Book Description
This new edition provides a comprehensive and solid presentation of the geography of the US and Canada, bolstered with material on Mexico and NAFTA. The book presents conceptual insights and interpretations, along with thought-provoking perspectives on North America's land and people.
Book Description
Barry Lopez asked 45 poets and writers to define terms that describe America’s land and water forms — phrases like flatiron, bayou, monadnock, kiss tank, meander bar, and everglade. The result is a major enterprise comprising over 850 descriptions, 100 line drawings, and 70 quotations from works by Willa Cather, Truman Capote, John Updike, Cormac McCarthy, and others. Carefully researched and exquisitely written by talents such as Barbara Kingsolver, Lan Samantha Chang, Robert Hass, Terry Tempest Williams, Jon Krakauer, Gretel Ehrlich, Luis Alberto Urrea, Antonya Nelson, Charles Frazier, Linda Hogan, and Bill McKibben, Home Ground is a striking composite portrait of the landscape. At the heart of this expansive work is a community of writers in service to their country, emphasizing a language that suggests the vastness and mystery that lie beyond our everyday words.
Customer Reviews:
Home Ground.......2007-07-17
Everything Barry Lopez touches is guaranteed quality reading. "Home Ground" a wonderful reference for understanding various geographical/landscape features. Pulling the reference to same from literature onto the same page as the definition is a brilliant idea. I enjoy opening it and reading it at random and also referring to it to refresh myself on terms.
A Beautiful Book.......2007-05-23
If you have a passion for the land, for the language, for fine writing, for earth's mysteries, and for peculiarities of places; and especially if you like books that are simply well-wrought objects, this is a truly beautiful volume. Trust to accident, and crack it open anywhere - you will be enlightened about some little place or feature you likely never knew existed. A true treasure.
Home Ground.......2007-04-04
The format of this interesting exploration of the landscape lends itself to those occasional free moments when one wants a connection with something of worth. Here is a wonderful blending of history, language and the land. Home Ground deserves a permanent place on the coffee table.
Nature Lover from Portola Valley loves Home Ground.......2007-01-23
I'd recommend this book to anyone who reads widely and loves to discover the derivation of geographical terms pertainig to nature. What is unique about this book is the input from 45 well known writers to define unique American landscape terms. I ordered 3 copies for all my family located in the Pacific Northwest and they agree that this book is a great resource.
Landscapes and Language.......2007-01-12
The book defines (with illustrations) terms used to describe land features, such as barranca, grand bois, quaking bog. It is primarily a book to dip into for fun or to consult as a reference. If you like descriptive terms (e.g., meander scar) or puzzling friends with new words, you will like this book.
Book Description
From 1874 to 1882, John Singer Sargent (1856–1925) produced more than 200 paintings and water-colors aside from portraiture, including figures in landscape settings, architectural studies, seascapes, subject paintings, and studies after old masters. From powerful studies of models in Paris in the mid-1870s to compelling paintings set in Venice in the early 1880s, the works published in this volume of the catalogue raisonné show the variety of his aesthetic responses. He worked in the studio and en plein air, travelling widely during the eight years covered in this volume and painting in Paris, Brittany, Capri, Spain, North Africa, and Venice.
This is the first time that Sargent’s early work has been mapped so comprehensively. With very few exceptions, this beautifully produced book illustrates all the pictures under discussion in color. Each painting, including several which have never been published before, is documented in depth with full provenance, exhibition history, and bibliography, and in many cases new information is provided. The volume also reproduces a wealth of Sargent’s preliminary and related drawings and of comparative works by other artists.
Customer Reviews:
Awesome Selection of Sargent's Work.......2007-07-20
The color reproductions are awesome. This books is a collection of Sargent's less known work which is refreshing. Some oils are not as polished as the more well known work which helps to show his technique in early stages---a plus to serious professionals and students. To me, this book provided a wealth of visual clues to understanding his thought process and technical principles. The writing, however, is the typical stuff used to fill most coffee table books. No insight whatsoever into Sargent's painting principles, tonal procedures or color palette. The author obviously knows little in that regard but there is so much information out there the text could have been more illuminating. Buy it for the reproduction quality and awesome collection of works. Worth every penny in that regard.
