Average customer rating:
- Great philosophy behind it
- Amazing.
- Magical journey...
- Classic in any lanugage
- A story for all ages
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Le Petit Prince (French Language Edition)
Antoine de Saint-Exupéry
Manufacturer: Harvest Books
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The Little Prince
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Le Petit Nicolas
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Easy French Reader
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French Stories (Dual-Language)
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ASIN: 0156013983 |
Book Description
In 2000 Harcourt proudly reissued Antoine de Saint-Exupéry's masterpiece, The Little Prince, in a sparkling new format. Newly translated by Pulitzer Prize-winning poet Richard Howard, this timeless classic was embraced by critics and readers across the country for its purity and beauty of expression. And Saint-Exupéry's beloved artwork was restored and remastered to present his work in its original and vibrant colors.
Now Harcourt is issuing uniform full-color foreign language editions. The restored artwork glows like never before. These affordable and beautiful editions are sure to delight an entire new generation of readers, students, children, and adults for whom Saint-Exupéry's story will open the door to a new understanding of life.
Customer Reviews:
Great philosophy behind it.......2007-09-28
I half-expected this book to be a children's book but it actually contained philosophical ideals people would often ask themselves in life. Highly recommended
Amazing........2007-08-08
I place this on a par, in it's own way, with Kahlil Gibran's The Prophet.
Deeply meaningful, cloaked in a tale of a child. I read part of it at my mother's funeral. Not that it is a sad story, per se. But there was not a dry eye in the house when I finished.
What it has to say on loving and on loss is absolutely worth more than this book costs and every minute you spend reading it.
Magical journey..........2007-06-13
My first book ever was The little prince. It was my dad's first present on the day I was born. Since then I have read it at least 20 times, and every time I read it it delivers a different message. I think this is a book that will be enjoyed by kids as well as adults. This french version is beautiful, and very similar to the one my dad gave me in spanish. Has the original drawings with nice colors. As someone stated this book can be interpreted in different ways and that's why it's so magical. I consider it one of the best short stories ever. A true masterpice.
Classic in any lanugage.......2007-03-12
I've read this book many times, sometimes in English, sometimes in French. I've read it for pleasure. I've studied it. I've taught it. I love it. The fox's secret is an important lesson for us all and one I appreciate being reminded of. I recommend this book to anyone, it's been translated into over 100 languages. (It's been translated more than any book besides the Bible I've heard.) I love sharing it with people which is why I will teach it as long as I'm teaching and I will read it aloud to my children when I have them.
A story for all ages.......2007-02-01
Although I believe that this book is for everyone young or old, I think that "grown ups" will appreciate it more than kids.
The book has passages that remind the adult of the innocent little kid within.
In a lot of ways, the wisdom in the story comes as somehow a reality check.
In depth the book is about life, relationships (the little prince and the rose), friendships (the little prince and the fox) and human caracteristics...
I have read this story so many times and every time I discover something "new". This book is a work of art!
If you speak French, I recommend the French language edition over the English one.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
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|
Chrétien de Troyes: An Analytic Bibliography: Supplement I (Research Bibliographies and Checklists: new series)
Douglas Kelly
Manufacturer: Tamesis Books
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ASIN: 1855660830 |
Book Description
The Supplement builds on and completes the Chrétien de Troyes Bibliography first published in 1976. Together the two volumes constitute the fullest and most complete bibliographical source now available on this major medieval author. Chrétien de Troyes bequeathed a corpus of highly original and widely influential Arthurian romances. Indeed, his direct or indirect influence continued throughout the middle ages and beyond into modern times. The Bibliography permits students of medieval romance to quickly identify the areas in which Chrétien scholarship has been active. Items are listed under twenty-two topics, with numerous sub-sections under each topic, and cross-references for items that treat more than one of the topics. The broad geographic and linguistic scope of modern Chrétien studies is evident in items not only from western Europe and North America, but also from the growing body of medieval scholarship in eastern Europe, Asia, Africa, South America, and Australasia. To ensure accuracy and completeness, the editor has been assisted by scholars competent in the many languages in which Chrétien studies are now published, most notably in Japanese, Welsh, Rumanian, Hungarian and Polish, as well as by other scholars and librarians who generously provided assistance and information in finding items difficult to access.
