Book Description
“Politics is stuck,” writes Bill Bradley, in this insightful, informative, and provocative book about America at a crossroads, but “idealism isn’t dead. It can be reawakened.”
What will it take to make America a better, stronger, truer country? asks the bestselling author, former Knicks star, and onetime presidential candidate. Bill Bradley believes that America is at a teachable moment when we are compelled to reevaluate our political system, our leadership, our agenda as a nation, and ourselves as citizens. With clarity and urgency, Bradley shows why the story we are being told now about who we are as a people is not true. He then offers a new story about our nation, based on America’s rich heritage and his belief in the character of the American people. Bradley explores what changes need to be made in our parties, in our politics, and in citizen activism to ensure America’s future. He asserts that the American people are ready for the truth and suggests that the party that chooses to embrace this new story will be in power for a generation.
Writing from his own experience in politics and drawing on his knowledge of history, Bradley shows how the Republican Party has built a solid pyramid structure since the 1970s, at the base of which are money, ideas, and media, whereas the Democratic Party’s structure is an inverted pyramid, with too much emphasis put on the need for a charismatic leader to hold the pyramid up. Each party, for different reasons, fails to deal with the real issues that now confront America.
This informed and inspiring call to action is addressed not only to the parties and elected leaders, but to citizens as well. Bradley proposes things every American can do to shape our nation’s future. He points out that if eighty percent of the electorate voted, instead of fifty percent, it would be the most important change in American politics since women got the vote. Now more than ever, he says, we need to embrace an “ethic of connectedness,” a combination of
collective action and individual responsibility, to solve our nation’s most pressing
problems, and he argues that the fate of all countries is bound together as never before. Writing today with the freedom of a private citizen, Bradley provides this transformative and eye-opening book about the danger and the promise of America’s choice at this crucial moment in the nation’s history.
Customer Reviews:
A "HOW-TO" for citizenship and political leadership.......2007-09-29
Why should you read this?
- If you care about our democracy and want to help make it strong again
- If you want to understand the big domestic challenges we face today
- If you want thoughtful proposals to addresses those challenges
- If you want to better the understand the Democratic and Republican parties; what makes them function, what makes them DYSFUNCTIONAL
- If you want to hear an insider's take on what makes our democracy tick, what makes it great, and what threatens its survival
This is a terrific book. If I had the money, I'd buy one for every member of Congress.
I listened to this book unabridged on audio, narrated by Michael Prichard. He does a good job capturing Bill Bradley's dignity, but to my ear doesn't quite capture his enthusiasm and passion for good government.
excellent.......2007-08-28
bradley is a truly brilliant man. the book is filled with hundreds of good ideas. hopefully he will stay involved in politics. the problem is that the people who need to read this book will not. our government is controlled by big business and greedy men with their own agendas. how soon is that going to change? i highly reccomend this book.
Call to Greatness.......2007-08-20
You'd swear Bill Bradley was running for office or dashing down court for a breakaway three-pointer. This one-time presidential contender and New York Knicks superstar writes with the energy and urgency of a man on a mission.
Read his book, The New American Story, and you'll be tempted to join him. Bradley has issued a powerful call to action--one that promises to rescue our nation from political infighting and restore America's leadership role in the world.
His is not a story of military might and moral superiority; it is the story of our nation's founding principles, written by the men and women whose active engagement at pivotal points in history assured the country lived up to its highest ideals.
We have a choice before us that could transcend our current state of affairs, says Bradley. A choice that puts country over political party, the common good over the distracting issues that divide us.
One of our nation's most admired leaders--Abraham Lincoln--knew a thing or two about bringing a divided nation together. When he was president, Lincoln would often sneak out of the White House on Wednesday nights to hear sermons of a well-known preacher at the New York Presbyterian Church. One night, an aide asked Lincoln what he had thought of the sermon. "The content was excellent. The minister had a strong voice and a good delivery," said Lincoln, pausing. "But he forgot the most important part. He didn't ask us to do something great."
Bill Bradley is asking us to do something great.
"The answers to our problems rest in our hearts as well as in our heads," Bradley says in the introduction to his book, "and until we understand that, we'll make marginal improvements, but we won't make the quantum leaps that our Founders made and hoped we would continue."
I am drawn to stories of ordinary Americans who overcame obstacles to achieve great things. Freedom fighters on the Underground Railroad. Journalists who exposed unethical business practices at the turn of the 20th century. The immigrants who built our transcontinental railroad. A country lawyer who became a United States Supreme Court Justice, America's chief prosecutor of Nazi War criminals, and the founder of international law. These are the stories I want people around the world to know about when they think of America and its unique contributions to the world. That's why my husband and I make historical documentaries for a living.
Bill Bradley's book had me from hello, or at least from the moment I read the book jacket blurbs written by David McCullough, David Halberstam, Doris Kearns Goodwin and Robert A. Caro, all Pulitzer Prize winners. Because I love history, and because I believe in the strength of our nation's collective character, I kept on reading.
There is no question the bold policies outlined in Bill Bradley's book will be hotly debated in the coming weeks. He takes both political parties to task, taking aim at the current administration's policies with the finesse of a seasoned athlete and senator. And while I don't agree with every single one of Bradley's strategies on health care, education, environment, tax reform, and national defense, if this American story is to have a happy ending, I, like all other Americans, will have to look for common ground, and make sacrifices for the greater good.
Bill Bradley has faith that, given the right information--the true American story--we will do the right thing.
Current state of affairs for the middle class .......2007-08-07
I confess I have read many other books on the current status quo and state of politics in our country before reading this book. If you have too, this may be a bit repetitive as most issues have been discussed before. What I do like about Bill Bradley's book is it is not simply a laundry list of complaints. He offers at the end of each chapter (designated to each issue) some thought out solutions. This is a good book for eye-opening for our major issues - health care, education, energy... and would recommend it to readers who want to learn more about the who, what and why our social issues are being ignored by government. I also recommend "War on the Middle Class" by Lou Dobbs or "Screwed: The Undeclared War Against the Middle Class -- And What We Can Do About It" by Thom Hartmann. I enjoyed reading those a little more.
Long-winded and Confusing Story.......2007-07-29
I'll confess right up front that I haven't finished the book yet, and I'll update this review when I do. I'm still slogging through lengthy, wandering passages that fail to make any points. I keep waiting for any kind of "here's a solution" or "here's what we should do" sentence, but I have yet to find one. He spends a lot of pages in the first 25% of the book telling the reader about the "story" that he says we're being told -- by whom? On every issue he seems to pick the most extreme right-wing position as representative of this "story" rather than the positions that the majority of Republicans and conservatives hold. And thus far all he's offered for his "new story" is idealistic pie-in-the-sky notions with no plan to get there. I trust that he gets there in the second half of the book.
Just one example of the poor writing and editing: In the section titled "Inequality" in chapter on The Economy, he goes on for quite a while about financial inequality, then about globalization and technological change, finally claiming that you can no longer get ahead by working hard. He then admits that that there is no way around benefiting the wealthy if you want to encourage investment. And then this sentence:
"But there is no excuse for failing to conduct rigorous oversight of and increase resources to education ... which in the long run will result in ... greater equality."
Okay, he tied it back into equality, but how did he suddenly switch from tax cuts and investing and unions to education in the middle of the same paragraph? Where did this out-of-the-blue accusation come from that someone isn't overseeing and funding education? I'm not agreeing or disagreeing with that accusation, just pointing out that it's completely out of place in any kind of logical or narrative flow.
And so goes this story so far. I'll keep at it and hope the writing and presentation of ideas tightens up. Maybe his publisher paid him by the word...
