Average customer rating:
- Making complex issues clear
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Making Media: Foundations of Sound and Image Production
Jan Roberts-Breslin
Manufacturer: Focal Press
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ASIN: 024080502X |
Book Description
Making Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. A CD-ROM, compatible with both Macs and PCs, will provide interactive exercises for each chapter, allowing students to explore the process of media production. The text is heavily illustrated and complete with sidebar discussions of pertinent issues.
Focusing on the building blocks that transcend the boundaries between film, television, multimedia, and the Internet, this highly illustrated and interactive text stresses the commonalities of various types of media and prepares the student to succeed within a wide range of disciplines.
*Prepares students to move with ease into any number of media disciplines - film, video, photography, audio, multimedia
*Includes companion CD-ROM with interactive exercises
*Highly illustrated throughout
Customer Reviews:
Making complex issues clear.......2004-12-24
This book has been a real life saver for me on my first semester at graduate school. The other media books I had to read were overwhelming with never ending details and jargon language. Roberts- Breslin's book explains everything plainly from start to finish. She has an uncanny ability to simplify extremely complex matters. Even with no prior knowledge of the technical aspects of media making I now have a solid foundation.
The main terms are bolded, and also listed in the end so you can read the book beginning to end or just look up specific topics. The attached CD is a great addition as it visually illustrates concepts that are difficult to explain verbally, such as the different camera movement (What is the difference between the pan and truck movement?) or the phi phenomenon.
Another great thing about the book is the practical tips it gives to a beginner. Logging all my footage, for example, would have never accrued to me, but it made editing so much more manageable and must have saved me hours upon hours.
Customer Reviews:
Too much programmation in it.......2006-07-05
I thought this would be a book about how to compress things in different modes so you could make the final results nicer...Its too much about creating codecs which I dont wanna do at all !
I was bored at first chapter ;o(
CD-ROM has value.......2005-10-14
Only CD-ROM has value, don't like the text. Not very useful to build anything.
Good as a general introduction.......2005-06-03
I would reccommend this book if you want to learn how compression works, where the limitations come from, where future improvemens may come from and what the standards are all about.
You won't find implementation details and mathematical rigour in this book ; its goal is to explain the concepts.
Excellent book.......2005-01-10
I liked this book very much. I graduated at a technical university and I wish I had had such good books there! The basics, the chapters on JPEG, MPEG-1, -2 and DV are extremely good and the other chapters give a good overview on the corresponding subjects. I do recommend this book to anyone interested in general video compression, or, e.g. how DVD works...
If I lost this book somehow I would definitely buy it again!
Not an h.264 Book.......2004-08-17
Richardson book (H.264 and MPEG-4 Video Compression) is the best book on h.264 -- by virtue of being the only one.
The cover of Symes' book proclaims "Featuring: JVT/H.264/MPEG-4 Part 10". However, there's one chapter on JVT, and it is somewhat sketchy. The only level of real detail is on the transform. The rest of the AVC/h.264 standard receives brief and superficial coverage. The coverage of WMV-9, an analogous next gen codec, is even sketchier. It doesn't mention the SMPTE VC-9 standardization effort, based on WMV-9.
Next gen codecs aside, it's not a bad book as a general overview of compression. It has a breezy style that's easy to read. While some sections are quite thorough, it doesn't consistently dig past the surface.
Here's an example:
"Context-based adaptive binary arithmetic coding (CABAC) is a development of arithmetic coding mentioned in Chapter 3."
-- page 243, Chapter 12, JVT
"Explanation of the arithmetic coding process is beyond the scope of this book."
-- page 47, Chapter 3, Entropy Coding
In a nut shell, this book is a good addition to the video processing bookshelf, but it won't stand as a definitive reference to this new protocol. Maybe next edition.
