History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Key Monuments of the Italian Renaissance (Icon Edition)

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Key Monuments of the Italian Renaissance (Icon Edition)
Laurie Schneider Adams
Manufacturer: Westview Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0813334292

Book Description

An examination by a well-known art historian of over thirty key monuments from the Italian Renaissance, from stylistic, biographical, social, and cultural points of view.

Organized chronologically from early Renaissance precursors to the Mannerist movement, from Giotto to Titian, Key Monuments of the Italian Renaissance describes and analyzes in depth from various points of view major works and major artists, from the fourteenth to the sixteenth centuries. Artists included are Cimabue, Duccio, Giotto, Lorenzetti, Ghiberti, Brunelleschi, Donatello, Massaccio, Gentile da Fabriano, Uccello, Rossellino, Castagno, Piero della Francesca, Alberti, Botticelli, G. Bellini, Verrocchio, Mantegna, G. Sangallo, Leonardo, Michelangelo, Bramante, Raphael, Giorgione, and Titian. The Florentine Renaissance, the High Renaissance in Florence and Rome, and High Renaissance Painting in Venice are covered. Includes a glossary, a bibliography of works cited, and suggested readings.

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Tamayo: A Modern Icon Reinterpreted
Diana C. Du Pont
Manufacturer: Turner
ProductGroup: Book
Binding: Hardcover

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Prints Of Rufino Tamayo, The (Artes Visuales Turner)

La Era de la Discrepancia: Arte y Cultura Visual en Mexico, 1968-1997 / The Age of Discrepancies: Art and Visual Culture in Mexico, 1968-1997

The Arts in Latin America, 1492-1820 (Philadelphia Museum of Art)

Mexico and Modern Printmaking: A Revolution in the Graphic Arts, 1920 to 1950 (Philadelphia Museum of Art)

The Baroque World of Fernando Botero

ASIN: 8475067468
Release Date: 2007-01-15

Book Description

Rufino Arellanes Tamayo was a leading Modernist who brought Mexico international acclaim through his development of a new form of abstract figuration, that ultimately made him one of the most recognized and respected painters of the twentieth century. A Zapotecan Indian born in the state of Oaxaca in 1889, he was exposed as a young man to the cultural wealth of pre-Colombian Mexico while working as a draftsman at the National Museum of Archeology in Mexico City. While his contemporaries Siqueiros, Rivera and Orozco were advocating art with a message, often political, Tamayo's work focused on plastic forms integrated with a masterful use of colors and textures. Early in his creative life, Tamayo kept strict linear perspective, and later he explored Cubist issues, but in the end he created a style that was all his own, participating in the development of "Mixografia," a graphic technique used to obtain colored and textured three-dimensional printing on handmade paper. Published on the occasion of the first major U.S. exhibition of Tamayo's work in nearly 30 years, curated by Diana C. du Pont with Juan Carlos Pereda, Tamayo: A Modern Icon Reinterpreted offers a comprehensive view of the artist's work throughout his life, accompanied by eight wide-ranging essays featuring fresh new readings from top scholars. This detailed study of Tamayo's creative methodology is the most complete book on the artist to be published in more than 10 years.

The Eames Lounge Chair: An Icon of Modern Design

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Lounging about

The Eames Lounge Chair: An Icon of Modern Design
Martin Eidelberg , Thomas Hine , Pat Kirkham , David A. Hanks , and C. Ford Peatross
Manufacturer: Merrell
ProductGroup: Book
Binding: Hardcover

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ASIN: 1858943027

Book Description

The epitome of Modernist style and luxurious comfort, Charles and Ray Eames's leather-upholstered rosewood-veneered chair and matching ottoman, launched in 1956, is a design classic of the twentieth century. This major publication, celebrating the Lounge Chair's fiftieth anniversary, explores the design in detail and places it in its cultural, historical and social contexts, offering fresh insights into this revered icon and its equally revered creators

Customer Reviews:

Lounging about.......2006-07-12

At last a book about THAT chair. Thomas Hine, one of the contributors to this interesting book, writes a chapter about the way the chair kept popping up in all the right media and this probably helped it along to its iconic status. I was aware of the chair many years ago and kept seeing it in interior design photos, adverts, and anywhere that visually needed to project an upmarket ambience. Strangely I never saw anyone sitting in these chairs and I was surprised to find, when I bought one, that the back does not support one's head. A 1956 photo used in a Herman Miller ad shows a stockbroker friend of Charles Eames clearly with his head on the back, he was either a short guy or had moved well forward in the chair.

