Book Description
Vibrant color paintings illustrate soldiers and battles of the war
Color photos of seldom-seen period artifacts such as uniforms, weapons, and other equipment
In this collection, renowned artist Don Troiani teams up with leading artifact historian James L. Kochan to present the American Revolution as it has existed only in our imaginations: in living color.
From Bunker Hill to Yorktown, from Washington to Cornwallis, from the Minute Men to the Black Watch, these pages are packed with scenes of grand action and great characters, recreated in the vivid blues and reds that defined the Revolutionary era. Troiani's depictions of these legendary fife-and-drum soldiers are based on firsthand accounts and, wherever possible, surviving artifacts. Scores of color photographs of these objects--many of them from private collections and seen here for the very first time--accompany the paintings. Items range from muskets and beautifully ornate swords to more unique pieces such as badges with unit insignia or patriotic slogans and Baron von Steuben's liquor chest.
More than just a glimpse into a world long past, this is the closest the modern reader can get to experiencing the Revolutionary War firsthand.
Customer Reviews:
An Excellent Work!.......2007-09-07
A wonderful gallery of accurately painted forces of the Revolutionary War era including Loyalists & German hired troops as well as weapons & artifacts. All that seemed to be "missing" might be the 1st Continental Light Dragoons or the Continental Marines. It was also great to see that for the first time since John Mollo's 1976 Uniforms of the American Revolution the uniform of the 2nd Continental Light Dragoons correctly depicted with white facings as opposed to the inaccurate buff color.
A must for AWI fans.......2007-07-14
Yet another excellent book by Don Troiani. A must for any AWI fan. I found the mixture of paintings and original weapons, uniforms and accoutrements a refreshing touch. However, those who have copies of 'Battles of America' and 'Soldiers of America'will find many paintings repeated in this new book.
A NEW WINDOW ON THE REVOLUTION.......2007-02-04
With nearly two and one-half centuries having passed and literally thousands of books on the topic having appeared since the events of the American Revolutionary War, calling a new volume "pioneering" seems a bit bold. Relative to this important and exciting new gift to students by master artist and collector Don Troiani, though, that term is fully appropriate. In literally no other book to date have such historically valid visual perspectives of our War for Independence been gathered, through both a remarkable array of original artifacts and Troiani's impeccably researched and executed artwork. For this pre-photography American military epoch, no other source yields such a "you are there" perspective
While the bookshelf of "material culture" albums relating to Civil War memorabilia is both broad and expanding nearly every year, the number of significant books on Revolutionary War artifacts and relics ever published can literally be counted on one's fingers, with most of the still best-selling volumes having appeared during the bicentennial years of the 1970s. That sharp contrast, of course, is a direct reflection of the exceptionally greater rarity of the arms, equipment, apparel, and everyday-life items that can be proven to have been used by the armies of the 1770s than is the case with the militaria of the 1860s. Troiani has done all Revolutionary War students a great service by expanding the presentation of such earlier artifacts beyond those from his own fine collection with a startlingly superb array of items from other private and institutional collections, most never before published and many rarely ever seen by the public. These historic jewels are brought to the reader through close-up, full-color photos of such striking detail and beauty as to almost produce the experience of having these fascinating artifacts in one's hands.
The element that weaves together and breathes life throughout this gallery of fine militaria, of course, is Troiani's peerless artwork. With more than 50 of his paintings beautifully reproduced in this volume, the artist has brought true vibrancy to an era and its people almost habitually misperceived as lifelessly archaic or, worse yet, patriotically "quaint." In particular, the single-figure and small-group studies clearly reflect the precise documentation yielded by author James L. Kochan's exacting material culture scholarship. Such world-class historical accuracy, together with artist Troiani's insistence upon "period-correct" faces and physiques, has produced for us a strikingly innovative window upon the Revolution.