Customer Reviews:
Concise Manual to French School of Dressage.......2005-09-30
If you are interested in delving into the world of French Dressage, or if you merely want your horse to become lighter and more responsive to the aids then this will be a fascinating book for you. Written in a clear concise manual style, there is thankfully not a lot of fluff to sift through. There are line drawings which clearly illustrate exercises to try, beginning with basic ideas and leading to High School exercises.
Book Description
Chrtien de Troyes did not invent the Arthurian legend: he gave it a sophisticated form, establishing it as a major branch of European literature. This lively edition of Chretien's romances includes "Perceval," the first Grail story, as well as his lays "Erec and Enide," "Cligs," Lancelot," and "Yvain." In these delicate, passionate works, French chivalry bounds through the centuries to greet modern readers with new words for devotion.
Customer Reviews:
Free SF Reader.......2007-09-03
There are several examples of the French chivalrous tradition here, and all that courtly love stuff. Or, how to wear shiny armor, look pretty, do what your religion tells you, be nice to ladies but don't knock them off their pedestals.
Try to get really, really good at killing people and beating people up, too.
Read this and you'll appreciate Cervantes........2005-12-01
An awful yawner. It shows all the reasons chivalry made for tiresome tales, and why the world needed Don Quixote so badly.
The Chretien de Troyes version of Lancelot is repetitious, has many loose ends, and is full of plot holes. Lancelot jumps into a cart to shame himself in pursuit of Guenivere. Before Lancelot jumps into the cart, the narrator states that "reason is the enemy of love." In the scope of the book, and the code of chivalry, reason is the enemy of this genre.
Take with Nyquil.
Early Arthur.......2005-10-09
Chretien de Troyes is an early French romantic writing, who wrote the first known story about the Holy Grail. De Troyes lived in the Champagne region of France during the latter twelfth century. Peripherally attached to courts including that of the famous Eleanor of Acquitaine, de Troyes stories of the Arthurian legends provides a foundation for almost all future Arthurian stories.
Chretien's major works include four poems included in this collection: Erec and Enide, Cliges, The Knight of the Cart (Lancelot), and The Knight of the Lion (Yvain). For Grail seekers, the story of most interest will be the unfinished Perceval: The Story of the Grail. Although the tale exists in finished form (in fact, several variations of finished forms), de Troyes in fact only wrote the first 9000 lines of the approximately 32,000 line text. (De Troyes also was embellished or supplemented by later additions to the tale of Lancelot, perhaps because de Troyes did not want to include an adulterous affair).
The story of Erec and Enide is a love story between one of Arthur's knights, Erec, who while out with Guinevere encounters a mean-spirited knight Yder; Erec's pursuit of Yder leads to his meeting Enide, and the two have a stormy relationship (by medieval romantic standards) but ultimately are able to reconcile their love and relationship with public duty.
The story of Cliges is one of tricky and forbidden relationships. Cliges, a native of Greece, falls in love with Fenice, his uncle's wife (Cliges' uncle happens to be the emperor). Their love is discovered, but with the aid of King Arthur, their relationship continues in Cliges' home country of Greece.
Lancelot's story is one of the oldest ideas from the Arthurian legends - the rescue of Guinevere when she is taken captive. This could be done in a chaste and honourable way, but the tale of Arthur has both virtuous and dark elements. Even though this story comes from much older antecedents, de Troyes telling (with the possible additions by a later writer) became the standard Lancelot-Guinevere tale, being the principal one incorporated into Mallory's Le Morte d'Arthur.
The story of Yvain is one of romantic questing - Yvain is gone so long on his knightly quests that his wife refuses him to return home. However, with the aid of mystical powers (the lion is an otherworldly creature that symbolises knightly virtue - C.S. Lewis will develop similar symbolic material much later) he returns to his wife after going mad with despair at being barred from her.
