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- Rosetta Stone of Hypertext
- Well done!
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The New Media Reader
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The Language of New Media (Leonardo Books)
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Digital Art (World of Art)
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New Media Art (Taschen Basic Art Series)
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Remediation: Understanding New Media
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First Person: New Media as Story, Performance, and Game
ASIN: 0262232278 |
Book Description
This reader collects the texts, videos, and computer programs--many of them now almost impossible to find--that chronicle the history and form the foundation of the still-emerging field of new media. General introductions by Janet Murray and Lev Manovich, along with short introductions to each of the texts, place the works in their historical context and explain their significance. The texts were originally published between World War II--when digital computing, cybernetic feedback, and early notions of hypertext and the Internet first appeared--and the emergence of the World Wide Web--when they entered the mainstream of public life.
The texts are by computer scientists, artists, architects, literary writers, interface designers, cultural critics, and individuals working across disciplines. The contributors include (chronologically) Jorge Luis Borges, Vannevar Bush, Alan Turing, Ivan Sutherland, William S. Burroughs, Ted Nelson, Italo Calvino, Marshall McLuhan, Billy Kl?Jean Baudrillard, Nicholas Negroponte, Alan Kay, Bill Viola, Sherry Turkle, Richard Stallman, Brenda Laurel, Langdon Winner, Robert Coover, and Tim Berners-Lee. The CD accompanying the book contains examples of early games, digital art, independent literary efforts, software created at universities, and home-computer commercial software. Also on the CD is digitized video, documenting new media programs and artwork for which no operational version exists. One example is a video record of Douglas Engelbart's first presentation of the mouse, word processor, hyperlink, computer-supported cooperative work, video conferencing, and the dividing up of the screen we now call non-overlapping windows; another is documentation of Lynn Hershman's Lorna, the first interactive video art installation.
Customer Reviews:
Rosetta Stone of Hypertext.......2004-06-15
This huge tome is a must have for anyone who wants to deeply understand hypertext and its precursors. From William Burroughs to Doug Englebart and Augosto Boal to Ted Nelson this book presents a huge range of articles (and discursive commentary) of interest to computer scientists, writers, new media workers, artists and everyone in between. This is one stop shopping for new media literacy with over 800 pages of good stuff, much of it very hard to find outside of this volume.
Well done!.......2003-03-18
Fascinating, thorough in its analysis, beautifully designed reader/player. Good, well-rounded selection of texts and new media objects with no attempt to be exhaustive (to the editors' credit). I plan to use it as one of the texts in an upcoming university course.
Book Description
Interoperability: the ability of a system or a product to work with other systems or products without special effort from the user is a key issue in manufacturing and industrial enterprise generally. It is fundamental to the production of goods and services quickly and at low cost at the same time as maintaining levels of quality and customisation. Interoperability is achieved if internal and external collaborators can interact on at least three levels: data, applications and business enterprise (through the architecture of an enterprise model and making allowance for the semantics of both partners). Not only a problem of software and IT technologies, it implies support for communication and transactions between different organisations that must be based on shared business references. Today, a new and important consideration must be taken into account – economic business evaluation and the definition of dissemination policy.
Composed of over 90 papers,
Enterprise Interoperability II ranges from academic research through case studies to industrial and administrative experience of interoperability. The international nature of the authorship continues to broaden. Many of the papers have examples and illustrations calculated to deepen understanding and generate new ideas.
The I-ESA’07 conference from which this book is drawn was sponsored by the European Union via the INTEROP network of excellence and the ATHENA integrated project (in the frame of the 6th IST Framework Research Program). It is also supported by the International Federation for Information Processing, the International Federation of Automatic Control and various national associations.
A concise reference to the state of the art in software interoperability,
Enterprise Interoperability II will be of great value to engineers and computer scientists working in manufacturing and other process industries and to software engineers and electronic and manufacturing engineers working in the academic environment.
