Shadow Dance: A Novel

Book Description

Jordan Buchanan is thrilled that her brother and best friend are tying the knot. The wedding is a lavish affair–for the marriage of Dylan Buchanan and Kate MacKenna is no ordinary occasion. It represents the joining of two family dynasties. The ceremony and reception proceed without a hitch–until a crasher appears claiming to be a MacKenna guest. The disheveled and eccentric professor of medieval history warns that there’s “bad blood” between the couple’s clans, stemming from an ancient feud that originated in Scotland, and involving the Buchanan theft of a coveted MacKenna treasure.

Jordan has always led a cautious life and has used her intelligence and reason to become a successful businesswoman. So she is intrigued but skeptical of the professor’s claims that the feud has been kept alive by the grave injustices the Buchanans have perpetrated over the centuries. But when Noah Clayborne, a close family friend and a man who has never let a good time or a pretty girl pass him by, accuses Jordan of being trapped in her comfort zone, she determines to prove him wrong and sets out on a spontaneous adventure to the small, dusty town of Serenity, Texas, to judge the professor’s research for herself.

Maneuvering through a close-knit community in which everyone knows everyone else’s business, Jordan never anticipates the danger and intrigue that lie in her path, nor the threat that will shadow her back to Boston, where even in familiar surroundings, her life is at risk.

A powerful thug who rules by fear, a man who harbors a simmering secret, and an unexpected romance that pierces all defenses–beloved author Julie Garwood weaves these dazzling elements into a brilliant novel of romantic suspense. Shadow Dance is a searing tango of passion and peril.

Customer Reviews:

Shadow Dance - One Of Garwood's Best.......2007-09-29

Again Julie Garwood has enchanted me with one of her books about the Buchanan family. She has written another superb book that readers who appreciate romantic suspense will enjoy. Keep up your wonderful story telling.

Julie...You REALLY Missed this Boat!.......2007-09-10

I have been eagerly awaiting Noah's story since Mercy, when it became obvious that he would be a recurring character. He is clearly a contemporary version of Cole Clayborne with his quick one-liners, witty charm, and undeniable way with the ladies. I was incredibly disappointed--actually a little heartbroken--to finally get my hands on Noah's story and find that he played second fiddle to a very dull Jordan Buchanan. In her previous contemporary novels, JG has done a thorough job of developing Noah as a likeable, believable, and all-around HOT character (although he is pretty slutty). After crafting such a solid foundation upon which to build Noah's potentially incredible story, Julie wasted him and all that his romance could have been with Shadow Dance. Noah was completely closed to the reader for most of the book. He was bland, unexciting, ordinary, and forgettable. I'm sad that Julie's readers will never get to witness the exciting romance that Noah could have had--with all of the charm, wit, temper, thunder and fight that I expected when he finally fell (in love). He didn't have to fight for a thing in this book. Pity. I was really hoping for some red-hot spark. What I found was much less. Poor Noah.

Julie Garwood could do better.......2007-09-04

I have read and own everyone of Julie Garwood's books I love her she's one of my favorite authors her female heroins are always funny and have some odd characteristic that I love, but not this one she just seem like the runt of the family a family that always seem spirited and strong not week.I like the Buchanans triology and I always new Noah the Buchananas trusted best freind would get his own story but how sad for Noah it was a stale one......

Shadow Dance.......2007-08-09

I loved reading any book by Julie Garwood. But getting to be updated about decendants of Cole from For the Roses was so great. I thought that this was an awesome read and could not put it down. I hope Julie continues to write about this amazing family in her future books.

Noah's in love!.......2007-07-17

I really liked the book since I have read every JG book the fact that Noah is a decendent of Cole from From the Roses and Come the Spring and the Buchanans from Ransom. Finally Noah has found someone to keep him from womanizing everyone else. I hope she keeps going through the whole Buchanan clan. I really want to see what side of the law the youngest sibling winds up on.

Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story

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Shakespeare & Co.
Shakespeare and Co: Marlow, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the other Players in His Story

Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story
Stanley Wells
Manufacturer: Pantheon
ProductGroup: Book
Binding: Hardcover

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ASIN: 0375424946
Release Date: 2007-04-10

Book Description

From one of our most distinguished Shakespeare scholars, here is a fascinating, lively, anecdotal work of forensic biography that firmly places Shakespeare within the hectic, exhilarating world in which he lived and wrote.

Theater in Shakespeare's day was a burgeoning “growth industry." Everyone knew everyone else, and they all sought to learn, borrow or steal from one another. As Stanley Wells suggests: "To see Shakespeare as one among a great company is only to enhance our sense of what made him unique.”

Wells explores Elizabethan and Jacobean theater, both behind the scenes and in front of the curtain. He examines how the great actors of the time influenced Shakespeare's work. He writes about the lives and works of the other major writers of Shakespeare’s day and discusses Shakespeare’s relationships—sometimes collaborative—with each of them. And throughout, Wells shares his vast knowledge of the period, re-creating and celebrating the sheer richness and variety of Shakespeare's social and cultural milieus.

Shakespeare and Co. gives us a new understanding of how the Bard achieved unparalleled singularity as the greatest writer in the language.

Customer Reviews:

Shakespeare & Co........2007-07-16

Stanley Wells is one of the great Shakespeare scholars of this, or any other, generation. His work on the Oxford edition of the Complete Works, the Textual Companion, the Dictionary of Shakespeare and, if I can mention a personal favorite, Shakespeare for All Time, assure his enduring reputation. It was with keen anticipation I picked up this book, then, and I was not disappointed. The book is not groundbreaking, by any means, but is pleasant, erudite, and consistently interesting. It is the best introduction I know to placing Shakespeare in the theatrical currents of his time and tracing his interactions, such as they can be known, with his less famous, though greatly gifted, contemporaries Marlowe, Jonson, Dekker, Middleton, Fletcher, Webster and the rest.

In an age such as ours where otherwise serious people can become preoccupied with crank, dilettantish ideas like the Oxford wrote Shakespeare nonsense so much in circulation, how likely is it those same serious people have taken the time to read Shakespeare's less well known fellows? They have, perhaps, read Dr. Faustus in an English lit survey class, and know about Marlowe because, after all, HE might, just maybe, be the one who really wrote at least some of Shakespeare's plays, but certainly they have not read either part of Tamburlaine, or A Trick To Catch The Old One, or The Shoemakers Holiday. Need enough, then, that a thoroughgoing, popular introduction to the lives and masterpieces of some of Shakespeare's contemporaries deserves a home on our bulging Shakespeare bookshelves.

The first sentence of the Preface says "This book attempts to place Shakespeare in relation to the actors and other writers, mainly playwrights, of his time in an accessible and where possible entertaining manner" (ix). And so it does, with, speaking for myself, at least, emphasis on "entertaining." I found the book enormously likable. If you are familiar with the period and the authors being treated, you will find nothing new, but a non-specialists book surveying a rather broad field does not attempt to present novel interpretations, but rather can be relied on to deliver the state-of-the-art scholarly understanding of these authors and their works in a pleasant style. Wells's scholarly status guarantees the most dependable understanding of the times and writers, and his gifts as a writer makes reading a joy.

Shakespeare and Co: Marlow, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the other Players in His Story.......2007-05-24

A fun, fast read...If your looking for who wrote Shakespeare other the Shakespeare you will be disappointed...Prof. Wells though speculates on who may have collaborated with Shakespeare on some plays a little more freely the other academics might but don't look for a smoking gun...the best passage in the book in my opinion is Prof. Wells description of the death of Marlow, it is vivid and would make a great story for any High School Lit. teacher to use to spice up her/his Jr. Eng. Lit. class.

If you are into Shakespeare I think you will find "Shakespeare & Co.:..." a great read.

