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Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.
Book Description
A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.
Customer Reviews:
Chicken scratches vs. Detailed Storyboards.......2007-08-19
I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.
of moderate interest to readers of video magazines.......2007-08-13
as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars
Mind-opening, even if you aren't interested in directing.......2007-06-30
I've worked in the graphics design business for years, but more recently I've grown interested in working with video, primarily shorts and documentary work. I was looking for a book that could help teach me the "language" of motion and visual storytelling, and this book fit the bill. In fact, I found it to be incredibly inspiring as a student of art in general. It's extremely well-written, chock full of practical examples, and contains numerous time-worn techniques as well as cutting-edge experimentation. One funny thing: since it was written a few years before the desktop digital video revolution began, it talks about some of the difficult aspects of shooting which are now in many ways moot. But it's good to hear about the history of the craft.
If you have any interest in all in shooting, directing, or producing any kind of motion picture, show, or short, you'll definitely want to buy this book. However, be forewarned: you'll never be able to watch movies the same way again. You'll begin to pick up all the subtle nuances of filmmaking without even realizing it, so don't feel bad if you have to force yourself to re-engage with the actual story as you're watching!
Useful, pleasurable.......2007-05-07
I'm a college student, not at film school, who makes videos as a serious hobby. I thought this book was much better than other titles in the same market, because it's so specific. Instead of telling you what anyone with common sense knows, like "keep continuity" and "composition can affect the mood of a scene," this film lays it all out in detail. I recommend this for everyone who wants to improve. Even if you're not particularly interested in storyboarding, you'll learn how to think about your sequences in advance much better.
Learning the Rules Before You Break Them.......2007-01-13
Even though many of the great filmmakers may have not utilized storyboards, every one of them has pre-visualized their films.
Pre-visualization is the essence of what it means to be a director. A director can only be effective if he/she properly prepares for each scene. Even if one does not have every shot precisely planned out, they will still have an idea of the look and the flow of the process.
There are certainly many people who feel directing should be intuitive, that there should be no structure to the process or else creativity is stifled. This is a valid point from the perspective of the artist.
What is wonderful about this book is that it gives extensive insight into WHY one should cover a scene in a certain way. Directing as a profession requires a certain amount of preparation and PROOF that you have a handle on the film. Producers want reassurance that you have a vision worth pouring tens of millions of dollars into. Armed with the ability to properly express yourself in regard to your vision, you will have a much easier time convincing others to follow you.
So, in the end, if you are interested in studying the language of film and the methodology behind classic film composition and editing, then this book and the accompanying Film Directing: Cinematic Motion are essential.
Book Description
Before the smash hit movie Serenity came Firefly, the cult TV series which started it all and became a DVD phenomenon, selling almost half a million copies.
Set 500 years in the future, Firefly centres around Mal Reynolds, captain of the ship-for-hire Serenity and its eclectic crew of galactic misfits. When he takes on two passengers, a young doctor and his mysterious, telepathic sister, he gets much more than he bargained for…
This official companion is just what the show’s fervent fans, the ‘Browncoats’, have been waiting for, with unseen photos, scripts, behind the scenes secrets, and exclusive input from the cast and crew, including of course creator Joss Whedon.
Contains the second part of an extended interview with Joss Whedon, as well as exclusive new interviews with the cast, executive producer Tim Minear and many other writers and crewmembers; the full, uncut shooting scripts for ‘Jaynestown’, ‘Out of Gas’, ‘Ariel’, ‘War Stories’ ‘Trash’, ‘The Message’, ‘Heart of Gold’ and ‘Objects in Space’, annotated with memories from the cast and crew; extended behind-the-scenes interviews with the crew behind Firefly, including sections on the production design and visual effects, illustrated with unseen imagery; in addition a section on the Firefly fans and of course Vera...
Customer Reviews:
Basically just the scripts -- not what I expected........2007-09-19
Just to let future buyers be aware....this book (and Vol. 1) are basically just the scripts to the (REALLY FUN) shows. As my husband put it, "It's just the lines, without the wonderful delivery the actors achieved in the shows." I thought it would be more like the various other "about" books that exist about popular movies/TV shows - full of pictures and other fun "about" stuff. In my opinion, these two books were not that.