A groundbreaking glimpse of America's Revolutionary heritage.......2007-01-30
Not since George Neumann's landmark "Collector's Illustrated Encyclopedia of the American Revolution" has there been such a remarkable assemblage of artifacts and images. The former, drawn from public and private collections from across the nation include many items that have never been published, let alone in color. Don Troiani's exquisitely detailed images, some new, some drawn from previous works, provide invaluable context for the objects, as well as documenting the bewildering variety of uniforms worn during the war. Both artifacts and images are described within the impeccably thorough research of noted historian James Kochan. This volume is destined to be the standard reference for the student of the American Revolution that "Echoes of Glory" is to devotees of the Civil War, and is a must for anyone from historian to general reader who is fascinated by the drama of the war that gave birth to America.
A must-have book for the student of the Revolutionary War.......2007-01-29
Although the world is filled with books on the various sorts of things which armed and equipped the Revolutionary War soldier, this book moves into uncharted territory. While Troiani's paintings brings these diverse sorts of soldiers to life, the full color photographs of many of the most important surviving artifacts from the war adds a dimension found nowhere else.
Average customer rating:
- A kings story
- Vapid, yes...though totally fascinating...
- finally a sneak peek into their very private world
- too much to pay for a couple with zero to offer
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The Private World of the Duke and Duchess of Windsor
Hugo Vickers
Manufacturer: Abbeville Press
ProductGroup: Book
Binding: Hardcover
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A King's Story - The Memoirs of the Duke of Windsor
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The Windsor Style
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King Edward VIII: A Life
ASIN: 0789202263 |
Customer Reviews:
A kings story.......2002-12-08
I felt sorry for the duke, he must have been such a lonely man.....He never got any compliments from his father or his family. They all seemed so far away from each other. No wonder he fell in love with Wallis, she paid attention to him, this is what he needed, someone to treat him with respect and high regard, no wonder he abdicated....He wouldn't have to abdicate,but the P.M. at that time was a very vicious and ugly person who was JEALOUS of King Edward, he wouldn't even allow the king to speak to the other members on his own behalf...Queen Mum was also jealous and vicious, she did not like Wallis, because she was divorced and an american, she would not allow King George to communicate with the duke after he was exiled. The people all wanted King Edward to become King, they all loved him because of his charistma and his feelings for the common people.Edward and Diana were very much alike and treated VERY BADLY by their so called "royal families". Edward and Diana had more "guts" than all the royals together. King Edward would have been a "great" king, thanks to Queen Mum and her coldness toward Edward and Wallis caused him to live in an empty wrld. All the worl loves "lovers"and the Duke and Duchess were the lovers of the 20th century. How many people can have such a love????????I really loved this book and read it over and over.....
Vapid, yes...though totally fascinating..........2001-03-12
I can't help it. Even though I believe that the Duke and Dutchess of Windsor were probably two of the most self-serving people ever to exist on the face of the planet, I find them totally fascinating. And this book lets us into their domaine. Imagine a man so totally mesmerized by this woman, that not only did he leave her a fresh flower on her pillow every night of their married life, he slept surrounded by photos of her (separate bedrooms). There were 10,000 photos of them in his bathtub (covered with a mahogany top. He ONLY showered.) that were discovered after her death. That means for the duration of the time that they were married, they were photographed approximately 300 times a year. Every year. The photographs of the refurbished decor in the Paris house were fascinating. Too bad everything was sold after Dodi & Diana's death. This book is truly a window into a lifestyle that no longer exists.
finally a sneak peek into their very private world.......1999-09-08
I was very impressed with the photography and the information contained in this book. Wallis Simpson is amazing, she comes off as more chic and more royal than any of the royals. Fascinating inside look into that very glamorous era, and it's most powerful couple.
too much to pay for a couple with zero to offer.......1998-04-03
It is beyond me how any person with a functioning brain could ever find the Windsors more than the most over publicized, most tedious couple who ever inhabited the pages of People Magazine and its predecessors. What is even more alarming is that there are people willing to pay $67.50 for a book of pictures of the duke, the duchess and their collection of stuff. Pardon me for my rant, but I needed to do it. I don't think I've ever typed out my feeings on this subject before. I've ranted about this couple more than I wish to admit.. but, hell, we all have our quirks.
