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Undoing Culture: Globalization, Postmodernism and Identity (Published in association with Theory, Culture & Society)
Mike Featherstone
Manufacturer: Sage Publications Ltd
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The Ethics of Identity
ASIN: 0803976062
Release Date: 1996-08-22 |
Book Description
"This is a worthwhile discussion of postmodernity and modernity that overlaps theoretically with Chris Rojek's Decentring Leisure. Excellent Bibliography and Index." --Choice What is the relationship between culture and postmodernism? How has globalization influenced our understanding of culture? This shrewd book, written by one of the most accomplished and authoritative writers in the field, is a major contribution to rethinking culture. Mike Featherstone examines how culture is produced, reproduced, challenged, and transformed under current social conditions. Undoing Culture provides a guide to the dramatic changes that everyday life is currently witnessing and also suggests ways of analyzing these changes in theoretically meaningful ways. It explores the meaning of ordered life, the heroic life, revolutionary myth, symbolic power, and forms of consumer culture. What emerges is a highly original and significant attempt to ground culture in the context of globalization and postmodernism. Written with the customary clarity and judicious style that readers have come to expect from this author, Undoing Culture will be essential reading for students in the sociology of culture and cultural studies.
Book Description
This book offers a cultural history of modern China by looking at the tension between memory and history. Mainstream books on China tend to focus on the hard aspects of economics, government, politics, or international relations. This book takes a humanistic look at modern changes and examines how Chinese intellectuals and artists experienced trauma, social upheavals, and transformations. Drawing on a wide array of sources in political and aesthetic writings, literature, film, and public discourse, the author has portrayed the unique ways the Chinese imagine and portray their own historical destiny in the midst of trauma, catastrophe, and runaway globalization.
Book Description
Massive geopolitical shifts and dramatic developments in computerization and biotechnology are heralding the transformation from the modern to the postmodern age. We are confronted with altered modes of work, communication, and entertainment; new postindustrial and political networks; novel approaches to warfare; genetic engineering; and even cloning. This compelling book explores the challenges to theory, politics, and human identity that we face on the threshold of the third millennium. It follows on the success of Best and Kellner s two previous books: Postmodern Theory, acclaimed as the best critical introduction to the field, and The Postmodern Turn, which provides a powerful mapping of postmodern developments in the arts, politics, science, and theory. In The Postmodern Adventure, Best and Kellner analyze a broad array of literary, cultural, and political phenomena--from fiction, film, science, and the Internet, to globalization and the rise of a transnational image culture. They use the best of modern and postmodern perspectives to illuminate contemporary life and to strive for a just and viable future.
Customer Reviews:
Excellent Book.......2006-05-28
Best and Kellner present their ideas in a very compelling and informative fashion. In doing so, they provide a much needed wake up call for those of us who have been caught up in the spectacles of modern capitalism. They advocate a reconciliation of both modern and postmodern ideas to create a new scientific paradigm that will make the best of both positions, and, consequently, create a restructing of world order for the benefit of all humanity. A must read!!!
ForeWord's Gold Medal 2001 Book of the Year in Philosophy.......2002-05-17
Simply put: this book is an award winner from the two guys who have published the classic survey text Postmodern Theory, and who then followed up with the book that pretty much inaugurated the field of Critical Postmodernism in America, The Postmodern Turn, in which they mapped the emerging intersections of critical theory, art and aesthetics, philosophy, cultural studies, and the quantum changes in the sciences. That book won the Michael Harrington Award for the Best Book of 1998, New Political Science Section.
I can honestly say that The Postmodern Adventure is twice the book that the last in the series was (and that book was clearly no slouch!). Best & Kellner clearly (but sophisticatedly) chart the complex novelties of our present moment -- illuminating the relationships between such diverse phenomena as Virtuality and the Internet-work, American war and terrorism, Cosmology, Animal Rights, and Biotechnology and Cloning. All of this is seen through the guiding lens of Thomas Pynchon's multiplicitous vision of the Rocket in Gravity's Rainbow.
At the end, Best & Kellner point thinkers and scholars alike toward a future which is fast emerging everywhere at the extremes of Utopia/Dystopia. It is our Adventure to fight creatively and constructively for the former, while critically analyzing the latter, to make of theory a space of practice, and to open our narrow frameworks for living up and out toward the cosmic whole in the name of social justice.
Yes, if you are looking for salon-swinging Frenchmen, their cigarettes held dramatically aloft as they speak incomprehensible oaths to the end of metaphysics, then this is not the Postmodernism for you. This is Critical Postmodernism -- an analysis and a synthesis, a great college text and an interesting read after work, a political statement and a theoretical foundation for others to make their own. Think Deep Ecology meets Cyberpunk meets the Fight for Democracy and you may begin to appreciate just what's going on here...do you think that's a Frankenstein's monster? Good -- that's in there too: go ahead and read!