What a hoot! Get this if you just "liked" Firefly.......2007-09-09
I missed Firefly, the first time around, and didn't discover the series until after I'd rented Serenity. I can't call myself a confirmed browncoat, though I really *really* liked everything about the show.
But when I saw this book on the library's New Books stack, I grabbed it. I think you should grab a copy, too, even if you're no die-hard fan. Because this book is _fun_.
Most of the book is episode scripts (half of them; the other half are in Volume One). That's worth the price alone, because the scripts are immensely readable. Like other intelligent shows, the dialogue is both fast and thoughtful, and you might not have caught everything when you heard it the first or second time around. In particular, the scripts include the translations from the Chinese expletives, and most of them are _very_ funny.
And the "stage direction" is not the dispassionate descriptive sort ("Man enters, wearing a hat"). It reflects the entire mood of the show:
INARA walks towards them, heading for the stairs up to the shuttle catwalk. She's dressed with stunning elegance.
KAYLEE: Hey there, 'Nara. Heading off for some glamorous romance?
Simon turns, momentarily stunned by her elegance.
If you're a screenwriter, this is absolutely a must-have.
The book is also peppered with cast interviews, stories about the creation of Firefly's theme song, production explanations on how, for example, they created Niska's Skyplex. In this book, you can spend an enjoyable few hours investigating how a show can be done *right*...even if the network screwed it up.
Shiny!.......2007-08-23
This is the follow-up and completion of companion books to the cancelled-but-still-growing-its-fanbase Firefly television series. It provides the shooting scripts ans photo stills from the remaining episodes, as well as numerous sidebars featuring backstories and insights into the actors, crew, props, and the inner thoughts of series' creator, Joss Whedon. This glossy volume is heavily laden with color photographs, costume concept designs for the various characters, and pre-production sketches. If you have a love for the series and the Big Damn Movie ("Serenity"), you will feel compelled to buy this book.
A Great Companion.......2007-08-14
For anyone charmed by the short-lived Firefly series, this book is simply great. Besides having the screenplays of the programs in the second half of the series, it is full of pictures, interviews, storyboards, and various tidbits relating to the series. If there is a school for Browncoats, this should be required reading.
Shiny........2007-08-13
Please, what's not to like here? Just the fact that it needs more seasons of episodes to include...
Book Description
Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films.
The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.
*The definitive guide to making a documentary
*A hands-on approach with dozens of exercises
*A fully updated 4th edition of the classic textbook
Customer Reviews:
Enjoyable Too.......2007-04-11
Thought it would be much more heavy and academic. Is an easy read without dumbing down. Great for getting you going again if youhave "fallin off the wagon".
great.......2007-04-10
what a great book. it's up-to-date and goes through everything you could ever want to know about documentary filmmaking.
The Ultimate Guide to Documentary Filmmaking.......2007-03-26
I already use Rabinger's "Directing" tome as my filmmaking bible, and always refer to it when planning productions and right before shooting. So when I started a documentary project, I knew I had to get this version dedicated to that aspect of filmmaking. I was not disappointed. Right away, his advice improved my project planning and helped me make a much better project pitch than I originally had. And once again, it's loaded with practical advice that's very easy to read and use. Rabinger knows how to put together a great reference resource. Too bad all books weren't put together like these.
Great book for filmmakers of all kinds.......2006-09-21
this book includes all kinds of useful information that is not necessarily specific to documentary, although that is it's focus. there's excercises in here to help develop ideas into a filmic narrative, ethics, how to tackle an interview as well as subject matter. i've read a lot of film books, and i have to say, this is not only well written with a sense of humor and wit, it deals with potential situations in a down to earth way. The information provided is not just technical, but also how to approach an emotional situation, gain the trust of your participants, and address multiple points of view.
Directing The Documentary.......2006-07-19
I am currently writing a documentary for a feature length film, and found Michael Rabiger's book informative, subtle, and well structured. Having received a documentary film class at University, I had already learned about the basic tools of the medium. This book provides a masterclass in documentary filmmaking, and prepares you for the demands of documentary filmmaking. I recommend it to students and professionals alike.
Average customer rating:
- Excellent book for those who love Star Trek ships...
- Ships of the Line (Star Trek)
- Beautiful book--but know what you're getting.
