Average customer rating:
- Stop Teaching Our Kids to Kill
- Important as Today's Headlines
- This book should be widely read
- The most Eye Opening Book on children and violence
- Highly credible with an interesting approach
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Stop Teaching Our Kids to Kill : A Call to Action Against TV, Movie and Video Game Violence
Dave Grossman , and
Gloria Degaetano
Manufacturer: Crown
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ASIN: 0609606131
Release Date: 1999-10-05 |
Book Description
There is perhaps no bigger or more important issue in America at present than youth violence. Jonesboro; Paducah; Pearl, Mississippi; Stamps, Arkansas; Conyers, Georgia; and, of course, Littleton, Colorado. We know them all too well, and for all the wrong reasons: kids, some as young as eleven years old, taking up arms and, with deadly, frightening accuracy, murdering anyone in their paths. What is going on? According to the authors of
Stop Teaching Our Kids to Kill, there is blame to be laid right at the feet of the makers of violent video games (called "murder trainers" by one expert), the TV networks, and the Hollywood movie studios--the people responsible for the fact that children witness literally thousands of violent images a day.
Authors Lt. Col. Dave Grossman and Gloria DeGaetano offer incontrovertible evidence, much of it based on recent major scientific studies and empirical research, that movies, TV, and video games are not just conditioning children to be violent--and unaware of the consequences of that violence--but are teaching the very mechanics of killing. Their book is a much-needed call to action for every parent, teacher, and citizen to help our children and stop the wave of killing and violence gripping America's youth. And, most important, it is a blueprint for us all on how that can be achieved.
In Paducah, Kentucky, Michael Carneal, a fourteen-year-old boy who stole a gun from a neighbor's house, brought it to school and fired eight shots at a student prayer group as they were breaking up. Prior to this event, he had never shot a real gun before. Of the eight shots he fired, he had eight hits on eight different kids. Five were head shots, the other three upper torso. The result was three dead, one paralyzed for life. The FBI says that the average, experienced, qualified law enforcement officer, in the average shootout, at an average range of seven yards, hits with less than one bullet in five. How does a child acquire such killing ability? What would lead him to go out and commit such a horrific act?
Customer Reviews:
Stop Teaching Our Kids to Kill.......2007-05-17
This book hits upon a topic that has become severe in this country; youth violence. It discusses many avenues that contribute to our youth using violence against each other. It brings to light numerous strategies that parents, teachers, and other adult agencies can use to decrease, if not completely vanish, the violence seen in our youth. Fantastically written, this book is a must read for anyone who has kids, deals with kids, or is just a member of our society.
Important as Today's Headlines.......2007-03-19
Lt Col Grossman spent a lifetime studying what made soldiers more efficient killers in combat and able to survive. His work extended in to the world of police officers. With a worldwide reputation Grossman is the goto guy.
And then Grossman turned his focus on the army of deadly young killers. Killers who achieve far better performance than police officers in combat. Somewhere in their "training" was a mechanism that turned off the moral control system and honed their responses. As one young killer explained why he first killed his enemies and then his friends, he was on a roll.
Bound to be opposed by Hollywood, the electronic games folks and others, Grossman has the credentials that demand attention from balanced readers.
Grossman documents the effectiveness of "games" which give potential killers the motor skills, training and discipline to be cold blooded mass killers, without any training whatsoever on real firearms. Games, TV and the movies have sanitized shooting and death. The first bullet ever fired by the youngster is a head shot and just like he has done in thousands of games he quickly turns to make the next shot , the next and the next , just as he has been so well trained to do.
In contrast the young person familiar with firearms is far more likely to stop after one shot, devastated by what they have done.
One of the truly worrisome details highlighted by the book is that the only reason murders and murder rates have declined is the higher quality of emergency medicine available in most areas of the country. Without these improvements in emergency medicine the murder rate would have increased significantly.
Today April 16, 2006 his message is more relevant than ever before. Give knowledge a chance. The pattern of the Virginia school shootings follows the warning pattern described by Grossman. If we fail to heed the message we condemn hundreds to their deaths at the hands of these killers we have raised in our communities.