We live in a revolutionary time -- this book awakens the Postmodernisms afoot in both American soil and abroad to the grander narrative of this amazing moment: counselling the age-old wisdom that "Philosophy begins in wonder," but to this we must add the Postmodern element of flow, of "wander." Adding wonder to wander, Best & Kellner arrive at "Adventure" -- the Postmodern Adventure.
A cross-section of disciplines is revealed.......2001-10-11
This college-level survey of science, technology and cultural studies provides challenges to theory, politics and issues which we face in modern times. A cross-section of disciplines is revealed in a title which is billed as philosophy but which includes a strong examination of science and culture. Students within many scientific disciplines will find its discussions intriguing - and scholarly.
All the Trendy Horses.......2001-09-12
Part of the fun of reading postmodern criticism is its outlandishness,its attacks on conventional modern modes of thought. Best and Kellner, well-versed in the theories of Derrida, Lacan, Baudrillard, Bordieu and the other wild beasts of France and their worldwide acolytes, manage to take much of the fun right out them. In a style that is pendantic, dull, but full of insight, they trace the interpenetration of the modern with the postmodern and talk reasonably about the irreasonable. Good content, bad style.
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Time and Commodity Culture: Essays on Cultural Theory and Postmodernity
John Frow
Manufacturer: Oxford University Press, USA
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ASIN: 019815948X |
Book Description
Time and Commodity Culture is a set of four linked essays on the cultural systems of postmodernity. Rather than taking modernity and postmodernity as real historical epochs, however, it understands them as strategies for organizing time and social order by means of a `nostalgic' division within them. Each essay explores a particular dimension of this organization of time, especially in relation to the anxieties and the possibilities created by the commodification of culture. The central essay, `Gift and Commodity', studies two areas in which the speed of commodification has increased markedly in recent years: that of the person, and that of information. Using a mix of anthropological, legal, economic, and historical materials, it investigates the privatization of the commons in information by way of such things as the development of markets in human DNA, the trade in human organs, and the creation of property rights in `personality'. `What Was Postmodernism?' analyses the structured anxiety about the commodification of culture that is called `postmodern theory'. A further essay explores tourism as a figure of modernity, and a final essay on memory explores the phenomena of `recovered memory' and of Holocaust remembrance as ways of constructing temporally ordered forms of the real.
Book Description
Few countries have been so transformed in recent decades as China. With a dynamically growing economy and a rapidly changing social structure, China challenges the West to understand the nature of its modernization. Using postmodernism as both a global frame of periodization and a way to break free from the rigid ideology of westernization as modernity, this volume’s diverse group of contributors argues that the Chinese experience is crucial for understanding postmodernism.
Collectively, these essays question the implications of specific phenomena, like literature, architecture, rock music, and film, in a postsocialist society. Some essays address China’s complicity inâas well as its resistance toâthe culture of global capitalism. Others evaluate the impact of efforts to redefine national culture in terms of enhanced freedoms and expressions of the imagination in everyday life. Still others discuss the general relaxation of political society in post-Mao China, the emergence of the market and its consumer mass culture, and the fashion and discourse of nostalgia. The contributors make a clear case for both the historical uniqueness of Chinese postmodernism and the need to understand its specificity in order to fully grasp the condition of postmodernity worldwide. Although the focus is on mainland China, the volume also includes important observations on social and cultural realities in Hong Kong and Taiwan, whose postmodernity has so far been confinedâin both Chinese and English-speaking worldsâto their economic and consumer activities instead of their political and cultural dynamism.
First published as a special issue of boundary 2, Postmodernism and China includes seven new essays. By juxtaposing postmodernism with postsocialism and by analyzing China as a producer and not merely a consumer of the culture of the postmodern, it will contribute to critical discourses on globalism, modernity, and political economics, as well as to cultural and Asian studies.
Contributors. Evans Chan, Arif Dirlik, Dai Jinhua, Liu Kang, Anthony D. King, Jeroen de Kloet, Abidin Kusno, Wendy Larson, Chaoyang Liao, Ping-hui Liao, Sebastian Hsien-hao Liao, Sheldon Hsiao-peng Lu, Wang Ning, Xiaobing Tang, Xiaoying Wang, Chen Xiaoming, Xiaobin Yang, Zhang Yiwu, Xudong Zhang
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Cultural Theory and the Problem of Modernity
Alan Swingewood
Manufacturer: Palgrave Macmillan
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ASIN: 0312215096 |
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This book provides a comprehensive account of different sociological theories of culture. Examining and comparing Marxist contributions from Gramsci, the Frankfurt School and Raymond Williams with the work of Weber, Durkheim, Simmel and Parsons, the author in turn contrasts these contributions with contemporary cultural theory. Concepts and theories of culture such as hegemony, force field and cultural materialism are discussed, and the work of Habermas, Bourdieu, Bakhtin, Jameson and Bell is examined critically. The author develops a sociological approach to the study and analysis of culture that allows the complex nature of social context to be taken into account. Arguing that cultural theory must equally develop theories of agency and self, he reviews the ways that both classical and contemporary sociological and Marxist theories have failed in this regard.