Perceval's story is that of the classic search for the Grail, which is also considered now a standard part of Arthurian legend - however, it is not clear that de Troyes was working from earlier stories here.
William Kibler provides notes, an introductory essay, and an essay tracing the history of revisions and continuations to the Grail story. This is fascinating reading, and a must for anyone interested in the Arthurian legends.
School days..........2003-09-10
Got it for school, but I'm not too big on romances so maybe I'm biased. I'm trying.
It's a pretty good story...actually a set of stories written by this Troyes guy, all about everyone except noble King Arthur. Gotta buy a different book to get the sword in the stone story. Great for in depth details on the romance-period view of the barbarian Arthurian story, and even better for writing a detailed paper on it.
If you're into Arthurian stories (and already know the story lines of the main story but want more on the offshoots and the only-mentioned-once characters like Yvain) this is a great book for you! Not good for people who don't know the story. Watch the disney movie first for some background or read the Mists of Avalon (long but good).
A fascinating book.......1999-02-02
I found the book to be fascinating, even for a person without a background in the classics. I felt the translation was fine, overall a very smooth read. I would highly recomend it to anyone with an interest in Arthurian legends.
Average customer rating:
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Arthur of the French: The Arthurian Legend in Medieval French and Occitan Literature (Arthurian Literature in the Middle Ages)
Manufacturer: University of Wales Press
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ASIN: 0708319645 |
Average customer rating:
- Chivalry and Medieval Romance at it's Best
- Prefer the unexpurgated translation
- "By my faith, said Love,...I want him to be in my court."
- rosa
- Allegory continued
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The Romance of the Rose
Guillaume de Lorris , and
Jean De Meun
Manufacturer: Princeton University Press
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The Art of Courtly Love
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The Complete Romances of Chretien De Troyes
ASIN: 0691044562 |
Book Description
Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest--against the admonishments of Reason and the obstacles set by Jealousy and Resistance--to pluck the fair Rose in the Enchanted Garden.
The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990, which examines, for example, the sources and influences of the work, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth-and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based.
Customer Reviews:
Chivalry and Medieval Romance at it's Best.......2005-11-17
This is a very relaxing yet thought-provoking allegory of life and love, but primarily love. I first heard of it in the film "Shadowlands", about the great C.S. Lewis. After having bought it and read it after hearing Anthony Hopkins describe it to his character's Oxford students in the film, I see it's significance in both that particular film and as a remarkable work of literature which, in it's day, seemed to have been far more popular than even the "Canterbury Tales"; more than twice as many original manuscripts of RotR exist today than of "Canterbury". The Romance of the Rose is fluid, metaphorical, philosophical, lyric and, of course, very romantic. An exquisite illustration of courtly love.
Prefer the unexpurgated translation .......2005-03-23
Nothing wrong with this edition. Just thought that people might want to know that there is another translation out there that is easier to read AND more fun. It's the translation in blank verse published in unabridged and unexpurgated form by Meridian (0452010837), and edited by Charles W. Dunn, one of the finest modernizations of a medieval classic ever published. The translation was the life's work of Professor Harry W. Robbins.
"By my faith, said Love,...I want him to be in my court.".......2004-03-04
This review relates to the work, -The Romance of the
Rose- by Guillaume de Lorris and Jean de Meun,
Translated by Charles Dahlberg, Princeton Univ.
Press, Third Edition, 1995. 484 pp.
This edition of -The Romance of the Rose- is interesting
for it contains all 3 Prefaces which Charles Dahlberg
wrote. In the Preface to the 1st edition, published
in 1971, Dahlberg says: "This translation of the -Romance
of the Rose-, the first in modern English prose, is one of
nearly a dozen volumes during the past decade to present
an edition, a translation, or a major commentary on the
Old French poem. The aim of this book is to provide a
clear, readable text that is as faithful as possible to
the original, particularly in terms of imagery. Because
translations have their pitfalls and because thirteenth-
century assumptions about the use of imagery, indeed of
poetry, are very different from ours, I have provided a
variety of materials that may help the reader to approach
the poem with an approximation of the perspective of that
time. The Introduction, Notes, and Illustrations are
designed primarily to elaborate and clarify such a view
of the poem."
