Book Description
This comprehensive and engaging introduction to visual culture provides an overview of a range of theories about how we understand visual media and how we use images to express ourselves, to communicate, to experience pleasure, and to learn. Using over 175 illustrations, Professors Sturken and Cartwright examine how images - paintings, prints, photographs, film, television, video, advertisements, news images, the Internet, digital images, and science images - gain meaning in different cultural arenas, from art and commerce to science and the law, how they travel globally and in distinct cultures, and how they are an integral and important aspect of our lives. These images are analyzed in relation to a range of cultural and representational issues (desire, power, the gaze, bodies, sexuality, ethnicity) and methodologies (semiotics, marxism, psychoanalysis, feminism, postcolonial theory). Practices of Looking provides an explanation of the fundamentals of these theories while presenting visual examples of how they function. Central concepts such as ideology, the concept of the spectator, the role of reproduction in visual culture, the mass media and the public sphere, consumer culture, and postmodernism, among others, are explained in depth and in accessible, informative language. Marita Sturken and Lisa Cartwright provide the best introductory book for students coming to the study of visual culture for the first time. Truly interdisciplinary, this book aims to be the key text for courses across a range of disciplines including media and film studies, art history, photography, and communication media.
Customer Reviews:
one of the best books about visual culture.......2007-09-21
The authors of this book very clearly articulate the considerable factors of the visual culture in mass media and visual art. Not only the pictures cited in the texts are also quite helpful to better understand the details of description, but also more importantly this book provides knowledgeable contents and information enabling readers to be aware of the significant roles of visual culture and how it is embedded in our lives, influencing the whole culture, society, industry and other many impacts of social forces.
excellent!.......2007-02-26
This is an excellent book for anyone interested in media studies. The language is simple and articulate. The authors provide plenty of visual evidence in each chapter. If you enjoy reading about popular culture, even advertising strategies- this is the book for you.
Practices of Looking: An Introduction to Visual Culture.......2006-03-25
I actually returned this book after leafing through it. It was a little disappointing and did not have much information other than common sense kind of info. Where was the meat?
Review of Chapter Nine.......2003-09-30
As a class assignment, I closely studied chapter nine of Practices of Looking, and researched several of the listed source materials. This chapter is entitled "The Global Flow of Visual Culture" and deals with the globalization of Western media, primarily in the form of television and the internet. The authors explore such topics as the history of media globalization, its effects on non-western cultures, pros and cons of the internet, and possibilities that new global technologies afford us.
This chapter was well-presented, persuasive, and useful. It offered a cohesive and informative discussion of a broad variety of topics, dealing with each one in satisfactory depth and detail. After researching a few of the listed sources, I found that while some of them seemed to be surplus to the actual chapter content, those that were used were, on the whole, represented accurately and fairly.
I recommend this book to anyone studying visual culture, due to its detailed and informative treatment of this broad and varied topic.
Brief on Practices of Looking (with emphasis on Chapter 8).......2003-04-26
In Practices of Looking, imagery in culture is shown to play on the way we perceive, initiate, and direct ourselves in our daily life. This book, indicates that we rely on imagery to guide us daily. This book explains how imagery is the most relied upon role model of today; basically, due to the fact that it is the most direct measure for a humans consumption of information. It provides input on how imagery sells goods through advertising, how images evoke personal memories, and how images can provide us with scientific data. In Society, Imagery can be found in all areas of the social arena. Influence of imagery is never counted alone in any arena. It is quoted in Practices of Looking "That images are never singular, discrete events, but are informed by a broader set of conditions and factors. The identity of science in correlation with imagery is explained in a wide spectrum of social engagements. Anything in the fine arts, film, television, and advertising, to visual data, can provide insight into the way we see things.
In Practices of Looking, written by Marita Sturken and Lisa Cartwright, mediums of influence and expression for Science and Imagery are identified in Chapter 8, Scientific Looking, Looking at Science. This chapter projects ideas with scientific imagery from the early 19th century to modern day. The chapter opens your eyes to the realization that we are constantly being fed ideas from imaging dealing with any subject matter. Whether the ideas are correct or not, most people today take the information and the images they see very seriously, especially when there are relations to science. Maybe due to the fact that science has proved itself in time, at least this is one opinion written in Practices of Looking; life science is seen as the "truth" and is accepted as objective knowledge due to the fact that doctors have a clearer understanding for the body through their experience. The understanding and the experience of Doctors is covered very thorougly throughout this chapter. It explains how imagery even comes into play in arenas we would never correlate influence from imagery, like (law and medicine). This chapter provides us with archival proof, predictions, perspective for current and past issues, time frames, and also developmental measurements. I found this book to be a great resource for understanding the influence that imagery has upon us in society. It really gives one a great look at the daily impact that imagery plays, and how it effects the publics outlook. I would definately recommend this book to anyone interested in learning more about "how art and media plays a role in society".
