Average customer rating:
- SURPRISED WITH NUMBER OF PAGES
- North American Indian Jewelry and Adornment
- One quibble/caution
- A must-have!
- superb, magnificent
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North American Indian Jewelry and Adornment
Lois Sherr Dubin
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810936895 |
Customer Reviews:
SURPRISED WITH NUMBER OF PAGES.......2005-10-26
My brother-in-law has the exact same title book,his book has over 600 pages! I ordered the book thinking that I would get a similar copy at a great price. I did not realize that I was purchasing an condensed version. The information in the book, although somewhat sparse is good. Thank you.
North American Indian Jewelry and Adornment.......2005-10-04
A few years back I signed up for a class in silversmithing which soon became addictive. In addition to that interest, I have always been interested in primitive art such as that of the American Indians, the cave drawings, Australian Aboriginal art or spiritual drawings. These forms of spirituality and art or of art are very powerful. I have chosen to concentrate my silversmithing designs toward the designs I see from these primitive peoples. The book, North American Indian Jewelry and Adornment has proven to be very helpful toward that aim. In addition to that, it's just plain good reading.
One quibble/caution.......2004-05-24
This gorgeous book is indeed indispensable, especially if "read" visually. Unfortunately, quite a few of the tribal attributions for historic objects (information given to the author by museums) are wrong. Given the scope of this project, Dubin had little choice but to take often out-dated info at face value rather than do her own research. However, readers should keep this caveat in mind when using this work as a reference.
A must-have!.......2004-05-16
This book is a must-have for anyone serious about studying Native American cultures. It is a fun read, while still being absolutely crammed with information. It's clear the author put in a lot of time and work to master her subject. Not to mention, the artwork featured in the book is beautiful. I love to breeze through it when I've had a hard day, just to feel my spirits lift looking at such amazing works of art. You will learn so much and enjoy the journey enormously.
superb, magnificent.......2003-07-02
this book could easily inspire a life of crime--how else to afford the gorgeous contemporary jewelry? or acquire the museum quality antique and archeological collections?
as a knitter, embroiderer and beader, i am always looking for inspiration for my pieces. i may stoop to outright plagarism when it comes to the works in this incredible book. though i will say that i can only dream of having the level of skill the pieces display. the craftmanship, the artistry, are humbling when one considers the tools the artists had--and the reservation conditions under which too much of the art was created.
the text is wonderfully informative, if you can force yourself to read it, instead of allowing yourself to be mesmerized by the photos.
follow the advice of the professional review--buy this book immediately.
Book Description
Indian Bead-Weaving Patterns is written for beginning and advanced beaders. It contains over 200 instructional illustrations and photographs of 47 beadwork pieces. Emphasis is on the use of traditional Native American beading techniques. The major portion of this book covers chain-weaving patterns, examples of which include multiple strands, 6-bead and 8-bead daisy chains, "Ogalala Butterfly," ladder weaves, "Peyote Stitch," fancy tubes, "spider" designs, "Apache Leaf," "Zig-zag" variations, 5- and 8-bead diagonals, "Potawatomi Weave," "Wide Net," "Lakota Chain," beaded braids, and beaded dolls. Also included in this book are notes on supplies, knots and threading and an illustrated section on How to Make and Use an Indian Bead Loom. With this new, enlarged edition, come two additional sections, TRIANGLE BASE has illustrated directions for making this very popular pattern for pendants and ear-drops; and BEAD EMBROIDERY includes detailed instructions for Rosettes and Applique work. Additional descriptions and illustrations are also given for other patterns of sewn beadery. Expanded to 80 pages in 1989, reprinted in 1993, this has been the best introduction to Native American beadworking since 1971.
Customer Reviews:
Indian Bead Weaving Patterns.......2007-09-15
The late Mr. Goodhue had a unique way of learning how many of the patterns he describes were originally executed: he would take a piece apart bead-by-bead to find out how it was constructed. This resulted in very detailed diagrams for many, many intricate bead weaving patterns. The instructions and diagrams are easy to follow, although to get even tension and consistent results, some of the patterns require a good deal of practice.
