Average customer rating:
|
The Myth Makers (Doctor Who)
Peter Purves
Manufacturer: London Bridge
ProductGroup: Book
Binding: Audio CD
 Science Fiction, Fantasy, & Magic
| Science Fiction, Fantasy, Mystery & Horror
| Literature
| Children's Books
| Subjects
| Books
General
| Literature & Fiction
| Subjects
| Books
| Classics
| Comic
| Contemporary
| Literary
General
| Fantasy
| Science Fiction & Fantasy
| Subjects
| Books
Doctor Who
| Media
| Science Fiction & Fantasy
| Subjects
| Books
General
| Science Fiction
| Science Fiction & Fantasy
| Subjects
| Books
General
| Series
| Science Fiction
| Science Fiction & Fantasy
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Look Inside Children's Books
| Trip
| Specialty Stores
| Books
Look Inside Fiction Books
| Trip
| Specialty Stores
| Books
Look Inside Science Fiction & Fantasy Books
| Trip
| Specialty Stores
| Books
Fantasy
| Science Fiction & Fantasy
| Books on CD
| Audiobooks
| Formats
| Books
Science Fiction
| Science Fiction & Fantasy
| Books on CD
| Audiobooks
| Formats
| Books
Unabridged
| Literature & Fiction
| Books on CD
| Audiobooks
| Formats
| Books
General
| Books on CD
| Audiobooks
| Formats
| Books
Similar Items:
-
Doctor Who: The Smugglers (BBC TV Soundtrack)
-
Doctor Who: Galaxy 4 (BBC TV Soundtrack)
-
Doctor Who: The Celestial Toymaker (BBC Radio Collection)
-
Doctor Who: The Savages (BBC TV Soundtrack)
-
Doctor Who: Marco Polo (BBC Radio Collection)
ASIN: 0563477776 |
Customer Reviews:
A Rare Step.......2001-09-22
This is a rare step towards comedy in early Doctor Who and it works. The actors are all on top form including William Hartnell as the Doctor. Mark Ayres has done a wonderful job in restoring these lost television soundtracks. The narration read by Peter Purves is also very well done.
Average customer rating:
|
The myth makers
Hugh Nibley
Manufacturer: Bookcraft
ProductGroup: Book
Binding: Unknown Binding
ASIN: B0007FRF06 |
Book Description
Biographers and historians have lionized Heinz Guderian as the legendary father of the German armored force and brilliant practitioner of blitzkrieg maneuver warfare. As Russell A. Hart argues, Guderian created this legend with his own highly influential yet self-serving and distorted memoir, which remains one of the most widely read accounts of the Second World War. Unfortunately, too many of Guderian’s biographers have accepted his view of his accomplishments at face value, without sufficient critical scrutiny, resulting in an undeserved hagiography.
While undoubtedly a great military figure of appreciable ego and ambition and with a volatile, impetuous, and difficult personality, Guderian was determined to achieve his vision of a war-winning armored force irrespective of the consequences. He proved to be a man who was politically naive enough to fall under the sway of Hitler and National Socialism and yet arrogant enough to believe he could save Germany from inevitable defeat late in the war, despite Hitler’s interference. At the same time, Guderian was unwilling either to participate in attempts to remove Hitler or to denounce as traitors the conspirators who did. In the end, he distorted the truth to establish his place in history. In the process, he denigrated the myriad important contributions of his fellow officers as he took personal credit for what were, in reality, collective accomplishments. Thus, he succeeded in creating a legend that has endured long after his death.
This brief biography puts the record straight by placing Guderian’s career and accomplishments into sharper and more accurate relief. It exposes the real Heinz Guderian, not the man of legend.
Customer Reviews:
A Long Overdue Balanced Biography of Hitler's Panzer Leader!.......2007-07-30
This very short but well balanced biography of Heinz Guderian is long overdue!
Historian Russel Hart has succeeded admirably in his goal of presenting a balanced picture of Hitler's leading Panzer general. Hart proves convincingly that Guderian, willingly assisted by British historian Liddell Hart, succeeded in mythologizing his own contributions to Nazi Germany's panzer force and World War II victories, while at the same time, hiding his own personal dedication to Hitler and his Nazi regime and his deficiencies as a combat commander. Guderian thus succeeded in creating a legend that has endured to this day.