Average customer rating:
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Image Before My Eyes
Lucjan Dobroszycki
Manufacturer: Schocken
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ASIN: 0805236074
Release Date: 1987-08-25 |
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John Smibert: Colonial America`s First Portrait Painter (A Barra Foundation Book)
Richard H. Saunders
Manufacturer: Yale University Press
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Binding: Hardcover
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ASIN: 0300042582 |
Book Description
John Smibert (1688-1751) was the first portrait painter of distinction to attempt to carve out an existence in colonial America. This abundantly illustrated book by Richard Saunders is both a catalogue raisonn of Smibert`s work and a discussion of his life and career. .
Book Description
Classic document of social realism contains 37 photographs by famed Victorian photographer Thomson, accompanied by texts offering sharply drawn vignettes of laborers, dustmen, street musicians, shoe blacks, more. Astonishing historical detail.
Customer Reviews:
Fabulous resource for the amateur historian, historian, or writer.......2007-03-11
The photographs are an incomparable resource--the first of their kind--and the articles rival Henry Mayhew's in depth, clarity, and coverage. These pictures will lead you into the intricate and fascinating lives of the lower classes of London, with information that simply isn't available elsewhere. From independent boot blacks to chair-menders, the lives of those who left few to no records are recorded with simplicity and sympathy appropriate to the subjects.
Amazingly depressing..........2005-09-04
It was amazing to look at the real people of the late 19th century. They looked just like we do today, though fashion was very different. It was odd how healthy many of them looked and how heavy many of the women were. When one reads about the poor in 19th century London, thin, wasting away skeletons come to mind, in tattered rags. Instead I saw people with good builds and decent clothing. Their outfits might not have been the height of fashion and thrown together, but they looked like they kept out the cold. I wonder if the author specifically chose the better looking people to contradict how the poor really lived. The photographed people may also have had diseases not visible.
The section on "Crawlers" was very depressing though. The old woman with the small child huddled on the steps shows just how harsh the times were. Even still, it was odd that her clothes didn't look that bad.
The text for each section was filled with personal accounts and a good look at the life of different people. Overall this book was very interesting, though very small, so limited.
Pictures that DO say a thousand words.......2000-06-14
John Thomson's photographs come alive in this reprint of his book Street Life in London, originally published in 1877. While the pictures present a striking view of the city's inhabitants, it is the commentary by Thomson and Adolphe Smith that draws you inside the lives of those Londoners who made their living on the streets. From cabmen to shoe-blacks, from ginger-beer makers to chimney sweeps, the reader is swept along from one fascinating career to another. However, while the past may be fascinating to you and I, to the people forever captured by the camera it was a daily battle just to get by. Thomson and Smith have eloquently combined words and photographs to create a stark and haunting view of the day-to-day existence of those Londoners trapped by birth at the bottom of the Victorian social ladder. The book is a stunning achievement, a piece of the past exposed. It fills a void and is a welcome complement to other books on the Victorian era.
Average customer rating:
- Text and Pictures, Classics Both
- life, work, and times of 19th century English artist John Tenniel
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Artist Of Wonderland: The Life, Political Cartoons, And Illustrations Of Tenniel (Victorian Literature and Culture Series)
Frankie Morris , and
John Tenniel
Manufacturer: University of Virginia Press
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Binding: Hardcover
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ASIN: 0813923433 |
Book Description
Best known today as the illustrator for Lewis Carroll's Alice books, John Tenniel was the Victorian era's chief political cartoonist. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books.
In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theater, and medievalism to his flirtation with high art and fifty years in the close brotherhood of the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. According to his countrymen Tenniel's work-and his Punch cartoons in particular-would embody for future historians the "trend and character" of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled.