Book Description
Digital Compositing for Film and Video is a hands-on, how-to guide that addresses the problems and difficult choices faced by the professional compositor in real-life situations. This book presents you with tips, tricks and techniques for dealing with the badly shot elements, color artifacts, and mismatched lighting that bedevil compositors. Included in this book is: in-depth, practical methods for bluescreen matte extraction, despill operations, compositing operations, and color correction - the "meat and potatoes" of all digital effects. Written in a completely software independent style, it is totally applicable to any brand of compositing software.
The second edition contains many important additions:
* printed in full color with over 400 color photos and illustrations
* companion DVD with 3.7 gigabytes of test images, including hard to get HiDef video and feature film scans
* new section on working with HiDef video
* new section on digital intermediate, the feature film finishing process of today
* more Adobe Photoshop blending modes and procedures
* new material that reveals the add-mix composite, light wrap, slot gags, and how to defeat banding problems
Customer Reviews:
An Essential Guide and not just for compositors.......2007-07-08
If you've ever been on set and heard the catchphrase "fix it in post" this book is for you.
Not only is the information detailed and thorough, but also extremely readable. Some ironic asides demonstrate Wright has the experience to back up his text. He covers all levels of compositing, from basic luminance keying to green-screen/blue-screen, to color corection and matching foreground and background elements, motion tracking, alpha-channels (to premultiply or not premultiply) and the differences between film and video.
The book is not software specific, and the enclosed exercises and demonstrations can be done on most software with compositing features -- including Photoshop!
Why four stars and not five? The extra money demanded for addional exercises seems to be an unfair gouge. But the book is definitely worth the cover price! Even if you have no immediate aspirations at all to composite something, you'll at least see just how tough it can be.
Producers, Directors and Camera departments (aspiring or experienced) can all learn something here -- and with any luck they'll learn it before they light their next green/blue screen.
Too bad the cover is so damn ugly.
Must have.......2007-06-08
I bought it based on the first Edition and I wasn't wrong.
Its even better.
Nice book.......2007-05-13
This is a very complete and engaging book.
It's generic enough so that you can learn a lot regardless of your software/manual tools;
But it focuses enough on certain programs, that it is still useful for those specific users as well.
It was a gift for a relative, but I spent a few hours reading before giving it away...
A must have for your VFX library.......2007-01-05
If you're new to the effect industry or a seasoned pro this is still the bible for understanding what is happening under the hood of a compositing software. This is not software specific, but be it 'Shake' or 'an other' this will help you truly understand the what, when and why.
This book together with - Ron Brinkman's 'The Art and Science of Digital Compositing' - also available at Amazon, will hold you in good stead throughout your career.
It truly gives you the 'wow' factor.
Excellent book.......2006-12-15
Even advanced compositors will glean juicy bits from Steve Wrights' effort. I've read all the standard texts and this one stands with the best. Clear, friendly prose makes this book a comfortable read; read it two or three times and you'll find that you get a little something out of it on each pass. Whether your work end up in print, video or film, this is a must-have book.
Average customer rating:
- Check Out the New Edition
- best introduction
- samples don't work with Avid Xpress DV 4.6
- One of the best books on Avid
- Simply Incredible!
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Avid Editing: A Guide for Beginning and Intermediate Users, Second Edition
Sam Kauffmann
Manufacturer: Focal Press
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ASIN: 0240805410 |
Book Description
This text is for beginning to intermediate users of Avid Xpress, Xpress DV, or Media Composer. These digital editing systems offer a tremendous number of tools that open up myriad creative possibilities for the film and videomaker, but are as a result difficult to master. The chapters guide readers through an editing project, while the accompanying DVD provides narrative footage to download for immediate, hands-on practice. The book can be read and studied at home, or while sitting in front of an Avid, following the book's step-by-step instructions.
The new edition is updated to reflect the latest versions of Avid software, including an emphasis on the Xpress DV for Mac and Windows. There is also new material on Script Integration, a powerful tool now available on almost all of Avid's products, and a new chapter on how Avid can help the reader create material for current and future widescreen television formats.
