Book Description
American television embodies a paradox: it is a privately owned and operated public communications network that most citizens are unable to participate in except as passive specators. Television creates an image of community while preventing the formation of actual social ties because behind its simulated exchange of opinions lies a highly centralized corporate structure that is profoundly antidemocratic. In Feedback, David Joselit describes the privatized public sphere of television and recounts the tactics developed by artists and media activists in the 1960s and 1970s to break open its closed circuit.
The figures whose work Joselit examines--among them Nam June Paik, Dan Graham, Joan Jonas, Abbie Hoffman, Andy Warhol, and Melvin Van Peebles--staged political interventions within the space of television. Joselit identifies three kinds of such image-events: feedback, which can be both disabling noise and rational response--as when Abbie Hoffman hijacked television time for the Yippies with flamboyant stunts directed to the media; the image-virus, which proliferates parasitically, invading, transforming, and even blocking systems--as in Nam June Paik's synthesized videotapes and installations; and the avatar, a quasi-fictional form of identity available to anyone, which can function as a political actor--as in Melvin Van Peebles's invention of Sweet Sweetback, an African-American hero who appealed to a broad audience and influenced styles of Black Power activism. These strategies, writes Joselit, remain valuable today in a world where the overlapping information circuits of television and the Internet offer different opportunities for democratic participation.
In Feedback, Joselit analyzes such midcentury image-events using the procedures and categories of art history. The trope of figure/ground reversal, for instance, is used to assess acts of representation in a variety of media--including the medium of politics. In a televisual world, Joselit argues, where democracy is conducted through images, art history has the capacity to become a political science.
Average customer rating:
- Simply Invigorating
- A clear and insightful guide to seeing the visual structure of moving images
- underwhelming
- Better than I thought
- A very well thought-out book on symbolism in the media, basically
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The Visual Story: Seeing the Structure of Film, TV and New Media
Bruce Block
Manufacturer: Focal Press
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In the Blink of an Eye Revised 2nd Edition
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Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know
ASIN: 0240804678 |
Book Description
The Visual Story offers students and professionals in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video. An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices.
The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.
*Encourages the filmmaker to develop a "visual vocabulary"
*Shows the filmmaker how to structure visuals, communicating moods and emotions with style and variety
Customer Reviews:
Simply Invigorating.......2007-08-23
After reading this book, I have a greater sense of cinematography and am surprised at how easily this came. Bruce Block explains the visual construction in a simple way by using common concepts to tie every element of a production together in an easy-to-use package. I have not only been able to identify the concepts as I watch film, but apply the concepts in all my design arenas. I highly recomended this book!
A clear and insightful guide to seeing the visual structure of moving images.......2007-08-09
"The Visual Story" really is unlike anything out there for its emphasis on the ways in which the structure of an image or of images in sequence -- its shape, its apparent spatial dimensions, its movement, its complexity, its rhythm and texture, its color dimensions -- can all work together to support the emotional and thematic dimensions of the story it aims to tell. His explanations are simultaneously simple and insightful, and spending time with this book can really open your eyes to the wide range of ways in which moving images can be meaningful at a level that can be independent of the actual content of the image (who is in it, what is being shown). Essential reading for filmmakers who aspire to take advantage of the potentials of the medium, this book would also be enormously revealing and useful for students of film, for film lovers, and even for those who have a broad interest in the visual arts. His chapters on space and on color, and his discussions of their emotional as well as their formal content, are especially valuable and full of insight. I can't recommend this book highly enough.
underwhelming.......2007-07-12
Bruce Block opens his book by claiming that he is drawing upon the teachings of Eisenstein. He isn't. The vast majority of the book is given to analyzing the "hidden lines" within images. Unfortunately, there is a catch. The hidden visual structure within an image may have some kind of resonance - I'm not really sure, but it seems to me to be sister to the kind of "the work of Virginia Wolf analyzed in meta-postmodern-structuralism," analysis that obscures, rather than illuminating, the essential elements that make a given work of art/lit/film succeed.