The biography is followed by three parts on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. She addresses such little-understood subjects as Tenniel's drawings on wood, his relationship with Lewis Carroll, and his controversial Irish cartoons, and inquires into the salient characteristics of his approximately 4,500 drawings for books and journals.
For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures.
In five probing studies, Morris demonstrates how Tenniel's cartoons depicted the key political questions of his day--the Eastern Question, which brought into opposition the great rivals Gladstone and Disraeli; trade-union issues and franchise reform; Irish resistance to British rule; and Lincoln and the American Civil War--examining their assumptions, devices, and evolving strategies. An appendix identifies some 1,500 unmonogrammed drawings done by Tenniel in his first twelve years on Punch.
The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist whose adroit adaptations of elements from literature, art, and above all the stage succeeded in mythologizing the world for generations of Britons.
Customer Reviews:
Text and Pictures, Classics Both.......2006-03-18
One cannot think of classic children's literature without including Lewis Carroll's Alice books, and one cannot think of Alice without the splendid illustrations of Sir John Tenniel. Indeed, the images of the little girl confronting monsters, mad characters, and suspensions of logic are familiar even to those who have not read the books (or had the books read to them). Tenniel's Alice illustrations are his masterwork, but there was much more to him, revealed in _Artist of Wonderland: The Life, Political Cartoons, and Illustrations of Tenniel_ (University of Virginia Press) by art historian Frankie Morris. For over a half a century Tenniel was a staffer at the magazine _Punch_, producing miscellaneous drawings, fanciful initial letters, headings, and more, eventually graduating to the big weekly cartoon which was a staple of the magazine. At his passing in 1914, it was recognized that he would be best remembered by his Alice illustrations, but he would not have been pleased that what he thought of as a secondary career of book illustration should have eclipsed his political cartoons. In her book, Morris corrects the balance, giving Tenniel's biography, then spending six chapters on aspects of the Alice illustrations and five more on the _Punch_ cartoons. Her book is big and handsome, and has plenty of example illustrations.
Tenniel was invited to _Punch_ by its first editor in 1850. At that time, the magazine had been in existence only nine years, but had already become a mainstay in presenting the conservative, middle to upper class views of Victorian England. It was not long before Tenniel moved up from doing small pictures to doing a title page, and eventually to the full page weekly cartoon that was to make him famous. At a Wednesday staff dinner, the subject and treatment of the cartoon would be discussed, and Tenniel would take the ideas and make them his; Morris shows how he simplified and intensified one image after another. It was often turned into a banner for different causes, handed around for group comment, pasted onto kiosks, or copied in other papers internationally. Lewis Carroll asked for Tenniel to do the illustrations for the first Alice book in 1863. Carroll was a fan of _Punch_ and the drawings therein. It was a nearly perfect partnership of author and illustrator. They were of the same class, both frank and honest, both lovers of the theater, Shakespeare, toys, and pantomimes, and especially they delighted in children. Morris's interpretation of the pictures will be of interest to anyone who loves the Alice books. For instance, there is much about how important pantomimes were to both Carroll and Tenniel. Carroll loved the holiday entertainments, as part of his affection for his child friends, and Tenniel called upon stage representations of pantomime characters to interact with Alice. There were, for instance, chess games in some pantomimes with human pieces; many of the chessmen Tenniel depicts are not chessmen at all, but are people dressed up in chessmen costumes. The same could be said of his Humpty Dumpty, or the leg of mutton to whom Alice is introduced.