Romeo and Juliet (Folger Shakespeare Library)

Average customer rating:

A rightful classic
A good introduction to the tragedies.
Romeo & Juliet summary by fernando f.
romeo and juliet version. mo student review by mahed m.
stupid student review by gabriel c

Romeo and Juliet (Folger Shakespeare Library)
William Shakespeare
Manufacturer: Washington Square Press
ProductGroup: Book
Binding: Mass Market Paperback

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ASIN: 0743477111

Book Description

Each edition includes:

Freshly edited text based on the best early printed version of the play
Full explanatory notes conveniently placed on pages facing the text of the play
Scene-by-scene plot summaries
A key to famous lines and phrases
An introduction to reading Shakespeare's language
An essay by an outstanding scholar providing a modern perspective on the play
Illustrations from the Folger Shakespeare Library's vast holdings of rare books

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

Customer Reviews:

A rightful classic.......2007-08-08

This was my first Shakespeare and it certainly won't be my last. While some people dislike this book for the "love at first sight" "stupidity" of the two, I think you need to try to get past that. I definitely agree that Romeo and Juliet are morons, but it makes for a nice story. Would you really want to watch a play about two people who court each other for years, get married to the happiness of their families, and have prosperous children? I sure wouldn't.

So what if know in their right mind would ever act like? The play is written beautifully and it doesn't lag.

A good introduction to the tragedies........2007-05-25

Romeo and Juliet is a beautiful story, and it is a marvellous play to introduce young people to the beauty of Shakespeare. Who doesn't like to read or hear about star-crossed lovers? Who hasn't already heard the legend? The play is easy to read as the plot moves along rapidly, and it's beautifully written. Romeo and Juliet are so tragic in their love, and the silly feud between their two families is so destructive and senseless. Read it for the story, but enjoy it for the beautiful prose.

Romeo & Juliet summary by fernando f........2007-02-20

Romeo and Juliet was an epic story the meaning of the story to me was two lovers with parents keeping them away from each other. I personally really liked the book because it tells people how you can't hide true love because then it would just make things worse for the both. What I don't like in the story how they have to argue over stupid reasons if there in love then there in love let it be forget about all those problems you used to have and think about how good the future could be. Then again why did the families start arguing in the first place to start of with? Both of the families are alike they got money and they also have many family members looking after them but they get in things there not suppose to. The whole theme of the story took place in Verona Italy that's were the two lovers grew up and have been there most of there lives. So therefore both of them end up seeing each other all they want is there family to just get along and they wont have to worry about them having to sneak out to see each other in the middle of the night so if I had to rate this story I would give it a 10 because it teaches you to never hide your love for some one and I agree with that.

romeo and juliet version. mo student review by mahed m........2007-02-20

The story is about 2 young people who are in love. And there parents hate each other, and that effect show much time spend together, I personally think that your parents have an effect on how u live. But I guess in Verona that's not how it works. But I personally think the movie is better than the book. Because it is shorter and I don't have to pay attention on it.the setting takes place in Verona.

stupid student review by gabriel c.......2007-02-20

Romeo and Juliet is a story about to lovers that meet at first sight. The biggest problem they have together is that both of the families have been fighting and hate each other since they both have been born. It all started when Romeo been depressed ever day moping around and feeling sad all of the time because he loved Rosaline and she did not love him back. So one day Romeos cousin told him about this party and that Rosaline would be there so they left and Romeo saw Juliet there and followed her to her house and both exchanged thoughts about each other and decided that they will get married but secretly. So they had to come up with a plan to pretend that Juliet was died so the can get married and the planned failed and they both ended up killing themselves. Play was very stupid it sucks no one should read it because there is no point of reading this because all this play is taking up your time.

History: Fiction or Science? (Chronology, No. 1)

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Calculations are only as good as your numbers
Pants on fire?
Accepted History & Chronology Must Be Changed.
Very Interesting
History as Science Fiction

History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621058

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

The tragedy of the Moor
Helpful
Absurd And Overrated.
Deliciously villainous.
Shakespeare's best Villain

Othello (Folger Shakespeare Library)
William Shakespeare
Manufacturer: Washington Square Press
ProductGroup: Book
Binding: Mass Market Paperback

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ASIN: 0743477553

Book Description

Folger Shakespeare Library

The world's leading center for Shakespeare studies

Each edition includes:

• Freshly edited text based on the best early

printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare books

Essay by Susan Snyder

Customer Reviews:

The tragedy of the Moor.......2007-05-25

Othello is one of Shakespeare's strongest plays. Certainly Iago is one of his strongest villains. This story is about the differences between good and evil and the struggle that goes on within any persons soul when choices have to be made. Iago is so masterfully portrayed that I felt strangely disturbed when I finished this play. Other characters in the play are also wonderfully portrayed. This is certainly one of Shakespeare's greatest tragedies.