The Most Complete..........2007-01-08
To me, this is the most complete technical book ever wrote on Indian Beading works. But excuse my poor english, I'm french !
Classical Patterns.......2006-08-26
This book is invaluable. I have seen many wonderful patterns for beading drived from it and the beaders have given the book credit. Many beautiful patterns come from this book and the artists use it as a base for their original designs. I hope it never goes out of print. I always keep two copies, just in case.
Alisa Norton Miller
Beadwork as Meditation, Many Thanks, Mr. Goodhue!.......2006-06-22
I can ditto everything Diane Fitzgerald says -- and I have her books as well. After I became familiar with the weaves in the book, I translated them to fashion colors and created many lovely items which I sold. By adding fringe or texture, by using iridescent or matte finish beads, by "driving on the shoulder" so to speak (i.e., doing an unstructured Oglala Butterfly around a featured handmade large bead), I could make all sorts of new looks. The diagrams are clear. I photocopied several to color with my own color scheme ideas before undertaking a project.
But I have to say this book quite saved my life when my life was falling apart. I had someone I loved in the hospital with a head injury, not even expected to live. I held a stressful job and the rest of my life was not going well at all. I began working Mr. Goodhue's book, working every weave. Culling seed beads through a magnifying lamp, listening to music or to books on tape, I could forget my problems for 45 seconds at a time! With this book, a few colors of size 11 beads, a package of needles and some size B or D thread, you'll have hours of fun and a lot of bracelets! And a whole lot more. I hope Horace is beading in Heaven!
Can't Be Beat.......2005-12-03
I bought this book a number of years ago and it has always been my favorite. After seeing some little beaded Indian men and women on necklaces in a craft store in Cherokee, NC, I wanted to learn to make some. Goodhue's book is the only book I have come across which has instructions for the little dolls (although I don't think he has a picture of them). The only thing that would make the book better is some larger, color pictures of finished products, but at least you can't beat the hand-drawn diagrams for bead placement and thread direction. I had never made a decent looking daisy-chain until I came across it!
Book Description
"I can think of no recent book about traditional crafts which has delighted me more than Joel Monture's
Complete Guide to Traditional Native American Beadwork. All too often, books of this nature are either as boring as a repair manual, or obscure and inaccurate. Monture's triumph is that his book is not only the best and most complete book about virtually every aspect of Native American beadwork tools, materials, styles and methods, it is also clear, interesting reading. Written from the point of view of a Native master craftsman who is also a gifted teacher, and accompanied by striking full-color photos, it can serve as either a beginning point or a lifelong reference tool. I am confident that Monture's book will bring him wide praise, not only from beadworkers, but also from any person who delights in knowing more about the meaning and the history of an indigenous artform which is finally attracting the sort of critical attention and informed appreciation it deserves."
—Joseph Bruchac, author of Keepers of the Earth
- Includes all the basic stitches and designs
- Contains a special section on natural tanning methods
- Extensive glossary
- Full-color photos of authentic Native American beadwork
Customer Reviews:
Native American Beadwork & more!.......2006-03-16
This is a great book for those looking for authentic beadwork styles. The author covers a broad range of styles. He also discusses different backgrounds and even provides instruction for hide tanning.
Preserving tribal styles and techniques.......2004-09-18
The author, Joel Monture, is a professor of traditional arts at the Institute of American Indian Arts in Santa Fe. His thorough textbook documents not only native American beadwork techniques, but the tedious methods of leather preparation that are necessary prior to beading.
A San Antonio local artisan, Ken Yanez, is familiar with this process of scraping, lacing and brain-tanning leather. Ken befriended a native American while in the Marines and accompanied him home to the reservation during military leaves. There, an elder showed Ken some magnificent, old beadwork. Ken was surprised to learn that the tribal youth showed little interest, including his friend. Although Ken doesn't have sufficient native American ancestry to qualify for tribal membership, he made a personal commitment to learn these techniques. Ken's projects are authentically produced but cannot be labeled as "Indian made."
