot of it in her years as a studio executive. Her expertise in the special jargon, the specific tools, and the appropriate approaches will help you craft an effective presentation of your unique creative project, be it a feature film, a TV series, or any other media production.
Read Kathie's book. Smile, frown, gasp.... Yes, Hollywood can be just as she says. It's a closed world unless you have an interpreter and a guidebook. Thank goodness hers is accessible, informative, specific, and comforting. Well then, follow her guidelines, learn to speak the language, do the currency exchange from creativity-to-commerciality, and watch the barriers go down and the doors open up for you.
Average customer rating:
- Great read
- If you are planning on ever working in television, read this book.
- More involved than you realize
- Want to write for television? Buy this!
|
Successful Television Writing
Lee Goldberg , and
William Rabkin
Manufacturer: Wiley
ProductGroup: Book
Binding: Paperback
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ASIN: 0471431680 |
Book Description
The industry speaks out about SUCCESSFUL TELEVISION WRITING
"Where was this book when I was starting out? A fantastic, fun, informative guide to breaking into-and more importantly, staying in-the TV writing game from the guys who taught me how to play it."
âTerence Winter, Coexecutive Producer, The Sopranos
"Goldberg and Rabkin write not only with clarity and wit but also with the authority gleaned from their years of slogging through Hollywoods trenches. Here is a must-read for new writers and established practitioners whose imagination could use a booster shot."
âProfessor Richard Walter, Screenwriting Chairman, UCLA Department of Film and TV
"Not since William Goldmans Adventures in the Screen Trade has there been a book this revealing, funny, and informative about The Industry. Reading this book is like having a good, long lunch with your two best friends in the TV business."
âJanet Evanovich
"With sharp wit and painful honesty, Goldberg and Rabkin offer the truest account yet of working in the TV business. Accept no substitutes!"
âJeffrey B. Hodes and Nastaran Dibai, Coexecutive Producers, Third Rock from the Sun
"Should be required reading for all aspiring television writers."
âHoward Gordon, Executive Producer, 24 and The X-Files
Customer Reviews:
Great read.......2007-05-07
I've read many a television writing book, and this is one of the best of them. Very interesting and educational. I definitely learned a lot! Highly Recommended!
If you are planning on ever working in television, read this book........2006-01-29
I read this book to help prepare me for what I would never know going into a writers room , or pitching to the showrunners. This helped me get to that point and to know how and what to expect when I get there, which I believe is soon. Thanks Lee.
More involved than you realize.......2003-08-03
This book on writing for television is simply a must read if you plan on breaking into the business. But even if you never plan to write a single script, it's simply a very interesting and insightful glimpse into the world of television. The authors convey useful information with wit and style. Writing for TV isn't as simple as you might think. I was surprised and intrigued by all the intricacies of the industry.
Want to write for television? Buy this!.......2003-07-28
I love this book. I got it on a Saturday afternoon and read it within twenty-four hours. (And that includes all the time I spent reading and rereading parts of it, to my family and friends). It has officially joined Martell's "The Secrets of Action Screenwriting" and Trottier's "The Screenwriter's Bible" as one of my three "go-to" reference books. This one will get worn out.
And I don't even watch TV, anymore.
It's only 135 pages. (Well, 209 pages when you count the extra 74 pages of beat sheets, writer's outlines and treatments of TV programs, which were bought and in most cases produced Real examples). It's concise, but packed with useful information.
This isn't a basic "how-to" book. It assumes you're already a writer (and that you know the correct structure for television). It's daunting, what you'll be up against, (and the authors don't sugarcoat it), but if you want to write for television--study this book, apply the lessons it teaches, and it will give you a huge head start.
Within twenty pages, I had a better understanding of how a television series works then I would have ever figured out on my own. If you haven't heard or don't understand the term *franchise* as it applies to TV, you'd better buy this book, if you really want to write for television. It seems obvious to me, now, but that's only because the authors made it obvious.
And most of the lessons apply to all screenwriting, or writing in general, or just doing business. It's like I was a given a cheat-sheet by reading this book and, I guess, that's exactly what it is. These guys don't only say it--they've lived it. From both sides. Writing and pitching--and taking pitches and hiring writers. They back it all up with real-life examples and anecdotes. Even if you aren't a writer, this book is fun to read.
I really enjoyed the examples of how to and how *not* to pitch in this book. The authors gave me a whole new attitude and more confidence. (At least in theory--I'd probably still go into brain-lock ... when it came right down to the pitch. Or worse yet--become a Mr. Blabbermouth). But at least I have a firmer grasp of what I need to do and how I should present myself and my writing, when (or if) I pitch.
This one is well worth it.
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