- Disappointed
- Another Great Star Trek Photo Book
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Ships of the Line (Star Trek)
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Star Trek Ships of the Line 2007 Wall Calendar
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Star Trek Star Charts: The Complete Atlas of Star Trek
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Star Trek - Legacy
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Star Trek The Animated Series - The Animated Adventures of Gene Roddenberry's Star Trek
ASIN: 1416532439 |
Book Description
They dared to risk it all in a skiff of reeds or leather, on a ship of wood or steel, knowing the only thing between them and certain death was their ship. To explore, to seek out what lay beyond the close and comfortable, every explorer had to embrace danger. And as they did so, what arose was a mystical bond, a passion for the ships that carried them. From the very first time humans dared to warp the fabric of space, escaping from the ashes of the third World War, they also created ships. These vessels have become the icons of mankind's desire to rise above the everyday, to seek out and make the unknown known. And these ships that travel the stellar seas have stirred the same passions as the ones that floated in the oceans.
While every captain has wished that their starship could be outfitted in the same manner as the sailing ship H.M.S. Beagle -- without weapons -- that proved
untenable. From the start, Starfleet realized that each vessel, due to the limited range of the early warp engines, must be able to stand alone against any
attack. Thus arose the idea, taken from the days of wooden sailing ships, that every Starfleet vessel must stand as a ship of the line. Through the actions of their captains and crews, countless starships have taken on that role. Here we remember some of those ships and their heroic crews.
In celebration of the fortieth anniversary of Star Trek, here for the very first time collected together are the spectacular images from the highly successful and acclaimed Star Trek: Ships of the Line calendars. Gloriously rendered, each of these illustrations was created exclusively for Pocket Books. With text by Michael Okuda (The Star Trek Encyclopedia), the story of each of these valiant starships comes to life.
Customer Reviews:
Excellent book for those who love Star Trek ships..........2007-09-22
I've been a fan of the "Ships of the Line" calendars for many years. This book is essentially a compilation of those stunning images, with some explanatory captions added. As such, it's a wonderful volume for any Star Trek fan who enjoys "beauty shots" of the various ships shown in the series. It should be noted, however, that these are pieces of original digital artwork. They are not screen captures of the various series or movies, but unique images created for the calendar series (and now, for this book). It was a great value and an excellent addition to my Star Trek book collection.
Ships of the Line (Star Trek) .......2007-09-21
Ships of the Line (Star Trek)was not what I was expecting. I was hoping for a more techincal review of the fleet.
With that said, the artwork was great, although I would have liked more on the ships other than that bad 'Enterprise' series!
The Romulan Warbird was the best pic, in my opinion!
Ian Johnson. Perth, Australia
Beautiful book--but know what you're getting........2007-09-19
This is a beautiful, imagination-stimulating, sometimes breathtaking book. But potential buyers should know three things: 1. This book is about half the size of the average coffee table book (FYI, in case you don't read the fine print or easily "get" measurements in the Product Description), so they are not big pictures. 2. This is an *art* book; these are "illustrations," not photographic reproductions from the Star Trek T.V. series(s) or movies. I wasn't familiar with the "Ships of the Line" calendars, so was expecting "real" photos of the Star Trek ships, not paintings. However, some of the pictures are computer-design artwork that very effectively look like photographs. I know it's a matter of taste, by I find these more enjoyable, more evocative.
3. While ships from all five of the T.V. shows are included (not the animated ST), there is of course a favored emphasis on the Enterprise in its various/successive generations. There are only 37 illustrations, so that doesn't leave room for a whole lot else. (Opposing/even-numbered pages are blank, except for a short paragraph of text by official Star Trek history guru Michael Ocuda, which offers interesting commentary, though more impressionistic thatn encyclopedic.) Also, the book's cover illustration is not repeated in the book, so if you get a torn or badly smudged copy, you're out of luck. I was also disappointed that a book called "Ships of the Line" didn't have a single schematic drawing or even a comparative illustration to scale of the various ships (like is sort of done on the cover picture).
Even given all these qualifications, there are at least 10 pictures in this book that really inspire me and excite my imagination; and any two of them, for me, are worth the price of the book.
Disappointed.......2007-09-04
Great art work, but I was expecting the entire book to give us a complete look at rarely or never before seen star fleet ships in various situations. There was a limited look, but mostly that of the series ships we're already quite familiar with. I wasn't too thrilled about the blank left pages as well. Lots of potential for a great coffee table top book. Hopefully we'll get more in a Volume 2.