·A beginning text designed for anyone new to the Avid
·Complete step-by-step instructions assume no prior knowledge
·Companion DVD contains footage from a narrative scene, so students can begin editing immediately
Customer Reviews:
Check Out the New Edition.......2006-04-14
Dear Readers: There is a new edition of this book (3rd Edition) available that covers the latest versions of Avid's software, including Xpress Pro HD. It also includes information about editing 24p, HD, HDV projects. I hope you find it useful. Best, Sam Kauffmann
best introduction.......2006-02-12
I was a Media 100 editor for many years and my company switched to the Avid on Jan. 9, 2006. I didn't take any training but, I bought a training DVD set and 3 books. This book was the best, by far. It is presented by an editor who explains what you really need to know to get going and how to work around maintaining sync, etc. It was great. In less than a month, I completed 2 projects without a problem. I'm using Media Composer Adrenaline on a Mac.
:)
samples don't work with Avid Xpress DV 4.6.......2006-01-13
The book jacket says that the book's DVD-ROM will work with Xpress DV 3.0 and higher. The .omf video files were compressed at 20:1 using Media Composer and Xpress DV 4.6 does not support the 20:1 resolution, meaning that the sample video files cannot be imported and used in Xpress DV 4.6. This is a shame, because it seems like a good book and this is not really a problem that the author could have foreseen. Unfortunately, most places won't let you return a book after the DVD has been opened, so let this be a warning, FYI. Hopefully the upcoming 3rd edition will fix this problem.
One of the best books on Avid.......2006-01-09
This book was a part of our school curriculum for a class on Avid Editing. I didn't realise the value of this book while in School, but now sitting on the Avid a year and half later I wouldn't have survived without this book. I also went and looked up some other books but what's great about this one is that the information is very well organized and if you're on the Avid and get stuck... referencing stuff is really fast, as it's all laid out in simple step by step instructions. For any level editor, pro or novice, I would highly reccomend this book.
Simply Incredible!.......2005-07-13
I can not "truly" put into words how great this book is written. Sam Kauffmann not only shows you the tools in the AVID system, but with "every" tool gives you the reason and purpose for it. Unlike other manuals, you really feel that you have grasped the concepts for each chapter before moving on. I am working efficiently, intelligently, and creatively in Avid because of this book. Sam Kauffmann is a professor at Boston University, and after reading this book I can honestly say if I were a student at BU...I would never skip his class! Simple Incredible!
Amazon.com
The title of The Digital Filmmaking Handbook is something of an oxymoron, because this thorough book covers everything you need to know about filmmaking production, from concept to screening. The only missing element is film itself.
Film and video production are in transition. Film and analog videotape rapidly are approaching the end of their technological lives, being replaced by digital videotape and digital cameras. You can buy computers that connect to DV cameras and edit DV tape almost anywhere, and they cost only slightly more than an entry-level computer. The Digital Filmmaking Handbook, then, is for anyone buying into the DV revolution who wants to do more than shoot home movies of the kids. It's for filmmakers young and old, professional and hobbyist, who want to learn to shoot, edit, and make great movies.
Unlike traditional filmmaking books, in which only the camera and some audio and editing equipment are addressed, part of this book approaches the medium from a computer hardware and software perspective. Numerous hardware issues like choosing the components for an editing workstation (chapter 5), the kind of digital video camera to use (chapter 6), selecting editing and audio software (chapter 7), and various output formats (chapter 18) are discussed. Also, there are chapters on effects, making video look like film (chapter 17), and digital titling (chapter 16).
The book never strays from speaking to moviemakers instead of moviemaking-gear buyers. Everything from preproduction tasks (such as scripting, storyboarding, and budgeting) to production tasks (like set preparation, lighting, filming (sans film), and sound recording) through final editing, color correction, titles, and output is explained. Filmmaking is heavily dependent on technology, and each of these subjects is well covered. Chapters on audio, for example, include selection of microphone types; differences between mic types; how to connect mics to a DV camera or synchronize audio in postproduction; how to control sound levels; and so on.