In the 2nd Preface, to the 1983 edition, Dahlberg says:
[after saying that minor errors have been corrected
and additions have been made to the Bibliography]
"During recent years, a number of writers have reemphasized
the contrast between the two authors in their treatment
of the poem's allegory. Such is the case even in the
relatively small space devoted to the poem in Jung's
important book on Latin and French allegory, a work that
parallels the series of essays by Hans Robert Jauss
on the origins and development of allegorical poetry up
to the -Romance-."
In the Preface to the 1995 edition, Dahlberg again
deals with the scholarly publications concerning the
poem which have occurred since the last edition. He
cites works in the Preface which deal with Sources and
Influences ["Among source studies, the greatest attention
has been givven To Ovid: in the Narcissus episode, the
Pygmalion episode, or both. Huot studies the relation of
the Medusa interpolation to these spisodes and to the
Deucalion-Pyrrha passage, Browlee studies the relation
of the Pygmalion and Adonis passages, and Steinle adds
the Narcissus passages to these two."]; The Two Authors;
The Nature of the Allegorical Narrative; The Use of the
First Person; and Early Reception.
This work is in two parts. Part I [The Dream of Love]
is authored by Guillaume de Lorris and comprises some 4,000
plus lines. Part II [The Overthrow of Reason] is authored by Jean de Meun.
The sections of Part I are titled by Dahlberg as: (1) The Garden, The Fountain,
and the Rose; (2) The God of Love and the Affair of the
Heart; (3) The Involvement of Reason and the Castle of
Jealousy.
Part II [The Overthrow of Reason] by Jean de Meun, is
titled in sections by Dahlberg as: (4) Discourse of
Reason; (5) The Advice of Friend; (6) The Assault on
the Castle. False Seeming's Contribution; (7) The Old
Woman's Intercession; (8) Attack and Repulse;
(9)Nature's Confession; (10) Genius's Solution;
(11) Venus's Conflagration and the Winning of the Rose.
There are excellent Notes from p. 357 to p. 425 and
an excellent Bibliography. There are also 64 "miniature
illustrations from thirteenth- and fourteenth-century
manuscripts."
This is an excellent edition, especially for the
wealth of suggested additional schoarly works
available and their approaches to the poem.
-- Robert Kilgore.
rosa.......2000-07-07
I really like this book because it is a romance book and i love all romance books. I really like books that are writen in the old ages. I think if a person likes to just read books they should read Romance of the Rose.
Allegory continued.......2000-03-18
The Romance of the Rose is the famous and much discussed 13th century allegorical romance. It consists of two parts of unequal length-- the first shorter part by Guillaume de Lorris and the second longer part continued 40 years after de Lorris' death by Jean de Meun. Throughout the medieval period, this was one of the most widely read book in the French language.
Scholars have rather endlessly debated how unified the allegory really is, and the trend recently seems to have shifted to seeing the two authors as less in opposition, and more composing a complete treatment of courtly Love.
For the casual (non-academic) reader like myself, the experience is rather less unified. The de Lorris section is quite lyrical and fits more with what I imagine an allegorical dream poem to be. When Idleness leads the dreamer into the garden of Diversion and when Love shoots him with the five deadly arrows that bind him to the Rose, the imagery is compelling and lovely.
On the other hand, the second part, while often *very* funny is much more obviously satirical with long digressions that focus more on social mores than on the world of the Dreamer as established in the first half. The effect is sort of like a serious and literary Spike Jones song-- which is not at all a bad thing.
Average customer rating:
- Interesting look at medieval manners and customs
- How Capellanus reshaped romance...
- Its not about love, its about behavior
- Excellent background for Middle Ages history buffs.
