Book Description
Digital rights management (DRM) is a type of server software developed to enable secure distribution - and perhaps more importantly, to disable illegal distribution - of paid content over the Web. DRM technologies are being developed as a means of protection against the online piracy of commercially marketed material, which has proliferated through the widespread use of Napster and other peer-to-peer file exchange programs.
With the flourish of these file exchange programs, content owners, creators and producers need to have a plan to distribute their content digitally and protect it at the same timea seemingly impossible task. There are numerous books dealing with copyright, eBusiness, the Internet, privacy, security, content management, and related technical subjects. Additionally, there are several research papers, and almost daily newspaper and magazine articles dealing with digital piracy. However, there are only a few books and documents that bring these together as a basis for profitable exchange of digital content. Digital Rights Management can help content providers make money by unifying the confusing array of concepts that swirl around current presentations of DRM in newspapers and business publications.
* Learn from an award winning author and Emmy nominee
* Perfect for the non-technical decision maker, content owner or DRM implementation manager
* Details all the options from legal to technical
Customer Reviews:
Proofread?.......2007-04-28
The content in the book is current, useful and well researched.
However, in 40 years of reading, I have never seen a book so poorly proofread. There are spelling errors, bad grammar, incomplete sentences and such throughout the book... I will be writing the author to see if the next time she wishes to write a book, she'd like for me to proofread it free of charge... I feel badly for her. Somebody dropped the ball big time in an otherwise fine and useful work.
good overview of DRM ideas.......2006-10-17
Van Tassel gives an overview of current DRM methods. At a level understandable by a non-engineer or programmer. She describes why DRM is so important to many media companies. Or, in fact, to any company that has assets in digital form. If you've never dealt with DRM, her book is a useful introduction.
Some more technical readers might want to check out an alternate book - "Multimedia Security Technologies for DRM" by Zeng et al. That book goes far deeper into the mechanics of the various DRM methods.
Average customer rating:
- As helpful as it is voluminous
- If you are someone who wants to use the intellectual property of another for financial gain, then this book is for you!
- A very helpful modern guide, necessary for almost any writer or creator of "intellectual property"
- Well-written guide, packed with important information
- Should be on the shelves of all artists, writers, filmmakers, etc...
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The Permission Seeker's Guide Through the Legal Jungle: Clearing Copyrights, Trademarks and Other Rights for Entertainment and Media Productions (Guide Through the Legal Jungle)
Joy Butler
Manufacturer: Sashay Communications
ProductGroup: Book
Binding: Paperback
 Entertainment
| Intellectual Property
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
| Subjects
| Books
General
| Law
| Subjects
| Books
Entertainment
| Intellectual Property
| Law
| Professional & Technical
| Subjects
| Books
Media And Society
| Communication
| Social Sciences
| Nonfiction
| Subjects
| Books
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ASIN: 0967294010 |
Book Description
A resource for media producers who don'st want to be sued! Clearing rights means keeping material likely to spark legal action out of your production. Yet, knowing which materials may permissibly be used is a constant challenge. This book offers detailed guidance for seeking permission and clearing rights to use quotes, music, art, names, film clips, and other protected materials.
Customer Reviews:
As helpful as it is voluminous.......2007-09-19
Joy R. Butler is endlessly impressive as she charts and details all of the legal choices, decisions and ramifications behind being a producer-- the higher stage of artist, combining artistic talent and inspiration with the realities of the marketplace. This is, definitely, a book for the artist who is taking their craft and their lives to that next level (or plans to): from that of reveling in their ability to create personally or within the confines of their interested community, to the greater world--globally and economically.
The degree to which she covers virtually every subject that could be covered re copyrights, permissions, trademarks, etc. is daunting. The book in fact is so detailed and voluminous that being shellshocked or momentarily disheartened as an artist will be inevitable. (Showing once again how litigious our society is, amongst her many examples of interpretations of the law--and what artists and producers must contend with in that context--are those of a treasured Muslim friend & assistant of Spike Lee's unexpectedly suing him for the right to be considered a co-writer of his masterpiece MALCOLM X, and Eminem's fourth grade bully, to get a share of a song written about him being overcome later in life! And we wonder why stars can be so aloof.)
