History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

A Two-Colored Brocade: The Imagery of Persian Poetry

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A Two-Colored Brocade: The Imagery of Persian Poetry
Annemarie Schimmel
Manufacturer: The University of North Carolina Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0807820504

Book Description

Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world.

According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone—perfectly formed and multifaceted—and convey the dynamic relationship between everyday reality and the transcendental.

Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal—a set of rhyming couplets—which serves as a vehicle for shrouding in conventional tropes the poet's real intentions.

Customer Reviews:

Indelible Drama.......2007-03-09

Rabindranath Tagore did very well to choose the structure he did for this short dramatic novel. It is successfully written from the three points of view of the protaganists, the chapters interlocked as "Bimala's Story", "Nikhil's Story" and "Sandip's Story". It is a powerful drama of awakening, ideology, courage and tragedy. It would make a terrific opera!
The language has an unfamiliar, florid quality that takes a bit of adjustment but I quickly adapted to the Bengali lushness. It is a very poignant tale of three people enmeshed in the intolerable situation of the British partition of Bengal and foreign occupation. Written early in the 20th Century Tagore foreshadows the Indian independence movement that will come later in the century and the idea of the liberation of women.
The unintended consequenses that result from the relationship of the three main players is predictable and tumultuous and a suitable metaphor for the terrible circumstances that were tearing through Bengal and other parts of India at that time. I was deeply moved by the work in spite of the harsh criticism it received at the time of it's original publication.

Poetic Fog.......2007-02-15

Ok ok... I know that Tagore is such an important figure in the literature and the history of India's independence struggle. And I recognize that he is a fantastic poet. Thing is, I prefer poets writing poems, not whole novels. Perhaps it is a flaw with my personality, but I found reading The Home and The World and exhaustive experience. The fluffy, poetic language throughout interrupted the flow of the intense drama that Tagore describes. I found this book, thus, incredibly difficult to read. Still, it provides an important metaphor for the struggles of india's independence movement and a good vein for familiarizing oneself with that time and place. Still, approach this book with a lot of patience.

A complex allegory in a changing landscape.......2005-09-07

A prolific Bengalese writer, Tagore structured this novel such that three main characters represent the turbulence of the Partition that was yet to come to India in 1947. Nikhil is married to Bimala, living in the traditional domestic manner; for herself, Bimala has no expectation of her life ever deviating from her wifely path. The concept of "Swadeshi", a renewed appreciation of everything Indian, and a denial of everything British, particularly British imported goods and grains, rages throughout the country.

The egocentric Sandip, a guest in Nikhil's home, is a fierce proponent of Swadeshi. Sandip finds himself passionately attracted to Bimala; he idealizes her as the epitome of "Mother" India, and pursues Bimala without reservation. Flattered by Sandip's attention, Bimala begins to question the nature of her marriage, and the three embark upon an emotional journey that will forever alter their lives, just as India begins a lengthy period of upheaval and unrest.

Of the three, Sandip is transparently shallow, while Nikhil thoughtfully considers every aspect before embarking on a course of action. Both men indulge in lengthy discourses, but the introduction by Anita Desai does much to frame this novel in the appropriate perspective. The allegorical nature of this tale is evident as the characters plunge headlong into the future. (pp)Luan Gaines/2005.

Analysing Literary Sumerian: Corpus-based Approaches

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Analysing Literary Sumerian: Corpus-based Approaches

Manufacturer: Equinox Publishing
ProductGroup: Book
Binding: Hardcover

Assyria, Babylonia & Sumer | Ancient | History | Subjects | Books

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ASIN: 1845532295

Product Description

This book brings together pioneering studies of the world's oldest literature, which was composed before and after 2000 BCE in the extinct language Sumerian. All the contributions are based on the Electronic Text Corpus of Sumerian Literature (ETCSL), a project of the Faculty of Oriental Studies at Oxford University that has edited and published nearly four hundred compositions and acts as a repository for research in Sumerian grammar, lexis, and style. The ETCSL, which is accessible through the internet and can be read for pleasure as well as study, is the only linguistically annotated and translated corpus of an ancient Near Eastern language. Each chapter of this book uses the ETCSL to approach a specific question relating to one or more compositions in the corpus, exploiting the new possibilities it offers to use quantitative methods and verify results. In addition to the themed studies, the book includes introductions to Sumerian literary language and corpus-linguistic approaches to research, as well as a catalogue of compositions. The material, methods, and results will be of great value to Assyriologists, literary scholars, and others investigating languages through a corpus.