Another Great Star Trek Photo Book.......2007-08-12
Margaret Clark & Doug Drexler have out done themselfs. This book is packed full of some of the best CGI graphics yet to be published. It's a must for any trekie as it will keep you spell bound just looking at page after page. The book covers all era's of trekdom with graphics of all the major ships we've come to love. It even has a few hints of things to come. The book is graphic intense with very little story, but that ok because some of the graphic will have you beliving that these ship are real. The only short side to this book is it's lack of alein ships as it's cover suggests. There are some aliens ship but none are the focal point of any of the graphics. All in all I would highly recommend this book for anyones library.
Book Description
Before the smash hit movie Serenity came Firefly, the cult TV series which started it all and became a DVD phenomenon, selling almost half a million copies.
Set 500 years in the future, Firefly centres around Mal Reynolds, captain of the ship-for-hire Serenity and its eclectic crew of galactic misfits. When he takes on two passengers, a young doctor and his mysterious, telepathic sister, he gets much more than he bargained for…
This official companion is just what the show's fervent fans, the `Browncoats', have been waiting for, with unseen photos, scripts, behind the scenes secrets, and exclusive input from the cast and crew, including of course creator Joss Whedon.
Customer Reviews:
Basically just the scripts -- not what I expected........2007-09-19
Just to let future buyers be aware....this book (and Vol. 2) are basically just the scripts to the (REALLY FUN) shows. As my husband put it, "It's just the lines, without the wonderful delivery the actors achieved in the shows." I thought it would be more like the various other "about" books that exist about popular movies/TV shows - full of pictures and other fun "about" stuff. In my opinion, these two books were not that.
Browncoats Unite!!.......2007-08-11
A must-have for fans (Browncoats) of the Firefly TV series or Serenity movie. Very high quality, glossy publication with lots of great photos, behind the scenes info, interviews, and word-for-word dialog of each episode. Both volume one and volume two are excellent values. They are well designed and made, great graphics.
Firefly Companion.......2007-07-22
Great, filled with glossy pictures, interviews and comments from the cast and crew. I didn't think I'd find reading the scripts interesting, but I enjoyed them all. The only omission is a cast and crew listing for each episode.
I ended up wanting more, so I guess I'll have to buy volume 2, and Jane Espenson's book and...
Worth triple every penny.......2007-07-03
Wow.
You might think that you're set with just the Serenity Visual Companion - but you're not. This is a necessary read for any true Browncoat. Visuals on weapons, script excerpts, pictures of Alliance money (which are different from the ones in the Serenity RPG book or the Serenity Visual Companion). The costume designs for Inara are explored, too!
If you enjoyed the show, you'll love this book.
Awesome Companion.......2007-06-18
If you want scripts, inside trivia, and sneak peeks at what went on behind the scenes of Firefly, then this is a must have. Well organized, full of beautiful pictures and descriptions.
Average customer rating:
- great for art/"Pocahontas" fans in general
- A book as beautiful as its main character
- Weak parts, but worth taking a look at.
- Very beautiful!
- Miniature Poachontas Book is Big on Color and Information
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ART OF POCAHONTAS, THE
Steven Rebello
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Customer Reviews:
great for art/"Pocahontas" fans in general.......1998-08-24
I love flipping through this book once in a while just to be in awe of Disney animators all over again, but I agree w/ some of the other reviewers who say that there isn't enough about the actual people behind this artwork. I'd like to find out more about how the artists & voices influenced different aspects of the story, reacted to deadlines, etc. too--but the art almost makes up for it. The book also provides some more insight into the personalities of the characters in "Pocahontas," which I found enlightening. Overall, it's a beautiful accompaniment to the movie, and very inspiring as well--makes me want to learn how to draw a little better.
A book as beautiful as its main character.......1997-12-27
The art of Pocahontas is, to my mind, one of the most beautiful books about animation art. Its composition following the making of the film step by step helps the reader to understand how a huge production such as Pocahontas is made and all the production aeras are represented. The pictures taken from the film and the artist's sketches shown in it are so great they could make anyone that did not like the design of Pocahontas ( and god knows they are a lot in France ) loves it. The only thing that could be improved is about photos of the artists in their work environment, there should be more.