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Pastiche: Cultural Memory in Art, Film, Literature
Ingeborg Hoesterey
Manufacturer: Indiana University Press
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Pastiche: Knowing Imitation
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On History
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Writing History, Writing Trauma (Parallax: Re-visions of Culture and Society)
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Postmodernism, or, The Cultural Logic of Late Capitalism (Post-Contemporary Interventions)
ASIN: 0253214459 |
Book Description
Cultural theorists see contemporary society marked by radical hybridity in manifold social practices. Pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism---nolens volens categories for the author--- are artistic practices that borrow ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss.
Book Description
Chinese Modern examines crucial episodes in the creation of Chinese modernity during the turbulent twentieth century. Analyzing a rich array of literary, visual, theatrical, and cinematic texts, Xiaobing Tang portrays the cultural transformation of China from the early 1900s through the founding of the People’s Republic, the installation of the socialist realist aesthetic, the collapse of the idea of utopia in the aftermath of the Cultural Revolution, and the gradual cannibalization of the socialist past by consumer culture at the century’s end. Throughout, he highlights the dynamic tension between everyday life and the heroic ideal.
Tang uncovers crucial clues to modern Chinese literary and cultural practices through readings of Wu Jianren’s 1906 novel The Sea of Regret and works by canonical writers Lu Xun, Ding Ling, and Ba Jin. For the midcentury, he broadens his investigation by considering theatrical, cinematic, and visual materials in addition to literary texts. His reading of the 1963 play The Young Generation reveals the anxiety and terror underlying the exhilarating new socialist life portrayed on the stage. This play, enormously influential when it first appeared, illustrates the utopian vision of China’s lyrical age and its underlying discontentsâboth of which are critical for understanding late-twentieth-century China. Tang closes with an examination of post–Cultural Revolution nostalgia for the passion of the lyrical age.
Throughout Chinese Modern Tang suggests a historical and imaginative affinity between apparently separate literatures and cultures. He thus illuminates not only Chinese modernity but also the condition of modernity as a whole, particularly in light of the postmodern recognition that the market and commodity culture are both angel and devil. This elegantly written volume will be invaluable to students of China, Asian studies, literary criticism, and cultural studies, as well as to readers who study modernity.
Customer Reviews:
Zhang Xudong's book more helpful.......2002-09-05
Personally I find Zhang Xudong's book on Chinese modernism more helpful than Tang's to put together a panorama of contemporary China. Theoretically, Zhang's book is also more substantial. Tang's book is not as inspiring. But actually, both Zhang and Tang are from the prestigious literature program at Duke. They might have got similar training there at Duke under Jameson. Maybe they are different in terms of styles. Finally, I admit that I took Zhang's class at NYU and I had a good time. Maybe I should try Tang at Chicago too.
colonial expertise on Taiwan?.......2002-06-30
I did not know that Prof Tang is an expert on Taiwan. I guess nobody in Taiwan thinks so! This book, briefly mentioning a secondary writer in Taiwan, exactly shows that this book and this scholar are equipped very limited knowledge of Taiwan. It is odd to subjugate Taiwan modernity under Chinese modern. There should be another book on Taiwan modern. I find it horrible that those who do not know Taiwan well can claim any expertise on Taiwan. It sounds so colonial.
overshadowed by Fred Jameson.......2002-06-20
It seems that the author is very eager to let the reader know that he is fully influenced by Fred Jameson. Long famous for his translation of Jameson and training from Jameson, Tang might be priviledged, but I am afraid, he is also overshadowed by Jameson at the same time. In the book, the Jameson's presence is here and there. I do not know if it is a sign of the writer's piety to the guru, or if it means the writer has no other resources. Jameson is great, true. But when a scholar has had stuck to Jameson for more than one decade, it is weird. I recall that Professor Tang collaborates with Professor Liu Kang (Penn State U) from time to time. I have to say that I see Liu's hardwork and scholarship in his book, MARXISM AND AESTHETICS, but I do not see anything similar in CHINESE MODERN. It is not as theoretical as it should be (even when it is theoretical, it is from Jameson), and it does not provide interesting textual analysis. In one book, I see breakthrough, but I do not see something similar in the other book. As a lover of Lu Xun, I am not impressed at all by Tang's reading of Lu Xun. It is flat, and not inspiring. I insist that we can read Lu Xun more creatively, as long as we are still open to the intellectual input of theoretical training. I totally forget what Tang has written about Lu Xun, but I am so impressed with the highly quotable studies on Marxism and Maoism in Liu's book. TO be honest, I am disappointed with CHINESE MODERN. Fortunately, I have collected enouogh books by Jameson, and I can read them directly without any relay process.