Women Writing in India: 600 B.C. to the Present : 600 B.C. to the Early Twentieth Century (Women Writing in India)

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An invaluable work in South Asian Studies
Incredible
The most amazing collection of talented writers!
NEVER-BEFORE-IN-ENGLISH PIECES BY INDIAN WOMEN

Women Writing in India: 600 B.C. to the Present : 600 B.C. to the Early Twentieth Century (Women Writing in India)

Manufacturer: Feminist Press
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Binding: Hardcover

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ASIN: 155861026X

Book Description

Anita Desai, writing in the New York Review of Books, called the publication of these two volumes, “a landmark . . . revolutionary . . . presents a view of India in life and history never coherently put together before." These ground-breaking collections offer 200 texts from 11 languages, never before available in English or as a collection, along with a new reading of cultural history that draws on contemporary scholarship on women and on India. This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as intellectually rigorous, challenging, and analytical, place the writers and their selections within the context of Indian culture and history. VOLUME I: ! 600 B.C. TO THE EARLY TWENTIETH CENTURY was hailed as a "monumental achievement” by Library Journal. It includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman. VOLUME II: THE TWENTIETH CENTURY features poetry, fiction, drama, and autobiography by 73 writers born after 1905, some widely appreciated in their own time, others neglected or ignored. These works bring into the scope of literary discussion a whole new range of women's experiences in and responses to society, politics, desire, marriage, procreation, aging, and death.

Customer Reviews:

An invaluable work in South Asian Studies.......2005-09-16

This is a fantastic anthology of women's writings across a broad spectrum of Indian history - well chosen and edited, with an engaging and thoughtful introductory essay. I assign this book to provide some of the primary documents for my undergraduate Gender in South Asia course. Students, in particular, will find the text clear and easy to use. The only drawbacks of the work are the near absence of writings representing the Mughal period, the 18th century, and the early 19th century, but this is partly because women's writings from this period are difficult to locate or (and this is perhaps the greatest problem) pinned down in obscure books and journal articles by copyright restrictions. Nevertheless, this anthology will not disappoint, and is well worth the cost, providing excellent breadth of material and value for money.

Incredible.......1998-12-16

I have ordered these books because I found them at a house I was visiting in Austin. An Indian couple generously invited me into their home to see these books after they found out I was interested in women's history. I was particularly impressed with the writings of the woman, Tarabai. She wrote a feminist treatise in 1873, excerpted in this anthology, which reminds me of a poem, Hombres Necios, written by Sor Juana Ines de la Cruz in the seventeenth century. It also called to mind the work by Matilda Joslyn Gage in the U.S. a few years later, 1893--Woman, Church and State. Tarabai's words are so brilliant and inspiring. Fantastic! Our women's movement has a much longer history and a more global representation than I ever learned about in any of my schooling.

The most amazing collection of talented writers!.......1997-03-21

Virginia Woolf created the persona of Shakespeare's sister - an equally talented writer whose creativity was stifled under the rigid Elizabethan society. Her Indian counterpart could be called Tagore's sister. Actually, Rabindranath Tagore did have an older sister, Swarnakumari Devi, who became an accomplished writer and journalist in her lifetime. However, rather than being patronized so often, had she received the same encouragement and support as her younger brother, she may have reached an equivalent level of international acclaim today. Editors Tharu and Lalita's anthology is an excellent collection of works by women who throughout Indian history have rarely been encouraged express themselves. Male critics have often ignored women's writing or have been condescending. Until the 20th century, female literacy in India has seldom been advocated. This book captures the development of women as writers in India, from early 6th century Buddhist nuns to the social reformers of the 20th century. Devotional writing provided a safe outlet for the Indian woman, and the bhakti (devotion) movement began in south India in the 8th century, and moved north through Maharastra, Gujarat and Rajasthan by the 16th century. A bhakti poet could express her feelings under the guise of religion, surpassing caste and gender barriers. For example, romanticism and eroticism is acceptable through the lovers Lord Krishna and Radha. Another acceptable method was to invoke the inspiration of Krishna, as Tarigonda Venkamamba (19th century Telugu) did before she imagined Lord Vishnu as her husband. A woman of a low caste, normally forbidden to read the scriptures, could create her own religious songs by attributing it to divine inspiration. Atukuri Molla, from a Telugu artisan caste in the early 16th century, actually revised the Hindu epic, Ramayana. She produced 138 slokas (verses) in six sections within five days, and Molla Ramayanam depicts the story from Sita's point of view. Like most women writers, she was apologetic about herself, "I am no scholar . . . " and said divine powers had given her this voice. A particular mark of the bhakti writer is the ankita - the author's name embedded in the text. An example is Mirabai, a 16th century Gujarati and Hindi writer, whose songs and poems are legendary today. *"Mira is the servant of her beloved Giridhar (Krishna) And she cares nothing that people mock her." (p. 93) Although there are no reliable manuscripts, Mirabai's songs have survived thanks to their lyrics and strong rhythm. Tharu and Lalita have definitely broadened the scope of women's writing in India by embracing the folk song. India has a rich oral tradition of singing at weddings, lullabies, and during house and field work. There is also a stronger collection of songs about with intense statements about childbirth and mistreatment by in-laws and husbands. In this collection, the readers can witness the centuries of oppression, as told by the women in their own words. Rassundari Devi (19th century Bengal) wrote of her own life -- weeping as child bride, bearing and raising eleven children, running a household on an empty stomach at times, and secretly learning to read behind her kitchen stove. She writes: *"I kept the sheet in my left hand while I did the cooking and glanced at it through the sari, which was drawn over my face . . . Wasn't it a matter to be regretted, that I had to go through all this humiliation just because I was a woman? Shut up like a thief, even trying to learn was considered an offense . . . the little that I have learned is only because God did me the favor" (p. 202) These women struggled for a voice within their own households - confronting forced marriages, abuse and neglect by husbands and in laws, the denial of education and the ostracization of widows. There is an especially moving personal and anonymous account of the dehumanizing treatment of widows in the 19th century. If she only knew that a hundred years later, her words had survived. One of the most insightful stories was written by Rokeya Sakhawat Hossain (19th/20th century Bengali) whose essays on the rights of women have been compared to English feminist Mary Wollstonecraft. In "Sultana's Dream," she envisions a society in which men are restricted to the murdana (men's quarters), while women are free to rule the country, and excel in science and politics. She sharply and logically details the women's acquisition of power and how they utilized it to create a utopic society. This dialogue is indicative of Rokeya's wit: *"[Men's] brains are bigger and heavier than women's. Are they not?" "Yes, but what of that? An elephant also has got a bigger and heavier brain than a man has. Yet men can enchain elephants and employ them according their own wishes."(p. 347) There are 140 women writers from 13 languages in this collection and every one has a singular story deserving to be told. Many pieces have been unearthed for the first time, while others are now translated into English. This collection is most likely available at university bookstores.