John Singer Sargent: Figures and Landscapes, 1874-1882; Complete Paintings: Volume IV(Complete Paintings).......2007-05-20
Still waiting for the delivery of Sargent's Figures and Landscapes. It was ordered on 4/14. Hope it will be delivered soon.
Deirdre Dunne
many obscure paintings.......2007-03-28
i was very pleasantly surprised to see so many Sargent paintigs and drawings i had never seen before. Some quite obscure images in color - many studies and sketches - things that interest other artists and Sargent fans - I have not read much of the content yet but the little I have read was very interesting, although not of great use to artists in that there is not much description of Sargents working methods (although there was some) - but this is usually the case with monographs - much history but not much instruction. So as artists we must learn mainly from the paintings - which fortunately are very well reproduced in this volume.
another wonderful Sargent book.......2007-03-26
This volume like the portrait volumes has beautiful illustrations ( fairly important for someone like Sargent!) and comparisons to others working in his time and place.
it's something you can look at and reread-- and it can be done in sections-- time and again
An Amateur Artist's opinion.......2007-01-09
I found this book to be so comprehensive, that it will be invaluable to any artist, amateur or professional - will keep me engrossed for a long. long time to come.
Book Description
The Geography of Nowhere traces America's evolution from a nation of Main Streets and coherent communities to a land where every place is like no place in particular, where the cities are dead zones and the countryside is a wasteland of cartoon architecture and parking lots.
In elegant and often hilarious prose, Kunstler depicts our nation's evolution from the Pilgrim settlements to the modern auto suburb in all its ghastliness. The Geography of Nowhere tallies up the huge economic, social, and spiritual costs that America is paying for its car-crazed lifestyle. It is also a wake-up call for citizens to reinvent the places where we live and work, to build communities that are once again worthy of our affection. Kunstler proposes that by reviving civic art and civic life, we will rediscover public virtue and a new vision of the common good. "The future will require us to build better places," Kunstler says, "or the future will belong to other people in other societies."
Customer Reviews:
luddite indictment of a car .......2007-05-22
The book is well written and provides a lot of facts, though many of these may be known anyhow. However, the author's pet idea - that the car is THE reason for aberrations in suburban development - begins to be more and more irritating as we read on; there is one large chapter devoted to the car and road planning, but if this were not enough the point gets reiterated every few paragraphs. Perhaps indeed the car is the ultimate evil of modern civilization; if only we didn't have to reread this again and again.
As a form of compensation, we get very limited look at the social, economic and demographic causes of all landscape changes during past century. Yes, there is a mention of some historical events, such as WWII, but it disappears under the weight of all those cars blamed for commercial strips, parking lots and suburban housing. Somehow, the population growth, which the strips, suburbs, parking lots and cars try to accomodate, gets overlooked. But then, we get also a healthy dose of nostagia after the goode olde times, when towns were small, kids could play in the streets without a risk of traffic accident, and farms were the base of economy. I could not escape the impression that the author's leading motive was to lament the lifestyles gone.
A Worthy Rant.......2007-02-08
This is book is largely a rant--well-researched and eloquent--but a rant nonetheless. Overwrought with cynicism, it is hard to distinguish Kunstler's reasonable concerns from his own sense of nostalgia. He draws some erroneous parallels (e.g. holding Disney World to the standard of anything but an amusement park) but does make an effective point regarding how U.S. citizens were ill-prepared for the after effects of the heyday of the automobile.
Fundamentally, Kunstler's cynicism aside, he's an advocate for renewed interest in civic planning, decreased dependency on fossil fuels, and models of sustainability. He presents Portland, OR as the best model for a city and the community of Seaside, FL as the model for a smaller town. He sees urban planning as the opportunity to develop while respecting the present landscape and enriching sense of community and public space.
The weakness of the book lies in the author's bitterness, which disguises his very real passion for the topic. The saving grace is that given most of his likely readership, he is preaching to the choir who understands his anger. This choir will understand that Kunstler embeds important lessons in his bleak diatribe--lessons worth embracing.