Book Description
Extending the visionary early work of the late Marshall McLuhan, The Global Village, one of his last collaborative efforts, applies that vision to today's worldwide, integrated electronic network. When McLuhan's groundbreaking Understanding Media was published in 1964, the media as we know it today did not exist. But McLuhan's argument, that the technological extensions of human consciousness were racing ahead of our ability to understand their consequences, has never been more compelling. And if the medium is the message, as McLuhan maintained, then the message is becoming almost impossible to decipher. In The Global Village, McLuhan and co-author Bruce R. Powers propose a detailed conceptual framework in terms of which the technological advances of the past two decades may be understood. At the heart of their theory is the argument that today's users of technology are caught between two very different ways of perceiving the world. On the one hand there is what they refer to as Visual Space--the linear, quantitative mode of perception that is characteristic of the Western world; on the other hand there is Acoustic Space--the holistic, qualitative reasoning of the East. The medium of print, the authors argue, fosters and preserves the perception of Visual Space; but, like television, the technologies of the data base, the communications satellite, and the global media network are pushing their users towards the more dynamic, "many-centered" orientation of Acoustic Space. The authors warn, however, that this movement towards Acoustic Space may not go smoothly. Indeed, McLuhan and Powers argue that with the advent of the global village--the result of worldwide communications--these two worldviews "are slamming into each other at the speed of light," asserting that "the key to peace is to understand both these systems simultaneously." Employing McLuhan's concept of the Tetrad--a device for predicting the changes wrought by new technologies--the authors analyze this collision of viewpoints. Taking no sides, they seek to do today what McLuhan did so successfully twenty-five years ago--to look around the corner of the coming world, and to help us all be prepared for what we will find there.
Customer Reviews:
A Laudable Extension of McLuhan: Cool, Seminal & Involving!.......2000-12-09
Powers says that this book is not about "final answers." By God he's right! And he proceeds to effloresce a wondrous garden wrought of the print medium brimming over with fresh probes, "osmic space," brains "astonied," the secret lives of "sense ratios," and other electrific, outsized insights and invitations into the futurepresent. One could readily argue and effectively so that "The Global Village..." is indeed a worthy extension of the medium of Professor McLuhan himself, ringing true and resonating orchestrally with the spirit and vivacity of that bright, iridescent, warm and radiant bulb which, tragically, went out suddenly and left us in darkness on New Year's Eve, 1980.
Feed forward 9 years. Powers'/McLuhan's "tetrad" is a mesmerizingly rich metaphor lending clarity and intensity to McLuhan's seminal 1964 probicon, "Understanding Media--The Extensions of Man." This "new" 1989 book is a MUST-read, a reverent continuance of McLuhan's oeuvre, a virtual channeling of his spirit, and in various ways easier to grasp perhaps, more accessible even, than the monumentally revolutionary/visionary UMTEOM.
The beauty of McLuhan and by protraction Dr. Bruce Powers here is that these men are not pedants but facilitators. Their goal, much like that of Carl Rogers or George B. Leonard or Joseph Campbell, is not to pound stuff into brainpans, but to gently yet insistently open up minds to possibilities, perils, challenges, potentialities and joys imperative in the present reality/"reelity?" or whatever one wishes to term the agardish within which each of us swims, breathes, eats, creates, dances, defecates, procreates and seethes.
If McLuhan is the sorcerer, Bruce Powers is his worthy apprentice, now successor. In fact he veritably invites all of us to be successors (McLuhanatics?), to become involved (the essential definition of "cool"). This book is exciting, invigorating, pulsating, intensely involving and above all, highly rewarding. We need more extensions of McLuhan like this one. This is a superb nonbook, a hybrid medium, and a seamless read. TGV will get your probing juices flowing. It's as revitalizing as pure MDMA (as far as "the mdma is the message" goes). Buy this deceptively modest paperback, and step into it like a hot bath.
a shameful posthumous misrepresentation of McL.'s thought........2000-06-09
I'm surprised this travesty is still in print. "Not in McLuhan's style" is a kind understatement; Powers demonstrates flagrant misunderstanding and confusion of basic McLuhanesque ideas. Try 'Laws of Media' or 'Understanding Electric Language' instead.
FIGURING OUT THE GROUND.......1998-09-14
This book is for the McLuhan enthusiast who would like to figure out the ground on which McLuhan stands. It is chock full of McLuhan's ideas, but not presented in McLuhan's typical style. Published 9 years after McLuhan's death, it seems likely that co-author Bruce Powers assembled the material for publication.
If you are not already very familiar with McLuhan's thoughts and earlier writings, this book is not for you. If you are already very familiar with McLuhan's words, you won't find anything new, but you will find some of McLuhan's basic ideas amplified and extrapolated.