Butler does say at the outset, however, that there may be big chunks of the book not designed for you, given your artistic specialty. And indeed, every artistic specialty is covered: from visual arts to computer arts; dance to drama; music of all genres to literary works; videos to commercials, to TV, to cinema, to documentaries.
You may walk away from this book thinking as I do: I gotta hire her as my lawyer! But either way, in the end, you'll walk away from this book feeling inspired, as her wealth of information provided enables you with new ways to approach your work, and the degree to which it is or is not dependent on the inspiration and marketable work of others. Knowing your options regarding trademarks, copyrights, and other rights to use or transform works that have either come before you or are part of your individual and unique production teaches you how to think big time--really big time--as an artist.
Highly recommended.
If you are someone who wants to use the intellectual property of another for financial gain, then this book is for you!.......2007-09-15
This book is written for publishers, writers, visual artists, muscians, music producers, film & TV producers, producers of Web sites and software, people, celebrities, and businesses. They all have or want intellectual property, and by reading this book they can learn how the commercial licensing of intellectual property works. The book has 28 chapters:
1. Guide to using this book
3. Copyright basics
4. Trademark basics
5. Common elements of privacy, publicity & defamation law
6. Right of privacy
7. Right of publicity
8. Defamation
9. Other relevant rights & laws
16. Getting organized (to seek permission)
17. Putting your own house in order
18. Submitting the request for permission
19. Negotiating the rights agreement
27. Methods of minimizing risks
28. Dealing with lawsuits
2. Checklist of clearance issues
CLEARANCE ISSUES FOR ...
10. Publishers & writers
11. Visual Artists
12. Musicians & music producers
13. Film, TV, & audio-visual producers
14. Producers of Web sites and software
15. Business
CLEARING RIGHTS AND SEEKING PERMISSION ...
20. To use books & other printed material
21. To use visual art
22. To use music
23. To use film, TV, & video footage
24. To use Web site & software materials
25. With respect to people
26. To use trademarks, products, & locations
The numbers above correspond to the chapters as they are sequenced in the book. I have rearranged the chapters in the order in which I would have liked to have seen them included in the book. Also, I would have liked the book better if it had been split into two parts instead of six. Part A would have included the chapters "1-28" as cited herein above. And Part B would have included the chapters "2-26." As a result of the way the book was organized I almost gave it a 4-star rating. But this book really is a gem and full of content.
My favorite chapters were chapters 2 & 3 (intellectual property law) and chapters 6-9 (tort law). And chapters 18 and 19 were really good, too. Clearly much of the book is aimed at topics an entertainment lawyer handles in her legal practice. But from my perspective as a SCORE small business counselor I think chapters 3, 4, 10, 14, 15, 20, and 24-28 are the most relevant to my clients' concerns. 5 stars!
A very helpful modern guide, necessary for almost any writer or creator of "intellectual property" .......2007-09-13
It is no secret that we live in a time of challenged media boundaries. If I commit journalism under direction from a local metropolitan newspaper but work at home on my computer and follow my own schedule, what are my responsibilities vis-a-vis the work I create? Will someone at the paper "proof" my facts? Can I assume so? Can I say something mean about a celebrity if I think it is true? Can I say something mean about a celebrity after s/he dies? What if I am positive that the person who said those mean things is absolutely correct in his/her opinion? If I quote my source, can I still get in trouble?
Yes, you can, and therein lies the genius of Joy Butler's proactive and assertive new book THE PERMISSION SEEKER'S GUIDE THROUGH THE LEGAL JUNGLE: CLEARING COPYWRIGHTS, TRADEMARKS AND OTHER RIGHTS FOR ENTERTAINMENT AND MEDIA PRODUCTIONS GUIDE. Ms. Butler is an attorney who writes more like a journalist. If not for a very hardworking few like her, many of us -- professional writers and artists; semi-pros; even amateurs who like to keep their rights to their own work -- would be forced into a Neverland of obsolete advice, old wives' tales, dubious "rules" and bungled attempts to address this situation as "ethics" in journalism textbooks. Or pay megabucks to rarefied intellectual-property attorneys who may not know your own situation as well as you do.