Kunstler's Gift of Entertaining While Informing.......2006-11-29
I have little more to add to the many thorough reviews already posted, so I'll just note what grabbed me: it was the rare book that was fun to read, even while dealing with serious societal problems in a thoughtful manner. A great introduction to community development issues.
highway to hell.......2006-02-01
Last night in his State of the Union speech, G. W. Bush pointed out the obvious fact that America depends far too heavily on oil to support its lifestyle. Whoever programmed him to say that must have been reacting to the mounting unrest over the crises associated with big oil: war, pollution, corruption, and extreme flabbiness.
Most of the problems associated with oil are problems associated with cars, and cars are the focus of J. H. Kunstler's book. Published in the early 90s, The Geography of Nowhere describes the impact of automobiles on the development of the U.S. Apparently, things started to go south during the Depression, when people were driven out of cities by poverty and the diminishing quality of life in the tenements. Fueling the flight to the suburbs were New Deal programs to build roads and cheap houses. In the ensuing decades the American landscape was built to serve cars rather than people, and that is what Kunstler is angry about. His main criticisms are:
1) A lot of the architecture, both residential and commerical, is very ugly. Buildings are constructed quickly and cheaply, and without regard to their surroundings. After all, what's the point of worrying about your surroundings if people are just going to drive directly to their destination? On this point, Kunstler is angry and sarcastic, though often funny. However, his tone is unfortunate, because ugliness is ultimately a matter of opinion, and I would bet that most people would say they are quite happy living in their suburban boxes. Kunstler argues that people are happy this way because they don't know any better, and he's probably right, but as far as I know there is no good way to force people to appreciate beauty.
2) When you step back from the individual buildings, and look at the organization of towns and cities, things start to look really grim. Here Kunstler's got a good point. Throughout most of America, the landscape is zoned into residential and commercial districts, which are separated by long stretches of four-lane roads. The residential zones are further divided by income (and to a lesser extent, by race and ethnicity), impeding the development of anything like a genuine community. The result is a weird mix of intolerance and paranoia that pervades the culture of what has historically been a relatively progressive nation.
3) At an even larger scale, the impact of cars on the nation and on the world seems absolutely dire. The Geography of Nowhere was written before car companies had figured out how to trick yuppies into buying pick-up trucks, and by now there is a broad scientific consensus that the Earth's climate is getting warmer as a result of human activities. Yet people continue to buy bigger and bigger SUVs, and to drive them longer distances to get to work or to buy their microwaveable burritos. It's like a hideous inversion of the idea of public transportation, in which every individual drives his or her own bus to work. Here it's not merely a matter of personal preference -- it's only possible for an individual to drive an SUV if other people subsidize the cost of cheap oil and environmental degradation. In all likelihood these other people haven't been born yet.
Ultimately, someone has to make decisions about the development of towns and cities, and there's no reason in a democratic society why these decisions have to be based on short-term economic interests. Although most suburbanites are probably not miserable in their surroundings, I doubt if anyone would consider their dependence on cars to be ideal. The Geography of Nowhere is a good way to start thinking about kicking the habit.
The Rise and Decline of Humanity.......2006-01-01
I believe that many of the ways we view our lives and live it is directly related to the relation of space, especially where our homes are and what we do daily.
Kunstler points out very cunningly and sometimes with anger how horrible America has set up its cities - cities of which I usually refer to as 'Suburbia World' and America, for a large part, really has turned into a world of suburbia, of endless homes stacked next to each other in a large sea, of which all its inhabitants commute to a Office park some 30 miles away.
Anyway, although Kunstler does not cover as in-depth as I believe he should, he points out many architectural and planning elements that even I, as an architecture student in Los Angeles, have never truly observed. He so well argues against suburban development that I am, even more than before, inspired to work on architectural projects that have nothing to do with suburban qualities (although this shall be very difficult).
If you are looking for a book to explain how horrible our cities really are (especially in the suburban world) and have never had the vocabulary to express that please read this book, it is something I wish everyone could understand and react to.
Average customer rating:
- Received from Pendant Publishing
- Great
- Interest Piece
- Perfect for either spiritual collections or art libraries strong in modern photography.