Book Description
From the Introduction:
ghet-to n. (Merriam-Webster dictionary) Italian, from Venetian dialect ghèto island where Jews were forced to live; literally, foundry (located on the island), from ghetàr, to cast; from Latin jactare to throw
1: a quarter of a city in which Jews were formerly required to live
2: a quarter of a city in which members of a minority group live, especially because of social, legal, or economic pressure
3a: an isolated group
b: a situation that resembles a ghetto especially in conferring inferior status or limiting opportunity
ghet-to adj. (twenty-first-century everyday parlance)
1a: behavior that makes you want to say “Huh?”
b: actions that seem to go against basic home training and common sense
2: used to describe something with inferior status or limited opportunity. Usually used with “so.”
;
3: a quarter of a city in which members of a minority group live, especially because of social, legal, or economic pressure.
4: common misusage: authentic, Black, keepin’ it real
As current and all-consuming as “ghetto” is in these days of gold teeth, weaves (blond and red), Pepsi-filled baby bottles, and babymamas, ghetto has a long history. The original ghetto was in the Jewish quarter of Venice, a Catholic city. Before it became the Jewish quarter, this area contained an iron foundry or ghèto, hence the name. These days, ghetto no longer refers to where you live, but to how you live. It is a mindset, and not limited to a class or a race. Some things are worth repeating: ghetto is not
limited to a class or a race. Ghetto is found in the heart of the nation’s inner cities as well as the heart of the nation’s most cherished suburbs; among those too young to understand (we hope) and those old enough to know better; in little white houses, and all the way to the White House; in corporate corridors, Ivy League havens, and, of course, Hollywood. More devastating, ghetto is also packaged in the form of music, TV, books, and movies, and then sold around the world. Bottom line: ghetto is contagious, and no one is immune, no matter how much we like to suck our teeth and shake our heads at what we think is only happening someplace else…
From an award-winning journalist and cultural commentator comes a provocative examination of the impact of “ghetto” mores, attitudes, and lifestyles on urban communities and American culture in general.
Cora Daniels takes on one of the most explosive issues in our country today in this thoughtful critique of America’s embrace of a ghetto persona that demeans women, devalues education, celebrates the worst African American stereotypes, and contributes to the destruction of civil peace. Her investigation exposes the central role of corporate America in exploiting the idea of ghetto-ness as a hip cultural idiom, despite its disturbing ramifications, as a means of making money. She showcases Black rappers raised in privileged families who have taken on the ghetto persona and sold millions of albums, and non-Black celebrities, such as Paris Hilton, who have adopted ghetto attitudes and styles in pursuit of attention and notoriety. She explores, as well, her own relationship to the ghetto and the ways in which she is both part of and outside the Ghettonation.
Infused with humor and entertaining asides—including lists of events and people that the author nominates for the Ghetto Hall of Fame, and a short section written entirely in ghetto slang—Ghettonation is a timely and engrossing report on a controversial social phenomenon. Like Bill Cosby’s infamous, much-discussed comments about the problems within the Black community today, it is sure to trigger widespread interest and heated debate.
Customer Reviews:
(RAW Rating: 4.5) - A Mindset.......2007-09-29
Author Cora Daniels gives us her take on what she believes is ghetto. She states that ghetto is a mindset and no one is immune from it be it, inner city or suburban residents. While this is not a critical analysis of the ghetto phenomenon, Daniels does site some sociological ills and possible blame. That in itself is cause for debate.
Often portrayed with humor, the author interviews an array of people on what their take is of the term ghetto; what ghetto is to one may not be ghetto to another, be it children or adults. She speaks with boys hanging on street corners, boys and girls who are doing well academically and have college set in their minds and those who have done well financially, but chose to stay in the inner city, further demonstrating that ghetto is a mindset and running to suburbia does not eliminate the ghetto mentality, nor the chance you may see not ghetto. While GHETTONATION by Cora Daniels can cause a serious debate, it is also a reality check for many.
Reviewed by Dawn R. Reeves
of The RAWSISTAZ(tm) Reviewers
A great book even though some readers miss the point!.......2007-08-29
A Great book that will have a broad appeal to people of all ages! To those of you who feel like the book didn't offer you enough, I think that you miss the point that this book is written not just for the highly educated but its also written in a style that is of interest to the young men and women on the street corner. BrotherMan on the corner is not interested in black socialism or a book about black culturalism. This book is a wake up call to all people in the sense that it's asking you to think about what it is that you do and why you do those things that are considered to be ghetto. On that note, Mrs Daniels hit the mark. Pass it on to those that are ghetto fabulous and see if you have something worthwhile to talk about! Peace!
'Should be on Oprah's Book Club list.......2007-08-25
Some weeks ago I watched as a mainstream television newscaster referred to the police as the "po po's," a term that is, at this moment used by inner city youth. It's obvious that when such language becomes "accepted" by the mainstream, the words are on their way out...or are they?
Author Cora Daniels would probably say that such usage is further indication of the ghettonization of America and she's more than likely correct. In her amusing and thought-provoking book, the writer exposes all the aspects of American society that reflects how the ghetto mentality flourishes. She sites the entertainment industry, Madison Avenue, professional sports, as well as the everyday instances wherein that which we once thought was only a part of the inner city has become commonplace.
As entertaining as the book is, she hits hard when she challenges readers to consider her words and take action in order to stop or, at least, slow down the spread of "ghettoism" in this nation.
This is a definite "must read" for all Americans that want to understand what's going, not just with the young people, but among us all as we fall further and further into the rationale of the street.
Finally, someone who articulates the problem!.......2007-08-21
Suffering for sometime from the notion that the end is nigh for American civilization, being assaulted daily by the sights, sounds and stories of angry babbymammas and the gangstas who did 'em wrong, mysogynistic rap, the objectification of the female figure everywhere; girls as young as ten wearing t-shirts that read "If you surf I'm available" and crusted with bling, picking visible thongs out of their exposed cracks; young folk with the crazed look of meth/crack/coke in their eyes; fearless pedophiles defiant both about their sickness and civil rights; celebrities crashing and burning; and wondering who and where were the new role models, and where were our real poets and music makers -- and please don't tell me its Fall Out Boy, The White Stripes, or Pussy Cat Dolls or Beyonce or Timblaland or Timberlake-- I wearily picked this book up at my local library and began to read, and continued, and couldn't stop. In fact, I read Ghettonation in two readings, stopping only to pick up my kids from school and make a (rather ghetto) meal of hotdogs and canned beans. I had to rush back to this book.
I've been wrestling with American notions of class, race, identity, the decline of Western civilization, economic disparities, greed and respect, what constitutes illegal immigrants, education, environmental devastation, pitbulls, drugs, babymammas, and rap and hip hop music for a decade and more. I see how lowering the bar, for all of us, has resulted in a free fall for relationships, in parenting, manners, basic common sense, civility, charity, and even basic human discourse. In Ghettonation, Ms. Daniels finally articulated my inchoate thoughts and theories.
When Gwenyth Paltrow called her baby Apple that was a ghetto move. What a concept! This patrician looking, some would say Aryan, blonde with blue eyes doing something other than the classy she generally projects, but it's an absolute spot-on observation. An ah-hah moment, and this book has no shortage of other such examples to remind us all that ghetto isn't a class thing, it's not a race thing, it's simply about not being the best of what we can and should be.
The section on ghetto literature is terrifying. Proceed with caution. I had no idea these books were B. available and B. popular. I also had no idea that high profile music industry figures, such as Snoop Dogg (and more recently Dave Navarro) were getting involved in porn and doing well with it. Yes, we've come a long way from Bob Dylan, the Beatles, and MoTown. Yes, we are much more morally bankrupt than we used to be, even compared to the anything goes 70s days of decadence.