Helpful.......2006-08-13

This book is great for people that have a difficult time understanding Shakespeare. The side notes are more elaborate than most of the other editions and they include an act by act summary so that you know exactly what's going on and don't get lost in all the wording.

Absurd And Overrated. .......2006-07-15

For the most part, I really do like Shakespeare's plays. But this one play I consider an utter flop. It would seem any time romance is involved, people tend to make the material more than it is. Sometimes it works, but sometimes it fails miserably. The most annoying thing about this play is that except for Iago, all of the characters are major simpletons. And while this may work in comedy (like it does in Shakespeare's "The Comedy of Errors") it does NOT work here. The sotry revolves around Othello who marries Desdemona to the disapproval of many parties, including Roderigo who wanted Desdemona for himself. Basically Iago (the so called villain) is willing to help destroy Othello supposedly to aid Roderigo. While Iago is supposedly a villain, the truth is any reasonable person in Iago's shoes would have been angered. (1) He was turned down for promotion in favor of Cassio, and everything from the play indicates that Cassio is Iago's inferior. (2) He has reason to believe that his wife has been messing around with Othello AND Cassio.) While some people have tried to write this off as another lie, this isn't too sound seeing that Iago expresses these reasons in a soliloquy where this no point whatsoever in being dishonest. One of the major annoying things about this play is that everyone keeps saying how nobel Othello is, but nothing in the play really justifies this. And as term 'noble' keeps repeating, it ends up sounding increasingly sarcastic. (Not unlike the way Antony destroys Brutus by the repeated term of 'honorable'.) Anyway, it doesn't take long for Othello to show his hypocrisy. He claims to love Desdemona, but the truth is it would seem more that he is just sexually attracted to her. (Most of you saw the "Titanic." And Rose's fiance Calvin SEEMED nice at first. But he didn't love Rose. He was only attracted to her and saw her as a piece of property. Later, he didn't have any problem with slapping her or firing gunshots in her direction. Jack LOVED Rose, and he sacrificed his life so she could live!) I think "Romeo and Juliet" is overrated, but AT LEAST Romeo LOVES Juliet, and he kills himself because he thinks she is dead. If Othello loves Desdemona, why is he so ready to jump on the issue of adultery? Iago manipulates Othello so much it is laughable. And here the devil would have such a great time confronting Othello with his own hypocrisy. (1. Iago has reason to believe that Othello has been messing around with his wife. 'Shame to him, whose cruel striking, kills for faults of his own liking!' (2) Even in "Dante's Inferno," crimes of passion and adultery are the most lightly punished ones in hell.) Iago continues to walk Othello through his degeneration until Othello becomes guilty of the unforgivable murder of someone he CLAIMED to love for something she didn't even do. Othello proves himself to be the most repulsive and unsympathetic protagonist in any of Shakespeare's writings. By the way in "Excalibur" King Arthur SAW his wife sleeping with Lance A Lot and he could NOT bring himself to kill them! In "King Lear," Albany's wife Goneril is plotting his death AND messing around with Edmund. And he remains calm and just doesn't kill his wife! In "The Scarlet Letter" Roger KNEW Hester was cheating on him, and he remained more respectable: "Even if I imagine a scheme of vengeance, what could I do better for my object than to let thee live...Live therefore and bear about thy doom with thee in the eyes of men and women in the eyes of him who thou didst call thy husband." I find it most fitting to conclude with a quote to Othello from Slayer: "Hell Awaits."