The chapter on editing reflects the experience of the authors. Films are understood through their own language, and how scenes are edited determines the dialect of that language. Such techniques as matching screen position, matching emotion and tone, matching action, when to use pauses and overlapping edits, and the effect of pauses and pull-ups (shortening a scene) are defined and justified.
If you can't get into NYU's film school--or even if you can--The Digital Filmmaking Handbook is a worthy reference to keep at your fingertips. --Mike Caputo
Book Description
Since the advent of digital video and desktop editing software, scores of independent producers have become equipped to make their own movies. But because filmmaking involves much more than just buying a camera and a computer, there's The Digital Filmmaking Handbook. This one-stop digital filmmaking resource will guide you from your initial idea to getting your finished project "in the can." It will show you how to create shots and effects that are rarely associated with low-budget productions. And it covers everything from writing and pre-production planning to shooting and post-production editing and effects. Now in its third edition, this best-selling book has been completely updated and revised to include detailed information on a number of important new digital video technologies, including both high-end HD video and the new HDV format, and affordable new digital video standard that lets even low-budget producers work in high-definition video. All of the chapters have been revised to cover the latest hardware, software, and production workflows,, and new exercises offer help with everything from writing to special effects. Whether your goal is an industrial project, a short subject for your Web site, or a feature-length movie for a film festival, this book will help you understand the questions you need to ask, so that you will be prepared to solve the myriad problems that will arise.
Customer Reviews:
This is the book you'll need..........2007-04-19
If you're like me, just getting started as a hobbyist filmmaker, this is the book. I only received it yesterday and glancing through the contents, it covers most, if not all of the questions I've had about certain aspects of filmmaking. It is well written in everyday english, easy to understand.
Since yesterday when I first opened the cover, I haven't been able to set it down for very long. It's that good. I highly recommend this book to any and all levels of individuals who want to learn about filmmaking from the ground up. It covers it all.
From writing to production: everything you'll need..........2006-03-16
Ben Long and Sonja Schenk's DIGITAL FILMMAKING HANDBOOK THIRD EDITION pairs a fine DVD packed with project files, film clips and tutorials with an updated, revised edition of a best-selling guide to new digital video technologies. Chapters have all been revised to cover the latest hardware and software configurations and new exercises provide help with everything from writing to production. Black and white screen shots and examples throughout make DIGITAL FILMMAKING HANDBOOK a one-step resource.
Good Description of How to Get Started.......2006-03-13
An excellent one stop guide to getting started in digital filmmaking, realizing of course, that there is no film involved.
This book starts with selecting the things like the type of camera you need to make digital video. And for good work, a good camera is necessary, and expensive. IThe book is intended for the person who is just getting started. It explains the terms, the basic equipment you will need, and so on.
The concept of making a film, no, a video starts with a story. From here you need a script. Then you do a story board to plan your shoot. If this sounds a bit professional, it is. This book presumes that you are serious about making a video. This is a rough cut at what the pros do to make a film. ==From this book alone you probably won't get to the Academy Awards show, but reading and putting into practice what the book says might get you into a commercial or a local indistrial film production.
All in all a good summary of getting started in the digital AV business.
Great for begginners--NOT for advanced or anyone who has any brains.......2005-10-31
This book was written for people that have no clue what a computer, a video camera, or a movie is. It is written for the very inexperienced or novice--the people that should not be making movies to begin with.
But it is packed with information a 7 year old or 88 year old can understand, and it is 95% close to being accurate. I guess if one needs to start somewhere, here it is, but after reading it, please do not make your first movie to send to festivals, make as many as you can, practice, practice, practice, then get a real book. Digital Filmmaking 101, Digital Moviemaking, Independent Filmmakers Manual, and so forth before getting into the movie making world--please.
Great starting guide and more!!.......2003-05-20
This book covers all aspects of digital film making and as such doesn't really have the space needed to go into in depth detail on every subject. Regardless, it is a great place to start. It's a very easy read, unlike a lot of film making books that assume you've already got a Masters degree in film. I wont talk much about content descriptions as other reviewers have done a good job of that already - infact, it was on the strength of such user reviews that I bought the book in the first place. I will say this though, if you haven't already bought a camera, buy this book before you do. Lack of funds may make your choices limited anyway, but you wont regret having read this book first.