Book Description
This is a comprehensive survey of the technical and design aspects of play production, including scene design and construction, lighting, sound, costume, and makeup. Health and safety precautions for the backstage crew appear throughout in boxes labeled “Safety Tips,” and “Design Inspiration” boxes show how professional designers create the desired look.
Customer Reviews:
Usefull text.......2006-02-20
I'm a lighting design major in college, and no matter what I take a class in, Gillette's book is the standard must have for all tech (and acting) majors. It's a requirement for stage tech 1, and then is used again through out the college carreer, and I have heard people even refrence it after they graduate. The best places to start for new techies are this book, and the 'backstage handbook'
EXCELENT!! VERY COMPLETE.......2005-10-11
I think its an amazing book! very complete, it tells you about the roles of every one involved, the make up, scene design, construction, sound, costume and lighting, so if you are serious about becoming an excelent theatrical designer and producer, then this is the best place to start!! from here you can buy other books, but this is a must have!
Huh?.......2005-01-11
Hi I am 11 and I want to make props for my film!Is This the right book?It looks exspensive but is it worth it?I need a book and fast!
Excellent Textbook.......2004-10-09
This book is an excellent starting point for students interested in theater. It covers all of the major topics: scene design, construction, lighting, sound, costumes, and makeup. I would recommend it to all students and teachers.
good textbook for student.......1999-04-25
we used this book in our theatre department and I find it very good for students who want a little knowledge of what goes on in the making of theatre.
Book Description
This introductory text places the students at the center of theatrical creation and provides coverage of the broad range of contemporary theatre. The Creative Spirit includes complete scripts of five plays: August Wilson's Joe Turner's Come and Gone, Wakako Yamauchi's And the Soul Shall Dance, Tony Kushner's Angels in America, Milcha Sanchez Scott's Dog Lady, and Sam Shepard's Buried Child. The text emphasizes the collaborative and creative processes that go into productions, and includes interviews with theatre artists.
Customer Reviews:
Excellent Text for Introduction to Theater.......2004-01-29
THE CREATIVE SPIRIT takes a very refreshing, multicultural view to American Theater, while still giving good, basic information about theater history and the process of theater production. This text was written to accompany introductory theater courses, (perhaps in community colleges or in a theater for non-majors context), not to try to be a definitive guide to all theater. Hence, the subtitle "An Introduction to Theatre."
Reading plays is a huge part of learning about theater, and this text includes many plays for analysis and discussion. The plays included are each unique and important, reflecting the diverse experience of the people of the United States (and probably the students who are reading them), while still teaching the same concepts as if they were reading the plays that most intro textbooks offer. Each play is preceded by contextual information including an author biography, the artistic and cultural influences that contributed to the inspiration of the writing, information about a production of the play, etc.
There are individual chapters about the role of each theater practicioner (director, designer, actor, etc.) which include interviews with professionals who discuss their craft.
New to recent editions is the addition of an entire chapter about musical theater. An important part of American theater, recent and historical musical productions are discussed.
The text is richly illustrated, with many color plates, black and white photos and drawings. Photos of Broadway, regional and college productions are included, as well as historically important people and places.
In addition, the final chapter of the text (at least in the last edition, I have not seen the most recent edition) includes a number or project ideas for students to become the producers of a show, choosing directorial concepts, set and costume designs, etc. At the end of each of the other chapters are suggested discussion questions for that chapter's content as well.
Many of us practicing theater today could even benefit from reviewing some of the basic information in this book, or expanding our knowledge of what's out there by reading about and seeing photos from varied regional productions.
In my mind, THE CREATIVE SPIRIT: AN INTRODUCTION TO THEATRE is an excellent book for what it aims to be.
Its OK.......1999-08-24
I think this book its OK. It gives you more of a theatrical background than theatrical techniques. Backgroung information of theater, though, is essential so that we could understand theater as a whole. The book includes exerpts and many short plays. Like I had said before, it OK.
Average customer rating:
- THE DEFINITIVE INTRODUCTORY TEXT FOR FILM STUDY
- Finally--a Relevant Film Book!