Is it safe to assume that your media benefactor, be it a free weekly or a national magazine, has your best interests at heart and will let you retain rights or "borrow" them for further publication? Does it matter whether you were paid for such work or did it as a volunteer? Well, maybe and maybe not. Ms. Butler shows us -- patiently and logically -- the legal concepts you must deal with to keep in shape, intellectual-property speaking. You see,making it personal means you're already lost the battle -- keep what you know is yours to yourself and you won't have to worry about corporate largesse, whether intentional or un.
The specific strategy Butler's uses the most is in fact a kind of "assertiveness training" in print -- allowing us to assert and protect our rights before they hiccup away in a flurry of contractual fine print; keeping us from breaking the law when we are at our most well-meant; and helping us through the many fine points that come with a complex and now technologically hyperbolic field, which all the while tries to run concurrent with the Anglo-American milieu of legal rule and precedence, not to mention legislation that is often obsolescent as soon as it sees print.
Copyright, trademark, patents and other intellectual propery is a huge field, but often a bewildering and confusing mess than even most lawyers-in-training are leery of. THE PERMISSION SEEKER'S GUIDE is not an easy book, because the law is not easy. But it is the most helpful book of its kind I have read. Even if you're an attorney or a very experienced writer with a great agent and editor, I'll wager you will learn things from this important and generous book. I certainly wish it were around 20 years ago when I started writing for pay; and I certainly learned more after reading the book. THE PERMISSION SEEKER'S GUIDE deserves a wide audience.
Well-written guide, packed with important information.......2007-09-10
If you are doing any kind of media production such as a video, an advertisement or if you publish a website or blog, you should get a copy of this book. Many people who publish websites often find, to their chagrin, that they've used copywrited material and then have to deal with the consequences. This book is also useful in how to start dealing with copyright infringement on artwork, which seems to be a growing problem with Web-published art and the ability to capture images with a click of a mouse.
This is the most concise, handy book ever. There is a synopsis of US copyright and trademark law, a back appendix of agreements and releases. There is also a section on resources such as rights organizations, how much it generally costs to use a music track or image, and where to go to protect your own copyrights.
There is a section on how to deal with lawsuits and what IS and IS NOT copyrightable. More importantly, there is a section on how to recognize when you going to read on rights, and how to obtain clearing of the rights so you can use materials in your publication that many people just pick up without a thought.
Some of the important topics for video producers include getting music permissions, sampling (fair use or not?) For bloggers, there is a section about use of images, libel, who is considered a "public individual" and who is private.
This book is not meant to replace legal counsel, but it is an excellent guide to how to start off if you intend to do films, blogs, articles or other publications. The book is readable, not at all dry and boring and the layout is thoughtful--with well-spaced paragraphs and bold headings so you can quickly leaf through and find a relevant topic.
Should be on the shelves of all artists, writers, filmmakers, etc..........2007-08-25
As a writer and presenter, I know there's a number of copyright issues you can get into if you're not careful. I didn't have the faintest idea *how* extensive those issues are until I read The Permission Seeker's Guide Through the Legal Jungle: Clearing Copyrights, Trademarks and Other Rights for Entertainment and Media Productions by Joy R. Butler. At worst, you'll see how the nation's lawyer corps stay employed. At best, you'll keep out of harm's way and not end up in court yourself.