Film is made of story, sound, image, and cut - I suppose that it isn't Block's fault that he chooses to focus on overanalyzing just one of those categories, but I do wish that the film school grad who recommended that I read this book had not.
Refund.
Better than I thought.......2007-06-26
I had to get this book for a class I'm taking (Visual Language of the Moving Image) at UCF. Like most books that we are required to purchase, I wasn't too happy about it... But, honestly, this one is different. It is very well written and illustrated. I actually love this book. Bruce Block knows his stuff, and, more importantly, he knows how teach it.
A very well thought-out book on symbolism in the media, basically.......2007-06-08
I bought this book along with "If it's Purple, Someone's Gonna Die." This book ("Visual Story") is the more scholarly and useful of the two, while "Purple" is an easier read.
If you are a critic or student of film-making, this book definitely is a must-have. It's got great info on "why." So many books are centered around "how."
"Why" is more important than "how."
Descriptive, though pedestrian illustrations. Clean, honest writing. Easy to understand. Slightly dry. It would be nice to have more real-world examples, but that get's very difficult to get all of those movie and TV show clearances, so I understand why they're not there, but it would have definitely made the book much more interesting.
Customer Reviews:
buy it. It's good........2007-10-05
I should have posted this months ago. I bought this book, full price at the bookstore because I'd never seen anything like it. I still haven't. This guy is concise, thorough and easy to understand, using small words when small words are appropriate--instead of ten dollar words to show off his knowledge. I love it, have worn it out, and will buy anything else he does. Everyone else has talked about how good this book is. What I'll say is this--thank you for NOT using the sterotypical "archtype" babble, or mythic journey, or GMC, or any of the other overused cliches. This guy spent time thinking. It shows in his writing. Way to go, Dunne.
Get your Emotions to Rock Your Audience.......2007-07-21
This well written book conveys the importance of really connecting your audience to your charcters feats, flaws, and final acts. It a lesson well learned for any screen writer, think of your favorite movies, they made feel emotion for the heros, the villans etc. This emulates that concept through and through.
Essential Reading.......2007-07-18
I would recommended this book to all new screenwiters. Bring your characters from 2D to 3D!
A compelling guide to writing that will grab your audience and not let go.......2007-07-12
Peter Dunne's practical and experience based book on screenwriting gives very specific analyses of a variety of well-written films to demonstrate his principles of emotional structure. The films include the unanimously critical and audience acclaimed Lost in Translation, (a low 4 M budget, 40M box office), Witness and Michael Chabon's Wonder Boys. Whether you are writing low or high budget you can relate. The book fleshes out methods of developing emotional underpinnings for each character in a way that propels the plot, instead of plot driving character. Drawing on his years of teaching, writing, producing, and working with writers it is obvious he knows how long it takes to really absorb this kind of material and not just `understand it' intellectually, and wisely uses thorough explanations of techniques. He follows the development of an original screenplay, beginning with three short sentences then through each step of the writing process to a finished screenplay, with notes in the margin discussing the logic of character/story choices. Most books on screenwriting present structural concepts and discussion of the three acts, as does this one, however the uniqueness of this book is its' use of rich metaphors and exploration of characters emotional dynamics that create a much richer context from which to write. There is in depth exploration of the distinction between story and plot showing clearly how these two work in parallel in well-written scripts and how understanding their complementary nature can help you design scenes and sequences that grab and hold your audience. The book is a very powerful writing companion, no matter what genre or budget you are writing.
Essential Reading for all Film Makers.......2007-07-11
Peter Dunne's Emotional Structure is an amazing insight into how to tell
a story in screenplay form. It also delves rather smoothly into the higher language of character development. If ever you have wondered how master writer's create characters that come to life when they enter a scene, look no further. From page one, Dunne begins to deliver a master class filled with deep insights into the human condition and doesn't let up till he has you where he wants you. To me, it just makes sense. It's informative, entertaining and great as a reference guide for screen writing at any level. The book is so beautifully written and personal, you feel as though you have known him for years. A good portion of the foundations covered could easily be used in a Psychology or Philosophy class. The end result, your characters and story will make more sense than ever before. I highly recommend it and wish I had access to this book twenty years ago when I started out in the business. It is essential reading for all film
makers, not just screen writers.