Essentially an essential book for the McLuhanite.
Book Description
Peter Würfel describes in detail all aspects of solar cell function, the physics behind every single step, as well as all the issues to be considered when improving solar cells and their efficiency.
Based on the highly successful German version, but thoroughly revised and updated, this edition contains the latest knowledge on the mechanisms of solar energy conversion. Requiring no more than standard physics knowledge, it enables readers to understand the factors driving conversion efficiency and to apply this knowledge to their own solar cell development.
Book Description
In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history. Using the examples of early recorded sound and digital networks, Gitelman challenges readers to think about the ways that media work as the simultaneous subjects and instruments of historical inquiry. Presenting original case studies of Edison's first phonographs and the Pentagon's first distributed digital network, the ARPANET, Gitelman points suggestively toward similarities that underlie the cultural definition of records (phonographic and not) at the end of the nineteenth century and the definition of documents (digital and not) at the end of the twentieth. As a result, Always Already New speaks to present concerns about the humanities as much as to the emergent field of new media studies. Records and documents are kernels of humanistic thought, after all--part of and party to the cultural impulse to preserve and interpret. Gitelman's argument suggests inventive contexts for "humanities computing" while also offering a new perspective on such traditional humanities disciplines as literary history.
Making extensive use of archival sources, Gitelman describes the ways in which recorded sound and digitally networked text each emerged as local anomalies that were yet deeply embedded within the reigning logic of public life and public memory. In the end Gitelman turns to the World Wide Web and asks how the history of the Web is already being told, how the Web might also resist history, and how using the Web might be producing the conditions of its own historicity.
Book Description
In the history of electronic communication, the last quarter of the nineteenth century holds a special place, for it was during this period that the telephone, phonograph, electric light, wireless, and cinema were all invented. In When old Technologies Were New, Carolyn Marvin explores how two of these new inventions--the telephone and the electric light--were publicly envisioned at the end of the nineteenth century, as seen in specialized engineering journals and popular media. Marvin pays particular attention to the telephone, describing how it disrupted established social relations, unsettling customary ways of dividing the private person and family from the more public setting of the community. On the lighter side, she describes how people spoke louder when calling long distance, and how they worried about catching contagious diseases over the phone. A particularly powerful chapter deals with telephonic precursors of radio broadcasting--the "Telephone Herald" in New York and the "Telefon Hirmondo" of Hungary--and the conflict between the technological development of broadcasting and the attempt to impose a homogenous, ethnocentric variant of Anglo-Saxon culture on the public. While focusing on the way professionals in the electronics field tried to control the new media, Marvin also illuminates the broader social impact, presenting a wide-ranging, informative, and entertaining account of the early years of electronic media.
Book Description
With coverage of code updated to reflect HTML 4.01 standards, this text teaches how to create hyperlinks to Web pages, e-mail addresses, newsgroups, and FTP sites using HTML.
Customer Reviews:
Definately great for learning on your own.......2000-06-27
This book is GREAT for self study. I orignally had bought it for a class at college. I found myself reading the book in class instead of listening to the lecture and with some practice at home I was able to learn the first four weeks of the class in only a few days. This book is a very good book for beginners. The author is very good about explaining the concepts of HTML by using one main example for each new skill being taught. He could have went a little more in depth with frames, but I have yet to find a book that explains how to make frames very easily. The author also touches a bit of javascript which was nice. Definately worth the money.
Good Beginner Book.......2000-05-25
This book is good for a programmer entering to Web Design. The book gives illustratives examples explaining various facets of HTML and web page design. Explains the concept of table, links, frames very well. Must buy this book if you want to do web programming
Excellent for a self-study course!.......1999-11-30
I thought that this book was very comprehensive and easy to follow. I loved the way they set up a specific case for each tutorial so that you were creating web pages as you learned the new material.