The book is a celebration of the fiftieth anniversary of the chair by five contributors with over two hundred illustrations. I thought Pat Kirkham's chapter on the chair's development the most interesting. There is a 1946 photo of a chair that is clearly a prototype for the final 1956 version. Another photo, from 1950 shows Billy Wilder sitting in this '46 version. Although Charles Eames designed the chair there was a huge technical input from Don Albinson who worked in the Eames Office.

The book is a handsome production, well thought out editorially and nicely designed and printed though there is a bit of unnecessary design whimsy with the chapter titled 'The Lounge Chair: idea to icon'. It has seventy-seven pages of photos and graphics with no page numbers, the captions are on three following pages where the illustrations are repeated as thumbnails with the relevant text, in fact the seventy-seven pages had enough space for these captions. Also I would have liked to have seen a technical drawing of the chair and ottoman with dimensions.

Despite a rather high list price I thought this book was a super reminder of a brilliant example of product design. The chair's status is surely growing because by 2004 over one hundred thousand had been sold and that most likely includes mine.

***FOR AN LOOK INSIDE click 'customer images' under the cover.

Jewish Icons: Art and Society in Modern Europe

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This book is remarkable for its fluidity and erudition.

Jewish Icons: Art and Society in Modern Europe
Richard I. Cohen
Manufacturer: University of California Press
ProductGroup: Book
Binding: Hardcover

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Our Sacred Signs: How Jewish, Christian, And Muslim Art Draw From The Same Source (Icon Editions)

ASIN: 0520205456

Book Description

With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.

Customer Reviews:

This book is remarkable for its fluidity and erudition........1999-03-24

This book occupies a much-ignored aspect of early modern Jewish culture: images. The complex relationship between the images presented by art and historical reality is addressed in this complex, subtle, and beautifully-written book.

American Art of the 1960's (Icon Editions)

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American Art of the 1960's (Icon Editions)
Irving Sandler
Manufacturer: HarperCollins Publishers
ProductGroup: Book
Binding: Paperback

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ASIN: 0064301796

Art of the Postmodern Era: From the Late 1960s to the Early 1990s (Icon Editions)

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Genuinely useful text.
You are warned...
Heavy duty guide to art in recent times.

Art of the Postmodern Era: From the Late 1960s to the Early 1990s (Icon Editions)
Irving Sandler
Manufacturer: Westview Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0813334330

Book Description

Irving Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers postmodernist art theory, the art market, and consumer society. American and European art and artists are included.

Customer Reviews:

Genuinely useful text. .......2006-06-09

I am considering assigning this as a textbook in my contemporary art class. The text IS accessible, and does not follow the conventional art history textbook format. Refreshing is Sandler's emphasis on art-world and other contexts. One emerges, after reading the book, feeling like one understands how the art came about in the first place, rather than simply feeling groundlessly familiar with a few key figures and their major works.

You are warned..........2002-10-25

Because I believe in upfront honesty, I will say that I am by no means an Art buff. I've taken humanities courses, art history and so forth, but soley as electives. My main interest in academia has nothing what so ever to do with art and my interest in it is only casual.

That having been said, let me say that after reading literally dozens of academic text books, reference materials, etc, including all those I used in my humanities and art history courses before, Sandlers "Art of the Postmodern Era..." wholly deserves the 1 star rating that I gave it. I say this not because the material doesn't interest me, but because Sandler makes it so terribly thick and impassable. Even if you've taken a small dose of art history before, the manner in which Sandler wrote this book will leave you're eyes bleeding.

Worst of all, Sandler follows an almost tragic formula throughout the book. Introduce the topic with relevant fact, mention an artist or work, go on obscure tangent about said artist or work, throw in a few black and white (a disservice to both reader and artist) print of the work, then move on to another artist or work. Never do you return to a concrete discussion of the theoretical underpinnings of the movements he discusses. There are passing references to how each particular work or artist is connected with the movement being discussed, but never do you get a clean cut, definitive exploration of the movement. In essence, the only way you can gain any understanding is by finding these sometimes obscure portions of the chapter and putting it together. One should not have to read upwards of 70 pages in order to gain a paragraph's worth of insight about postminimalism.