Book Description
40 inventive projects and dozens of ideas for yards, asmall corners, and everything in between.
Before-and-after photos showcase the results—along with how-to and techniques.
Features a variety of home styles, yard sizes, and project costs.
Builds homeowners' confidence to choose and accomplish landscape makeovers.
Average customer rating:
- the media as fourth branch of govt
- Work of savvy scholar - relevant to all of us.
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Governing With the News, Second Edition: The News Media as a Political Institution (Studies in Communication, Media, and Public Opinion)
Timothy E. Cook
Manufacturer: University Of Chicago Press
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The Press Effect: Politicians, Journalists, and the Stories that Shape the Political World
ASIN: 0226115011 |
Book Description
The ideal of a neutral, objective press has proven in recent years to be just that—an ideal. In Governing with the News, Timothy E. Cook goes far beyond the single claim that the press is not impartial to argue that the news media are in fact a political institution integral to the day-to-day operations of our government. This updated edition includes a new afterword by the author, which pays close attention to two key developments in the twenty-first century: the accelerating fragmentation of the mass media and the continuing decline of Americans' confidence in the press.
"Provocative and often wise. . . . Cook, who has a complex understanding of the relationship between governing and the news, provides a fascinating account of the origins of this complicity."—James Bennet, Washington Monthly
"[Governing with the News] addresses central issues of media impact and power in fresh, illuminating ways. . . . Cook mines a wealth of historical and organizational literature to assert that the news media are a distinct political
institution in our democratic system."—Robert Schmuhl, Commonweal
Customer Reviews:
the media as fourth branch of govt.......2002-04-23
There are plenty of books about political coverage, and how it's too focused on personalities and sound bites and winners and losers. This book takes the next step: how politics and government are affected by the way news is reported today. One of his main points is that the media has become an influential political institution in its own right, not just an observer but a fourth branch of government. Also, politics and policy are run in part as publicity campaigns, which affects how the country is run.
It's somewhat academic reading, with lots of footnotes on studies cited... but at least you feel he has done his homework. I found most interesting the less-academic aspects, like the inside baseball of the cat-and-mouse between the press and politicians: the techniques politicians use to get better coverage, to spin, to set the agenda and frame the debate, and to advance their policies... and the bargaining, the tricks, and the compromises journalists use to get the inside dope.
Work of savvy scholar - relevant to all of us........2000-10-14
Sheds light on the news media as a political institution. Cook's wisdom helps us make sense of the role media plays in governing our nation.
Book Description
In Fireside Politics, Douglas B. Craig provides the first detailed and complete examination of radio's changing role in American political culture between 1920 and 1940 -- the medium's golden age, when it commanded huge national audiences without competition from television. Craig follows the evolution of radio into a commercialized, networked, and regulated industry, and ultimately into an essential tool for winning political campaigns and shaping American identity in the interwar period. Finally, he draws thoughtful comparisons of the American experience of radio broadcasting and political culture with those of Australia, Britain, and Canada.
Average customer rating:
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30-Second Politics: Political Advertising in the Eighties
Montague Kern
Manufacturer: Praeger Paperback
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ASIN: 0275931951 |
Book Description
In this age of the media campaign where television is Americans' preferred source of candidate information, Montague Kern offers insightful scrutiny of political advertisements from 1972 to the present. This book closely examines a sample of ads and news coverage in the last stage of the 1984 presidential election, and in senatorial, gubernatorial, and house elections in four geographically diverse markets. Kern interviews campaign consultants as well as campaign managers and outlines the significant changes in political advertising over the past two decades. She finds, on the basis of an ad sample, that most competitive senatorial and gubernatorial races in 1986 as well as the presidential race of 1988 used negative advertising. In an era in which media consultants are increasingly assuming primary responsibility for press relations, the study demonstrates that ads can overwhelm news coverage and serve many purposes in addition to providing voters with campaign information. The informed general reader seeking a better understanding of the political advertisement phenomenon, journalists who cover political campaigns, as well as scholars in communications and political science, will find 30-Second Politics invaluable reading.