Why don't tribal youth show more interest in native American craft? Preparation for beading in the native American tradition, such as brain-tanning of hides, is labor intensive, although the results are buttery-soft, making the leather pliable for decorative beading and quilling. Because of the work and time involved, few of today's tribal youth want to perpetuate the craft. "Time" has become "money," so if there is interest in doing crafts in the classical tradition, it's to make some money. Ken will attest to the amount of time it took to make a cradle board for his son. He certainly couldn't sell it for a price to equal the months that he put into the project.
To offset the lack of interest in fine craft, author Joel Monture has captured the steps needed to recreate the obvious beauty inherent in native American beadwork. The book features 43 color plates of beadwork, including the styles of many North American tribes.
In one respect, Joel is preserving an anthropological record of the personal ornamentation used by various tribes by showing us the differences and similarities of style. To lose these tribal identifiers results in cultural homogeny and a disconnect with our human history. Joel's sense of history has led him to capture these artistic techniques before they are lost.
It's worth looking at........2004-07-15
I just got this book along with two others the other night. Haven't had the chance yet to read it completely yet. Having scanned it a bit though, I would say the section with color photos is good, particularly if you're a crafter looking for patterns. The text I've read up to this point is good and worth reading. I've had a little bit of a hard time with some of the diagarms though, particularly some of the ones dealing with hides and hide tanning. Not that I'm looking to tan hides right now, but I thought it would still be interesting to understand the process. Several of the stitch diagrams are easier to follow though. There are black and white photos as well in this book. Most came out fine, but I think a there are a few that must have had poor lighting.
beautiful book.......2003-03-31
i love indian art, traditional and contemporary. i have a small collection of northwest and inuit art. i have studied the histories of several nations. but i am not an indian. no matter how much study i may devote to indian arts and history, i will never be an indian, i will never have the intimate knowledge that comes from growing up in a culture. i would never presume to tell any member of any indian nation that his or her work was not 'traditional.'
and what, exactly, is tradtional? louise keyser, a washoe who died in 1925, created a new form of basket in the 1890s that was based on her tradition and her knowledge of other nations' traditions. this is what artists do--take what they know, build on it, and create new forms. after all, indians happily absorbed european beads into their 'traditions.'
i design my own knits, embroideries and beadwork. this book offers stunning photos and a good section on traditional color use which together give me a good starting point for my own creations and which is why i rate this book at five stars.
note on nomenclature: the indians i have known were not concerned about indian/native american. i object to native american since the indians migrated (IMmigrated) here just as everyone else has, albeit a few thousand years earlier. if i have offended any indian/native american by this use, i apologize. if a european doesn't like it, well....
Native Beadwork from a Native perspective.......2003-02-05
How interesting that the beadwork book chosen as more "authentic" by some here was written by a European from Germany! Mr. Monture is Six Nations (Mohawk, I believe) from New York State, & has taught Native Arts at the American Indian Arts Institute (a college *for* Native artists) for some years.
Again, its more about where you're from. Some could say it is 'romantized', as it doesn't go into how much work it actually is to produce hides, that its smelly, you need a lot of guidance & practice, etc.
Different tribes use different techniques, & this book is definitely written from a more northeastern tradition, perhaps difficult to appreciate as it is less known outside these communities. (Plains beadwork is usually what the mainstream usually recognizes as 'authentic'.)
That said, one probably needs a little background to get the most from this book. I do wish there was more discussion on color use and Great Lakes pattern development, but these are also skills which are best honed by doing. I enjoyed this book, which does pack a lot of information into relatively little space. The construction techniques are excellent!