- Revealing book from 11th Century on Attaining Love
|
The Art of Courtly Love
Andreas Capellanus
Manufacturer: Columbia University Press
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Similar Items:
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The Romance of the Rose (Oxford World's Classics)
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The Lais of Marie de France (Penguin Classics)
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The Art of Love (Modern Library Classics)
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The Lais of Marie de France
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The Complete Romances of Chretien De Troyes
ASIN: 0231073054 |
Book Description
After becoming popularized by the troubadours of southern France in the twelfth century, the social system of 'courtly love' soon spread. Evidence of the influence of courtly love in the culture and literature of most of western Europe spans centuries.
This unabridged edition of The Art of Courtly Love codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into 'one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization.' This translation of a work that may be viewed as didactic, mocking, or merely descriptive, preserves the attitudes and practices that were the foundation of a long and significant tradition in English literature.
Customer Reviews:
Interesting look at medieval manners and customs.......2003-01-23
This is a must read if you are at all interested in medieval life. Aside from being the premiere treatise on "courtly love," there are interesting historical issues raised by this book.
For example, in the section "What persons are fit for love," Capellanus says that "Age is a bar, because after the sixtieth year in a man and the fiftieth in a woman...passion cannot develop into love..." The conventional wisdom holds that most people did not live much past 40 in those days. Evidently Capellanus ran across a few people in their 50s and 60s, in addition to his encounters with nuns. (You will have to read the book to find out more)
How Capellanus reshaped romance..........2002-08-22
Andreas Capellanus, chaplain at the court of Countess Marie de Champagne, daughter of Eleanor of Aquitaine, wrote this treatise on courtly love in the 12th century--ostensibly to educate a friend--and thus set a new standard for lovers. Capellanus' work may have been intended as a satirical reworking of Ovid's Ars Amatoria, or it might have been influenced by the Arabic views of love in The Dove's Neck-Ring by Ibn Hazm a Mozarabic writer of the 11th century. Whatever his intent, his work, The Art of Courtly Love, influenced the aristocracy's ideas of social relationships, and the portrayal of male-female roles in romantic literature, well into the Renaissance. In a series of conversational examples between men and women of various classes together with a list of rules of love, Capellanus draws distinctions between the relationship of marriage and the relations between true lovers. Within the context of courtly love the true lover is required to pay homage to and do the bidding of his ladylove above all else. True love according to Capellanus does not exist between husband and wife, but is a state sought by all outside of the marriage bed. He states, attributing the sentiment to "M., Countess of Champagne", that "Love cannot acknowledge any rights of his between husband and wife". This attitude is understandable in a society where marriages were contracted for position and fortune.
In one of the sets of rules for lovers set forth by Capellanus he states that "No one should be deprived of love without the very best of reasons". This would justify romantic relationships of which women were otherwise deprived. Before modern times, love was rarely a factor in choosing a spouse, and yet it is perhaps the strongest force that drives mankind. Capellanus both acknowledges and rationalizes the power love holds over men and women alike. The path to true love is never easy, and the rules of courtly love would have it that where there is love there, too, is suffering. It is by his great distress that the beloved can see how greatly the lover loves. Although love that suffers chastely and from afar is held in esteem, Capellanus also says that kisses and embraces are "indications that love is to follow" and should not be overdone if the lover is not sincere. This seems to acknowledge the human need for sexual action to follow seduction. Appropriate action with gifts and flattery is described by Capellanus in his dialogs for seducing the beloved. Care must be taken in the choice of gifts, since by the rules of courtly love exchange of valuable objects debases the relationship and lovers may only accept those "little gifts" "useful for the care of the person" or "pleasing to look at" as long as there is no "avarice" involved. This rule led to the carrying by knights of tokens or "favors"--gifts of their ladies--in tournaments throughout the Middle Ages. Seduction has four steps according to Capellanus: first should come the offer of service (or if by a lady the giving of hope to the suitor), followed by the granting of kisses and the embrace--in which a couple may even lie down together nude, having no actual sexual congress, with no blame attached. If the final fourth step is taken, yielding to sexual relations, the lover is committed and can not withdraw from the relationship with honor for any less reason than a seriously dishonorable action on the part of his or her partner. These elements of courtly love appear again and again in literature of the Middle Ages from Chaucer's "Knight's Tale" to Malory's Morte D'Arthur.