Weak parts, but worth taking a look at........1997-11-30
The only thing holding this book together is the easy way it flows. In the tradition of other Disney "Making of..." books, it follows the format of each animation process from concept to script to storyboard to animation. Its interesting, but at times bogs down some nice visuals. Not all the visuals are great, though. The pre-production art seems weak and cliche like the drawings of pilgrims and Indians you remember as a kid. Only in the animation chapters does it pick up, particularly the work of Glen Keane. As chief animator of the title character, his storyboards and animation seem the most inspired and studied. Other character designs seem less bold against Disney's first eco-feminist heroine who paved the way for post-feminist heroines like Esmeralda from Hunchback and Meg from Hercules. The book not unnique in its execution or format, but its worth taking a look at to compare with other films and books and to see the evolution of the thought process of great Disney animators like Keane and Ruben Aquino. And of course it has its share of Disney we-are-doing-this-and-no-one-else-can attitude.
Very beautiful!.......1997-11-26
First of all, I assume that these reviews are supposed to refer to the large hardcover edition, which was published in 1995, and not the smaller 1996 edition. The large one is gorgeous, allowing a look into the world of how the artists develop a film from start to finish. Some of the concept art is so beautiful that you wonder why it didn't make it into the film. My only gripe with this book is that, like Rebello's other books, it deals almost entirely with the visual aspect of the films and, although it talks about how songs developed the movie (the Colors of the Wind section is especially well done), what about the voices? In The Art of Animation: From Mickey Mouse to Beauty and the Beast, descriptions and photos are included of the actors who voiced the characters. While you might say that this sort of thing doesn't belong in an "Art of" book, I think it does, because the actor who voices a character often has a tremendous influence on the visual development of that character. For example, Belle in Beauty and the Beast would not have had the lock of hair that kept falling into her face - an endearing gesture that helped make her more real to the audience - if Paige O'Hara, her voice, had not had it first. The Art of Pocahontas would be perfect if it offered similar insights. But it's definitely worth reading or just looking at, to bask in the sheer beauty of the artwork.
Miniature Poachontas Book is Big on Color and Information.......1997-03-06
Don't let the small size of "The Art of Pocahontas"fool you; the authors have crammed the 5.5" by 4.5" book with loads of colorful artwork and interesting insights into the recent Disney masterpiece.
"The Art of Pocahontas" traces the creation of the film from conception to completion, including wonderful reproductions of concept sketches, background paintings, layout drawings and final animation art. The 189 pages of this small volume contain over 400 color and black-and-white illustrations.
The text was written by Stephen Rebello, an editor of "Movieline" and author of "Alfred Hitchcock and the Making of 'Psycho.'" He provides many insights into the collaborative and creative process behind the making of "Pocahontas."
Even though "The Art of Pocahontas" is an easy read--it takes less than an hour or two to read from cover to cover--the book provides plenty for fans of animation to contemplate. Much of the "behind the scene
Amazon.com
This is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors.
Book Description
Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.
Customer Reviews:
Buy this book now!.......2007-04-15
If you are even thinking that this book might be of some interest to you, I can assure you it will change the way you work -- all for the good. Weston has boiled down and focused the art of getting a performance in a clear and brilliant manner. What else can I say, why are you still reading this - buy it. Simple.
Simple techniques that WORK!.......2007-02-05
Judith Weston has outlined for the director (of any performance, not just film) quick and effective ways to communicate and elicit the performance you want... at the very least, you will get something different. I am an actress who has had the privilege of working with Judith and her directors. I have seen the process in action. I've used it. When someone has truly applied the techniques that this book recommends, it doesn't matter if the actors have just started, or if they're old pros, with vastly different methods, the performances are fresh. The performances change. The performances improve! READ THIS BOOK!