This is an important book, it's a wake up call to all who care about the world and our human family, that we need to be smart, we need to be kinder, we need to take care of our children, our business, our schools, and our world. It's the only one we have.
Thanks, Ms. Daniels, for this eye opening and cogent analysis of the most urgent problem facing America today. You managed to walk the fine line without resorting to snobbery, elitism, and also without giving an inch.
Ghettonation is essential reading.
Long on Examples, Short on Analysis.......2007-07-26
This book offers a blend of opinion, autobiography, and ethnography to ask why "ghetto" (and its adjectival uses, as in "That's sooo ghetto") has become an accepted "mind-set" in this country. Daniels does well to catalog the many ways in which ghetto culture is organized by "low expectations" and fosters carelessness, irresponsibility, and general unpleasantness. Her examples can be illuminating, including the website Gizoogle.com, which translates any webpage into "ghettospeak."
The problem with this book is its complete lack of organization and argumentative structure. I second one reviewer's claim that Daniels tends to substitute her own rambling musings for critical social analysis. Her back-and-forth rhetoric about "I'm ghetto, I'm not ghetto" typifies this problem: Daniels seems to think her examples are so self-evident that we should already know WHY she supposedly "is" or "isn't" ghetto. This sleight of hand is inexcusable for a book that means to delineate the properties of the "ghetto mind-set." We expect explanation here, not self-indulgent "you know it when you see it" joking.
The book also suffers from having an overly expansive definition of the ghetto mind-set. Daniels's examples are so wide-ranging and far-fetched (even referencing the heir to the throne of Monaco's philandering) that she loses sight of the specific (social, cultural, historical) reasons why "ghetto" has become fashionable among American youth. At times it seems Daniels interprets ghetto as signifying anything (or anyone) that thrives off "low expectations." Such an abstract definition means very little when applied to concrete examples.
In the end, I wanted more critical focus in this book. (A little less authorly self-indulgence would have helped.) The examples are sometimes illuminating, as I noted, but Daniels's basic theme is tackled more pointedly in black sociological criticism and black cultural studies.
Average customer rating:
- I know, I know...
- A must read for anyone
- Good stuff, but less important than his other work
- Buy the ticket...take the ride
- A wild and extraordinary ride down a lost highway ...
|
Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream
Hunter S. Thompson
Manufacturer: Vintage
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ASIN: 0679785892
Release Date: 1998-05-12 |
Amazon.com Reviews
Heralded as the "best book on the dope decade" by the New York Times Book Review, Hunter S. Thompson's documented drug orgy through Las Vegas would no doubt leave Nancy Reagan blushing and D.A.R.E. founders rethinking their motto. Under the pseudonym of Raoul Duke, Thompson travels with his Samoan attorney, Dr. Gonzo, in a souped-up convertible dubbed the "Great Red Shark." In its trunk, they stow "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half-full of cocaine and a whole galaxy of multicolored uppers, downers, screamers, laughers.... A quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls," which they manage to consume during their short tour.
On assignment from a sports magazine to cover "the fabulous Mint 400"--a free-for-all biker's race in the heart of the Nevada desert--the drug-a-delic duo stumbles through Vegas in hallucinatory hopes of finding the American dream (two truck-stop waitresses tell them it's nearby, but can't remember if it's on the right or the left). They of course never get the story, but they do commit the only sins in Vegas: "burning the locals, abusing the tourists, terrifying the help." For Thompson to remember and pen his experiences with such clarity and wit is nothing short of a miracle; an impressive feat no matter how one feels about the subject matter. A first-rate sensibility twinger, Fear and Loathing in Las Vegas is a pop-culture classic, an icon of an era past, and a nugget of pure comedic genius. --Rebekah Warren
Book Description
Fear and Loathing in Las Vegas is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.
Now this cult classic of gonzo journalism is a major motion picture from Universal, directed by Terry Gilliam and starring Johnny Depp and Benicio del Toro. Opens everywhere on May 22, 1998.
Customer Reviews:
I know, I know..........2007-09-30
I know, it's THE Hunter S. Thompson book. It would be like having the gall to write a review for the Grapes of Wrath or Slaughterhouse Five and think you'd be doing anything other than blabbing just to see your own words on a computer screen.
That said, read this book this instant. Whatever good anyone's ever said about this book, it's twenty times better. I read it in two sittings and only stopped myself from reading it again because it was a library book and had to be returned.
The late HST's gift for gonzo, that strange mix of fiction and nonfiction, is ultimately realized in this book. Reality is seamlessly mixed with a bizarre fantasy world of sentient reptiles and split personality through the medium of hard drugs that serve to clarify (and sometimes amplify) a violent and twisted town in a strange time.
This book will have you laughing hysterically at parts, so don't read it around other people unless you're okay with passing it to them. This book will have you cringing at the brutality of human nature at points, so have your wits about you.
I really can't say anything else, other than that this book must be purchased and read this very instant if you haven't already done so.
A must read for anyone.......2007-09-21
Thompson's book helps create a vivid picture of the drug fueled 60's and early 70's a way no one else has before.
Good stuff, but less important than his other work.......2007-09-14
¨Fear and Loathing¨ is a great ride for sure. A drug-addled, hilarious, disturbing romp through Las Vegas in search of the American Dream. Thompson is definitely a skilled writer and an outlaw and this stuff comes through in this book. I don't want to shrug this work off by any means, but I definately prefer his other work, such as ¨The Great Shark Hunt,¨ because it truly brings out Thompson's outlook on the world, his hatred of wealth, power and greed, etc. This book is fun, but Thompson is definitely capable of more depth and thought. While this work might be what gave him his big break, he definitely went on to better things.
Buy the ticket...take the ride.......2007-08-23
A bizzare journey to the heart of the American Dream, funny, witty and full of memorable episodes. The illustrations by Ralph Steadman are also superb. Raul Duke says it clearly : "buy the ticket...take the ride"
A wild and extraordinary ride down a lost highway ..........2007-08-20
The lost highway of the American Dream.
I wasn't old enough to remember much from the late 60's early 70's let alone the political aspects of Nixon's presidency or the drug culture of the time, so this review won't have any profound social or political commentary, except that comparisons can well be made to the drug culture of today, and it is glaringly apparent that not much has changed.
Considering the climate of the time: Nixon's presidency, the war in Vietnam, and the country's young men succumbing to the draft, it was no wonder that an entire generation wanted something more, for this was not the American Dream they had been sold. And for some, the only way to drown out the hypocrisy gnawing at your brain is to give your brain an escape. Expand your mind, as that might be the only part of you that is truly free. Whatever it takes to get you directly out of your head -- the higher the better. This story chronicles a journey utterly devoid of restraint and reason as these two men, Raoul Duke and Dr. Gonzo, and their trunk full of felonies set themselves loose upon Las Vegas -- the last vestige of the American Dream. However, their idea of the American Dream is not how most of us would understand it, but somehow, through the fog of hallucinatory metaphor, we can actually see and feel what the main characters are searching for so desperately.
All that aside, even if the 60's culture is beyond your age group, Thompson's writing is worth the read -- Brilliant, sarcastic, and frighteningly funny: Bars seething with has-been lounge lizards, tearing the patrons to shreds, blood soaked tacky hotel rooms, police car chases, kidnapping, gambling, excess, and debauchery ... not to mention the Narcotics Convention. The dialog is brilliant. Harrowing experiences abound; it is amazing that the two main characters make it out of Vegas alive.
Definitely a wild ride for all.