Deliciously villainous........2006-01-04

Out of all the villains Shakespeare has crafted, Iago and Richard III take the cake. What I love about Iago is his passion for evil. While Richard III is evil because he wants something, it's sort of detached while simultaneously sexual. Iago's brand of evil is passionate and emotional. Some might say that Othello was Shakespeare's greatest hero, and therefore his downfall was the greatest tragedy in Shakespeare. Whatever the case may be, it's a riveting read and a definite must for anybody even remotely interested in Shakespeare.

Shakespeare's best Villain.......2005-06-26

Is there any other character in all of literature who is as calculatingly evil as Shakespeare's Iago? His jealousy over being passed over in favor of Cassio engenders a revengeful scheme that turns jealousy into a weapon used to destroy the noble Othello. Here innocence and trust is contrasted with pure manipulation and evil in what is one of Shakespeare's most revealing tragedies. The characters act exactly as they would be expected to based on the overriding quality that they represent. Othello is wonderful Shakespearean drama that ranks among his greatest works.
The Folger Library editions are my favorite. Each page has a facing page that explains obscure terms and helps as a handy reference to make reading the plays pleasurable and educational. These paperback editions of Shakespeare's works are a great value and fit in your pocket.

Average customer rating:

Dramatics
Not just Family Fun...
BRUTAL BUT BEAUTIFUL!
Traumatic, funny, devastating
A true poet of the theatre

Sarah Kane: Complete Plays
Sarah Kane
Manufacturer: Methuen Publishing, Ltd.
ProductGroup: Book
Binding: Paperback

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ASIN: 0413742601

Book Description

When Blasted was first produced at the Royal Court in 1995 it was hailed jointly as a masterpiece and a 'disgusting piece of filth'.--Daily Mail Subsequently that play, and the others that followed, have been produced all over the world.

Customer Reviews:

Dramatics.......2007-01-12

Sarah Kane's collected plays represent an underestimated force in theater. Much like the work of Elfriede Jelinek or Ntozake Shange, Kane takes a private pain (losing oneself in another or testing the limits of proclaimed love) and creates a verbal landscape that the audience must inhabit, either by force of shock or noble acceptance of empathy. In either case, her plays must be reckoned with upon finishing. I think perhaps the most intriguing and powerful to me was 4.48 Psychosis, her final and posthumously performed play. There are no defined characters because who cannot claim a piece within the multitude of confessions that the play really unfolds as. Brutally honest and intentionally confrontational, this play, above the others, embodies the last possible moments of hope in anyone's life. Kane's characters rarely make the choice to latch on to these moments, but they are there and cannot be ignored.

Not just Family Fun..........2003-11-25

Sarah Kane is anything but family friendly. Her plays are raw, brutal, and yet beautiful in an ironic way. She takes all of the hate that exists in this world and uses it to show us the beauty that can come from the ruble of a blown up building. There is no way to actually describe Sarah Kane to you to make you want to buy her book. I was forced to buy it because of a class at my college, but I don't think I'll be selling this one back. I never thought I would enjoy a play such as Blasted. If you want to understand what my review actually means, buy the book, read a couple of her pieces and then read this again. I'm sure you will understand then.

BRUTAL BUT BEAUTIFUL!.......2003-04-20

One of the strongest women writers that lived, she revolutionized theatre and her death was unfortunate robbed theatre of her potential. A Great collection of her complete work at a great price. Cleansed was my favorite in the collection. Her work is so poetic, stark, honest, painful, and brutal.

Traumatic, funny, devastating.......2001-05-31

These are the most electric scripts to arrive in a long while. Sadly, the source was snuffed in 1999. Kane's writing is at once repellent and seductive. "Blasted" is exceptional, riffing on Beckett blatantly, but still signature of a visionary voice: inyerface, exuberant, filthy, poetic, profound. As a debut, it is truly remarkable. "Phaedra's Love" and "Cleansed" push the envelope past the hyper-real into lightning-bright brilliance, and with thunderous emotional depth. How does one stage this stuff? Kane's challenging work sets the imagination--and ultimately, the soul--on fire.