I have given the book 4 stars instead of five simply because I found the tutorial sections to be a little out of place. The tutorials seem to make the assumption that you have equipment at your desposal - such as expensive lighting kits - and as I imagine that many readers wont, the significance of these tutorials will be slightly lost by the time you do actually have these items in front of you. Unfortunately I couldn't rate the book at 4.5 stars, but that is what I'd like to give it.
In closing, this shouldn't be, and if you're anything like me it wont be, the only book on digital film making that you buy, but it is definately the perfect place to start.
Average customer rating:
- Poorly written. Lacks depth
- Great Book
- This Eagle Soars!
- Solid resource for both new and experienced Vegas users
- It's the Bible on Video Editing with Vegas
|
Vegas 4 Editing Workshop
Douglas Spotted Eagle
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
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Book Description
'...an exhaustive, richly detailed resource that no Vegas user should be without. ... Once you master these techniques, your audio and video projects will look gorgeous, sound bigger and better, and WOW! your audiences.' â
Jeffrey P. Fisher, mu
Vegas 4 Editing Workshop teaches the novice the basics of Vegas 4.0, while providing the more experienced user with real-world examples of how to work more efficiently and make better media.
Customer Reviews:
Poorly written. Lacks depth.......2004-05-30
This is a poorly written book. The exercises supposedly on the CD are not there. The book gives a flavour of the app. but concentrates too much on the audio aspects of Vegas. There is better information avaialble online.
Great Book.......2004-02-08
In a short period of time this book has given me the tools I need to know to use Vegas effectively.
I recommend this book to any person using this program. Douglas does a good job of balancing the audio and video aspect of creating a project with Vegas. The book is easy to read and I found his examples helpful.
Great Book!
This Eagle Soars!.......2003-12-31
I've had the privilage of attending two of Douglas Spotted Eagle's seminars, in particular with Vegas. This book carries many of the topics he covered, but with greater detail. One of the great things is the fact he points out issues in hardware that you need to be aware of, for an optimal setup. He also points out preference settings that normally would be missed or never thought of, for new NLE / Vegas users.
All in all you will find lots of great tips and general details on how to use Vegas.
Douglas has always been consistantly generous with his time and knowledge of the NLE and Audio world of software and hardware products by being active on various forums, answering simplest of questions to the noggin buster questions.
I heartily recommend this book!
Solid resource for both new and experienced Vegas users.......2003-11-28
I wouldn't have bought this book if I hadn't been to a few of the author's seminars and seen him as an exceptional teacher. He gave as much in those seminars as it was possible for anybody to do in a seminar format, and it was all based on working experience.
Even after using Vegas for more than a year, I found a lot to learn in this book. The author is very thorough, and he gives a thorough knowledge and real understanding of each area. This saves a lot of time in the end for both the novice and the professional.
As has been noted by many, people will rate a video or film with "bad picture quality but good sound" far higher than one with "great picture but bad audio". The people in a movie theatre are called an "audience" for a reason, and Douglas covers the sound aspects of video post production really well from a long background also in professional audio (in 64 pages out of 404).
The author's superior teaching skills combined with his long term experience as both a video and audio producer make this book a must-have for anybody using Vegas regardless of skill level.
I would even recommend this book to those who use other NLEs, as many of the explanations and tips in this book apply also to them and aren't available in easily understandable form anywhere else.
Each area in the book is illustrated with many photographs and sample files, so you can really understand what is going on.
Importantly, the author also offers a good editing workflow to get the best quality from your source materials with minimal effort.
I consider this to be a must-have resource for anybody using Vegas.
Even the seasoned user can learn a lot, and any reader new to video editing gets a solid base for working with this very powerful and very "addictive" software.