Amazon.com
There's quite a bit of intelligent analysis and thought-provoking insight packed into the pages of Chuck Klosterman's Sex, Drugs, and Cocoa Puffs, which is a little surprising considering how darn stupid most of Klosterman's subject matter actually is. Klosterman, one of the few members of the so-called "Generation X" to proudly embrace that label and the stereotypical image of disaffected slackers that often accompanies it, takes the reader on a witty and highly entertaining tour through portions of pop culture not usually subjected to analysis and presents his thoughts on Saved by the Bell, Billy Joel, amateur porn, MTV's The Real World, and much more. It would be easy in dealing with such subject matter to simply pile on some undergraduate level deconstruction, make a few jokes, and have yourself a clever little book. But Klosterman goes deeper than that, often employing his own life spent as a member of the lowbrow target demographic to measure the cultural impact of his subjects. While the book never quite lives up to the use of the word "manifesto" in the title (it's really more of a survey mixed with elements of memoir), there is much here to entertain and illuminate, particularly passages on the psychoses and motivations of breakfast cereal mascots, the difference between Celtic fans and Laker fans, and The Empire Strikes Back. Sections on a Guns n' Roses tribute band, The Sims, and soccer feel more like magazine pieces included to fill space than part of a cohesive whole. But when you're talking about a book based on a section of cultural history so reliant on a lack of attention span, even the incongruities feel somehow appropriate. --John Moe
Book Description
Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation.
Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.
Download Description
"From the kid who brought you Fargo Rock City -- the first book in history to garner the praise of Stephen King, David Byrne, Donna Gaines, Sebastian Bach, Jonathan Lethem, and Rivers Cuomo -- comes Sex, Drugs, and Cocoa Puffs -- the first book in history to examine breakfast cereal, reality television, tribute bands, Internet porn, serial killers, and the Dixie Chicks. Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman -- with an exhaustive knowledge of popular culture and a seemingly effortless ability to spin brilliant prose out of unlikely subject matter. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry of the 1980s, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about movies, sports, television, music, books, video games, and kittens...but, really, it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, ""In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'"" "
Customer Reviews:
Worth skimming.......2007-10-01
I recommend borrowing this book from your hip literary friend, who already owns it. It has some very funny chapters, and some of the interludes between chapters are truly great. However, it's really unsatisfying in large doses; after finishing a lot of the chapters, I just felt that I had wasted my time. Klosterman has a nice dry wit, and he's good at BSing about quirky topics. But that's really not enough for me to buy a book. Skim it at the bookstore or get it from the library; this is not a book that you'll ever want to reread.
An oxymoron for Gen Xers.......2007-09-16
I decided to read this book after considering the many positive reviews along with the accolades of several independent book sellers. I shouldn't have. I'm not going to say this book is bad, but its certainly not anywhere near being good either.
This book is a self-described manifesto, which it is not. It is the inane ramblings of someone who does not suffer from lycantrophy. It is dysfunctional, poorly written, and is essentially about nothing at all. I liken it to a Seinfeld episode, in print form, but without the distraction that comes from actual humor or entertainment value. In hind site, I'm starting to wish Klosterman did suffer from lycantrophy.
If you don't believe me, I will let a Chuck Klosterman quote from the book serve as a one line synopsis:
"Do you not see what I am no longer not saying to you? If so-congratulations!"
Like a great conversation.......2007-06-08
Reading this book is like having a long conversation about life with the most sarcastic/ funny person you know. Klosterman is easy to relate to, even when you haven't got the slightest idea what he is talking about.
Manifesto?.......2007-06-03
This book is only mildly funny and outdated. It seems like a bad rendition of the books he references, like "A Heartbreaking Work of Staggering Genius." The section on mixtapes is uninspired- "Love is a Mixtape," by Rob Sheffield is much more successful. This book produced no mindblowing or even relatively interesting ideas- a waste of time if you ask me.
How much junk culture can you take?.......2007-04-27
Chuck K is undoubtedly is a very clever dude and some of the insights here will make you laught at loud. Ultimately however I would advise cherry picking through these essays, as Chuck is so enamored of his beloved
'low culture' that it will get both stultifying and extremely banal. Make sure to skip the analyses of bad tv shows (esp The Real World and Saved by the Bell). Chuck tries so hard to show why disposable pap has an influence on society that he torpeoes hiw own argument - his assertion that Gen Y behavior pettern can be correlated to a character on Real World says much more about Klosterman than anything else. Similarly, his essay on the Lakers and Celtics rivalry sets perhaps a new low in 'serious' sports journalism, as the argument that the Lakers reperesent Democratic party values while the Celtics carry the torch for Republicans (CK seems to be a fairly staunch right-winger after his addiction to pop culture is peeled away) is beyond absurd, and his assertion at the end that "if you dont' care about the Lakers-Celtics you don't care about anything" (this is said unironically) is downright embarassing.
Chuck will also be very strident in his declarations of what is 'cool' and 'uncool'. The repeated appearance of these exact words in almost evry essay (sometimes sevral times) becomes very annoying and pointless. Klosterman (by his own admission) of course is 'uncool', but his endless obsession with coolness (and defining it)renders it meaningless.
So enjoy, but be careful.
Average customer rating:
- Childs has done it with this book...
- Excellent Read With Interesting Personal Point of Views
- House of Rain, A Great Read
- House of Rain
- Exception read for the non-archeologist interested in the Anasazi
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House of Rain: Tracking a Vanished Civilization Across the American Southwest
Craig Childs
Manufacturer: Little, Brown and Company
ProductGroup: Book
Binding: Hardcover
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The Wild Trees: A Story of Passion and Daring
ASIN: 0316608173 |
Book Description
A feat of historical detection--the most significant, andcertainly the most enthralling, book on American prehistory to appear indecades.The greatest "unsolved mystery" of the American Southwest relates to theAnasazi, the native peoples who by the 11th century converged on ChacoCanyon (now New Mexico) and built a flourishing cultural center thatattracted pilgrims from far and wide, a vital crossroads of the prehistoricworld. The Anasazis' accomplishments--in agriculture, in art, in commerce,in architecture and engineering--were astounding, rivaling those of theMayans in distant Central America. By the 13th century, however, the Anasazi were gone from Chaco. Vanished.What was it--drought? pestilence? war? forced migration? mass murder orsuicide? Craig Childs draws on scholarly research and a lifetime ofadventure and exploration in the American Southwest to pursue the mysteryof their disappearance. Considering many possibilities, he points the wayto a new understanding of how a vibrant civilization collapsed.
Customer Reviews:
Childs has done it with this book..........2007-09-11
It's been a long time since I was thoroughly captivated by a book but House Of Rain has managed to do just that. Craig Childs is arguably one of the finest non-fiction writers today. For those of us who live and breathe the Great Southwest, Child's descriptions will bring back vivid memories of Sleeping Ute mountain in the distance and standing where the Ancients stood at Mesa Verde, Hovenweep, and Chaco. For those reviewers who felt like they needed maps and an answer, you can get maps at the visitor centers all bound up in glossy little books with equally glossy descriptions of people and places. This is not one of those books - it's so much deeper. This book is not a souvenier, it's a vehicle that takes you to places that a relative few will ever see and even less will understand. Sometimes, there is no final answer - there's just the lingering questions. That's part of what makes it so interesting.