Book Description
Following her successful Native American Beadwork, Theresa Flores Geary offers another beautiful collection of traditional beaded projects. These exquisite items range from a Huichol Lace Sun Catcher (perfect for beginners) to an advanced-level Waterbird Pendant, from a simple Ladder Chain Bracelet to a Sun Rosette Medallion. An Indian Girl Trinket wears clothes styled after Apache camp dress, often decorated with sewn trim: she wears moccasins, a silver necklace, and turquoise jewelry. The Sage Bear Sachet combines a powerful animal symbol with the use of relaxing herbs. It's made of seed and bugle beads stitched onto leather or ultra suede. In addition to the patterns the guidance on technique, there's fascinating background information on the myths and legends that inspired each design. A Selection of the Crafters Choice Book Club.
Customer Reviews:
Love this book!.......2006-08-24
I own many beading books, but this one is a favorite I go back to over and over for the beauty and originality of the designs, as well as for the clear instructions. Projects are suitable for beginners who want to build their skills, as well as for the more advanced. The designs are Native American in theme, yet with just enough of a modern twist to be unique and a great jumping off place for one's own designs. I highly recommend it!
Bead tales and design.......2005-09-03
"Beadwork has an amazing history through the millennia. Even with so many brilliant examples of beadwork found on all continents except Antarctica, the Native American style of beading remains extremely popular worldwide. It is characterized by bright colors, bold designs, and extravagant beauty with natural themes. Embedded in the designs are symbols of spiritual significance to the native cultures originating them."
"People who do beadwork readily acknowledge that their beads 'speak' to them. Beads are like letters that are merely abstract symbols for composing words of human expression. They form a universal language that appears to cross all cultures."
from Native American Beadwork, Theresa Flores Geary
Theresa Flores Geary weaves tales and plant lore with drawings and patterns, as well as practical advice like how to finish your knots, in two lavishly illustrated books on Native American beading techniques and projects. She also nourishes a creative space with plenty of opportunity for improvisation and design on the part of the beader.
Much of a beader's time is spent looking closely at beads. Full-color photographs throughout the books breathe detail into the process of creating about three dozen beaded projects for beginners to advanced beadworkers. The photographs include finished beadwork pieces by many artists, as well as close-up shots of the bead projects at various stages of completion and diagrams which are easy to understand.
Of Tewa and Aztec ancestry, Geary started doing beadwork at 14, taught by her mother, Anna Flores, and later received advanced instruction from elders of the San Carlos Apache tribe while working as a clinical psychologist. For the past ten years she has devoted herself to full-time beadwork, writing books and teaching.
About a project with a traditional Thunderbird pattern, Geary writes: "A famous Kiowa poet, N. Scott Momaday, describes a different beast that roams the sky during a thunderstorm... Momaday's beast has a horse's head and a fish's tail. From its mouth lightning flashes, and its tail embodies the hot wind of a tornado. During a particularly violent monsoon-like season in southern Arizona, his description comes to life."
Geary's descriptions bring to life many projects, including a round peyote-stitched hatband for advanced beaders, Apache weave (or brick stitch) earrings, loom designs, Huichol lace, miniature ears of corn using a corn stitch, and eyeglass and badge holders. The range of designs makes the book useful to experienced beaders and to those just starting out. Lists of materials and instructions are clear, and most show ways that the patterns can be adapted to other projects.
Some of the stories Geary spins are old and pass on culture, and some are new, told in a clear and personal voice. The whole is a delightful how-to on beading techniques for any level of experience in a rich cultural context.
Creative Native American Beading.......2005-06-10
I have a Master's Degree in Museum Studies, and have devoted much of that study to the care and well-being of beadwork from all over the planet. I also interned at the Bead Museum in Glendale, AZ during the summer of 2000, where I learned much of this knowledge, but also I have worked for the Gerald R. Ford Conservation Center in Omaha, Nebraska, where I learned preventive conservation techniques. I, myself, am an accomplished beadworker, and have found this book to be filled with many great designs and techniques; ranging from very simple, to difficult. The average beader will find this work to be most rewarding, while beginners and advanced beaders alike will definately learn something new. It is one of the best technical books out there, with lots of helpful, clear photographs.