Contents:
Part 1 - Overview of Rights Clearance Issues: Guide to Using This Book; Checklist of Clearance Issues
Part 2 - Relevant Rights and Laws: Copyright Basics; Trademark Basics; Common Elements of Privacy, Publicity and Defamation Law; Right of Privacy; Right of Publicity; Defamation; Other Relevant Rights and Laws
Part 3 - Clearance Issues for Specific Productions: Clearance Issues for Publishers and Writers; Clearance Issues for Visual Artists; Clearance Issues for Musicians and Music Producers; Clearance Issues for Film, TV and Audio-Visual Producers; Clearance Issues for Producers of Websites and Software; Clearance Issues for Business
Part 4 - The Process of Clearing Rights and Seeking Permission: Getting Organized; Putting Your Own House In Order; Submitting the Request for Permission; Negotiating the Rights Agreement
Part 5 - Seeking Permission to Use Specific Materials: Clearing Rights and Seeking Permission to Use Books and Other Printed Material; Clearing Rights and Seeking Permission to Use Visual Art; Clearing Rights and Seeking Permission to Use Music; Clearing Rights and Seeking Permission to Use Film, TV, and Video Footage; Clearing Rights and Seeking Permission to Use Website and Software Materials; Clearing Rights and Seeking Permission with Respect to People; Clearing Rights and Seeking Permission to Use Trademarks, Products, and Locations
Part 6 - Minimizing Your Risks and Protecting Yourself: Methods of Minimizing Risk; Dealing with Lawsuits
Appendix, Resources and Forms: Resources, Forms
Index
About the Author
I'm sure most of us at some time or another copied a picture off the web or downloaded a song or two. And it's not easy to avoid all the stories these days about music and video piracy. What Butler's book does is give you a comprehensive AND readable guide to what rights are present in various forms, as well as how you need to secure those rights if you want to legally use materials in your own works. It's likely that putting a single image in a Powerpoint presentation for your department at work isn't going to put you in any legal jeopardy. But let's say you used that same download image (without permission, of course) in an eBook you created and made available for sale online. If the rightful owner of that image finds that you've done so, they have legal rights that can involve damages, injunctions, and other nasty obligations that can wipe out any profit you *may* have made from your book. Much better to secure permission beforehand and make sure you won't spend any time in court defending yourself.
Even if you're not involved in a particular area, say like filmmaking, it's still interesting to read the material. Butler not only states the law, but she includes a large number of court case references that show how the law has been applied in the past. Of course, each case is different, but what I quickly discovered is that what appears to be reasonable may not be, and you can cross over from fair use to unauthorized use of material with ease. This book won't tell you the answer to every situation you may encounter, but it will get you thinking about issues you need to be concerned with. Something about ignorance not being an allowed defense... :)
This is a book I'd recommend be on the reference shelf of any writer, artist, filmmaker, or singer. It can protect your own rights with your creations, as well as making sure you're protected against unlawful use of others' material...
Book Description
Knowledge in digital form offers unprecedented access to information through the Internet but at the same time is subject to ever-greater restrictions through intellectual property legislation, overpatenting, licensing, overpricing, and lack of preservation. Looking at knowledge as a commons--as a shared resource--allows us to understand both its limitless possibilities and what threatens it. In Understanding Knowledge as a Commons, experts from a range of disciplines discuss the knowledge commons in the digital era--how to conceptualize it, protect it, and build it.
Contributors consider the concept of the commons historically and offer an analytical framework for understanding knowledge as a shared social-ecological system. They look at ways to guard against enclosure of the knowledge commons, considering, among other topics, the role of research libraries, the advantages of making scholarly material available outside the academy, and the problem of disappearing Web pages. They discuss the role of intellectual property in a new knowledge commons, the open access movement (including possible funding models for scholarly publications), the development of associational commons, the application of a free/open source framework to scientific knowledge, and the effect on scholarly communication of collaborative communities within academia, and offer a case study of EconPort, an open access, open source digital library for students and researchers in microeconomics. The essays clarify critical issues that arise within these new types of commons--and offer guideposts for future theory and practice.