It is true that there is little here that is really new for those who read widely on the German Army of World War II. For example, it has long been known that Guderian "shopped" around in Eastern Europe for an estate worthy of his contributions to the Third Reich and had no qualms about seizing such a prize from its Jewish owners. The same is, in fact true, of most of Nazi Germany's senior military leadership during the war.
But Hart has succeeded in bringing together a number of different sources and presenting in a succint manner a profile of the German panzer leader that will force historians to reassess all of Hitler's senior commanders in a new light and against a new standard. For that, he is to be commended!
It is time we stopped mythologizing the World War II German Army and its commanders.
Will the Real Heinz Guderian Please Stand Up?.......2007-07-04
This succinct summation of Heinz Guderian's career is a deliciously iconoclastic account of the man who was once viewed as the "inventor" of blitzkrieg. Over the past thirty years scholars have questioned this interpretation piecemeal. Hart summarizes and synthesizes this literature, bringing it together in one convenient place.
Guderian in Hart's formulation was one of a group of officers associated with the development of the German armored force in the 1920s and 1930s. He was very much a junior partner in this effort--his chief contribution being a flair for publicity and self promotion. (In the Cold War he used this latter skill to write more influential innovators out of his memoirs--and largely out of the conventional historical wisdom.) In the 1939 and 1940 campaigns argues Hart, Guderian exhibited a genuine skill in offensive tactics--when his opponents were technologically overmatched--but he had little sense of the operational or strategic context of his actions. Most of all, he profited from being in the right place at the right time. In the Russian campaign of 1941, he demonstrated that he "was simply not a very effective defensive commander." (Page 79.) Hitler was quite right to relieve him when he proved unwilling to conduct a positional defense. Given the state of the German Army in the winter of 1941-1942, any other course was an invitation to disaster.
Guderian was, if anything, a survivor. Hart's account of his maneuvering to hold a high position in any successor government to the Hitler regime while at the same time covering his tracks if the coup attempt failed is a masterpiece of historical reconstruction. The author is equally successful in stripping away Guderian's various evasions of his knowledge of and complicity in Nazi mass murder.
In Hart, Guderian has obtained the biographer he has long deserved. Guderian: Panzer Pioneer or Myth Maker is an outstanding entry in Potomac Books' Military Profile series edited by Denis Showalter.
Edgar F. Raines, Jr.
Macksey with a twist of Lemon.......2006-12-01
This is a much-anticipated, but ultimately disappointing new profile of Guderian. The author has done very little in the way of original research and has ignored some very important, easily accessible sources. He has basically taken Macksey's biography of Guderian, stripped out the positive elements, and tossed in some negative elements from the recent works of other historians. This isn't a biography, it's a hatchet job and from all the poor writing it contains - overloaded adjectives and repeated cliches - it's a very rushed hatchet job at that.
Guderian deserves better than this. If a biographer chooses to re-examine Guderian's life and perhaps deflate his legend along the way, he should do so using all available sources, such as Guderian's personal papers at the German military archives and the interrogation reports and unit records easily obtainable at a number of archives, including the US National Archives. Anything less than that is not worth the paper it is printed on.
Book Description
Overview of the life and career of the master of Italian horror cinema, from his first script for Leone's Once Upon a Time in the West, to producing Dawn of the Dead, to his Terror Trilogy with his Hollywood superstar daughter Asia Argento. This is the first exploration of the psyche and methodology of the man who galvanized global horror with his super-shock sensation, Suspiria. Meticulously collated into one unique volume are * every feature, interview, review of Argento's work * new material and never-before-published facts and secrets * exclusive Argento interviews * rare stills, posters and candid behind-the-scenes photos from private collections * full-length interviews with 28 collaborators, including George Romero, Max Von Sydow and Julian Sands
Customer Reviews:
THE Argento book.......2006-10-23
PROFONDO ARGENTO is the second book I have ever bought from FAB Press. The first was ART OF DARKNESS: THE CINEMA OF DARIO ARGENTO which, to say the least, was a disappointment. A beautiful but empty pseudo-anyalis of the filmmaker's career, ART OF DARKNESS was about as stale and lifeless as any film book you'll ever encounter. It seems this problem has plagued a lot of the other tomes in the FAB Press line-up: BEYOND TERROR, their Lucio Fulci book, has also been cited as something of a waste. But PROFONDO, thankfully, trumps both of them and turns out to be one of the best, most invigorating studies of a cult filmmaker ever published.