- Bible Road
|
Bible Road: Signs of Faith in the American Landscape
Sam Fentress
Manufacturer: David & Charles Publishers
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![Bolivian Baroque [includes DVD] [Hybrid SACD]](http://images-eu.amazon.com/images/P/B00079RNEU.01.THUMBZZZ.jpg)
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FSA: The American Vision
ASIN: 0715326856 |
Book Description
Over the last 25 years while driving through 49 states, Sam Fentress encountered thousands of religious signs along America's highways, city streets and country roads. With over 150 images from every region of the country, Bible Road: Signs of Faith in the American Landscape is his photographic chronicle of what he discovered on beauty salon windows, highway pylons, silos and burger joint marquees. Aware that photographers Walker Evans, Berenice Abbott, Robert Frank, and others had only partially documented the subject, Fentress embarked on this remarkable and singular typology of roadside evangelism in America.
Customer Reviews:
Received from Pendant Publishing.......2007-09-20
The pictures are amazing. My Mother-In-Law loved it! I bought this book as -new- from Pendant Publishing and was very pleased on how fast this item arrived in perfect condition.
Great.......2007-08-14
I love it and everyone that has viewed it loved it as well. It shows faith exist. It's neat to see the word of God in places you wouldn't think.
Interest Piece.......2007-06-09
This book appeals to many people. The book has been picked up by many people at our house. They only put it down if they finish it or need to leave before they can finish it. I think people just want to see what signs are posted out there that we might stumble across one day. The photography is very good and it is an easy read.
Perfect for either spiritual collections or art libraries strong in modern photography........2007-05-19
BIBLE ROAD: SIGNS OF FAITH IN THE AMERICAN LANDSCAPE features photos by Sam Fentress in full color and represents the photographer's last few decades of travel, crossing over forty states photographing thousands of religious signs along America's highways and city streets. His photography embraces works from churches, bikes, walls, and even stocks and looks for religious messages in even unlikely places, both urban and rural, making for a striking survey of religious messages in modern culture. Perfect for either spiritual collections or art libraries strong in modern photography.
Diane C. Donovan
California Bookwatch
Bible Road.......2007-05-12
This book is well done and it clearly indicates that our politicians can remove God from our schools, our court buildings, our state buildings and even our money, but not from our hearts and minds.
Customer Reviews:
"Must Buy".......2006-04-09
Not only is this book beautiful, Ruth Lilly Westphal created an important, highly useful educational and in my opinion an essential reference tool for art students, collectors, dealers and art historians interested in the California "Plein Air" art movement. It features generous artists biographies along with rich examples of each artist's works. As one of California's foremost buyers of California Impressionist paintings, I highly recommend this book! www.LawrenceBeebe.com
Comprehensive survey.......2000-06-01
The most comprehensive survey of the work of plein air painters who worked in California.
Book Description
Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O’Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpaintings. Taken together, these works document the quest to create a specifically American art in the decades prior to World War II.
The Modern West begins with a captivating meditation on the relationship between human culture and the physical landscape by Barry Lopez, who traveled the West in the artists’ footsteps. Emily Ballew Neff then describes the evolving importance of the West for American artists working out a radically new aesthetic response to space and place, from artist-explorers on the turn-of-the-century frontier, to visionaries of a Californian arcadia, to desert luminaries who found in its stark topography a natural equivalent to abstraction.
Beautifully illustrated and handsomely designed, this book is essential to anyone interested in the West and the history of modernism in American art.
Customer Reviews:
A fantastic book for a very much loved park.......2006-07-26
Did you know that the elm lined mall leading to the Bethesda fountain and the view of the ramble are actually based on the layout of a church? Or that all of the lakes in Central Park are manmade. This and many other very interesting facts are interspersed with lovingly taken photographs of the park which were taken by the author of the book as well. Miller starts decribing how the park came to be and the leading ideas and ideals that lead to its creation by Olmsted and Vaux. She proceeds to describe systematically the various sections of the park providing historical information as well. She delves into the some of the controversies and compromises that Olmsted and Vaux encountered in the creation of one of the finest examples of 19th Century art but it is not a comprehensive history of the park. There is a 2 page map of the park at the of the book with a legend identifying each of the features discussed in the book. If you are first time visitor to the city wishing to explore the park in detail or a life long New Yorker this book will delight and surprise you.