Perhaps the most interesting influence in Capellanus' life is that of Eleanor of Aquitaine, queen of England and wife to King Henry II. Eleanor was already instrumental in the production of early courtly romances, especially the Arthurian tales. Wace dedicated his "Brut" to her, Thomas of Britian wrote his "Tristram" at her instigation and Chretien de Troyes wrote his Lancelot romances from material given him by her daughter Marie. Eleanor's life reads much like one of these romances. Duchess of Aquitaine, she married Louis, the king of France, at a young age, and produced two daughters Marie and Alix. She met Henry II, six years her junior, before he became king of England and then divorced Louis, on a consanguinarity technicality, to marry him. The rumor was that she and Henry, like Lancelot and Guinevere, met secretly while she was still legally married to Louis. When Henry later tired of her she again took up regency of the Aquitaine for her son Richard, and with her daughter Marie held liberal and literary courts where troubadours sang and courtiers waited upon ladies. Together Eleanor and Marie set a standard of chivalrous manners that changed the behavior of all knighthood. As a pastime these highborn ladies held "courts of love" wherein they tested the behavior of lovers, by the standards set in Capellanus' treatise, vindicating those they found to be "true lovers" and pronouncing penances for those found lacking. If not for the influence of the strong minded Marie de Champagne and the formidable Eleanor--women who wanted more of love than the usual marriage of convenience--Capellanus might have been relegated to the obscurity of the Church's proscribed text list, and our standards of romance might be very different today.
Its not about love, its about behavior.......2002-04-12
I bought this as research material for codes of conduct. The feel of the book shows the writers background in the clergy, the book focuses more on the traditional courting behavior than on love itself. Its wonderful as a complex example of a code of conduct, but sheds little light in the direction of true relationships. Very interesting as a period piece, its seems to be more reflective of the romantic visions of the middle ages than the reality.
Excellent background for Middle Ages history buffs........2001-07-15
A series of dialogues between men and women of various social ranks concerning why love should be accepted or rejected, written during the Middle Ages. There are other bits, such as Courts of Love and long letters written to this or that person, but that's mostly it.
I found it an interesting read. You hear a lot about "courtly love", but nobody really talks about the underpinnings of the tradition. Since the writer was a monk, one truly wonders just what in the world he knows about love, but upon reading the dialogues, one becomes convinced that this isn't about love. It's about social behavior within a certain context, within a very narrow time frame within a very narrow part of Europe, one indulged in by a very narrow group of people. And yet when we think of the Middle Ages, we think of courtly love. There's a reason for that, and reading this book will help the introspective reader see why.
The 5 stars were for how it stands as a primary source documenting the period. It is excellent in that regard. It does drag sometimes, and many of the dialogues are, indeed, repetitive-sounding. But that's how medieval documents WERE. They wanted to be sure the point got across, I think. I'm also half-convinced that the writer wasn't being entirely serious in some places. Again, he was a monk, and it's possible it was just an exercise in logic, as the forward to this book explains in good detail.
I'm not sure I'd want to read this if I were just a casual reader. It won't give many hints about how to romance someone in OUR time period -- nowadays we like passion, not logic, to be the impetus for beginning a love affair. But it will give the history student something to chew on and I think it's an essential piece of understanding one of the weirder aspects of the Middle Ages.
Revealing book from 11th Century on Attaining Love.......1998-02-07
This is the sort of book you look for, not a scholarly book compiled from various sources and presented for a modern reader, but a treatise written at the time that Courtly Love was at its height in France. This book consists of three sections. The first has dialogues between men and women of different classes, which are of a man trying to reason with a woman for her love.
In the book there are two nice stories, but the third section was the most suprprising. The first two sections summarize the
rules of love to a young man the author knows named Walter, but in the third he gives his own opinion about pursuing love
and women to the boy that gave what seemed like a light work the ending of a heavy and controversial commentary.