Highly recommended.
This book should be widely read.......2005-12-06
This book approaches the phenomenon of media violence in three parts. First, it points to the rising crime rate in America, during a period of declining racial violence, soaring incarceration rate, terrific advances in police technology, advanced medical technology, faster first-response medical help, and an increasingly educated populace. Yet violent crime has skyrocketed (Aggravated assault, to take one example, was 80/100,000 in 1960, and is about 400/100,000 today), and the muder rate has remained level. To see how far medical advances have come and to illustrate how the murder rate should be declining, the authors point out that that a wound that 9 times out of 10 killed in WWII was survived 9 times out of 10 in Vietnam.
The relationship between these trends and violent media is not one of pure speculation, but of methodical study. There have been thousands of studies on the relation, virtually all of which have concluded a link between violent media and violent behavior. One of the most interesting studies related took place in an area where there were four villages, all without television. Researches went in and observed for two weeks children on the playgrounds in these villages, and recorded all instances of physical aggression. Then televisions were brought into two of the villages. New researchers, unaware of the goal of their research, were brought in to again observe the children. Levels of aggression remained constant in the villages without television, and increased 160% in the villages with television.
The second part of this book talks about how watching violent media actually affects us. It does so in 3 ways:
1. It incites fear in us. Violent crimes are much, much more common in TV-world than in the real world. We subconsciously internalize this danger, and become more fearful of others than we would be if we weren't so hyperaware of violence, and didn't expect violence to be so common.
2. It desensitizes us. The more violence we watch, the less is affects us physically. The level of violence that excites a person's body to a certain point must continually increase to keep effecting the same reaction. As we become hardened to violence and horror on the screen, we also become jaded, without realizing it, to real-life violence.
3. It makes us more aggressive. A person who watches violent media, when presented with a conflict situation, is more liable to think of a violent solution as a viable one, and quicker to resort to such a solution
The third part of this book deals with video games, which have much the same effect as violent TV and movies. Further, however:
1. They train players to kill. Michael Carneal, a 14 year old kid who had never fired a gun before, went on a spree one day. 8 shots to 8 people, all in the head or upper torso. This inexperienced kid killed like a Special Forces vet. Video games didn't make him kill, but he (and many others) could never have been so deadly without them.
2. Video Games lower the resistence to killing. One of the greatest innovations in military technology between WWII (where on average 15% of soldiers actually fired at the enemy) and Vietnam (90% fire rate) was the movement from bulleyes to silouhettes in targeting practice. Video games are even better. Playing them, one becomes used to shooting at human figures. A first person shooter player just doesn't have same the resistence to shooting another human as a non-player.
In sum, video games don't make people kill, but they do make them damn good at it, and they do lower internal resistences which might otherwise prevent someone from killing.
I said that there were three parts in this book, but there is actually a fourth. Both authors are parents, and end the book in practical advice about how to talk to kids about simulated violence.
If you watch a lot of violent media or play a lot of violent video games, this book does call for some self-examination. It is difficult, however. How can you tell if you are desensitized? How can you tell if you are fearful, or aggressive? I can only say that I have, long before reading this book, been finding myself more senstive to violence, less aggressive, and less fearful of other's aggression since I have stopped watching TV and stopped playing video games.
The most Eye Opening Book on children and violence.......2005-09-07
This book is definitely an eye opener for parents and future parents. Mr. Grossman has packed this book full of knowledge that will "without a doubt" keep your child more safe and less likely to turn to violence. He gives you excellent statistics, knowledge, case studies, and powerful tips that WILL keep your child safe and on the road to success. This book is the best violence+children book I have read. Excellent work and a must read for all parents.
Highly credible with an interesting approach.......2005-05-27
The authors explore the possibility that violence committed by young people results from what they learn through television, movies, and video games. They cite scientific studies and research to emphasize that children actually learn how to kill by viewing these games and programs. It takes an in-depth look at media violence, but does not touch on the other media-related social problems.