No other book on acting or directing comes close.......2006-10-18
This book isn't just for directors. It is an invaluable resource for actors as well. I've taught film and video acting for a number of years and never found a book that was worth having students read even part of. Until this one. Unlike most books on acting which focus on techniques that may work great on stage but are worse than disastrous on film, Judith Weston goes under the surface of acting and directing to the core of what a close-up camera needs to see. That, in a nutshell, is "lending the character your unconscious," so that absolutely nothing looks (or is) fake or "pretend." Even more importantly, she provides down-to-earth, extremely effective techniques for directors that support and demand genuine, affect-free performances. She discusses the creative process of the director at a level that is not idiosycratic or based on her personal "style" (as so many books for directors and actors do). Her advice is both common-sensical and deeply insightful, it's what every good director knows but often can't articulate consistently enough. Don't miss this book if you work in film or video, whether you are a director, actor, teacher, editor, DP, AD, or even a gaffer. After reading Weston, you will see every aspect of the actors performances more truly and clearly, and find yourself finding new ways to get the most out of every second on screen. One of those books that changes your life by telling you what you already knew more clearly than you ever thought it could be said, and giving you fresh new ways to put it into practical use. Highest recommendation.
the best book on directing actors.......2006-02-17
This book teaches the most important skill a director can possess: getting great performances from actors.
She breaks things down into logical bits and helps you avoid many common mistakes directors make, such as giving unplayable directions, giving too many directions, talking too much, etc.
She writes with wisdom, insight, and humor.
If you're a director or a wannabe director, do the world a favor and read this book so the world has better performances to watch.
This book is the best kept secret in show business. An even more valuable secret is her workshop, which she teaches regularly in L.A. as of this review (Spring 2006).
Great beginner book.......2005-10-14
I agree with Thor Vadir's review in that it did favor the actor more often than not. But that is ok as long as you are aware ahead of time.
As a very first time director, I read this book through 2x before my shoot. It is a 40 min short film with paid actors.
It was very helpful as a true newbie.
This, coupled with some experience under my belt, has given me a great start to my (hopeful) career.
Book Description
Offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track.
Customer Reviews:
One of my all time favorite books........2007-06-19
"Sound Design" by David Sonnenschein is a very rewarding and fascinating read. Full of knowledge and practical examples as well as exercises to develop the reader's own awareness for sound. It's became one of my all time favorite books.
I highly recommend it to anyone interested in sound... be it for film or radio.... or music...
Great Service.......2007-03-10
It was shipped the same day and delivered a few days later. For those college students that get ripped off at their school bookstore this is a must.
A most excellent read and perfect for classes in sound design.......2007-02-12
David Sonnenschein's book is my "go-to" book for not only the quality of information that he presents but the interesting way that it is told. This book is an excellent read besides being extremely informative. I find that these are the best to assign to my students as many texts are just that: texts - dry and dull. David Sonnenschein presents the information herein in a delightful way and has many excellent tips on the overall shape of sound.
A great book, full of examples and creativity.......2007-01-30
I have to thanks deeply Mr D. Sonnenschein for this incredible book. I enjoyed it so much. This book helped me so much understanding the 'how' of sound effects and ambiences in movies. For sure a good choice and a good book.
I just can give an advice: buy it!!! I am a sound designer in Spainn and I consider this book a must.
Thanks David!
Great book to teach with!.......2006-01-26
I use this book in my Sound Design class at the University of Saint Francis. It is a great foundation upon which you can build confidence in your inexperienced students just by having them read the book! Also it helps make sense out of the confusion of directors dealing with sound and audio crew. This book has made my teaching job a lot easier and the students of my class a lot more saavy in sound design.
This book also would be excellent for anyone interested in the sound of movies and TV. AND it is essential reading for any Director (any GOOD Director, that is) Thanks David Sonnenschein for writing it!
Book Description
The most comprehensive book on the market, SIGHT SOUND MOTION/APPLIED MEDIA AESTHETICS describes the major aesthetic image elements--light and color, space, time-motion, and sound--and how they are used in television and film. Zettl's comprehensive coverage of aesthetic theory and how that theory can be successfully applied place this text in a class by itself. This edition is richly illustrated with visuals that often draw on traditional art forms, such as painting, sculpture, and dance.
Customer Reviews:
5 stars.......2005-10-10
The book is totally new and under very good condition, and the dilievery time is much earlier than i expected.
Best in field.......2004-12-28
This text thoroughly explains the intricacies of applied media asthetics in a concise and completely accessible way. It is a well organizied text that ehances its presentation through the use of many illustrations. I believe that this is the best text on the subject and that it has been since its first edtion.
motion graphics professor.......2002-06-04
"Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book."