The reason is simple: British author Alan Jones has spent the past twenty-five years or so working with Argento himself. He has been on the film sets of virtually all of the man's post-PHENOMENA films, and has access to rare behind-the-scenes info, opinions, and interviews that no one else would. Whereas Stephen Thrower felt merely content to sit in his room and type up 350 pages of heartless dross and call it a book, Jones actually has something to SHOW us. Simply put, any Argento fan cannot go without this book. Unless the director himself writes it, there will never be a better book about his career.
Features chapters dedicated to each of the man's movies up to NON HO SONNO (SLEEPLESS), interviews with cast and crew (and Argento himself), behind-the-scenes photos, color artwork, and brief sections on Argento contemporaries like Asia, Michele Soavi, etc. The only thing it doesn't have is information on the man's childhood, etc.
Profondo Sycophancy!.......2006-07-01
Despite the popularity of horror throughout the 70's, 80's and 90's and its acceptance by academia and critics as a valid form of cinematic expression, it is astonishing that there has been so few books about Italian director Dario Argento. The first serious study was by Maitland McDonagh in 1994's BROKEN MIRRORS, BROKEN MINDS. This was followed in 2003 by ART OF DARKNESS edited by Chris Gallant. If you're looking for books that explore the deeper themes of Argento's work then I would recommend both of these over Alan Jones' PROFONDO ARGENTO. Jones' effort is perfectly usable, but lacks the sophistication and thematic depth of the other two. The book also suffers from an irritating degree of sycophancy, which comes from Jones' well documented friendship with Argento. This is all very good, but why do we need to know about it? Far too much of this book is anecdotal, which detracts both from the enjoyment and any objective critical stance. In compensation though, as one would expect from FAB PRESS, the book is attractively illustrated. Many of the photos come from Jones' personal collection, and for this he should be commended. There is certainly enthusiasm here and one can tell that for Jones it was a labour of love, and on occasion the prose is exciting and imaginative.
As an introduction to Argento's cinema I would recommend PROFONDO ARGENTO as your first port of call (having made sure you have watched all the available films of course), compared to the other two major works on him, it is light, entertaining and readable. But be warned, in this book the story of Argento's cinema is also the story of Alan Jones, and I for one am certainly not interested in the latter.
A must-read for Dario Argento fans.......2006-03-04
If there is one valid complaint to be made about this book it is that there is too much information presented within its pages. Argento fans know there is no such thing as "too much information" when it comes to the master of Italian film, though.
Interviews, rare photos and lobby cards, film reviews and more are presented in this gorgeous book. If you are an Argento fan and haven't read this, you are truly missing out. There is something for even the most die-hard fanatic to learn.
Beautiful Argento book by a fan for the fans........2005-06-09
All Argento fans can rejoice with the publication of Alan Jones' book Profondo Argento: The Man, The Myth And the Magic. Everything a fan(or newcomer)wanted to know about Dario Argento's work(films, reviews, interviews, articles, etc.) is practically here. It is extremely well researched, with lots of interviews and articles, and it is profusely illustrated with images, posters and people associated with Argento's work and world. The best thing is that the book is pretty much up to date, covering Argento's latest giallo "The Card Player." This book is definitely a work of love by a fan for the fans and I find myself always referring to it quite frequently. A true delight well worth for the price. I highly recommend it.
Book Description
"The first casualty when war comes, is truth," said American Senator Hiram Johnson in 1917. In his gripping, now-classic history of war journalism, Phillip Knightley shows just how right Johnson was. From William Howard Russell, who described the appalling conditions of the Crimean War in the Times of London, to the ranks of reporters, photographers, and cameramen who captured the realities of war in Vietnam, The First Casualty tells a fascinating story of heroism and collusion, censorship and suppression.
Since Vietnam, Knightley reveals, governments have become much more adept at managing the media, as highlighted in chapters on the Falklands War, the Gulf War, and the conflict between NATO and Serbia over Kosovo. And in a new chapter on the post-9/11 wars in Afghanistan and Iraq, Knightley details even greater degrees of government manipulation and media complicity, as evidenced by the "embedding" of reporters in military units and the uncritical, openly patriotic coverage of these conflicts. "The age of the war correspondent as hero," he concludes, "appears to be over." Fully updated, The First Casualty remains required reading for anyone concerned about freedom of the press, journalistic responsibility, and the nature of modern warfare.