Average customer rating:
- Weak and herniated.
- Another great book in the Reading Contemporary Television series
- Well done
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Reading Deadwood: A Western to Swear By (Reading Contemporary Television)
Manufacturer: I. B. Tauris
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ASIN: 1845112210
Release Date: 2006-09-19 |
Book Description
With the debut of Deadwood on HBO, a vision of the "Old West" emerged that was unlike anything done before on TV. David Milch, also the creator of NYPD Blue, imbued the series with his signature use of harsh language, complex storylines, and shocking acts of violence. The characters he created redefined the hackneyed stereotypes of the Western genre, from the harassed but defiant "Chinaman," Mr. Wu, to the murderous, ferociously funny Al Swearengen, to the whiskey-drinking Calamity Jane who's only too happy to help her friend run the new brothel in town. Reading Deadwood offers an entertaining and eye-opening look into everything from the use of profanity, the characters, and the way the show bends the genre, to subjects like prostitution, race, and the making of American civil society. Complete with episode and character guides, no fan of Deadwood-and no one interested in Westerns--should be without this book.
Customer Reviews:
Weak and herniated........2006-10-07
Like so many Lavery-edited works, the essays are works of hyper-extension, in which the essayists try ever so hard to find subliminal and subtextual meaning where there is none. It is the blight of popular culture studies that the so-called academics who endeavor to give extraordinary signficance to "art" that is meant more to entertain than to edify. I am not saying that "Deadwood" isn't one of the greatest shows ever to be sent over the airwaves (cable waves?), because it is every bit deserving of the attention this book presumes to give it. Unfortunately, the essays here focus more on the putative "hidden meanings" of the show instead of simply examining why "Deadwood" is, in fact, a great show. I have no trouble with an academic or intellectual approach to TV; in point of fact, James South's "[name of show, e.g., Buffy the Vampire Slayer, The X-Files and The Simpsons] and Philosophy" series is a brilliant exercise in interpreting TV, because it takes the shows at face value, then applies various philosophical disciplines to the actual text of the show. Lavery's collection, here, endeavors, instead, to dig below the surface of this outstanding show, and mine for that which, very well, may not be there at all. In short, he fails to "find the color."
(I am reminded of the student who asked William Faulkner what the significance of the large pillars in front of the plantation house in one of his novels, to which, Faulkner replied, "Oh, by all means, the pillars have tremendous significance...they hold the roof up." Sometimes, the text is just the text, and that can be enough if you are imaginative enough to enjoy it and analyze it as is.)
And to the reviewer who touted Ms. Klein's essay on the opening credits, I thought her entire thesis was undermined by the fact she mistakened a prospector biting into a nugget to see if it was gold (gold is soft, and will dent when bitten) for a man pulling a rotted tooth out of his mouth. It is hard to give much credence to an essayist who bases her thesis upon such blatantly mistaken impressions of the material upon which she opines. Sloppy academics, indeed.
I gave the book two stars instead of one simply because there were a few bits of information about the show of which I was unaware.
Another great book in the Reading Contemporary Television series.......2006-09-22
This is the second title in the Reading Contemporary Television series I have read. Like READING SIX FEET UNDER: TV TO DIE FOR, this volume is a collection of thoughful essays written by academics and media scholars while the series was still in progress. The volume on DEADWOOD covers the first two seasons. This means the authors are not fully aware of all the plotlines that will be pursued in the life of the entire series; nor do they know the ultimate destination of individual characters' story arcs. In the case of DEADWOOD which lasted only three seasons (with rumors of possible movie-length follow-up episode or two), that's a pretty substantial number of episodes, so the authors have plenty to chew on.