I am familiar with many of the projects in the book, however, I immediately sat down and began working on the Blue Violet Flower pattern and fell in love with the outcome! Many of the projects are pieces you will find for sale on some reservations today, as I also worked for the White Mountain Apache Tribal Museum and Cultural Center -- and have seen them there first hand. The purchaser of this book is getting the authentic thing, and that is rewarding in a time when beadwork is moving further and further away from its Native roots.
Good Work Theresa!
David Bingell
Book Description
Start-to-finish guide enables even beginners to create beautiful beadwork designs for many craft uses.
Customer Reviews:
Book needs more color photographs.......2007-07-26
As a person who pieces quilts and does beadwork, I usually see an actual quilt or a piece of beadwork OR a color photograph of an item. After viewing an actual item or a photo and appreciating the colors and the pattern, I then decide if I want to make it. While this book has 50 charts for bead weaving and 21 patterns for applique, there are only four pages of photographs showing a total of about 26 items. I was dissappointed that there wasn't a color photo for every design in the book. People want to see what a finished product will look life before taking the time and effort to make it.
Beadwork Designs.......2005-08-03
This is a great book to use for applique designs. I craft and bead cradleboards and the designs really helped towards my ideas. The designs vary in region which also helps. The designs are large, simple to use and she even numbers them for the specific colors to use if you choose. I am very satifsfied with Stanley-Miller's book.
Great Patterns!.......2000-06-14
While there are 50 charts and 21 patterns for applique, Pamela has only 2 pages that tell you "how to do it." But, the applique patterns alone are worth the price of the book. All Patterns are black and white and color suggestions are given. There are brief descriptions given for loom beading and 2 needle applique.
Customer Reviews:
Path to Finding Technical Perfection..........2004-12-09
and that ain't an easy pathway to find, believe me. I love Barth's insistance on using only the most traditional methods, when there are multiple techniques that could be covered. His instructions are so clearly illustrated and explained that I've actually gotten a grip on a method that I have failed to understand for years and am presently using to cover a walking stick with - traditional style gourd stitch. Most books simply teach the two step method and don't even mention the older, three step method and when they do, their instructions tend to be so confusing that I end up with a stick wrapped in a tangled net of tiny beads and thread. But thanks to Barth, I finally get it!
The other methods he covers, lane stitch, loomwork, diagonal weaving and others, he covers with equal clarity and skill and I'm looking forward to using this book to upgrade my abilities and make my art jewelry better than ever!
If you buy one book to tell you how...buy this.......2002-11-11
In Europe, people dress up in buckskins, hang out in tipis and emulate the Native Americans of days gone more than a century and a half ago. Their attention to detail seems to be no less than compulsive, and this book is an ultimate product of this compulsion for authenticity, accuracy and completeness.
Barth has completed an instructional masterpiece of Native American Bead work that I give to experienced Native beaders to their astonishment. If you want to learn technique, buy this book.
Traditional Beading Techniques for the Modern Day Beadworker.......2001-09-21
I never received this book ~ Wondering why? ?
excellent source.......1999-02-20
I found the book to be one of the best sources of information pertaining the native- american -style beading, espeacially the transmontane beadwork. I have found there several hints and pieces of information I was looking for for several years. Thank you, Mr. Barth.
Very thorough handbook for Native American beadwork........1996-11-14
If you are interested in traditional Native American beadwork you won't find a better book than this one for making your work as close to traditional as possible. Georg goes into exhaustive detail on what materials to use, where to get them and the exact methods used by traditional Native American beadworkers. He has researched the subject thoroughly and has a very respectful attitude. This book is truly a labor of love
Book Description
This informative and easy to read book was written by noted author and editor Monte Smith and contains complete instructions on every facet of doing beadwork. Included is information on selecting and buying beads; materials used (and how to use them); an examination of Indian beadwork designs, their development, significance and uses, with special emphasis on tribal differences; step-by-step instructions on how to make your own beadwork loom, doing loom work and the variations of loom work; appliqu stitches including the lazy stitch, "crow" stitch, running stitch, spot stitch and return stitch; bead wrapping and peyote stitch; how to make rosettes; making beaded necklaces; and, a special section on beadwork edging.