I liked it, and you will especially as preparation to reading books of the era such as King Arthur. I gave the book a rating of 8
only because the dialogues all seemed to be similar, but on the whole its a great book.
Customer Reviews:
Free SF Reader.......2007-09-03
Your average heroic stand type story. Recommended for those that like
the knights, armor, chivalry thing. A knight of the super shining white
variety, a stalwart of his boss in the royalty, makes a
self-sacrificing effort to do what he believes is the right thing.
This, of course, is not good for his bodily integrity.
another fine classic.......2007-05-13
In "Mont St. Michel and Chartres" Henry James assures us that William the Conquerer listened to the Song of Roland in Mt. St. Michel before departing to conquer England. Besides, a number of operas are based on this story, notably Vivaldi's "Orlando Furioso." So this (along with the Arthur stories) was one of the basic stories of Western culture that I didn't know.
Well, now I do. I can recommend "Song of Roland" to anyone curious. It is what it is famous as: a fascinating look at the feudal chivalry of the Middle Ages, before the popularity of romances. If you are more interested in Renaissance than in Medieval cultures, you should consider Ariosto's "Orlando Furioso," which was also the basis of Vivaldi's opera.
I certainly got my money's worth with this book, but I'm not thrilled with the translator's efforts to reproduce the "feel" of the original in rythm and line-ending assonances; I would have prefered the most literal rendering possible rather than imaginatively warping things this way and that, with the result being a feeble imitation anyway. I'm also not overawed with the introduction. It had a little helpful historical background, but most of it was a retelling of the story and an analysis of the characters. It is probably, I'll admit, a good introduction for students, especially students who might not figure out the characters simply by reading the story. Of course, the thing could've been easier to read if not for the assonance scheme...
The Franks Homer.......2004-10-03
An utter epic that deserves to be read by anyone with an intrest in either literature or history.
Although there is controversy over the exact historical accuracy of this classic poem, it is based around the Charlemagne's campaigns against the Muslims in Northern Spain, around the late eighth century.
It reads like a Frankish iliad, real events draped in myth.
The poem has it all: enthralling plot, colourful charcaters, perfect timing.....
A gem!
Are you Kidding? Buy This Book!.......2004-08-28
This is "The Song Of Roland," as Dorothy Sayers remarks in the introduction to this fine translation, is 'the earliest, the most famous, and the greatest of those Old French epics which are called Songs of Seeds.'
This book, written around the end of the eleventh century, and recalling an actual disaster in 778 A.D., the anonymous poet describes in detail the betrayal and slaughter by Saracens the rearguard of Charlemagne's army under ROLAND at Rencevaux and Charlemagne's bitter revenge. Nowhere in literature is the medievel Code of Chivalry more perfectly expressed than in this masterly and exciting poem.
This text includes an extensive introduction to the Eurpoean Medieval world and provides explanations on civil and military costume.
"When Thierry feels the blade bite through his flesh,
And sees the blood upon the grass run red,
Then he lets drive a blow at Pinabel.
Down to the nasal he cleaves the bright steel helm,
Shears through the brain and spills it from his head,
Wrenches the blade out and shakes it from it dead.
With that great stroke he wins and makes an end.
The Franks all cry: "God's might is manifest!"
Yes!!!! Buy this book! You will not be disappointed.
Five stars. Without equal.
"Mountjoy!" Surely thou dost geste...........2004-02-21
This review relates to the volume -The Song of Roland-,
Translated and with an Introduction by Dorothy L. Sayers,
Penguin Classics, 1957 (first translation, 1937). 206 pp.
There seems little point in giving a work of world literature
a rating of stars as to whether it is better or lesser than
some other work of world literature, even of the same genre.
The rating for this review is based on this particular
edition and translation.