not up to its ambition.......2002-06-16
The book, as thick as it is, looks ambitious. However, I find it is not up to its ambition. For two things: (a) this book is not theoretical enough. Sure, the academic books do not need to be theoretical. However, this book, situated in a series edited by Fred Jameson, could have been more theoretical than it is now. It is theoretical, at least for 2 reasons. (i) the book employs the idea of INTERIORITY (p. 373) generously. However, what is this interiority in question? The book fails to theorize it sufficiently. It simply treats the term as an everyday word, but it is NOT. The book fails to include consideration of, say, Merleau-Ponty, who is such a important figure on Interiority. I do not understand why Merleau-Ponty is not mentioned at all when the book is so dependent on INTERIORITY. (ii) The book relies on many shorthand words of psychoanalysis too. But again, the terminology of psychoanalysis is more like decoration than locomation in the book. What is DESIRE? What is SUBJECTIVITY? They are not everyday words, but they are not theoretically laid out in the book. The book simply assumes that they do not need to be theorized. If such is the case, WHY does the book depend on the decoration of psychoanalysis in the first place? (b) another minor question, which can be important too. Professor Tang is famous in Chicago University for his academic interest in Taiwan studies, Chinese female studies, woodcut print aesthetics etc. Now I would like to interrogate why Professor Tang will choose the Taiwanese writer Xiaoye in the book. Xiaoye is a popular writer in Taiwan, and more and more popularized. He used to write more serious literature, but currently his works tend to be catering to the wider readership. It is fine. But my questions are (i) When Xiaoye is so characterized with "Taiwaneseness," which cannnot be conflated with "Chineseness," how can Xiaoye be situated under the rubric of "The Chinese Modern"? The tension between "Taiwaneseness" and "Chineseness" has been a heated topic among acadmics, but Professor Tang bypasses the tension easily. (ii) Desite Xiaoye's fame and popularity, he is not a landmark of (literary) modernism in Taiwan at all. He is not the person to choose; every common reader on Taiwan Lit and in Taiwan knows this. There are so many other writers in Taiwan to choose, who provide much better representation of Taiwan modernity. Interested people can consult the books by Prof David Wang, who is teaching at Columbia U in New York. Professor Tang's preference of Xiaoye is totally confusing. Xiaoye is never considered a landmark of Taiwan modernity in the Taiwan literary histriography. Professor Tang seems to have randomly picked up his samples. But the randomness is in fact puzzling. A discussion of Xiaoye really does not help the reader understand the modernity of Taiwan. The emphasis on Xiaoye should have been sufficiently legitimized in the book, which is thick enough to accommodate better argumentation.
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Mediated Sex: Pornography and Postmodern Culture
Brian Mcnair
Manufacturer: A Hodder Arnold Publication
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Striptease Culture
ASIN: 0340614285 |
Book Description
Mediated sex is about the proliferation of sexual discourse in all its variants, from pornography as narrowly defined to the "s/m chic" of advertising and the art of Jeff Koons and Madonna. It examines the place of these representations in late-20th century, post-HIV and AIDS culture, and in the context of the history of sexual representation from Greek antiquity onward. With extensive reference to examples drawn from the US and the UK, Mediated Sex attempts to make sense of and assess the many contradictory and conflicting claims made about the impact of sexual representation on individuals and societies. those
Customer Reviews:
Needs Expanding.......2005-06-24
This is a decent overview on the issue, but Mr. McNair spends too much time examining pornographic magazines, and no time at all discussing the Internet. He was quite clearly wrong in stating there has not been a trend towards more violent imagery, anyone perusing the net can attest to that. So, the book is in need of an update.
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LA idea de cultura/ The Idea of Culture: Una mirada politica sobre los conflictos culturales / A Political Look on Cultural Conflicts (Biblioteca Del Presente)
Terry Eagleton
Manufacturer: Ediciones Paidos Iberica
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ASIN: 8449310962 |
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- A Grammar of the Multitude (Semiotext(e) / Foreign Agents)
- A Vulgar Display Of Power: Courage and Carnage At The Alrosa Villa
- Air Guitar
- America on Film: Representing Race, Class, Gender, and Sexuality at the Movies
- American Cinema/American Culture
- American Government (Cliffs Quick Review)
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