The book features examples and photos of beadwork from 1835 to the present time from twenty-three tribes. Photos include beaded articles from the Apache, Arapaho, Assiniboine, Bannock, Blackfoot, Cheyenne, Chippewa-Cree, Commanche, Cree, Crow, Flathead, Gros Ventre, Huron, Kiowa, Mohawk, Navajo, Ojibiwa, Omaha, Otto, Piaute, Pottawatomi, Sac & Fox, Shoshone, Sioux, Umatilla, Ute, Winnebago and Yakima tribes. There is also a section of notes, a selected bibliography and an index.
A time tested best seller. Anyone interested in the craft work of the North American Indian will profit from owning this book.
200 illustrations; 167 photographs; 4 pages in full color.
Customer Reviews:
Depends on what your looking for........2004-07-15
I just got this book the other night, so I haven't had the chance to thoroughly read it yet. So far, I think the text part is better than the photography. I find it easy to read and it seems to touch on several topics. Unfortunately, not being well versed in Native American/Indian history, I don't know how accurate that information is, so I'm no help in analyzing that part of the book. He seems to me to do a good job describing techinques, and the illustrations are helpful to me. If you're looking for good photos though, I would not recommend this book.
A Book for Beginners.......2000-08-23
Monte Smith has produced an excellent book for anyone wishing to begin authentic beadwork. He provides complete information regarding the materials and supplies needed. There is a lot of information about the technical aspects of this craft. The book has excellent illustrations on how to make the various stitches with beads on leather, which interested me the most. He has also included numerous photos of original artifacts that a person can use for design ideas. There is also a coded (by letters) reference under the photos which indicates the museums that have those items on display. The only improvement this basic book could have would be color photos which would be of help in selecting beads for a project.
Book Description
Easy-to-follow diagrams and simple instructions enable even beginners to create a host of striking Native American designs. Color-coded patterns for buffalo, kachinas, eagles, and more will add delightful ornamental touches to T-shirts, lend distinctive touches to handbags, headbands, and belts, and enhance cushion covers, table linens, and other household accessories.
Customer Reviews:
a great pattern book.......2005-11-05
I was so excited when I received this book. There are lots of wonderful patterns to do. It is in my opinion the best bead book I have found so far. thank you...
80 PAGES OF COOL DESIGNS!.......2005-09-21
It is in black and white, a minor problem for just doing the designs off the pages. But I solved that problem by coloring them in. There are 3-5 designs on most of the pages, not all really Native beadwork but well worth the price for ALL the designs for LOOMERS! It is hard anymore to find a book with so many loom ideas and this one is FILLED with them. Ther are a few small mistakes in a couple patterns but nothing worth complaining about. This is not an instruction book! Be warned you need to know how to do beadwork to use this book. Photo copy the pages so you can work on colors of your own choosing other than the ones offered if you don't like the combinations. It is a book you can get use out of for years!
Great book of designs.......2004-05-08
I highly recommend this book because it offers a vast array of designs to choose from. Every design is unique and individual and will give your project a one-of-a-kind look.
Great book of designs.......2004-05-08
I recommend this book because it has a lot of interesting and unique designs. A must for anyone interested in American Indian beadwork.
Book Description
Inexpensive do-it-yourself book provides 72 charts for bead weaving, 12 full-size patterns for bead appliqué. All based on authentic designs of Cheyenne, Sioux, Crow, other tribes. Weave belts, headbands, sashes, etc. Decorate handbags, vests, blouses, more. Complete instructions, color keys for every chart and pattern.
Customer Reviews:
beadwork patterns.......2000-01-16
This book has excellant patterns but no colored pics, makes it hard to visualize what you are creating, or like in most cases would like to change. The amount and quality of patterns is wonderful though and out weights the lack of pictures.