The entire book follows this dismall format. As a reference I would never recommend this book to anyone. The photographs are almost entirely devoid of color, not to mention a necessary amount of detail or perspective. The writing itself is dry, unimaginative and lacking in structure. I found myself falling asleep during every reading I've ever done out of this book, regardless of time of day or frame of mind. You simply cannot stay awake through any given chapter of this book, no matter how much coffee, caffine or sugar you keep on hand.

Do yourself a favor and stay away from this....I would have to be paid a healthy sum of money before I would ever read this book of my own free will. What readings are required of me as part of the course are utter and complete torture, even for a hardcore academic like myself.

I will not argue that Sandler is knowledgable as one can be about the subject, but a worldly art critic does not a good author make. Something to keep in mind.

Heavy duty guide to art in recent times........2000-05-02

Content is good but in my opinion, the book is overpriced for its size.

Imagining America: Icons of 20th-Century American Art

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Imagining America: Icons of 20th-Century American Art
John Carlin , and Jonathan Fineberg
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300109970

Book Description

How did artists of the twentieth century use their work to respond to their unique personal experiences and moment in history? This provocative question is explored in this engaging new book on American art. By focusing on broad, defining themes, embodied in the work of such pivotal artists as Georgia O’Keeffe, Jackson Pollock, Robert Rauschenberg, and Andy Warhol, the authors look at how art provided a means for re-imagining America, visualizing what it had become, and where it might go in a century of turbulent change.

Richly illustrated with 400 color images, Imagining America is organized around three main themes: nature and the ways diverse artists responded to the transformation of the landscape from pastoral to industrial; how artists as different as Thomas Eakins and Jackson Pollock demonstrated the perpetual inclination to reinvent both personal and national identity; and the ways that key artists like Stuart Davis, Andy Warhol, and Jean-Michel Basquiat taught us to understand the media and popular culture on a deeper level. The authors also provide a context of social history and parallel developments in American music and film.
With an innovative design, a fabulous selection of iconic images, and an engaging juxtaposition of visual themes, Imagining America presents American art and artists in a completely new light.

The Power of Icons: Russian and Greek Icons 15th-19th Century

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A picture is worth a thousand words
Must Hve

The Power of Icons: Russian and Greek Icons 15th-19th Century
Karin Braamhorst , Eva Haustein-Bartsch , Phaidra Kalafatis , S.G. Morsink , and Edmond Voordeckers
Manufacturer: Snoeck Publishers, Ghent
ProductGroup: Book
Binding: Hardcover

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ASIN: 9053495908
Release Date: 2006-05-01

Book Description

Simon Morsink is a leading dealer in ancient Russian and Greek icons, well known to private collectors and museum curators worldwide. Together with his brother Hugo he runs the internationally renowned Jan Morsink Ikonen, specializing in icons created between the fifteenth and the nineteenth centuries. The lavishly illustrated The Power of Icons presents some 50 important Greek and Russian pieces from the Morsink collection, many of which have not been documented for the public before. Introductory essays including "2000 Years of Icon Painting" describe the history and explore the meaning of icons, and discuss painting and restoration techniques--readers will be surprised by the original colors of pieces once so dirty as to be called "black panels." Contributors include Dr. Eva Haustein-Bartsch, director of the Ikonen Museum Recklinghausen, in Germany and Dr. Phaidra Kalafatis, curator of the Byzantine Museum Athens, Greece.

Customer Reviews:

A picture is worth a thousand words.......2007-05-13

Lovely book. Lavish with illustrations. Perfect for what I wanted.

Must Hve.......2006-12-01

This is one of the best books on the subject to have been published in recent years. It is very informative and well written - there are one or two minor spelling mistakes, but that does not affect the overall quality. So many books are repetetive and pedestrian that it is refreshing to find one which covers so much including the history of the thought behind the Icon as well as technical details. If anyone only wants two or three books on the Icon this should be one of them.