Customer Reviews:
The War Correspondent as a Coward, Propagandist, and a Liar.......2007-02-27
Phillip Knightley's book THE FIRST CASUALTY is an informative summary of war correspondents who deliberately distort and lie about war. These correspondents not only lie and report non-events, they also omit crucial information. The tragedy is that these men do so quite willingly
Knightley begins this study with the Crimean War (1854-1856) and the Boer War (1898-1902). Knightley corrects many of the distortions that were reported and informs readers of events ingnored at the time. Knightley also examines deeds of daring which never took place. Knightley's book discusses British and in particularly Australian atrocities during the Boer War which first went unreported but were later blamed on the rank-and-file infantry who were following orders of "superior" officers. The reporting blamed the rand-and-file and exonerated the officers who were actually responsible.
Knightley's study of war correspondents during World War I is thorough. He reports of war journalists who badly distorted the record to the point that events were actually the opposite of what was written. There is on anecdote that bears attention. One journalist was offered huge payments if he could produce photographs and write stories about the atrocities of the "wicked" Germans. In spite of promises of huge payments, he was honest enough to admit he found none. Other war correspondents were not as honorable and wrote considerable bildge which went unexamined for a considerable time.
Knightley's discussion of the Russian Revolution and the rise of the Bolsheviks/Communists. This part of the book would have been comical if the events had not been so tragic. As soon as the Bolsheviks stated they could not afford to pay Czar Nicholus' war debts, the Americans, French, British, Czechs, and Japanese sent forces to Russia to overthrow the Bolsheviks. The government officials who sent these troops were at cross purposes,and even the Whites', those opposed to the Bolshevik Reds, could not tolerate the outside invaders. There were accounts of the Whites fighting their "allies", and duruing one of the battles, American soldiers were lost who were supposedly in Russia to help the Whites, not fight them. The economic and social dislocation were so bad that diseases killed millions of Russians. All the Bolsheviks had to do was wait for their enemies to make all the mistakes.
The interwar wars (1920-1939) produced the same dismal journalistic lying. Two events that Knightley covers are the war between the Ethiopeans and the Spanish Civil War. Both the Spanish "leftests" especially the Communists and the Phalangists led by Franco had their supporters who wrote considerable nonsense about their
"side" and evil of their foes. The Communist journalists were the worst. They not only smeared and vilified any who disagreed with them, but they also wrote of non-events. Franco's journalistic supporters did the same. As an aside, George Orwell's book titled HOMAGE TO CATALONIA has a good account of all this.
Soon after the Spanish Civil War was over, World War II erupted in Europe and Asia. Knightley separates fact from fiction regarding journalistic accounts of this war. For example, he undermines one story of the Americans destroying 19 Japanese heavy cruisers in a naval battle when the entire Japanese navy had only 14. He corrects the distortions on the Western Front,and readers have a much better idea of events there than was provided by news accounts at that time.
Probably the worst reporting was done on the Russian Front during World War II. Western journalists, including American reporters, were held to strick Soviet censorship. What was sad is that these journalists willingly cooperated. One journalist reported that Stalin's son or son-in-law was captured by the Germans. At the end of World War II,this journalist was never seen again.
Knightley gives "chapter and verse" of bad journalism during the Cold War. The distortions during the Korean War were appalling. There is no doubt that some of the North Koreans committed atrocities during this war. But what was not reported were the atrocities committed by South Korean troops. One Austrialian had to threaten a South Korean officer if he proceeded to shoot innocent women and children. This went unnoticed for years.
If the reporting were bad during the Korean War, it was just as bad if not worse during the early stages of the Vietnam War. Journalists were encouraged to join the team rather than report actual accounts. However, some of the British and European journalists refused to cooperate. One quoted a speech given by Ky who remarked that his hero was Hitler and what South Vietnam needed was four or five Hitlers. U.S. diplomatic officials and THE NEW YORK TIMES wrote that Ky never made such remarks and did not know the journalist in question. Unfortunately for the government liars and their NEW YORK TIMES sychophants, Ky repeated these remarks almost verbatim via the BBC.
Some have argued that the press helped end the Vietnam War. This was true after the disclosure of the My Lai Massacre. Knightley mentions that this was not considered newsworthy because so many similiar incidents took place. The situation was so bad in Vietnam for U.S. policy makers that they were often at odds with reporters who could not restrain themselves any longer.