Book Description
Blueprint for Screenwriting demystifies the writing process by developing a "blueprint" for writers to follow for each new screenplay--from original concept to completed script. Author and international script consultant Dr. Rachel Ballon explores the writing craft and emphasizes creativity in the writing process. She blends her expertise in script analysis and writing coaching with her personal experience as a screenwriter to help writers construct their stories and characters.
Starting with the story's framework, Dr. Ballon helps readers to understand the key "building blocks" of story structure and character development, including characters' emotional and psychological states, story conflicts, and scene and act structure. She also covers the essential components in the script writing process, such as outlines, script treatments, synopses, and formats. Dr. Ballon devotes a chapter to overcoming writer's block--the writer's greatest obstacle--and offers guidance for taking the next steps once a script is completed.
A practical tool for any writer, this distinctive resource:
*offers a blueprint for writers to follow, breaking the writing process down into specific, easy-to-follow steps;
*stresses the psychology of the characters as well as that of the writer; and
*offers first-hand knowledge of the screenwriting process and gives practical advice for completing and marketing scripts.
With its unique and insightful approach to the writing process, this book will be indispensable for scriptwriters, fiction writers, and professional writers, and it will serve as a useful text in screenwriting courses.
Customer Reviews:
A Great Book for Screenwriters at Every Level!.......2005-04-14
This is a truly helpful book, no matter where you are in your screenwriting career. One of Dr. Ballon's particular strengths is to give you techniques to understand the psychology of your characters. She also gives you an excellent handle on the challenging and illusive -- though essential -- concept of subtext, which is an aspect of screenwriting that even highly experienced professionals struggle with. And I particularly appreciated her description of the ESSED syndrome. ESSED, she tells us, are qualities you can give your characters as they struggle towards a goal, qualities that intensify that struggle. ESSED is shorthand for words what end in "essed" -- words like obsessed, depressed, and dispossessed. This book covers all the basics of screenwriting, including format, structure, character development, and dialogue, and contains many helpful and stimulating lists of questions for you to ask yourself along the way as you build your script. It is a first-class addition to any screenwriter's library.
A Terrific Guide!.......2005-04-02
This is a truly helpful book, no matter where you are in your screenwriting career. One of Dr. Ballon's particular strengths is to give you techniques to understand the psychology of your characters. She also gives you an excellent handle on the challenging and illusive -- though essential -- concept of subtext, which is an aspect of screenwriting that even highly experienced professionals struggle with. And I particularly appreciated her description of the ESSED syndrome. ESSED, she tells us, are qualities you can give your characters as they struggle towards a goal, qualities that intensify that struggle. ESSED is shorthand for words what end in "essed" -- words like obsessed, depressed, and dispossessed. This book covers all the basics of screenwriting, including format, structure, character development, and dialogue, and contains many helpful and stimulating lists of questions for you to ask yourself along the way as you build your script. It is a first-class addition to any screenwriter's library.
Good but fundamentally flawed! .......2005-01-17
Dr. Rachel Ballon has delivered a solid effort with Blueprint For Screenwriting. Blueprint has a very warm and friendly feel to it. Which is a tribute to Dr. Ballon's skill as a noted psychotherapist and a former educator as well. Ballon's words will comfort the reader as they learn the art of screenwriting. I would love to attend any class or seminar that Dr. Ballon is holding. The metaphor that Dr. Ballon uses in Blueprint to create a well-structured screenplay is the building of a house. As strange as it may sound to you it works very well in the book. Another element that Dr. Ballon explains so well in Blueprint is the dreaded Synopsis, Outline and Treatment better known as the "Troika of Terror." Dr. Ballon is the first author to me that really takes the time to explain the difference between all three and even more important than that she lays out a nice formula that will help you in the creation of all three. As I stated earlier, Dr. Ballon delivers Blueprint For Screenwriting in a very comfortable and well thought out matter. So where are the flaws? Well there are times where Dr. Ballon's conversation goes over board and leaves from teaching one to create a screenplay and turns into a step-by-step process in how to psychoanalyze someone. With Blueprint checking in with only 168 pages, one has to wonder if the extra dialog was added to make the book longer? After that the next flaw in Blueprint is even more horrific, although it is not Dr. Ballon's fault. Blueprint is plagued by a slew of grammatical errors and misspellings. I am not really a stickler for such things but considering this is a book about screenwriting oh excuse me a blueprint on screenwriting I find the misspellings a bit ironic.