Book Description
Beadwork has been steadily gaining popularity among crafters, and no area of the genre garners more interest than the intricate designs of the Apache, Comanche, and Lakota peoples of the American Southwest, who use their designs to relate legends and pass down tribal lore. Here are 15 authentic projects using such traditional stitches as the flat netting technique, flat and circular peyote stitches, the Comanche weave, free-form feathering, and more. Projects include a Leather Medicine Bag, a triple strand Fetish Necklace, a Kokopellia Amulet Bag, Navajo Corn Earrings, and others, each accompanied by a rich explanation of how the colors, shapes and combinations of materials interact to tell a story. The instructions cover tools, choosing materials, special ceremonial beadwork and using a loom to create special effects, while abundant color photographs and illustrations provide a visual guide to an art form that reflects the spectacular natural beauty of the Southwest.
Customer Reviews:
Excellent on technique.......2007-10-03
This book is excellent for describing technique. It's easy to follow and do. There are lots of interesting patterns and techniques you would be hard pressed to find elsewhere.
There is nothing traditional about what is described here. These are techniques for modern dodads and keychains. Still, it's great fun.
The Native American motif is a plus.......2004-09-29
There are some good books on techniques and materials in the shelves out there. There is also a lot of kitsch out there that makes beading look like a second class skill or hobby.
This book excels in making beading a first class art. Although the Projects and techniques say they are from the Southwest, they are universal. The symbols do focus on the San Carlos Apache tribe. The finished product would be Worthing of giving as gifts or placing on the mantle:
Sonora-weave Choker
Netted Gourd
Floral Bracelet
Bone-hair-pipe Bracelet
Leather medicine gag
Triple-strand fetish necklace
Bear earrings
Comanche-weave feather
Chile Pepper
Corn-stitch earrings
Phoenix key ring
Kokopelli amulet bag
Netted basket
Flat round peyote basket
Powwow perfume bag
Navaho bead rug
Kokopelli pin
Medicine wheel
The book also contains information on Native American beadwork from the Southwest. Native American Spirituality. And a pretty good glossary.
Of course everyone will have their favorite; mine is Netted Basket.
A Must-Have Resource for Beaders.......2004-03-28
I came upon this gem while searching for ideas for using a packet of porcupine quills which a friend had purchased for me during his travels. I ordered the book online, based solely on a review which sounded promising. Little did I know what a treat I was in for!
The photography is stunning and whets the reader's appetite for undertaking the projects. The photos of the projects in various stages of completion are very clear. There is no difficulty in counting individual beads or determining where one row ends and another begins. In addition to the photos, there are diagrams which illustrate traditional stitches, as well as project patterns. Written instructions are explicit and complete. Ms. Geary has added a beadwork glossary, again with crisp photos and easy-to-follow diagrams. This is an indispensable reference for beaders, offering information on beading topics, in general, and Native American techniques and components, in particular.
In addition to the eighteen projects in the book, Ms. Geary has provided a succinctly and elegantly written introduction to the role of beading in history and particularly among Native Americans, e.g., its spiritual, cultural, and economic significance. Each project offers a brief, but very informative, introduction on the geographical and tribal origin of the piece or technique, and suggested variations, designed to spark the reader's own creativity.
Within one week of receiving this book, I had completed three of the projects and designed a fourth, based upon one of the author's patterns. This is a resource I will return to over and over, both for specific information and as a springboard for my own imagination. In the meantime, I'll be looking for more of Ms. Geary's work!
Glorious Teaching.......2003-12-29
The author has indeed educated this anglo on some very interesting Native American traditions. Her writing is superb and the photographs of the completed projects are divine, thanks to Nancy Palubniak, photographer. Instructions are precise and very understandable. The step by step illustrations are also comprehensive and easy to read. I have been a collector of Beading Books for 12 years and this is my favorite, so far. I highly recommend every officianado of Native American traditions and beadwork purchase this book for their collection.
Finally, a book with more then one bead technique!.......2003-10-30
I'm a beader from Tucson, AZ and have bought many books on beading throughout the years. I was very impressed by the completeness of the Beadwork Glossary that included photos in Ms. Geary's book, as well as the easy to understand directions for the different projects. Her different beading techniques make this book a must have for every beader! Can't wait for her next book! Inspired in Tucson.
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