A good Book........1999-01-29
This is a good introductory book. Comprehensive and well organized
Average customer rating:
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New Media: A Critical Introduction
Manufacturer: Routledge
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ASIN: 0415223776 |
Book Description
New Media: A Critical Introduction is a comprehensive introduction to the culture, technologies and history and theories of new media. Written especially for students, the authors consider the ways in which "new media" really are new, assess the claims that a media and technological revolution is underway and formulate new ways for media studies to respond to new technologies.Individual chapters introduce: Assessing the "newness" of new media; How to define the characteristics of new media; Film, photography and new forms of visual culture and entertainment; Social and political uses of new media and new communications; New media technologies, politics and globalization; Everyday life and new media; Cyborgs, cybernetics and cyberculture; Theories of interactivity; and The history of automata and artificial life. Illustrated with over seventy photographs, images, tables and line drawings, key features of this textbook include: A user's guide; A glossary of key terms and concepts; Boxed case studies and examples; Key terms defined in the margins with extensive cross-referencing; and Extensive bibliographies and web resources to help with further study.
Average customer rating:
- 5 stars
- Doctoral Student. Gonzaga University, Spokane WA.
- Doctoral Student. Gonzaga University, Spokane WA.
- Good first chapter, little ensuing worth
- It was a chore
|
Interface Culture : How New Technology Transforms the Way We Create and Communicate
Steven Johnson
Manufacturer: Perseus Books Group
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New Media
ASIN: 0465036805 |
Amazon.com
Steven Johnson turns the tables on the way we consider our computer interfaces. While many discussions focus on how interfaces help us work by adapting to our ways of thinking and our real-world metaphors, Johnson jumps from there to look at how our thinking and world view are altered by our computer interfaces.
He begins with the simple: The mouse improved the spatial nature of our computers by letting us move, by the proxy of our pointers, within the screen. The windows metaphor made cyberspace a 3-D space. And while we tend to think about the graphical nature of interfaces, Johnson also explores the textual side and how it has changed the way we work with the written word.
Interface Culture then goes on to show how, with each advance in technology, the interface shapes our perceptions in new ways. Where mice and windows turned the computing world into cyberspace, agents have created a perception of software as personality. On the larger scale, Johnson sees these tools, originally built on noncyber metaphors, as creating, in their turn, a new set of metaphors for looking at the rest of the world. And while he finds it exciting, he spends considerable time on such shortcomings in our approach to interfacing: what he considers the excessive emphasis on graphics elements at the cost of anything textual. Johnson, who is the editor of the cerebral Feed Web site and whom Newsweek called one of the most influential people in cyberspace, has written an intelligent book about interface design, its relationship to the real world, and how it affects our perception of worlds both cyber and physical.
Book Description
In this hip, erudite manifesto, Steven Johnson bridges the gap that yawns between technology and the arts.
Drawing on his own expertise in the humanities and on the Web, Steven Johnson not only demonstrates how interfaces-those buttons, graphics, and words on the computer screen through which we control information-influence our daily lives, but also tracks their roots back to Victorian novels, early cinema, and even medieval urban planning. The result is a lush cultural and historical tableau in which today's interfaces take their rightful place in the lineage of artistic innovation. With a distinctively accessible style, Interface Culture brings new intellectual depth to the vital discussion of how technology has transformed society, and is sure to provoke wide debate in both literary and technological circles.
"One of the Web's intellectual heavyweights." -Washington Post
"A must read for avid Web browsers." -USA Today
"The place to get fed." -Spin
Customer Reviews:
5 stars.......2007-02-24
Service was great and the book I ordered arrived quickly. It was in the exact condition listed so I'm very happy.
Doctoral Student. Gonzaga University, Spokane WA........2004-11-23
Before I continue with a review I would like to explain what "Interface" means in terms of the title of the book: Is the interaction between the user and the computer through soft wares and programs, in order to have a communication technology goal and meaning. This "interface serves as a kind of translator, mediating between the two parties, making one sensible to the other."(P: 14) The relationship between the computer and the human is made by meaning and expression rather than physical force.
Steven Johnson takes us from the beginning of technological discoveries; starting from the comparison of the cave painter and carver to the modern artists and engineers. The discoveries of technologies ever since then; gave way to the polishing and improvements of those technological evolutions all the way to the 21st century.
The transformation of the relationship of the user(s) and the computer has advanced rapidly in the last decade. Communication is faster, accurate and the world has become much smaller, due to the introduction of new advanced technological gadgets which enhances the information globally and that allows humans to be closer but yet physically continents apart.