Of the fourteen articles in the collection, five really stood out for me: Joseph Millichap's on "Robert Penn Warren, David Milch, and the Literary Contexts of Deadwood"; Sean O'Sullivan's "Old, New, Borrowed, Blue: Deadwood and Serial Fiction," which makes interesting connections to the serialized creations of Charles Dickens; Paul Wright and Hailin Zhou's "Divining the 'Celestials': The Chinese Subculture of Deadwood"; "What's Afflictin' You: Corporeality, Body Crises and the Body Politic in Deadwood"; and David Diffrient's "Deadwood Dick: The Western (Phallus) Reinvented."
The volume also contains an episode guide to the first two seasons, a Deadwood Encyclopedia (not as interesting, helpful, or comprehensive as the word "encyclopedia" implies), notes to some of the articles, and a bibliography/filmography. It does not include a list of characters with the names of the actors who play them, which is frustrating because the way HBO series list credits doesn't make it easy to put a name to a face (the DVDs of season one and two don't help in this regard either; the curious are forced to google the actors' names to find a picture and lists of other films and shows they've appeared in).
This book should be of interest to any serious fan of the show, as well as to people interested in the Western as a literary and cinematic genre and in American history/culture in general.
Well done.......2006-09-16
Great reading for fans of the show. Gets into the nitty gritty and makes points you might have missed. My favorite one was by Amanda Klein who opines about the opening credits. I didn't know that a wagon wheel in the mud could carry so much symbolism.
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Violencia, Television y Cine (Estudios Sobre Violencia)
Manufacturer: Editorial Ariel
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ASIN: 8434474654 |
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The Case for Television Violence
Jib Fowles
Manufacturer: Sage Publications, Inc
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Media Violence and its Effect on Aggression: Assessing the Scientific Evidence
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ASIN: 0761907904 |
Book Description
"
The Case for Television Violence is a dense, dry and devastating dissection that surely counts as one of the most important books about American culture to appear in the last decade." --Andrew O'Hehir, "The Myth of Media Violence," Salon.com, 3/17/05
The Case for Television Violence makes the provocative argument that television violence has been misinterpreted. Rather than undermining the social order, television supports it by providing a safe outlet for aggressive impulses. Media scholar Jib Fowles challenges the conventional wisdom by: 1) demonstrating that the scientific literature does not say what many believe it says; 2) calling attention to the viewing habits and behaviors of the reader and those the reader knows; 3) explaining that the anti-violence critique is most profitably understood as the signature issue in the conflict between high and popular culture and 4) situating the arrival of televised violence within the historical context of the disallowance of traditionally sanctioned targets of aggression.
The Case for Television Violence will intrigue scholars and students of Media Studies, Cultural Studies, Politics and Mass Communication.
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Morality and Social Order in Television Crime Drama
John Sumser
Manufacturer: McFarland & Company
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In 45 minutes, prime-time television can present viewers with a crime (often a murder), introduce all the suspects and their motives, and then solve the mystery. Through moral boundaries that have become stereotypical over the years, the show's hero is able to tie up all the loose ends and ensure that justice is served. This study explores how these morally-charged stereotypes are used in place of either logical reasoning or common sense in television crime dramas from the late 1960s to the present. Also examined is the role these shows have played in the creation and reinforcement of social stereotypes in society as a whole.
Customer Reviews:
The Happy Hour Revisited.......2001-02-23
The title of this book is misleading. For all his philosophical ramblings in the first chapter, the author fails to accomplish what he thinks and says he has set out to do. What we have ended up with is his bad attempt to psychoanalyze TV cop shows and detective series he really doen't know anything about. Buying this book is a good waste of money...
Average customer rating:
- In the end, I liked it but it should have been a short story
- Which is more annoying....
- Not funny. No real plot. Poor satire. Not well written
- Buy This Book
- Screamingly funny *and* scary as hell
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Bear v. Shark: The Novel
Chris Bachelder
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ASIN: 0743219465
Release Date: 2001-10-23 |
Book Description
So it's kind of like a parlor game, then?...
The question is apparently of Ancient Eastern extraction....
It seems to be a gut thing. The answer just feels right and then you come up with reasons....