Excellent Read With Interesting Personal Point of Views.......2007-09-06
This is the first book by Craig Childs that I've read. I will say it is an excellent book on the Anasazi. Craig has spent his whole life in the desert Southwest and appears to be quite knowledgeable about his subject. If you are the least bit interested in knowing a bit more about the Anasazi but don't want to read a "dry" scientific book about the subject, this is "the book" for you. Craig has travelled, worked and talked with many southwest Archaeologists who study the Anasazi. His discussions on the Anasazi are not boring and dry and his writing style is superb. I have a passing interest in the subject matter and this is one of the newest books on the subject and based on reviews of his other books, bought this one. I'm glad I did. Craig covers some controversial areas in regards to the Anasazi and where they went. They didn't disappear, their ancestors are still here, spread out over the southwest. He hits on a few quite creditabal possibilities and presents material to support them. I not being an expert on the subject but none the less interested and with some of my own ideas, I think Craig is on to something in regards to some of the reasons for the abandonment of the ancient sites across the entire southwest not just the Four Corners area commonly attributed to the Anasazi. Craig's descriptions of his backcountry travels are excellent and gives the sense that you are there with him which makes it even more enjoyable to read. This one is a keeper which I know I will read over and over again.
House of Rain, A Great Read.......2007-08-16
If you'd like to take a journey into the SW United States looking for the "missing" Anasazi, you should crack open this book, and delve into Craig Child's riveting journey. Child's style of writing puts you there with him, and he's very skilled at creating images that draw you into the adventure.
House of Rain .......2007-07-07
Craig Childs and "House of Rain" took me to places I've been and most importantly, to places I've been unable to experience. As I was reading this descriptive narrative of the Southwest that I love so much, I felt I was walking right beside him...excellent!
Exception read for the non-archeologist interested in the Anasazi.......2007-07-06
I already own several of Craig Childs books which I enjoy reading so that I can vicariously explore the canyons with him. This book is Exceptional. I bought it just last week at the Anasazi Heritage Center near Mesa Verde and Canyons of the Ancients while vacationing there with my wife and granddaughter. Living in Utah, we make yearly trips to the Moab area and southeastern canyons of Utah always hopeing to find a ruin to explore and photograph. This book is great for the non-scientist but those interested in the cultures of the Southwest like me!
Average customer rating:
- Brilliant!
- Prepare for the unexpected.
- Interesting motive, fails to deliver
- Interesting Perspective Rarely Seen
- who's talking now
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The Woman Warrior: Memoirs of a Girlhood Among Ghosts
Maxine Hong Kingston
Manufacturer: Vintage
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ASIN: 0679721886
Release Date: 1989-04-23 |
Amazon.com
The Woman Warrior is a pungent, bitter, but beautifully written memoir of growing up Chinese American in Stockton, California. Maxine Hong Kingston (China Men) distills the dire lessons of her mother's mesmerizing "talk-story" tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upward. The author's America is a landscape of confounding white "ghosts"--the policeman ghost, the social worker ghost--with equally rigid, but very different rules. Like the woman warrior of the title, Kingston carries the crimes against her family carved into her back by her parents in testimony to and defiance of the pain.
Book Description
A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.
Customer Reviews:
Brilliant!.......2007-08-25
An excellent book, funny, insightful, poignant. Ms. Kingston brilliantly conveys how cultures can clash within the minds of those who straddle them. After reading this book I bought half a dozen copies to give to close friends.
Prepare for the unexpected........2007-03-22
This is a tremendous novel. The author threads the stories her mother told her when she was a child, through the retelling of her own life, using them to draw you into her own imagination. As she grows up, living half immersed in traditional myth and half in gritty reality, where mothers and daughters are only human, the reader grows up with her. The first person telling of her childhhood stories puts the reader directly in the shoes of a child/young adult working through the stories she has been told, using them to form her hopes and dreams and her understanding of the world.
(N.B. You may not think that your childhood stories influenced the way you live, but if you think for a minute, I am certain some will come back to you and you'll realize that just the other day you did something based on or combatting that belief. Maybe you even still wish on stars?)
Interesting motive, fails to deliver.......2007-01-12
While the perspective and ideas of this novel are ones rarely seen in modern day literature, Maxine Hong Kingston fails to captivate a reader in a way that one would expect from a novel dealing with the difficulties of not only being a minority in the U.S., but for simply being female.
The story starts off with the tale of Kingston's deceased aunt, who brought shame to the family and was unmentionable due to the fact that she bore an illegitimate child. As she gets into the tale and finds a parallel between herself and her aunt, both not wanting to conform to societal expectations, the story quickly changes to a story of a legendary girl trained by two old people to battle evil. The narration is filled with melodramatic elements and disorganized and often random occurences that make no sense at all, thereby losing the reader's interest early on in the book. The story then changes a few more times to different events in her family occuring in different eras, making it hard to grasp the relationship between themand her purpose for doing so. As you can see, the organization in this novel seems to be its biggest flaw. Instead of focusing on one tale and going in depth about it, the fact that Kingston changes stories so frequently and often before they are fully developed is annoying and seems to be pointless. While the stories she includes share a common theme of decpicting independent and strong women, her melodramatic and ineffective ways of narrating not only loses the reader's interest but in the process, I think even Kingston got confused about what she was trying to say!
Interesting Perspective Rarely Seen.......2007-01-12
Kingston combines the use of allegory, fantasy, and real life elements of her childhood to explore the social status of Chinese American women from the 1940s to the present in The Woman Warrior. While at first all of her stories may seem random, they all connect to Kingston's point of view as to how not just being a minority but also being a female made life difficult for her in both cultures. Her interwoven stories were so fascinating, as she brilliantly compares what she truly wants and what society is willing to allow her to do. It is crucial that the reader pay close attention to when her stories shift. My one problem with her plot organization is that she focuses on one story, and then suddenly shifts to another story. I couldn't understand until I was at the middle of the plot to comprehend each story's purpose in the bigger picture. But once the reader succeeds in getting over that one flaw, the rest is amazing. Kingston develops a unique style all on her own as she somehow connects the fantastical parts of her dreams to what she is forced to experience in everyday reality. In the backdrop of her personal experience, Kingston describes America's problems with racism and sexism different women in her lives are hurt by this. Kingston needed to maintain her flow; but the intriguing connections involving fantasy and reality work effectively to enhance her purpose.
who's talking now.......2007-01-11
This book tries to do too much! and doesn't succeed.
Even though this book had a good story over all, the confusing narration completely distracts from the intended message.
The entire story is in first person, no matter who is talking. This gets very confusing when the story suddenly shifts to another woman's story and you still think you are reading about the previous person. Suddenly you are reading and you think that the same character has somehow appeared on the other side of the world having no idea how she got there.
You will end up spending the whole book just trying to figure out who is speaking that you will miss most of what the book tries to say.
This is supposed to show the reality of what it is like to be a chinese woman but this is too hard to see when everything else is in the way.
This book does do some things well like its clever incorporation of irony in the narrator's retelling of a story that she has been forbidden to tell. It also incorporates superstitious elements such as her mother's battle with ghosts while at college and the enticing tale of the woman warrior. There is more irony seen here when most women in the story are seen as being weak, yet the woman warrior is strong and represents all the women with its title.
Book Description
Chuck Klosterman IV Consists of Three Parts:
THINGS THAT ARE TRUE
Profiles And Trend Stories: Britney Spears, Radiohead, Billy Joel, Metallica, Val Kilmer, Bono, Wilco, The White Stripes, Steve Nash, Morrissey, Robert Plant -- All With New Introductions And
Footnotes.
THINGS THAT MIGHT BE TRUE
Opinions And Theories On Everything From Monogamy To Pirates To Robots To Super People To Guilt And (Of Course) Advancement -- All With New Hypothetical Questions And Footnotes.
SOMETHING THAT ISN'T TRUE AT ALL
This Is New Fiction. There's An Introduction, But No Footnotes. Well, There's A Footnote In The Introduction, But None In The Story.