It's the Bible on Video Editing with Vegas.......2003-11-27
I bought this book because I knew of Douglas' knowledge from visiting the forums he hosts. Not only is he very knowledgeable about video editing in general, and Vegas 4 in particular, but he has a gift for sharing his knowledge in a way that is clear and concise. His writing is easy to follow and the book holds true to its "workshop" spirit. Even though I was experienced with Vegas and understood a lot of the topics in this book already, I was not let down because I gained a lot of insight into why things work the way they do, and learned new tricks and ways of doing things from someone who has been at this many more years than I have. It was refreshing to have a chapter dedicated to audio because other books on video often overlook this. Douglas understands that audio is a big part of the video experience and Vegas has audio tools that are second to none.
One of the great things about this book is the accompanying CD with all the examples. I followed through each chapter by playing with the accompanying examples and spent several hours experimenting with what I had just learned before moving on to the next chapter. This is the ultimate way to get the most of this book. Read it at your PC and try things as Douglas explains them. Just like you would be doing hands-on exercises in a real workshop/classroom setting. This book is packed with information from setting up your system, through multi-track compositing. If you'd rather watch Douglas teach some of what's in the book, you can always buy his 4 DVD set. (I have it and it's outstanding too)
As you might expect, a book rated beginner-intermediate has a lot of ground to cover. This book shows you some of the basics of how to capture and edit on a timeline, add titles and effects, through topics like chroma key (green screen), multi-track compositing, bump mapping, etc. It's a lot to cover but Douglas does a great job of it. If you're an absolute beginner and feel a bit lost, I would suggest also getting a book like "The Little Digital Video Book by Michael Rubin" to get you started understanding the basics of digital video in general. Then use Douglas' book to apply that to Vegas. He will take you step-by-step along the way.
You should also understand that this book only scratches the surface of what Vegas can do so I hope Douglas gets the opportunity to make a follow-on book that covers more advanced topics. The best part is that Douglas is very approachable and you can always ask him questions on the DMN forums (he goes by the nickname SPOT). If you don't understand something in the book, just ask him on the forum. How many books offer that kind of support? I highly recommend this book to anyone who is using Vegas as their NLE and want to get the most out of it.
Book Description
Whether this is your first experience with Combustion software or youre upgrading to take advantage of the many new features and tools, this guide will serve as your ultimate resource to this all-in-one professional compositing application. Much more than a point-and-click manual, this guide explains the principles behind the software, serving as an overview of the package and associated techniques. Written by certified Autodesk training specialists for motion graphic designers, animators, and visual effects artists, Combustion 4 Fundamentals Courseware provides expert advice for all skill levels.
Provides:
* A companion DVD that includes Combustion workspace files and project footage to make learning easy
* Heavily illustrated tutorials
* Detailed explanation of the principles behind the tools
* Learn about the many new features in version 4
* Expert advicewritten by Autodesk Courseware Developers, Product Education Technical Writers, and Autodesk Training Specialists who know the product inside and out!
Customer Reviews:
There is nothing left or forgotten!!.......2005-08-30
This magnificent courseware has been a nice surprise for me. I didn't expect it to be so good.
It covers every aspect, every button, every function, every concept of my beloved Combustion. A lotta knowledge.
Well planned, well written, perfectly conceived, no typos, no missing explanations or mistakes. The best combustion courseware so far.
A must, even for combustion veterans.
Average customer rating:
- is it is it wicked
- What does a proffesional video technician needs
|
Art of Digital Video, Third Edition
John Watkinson
Manufacturer: Focal Press
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Binding: Hardcover
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Book Description
The acclaimed industry 'bible'. It is used as a standard professional reference work and written by the leading expert in the field, John Watkinson. The information is presented in his usual clear style with the minimum of equations. The very latest technology in a converged media age is covered including computing aspects of digital video, digital video broadcasting and video principles, colorimetry and picture principles and progressive versus interface scanning.
As the worlds of film, digital imaging and computing converge constant re-skilling within these industries is vital and the Art of Digital Video addresses this need.