Given a relatively level playing field -- i.e., water deep enough so that a Shark could maneuver proficiently, but shallow enough so that a Bear could stand and operate with its characteristic dexterity -- who would win in a fight between a Bear and a Shark?
In this brilliant satire of our media-saturated culture, the sovereign nation of Las Vegas -- the entertainment capital of the world -- is host to Bear v. Shark II. After a disappointing loss in the first matchup between the land and the sea, the bear is back with a vengeance and out for blood. All of America is obsessed with the upcoming spectacle, so tickets are hard to come by. With an essay entitled "Bear v. Shark: A Reason to Live," young Curtis Norman wins a national writing contest and four tickets to the event. The Normans load up their SUV and embark on a road trip to Vegas.
As they head cross-country, the family is besieged by a dizzying barrage of voices: television and radio personalities, public service announcements, bear and shark pundits, Freudians, theologians, and self-published authors, in addition to the Bear v. Shark fanatics, cultists, and resisters they meet at roadside gas stations and restaurants. Overwhelmed by factoids, statistics, and ten-second debates, the Normans -- along with the rest of country -- can't seem to get their facts straight, much less figure out a way to actually communicate with one another. Sound bites and verbal tics predominate; misheard, misunderstood, and just plain mistaken information is absorbed, mangled, and regurgitated to hilarious effect; and the most inane subjects -- from the disappearance of Dutch culture to the Shakespearean bias toward the bear -- are vigorously and obsessively debated. These meaningless exchanges of misinformation leave Mr. Norman disenchanted, world-weary, and ambivalent about the impending show, but the family eventually makes it to Vegas for an apocalyptic and surprisingly emotional ending.
Written in quick, commercial-like segments that mirror the media it satirizes, Chris Bachelder's debut is a fiercely funny, razor-sharp novel about the odd intersection of zealotry and trivia, about the barriers to human connection in a society that values entertainment above all else. Through a clever act of novelistic subterfuge, Bachelder makes us laugh at our penchant for absurd and useless information while drawing us into a dazzling spectacle of his own imagination.
Download Description
In this brilliant satire of our media-saturated culture, the sovereign nation of Las Vegas -- the entertainment capital of the world -- is host to Bear v. Shark II. After a disappointing loss in the first matchup between the land and the sea, the bear is back with a vengeance and out for blood. All of America is obsessed with the upcoming spectacle, so tickets are hard to come by. With an essay entitled "Bear v. Shark: A Reason to Live," young Curtis Norman wins a national writing contest and four tickets to the event. The Normans load up their SUV and embark on a road trip to Vegas. As they head cross-country, the family is besieged by a dizzying barrage of voices: television and radio personalities, public service announcements, bear and shark pundits, Freudians, theologians, and self-published authors, in addition to the Bear v. Shark fanatics, cultists, and resisters they meet at roadside gas stations and restaurants. Overwhelmed by factoids, statistics, and ten-second debates, the Normans -- along with the rest of country -- can't seem to get their facts straight, much less figure out a way to actually communicate with one another. Sound bites and verbal tics predominate; misheard, misunderstood, and just plain mistaken information is absorbed, mangled, and regurgitated to hilarious effect; and the most inane subjects -- from the disappearance of Dutch culture to the Shakespearean bias toward the bear -- are vigorously and obsessively debated. These meaningless exchanges of misinformation leave Mr. Norman disenchanted, world-weary, and ambivalent about the impending show, but the family eventually makes it to Vegas for an apocalyptic and surprisingly emotional ending. Written in quick, commercial-like segments that mirror the media it satirizes, Chris Bachelder's debut is a fiercely funny, razor-sharp novel about the odd intersection of zealotry and trivia, about the barriers to human connection in a society that values entertainment above all else.
Customer Reviews:
In the end, I liked it but it should have been a short story.......2006-08-24
I picked this one up at one of those discount book warehouses based upon reading the first page in the store. When I got around to reading this book, I had a hard time trying to decide if I liked it. The book is a satire about the influence of television, infomercials, entertainment-as-news and advertising in America today. It is written in a collection of sound bites, news clips, and slogans. It reminds me in many ways of Chuck Palahniuk's work. Much of it is very funny and original. But, the stylistics get a bit annoying after awhile. I think this would have been an excellent short story. Still, I think this was good writing and very witty. I look forward to seeing more from this author.