- Not very informative
- Informative, easy to grasp, introduction to film concepts
|
Film: An Introduction
William H. Phillips
Manufacturer: Bedford/St. Martin's
ProductGroup: Book
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The Way Hollywood Tells It: Story and Style in Modern Movies
ASIN: 0312412673 |
Book Description
An introduction to the film medium for both general readers and college-level film students. The book has three parts: The Expressiveness of Film Techniques, Types of Films, and Responses to Films. Also included are marginal definitions, a twenty-page illustrated glossary, a forty-page four column chronology, and more than 500 photographs and drawings.
Customer Reviews:
THE DEFINITIVE INTRODUCTORY TEXT FOR FILM STUDY.......2006-07-15
An outstanding beginning text for film study students. I am a film study and English teacher at the high school level, and I have been using this text for the past two years. The first four chapters provide essential terminology to effectively read and analyze a film. From mise-en-scene to cinematography to editing to sound, these first four chapters develop a solid foundation for beginning film students. The book provides classic film examples, both early classics and modern classics, and there are numerous examples of shots from these films to illustrate film terminology. The second half of the book provides some meaningful discussion of film genres, the context of film in society, and alternatives to live-action films. As a beginning resource, this text is user-friendly and interesting. I highly recommend this textbook for the beginning film study student.
Finally--a Relevant Film Book!.......2005-07-29
FILM by William H. Phillips has as its strongest point its relevancy to current events in light of past film endeavors. Recent films are discussed in the 3rd Edition as well as other editions with clarity and insight. Also, it is a rare film book that discusses the economics of film making and marketing of film in theaters and video formatting.
This work shows that other countries than the US also have an important cinematic history. This book encompasses both the American scene and the world historical perspective with its extensive chronology 1895-2003, and the relationship and mirroring of world events in film. This is a book to add to any collection of film reference guides. It is prime value for the money with 669 pages of prolific color plates and black and white photos of actual film shots.
Not very informative.......2005-04-04
I've taken a couple film classes in college so far and I have to say that this book is not very enlightening. For the most part, this book discusses film concepts and assigns them terms. It spends a lot of time stating the obvious and little time going into any significant depth.
It is a long book full of general information that you will already know if you are a regular movie-goer, nevermind a student of film. It lacks significant coverage of the history of film.
I recommend avoiding it if you can and buying an inexpensive used copy if you must buy it for class.
You can learn far more about film simply by using Google or Wikipedia. The freely available information on the Internet far surpasses the mediocre offerings of this book! Don't waste your money!
Informative, easy to grasp, introduction to film concepts.......1999-09-11
Phillips has written an accessible, up-to-date, and lively book suitable for anyone who wants a basic understanding of the art of film. It is arranged so that a discussion of film techniques is first, liberally illustrated with shots from numerous films (including newer releases). One of the nice features of the book is it identifies and points out the differences between publicity stills and frame enlargments. The rest of the book discusses how movies are developed, their sources, genres, and characteristics. There is a detailed chapter on alternatives to live-action films (especially focused on animation). The book's final section addresses the social meanings of films, and provides a sample analysis of Altman's "The Player." Throughout the text are sample student papers, to demonstrate how to write about film in a critical way. In the introductory film appreciation class that I teach, students preferred this book to Bordwell and Thompson's "Film Art." For them, all the examples and photographs enhanced the concepts, while the marginal definitions helped them remember key terms. Students also appreciated the inclusion of recent movies they have seen, as well as classics like "Citizen Kane." From this college professor's point of view, the book is best for beginners, who just want to know more about film techniques and analysis. However, even advanced students would find it a useful summary of film concepts.
Average customer rating:
- Something To Be Said for Clarity
- So-So
- One of the worst books in my library
- easy to comprehend
- Great for beginners
|
Literary Theory: A Very Short Introduction (Very Short Introductions)
Jonathan Culler
Manufacturer: Oxford University Press, USA
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The Norton Anthology of Theory and Criticism
ASIN: 019285383X |
Book Description
What is Literary Theory? Is there a relationship between literature and culture? In fact, what is Literature, and does it matter? These are the sorts of questions addressed by Jonathan Culler in a book which steers a clear path through a subject which is often perceived to be impenetrable. It offers insights into theories about the nature of language and meaning, whether literature is a form of self-expression or a method of appeal to an audience, and outlines the ideas behind a number of different schools: deconstruction, semiotics, postcolonial theory, and structuralism amongst them.
Customer Reviews:
Something To Be Said for Clarity.......2007-09-12
This is a classic of clarity and simplicity, a model of its kind, to be compared with the famous Shrunk text on writing. One of the features of theory is the unreadable quality of the prose produced by most of its practitioners. The jargon has made literary no longer attractive. We once read for pleasure and are now turned off by the misc. schools of jargon that obscure as much as they clarify. Those who have written with clarity are written off - Edmund Wilson - and replaced by obscure, minor academics. In this strange atmosphere, and possible as a response to it, Culler has done for theory what Lenin did for Marx. He has made clear what was once difficult if not impossible to understand. We commend his prose style as well as his command of seemingly impenetrable texts.