Customer Reviews:
Good for the NEWBIES.......2007-08-21
If you are just getting into Chuck Klosterman's writing, this is the book for you. I was given his previous book, SEX, DRUGS and COCOA PUFFS by a friend and found it to be one of the most entertaining and interesting books I had read in a long time. His insight into pop culture and his take on what is all means is fun and sometimes thought-provoking. I hadn't read any of his previous work, so this anthology of his previous work was a great way for me to catch up. I have since read KILLING YOURSELF, and am about to start FARGO. Enjoy!!!
Great Summer Read.......2007-08-09
The latest Chuck Klosterman, Chuck Klosterman IV:A Decade of Curious People and Dangerous Ideas, has come out in paperback, so I picked it up. As I mentioned in an earlier post, I've been reading this mammoth book on the Algerian war and have been reading some lighter stuff in between for a break and this totally fits the bill. That being said I had read a lot of the essays before, since I use dot regularly buy Esquire magazine, but it was nice to re-visit many of the articles. Love or hate Klosterman, he has a unique perspective on life and pop culture. However, I have to admit that I am a little bit more skeptical about some of his opinions like his defense of McDonalds in "McDiculous"-in which he comes across as a libertarian apologist for capitalism. "The Amazing McNugget Diet" was a mere week and has nothing on the film Super Size Me-a week isn't long enough to do anything to the body. I also found his hypothetical questions, that preceded several of the pieces, tedious.
That being said there are some real gems in the collection. Some of my favorites include:
a profile of Birtney Spears ("Bending Spoons with Britney Spears"-possibly the least self-aware celebrity alive), a profile of Val Kilmer ("Crazy Things Seem Normal, Normal Things Seem Crazy" -possibly the most self-aware celebrity around), a Johnny Carson obituary ("Here's `Johnny'"-the collapse of the common pop culture), a mediation on your nemesis and archenemy ("Nemesis"), the pop culture concept of Advancement, which I still don't quite grasp ("Advancement"), the problems of rooting for your country in the Olympics ("I Do Not Hate the Olympics"), fashion ("Three Stories Involving Pants," pop opinion vs. your opinion ("Cultural Betrayal"), the problem of monogamy ("Monogamy"), the significance of reality TV ("4, 8, 15, 16, 23, 42).
All in all, it is extremely entertaining, thought provoking, but not too taxing. I guess that's the definition of a perfect summer read.
Make it past the opening chapter and you're in for a long, strange trip.......2007-07-30
Chuck Klosterman's fourth essay collection, consisting of things that are true, things that might be true, and something that isn't true at all, is a snarky, intelligent collection with an absolutely terrible opening essay. I listened to the audiobook version, and during the opening piece, a dreadfully long, directionless anecdote about a junior high school basketball game, I nearly turned the audiobook off for good. There mere fact that Klosterman thought this was not just good enough to publish, but worth of opening his self-titled fourth book, cast doubt about the quality of the work as a whole.
Was he testing us? Would only his true fans make it past that opening chapter?
Fortunately, the next chapter, a 2003 article in which Klosterman deconstructs Britney Spears, was so riveting that I promptly forgot the painful moments of my life I lost to junior high basketball. Klosterman interviews Spears and observes her lack of self-awareness, eerily predicted her early 2007 meltdown under the media glare. He also takes us inside Val Kilmer's New Mexico buffalo ranch, to Dublin with Bono, and to certain celebrity interviews that were never published. Learning the story behind the unpublished pieces is almost as much fun as reading the essays themselves.
Klosterman also treats us to philosophical logic puzzles and his authoritative personal philosophies--the nemesis vs. arch-rival iconography, frustrated at people who are "betrayed" by the cultural mainstream, and his take on artists who are overrated, underrated, and perfectly accurately rated.
The concluding chapter is a long, ambling pseudo-autobiographical tale (with bonus angel dust use and a badass slacker narrator who happens to be a pop culture journalist at a Midwest paper) that succeeds in all the ways the first chapter fails. It's a long strange trip, indeed, with an ending open to interpretation.
Klosterman wins on most all counts..........2007-07-27
If you are familiar with Klosterman's work in such fine publications as Esquire or Spin, you know that his one article alone can sometimes make the longest lasting impression of that month's read. His fourth book, which is partially compiled from those essays, shows why many believe Klosterman is perhaps America's greatest critical/cynical observer of the modern life since guys like HST and Lester Bangs roamed the earth. (without the drugs of the former.) CK's stand-back-and-see what's-really happening take on everything from a Britney Spears photo shoot (is she just not self-aware or really extra savvy?), to a Dublin spin in Bono's Maserati, to senseless Olympic 'faux-patriotism' fandom, reality TV and the myth of monogamy, seriously questions one's own thinking with it's detached analysis and an overwhelming sense of "Oh, really?". (Plus, He's the only guy I know who bothers to make a list of bands that are 'accurately rated.') Of course, whether trying to be or not, this self acclaimed Gen-Exer is often dropkick hysterical. The book is divided into three sections - "Things That Are True," "Things That Might Be True" and "Something That Isn't True at All" the latter of which is the author's attempt at short fiction. What is true is that Klosterman wins on most all counts. Whether you agree with him or not, he puts his views front-and-center (or not) and let's you know that he doesn't necessarily look at life through the same filters as everyone else. In short, Klosterman rocks. - BlogOnBooks
Hilarious.......2007-06-02
I'm a big fan of Chuck Klosterman's writing, and he did not disappoint with this book! It wasn't quite "Sex, Drugs and Cocoa Puffs" but I like it better than "Fargo Rock City". The last section of the book was my favorite.
Book Description
Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses focused on American Film, this text offers a cultural examination of the American movie-making industry, with particular attention paid to the economic and aesthetic institution of Hollywood.
Customer Reviews:
Excellent as a Historical Text Book.......2007-03-24
So, I expected this book to be a bit more fun. Unfortunately, the fun element is missing. However, in fairness, the book serves as a thorough textbook for the history of American Cinema and its techniques and various genres. I did enjoy reading about the early studio system and the vast amount of control this oligopoly held. There were some very good critiques and studies of specific films, and a bit about specific actors and actresses. Even a bit about directors. Though packed with information, the book just lacks an entertainment value that it could and should have pulled off based on the subject matter.
The different genres studied include:
Westerns
War Movies
Silent Films
Film Noire
Screwball Comedies
As well as an overall dissertation on Classical Hollywood Style and its various techniques.
Not very good..........2005-03-05
I got this book for a class on the history of cinema. Unfortunately, as the title implies, it only deals with American Cinema. If this is a book for school, check out the class to see if foreign films and film history will be discussed. This book is, again, as the title implies--one-sided. Most of the movies it discusses, gives away crucial plot-points and endings. Some movies that I've been dying to see were ruined in just one or two sentences. This book is also very puffed-up and biased (I don't know any other way of explaining it). Many times throughout the book, Belton seems like James Lipton of "Inside the Actor's Studio", and goes on and on about the greatness of Hollywood, actors, director's, and films with nothing negative to say. It's not at all critical of anything and the author frequently inserts his own interpretation of films into the general text, which I found a little pompous. The book does offer up some interesting facts about the early history and the birth of cinema, but there's something about the way this book was written that makes it hard to stay interested. I think the chapters about film genres exaggerate the importance of some of them, and neglects other genres completely, ie. Horror, Thriller, Mystery, Sci-fi, Animation, Epics, etc. Again, question the instructor and/or look at the class syllabus before siging up if this is the only book for this class. I don't believe this is a comprehensive and unbiased view of cinema and it's history.