The book examples Doug Englebart, who was a visionary professional that managed to breakthrough a thought and ideas; with which made possible an astounding discovery for the advancement of interface culture. Everything started while he was waiting to be shipped back to the United States after WW II ended. He was reading a book by Vannevar Bush (an Army high-ranking Scientist) whose essay was entitled "As We May Think." which explains and describes a theoretical information processor call the Memex that allowed users to "thread through" incredible repositories of data. With the idea of Bush's Memex, Engelbart discovered the "mouse" with which we are able to go anywhere in cyberspace by just the click of links and at the same time, we are able to also copy and paste information by right clicking the mouse.
Hypertexts became so useful and popular with the use of new inventions and discoveries. The WWW became a need for the world to be informed in any fields. Countries, cultures and societies are already speaking a one language in which is transmitted the need of communication, in order to gain a positive space in the cyber world. Nations are more united because of the use of the interface culture. However, the information this new culture offers to users to cyberspace can also be used to destroy, and to annihilate forces, because "we live in a society that is increasingly shaped by events in cyberspace,... for all practical purposes, invisible, outside our perceptual grasp."
Johnson clearly explains the drastic change of global societies, due to the replacement of interface culture. We can understand now that we have to report to a computer now for most of our personal and business affairs. My question is: are we going to be completely controlled by computers and cyberspace? Is the world going to depend on it 100%? What about the next decade generation? To me it is hair rising just to think.
My two year old already knows how to manipulate the mouse and knows which buttons to push in the computer. My 9 year old is already speaking a cyberspace language at home and sometimes I do not know what he means.
The book takes us to the details of "Windows" "Links" "Texts" and "Agents" and that they can intermingle somehow to get to a purpose and meaning.
This whole situation is a new century 21st culture the interface between machine and humans. Is the culture and advanced developed countries changed? Do neighbors visit each other face to face? What's going to happen with the future of Universities and students? Are they going to have a physical class setting?
It is hair rising to just think of how much more culture is going to change due to the use of advanced technology. Is it not?
Doctoral Student. Gonzaga University, Spokane WA........2004-11-23
Before I continue with a review I would like to explain what
Good first chapter, little ensuing worth.......2004-03-09
The premise of the book set out in the first chapter was fascinating. Interfaces shape our perceptions, just as Marshall McLuhan proclaimed in "The Medium is the Message."
Unfortunately, this critical eye didn't find its way into the remainder of the book. I consider "Interface Culture" to be a history of computer interfaces rather than an interpreter of the way our perceptions have changed.
It was a chore.......2002-10-19
I chose this book to read as an out of class reading assignment. I literally had to trudge through it and forced myself to finally finish it a week before I had to make a report on it. There were times when I would wonder if he was ever going to get to the point, and alas, he didn't. This book is about everything BUT what the subject of the book is supposed to be about. I donated it to the library a week after giving my report.
Average customer rating:
- is something you miss about internet? read it and ask again!
|
New Media Technology: Cultural and Commercial Perspectives (Part of the Allyn & Bacon Series in Mass Communication) (2nd Edition)
John Pavlik
Manufacturer: Allyn & Bacon
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Writing TV Sitcoms
ASIN: 020527093X |
Book Description
New Media Technology provides a clear and conceptual mapping of this rapidly changing field. Readers will enjoy its comprehensive scope, the level of appropriate detail, and real world examples. Its focus on enduring yet timely issues gives the book a usefulness not found elsewhere. Previously published under the title, New Media and the Information Superhighway, the book examines current trends and advances in media technology, for instance, the impact of the World Wide Web. It addition, this text also explores laboratory experimental technologies, such as omni-directional imaging, and theoretical implications of new media. Special attention is also paid towards marketing issues, a topic currently overlooked in other texts of this nature. New material includes updated information on global positioning, satellite mapping as well as the latest legal ramifications affecting the industry, specifically the Telecommunications Act of 1996. New Media specialists, journalists, and advertising and public relations employees.
Part of the Allyn & Bacon Series in Mass Communication
Customer Reviews:
is something you miss about internet? read it and ask again!.......1997-02-15
reading the book of pavlik, one can hardly find something uncovered. however, this almost exhaustive approach and the restrictions imposed by the economy of a book limit the depthness of the coverage. i encourage you to read this book if you know what it is about or you want to know what to know!
flavius chircu (fchircu@blue.weeg.uiowa.edu)
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