So-So.......2007-06-07
I finished Literary Theory: A Very Short Introduction by Jonathan Culler last evening and admittedly was not quite a fan of it. Parts of it I found to be horribly dense and while it's not A Very Easy Introduction much of the book didn't really seem to fit under the topic. Granted, some of you who are more experts in Literary Theory may disagree. However, I did enjoy a good portion of the book that went into the history of the novel, what exactly literary theory is, looked into the canon and how "reading" styles have changed over time, and so forth. Perhaps most splendidly it offers a short and concise list of all the big literary theories (i.e. feminism, Marxist, psychoanalysis, deconstruction, etc).
One of the worst books in my library.......2007-06-05
It's hard to imagine a more painful reading experience. This is a good example of how not to craft expository writing.
easy to comprehend.......2007-05-15
Although I graduated from English Literature for about fifteen years ago. I have always been in trouble with literary theories and schools.And I have always been scared to death by the idea of any literary theory. This book has broken the very thick ice which existed between me and the subject. Now I am eager to read more on the subject. Thank you very much Professor Culler.
Great for beginners.......2006-08-29
For those of you out there, who are, for some reason, venturing in the very large field of literary theory, with it's vast majority of works that are not understandable to the average people, I wish you good luck.
You will need it, but as it is true vith everything that you care for, if you have the will you will eventualy succeed and fight your way trough the forest and emerge as a winner.
On that travel you should have your vorthy sidekick who will follow you into the most dangerous situations, to the places with no exits and where dark thing brood in every corner waiting to jump upon tired traveller. On the adventurous field of literary theory, Jonathan Cullers book is that kind of sidekick.
If you are completely lost and you have no idea where to start your investigation of numerous schools of thought and many problems that have arisen trought the time, this very short introduction will cover basics, and when you finish reading if you want to go on, there is very good litterature stated on the last pages which you can consult of your own will.
Here you can find short, and trust me, you can't get any shorter, and yet plausible overview of schools which you can use for your future work.
All in all, for a starter this is very good place to start, and for an experienced adventurer this is the place to remind you why you ventured on your quest at all.
Book Description
This is a new and enlarged edition of Mark Fortier's very successful and widely used essential text for students. Theory/Theatre provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Fortier lucidly examines current theoretical approaches, from semiotics, postructuralism, through cultural materialism, postcolonial studies and feminist theory. Theory/Theatre is still the only study of its kind and is invaluable reading for beginning students and scholars of performance studies.
Customer Reviews:
Excellent, invaluable guide to theater and theory.......2000-07-15
*Theory/Theatre* is a remarkable pocket-sized guide to the major contemporary trends in critical theory and their relationships to performance and performance studies. Fortier's prose is lucid and eloquent. He handles difficult concepts with succinct yet not simplistic essays that tie the theoretical concepts to instances of performance. I have used the book with undergraduates, and it has helped them make sense of the intellectual histories, differences and applications of, for instance, psychoanalytic criticism, post-structuralism, feminism, reception theory, etc. Fortier's concluding essay on the uses of theory is both skeptical and inspired by theory, and gorgeously written. Such a pleasure to work with an interpetive text that is truly knowing of its subjects without seeking to outdistance or subdue them!
Excellent summary of major theories.......1998-11-22
Fortier's book is a wonderful summary of the major theories concerning theater and performance. He presents a familiarity with everyone from Freud and Hegel to current leading theorists. I would recommend this book for anyone interested in critical theory of theater, especially for students. Fortier's style is engaging and easy to read.
Average customer rating:
- An Engaging Intro to "Film and Literature"
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Film and Literature: An Introduction and Reader
Timothy Corrigan
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Paperback
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ASIN: 0135265428 |
Book Description
This book is a wide-ranging introduction to the long history and provocative debates about the interactions between film and literature.
KEY TOPICS: Film and Literature: A Reader presents essays from a variety of cultures that address the major issues in the exchange between film and literature since the beginning of the twentieth century. The book provides landmark discussions of different genres and practices (such as poetry and movies or film scripts as literature) through writings by such figures as Vachel Lindsay, Walter Benjamin, and Alexander Astruc. It presents a concise, but detailed history of film and literature and the critical terms and techniques used in film and literary analysis as well as a detailed history of the bond between film and literature, from theatrical narratives of the silent film era to recent blockbuster adaptations of Shakespeare and Jane Austen. It also features introductions to each essay and suggests how the essays may be used to analyze works involving film and literature. An essential resource for every reader interested in film.