NEVER-BEFORE-IN-ENGLISH PIECES BY INDIAN WOMEN.......1997-03-09

This book was a major find for me, since I'm Indian-American and most fiction I read in college was by white male American and European authors. It's great to have a book like this one and its companion volume. Many of the pieces have never before been translated into English. For example, there is a version of the Ramayana, one of the major Indian epics, written by a Telugu woman, parts of which are translated here.

Women Writing in India is great for curling up with in the evenings, and is a wonderful resource (the ONLY resource, as far as I can tell) for Indian women writers through the ages. Buy it now!

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Kabir: The Weaver's Songs (Penguin Classics)
Vinay Dharwadker
Manufacturer: Penguin India
ProductGroup: Book
Binding: Paperback

General | Poetry | Literature & Fiction | Subjects | Books
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The Bijak of Kabir

Speaking of Siva (Penguin Classics)

Krishna: The Beautiful Legend of God: (Srimad Bhagavata Purana Book X) (Penguin Classics)

God on the Hill: Temple Poems from Tirupati

Kabir: Ecstatic Poems (Beacon paperback ; BP 532)

ASIN: 0143029681

Book Description

One of India's greatest mystics, Kabir (1398-1448) was also a satirist and philosopher, and a poet of timeless wit and wisdom. Equally immersed in theology and social thought, music and politics, his songs have won devoted followers from every walk of life through the past five centuries. He was a Muslim by name, but his ideas stand at the intersection of Hinduism and Islam, Bhakti and Yoga, religion and secularism. And his words were always marked by rhetorical boldness and conceptual subtlety.

This book offers a sparkling new translation of one hundred poems, drawing for the first time on major sources in half a dozen literary languages. They closely mimic the structure, voice and style of the originals, revealing Kabir's multiple facets in historical and cultural contexts. Finely balancing simplicity and complexity, this selection opens up new forms of imagination and experience for discerning readers around the world.

Veils and Words: The Emerging Voices of Iranian Women Writers (Contemporary Issues in the Middle East)

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thoughtfully written insight on the evolution of Persian women writers.....
Bravo

Veils and Words: The Emerging Voices of Iranian Women Writers (Contemporary Issues in the Middle East)
Farzaneh Milani
Manufacturer: Syracuse University Press
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Binding: Hardcover

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ASIN: 081562557X

Customer Reviews:

thoughtfully written insight on the evolution of Persian women writers............2005-09-28

Dr. Milani, author of "Veils and Words," gives us a glimpse into the plight and challenge of female Persian writers, as a revolution and an evolution in literary growth and self expression. We learn about how it was considered a subversive (and even deadly) artistic form for women. This was just as controversial as removing your veil (or hajab), for men to get a glimpse at your beauty. Women writing was synonymous with promiscuity and corruption. We are so lucky that Dr. Farzanah Milani introduces us to some of the poems (and poets) that brought this revolution to the forefront of Persian culture.

Bravo.......1999-12-02

Bravo Dr. F. Milani. Highly readable, interesting work

Selected Writings on Literature and Language (The Oxford Tagore Translations)

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Selected Writings on Literature and Language (The Oxford Tagore Translations)
Rabindranath Tagore
Manufacturer: Oxford University Press, USA
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Binding: Hardcover

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ASIN: 0195656474

Book Description

This collection presents new translations of Tagore's provocative critical writings, cornerstones of modern Bengali criticism. The essays span his entire career and invoke his lifelong engagement with the central issues of criticism as well as literary theory and aesthetics.

Beyond Faith and Infidelity: The Sufi Poetry and Teachings of Mahmud Shabistari (Curzon Sufi)

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Beyond Faith and Infidelity: The Sufi Poetry and Teachings of Mahmud Shabistari (Curzon Sufi)
Leonar Lewisohn
Manufacturer: RoutledgeCurzon
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Binding: Paperback

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ASIN: 0700703438

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