Events since 1975, when U.S. forces left Vietnam, have continued to be distorted. Knightely cites events re the First Gulf War and the disasters incubating in Afghanistan and Iraq. The realities of starting unnecessary wars in Western Asia especially when lies and gross fabrications were used to justify the treasure and blood might make Americans alert to political and journalistic lying. The journalists of THE NEW YORK TIMES Washington, D.C. papers have, until recently, been mouth pieces and nothing else for pro-war political liars and cheats. One wonders if the full record will ever be disclosed. If readers carefully examine Knightley's book, they may be able to separate fact from fiction.
excellent history of (biased) reporting.......2006-08-17
"The First Casualty" is excellent in that it lays waste to the current myth of the need for neutrality in war reporting. The book documents the history of war reportage from the Crimean War up until the Terror War of today.
Since the Crimean War of one and a half centuries ago there has been no shortage of persons eager to go and report from wherever it is that people are being shot, bombs are being dropped, and battles are being waged. For much of this period war reporters have not been concerned about their neutrality. In fact, according to Knightley, it could be argued that there has yet to be a war covered in which correspondents were neutral.
In the Crimean War, the conflict that gave birth to the war reporter beast, William Howard Russell performed admirably, though not as an objective recorder of history. He was definitely a writer who glamorized war with his "Charge of the Light Brigade" being one of history's greatest examples of a reporter's patriotism bleeding from between the lines. Furthermore, Russell, just about the world's first war correspondent, was not afraid to criticize his government and his critical reportage was eventually partly responsible for the collapse of his nation's government. Russell was anything but neutral.
The American Civil War in many ways represents the nadir of war reporting. No one can claim that journalists followed any journalistic ethics, let alone neutrality, while covering that conflict. Journalists lied, invented stories, and recreated events due to laziness, greed, and to support personally held views. My personal favorite is the journalist that was bought off for cigars and whiskey. Knightley exposes all of this.
Though war reporting did improve throughout the end of the nineteenth century and into the first two decades of the twentieth, correspondents continued to see war as an us-versus-them struggle and they all continued to romanticize war. Churchill, Gibbons, Hemingway, and Pyle are all prime examples from the book of reporters who did this. My favorite quote from this era is by Herbert Matthews who covered the Spanish War for the New York Times. He argued,
"... I always felt the falseness and hypocrisy of those who claimed to be unbiased and the foolish, if not rank stupidity of editors and readers who demand impartiality...of correspondents writing about the war... A reader has a right to ask for all the facts; he has no right to ask that a journalist or historian agree with him."
In Korea, American journalists were accused of being too patriotic and of not being questioning enough of their country's role in the war. Knightley believes that correspondents must accept some of the blame for the two million civilians that were allegedly killed in that war.
Soon after, in Vietnam, western journalists began covering the war while supporting America's position. As the Vietnam War dragged on journalists' points of view changed as did their coverage of the conflict. For example, the My Lai massacre was uncovered and helped to accelerate America's withdrawal from Vietnam. Today it is not uncommon to hear that the press was at least in part responsible for America's defeat.
I was not as interested in the sections of the book that cover the conflicts that I actually remember. However, one interesting note from this latter part of the book is Knightley's explanation of Bob Simon's experience of being arrested in Iraq. Knightley wrote:
"The Iraqis released Simon and his crew unharmed at the end of the war."
I recently saw a televised interview with Bob Simon and I doubt that he would agree with the above over-simplified statement. According to the interview that I saw Simon was badly beaten while he was in custody. And beaten for weeks or months (I cannot recall exactly) What really makes the above quotation remarkable is the paragraph that precedes the Simon paragraph. The last sentence of that paragraph says the following about a Time photographer being, "...blindfolded, searched, and held for more than 30 hours by a National Guard unit." Perhaps I am seeing something that is not there, but to me the two paragraphs, one right after the other, give a moral equivalency to the two events that should not exist.
The book at around 600 pages is close to becoming not a book to read but a book to refer to. That is fine in my opinion and I sincerely hope that Knightley continues to update it as wars continue to pop up around the globe.
Good reading,
Andrew Greene
Jakarta, Indonesia
HIGHLY RECOMMENDED.......2005-04-25
This is an excellent account of the history of war journalism. What is most interesting is that, as the title suggests, the author is able to demonstrate that many of the issues concerning this topic have remained the same since the Crimean War.
The accounts of the coverage of specific conflicts is very informative. I just hope that this book is constantly updated with an account of each new conflict as it happens. I would love to know what Knightly has to say about the post 9/11 wars.