This third edition takes into account the very latest technology in a converged media age. New material includes:
* More on the computing aspects of digital video
* New chapters on digital video broadcasting and video principles
* More on basic colorimetry and picture principles
* Progressive versus interface scanning
John Watkinson is an international consultant in audio, video and data recording. He is a Fellow of the AES, a member of the British Computer Society and a chartered information systems practitioner. He presents lectures, seminars, conference papers and training courses worldwide. He is the author of many other Focal Press books, including: the Kraszna-Krausz award winning MPEG-2; The Art of Digital Audio; An Introduction to Digital Video; The Art of Sound Reproduction; An Introduction to Digital Audio; TV Fundamentals and Audio for Television. He is also co-author, with Francis Rumsey, of The Digital Interface Handbook, and contributor to the Loudspeaker and Headphone Handbook, 3rd edition.
· The 'Bible' of Digital Video
· Keep abreast of the all new technology
· Learn first hand from the leading expert in this field
Customer Reviews:
is it is it wicked.......2001-06-23
dad, i gotta say on the 3rd edition u really excelled u r self, the cover of the book is much more wicked than the other editions. the content is all super accurate and the narrative is great. if you don't buy this book then u definitely need to get u r head checked. buy it. now. cos i say so.... howward w.
What does a proffesional video technician needs.......2000-11-21
A reference book for everything related to digital video. Students and engineers can really benefit from this book. It has a special place on my bookshelf considering that I'm reading it over and over again. The book explains both basic video and digital principles also covers conversion, digital video processing, video compression, digital audio in video, and digital recording. At the end, for a special desert, it has DVE effects explained just as if you were listening classes at the university.
Book Description
The art of editing in a nonlinear mode cannot be gleaned from software application manuals. This book is designed to convey the artistic considerations and techniques that both new and experienced editors need to employ in editing digital stock. Readers learn the importance of timing, emotion, and art in assembling a cohesive project that tells a story with the appropriate flow and pace. Each chapter features interviews with professionals and exercises relevant to the subject matter under discussion.
Nonlinear Editing is chock full of provocative ideas, insights, resources, tools, and exercises that will inspire you to making better decisions in the edit bay and in your career. For editors, directors, producers, and screenwriters.
Customer Reviews:
A must read!.......2003-06-10
I Bought this book as a reference for technical issues (formats, standards, procedures) but I got much more. Button gives you the whole layout of this art/craft of film editing. The topics covered range from editing equipment to film theory, color harmony&design basics to writing resumes. Light, sound - this book covers it all. Not all topics are discussed in great length, but there are excellent reference lists for further reading and websites.
Bryce Button seems to be an experienced editor and a film scholar and clearly enjoys teaching.
I have been a film editor for 10 years -I've still learned a lot. Some of the information will be redundant to the more experienced but still- very well written, packed with knowledge, insight - in short, a real inspiration. Well Done!
Very good advice for beginners.......2003-05-24
The book contains tons of very good advice for novice editors. The tips on planning will save a lot of time when the real work begins. The suggestions on the practical and aesthetic (including sound) aspects of editing will speed up the process and improve the quality of the finished work, perhaps by the equivalent of at least a few month's apprenticeship. The chapters on dealing with stress and team members, clients and the business, give an idea of the work environment to be expected. After reading the whole book, chapter 13 summarizes the most important tips as "cheat sheets" - very useful.
The only thing I didn't like was a number of typos, and what I thought was an occasional lapse in a couple of explanations.
Book Description
You never thought you'd be shooting a corporate training video as part of your job as HR manager, but, well here you are--with a camcorder, a directive, and not a clue how to begin! You--and the many people who find themselves in similar situations--need this volume! Realizing that you're expected to provide professional results regardless, the authors of this volume dig deep into every phase of the DV production process: from capturing images and sound to editing, post-processing, adding special effects, and distributing the final product. Special emphasis is placed on the industrial-strength techniques that will get you up to speed quickly on the hardware and software advances that have occurred since the last edition. You'll find new sections on shooting and post-processing film-look (24p) and HDTV video, as well as special coverage of the latest eye-popping special effects. A companion DVD includes demo video clips, award-winning short films, interviews with DV pros, and lots more goodies.