Contributors:
David Bollier, James Boyle, James C. Cox, Shubha Ghosh, Charlotte Hess, Nancy Kranich, Peter Levine, Wendy Pradt Lougee, Elinor Ostrom, Charles Schweik, Peter Suber, J. Todd Swarthout, Donald Waters
Average customer rating:
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Fair Use and Free Inquiry: Copyright Law and the New Media, Second Edition (Communication and Information Science)
John Shelton Lawerence , and
Bernard Timberg
Manufacturer: Ablex Publishing
ProductGroup: Book
Binding: Hardcover
Civil Procedure
| Procedures & Litigation
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
| Subjects
| Books
Patent, Trademark & Copyright
| Intellectual Property
| Law
| Subjects
| Books
Business
| English Law
| Law
| Subjects
| Books
Private Law
| Law
| Subjects
| Books
Communication
| Words & Language
| Reference
| Subjects
| Books
General
| Reference
| Subjects
| Books
Civil Procedure
| Procedures & Litigation
| Law
| Professional & Technical
| Subjects
| Books
Contemporary Issues
| Communication
| Social Sciences
| Nonfiction
| Subjects
| Books
General
| Library & Information Science
| Social Sciences
| Nonfiction
| Subjects
| Books
ASIN: 0893914843 |
Book Description
This volume provides thorough coverage of some troublesome and seldom clarified issues that affect scholars who deal with nonprint media. When is it legitimate in teaching or publishing to "quote" a visual image from television, film or printed graphics? To quote the lines from a musical lyric? Why has the long tradition of fair use for printed material, which sanctions quoting without permission, been so slow in its extension to other media? How can scholars and publishers prudently behave in an area where media corporations are uncooperative or belligerent in dealing with requests to document arguments through the inclusion of copyrighted materials? This book offers a forum where scholars, lawyers, archivists, and federal administrators of copyright law express informed viewpoints about these issues.
Book Description
Content Rights for Creative Professionals is for professionals and students working in all areas of media (film/video, photography, multimedia, web, graphics, and broadcast) who need to know what the law requires and how they should properly utilize copyrights and trademarks. This book outlines critical concepts and applies them with explanations in real-life applications, including many cases from the author's own practice as well as those of various media professionals.
This 256 page text is a practical guide designed to provide its reader with a firm understanding of the principles underlying the ownership and use of content, so that when questions arise, they will be able to make correct, well-informed decisionswhether concerning their personal works, or works of others that a company wishes to copyright or trademark. In addition, the reader will be more capable of exercising sound judgment in structuring employment and contract relationships and of acquiring and/or licensing works, which are at the core of the business of communicating.
*Access to the most up-to-date copyright and trademark information
*Provides a firm understanding of the priciniples underlying the ownership and use of content
*Suits the perspective of the freelance artist as well as the in-house media professional
Customer Reviews:
Arnold Rocks! Super copyright and trademark literature!.......1999-05-08
If you're going to buy one copyright law reference book, make it this one! Robert Lutzker's father describes the intricacies of complex American legal standards like no one else. A great read for Amherst College students taking the course "Copyrighting's Fun" or anyone else.
Average customer rating:
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Digital Media & Intellectual Property: Management of Rights and Consumer Protection in a Comparative Analysis
Nicola Lucchi
Manufacturer: Springer
ProductGroup: Book
Binding: Paperback
General
| Popular Economics
| Business & Investing
| Subjects
| Books
General
| Business & Investing
| Subjects
| Books
Consumer Law
| Business
| Law
| Subjects
| Books
General
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
| Subjects
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Media & the Law
| Law
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| Books
Non-US Legal Systems
| Perspectives on Law
| Law
| Subjects
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General
| International Law
| Law
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Consumer Law
| Business
| Law
| Professional & Technical
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General
| Law
| Professional & Technical
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| Books
International Law
| Law
| Professional & Technical
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| Books
ASIN: 3540365419 |
Book Description
The book provides a comparative and comprehensive analysis of the current technical, commercial and economical development in digital media. It describes the impact of new business and distribution models, the current legal and regulatory framework, social practices and consumer expectations associated with the use, distribution, and control of digital media products. In particular, the author analyzes the anti-circumvention provisions for technological protection measures and digital rights management systems enacted in the United States and in Europe, and their impact on consumer protection policy. The book concludes with an overview of the effects, and the possible solutions, under U.S. and EU law, posed by using contractual arrangements to expand intellectual property rights.