Average customer rating:
|
Glastonbury: Maker of Myths
Frances Howard-gordon
Manufacturer: Gothic Image Publications
ProductGroup: Book
Binding: Paperback
General
| Europe
| History
| Subjects
| Books
General
| England
| Europe
| History
| Subjects
| Books
General
| Ireland
| Europe
| History
| Subjects
| Books
General
| World
| History
| Subjects
| Books
General
| New Age
| Religion & Spirituality
| Subjects
| Books
Spiritualism
| Occult
| Religion & Spirituality
| Subjects
| Books
General
| Travel
| Subjects
| Books
Look Inside Travel Books
| Trip
| Specialty Stores
| Books
ASIN: 0906362423 |
Average customer rating:
|
Plato the Myth Maker
Luc Brisson
Manufacturer: University Of Chicago Press
ProductGroup: Book
Binding: Paperback
General
| Philosophy
| Nonfiction
| Subjects
| Books
Greek & Roman
| Philosophy
| Nonfiction
| Subjects
| Books
History & Surveys
| Philosophy
| Nonfiction
| Subjects
| Books
General
| Greece
| Europe
| History
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Nonfiction
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
How Philosophers Saved Myths: Allegorical Interpretation and Classical Mythology
ASIN: 0226075192 |
Book Description
The word myth is commonly thought to mean a fictional story, but few know that Plato was the first to use the term muthos in that sense. He also used muthos to describe the practice of making and telling stories, the oral transmission of all that a community keeps in its collective memory. In the first part of Plato the Myth Maker, Luc Brisson reconstructs Plato's multifaceted description of muthos in light of the latter's Atlantis story. The second part of the book contrasts this sense of myth with another form of speech that Plato believed was far superior: the logos of philosophy.
Book Description
Originally published between in 1978, these legends of the Haida people of British Columbia feature the wise and enterprising Mouse Woman, a narnauk (supernatural human/animal shape-shifter) who takes the form of both a mouse and a grandmother. Mouse Woman's role, as Christie Harris's carefully researched and respectfully told legends tell, was to keep order between other narnauks and humans. Both a teacher and a nurturer, the ever-watchful Mouse Woman keeps a particularly close eye on young people. When they are tricked into trouble (often by other narnauks), she uses tact and her own brand of trickery to set things right. A unique and wonderful character, the ingenious Mouse Woman convinces the young people to change their ways themselves with only a little bit of direction from her. This reissue of the original text features the striking original black-and-white line drawings of Douglas Tait. With a new and more contemporary look, these compelling stories hold appeal for fans of the legendary Harris and all readers drawn to legends and folktales.
Average customer rating:
|
Fleshpot: Cinema's Myth Makers & Taboo Breakers
Manufacturer: Headpress
ProductGroup: Book
Binding: Paperback
General
| Movies
| Entertainment
| Subjects
| Books
General
| Erotica
| Literature & Fiction
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Look Inside Romance Books
| Trip
| Specialty Stores
| Books
ASIN: 1900486121 |
Book Description
With contributions from experts and cult film personalities worldwide-including Kenneth Anger and George Kuchar-Fleshpot -covers the sex education film, the secret history of American gay cinema, radical Japanese sci-fi porn, the British hardcore underground, and many other steamy subjects.
"Jack Stevenson is a brilliant filth scholar."-John Waters
Books:
- The Plug-In Drug: Television, Computers, and Family Life
- The Pythons
- The Savage Detectives: A Novel
- The Secret Diary of Anne Boleyn
- The Tao of Willie: A Guide to the Happiness in Your Heart
- The Television Sherlock Holmes
- The Tree of Life: A Phylogenetic Classification (Harvard University Press Reference Library)
- The Voice Actor's Guide to Home Recording
- The Worlds Most Haunted Places: From The Secret Files Of Ghostvillage.com
- There's Money Where Your Mouth Is: An Insider's Guide to a Career in Voice-Overs
Books Index
Books Home
Recommended Books
- Effective Phrases for Performance Appraisals: A Guide to Successful Evaluations
- Yoga for Pregnancy: Ninety-Two Safe, Gentle Stretches Appropriate for Pregnant Women & New Mothe
- The Cinema of Britain and Ireland
- The Big Fat Kill
- The First 90 Days: Critical Success Strategies for New Leaders at All Levels
- Warriors Field Guide: Secrets of the Clans
- The Rough Guide to Barcelona Map
- Accounting Jobs Worldwide
- The Labouring Poor in India: Patterns of Exploitation, Subordination, and Exclusion
- The Season of Lillian Dawes: A Novel