Morris shows that Tenniel's political cartoons are important guides to British thought and sentiment of their times, and they have been frequently reproduced to illustrate history books. There are many that she shows here, and each has an explanation to put it into historical context; we require that, because they are from a strange and distant land and time. It is not so with the Alice illustrations, which come from a strange and distant fantasy source, but whose realistic representation of a bizarre world is beyond explanation. In this they are timeless classics. Any Alice fan will enjoy this good-looking volume, which is sure to become a main reference to Tenniel's life and art.
life, work, and times of 19th century English artist John Tenniel.......2006-01-05
The illustrated biography of one of England's major 19th-century illustrators has about 180 of Tenniel's illustrations along with 30-40 other related ones. This outstanding, comprehensive, definitive work covers both Tenniel's biography and his artistic career. The career focuses on the two major factors of Tenniel's classic illustrations for various editions of "Alice in Wonderland" and his political and social cartoons appearing in "Punch" magazine for decades. The illustrator's style, caricature, and perspective are discussed in relation to political and social events and issues of the time, including Tenniel being caught up in the social controversy and legal proceedings surrounding "Punch" articles allegedly denigrating the Irish and Tenniel's related illustrations often picturing Irish men with simian-like or other animal-like features. But for the most part, Tenniel was a popular and successful artist because he portrayed with unmatched, unfailing skill and ingenuity England's image of itself as the world's leading colonial and commercial power with an enviable domestic political system. This included critical cartoons of some of England's policies and practices and leading politicians which were a part of the modern-day English political and media tradition. Tenniel's position among the handful of England's top illustrators is secure, and does not have to be supported by argument or claims. The art historian and Tenniel authority Morris mainly fills in the ground for Tenniel's acknowledged pedestal. For collectors, besides the numerous illustrations in the text tracing Tenniel's career and exemplifying his imagination and versatility, there is an appendix "A Guide to Tenniel's Unidentified Punch Work."
Average customer rating:
- One of the most detailed biographies about Churchill in print
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Winston Churchill the Photobiography
Michael Patterson
Manufacturer: David & Charles Publishers
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Binding: Hardcover
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Churchill And War
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Sir Winston Churchill: His Life and His Paintings
ASIN: 0715323121 |
Book Description
This collection of more than 200 rare and previously unpublished photographs reveals the many aspects of Winston Churchill's life: military leader, politician, author and artist. Key events in Churchill's public life, as well as more intimate private moments are documented making this a thought-provoking visual portrait of one of the most important figures of the 20th century history.
Customer Reviews:
One of the most detailed biographies about Churchill in print.......2005-10-11
Plenty of biographies have been written about Churchill's life: so why the need for yet another? Just take a look at Michael Pateson's unique Winston Churchill: Personal Accounts Of The Great Leader At War to see the difference. For one thing, comments Churchill made about himself have been paired with previously unpublished, firsthand accounts of those who knew him to provide plenty of detail on Churchill's military background and how it changed his life and perceptions. Paterson adds the recollections of Churchill's superiors, fellow officers, and more to provide fresh material which is not covered in other books. Secondly, Winston Churchill follows a chronological order focusing on his military campaigns, which provides the ability to appreciate the changes in Churchill's strategic thinking over the decades. Finally, Winston Churchill provides plenty of technical references for further study, making it one of the most detailed biographies about Churchill in print. Very highly recommended.
Book Description
Clustered around its parish church and green, or strung out along a curving road, the English village often seems the very embodiment of tranquillity. Winding lanes, thatched cottages, and red-brick Georgian houses bespeak a way of life that has developed peacefully over centuries, uninterrupted by war or invasion. Yet, the occasional castle or fortified manor house bears testimony to a more turbulent past, and it should not be forgotten that the style of many village churches--Romanesque or Norman--was originally borne across the English Channel on the wave of conquest. Each English village possesses its own distinct character, formed by history, location, and, indeed, local building materials. There is a world of difference between the dark-stone villages of the north and the Pennines and the thatched, half-timbered architecture of East Anglian and southern communities. Village forms and layout differ widely too. Eton, in Berkshire, is arranged along a high street and centered on a famous college. The Dorset village of Cerne Abbas is dominated by the figure of a naked, priapic giant, carved into a hillside some 1,500 years ago. In Hawkshead, Cumbria, it is still possible to visit the school attended by William Wordsworth; in Mevagissey, Cornwall, the delights of a Cornish shipping village remain virtually intact. The richness and diversity of the English village are celebrated here in absorbing commentary and magnificent photography by James Bentley and Hugh Palmer. Grouped by area and subdivided by county--northern, midland, eastern, southern, and western--this splendid volume describes and illustrates the most beautiful villages and that most beautiful of lands--"this earth, this Realme"--this England.