A very useful beginners guide to American film........2003-01-08
Years ago I took an intro-level film class at a community college. This was the text for the class. It was accompanied (at least in my class) by a PBS video series that combined film clips with interviews and historical information. Going into the class I had little more than a passing interest in film and film history. But after taking that class, my passion for film has grown exponentially with each year. But back to the book, I really liked this book and highlighted my way from the front cover to the back cover. There are of course limitations to this book. Firstly, it deals only with American films. Secondly, this book barely breaks the 300-page mark - hardly a comprehensive volume. You aren't going to get any information on John Cassavetes here or anything. Now if you have a chance to use this book in conjunction with the PBS films, I think you'll do much better (in fact I think the vids even give a nod to Cassavetes), but even then please note that this material is for an INTRO-level film class, and won't be much good for someone who already knows a fair amount about American film. But with that in mind, the book still has a lot to offer someone looking to introduce themselves to film history.
The first third of the book starts with the birth of film, moves quickly on to the Hollywood studio system, and walks us through the basics of film style (camerawork, lighting, editing, etc.). The second third covers the basics of film genre; there is a chapter about film noir, one on comedies, one on war films, and one on westerns. This second section was particularly useful to me. I could read each chapter, jot down a list of promising titles, hit my local video store, and I was good to go. The third section covers American film after World War II. In this section things seem a little compressed. 110 pages for 50 years of film? A lot is lost on the cutting room floor. But there's lots to dig into all the same. There's a chapter on Hollywood during the McCarthy years (yikes!), one on film's evolution during the emergence of television, a chapter on 1960s counterculture films, one on the film school directors of the 1970s and 1980s, and finally a pretty weak chapter on film in the 1990s. Oh yeah, and at the end of the book there's a handy glossary (in case you're ever stuck on what point-of-view editing is) and a pretty thorough index.
Again, not a book for someone who already has a good feel for film history. But definitely a great resource for someone new to film studies, or for someone who has trouble finding a movie at Blockbuster on Fridays. It did a great job getting me excited about movies, and I imagine its done the same for others.... A good companion to this text (or possibly an all-out replacement of it) is Scorsese's VHS/DVD, "A Personal Journey With Martin Scorsese Through American Movies."
Movie spoiler.......2002-10-08
This would be a great book to read if you have no intention of watching the films discussed within, or if you've already seen them. On quite a few films, it tells the whole plot, in detail, from opening to end credits.
I also don't like the prose of the author, as he excessively uses sentences "in quotations". The writing structure is very formulaic and boring. The "5 paragraph essay" format is good for high school students learning to write, but imagine an entire book written that way. I can only read it for 15 minutes before losing interest.
The book does, however, provide plenty of examples from a variety of films.
This book is a companion piece to the PBS series by the same name. The series is much more interesting. Don't bother with the book. A much better film text is "Film: An Introduction", by William Phillips, ISBN: 0312258968.
Average customer rating:
- Life and Literature in Iran
- Rambling and boring
- Informative, unique perspective, a bit disjointed
- A View Of Iran
- An ugly, irresponsible excuse for a book
|
Reading Lolita in Tehran: A Memoir in Books
Azar Nafisi
Manufacturer: Random House Trade Paperbacks
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Lolita
ASIN: 081297106X
Release Date: 2003-12-30 |
Amazon.com
An inspired blend of memoir and literary criticism, Reading Lolita in Tehran is a moving testament to the power of art and its ability to change and improve people's lives. In 1995, after resigning from her job as a professor at a university in Tehran due to repressive policies, Azar Nafisi invited seven of her best female students to attend a weekly study of great Western literature in her home. Since the books they read were officially banned by the government, the women were forced to meet in secret, often sharing photocopied pages of the illegal novels. For two years they met to talk, share, and "shed their mandatory veils and robes and burst into color." Though most of the women were shy and intimidated at first, they soon became emboldened by the forum and used the meetings as a springboard for debating the social, cultural, and political realities of living under strict Islamic rule. They discussed their harassment at the hands of "morality guards," the daily indignities of living under the Ayatollah Khomeini's regime, the effects of the Iran-Iraq war in the 1980s, love, marriage, and life in general, giving readers a rare inside look at revolutionary Iran. The books were always the primary focus, however, and they became "essential to our lives: they were not a luxury but a necessity," she writes.
Threaded into the memoir are trenchant discussions of the work of Vladimir Nabokov, F. Scott Fitzgerald, Jane Austen, and other authors who provided the women with examples of those who successfully asserted their autonomy despite great odds. The great works encouraged them to strike out against authoritarianism and repression in their own ways, both large and small: "There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom," she writes. In short, the art helped them to survive. --Shawn Carkonen
Book Description
Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi’s living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.
Customer Reviews:
Life and Literature in Iran.......2007-09-30
For two years, Azar Nafisi, an Iranian professor, gathered a group of young women into her home every Thursday morning to discuss literature. This circular memoir begins by talking about these weekly meetings, then takes the reader into poignant fragments about Nafisi's life in Iran and how things became the way they are. Throughout the book, learning and discussion occurs through novels such as Lolita and Pride and Prejudice.
I found the middle sections a little monotonous. The first and fourth sections were my favorites, because they focused on the girls' group that Professor Nafisi led. I would recommend this book if you love literature and writing and English... or if you want to learn more about the nuances of Islamic life in Iran.
Rambling and boring.......2007-09-21
First, I must confess: I didn't finish the book. It contains a lot of disjointed literary criticism in additon to descriptions of the lives of the author and her women students in 1990's Iran. I found it boring.
Informative, unique perspective, a bit disjointed.......2007-08-29
Everyone I knew said this was an amazing book, so I was a bit disappointed when I first started reading it. Unlike some of the reviewers, I thought the book became significantly more interesting once it was out of the "book club" mode. I have never read "Lolita" and a number of the reference were lost on me. In fact, our book group changed the book (which we've done twice in nearly 10 years) mid-stream and picked something else after a number of people had the same response that I did initially.
FORTUNATELY, I kept reading. I've always wondered how religious zealots come into absolute power (at least in the US, we vote them in). This book illustrated how slowly a change can take place and before you know it, you're covered in a traditional garb. At one point, she discusses how the silly little rule changes, which door to use, etc, didn't bother her because she was too busy worrying about her syllabus, which she felt was more important.
This book was insightful, similar to "The Kite Runner", regarding how most families in the world share the same values, but how easily a vocal minority can come into power when people are too busy to care about politics.
This book also throws aside the western view that Muslim women are meek, mild and without opinion.
I enjoyed it, although I felt like the middle should have been the beginning.
It is a worthy read that stays with you.
A View Of Iran.......2007-08-20
I don't know much about Iran, though I know a lot about it's neighboring countries. This was a new adventure for me, and one I am glad I undertook. Azar Nafisi certainly wrote a compelling account of her life in Tehran, under the constant watch of revolutionary Islamists, that are rivalled only by hard-core communists and the Taliban regime. Nafisi allows us to look at Iran in its transformation from a cosmopolitan Asian country to a backwards fundamentalist dictatorship. Nafisi introduces us to the victims of this transformation - from people to culture to history.
I thoroughly enjoyed Nafisi's book for the most part. I gave the book four stars only due to Nafisi's repeated analyses of the works of Nabokov, James and Fitzgerald. Nafisi's first book was about Nabokov's literature, and I found it unnecessary for her to fall back on Lolita and Daisy Miller so heavily. At first, in fact, the novel doesn't seem to be about anything BUT Nabokov, and Iranian women's perception of Nabokov's "Lolita."