Definitive Review of the Finest Work of Art in NYC.......2006-02-20
As an avid fan of Central Park who has been exploring it and studying the books on it for decades, I was amazed at what there was still to learn about it from Miller's book. For example, other historians allude to a connection between Central Park's design and the Hudson River School of landscape art: Miller provides actual sources of the designer's inspiration and shows the results explicitly in the photos. And all in a way that is not at all "bookish" but instead makes you want to go right in and see for yourself the scenes she shows so well in the book's illustrations. The beautiful photos and fascinating stories and the well chosen historical prints all work together in such a compelling and entertaining way that one might never realize one is being educated by a superb textbook in the field of art.
With her emphasis on the past of the park, and its present restored beauty, it is understandable that the author does not use very much of the book's valuable space on the remaining present-day problems, but she might at least have alluded to the incongruity of the city's insistence on using this artistic matepiece as a through route for motor traffic during the majority of daylight weekday hours. In effect, the city's Dept. of Traffic is providing a refuge from the chaos of the surrounding streets during rush hours - but for the cars, not for the people. If you want to appreciate the park shown in this book, go during the times when the traffic noise does not drown out the wind in the trees, the birdsong, and the happy voices of children!
New York's Oasis.......2005-09-21
Central Park is breath taking and this book does a fine job of giving the reader a feel for what makes this 850 acre masterpiece so special. The book is quite thorough and does an commendable job of disecting various sections of the park. The color photos are vivid and well thought out and the text is highly informative. The author has a real love for the park and it comes out in her writing. If you have never visited Central Park or have visited and fell in love with it like so many others, you will love this book. This oasis really is the heart of New York City and to understand New York you have to understand the parks history and its vast importantance to the city. Central Parks importance to New York and New Yorkers cannot be overstated, I can't imagine the city without it.
A Gorgeous Book Commemorating America's 1st Public Park.......2004-03-16
Commemorating the 150th anniversary of Central Park, photographer and historian Sara Cedar Miller celebrates the aesthetic, cultural and historic significance of America's first public park with the book "Central Park, An American Masterpiece." This is the park's definitive illustrated history, and offers some of the most gorgeous photographs I have seen on the subject - a difficult task given the number of pictures that have been drawn, painted and photographed of the Manhattan landmark. The book includes over 200 color illustrations, original plans and drawings alongside modern photos, giving the viewer/reader an historical perspective.
Accompanying Ms. Miller's work, portraying the park throughout the seasons, is a well written text which highlights the conception and creation of the park and its art and architecture. This is a big, beautiful picture book that would make a wonderful addition to any home or library. It's a wonderful gift idea. I know as I have given it numerous times.
Ms. Miller is the parks official historian and photographer and has been since the mid-1980s.
JANA
A book as worthy as the park it celebrates.......2003-11-26
Sara Miller has put together an outstanding book: a book as vast and detailed as the Great Park itself. For those not familiar with the park and its history, this is an invaluable introduction to the political, demographical, economic and, especially, aesthetic thinking that went into the creation of 800 acres of gorgeous park space in the middle of Manhattan. For those seasoned veterans of NYC history, this is a welcome reminder of the enormous vision and efforts of Calvert Vaux and Fredrick Law Olmsted, as they conceived the park.
Nota Bene: A lot of books have gorgeous photos but the print job is miserable ... Others have high-qualtity prints but the photos aren't that interesting ... This book has glorious prints and an expert print job. Pick up this book.
Rocco Dormarunno, author of The Five Points and The Five Points Concluded
Book Description
Invisible Gardens is a composite history of the individuals and firms that defined the field of landscape architecture in America from 1925 to 1975, a period that spawned a significant body of work combining social ideas of enduring value with landscapes and gardens that forged a modern aesthetic. The major protagonists include Thomas Church, Roberto Burle Marx, Isamu Noguchi, Luis Barragan, Daniel Urban Kiley, Stanley White, Hideo Sasaki, Ian McHarg, Lawrence Halprin, and Garrett Eckbo.
They were the pioneers of a new profession in America, the first to offer alternatives to the historic landscape and the park tradition, as well as to the suburban sprawl and other unplanned developments of twentieth-century cities and institutions. The work is described against the backdrop of the Great Depression, the Second World War, the postwar recovery, American corporate expansion, and the environmental revolution.