Customer Reviews:
An Engaging Intro to "Film and Literature".......2007-09-20
In the preface to his book FILM AND LITERATURE, Timothy Corrigan notes the "enormous scope" of the topic. Wisely, he subtitles the book "An Introduction and Reader."
Part I, "Film and Literature in the Crosscurrents of History," comprises eight brief and lively chapters, beginning with the silent era of theatrical depictions to the adaptations of novels. Among the problematic adaptations dicussed are The Grapes of Wrath, The Shining, and Lolita.
Part II, "Critical Borders and Boundaries: Analytical Categories for Film and Literature" introduces basic concepts in Film and Literary Studies.
Part III, "Major Documents and Debates," more than two-thirds of the book, is an anthology of essays on cinema excerpted from the writings of influential scholars such as Walter Benjamin, Sergei Eisenstein, Andre Bazin, George Bluestone, and Kristin Thompson.
The book makes very engaging reading.
-- C J Singh
Book Description
Author Joe Turow's unique "media systems" approach reveals the forces that guide the creation, distribution, and exhibition of media. By showing students how the media operates—through a mass production process, rather than an assumed mass audience—and heightening their awareness of political and commercial influences, Turow encourages them to examine and think critically about everything they see and read.
The Second Edition emphasizes the necessity of media literacy by outlining the principles that students need to understand and skills they must acquire in order to exhibit the attributes of a media-literate consumer.
- Chapters 5 and 6 highlight the guiding trends in media today and demonstrate how those trends operate within the three largest media conglomerates in the world—Disney, AOL/Time Warner, and NewsCorp.
- Critical Consumer boxes challenge students to think critically about controversies portrayed in the TV programs they watch, music they listen to, and the books and magazines they read, while exploring the effects and implications of mass media on society and the individual.
- Technology & Infrastructure boxes demystify mass media technologies by explaining how they work, helping students understand the increasing role of technology in the production, distribution, and exhibition of content across media outlets and around the world.
- WorldView boxes provide an up-to-date perspective on the influence and availability of media throughout the world and show students the social implications of media industries and products worldwide.
- Media Research boxes introduce students to practical aspects of real-world media research and discuss the impact of research findings on products and systems.
Book Description
This important new introductory textbook by a prime mover in the emergent field of Performance Studies is a defining moment for the discipline. It provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts and cultural studies.
Customer Reviews:
Where Theatre Studies Needs to Go.......2003-04-16
This long awaited book by Richard Schechner breaks the traditional boundaries of how theatre is to be studied. He assures us through numerous examples, comments, quotations, and theories how interrelated theatre is with life and life with theatre. To see performance as a part of life and as an extension of it is to see performance with a clarity that has never before been discussed in such depth.
By the end of the book, which is probably more useful as a reference than even as a textbook that students read chapter by chapter (though it does offer great possibilities for creatively integrating in the classroom as it was intended), one has more questions than answers, and that is a good thing, because the questions become more focused and more relevant and more conducive to individual introspection. As a college professor in Theatre, I find that refreshing and valuable.
This is a seminal work, and should certainly be on every theatre practitioner's bookshelf, if not in their hands.
The book contains nudity and language in the examples of performance he gives, so is not suitable for children.
Book Description
Julia Wood, a leading scholar in the field of communication, brings us a new edition of the extremely popular COMMUNICATION MOSAICS: AN INTRODUCTION TO THE FIELD OF COMMUNICATION. The new edition continues with the holistic approach to the field of communication by first explaining the basic processes central to all communication contexts (e.g. listening, perceiving, using verbal and nonverbal communication, establishing climate), and then applying these processes to various contexts (interpersonal, small group, public, organizational, intercultural, and mass communication). Through reviewer and student-praised "Student Voices" features, seamless and thoughtful integration of diversity, skill-building pedagogy and real-life examples, students are exposed to the vast world of communication and the tools needed to become effective communicators. This book will provide readers with a clear understanding of the fundamental skills and processes that are a part of the broad array of communication encounters in personal, professional and public life in the 21st century.
Customer Reviews:
College Communications Textbook.......2006-11-10
This was a required book that my daughter needed for Rider University. We saved money buying from Amazon, and the book was in perfect condition. Why overpay buy buying at the college bookstore?
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Visual Culture: The Reader (Published in association with The Open University)
Ways of Seeing: Based on the BBC Television Series
Visual Communication: Images with Messages (with InfoTrac®)