Only later is it that Nafisi concentrates on the story that she set out to tell - the story of a few Iranian women thirsting for literature and knowledge being stifled by the new ultra-Islamic regime. As the story unfolds, we see Iranian freedom slowly disappear into a distant memory as seen by progressive college students and professors of tehran's University, at first through clear eyes, later through the heavy veil imposed by the regime on all women.
I find Nafisi's account of her life in this crucial historic stage of Tehran a fascinating memoir, a memoir that touches on so many things: friendship, learning, loss, longing. It is a memoir in which eating a forbidden ham and cheese sandwich becomes a treasured memory, a memory that brings our everyday life into perspective. Above all, I see Nafisi's memoir as the novel of hope and of future shaped by our past, with no regrets. I highly recommend this novel to all aspiring novelists, as well as all who have no knowledge of modern Iran.
An ugly, irresponsible excuse for a book.......2007-08-19
This is the worst book I've ever read.
To start with, Azar Nafisi is a terrible writer. This is not in itself a dealbreaker; plenty of writers with zero talent for constructing beautiful sentences have stolidly crafted enjoyable bestsellers out of workmanlike prose that never ventures outside a comfort zone of basic, straightforward presentation of information. Nafisi's mistake is in thinking she has that talent for words, that she is the greatest writer on earth, when in fact she does not and is not.
For about a quarter of the book I honestly believed that the bad writing must be some sort of obscure postmodern statement, the meaning of which I had not yet grasped, so I continued to wade through it in search of an explanation. I wanted to believe it was self-aware. But soon it became apparent that she really was writing in this absurd, all-over-the-map manner in earnest, attempting spectacular feat after spectacular feat of time- and tense-shifting that failed just as spectacularly, not to mention her tendency to leave out quotation marks in dialogue whenever the fancy struck her, all of it rendering the book a rambling, incoherent muck of pretension. She also attempts to pump every chapter full of ornate descriptions of everything and anything regardless of its value to the story. A prudent editor could have cut "Reading Lolita in Tehran" down to half of its endless 343 pages without losing anything of worth. Unfortunately this would have made the book only marginally better, for there are greater problems than just the prose.
She is also ignorant and hypocritical to the extreme. She frequently refers to a cherished metaphor comparing Iran's relationship toward its women with Humbert's relationship toward the title character in "Lolita." Ignoring the ludicrous way she mangles the metaphor to meet various situations like a child using power tools to fit a square peg into a round hole, it brings to light the fundamental failure of this book: it does not even attempt to bring any insight to the situation it presumes to examine.
Just as Iran suppresses its women's individuality for its own ends, she writes, Humbert forces Lolita into being his fantasy, never letting her escape his all-controlling narrative to become her own person. This injustice is one of the main themes of the book. And yet whenever one of the "bad guys" of the book comes into the picture, it becomes apparent who is casting whom in only one light. The soulless Iranian pig-men are never allowed to "say" things, they may only say them "sulkily," or "drone on triumphantly." Nafisi never even attempts to give anyone who disagrees with her vision of utopia more than one dimension, condemning them as blindly as the censor she so loathes, and portraying them as red-faced babies screaming at the angelic, perfect, wonderful, articulate, elegant, soft-spoken and yet still tenacious and ever so brave girls of her class, so that the troubled reader will never have to make a single decision for himself: she has already done all that troublesome judgment for him. She is just another of "Those who see the world in black and white, drunk on the righteousness of their own fictions" (132).
Nabokov gave even Humbert a reason for his evil, if a tenuous one: his lost childhood love Annabelle. What is radical Islam's Annabelle? Don't look for real answers here. Nafisi offers only appetizing answers, ones that go down smoothly to give readers a sense of solidarity against a faceless enemy. Here the opposition is portrayed as nothing more than a parade of inhuman oppressing machines. Such demonizing tactics have been used before, throughout history. I'll leave it to the reader to find specific examples.
Azar Nafisi rightly deplores the injustices of the Iranian empire, but I shudder to think of what would go on in the kind of country run according to the oversimplified, irresponsible, hypocritical thinking she demonstrates here. Compared to that, Iran looks like Disneyland.
I hope she learns how to write and how to think before she attempts another book.
Book Description
This new Readers Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner.”
In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no firsthand knowledge of this country beyond her father’s glowing memories of his graduate school years here. More family soon followed, and the clan has been here ever since.
Funny in Farsi chronicles the American journey of Dumas’s wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.
In a series of deftly drawn scenes, we watch the family grapple with American English (hot dogs and hush puppies?—a complete mystery), American traditions (Thanksgiving turkey?—an even greater mystery, since it tastes like nothing), and American culture (Firoozeh’s parents laugh uproariously at Bob Hope on television, although they don’t get the jokes even when she translates them into Farsi).
Above all, this is an unforgettable story of identity, discovery, and the power of family love. It is a book that will leave us all laughing—without an accent.
Customer Reviews:
I LOVED THIS BOOK!!.......2007-09-15
I PICKED THIS BOOK UP AT THE LIBRARY, JUST RANDOMLY A COUPLE OF YEARS AGO, AND LET ME SAY, THIS WAS THE FIRST BOOK TO EVER MAKE ME LAUGH OUTLOUD! THE ONLY PROBLEM I HAD WITH IT WAS IT WAS TOO SHORT!...IT TOOK ME 1 WEEK TO READ IT ONLY BECAUSE I TOOK MY TIME SAVORING IT..OTHER WISE I COULDHAVE FINISHED IT IN A COUPLE OF DAYS..I WAS SO ENDEARED WITH IT, I HAD TO PRCHASE MY OWN COPY..IM JUST WAITING FOR HER NEXT BOOK.
Funny in Farsi.......2007-08-24
It was a cute book, and I would rate it between 3 and 4. Some of it was cute and funny but overall, I was a little disappointed.
A perfect read.......2007-08-23
The book was great, I actually laughed out loud a couple of times. The book runs stacatto, so you don't have the time to get bored with long, drawn out chapters. I think anyone can relate to this book.
A must read.
FUNNY IN FARSI.......2007-08-01
Delightfully funny, FUNNY IN FARSI is an excellent journey into what it is like to assimilate into another culture. It is not often we get this type of story told with delicious humor, the range of experiences, or the perspective from having lived in each of her home countries twice. As an insight into what American culture is like to the foreigner, Firoozeh Dumas deserves much praise.
My recommendation is strong enough that I will be using this book as required reading for my eighth-grade International Baccalaureate students this year when we look at the subject of Cultural Influence. I expect that they, too, will find her story fresh, hilarious, and eye-opening. To walk in someone else's shoes is necessary for understanding; this book accomplishes a lot towards that goal. Also, the serious discussion of what it's like to be a Muslim in America should hopefully open a few minds.
That said, I do have a BIG problem with how this book is structured. More of a collection of essays than the story of her learning how to be an "American," the author (and editor) have given us a scattered approach to the story of assimilation that seems to pooh-pooh any dedication to chronology. In one chapter she is ten-years-old and in the next she discusses her French husband. Huh?! The erratic organization of this book is frustrating for the reader, because Dumas's editor could have solved this problem easily, but failed to do so.
If possible, I would have given this book four and a half stars instead of five.
Nevertheless, this book will make you laugh out loud...more than once! It's a delightful collection of essays (about the size you'd find in a magazine) about a family of Iranian immigrants who experience life in a new country told perceptively by a writer who really should become a regular magazine humorist/essayist. This is a book you can really enjoy one chapter at a time.
Funny in any language!.......2007-07-26
What a great read! This book was required reading for a Sociology course on Minorities in the United States. This book was a delightful surprise from the usually dull assigned books.
Ms. Dumas is cleaver and witty as she tells the tale of her family's immigration from Iran to the US in the early seventies. I definately recommend this book to all.
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