The excellent qualities of this Penguin edition include
the "Introduction." Sayers discusses this "earliest,
the most famous, and the greatest of those Old French
epics which are called Songs of Deeds." Her "Introduction"
is divided into the highly enlightening subsections titled:
The Poem; The Feudal Picture; Vassalage; Tokens; Chivalry;
The Rules of Battle; Nurture and Companionage; Horses and
Swords; and The Verse and the Translation. She says the
poem as we have it "would appear to have achieved its
final shape towards the end of the eleventh century." But
the events described in the epic took place in 778, and
"the anonymous poet describes in detail the betrayal and
slaughter by Saracens of the rearguard of Charlemagne's
army under Roland -- at Rencevaux -- and Charlemagne's
bitter revenge."
Perhaps most interesting in the "Introduction" are Ms.
Sayers' character studies. She sees that in Charlemagne,
"beneath this larger-than-life-size figure, we discern
another: the portrait of the ideal earthly sovereign --
just, prudent, magnanimous, and devout." She goes
further and posits that in the way he is described
in this epic he even seems like an early medieval version
of a "constitutional" monarch. "Beneath all this again
is the personal character of Charlemagne -- his stately
bearing, his courtesy, his valour and strength, his deep
religious feeling, his friendship for Naimon, his warm
affection for his nephew and the Peers.... He rides
and fights among his barons as the greatest baron of
them all."
Roland, on the other hand, in Ms. Sayers' view, has a
character which is "simplicity itself." "Rash, arrogant,
generous, outspoken to a fault, loyal, affectionate,
and single-minded, he has all the qualities that endear
a captain to his men and a romantic hero to his audience.
He has no subtlety at all; other men's minds are a closed
book to him." This particular view of Roland makes him
sound a little like a faithful pooch rather than a
chivalrous knight; and perhaps strains a bit of invective
at Romantics in believing that they prefer no subtlety
in their heroes.
The final aspect which Ms. Sayers stresses is the "essential
Christianity of the poem." "It is not merely Christian in
subject; it is Christian to its very bones." *** "And it
is a Christianity as naive and uncomplicated as might be
found at any time in the simplest village church." However,
it is a Christianity which has already made the concession
to the idea of "just wars" -- and killing for "the right
reasons." Augustine and Constantine take precedence over
Jesus.
This is a very readable translation and Ms. Sayers, who
received a degree in medieval literature from the
Somerville College, University of Oxford, in 1915, does
it great credit with a readable, engrossing translation.
Here is the section on the death of Roland himself (actually
it takes him 3 full stanzas to die; 174, 175, and 176,
even though it seems he has fully expired in the first --):
Now Roland feels death press upon him hard;
It is creeping down from his head to his heart.
Under a pine-tree he hastens him apart,
There stretches him face down on the green grass,
And lays beneath him his sword and Oliphant [his horn].
He's turned his head to where the Paynims are,
And this he doth for the French and for Charles,
Since fain is he that they should say, brave heart,
That he has died a conqueror at the last.
He beats his breast full many a time and fast,
Gives, with his glove, his sins into God's charge.
[174]
------------------
-- Robert Kilgore.
Customer Reviews:
C'est Parfait.......2007-03-09
I bought an interpretation of French Art Song book, it came perfect condition. Very happy with the transaction! C'est magnifique!
The Interpretation of French Song.......2003-11-16
Pierre Bernac's book is an invaluable resource for all classical singers, voice teachers and vocal coaches. His writing is eloquent and graceful and the facts he offers on French diction and song interpretation are easy to comprehend. The poems of major French poets, set to music by many foremost French composers, are analyzed with guidance on elision and liaison, breath points and interpretation.He also includes a poetic English translation of each poem. Having been fortunate enough to have worked with Pierre Bernac earlier in my singing career, I have complete confidence in his artistic thoughts on all aspects of diction and performance of the French mélodie. My book is falling apart after all these years and I will most certainly buy another! You voice students out there who are interested in performance-GET THIS BOOK!
Eileen Davis, Author of: Sing French, Diction for Singers
Singers must have this book........1999-11-04
A most necessary companion for singers of all levels preparing French song literature. Pierre Bernac is full of insightful interpretations of much of the standard French literature and some not-so-standard, as well. Excellent translations and detailed interpretations make the book an invaluable resource.
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