Overall Blueprint For Screenwriting is very helpful especially for the novice screenwriter though another book will be needed. The excellent way Dr. Ballon explains how to create a synopsis, an outline or a treatment can be of value to even the most experienced screenwriter. Blueprint For Screenwriting is not strong enough to be the only book or even the first book in your screenwriting help collection, but as an addition it is a very excellent choice.
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Grand Designs: Building Your Dream Home
Kevin McCloud , and
Fanny Blake
Manufacturer: Channel Four Books
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Grand Designs Handbook: The Blueprint for Building Your Dream Home
ASIN: 0752272276 |
Book Description
Grand Designs provides inspiration and information to anyone thinking of taking on the challenge of building their own house. During the 1990s, architects and designers have increasingly called for us to change our houses to reflect the way we live, exchanging poky kitchens for larger living spaces, having more room than one bathroom, and taking the surrounding environment into our plans. What better way of accomodating such demands than by designing and building your own home, creating a living space suited to your changing lifestyle? This aspirational book not only provides a guide to the series, but it illustrates the increasingly fashionable desire to design and build a home of one's own.
Product Description
History: Fiction or Science? is the most explosive tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by solid scientific data. The book is well-illustrated, contains over 446 graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays, which never cease to amaze the reader. Eminent mathematician proves that: Jesus Christ was born in 1153 and crucified in 1186 The Old Testament refers to mediaeval events. Apocalypse was written after 1486. Does this sound uncanny? This version of events is substantiated by hard facts and logic - validated by new astronomical research and statistical analysis of ancient sources - to a greater extent than everything you may have read and heard about history before. The dominating historical discourse in its current state was essentially crafted in the XVI century from a rather contradictory jumble of sources such as innumerable copies of ancient Latin and Greek manuscripts whose originals had vanished in the Dark Ages and the allegedly irrefutable proof offered by late mediaeval astronomers, resting upon the power of ecclesial authorities. Nearly all of its components are blatantly untrue! For some of us, it shall possibly be quite disturbing to see the magnificent edifice of classical history to turn into an ominous simulacrum brooding over the snake pit of mediaeval politics. Twice so, in fact: the first seeing the legendary millenarian dust on the ancient marble turn into a mere layer of dirt - one that meticulous unprejudiced research can eventually remove. The second, and greater, attack of unease comes with the awareness of just how many areas of human knowledge still trust the three elephants of the consensual chronology to support them. Nothing can remedy that except for an individual chronological revolution happening in the minds of a large enough number of people.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Books:
- Feedback: Television against Democracy (October Books)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Find Me
- Find Me
- Foundations of Nursing (Study Guide)
- From Nyet to Da: Understanding the Russians (Interact Series)
- Here, There and Everywhere: My Life Recording the Music of the Beatles
Books Index
Books Home
Recommended Books
- Single-Case Designs for Educational Research
- Let's Nosh
- Definition The Hidef Sourcebook
- Dilbert: Apparently, My Teamwork Speech Wore Off 2006 Mini Wall Calendar
- History: Fiction or Science
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- Insight Compact Guide St. Lucia
- How to Conduct Self-Administered and Mail Surveys
- Economics: A Contemporary Introduction Wall Street Journal Edition with Xtra! CD-ROM and InfoTrac Co
- Family and Other Accidents: A Novel
The Cinematic (Documents of Contemporary Art)
Participation (Documents of Contemporary Art)
Collectivism after Modernism: The Art of Social Imagination after 1945
The Future of the Image
The Politics of Aesthetics