A true poet of the theatre.......2001-05-23

Sarah Kane's plays present the horrors which characterize the world of the late 20th century. The plays contain scenes of incredible brutality. Ordinarily, I avoid violence in books, plays and films but these plays haunt me with the beauty of their generous humanity. Her last two plays--Crave and 4:48 Psychosis are beautiful poems of hopelessness. If you are interested in contemporary theatre, YOU MUST READ SARAH KANE. The story of her life and death, while unspeakably sad, should not overshadow the extraordinary talent of this gifted writer and remarkable human being.

Tom Stoppard: Plays 5 : Arcadia, The Real Thing, Night & Day, Indian Ink, Hapgood

Average customer rating:

A real gem
A Master Playwright
A Fantastic Collection
A magnificent collection

Tom Stoppard: Plays 5 : Arcadia, The Real Thing, Night & Day, Indian Ink, Hapgood
Tom Stoppard
Manufacturer: Faber & Faber
ProductGroup: Book
Binding: Paperback

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ASIN: 0571197515

Book Description

Plays Five:
Arcadia
The Real Thing
Night & Day;
Indian Ink;
Hapgood

This fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.

Arcadia received the Evening Standard, the Oliver, and the Critics Awards and
The Real Thing won a Tony Award.

Customer Reviews:

A real gem.......2004-09-02

Tom Stoppard is arguably one of the greatest playwrights of all time (and I do say arguably), and this collection only proves it. I am currently away at college while I write this review, and have pitifully forgotten my battered, dog-eared copy of this book at home, and so I'm pining away because it really is such a staple in my life - I cannot count the amount of times I've pulled out the book and read "The Real Thing", but I'm nearly sure it runs toward the hundred mark. All the plays are exceptional, although the aforementioned "The Real Thing" stands out, along with "Aracadia" and the wonderfully underrated "Indian Ink."

A Master Playwright.......2002-08-30

Every time I pick up this collection, I find myself sitting and reading for hours. Something about Stoppard's command of the language, his own personal calling card, is undeniably riveting.

And though there are times (especially in Day & Night) where it seems that characters are too clever for their own good, his sense of timing and his love for delivering a smart, believable group of people amazes me.

This collection is wonderful in its scope, including everything from the frequently produced "Hapgood" to the more recent treasure "Indian Ink." It's a must-have.

A Fantastic Collection.......2001-09-28

This is a great collection of Tom Stoppard plays, and includes some of his best works.

Arcadia is one of Stoppard's greatest plays - a bizarre combination of physics, mathematics, poetry, a good old-fashioned academic stoush and romance (or lust) to boot. A fantastic play to see, but very good to read also.

The Real Thing, Hapgood and Indian Ink are also among Stoppard's more mature and better plays, and nicely round out this collection. These are some of Stoppard's better known plays (and you can read reviews of them on their own pages) but I'll just summarise by saying that I think they are fantastic.

Night and Day is an earlier Stoppard play and maybe not quite as good - it is concerned with journalism in war-torn Africa and does take a deep look at issues faced by a journalist in that situation. However, in comparison to the other plays in this volume, it just doesn't seem quite as good - however it is still a fine play in its own right and does make for interesting reading nonetheless.

Overall, I definitely reccomend this volume, particularly since it's cheaper than buying each of the plays individually.

A magnificent collection.......2000-12-21

After seeing Stoppard's "The Real Thing" in London, I was blown away. I purchased this collection to have "The Real Thing," and was blown away but all 5 of Stoppard's masterpieces. He writes convincingly of love, redemption and what it means to exist and to live. I cannot recommend this collection (or anything by Stoppard) enough.

Average customer rating:

Spiritual Vs. Material
Well, then, there it is...
Brilliant
Excellent!
Great play, entertaining reading.

Amadeus: A Play by Peter Shaffer
Peter Shaffer
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback

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ASIN: 0060935499
Release Date: 2001-08-07

Book Description

0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.

Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of historical fiction.