Average customer rating:
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Media Rights and Intellectual Property (Media Topics)
Henry Toledano
Manufacturer: Edinburgh University Press
ProductGroup: Book
Binding: Paperback
General
| Business & Investing
| Subjects
| Books
General
| Television
| Entertainment
| Subjects
| Books
General
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
| Subjects
| Books
Media & the Law
| Law
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| Books
Business
| English Law
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
| Professional & Technical
| Subjects
| Books
ASIN: 0748618805 |
Average customer rating:
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Access Denied: Freedom of Information in the Information Age
Manufacturer: Iowa State Press
ProductGroup: Book
Binding: Hardcover
Civil Rights
| Constitutional Law
| Law
| Subjects
| Books
General
| Constitutional Law
| Law
| Subjects
| Books
General
| Law
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| Books
General
| Intellectual Property
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Media & the Law
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| Subjects
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Civil Rights
| Constitutional Law
| Law
| Professional & Technical
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General
| Intellectual Property
| Law
| Professional & Technical
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| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
ASIN: 0813825679 |
Average customer rating:
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Buying and Clearing Rights: Print, broadcast and multimedia
Madelei Gilbart
Manufacturer: Routledge
ProductGroup: Book
Binding: Library Binding
General Broadcasting
| Radio
| Entertainment
| Subjects
| Books
General
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
| Subjects
| Books
Patent, Trademark & Copyright
| Intellectual Property
| Law
| Subjects
| Books
Business
| English Law
| Law
| Subjects
| Books
General
| Publishing & Books
| Reference
| Subjects
| Books
General
| Reference
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| Books
General
| Arts & Photography
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Communication
| Social Sciences
| Nonfiction
| Subjects
| Books
| Broadcasting
| Contemporary Issues
| General
| History
| Mass Communication
| Media & Law
| Media & Politics
| Media And Society
| Propaganda
| Public Opinion
| Research
| Technology & Society
ASIN: 1857130251 |
Book Description
Provides a truly practical guide to the clearing of rights in print, visual and multimedia productions with accessible step-by-step assistance in planning, clearing and paying for clearances. The demarcation lines between print, television and software are breaking down, yet each medium has its own particular rights characteristics. This book examines each while concentrating on practicalities, such as negotiating skills and troubleshooting contracts. An essential user's guide.
Average customer rating:
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Intellectual Property Rights and Communications in Asia: Conflicting Traditions
Manufacturer: Sage Publications Pvt. Ltd
ProductGroup: Book
Binding: Hardcover
International
| Economics
| Business & Investing
| Subjects
| Books
General
| Asia
| History
| Subjects
| Books
General
| Law
| Subjects
| Books
General
| Intellectual Property
| Law
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| Books
Patent, Trademark & Copyright
| Intellectual Property
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| Books
Property
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General
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Media Studies
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Communication
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Property
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General
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General
| Arts & Photography
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All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
ASIN: 0761934987 |
Product Description
This volume explores the contested nature of the ownership of knowledge and access to it in Asia. It offers insights into solving some of the key issues related to intellectual property (IP) and communication in the contemporary world. With the ownership of IP becoming a core feature of media/information industries and state policy, issues related to access to knowledge and its use have become a matter of critical concern. While trade regimes, the state and the core cultural and information industries have begun to advocate greater scope for a variety of knowledge enclosures, civil society is increasingly arguing for a people-centered vision of knowledge futures. This vision includes the need for equity-based and flexible licensing regimes; the legitimacy of local solutions to IP related issues; support for cultural diversity; and access to knowledge based on need rather than the ability to pay for knowledge. This book explores these important issues, supported by case studies from the Asian region. It presents an extensive picture of a dynamic and complex process that reveals some of the dilemmas of the digital age
Books:
- Don't Make Me Think: A Common Sense Approach to Web Usability, 2nd Edition
- Einstein: His Life and Universe
- Elle Decor: The Grand Book of French Style
- Essential Windows Presentation Foundation (WPF) (Microsoft .NET Development Series)
- Feedback: Television against Democracy (October Books)
- Feedback: Television against Democracy (October Books)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
- Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
Books Index
Books Home
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- Demanding Work: The Paradox of Job Quality in the Affluent Economy
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Digital Rights Management: Business and Technology
Multimedia Security Technologies for Digital Rights Management
Professional Content Management Systems: Handling Digital Media Assets
Digital Rights Management: Technological, Economic, Legal and Political Aspects (Lecture Notes in Computer Science)
Digital Asset Management, Second Edition