Icons of the 20th Century: 200 Men and Women Who Have Made a Difference

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A Good Book, Despite Certain Omissions
Barbara Cady is the best!
A real collectors Item
Big Big Book
An excellent, well-designed & -illustrated book

Icons of the 20th Century: 200 Men and Women Who Have Made a Difference
Barbara Cady , and Jean-Jacques Naudet
Manufacturer: Overlook Hardcover
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ASIN: 0879518936

Amazon.com

Who becomes a legend most? For more than two years, a panel composed of such arbiters of culture as Leo Castelli, Rita Dove, Bruce Jenner, Joyce Carol Oates, Daniel Schorr, Gay Talese, Pierre Trudeau, and Eli Wallach pondered that question and came up with a list of the 200 most important icons of the 20th century. Their choices are compiled in this wonderfully designed book. Each icon merits a tall, vertically oriented, two-page spread. A full-page portrait is expertly reproduced on the right-hand side, and, given its length, a surprisingly informative biography takes up the facing page. Uncommon photos of the usual suspects are here--Marilyn Monroe, Martin Luther King Jr., James Joyce, Babe Ruth, Bette Davis, Jesse Owens, Marlon Brando, JFK, Anna Pavlova, even Michael Jordan. But some of the most pleasing inclusions are the surprises--the people who shaped the century but whose faces are less recognizable. This group includes philosophers Hannah Arendt and Carl Jung; South African doctor Christiann Barnard, who performed the first successful human heart transplant surgery; scientist Enrico Fermi, whose work led directly to the discovery of nuclear fission; Maria Montessori, who revolutionized early childhood education; legendary conductor Arturo Toscanini; and James Watson and Francis Crick, who discovered the shape of DNA. This is a well-timed book, for as the century draws to a close, one can hardly think of a better way to take stock of the dramatic events, advances, and--arguably--declines that have shaped the human experience over the past 100 years.

Customer Reviews:

A Good Book, Despite Certain Omissions.......2001-11-19

This isn't really that bad a book. The text was well written for each individual mentioned and the photographs were quite good, my favorite was the one with Mikhail Gorbachev hand feeding a squirrel on a tree. Still, there are certain individuals this book left out who I thought should have made it. Below is a list of those who I feel should have been in this book.

Pope John Paul II
Nikita Khruschtev
J. Edgar Hoover
Ayatollah Khomeni
Wayne Gretzky
Vince Lombardi
Howard Stern
Jimi Hendrix
Thelonius Monk
The Red Baron, Manfred von Richthofen
Lenny Bruce
George S. Patton
Joe Montana
Gloria Steinman
Janis Joplin
Harrison Ford
Irving Berlin
Bill Clinton
Charles Manson
Howard Cosell

Barbara Cady is the best!.......1999-12-30

This book, I think is ine of the most influential books of the 20th century, and certainely one of the most entertaining! Mother Theresa, and Micheal Jordan were certainely, and are included in this book; but the thing that impresed me most is that I found Um Kolthum on the list. I thank Barrbara Cady for including her in, I greatly appreciate it. If you find a customer that disagrees with the content of this magneficent, beautiful book, don't agree with him. He is certainely a bad reader. People trust me with this! A great read!

A real collectors Item.......1999-10-06

Unlike a number of other books about the ranking of the "greatest" of the 20th century, this book does not rank anyone. This book lists the 200 men and women, in alphabetical order, who have made a difference during the last 100 years.

Cady blends detail with a personal touch in each biographical synopsis. The photos, in black and white, give the reader a face to put to the story. Photographer Jean-Jacques Naudet is a master of capturing the essence of the person on film.

While the price of the book is a bit hefty, your money is well spent in this collectable piece of work. For the past hundred years you have read stories about JFK, Ali, Mother Theresa, Michael Jordan now you can own a part of history.

I was most impressed by the author's ability to remain unbiased in the reporting. While I may not have include some of the people, I was no doubt impressed by the list. I am certain that this book will be real family or school crowd pleaser well into the next century.

Big Big Book.......1999-05-06

This is a massive book in terms of physical size. It has to weigh at least 5-10 pounds and could probably be used as a home protection device. Great gift idea. Giant!

An excellent, well-designed & -illustrated book.......1999-02-01

But, alas, too American in the perspective. The selection includes people who are only of importance in the U.S. area. I.e. baseball & football players and t.v. entertainers (Oprah!)And in choosing Oppenheimer and Fermi instead of the far more important Niels Bohr. Further, Karen Blixen is presented by her alias Isak Dinesen - quite embarassing. The photos, though, are phantastic and the layout creative. In spite of an American chauvenism in the selection, the book makes a brilliant statement heading for the millennium.

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