Customer Reviews:

Spiritual Vs. Material.......2007-10-02

Peter Shaffer's award-winning and highly popular play AMADEUS is in many ways a morality play but seen through the eyes of a complicated postmodern villain. The play is called AMADEUS but the chief character of the story is Antonio Salieri. Salieri is the Court Composer for Emperor Joseph II of Austria during the end of the 18th Century. He is held in esteem not only by the Emperor and Court, but by the masses as well. Then Amadeus Mozart makes his way to the Austrian Court at Salzburg and Salieri recognizes in the young man a musical genius superior to anything musical he has ever heard. He becomes enraged with bitter jealousy. Feeling that God has abandoned him and given the talent that he has trained to develop and possess his entire life, Salieri declares a war against God that he will fight on the battleground that is Amadeus Mozart.

AMADEUS is a fantastic play. Author Peter Shaffer has revised the play several times since its first performance in 1979 and this version of the show (written twenty years later in 1999) is in my opinion the best because it is the one that portrays Salieri more than just an evil man, but as a human being that the audience and readers can relate to and actually understand somewhat. A must see play that anyone who enjoys theatre should be familiar with.

Well, then, there it is..........2006-11-22

Like a newspaper article, theatre has to convey its story with an economy of words.

In this way, great playwriting is a rare skill much like land the penny toss at the carnival and Shaffer is that rare playwriter who accomplishes his task so seemingly effortlessly.

Deftly, Shaffer tosses his Amadeus and Saliere together and in so doing plays each against their type rendering his Amadeus into the simple squeezebox which provides the background for the languid single note of Saliere's mournful jealousy.

What's so amazing is that in telling us the story of Amadeus' art, Shaffer shares important insights about his own. Don't have too many or too few notes but just the right number. Don't be so flashy in being good that people concentrate on the flashiness instead of the point.

And don't become so engrossed in your art that you lose sight of the ultimate ends it was meant to service in the first place.

Whether we are each more Amadeus or more Saliere we can connect with this play.

Brilliant.......2006-10-15

The film version of "Amadeus" is perhaps my favorite movie of all time. So I was a little nervous when, after picking up the play, I read that it would be very different from the movie. But I needn't have feared because, while there are several key differences, the heart of the story and the genius of its telling are equally prevalent. There is an intriguing alteration to the character of Salieri here in that he feels remorse for what he does to Mozart when confronted with the results of his machinations -- making him much more human and layered than his celluloid counterpart. The truly wonderful thing is that both forms are spectacular -- F. Murray Abraham's Salieri a brazen and histrionic devil to the printed Salieri who becomes horrified by what he has been reduced to in his quest for glory. As drama goes, you can't do much better than the exquisite "Amadeus". Shaffer's labor and its myriad incarnations have only served to deepen the play's message and painstakingly evolved it into the brilliant work presented here. It is undoubtedly one of the great masterpieces of theater, and will surely stand the test of time in future generations.

Excellent!.......2006-03-21

Whether one reads the play or watches the movie, Amadeus is quite a fun, intriguing, and thought provoking look into the music genius, and also that of the man who thought that he killed him. From watching the movie so many times to reading the play (finally!), I don't think there's any reason to really compare the two. They are both, on their own, excellent pieces of work. Both exemplify the spirit, wit, and grotesque passions and lives of all the characters in the play and the movie. They both bring justice, and yes, it's entertaining! Enjoy!

Great play, entertaining reading........2005-12-25

I am a big fan of the movie, so I decided to sit down and read the play. The play is a lot different then the 1984 motion picture, but just as good. It especially gives us another look at Salieri's character, where Saleri in the movie is very stiff and serious, Salieri in Amadeus in full of personality, and even a bit lewd and humorous, a side of him in the movie you can only see in the director's cut. I would deffinatly recommend this play to any fan of the movie, or just a fan of plays in general.

The Lieutenant of Inishmore (Methuen Modern Plays)

Average customer rating:

A Bloody Good Play
More existentialist than Tarantino
Wow.
Another production challenge from McDonagh
An amazing, unconvential work of theatre

The Lieutenant of Inishmore (Methuen Modern Plays)
Martin Mcdonagh
Manufacturer: Methuen Publishing, Ltd.
ProductGroup: Book
Binding: Paperback

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ASIN: 0413765008

Book Description

Who knocked wee Thomas over on the lonely road on the island of Inishmore, and was it an accident?