The authors look at unbuilt schemes as well as actual gardens, ranging from tiny backyards and play spaces to urban plazas and corporate villas. Some of the projects discussed already occupy a canonical position in modern landscape architecture; others deserve a similar place but are less well known. The result is a record of landscape architecture's cultural contribution - as distinctly different in history, intent, and procedure from its sister fields of architecture and planning - during the years when it was acquiring professional status and struggling to define a modernist aesthetic out of the startling changes in postwar America.
Customer Reviews:
A Very Thorough Presentation.......2001-06-28
Invisible Gardens is a well-written, lively introduction to the confluence of landscape architecture and modernism during the middle decades of the twentieth century. Although somewhat like a textbook in its style of presentation, the writing throughout is clear, incisive and often quite absorbing. And there are plenty of black and white photos and architectural renderings which accompany the text to enhance its ability to inform. But only twelve colour plates were included in Invisible Gardens. I felt a bit let-down personally by this aspect of the project. I thought the book could have used additional high quality colour plates of the often spectacular commissions under review to balance the density of the text. And to convey visually what often needs to be seen to be properly appreciated.
Average customer rating:
- A beautifully presented anthology of the art and the artists who pioneered the first native style of American landscape painting
|
Different Views in Hudson River School Painting
Judith O'Toole , and
Arnold Skolnick
Manufacturer: Columbia University Press
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Binding: Hardcover
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ASIN: 0231138202 |
Book Description
Hudson River School artists shared an awe of the magnificence of nature as well as a belief that the untamed American scenery reflected the national character.
In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and quiet majesty of the works and discusses their shared iconography, the ways in which artists responded to one another's paintings, and how the paintings reflected nineteenth-century American cultural, intellectual, and social milieus.
Different Views is also the first major study to examine closely the Hudson River School artists' practice of creating thematically related pairs and series of paintings. O'Toole considers painters' use of this method to express different moods and philosophical concepts. She observes artists' representations of landscape and their nuanced depictions of weather, light, and season. By comparing and contrasting Hudson River School paintings, O'Toole reveals differences in meaning, emotion, and cultural connotation.
Different Views in Hudson River School Painting contains reproductions of works from a range of prominent and lesser-known artists, including Jasper Francis Cropsey, Sanford Robinson Gifford, Asher B. Durand, Frederic Edwin Church, Albert Bierstadt, John Frederic Kensett, and John William Casilear. The works come from a leading private collection and were recently exhibited at the Westmoreland Museum of American Art.
Customer Reviews:
A beautifully presented anthology of the art and the artists who pioneered the first native style of American landscape painting.......2006-05-07
Different Views In Hudson River School Painting by Judith Hansen O'Toole (Director and CEO of the Westmoreland Museum of American Art, Greensburg, Pennsylvania) is an expansive and beautifully presented anthology of the art and the artists who pioneered the first native style of American landscape painting. Providing readers with an illustrative compendium of examples supported by an informative and "reader friendly" text, Different Views In Hudson River School Painting delves deep into the study of many various artists in terms of their diverse styles and productivity. A perfect edition to personal, academic, and community library Art History collections, Different Views In Hudson River School Painting is very highly recommended and informative reading.
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- Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation
- Sundown Towns: A Hidden Dimension of American Racism
- Surnames of Scotland : Their Origin, Meaning and History
- Teaching to Transgress: Education as the Practice of Freedom
- THAT EXTRA HALF AN INCH.
Books Index
Books Home
Recommended Books
- Topgrading: How Leading Companies Win by Hiring, Coaching, and Keeping the Best People, Revised and
- Square Foot Gardening: A New Way to Garden in Less Space with Less Work
- Real Cheesy Facts About: TV & Movies: Everything Weird, Dumb, and Unbelievable You Never Learned
- Italian Verb Workbook
- Open Secret: Versions of Rumi
- The Deed of Paksenarrion: A Novel
- Placenta And Trophoblast: Methods And Protocols
- The Neatest Little Guide to Do-It-Yourself Investing
- Improving Your Credit and Reducing Your Debt
- Mmm...Skyscraper I Love You
Rand McNally Goode's World Atlas 21st Edition
The Penguin Dictionary of Geography: Third Edition (Penguin Reference Books)
Across This Land: A Regional Geography of the United States and Canada (Creating the North American Landscape)
Regional Geography of the United States and Canada (4th Edition)
Canada 2006 (World Today Series Canada)