Which is more annoying...........2006-05-31
It poses the question of which would win, given a level playing field, enough water to maneuver, but not so much the bear couldn't keep its purchase: a bear or a shark. The style of the writing, however, asks if it's more annoying to watch network television, or to read a book written in sound-bytes, commercial breaks, and slogans. I liked reading it, but I also like watching television, foreign-language commercials, and amateur videoblogs, so I'm really easy to entertain.
Not funny. No real plot. Poor satire. Not well written.......2006-03-29
I was greatly disappointed with Bear V. Shark. I expected something funny. It is not. I expected satire and political humor, it has none. If the author was trying for a book like, "1984" or "Brave New World" or "Fahrenheit 451" or "Animal Farm" or "The Jungle" he missed by a huge margin. Truly good satire tells a story, and makes a message. BearV. Shark does neither.
The book is so inconsistent and difficult to follow that it becomes almost unreadable. It reminded me of the ramblings of a psychiatric patient (was that the author's intent?) I did finish the book hoping it would wind up in a glorious manner, but it just plods along and ends.
None of the characters are in any way believable. None of the situations are engaging. None of the attempts at humor are funny. I was really, really disappointed. Did the other reviewers actually read this book?
Buy This Book.......2005-09-28
I bought this book because the author is my friend's neighbor (say "howdy" to Henry for me, Chris)and I bought it used, cheap. Authors don't make any money on used book sales, and I feel a little bad about that because this here is a fine piece of what the pretty folks call "litter-chure." It's witty, ironic, and well done, and maybe best of all the chapters are short so it's great for in the bathroom. If I didn't own this book, I'd buy it new because Bachelder is the sort of author we want to support. That is, he is pretty good at what he does and we will all benefit from his writing more of these fine books.
Screamingly funny *and* scary as hell.......2005-05-24
This book is easily the most downright amazing satire since _Snow Crash_. And it is just as frighteningly prescient too; like it or not we live in the world of this book now.
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The Myth of Media Violence: A Critical Introduction
David Trend
Manufacturer: Blackwell Publishing Limited
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Savage Pastimes: A Cultural History of Violent Entertainment
ASIN: 1405133856 |
Book Description
Public hunger for violent entertainment has always existed with each invention of new media, from the printing press to the Internet. The Myth of Media Violence examines the current and historical debates over one of the most widely discussed yet little understood issues of our time: the social and cultural effects of violence in film, television, and video games. Written in an accessible style, this book explains the need for media violence, and why, despite decades of activism against them, violent media outlets continue to grow and develop at a rapid pace. Engaging examples are drawn from a range of media, including disaster and horror movies, science fiction, film tie-in toys, crime shows, MTV, news, sports, and childrenrsquo;s television programming, books and video games. The book also investigates the forces encouraging social anxieties, why violence in media exists at all, and how society can deal with it.
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Rape on Prime Time: Television, Masculinity, and Sexual Violence (Feminist Cultural Studies, the Media, and Political Culture)
Lisa M. Cuklanz
Manufacturer: University of Pennsylvania Press
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ASIN: 0812217101 |
Book Description
Depictions of rape on television have evolved dramatically, from hard-boiled stories about male detectives to more insightful shows focusing on rape victims. Rape on Prime Time is the first book to examine those changing depictions of rape. Lisa M
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- Great adventurous book
- A child's tour of Alcatraz
- princess courtney
- Deep into Alacatraz
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Breakout! Escape from Alcatraz (Step Into Reading , No 4)
Lori Haskins
Manufacturer: Random House Books for Young Readers
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ASIN: 0679881204
Release Date: 1996-09-09 |
Book Description
Illustrated in full color. Alcatraz, San Francisco's number one tourist attraction, played a pivotal role in American history from the 1930s through the 1960s housing some of the nation's most notorious criminals. Teachers can use this gripping true account to trigger discussion on such topics as the Great Depression, the FBI, Native American history, and our criminal justice system. Escape-story fans, true-crime aficionados, and history buffs will want to make a quick getaway to read all about the legendary landmark they call "The Rock."