Customer Reviews:
The Most Beautiful Villages in England.......2007-05-14
Non of these villages are very beautiful to me.
But then beauty is in the eyes of the beholder.
Villages of England.......2007-01-20
Im taking a trip to England this summer and this book helped me decide what villages to see. Beautiful pictures!!
Lovely book.......2005-09-27
I bought this book recently and it was worth every penny. If you love England, this is the book for you. The pictures are just beautiful. Having lived in England for a few years, it brings back many wonderful memories. I would recommend it to anyone!
The Most Beautiful Villages of England.......2003-02-11
I bought this book because I am obsessed with England and wanted a coffee table book that portrayed that. The photographs in this book are gorgeous, exemplifying the beauty of England and the villages within. Of course, this book makes me want to travel to the UK and explore all of these historic villages!
WOW This Book Is Wonderful........2001-02-06
I have been to England and its truly wonderful and every bit as lovely as the books pictures, show. I highly recomend this book to anyone who has been to England or planing a trip there soon. You will really enjoy the book...worth every penny. Happy Reading and Happy Travels.
Average customer rating:
- Big on photos, small on history
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Helmets of the First World War: Germany, Britain & their Allies
Michael J. Haselgrove , and
Branislav Radovic
Manufacturer: Schiffer Publishing
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Binding: Hardcover
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ASIN: 0764310208 |
Book Description
Superb color photographs, including multiple fullviews and detail shots, depict over 150 helmets of Germany, Britain, France, United States, Austria, Turkey, and others from World War I. Previously unpublished World War I photographs show the helmets as they were worn., over 500 color and b/w photographs, 9" x 12"
Customer Reviews:
Big on photos, small on history.......2002-12-31
"Helmets of the First World War" is less an historical reference than it is a heavily illustrated coffee table book. While the authors have compiled an impressive selection of current photos of Allied and Central Power helmets, they give almost no historical information as to the design, development, and utilization of the headgear.
The organization of the book is absolutely terrible. The chapters are broken down as German, British, and Allied. The latter category lumps together French, Austro-Hungarian, Italian, American, and minor powers helmets, without differentiating as to which allies they were.
The book focuses primarily on the German Stahelm and British Brodie patterns, and the authors trickle a small amount of information through the captions to permit the reader to eventually piece together some extremely limited historical understanding. As bad as the detail is for German and British helmets, however, information about the French Adrian model, and helmets developed by the other countries is so minimal, as to be almost worthless.
There are some excellent photos, and the authors include pictures of rare and little seen helmets developed by the Turks, Italians, and Austro-Hungarians.
This book might be useful for modelers and devoted collectors of WWI militaria, but is probably not worth the hefty price. For anyone else seeking historical information about WWI helmets, look elsewhere.
Book Description
The Conway Maritime Modeller's SeriesFollowing the continuing success of the Model Shipwright journal and numerous related titles, Conway Maritime Press is proud to announce a new range of user-friendly, high-quality titles for the ship modeller.
Produced in a convenient A4 format each title presents a service history of each ship, maps, numerous scale plans, diagrams, contemporary photographs (some rare), camouflage details, photographs of completed models including close-ups, incredible analytical diagrams as well as cross-sections and a detailed bibliography.
HMS HoodBuilt during the First World War, the battlecruiser Hood was the largest, fastest and one of the most handsome capital ships in the world. Early on in her career she was employed on several international assignments as a representative of the British Empire, culminating in 'showing the flag' on a grand scale in the world cruise of 1923-24. She thus became one of the most recognisable symbols of the Royal Navy; her destruction by Bismarck in 1941 was received with shocked disbelief throughout the country.