I would disagree with the above review. Only by learning WHY first, can we learn HOW later. This book is more than a cookie cutter approach to film and video. If you want to "click and drag" your way through an editing program, then true, this book is not for you. Add this to your collection if you want a book that teaches how to see and create film. Sight, Sound, Motion: Applied Media Aesthetics has staying power.
Fundamental book on the theory of the moving image.......2001-05-20
This was the assigned textbook for my digital video 2 class, and it is simply wonderful. Zettl is a very knowledgable man on the subject of creating images for film, video, and even new media. (Zettl's text Video Basics 3 was used in my digital video 1 class as well) This book lays a solid foundation for the theory behind how and why the viewer perceives the moving image, and how the filmmaker and video producer can create more pleasing and coherent productions.
While the biggest complaint I've heard about this book is it's over-reliance on theory, it still does a good job of contextualizing theory into practical application. Thus the title of the book: APPLIED Media Aesthetics. Although I haven't read any of Eisentien's theories behind filmmaking, I suspect that Zettl's treatment would compete rather well, and is probably more accessible for a modern reader.
This book covers all the bases from color and light, time and space and structuring audio to image. Zettl succintcly deconstructs the intelligent mind behind the images and sound of our cultures film and television productions.
Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book.
The Filmmaker's Bible of Aesthetics or What Works and Why.......2000-11-04
This is probably the most important textbook a film production student can have on his/her shelf. NOT for how to work with actors or how to light a scene, but for understanding the underlying reasons of why things work due to our learned aesthetics and Western sensibilities.
Professor Herbert Zettl has written the most concise manual on why we has film viewers percieve things the way we do. He explains in detail (and layman's terms) how our aesthetics have been formed to interpret the dynamic medium of film and television.
How editing of action from shot to shot creates the illusion of continuous motion. How stagelines work so not to give the effect that your actor is jumping around from one side of the scene to the other. How to crop your shot BETWEEN the bodies natural cut-off points (i.e. neck, elbow, waist) to prevent the actor from looking like a disembodied head or torso.
This book is cover-to-cover insights into what we as viewers take for granted when we watch a good filmmaker's work, but may not consider when faced with the daunting task of mounting a film production and the on-set "reality" problems that dominate the filmmaker's mind when shooting a film.
I first read this book when I was in film school twenty years ago. Since then I have directed many professional film productions and I still review it before starting a new one to refresh myself.
Just as Syd Field's book "Screenplay" is the bible for screenwriting, "Sight Sound Motion" is the bible on understanding what works in film/video and why.
Book Description
Since its original publication in 1987, Channels of Discourse has provided the most comprehensive consideration of commercial television, drawing on insights provided by the major strands of contemporary criticism: semiotics, narrative theory, reception theory, genre theory, ideological analysis, psychoanalysis, feminist criticism, and British cultural studies.
The second edition features a new introduction by Robert Allen that includes a discussion of the political economy of commercial television. Two new essays have been added—one an assessment of postmodernism and television, the other an analysis of convergence and divergence among the essays—and the original essays have been substantially revised and updated with an international audience in mind. Sixty-one new television stills illustrate the text.
Each essay lays out the general tenets of its particular approach, discusses television as an object of analysis within that critical framework, and provides extended examples of the types of analysis produced by that critical approach. Case studies range from Rescue 911 and Twin Peaks to soap operas, music videos, game shows, talk shows, and commericals.
Channels of Discourse, Reassembled suggests new ways of understanding relationships among television programs, between viewing pleasure and narrative structure, and between the world in front of the television set and that represented on the screen. The collection also addresses the qualities of popular television that traditional aesthetics and quantitative media research have failed to treat satisfactorily, including its seriality, mass production, and extraordinary popularity.
The contributors are Robert C. Allen, Jim Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Kozloff, Ellen Seiter, and Mimi White.
Customer Reviews:
Excellent Overview of Media Studies Methodologies.......2002-07-04
In a critical writing course I taught in Spring 2002, I used Channels of Discourse, Reassembled as the core text for the course readings. The many chapters within are written by the best of the best in the fields of media studies and cultural studies, and the methodologies are presented in an easy-to-read manner which is informative and full of examples and case studies. This is an excellent book for media studies students, as its chapters lay out the basic information they should know about many of the methodologies often used in media criticism.
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