Customer Reviews:
Great adventurous book.......2006-04-09
I was previewing this book for my 2nd grade classroom and became completely enthralled in it! It's a great adventure/mystery story sure to capture the attention of any child who likes action and suspense! It creates great imagery of Alcatraz and leaves the reader with an eerie feeling of not knowing whether these men made it or drowned in the bay. It's definitely one of my students' favorites in the classroom.
A child's tour of Alcatraz.......2005-01-28
This book outlines in vivid historical detail the legendary escape of three men from the most inescapable prison in U.S. history. The book also explains a brief history of the island of Alcatraz in addition to a brief account of its final days. One of the major themes of this book is that not everyone will be shut up. Out of every prison, or every situation, there is a way out, and there is an escape if one is only willing to take the risks.
Along with colorful illustrations which tell a story by themselves and photographs which provide historically accurate detail, the book also tells an exciting though quite short, true story about the legendary island of Alcatraz. The text is not overrun with needless detail nor is it too general. What I liked best is that by the end of the book, the reader feels as if he or she has just been given a tour of the island prison.
princess courtney.......2001-06-01
I think Escape From Alcatraz Island was a great book because it had alot of adventure,and I could picture in mind what was going on.also I think it must have been really hard getting chased by a gang through san fransisco near the dwarfs pier,I could probably imagine what it was like locked up in a cell at night in Alcatraz, having to find away to get back home during the morning.
Deep into Alacatraz.......2000-10-15
This book is a great read for people of all ages. Whether your interested in learning more about "The Rock" or need some background information on it, this is the one book for you.
From the colorful pictures scattered throughout the pages to the easy to read layout, you will find yourself immersed in the horrific atmosphere that is Alacatraz.
Few books manage to capture so many elements that make a book sucessful like Breakout! Escape From Alcatraz does. I guarantee you will feel as if you've actually walked through Alacatraz and know exactly why they call it, "The Rock".
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
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- Very Interesting
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History: Fiction or Science? Dating methods as offered by mathematical statistics. Eclipses and zodiacs. Chronology Vol.I
Anatoly Fomenko
Manufacturer: Delamere Resources
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Binding: Paperback
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621074
Release Date: 2007-03-19 |
Product Description
History: Fiction or Science? is the most explosive tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by solid scientific data. The book is well-illustrated, contains over 446 graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays, which never cease to amaze the reader. Eminent mathematician proves that: Jesus Christ was born in 1153 and crucified in 1186 The Old Testament refers to mediaeval events. Apocalypse was written after 1486. Does this sound uncanny? This version of events is substantiated by hard facts and logic - validated by new astronomical research and statistical analysis of ancient sources - to a greater extent than everything you may have read and heard about history before. The dominating historical discourse in its current state was essentially crafted in the XVI century from a rather contradictory jumble of sources such as innumerable copies of ancient Latin and Greek manuscripts whose originals had vanished in the Dark Ages and the allegedly irrefutable proof offered by late mediaeval astronomers, resting upon the power of ecclesial authorities. Nearly all of its components are blatantly untrue! For some of us, it shall possibly be quite disturbing to see the magnificent edifice of classical history to turn into an ominous simulacrum brooding over the snake pit of mediaeval politics. Twice so, in fact: the first seeing the legendary millenarian dust on the ancient marble turn into a mere layer of dirt - one that meticulous unprejudiced research can eventually remove. The second, and greater, attack of unease comes with the awareness of just how many areas of human knowledge still trust the three elephants of the consensual chronology to support them. Nothing can remedy that except for an individual chronological revolution happening in the minds of a large enough number of people.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
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