Customer Reviews:
Everything you need to know about the Hood........2003-09-28
There was a time when the Battlecruiser Hood was the largest, fastest and most handsome capital ship in the world. She was also adored by the British public and in many ways came to symbolise everything that was supremely good about the Royal Navy. On 24 May 1941 the Hood was famously sunk by the Bismarck with only three of her crew of 1,419 surviving. It was an act which resulted in Churchill giving the order "Sink the Bismarck" and, of course, they did. More recently, the remains of HMS Hood have been located at great depth in the North Atlantic resulting in renewed interest in the ship itself. Elsewhere, there are websites dedicated to the vessel and a very strong HMS Hood Association attended by those who had previously served on this, the most beautiful of ships. This is an excellent book for all such interested people.
Conway Maritime Press are well known for their "Anatomy of the Ship" series in which they provide the finest technical documentation for specific ships or ship types ever published. "The Battlecruiser Hood" is hard-back measuring 10¼" (wide) x 9¾" with 127 pages of detailed and factual information. This wide format allows the publishers to produce first class detailed line drawings of every aspect of this ship in a size that is easy to see and follow. All the information is there - right down to the last nut and bolt.
Laid down in 1916, Hood was designed and constructed when ships got close to the enemy and fired straight at them. By the time she was completed in 1918, however, battleships were able to lob their shells great distances with alarming accuracy. This new dimension of warfare at sea with shells "falling from the sky" meant that all warships required armour plating on their decks where previously it had only been on the sides. This requirement, coupled with an explanation of the financial restrictions placed upon the Royal Navy during the inter-war years provides the reader with all the reasons why HMS Hood was lost in the way she was.
This informative introduction continues with a service history of the ship followed by a series of "Tables" which include comparisons in battleship and Battlecruiser designs and information on the ship's; trials, dimensions, displacement, stability, armament, fire control, ship's boats and modifications. Next is 13 pages of historic photographs followed by 93 pages of detailed line drawings and more specific technical information.
And detailed it is too; Under the first main heading "General arrangements" we commence with an external profile of the ship followed by a series of detailed line drawings showing every aspect of this ship in cross section - deck by deck and room by room, from aft to bows. Then everything is repeated from above as we work our way down through every level of the ship from the highest part of the superstructure to the keel. These are followed with more specific technical information under such headings as hull construction, machinery, accommodation, superstructure, rig, armament, fire control, fittings, ground tackle, ship's boats and finally aircraft arrangements.
The inclusion of an expanded view of the clip which secured the quarterdeck hatch gives an indication of the attention to detail put into this book and, once again, I congratulate both author and publishers for a job well done.
NM
Great technical data and profiles............2002-04-03
As far as I am concerned, the book is outstanding. The diagrams of the battlecruiser are superb. As a modeler, the book shows clearly, the amount of detail that can be achieved. The profile inside the jacket is cool. For the HMS Hood fan, the book is right up their alley.
The first of the "Anatomy of the Ship" series.......2001-07-10
This was the first book in the 36 books of the Anatomy of the ship series, published by Conway Maritime Press and the Naval Institute Press.
Each book depicts an historical vessel. The Hood was the pride of the Royal Navy, and like the Titanic, unsinkable. Until it was sunk by the by the Bismarck and the Prinz Eugen. Why, because the deck armour was too thin. Anyway, this book was a revolution in detail, published first in 1982. It tells the story of the ship, then has many photos, and as the benchmark for the series has wonderful line drawings of every aspect of the vessel.
A collectors item that is worth hundreds in first edition, but the new revised editions are somewhat more reasonable.
Sensational.
Complete technical drawings/detail of HMS Hood w/good photos.......1999-04-23
Not a narrative of the Hoods experiences, other than a brief description of her tragic end, but a complete technical description of the entire ship from stem to stern, keel to topmast, with exhaustive detailed drawings taken from her plans. It also lays out her complete mechanical history (refits etc). For naval architects, a great book. For history bufs, a bit less so, although there a some excellent rare pictures of what must arguably have been one of the most handsome ships ever built...
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