Customer Reviews:
Great introductory course on how to make real world video.......2005-01-05
I bought the first edition 2 years ago and then the second edition to keep up with new changes because this book is a very good and complete introductory course on making real world video (i.e. starting from choosing DV camcorders to final production and delivery to the world depending on your budget).
It starts from current DV technology (like CCD and DV formats) and then introduces various DV camcorder types depending whether you are normal consumer or pro-sumer or professional users. (It even shows you the approximate price range for various camcorder class.)
It then introduces how scripts planning should be like for making different scenes of video (newscast or documentary or movie). It teaches different techniques of shooting pictures/video by cameras/comcorders (angles, views, lighting and audio control). I likes the book giving you various examples of lighting equipments and audio equipments required for making good video.
For movie pre-production process, it tells what kind of production crews and things you will need and do for different stages (including cost ranges). For movie post-production process, it shows how to edit all movie and audio footages into final movies and how to fix video/audio problems. It also describes what types of movie editing systems (computers, hardware equipments and software video applications) available in the market depending on high-end, mid-range, or low-end production and budgets. It also describes how the final process of movie copies are generated and delivered to the world.
I like the book because it gives me pretty good ideas how DV movies are made with real equipments that are availalbe in the current market. This book is highly recommended especially for serious beginning DV/movie producers.
Digital Dynamite!.......2003-05-23
This book took me into a whole new World. I sure could have used it before I bought my used BetaCam! Now I can work quicker, cleaner, look like a pro and save $$$. The furture of film making is here. Thanks guys!
a crash course in how to make your DV production easier.......2003-04-15
This book should be required reading for anyone making a digital movie with more ambition than experience. This book will be worth its cost in just the first project by eliminating many of the learning mistakes we all make. I wish someone would have sat down with me and given me this advice when I started and yet, even with many projects behind me, this book offers me new ideas. Reading the book and the watching the DVD are like having real work experience - both in production and post-production. In one memorable section of the DVD, Pete Shaner sits down with you and gives you lots of advice on how to shoot and things to consider in shooting and editing.
All of the detail hurdles in making a movie.......2003-03-23
As the prices of digital data capture and storage have dropped, new avenues of artistic creation have opened up. One of these areas is in the realm of digital video, where it is possible to make movies using simple and relatively inexpensive digital equipment. However, the fact that the equipment is now cheap does not make it any easier to make movies that people would want to watch. There is an enormous amount of subtle technique involved in making a movie, and until I read this book, I had absolutely no idea how complex a simple shot can be. This is a book that will show you how to make a digitally recorded movie, and should be the first thing you read if that is your aspiration.
It all starts with planning, from the initial idea, on to budgeting, clearing all legal hurdles, organizing and shooting the scenes, editing and cleaning the stored scenes, and ending with publicizing and distributing the finished product. All are so complex, that you do not make a movie, you survive its' creation. The fact that the movie can now be stored on digital devices only significantly affects one of these steps.
Written primarily for those who are interested in making DV projects for entertainment, this is one of the most interesting books I have ever read. The number of detail hurdles that need to be cleared to make a movie are astounding, and kudos to the authors for explaining all of those hurdles in great detail.
Digital Video Reference Book and DVD for All Earthlings!.......2003-01-08
Highly recommended reading...for the home hobbyist...the USC film student...the software geek... or AV professional.
The authors approach the Digital Video Universe in a real world, common sense and entertaining prose...allowing the reader to apply their level of interest, budget, technical background, project objectives and pace to a surprisingly current and comprehensively deep offering of digital video material.
The supportive DVD is awesome!
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- My Name Is Iran: A Memoir
- Oh, the Places You'll Go! (Classic Seuss)
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- Orson Welles: Volume 1: The Road to Xanadu
- Perfect Spy: The Incredible Double Life of Pham Xuan An Time Magazine Reporter and Vietnamese Communist Agent
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