Customer Reviews:

A Bloody Good Play.......2006-07-14

I saw this play at the Lyceum Theatre on Broadway (7/9/06, Sunday matinee) not even a week ago as of this writing. It was nominated for several Tony awards this season and I can easily understand why. It is absolutely the most outrageous comedy I have seen in years of theatregoing. Very dark. Very well written. Very funny. Worth the trip and definitely worth the read.

McDonagh challenges us to laugh at what would be normally very tense, dramatic, serious scenes. He has created a world populated by characters that think they are smart but we can see they have solutions and ideas that are idiotic. These absurdities make scene after scene strikingly laugh out loud funny, despite their violent conclusions.

The point well made - that terrorism is a fool's paradise and is pointless, creating needless hurt and confusion - is spelled out in comedic terms so well drawn that you laugh despite your better judgment. That is, until you understand the logic of placing humor front and center, as the most integral of survival skills.

More existentialist than Tarantino.......2006-06-06

With the Tony nomination for Best Play this year, there might be some renewed interest in buying this book (the most recent review on this site was in 2003). This is laugh-out-loud funny stuff, and well worth reading. While "existentialist" may be a bit pretentious, this play deals with absurdity and futility in an atmosphere of constant violence and death. That McDonagh can make this material so funny is a tribute to his gift. This play I believe is a companion piece to McDonagh's Oscar-winning short film Six Shooter (available for download on iTunes), which deals with some of the same subjects, and also reserves its only tenderness for pets. I can see why people make the Tarantino comparison, but I see Tarantino as more of a stylist who sets out intricate time sequences and is less concerned about traditional narrative structures. McDonagh, by comparison, is very much into formal plot devices and structure.

Definitely not for those who don't enjoy black humor. For those who enjoyed The Pillowman (on Broadway last year), this one is an earlier play and doesn't have nearly the creativity and ambition of Pillowman. But it is still very well worthwhile, and a lot of fun.

Wow........2003-03-13

OK. I think McDonagh is a straight genius. I read this play, because I am currently in The Cripple of Inishmaan(the tame McDonagh play), but only because out director didn't think he could get the rights to this one. But I read this play, and I almost [messed] myself almost every other line. it is just that funny. I wish that we could have gotten the rights to it. It would be great to watch our director figure out how he would pull all this crazy stuff off. Overall, this is just a really funny, violent reason as to why I love the theatre. READ THIS SCRIPT. IT IS AMAZING. It is also very, very lean. No fat at all. A very short, perfect read.

Another production challenge from McDonagh.......2002-10-25

I directed McDonagh's "The Lonesome West" for the Station Theatre, Urbana, IL, in January 2000. (See 8am.com for reviews and links.) What an exhilarating ride! The new play -- like all of McDonagh's maddeningly vicious, hilarious efforts -- would be equally frustrating to stage, particularly the need for dead cats, live cats (covered with shoe polish), and other acts to drive directors mad. ("The Lonesome West" required dozens of Catholic religious figurines to be smashed nightly, not to mention an exploding oven and on-stage rain.) Certainly his staging challenges make these plays riveting to see, but they are equally rich in the reading. Be prepared to laugh... and then shocked at yourself for laughing.

An amazing, unconvential work of theatre.......2001-11-28

This play manages to capture on the stage everything that Tarantino brings to life on the screen. I saw the RSC's performance while over in the UK and it was mindblowing. What was totally cool was that rather than a program, one was given a script, which I have read a few times, and proves better each time around.
The play is at the same time very literate and very funny in a morbid sense, the only things coming to mind for comparison being Pulp Fiction and Irvine Welsh novels. This is a new directin in theatre and a great read on it's own.
A truly original piece of work.

History: Fiction or Science? Chronology 2 (Chronology)

Average customer rating:

Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsiste