History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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(RAW Rating: 4.5) - What is happening to black men?
Why Are So Many Black Men In Prison? A Comprehensive Account Of How And Why The Prison Industry Has Become A Predatory Entity In
A Must Read
Why are so many Black Men in Prison?
Why are so many blacks in prison?

Why Are So Many Black Men in Prison?
Demico Boothe
Manufacturer: Xlibris Corporation
ProductGroup: Book
Binding: Paperback

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ASIN: 1425713971

Customer Reviews:

(RAW Rating: 4.5) - What is happening to black men?.......2007-08-04

Demico Boothe has explored the reasons so many black men are indeed in prison in, WHY ARE SO MANY BLACK MEN IN PRISON? He begins with his own story of a shaky upbringing and his subsequent dabbling in drug dealing. He was caught with a few grams of crack cocaine but because it was the dreaded crack, he was given 10 years in prison. When he left prison after serving his time, he was actually railroaded back into prison by a crooked justice system. He delves deeply into our justice system and the motives behind all the new prisons that are being built. He gives succinct and reasonable views of exactly what is happening now in the United States and how the past has played a role in the present. He uses persuasive statistics regarding the number of black men in prison as compared to the number of white men who are incarcerated.

Demico Boothe has done an excellent job of researching his subject and it is a plus, if unfortunate for him, that he has actually experienced first hand what he's talking about. I knew I was hearing the real story rather than just statistics from an intellectual who had no real idea of what the prison system is really like. I would have liked for Boothe to search a little deeper into the Haiti, Aristide and USA question, maybe even reading Randall Robinson's take on the situation, and then he might see it a bit differently. Otherwise, it is a good book and one every one in America should read. We indeed, have a crisis going on.

Reviewed by Alice Holman
of The RAWSISTAZ Reviewers

Why Are So Many Black Men In Prison? A Comprehensive Account Of How And Why The Prison Industry Has Become A Predatory Entity In.......2007-06-09

The book was very interesting. I learned soooo much about the government and the prison industry. I did some searching independantly to check on the things reported in the book and they are very true. Great Read!! Buy the book.

A Must Read.......2007-05-25

Mr. Demico's book is a must-read for anyone concerned about young African American men. Although I did not agree with every conclusion he reached, Demico's main premises are convincing. As a white woman who teaches mainly students of color, I am always impressed, and often in awe, of those young men who reach college with so much going against them. Demico's books lays bare not only the horrible inequalities of our society, but also the racist attitudes of our political system - - Democrats, Republicans, and most everyone in between.

Why are so many Black Men in Prison?.......2007-05-13

I is a well put together book. He really goes into a lot of detail of how our society is really set up.

Why are so many blacks in prison?.......2007-05-12

I found this book very interesting. As a white devil myself, I had no idea that I was responsible for forcing blacks into committing crimes and then subsequently clogging up the whole "Prison Industrial Complex"(tm). I will try to stop causing this, as I am sure it is creating a LOT of trouble for everyone! Sorry!

It is probably also my fault that young black men dressed in XXXXL clothes overtly threaten me and my family members routinely. Can anyone tell me what I should do to make this not happen?

I imagine it's also my fault that black on white violent crime is WAY higher than white on black violent crime, even though blacks constitute about 12.5% of the population, and whites are about 70%. But since it is impossible for a black to commit a hate crime according to our criminal justice system (since blacks are not under any circumstances racist), statistically, there are more white on black hate crimes. Boothe notes a statistic regarding hate crimes, but he skips the one about interracial violence in general.

In sum, Boothe notes that just about everything blacks do is actually MY fault, because my skin is white. Boothe, I've got a word for you.

Introspection.

Enter His Courts with Praise!: Old Testament Worship for the New Testament Church

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Andrew E. Hill Helps Contemporary Worship Leaders

Enter His Courts with Praise!: Old Testament Worship for the New Testament Church
Andrew E. Hill
Manufacturer: Baker Books
ProductGroup: Book
Binding: Paperback

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ASIN: 080109030X
Release Date: 1997-02-01

Book Description

An exhaustive study of what the Old Testament says about worship renewal, including its form, function, place, and expression. Includes illustrations.

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Andrew E. Hill Helps Contemporary Worship Leaders.......2000-06-21

Dr. Hill's book presents an overview of expressions of and teaching on worship in the Old Testament. Chapter one gives some practical explanations about Hebrew words translated as the English word worship. Elements of worship addressed in following chapters include: Worship as lifestyle (personal Piety), The development of worship from the patriarchs to the prophets, The holism of the Hebrew understanding of worship as it relates to form, place and time, and the role of the King as worship leader. The tension between God's transcendence and immanence is evident in discussions about Hebrew worship. The role of music and the arts is related to praise, especially in the context of the Psalms and Davidic worship. "Enter His Courts With Praise" also includes numerous helpful charts and illustrations.

Dr. Hill identifies a number of parallels between vibrant, God honoring worship of the Old Testament and some of the trends in worship today. Included are trends such as: the corporate nature of worship (as opposed to some of the negative effects of individualism), worship as active rather than passive, an attention to history as well as the bible, and a more holistic understanding of the relationship between God and man.

Book Description

Only in the latter half of the twentieth century did the star of Jan Dismas Zelenka begin to ascend. Why did this major Bohemian composer of the Baroque era - who was known to, and esteemed by Johann Sebastian Bach - remain in the shadows for so long? Although most of Zelenka's music was composed to serve the Catholic liturgy, he left a handful of secular compositions, including six remarkable chamber sonatas. When these were first published in the 1960s, the resurrection of the almost-forgotten Zelenka was heralded. Drawing upon surviving musical materials, contemporary accounts, and Jesuit documentation, this volume presents insights into Zelenka's life and his music and the brilliant context in which he worked - the Dresden court during the reigns of the Kings of Poland and Electors of Saxony, Friedrich August I and II. A catalogue of Zelenka's compositions is also included.

Customer Reviews:

A grand attempt at a very hard task.......2002-04-19

Dr. Stockigt is probably one of the best English speaking authorities on JD Zelenka. She did a fine job of tracking down the life of a man who was a Catholic outsider in the Lutheran world of Saxony. The challenge is great because of damage wrought by the fires set in Dresden by the Austrians and Prussians in the seige of 1760 and then the damage wrought by the holocaust in 1945 and then possible Soviet pilfery of the Dresden archives. Whole parts of the Zelenka catalogue are missing and some manucripts are missing sections.

Zelenka was not cooperative with historians. He left no portrait and had no children or close students to whom he could have confided his secrets. He kept no known personal diary. Zelenka is not recorded as having married. Leaving so little behind makes the task of defining the man difficult.

Dr. Stockigt weaves together a picture of life as a Bohemian child learning music, one which Zelenka must have lived. She shows the world of Zelenka as he matured, from Count Sporck's orchestra to the Dresden hopfkappel. She shows the Byzantine politics of the Dresden Court, the tensions between the Catholics who are tolerated for political reasons and the Lutheran majority who resent "Papist" influences in the Court. We learn of the thread of the Jesuits throughout Zelenka's life, from his education at the Klementium to his life at the Dresden Court. The Jesuits, the feared agents of the counter-Reformation, are to be seen at every turn in Zelenka's adult life.

She chronicles Zelenka's triumphs, his downfall at the hands of Hasse and his eventual death and then his legacy as a composer.

Dr. Stockigt focuses closely on Zelenka's music, offering analyses of themes, technical points and performance practices. We learn that the Dresden Catholic Chapel had castrati, who went on "strike". Dr. Stockigt reveals that Zelenka's patroness, the Empress Maria Josepha, protected him and we are shown his loyalty and devotion in return. We learn of her critical role in preserving his musical legacy and in how Zelenka crafted for her fine works of devotion.

We are gratified to know that many of the best composers of the time esteemed and valued Zelenka's music - even Lutherans who had no great love of Catholics in general and Jesuit trained Catholics in particular. This does not exclude J.S. Bach, with whom Zelenka collaborated on Masses and compositional practices at the Dresden Court. We discover that Zelenka's help was critical to the first performance of Bach's mass in b minor. We are also told of the fellowship and friendship between Zelenka and Johann Georg Pisendel, much admired violinist. We also learn the G.P. Telemann, one of the greatest composers of his day, attempted to publish Zelenka's "Responsora" at risk to himself.

Dr Stockigt shows the "afterlife" of Zelenka, from his relative neglect after death, to his legacy during the years preceding the Dresden holocaust, to his hesitant but sure "renaissance" today. It is obvious at every turn that Dr. Stockigt is fascinated with the man, loves his music and shares both with the reader.

This book reveals a long gone world, warts and all, to those who value the music of those times. This book also attempts to show, as best as can be done, the man behind the compositions.

Customer Reviews:

A VERY-WELL-THOUGHT-OUT TRIBUTE.......2007-09-22

What a great idea Continuum Publishing has going with its 33 1/3 series: little books dealing with some of the greatest records of the past four decades, each one lovingly written by a different author, and each functioning, in essence, as a 120+-page collection of liner notes for those priceless albums. First on the list, for me, of the 50+ titles in the series so far, was No. 40: Sean Nelson's thoughts on Joni Mitchell's 1974 masterpiece "Court and Spark," surely one of the greatest pop records of its decade, as well as Joni's most commercially successful album to date. It is quite obvious that Mr. Nelson, a Seattle-based writer and musician, is enormously fond of this classic, although he makes it very clear that he is not a member of Joni's "cult of devotees" who follow "wherever Mitchell leads." Rather, his fondness for the Big Mitch's music seemingly extends only up to the mid-'70s. (And this might be as opportune a moment as any to mention that I AM one of those "devotees" that Nelson sniffs at, and believe that Mitchell is not only the greatest Canadian who has ever lived, but also one of the world's foremost living artists, the ultimate nature girl, and a true Renaissance woman, all wrapped up in one yummy package. Anyway, you know where I'M coming from!) But Nelson seems to have done an inordinate amount of thinking about "Court and Spark," and manages to analyze the record's lyrics so deeply as to come up with insights that I'd never even considered before (and I've owned the record since the day of its release in January '74). For instance, Nelson convinces us, in his arguments, that the female character in "Car on a Hill" is most likely different than the one in "People's Parties" and "The Same Situation." He calls attention to the slightest change of inflection in Mitchell's voice at the tail end of "Just Like This Train" and the heartbreak suggested therein; makes us see how "Down To You" (my favorite Mitchell song of all time...and that's saying something!) is the thematic linchpin of the record; and illustrates how the lyrics in "Help Me" build in emotional impact with each verse. These are all items that Ms. Mitchell's legion of fans may have recognized subconsciously, but Nelson, using a method of analysis that mainly deals with the album's words and their message--as opposed to the music itself--really lets those fans appreciate the album anew by bringing these matters to the fore. He writes extremely well--indeed, the style of this "mini monograph" almost suggests a doctoral thesis--and with some humor (I had to laugh out loud when he calls Joni's records after 1975 her "difficult period") and self-deprecation ("What the hell do I know?" he asks at the book's conclusion). He even forestalls the inevitable question of why an author would choose Mitchell's "Court and Spark" to write about, as opposed to, say, 1970's "Ladies of the Canyon," 1971's "Blue" or 1972's "For the Roses" (all of which I prefer, by the way, but that's just me), by convincing us that "Court and Spark" represents a culmination of Mitchell's "musical Freitag's Triangle." His statement that the best Mitchell record "is the one that's playing right now," however, is surely undercut by his later pooh-poohing of the artist's last three decades' worth of work. (And honestly, how many folks out there could pop 1988's "Chalk Mark in a Rain Storm" into their CD player and regard it as the best Joni music ever?!?)

Nelson makes other statements guaranteed to raise the hackles of many a Joni fan. He is largely dismissive of "Ladies of the Canyon," a record that winds up on my turntable more than any of her others ("a wistful piece of hippie utopianism," in Nelson's view), and doesn't even seem to have a high regard for the critical and fan favorite "Hejira" (1976). He calls "Court and Spark"'s "Raised on Robbery" "the least impressive song" on the album, and claims that Joni's band, the L.A. Express, seems to be "condescending to the music" and assuming "a swagger it doesn't earn." (Perhaps Nelson, who admits that he was a child when this album was released, would eat those last words if he could have seen Joni and the L.A. Express blast the roofs off of many venues with this encore finale during the album's tour in 1974!) Worse than the inflammatory comments (I'm kidding, Sean!) are the occasional errors of fact that the author is guilty of. He misquotes the lyrics of Joni's songs on at least three occasions (for "The Boho Dance," "My Old Man" and "Trouble Child"), misspells "Rene Auberjonois" (sorry, Odo), and falsely states that Mitchell's 1975 live album "Miles of Aisles" contains "radical jazz-rock rearrangements" of some tunes from "Court and Spark." (The only song from "Court and Spark" on "Miles of Aisles," in actuality, is "People's Parties," and is quite faithful to the original acoustic rendition.)

These slips undermine only slightly, however, what is in essence a very-well-thought-out examination of one of Mitchell's greatest accomplishments. If I seem to be raising frivolous objections here, I suppose it must be because I tend to get a tad defensive when it comes to my favorite recording artist. Though the book is riddled with typos (it is to be hoped that the other entries in the 33 1/3 series have been composed with more attention!), Nelson's lucid, loving and enthusiastic work ultimately proves to be a very nice tribute to this wonderful record and its genius of a creator. It makes me want to pick up several more volumes in the 33 1/3 series, such as the ones for "Electric Ladyland," "Exile on Main St." and "Forever Changes." I sure do hope that the authors of those volumes have put as much thought and passion into their essays as Sean Nelson apparently has with his. The bottom line is that all fans of Ms. Mitchell in general and "Court and Spark" in particular should enjoy his work. Just be prepared to take some exception with some of Nelson's "idiomatic logic"!

Worth the trip..........2007-02-09

I bought this hoping the author would delve into the details of the production of this album, which stands out in the pop world (in the same way `Revolver' stands out as being a near-perfect gem) - I'm very interested in how Ms Mitchell comes up with her extraordinary words and sounds. However, this book doesn't go there - the author chooses instead to provide an exegesis of the sounds and words, a narrative that takes the reader through the album as if a single story (or possibly more than one story) was being told by Ms Mitchell. It's quite an effective approach, and allows the reader to enjoy "hearing" the album as if for the first time. You might not agree with the author's various opinions or conclusions about each song (I didn't, for example, on "Raised on Robbery"), but the journey is very rewarding.

The bad news is (a) the book ends, and (b) it will firmly put C&S tracks in your head in heavy rotation for days; the good news is the tracks are so inventive that you won't be bored.

Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (Detroit Monographs in Musicology) (Detroit Monographs in Musicology)

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Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (Detroit Monographs in Musicology) (Detroit Monographs in Musicology)

Manufacturer: Harmonie Park Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0899901026

Book Description

In this tribute to an important scholar and teacher, former students and colleagues offer a collection of essays covering Renaissance studies.

An Introduction to Gluck's "Orfeo ed Euridice" (Opera Explained)

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An Introduction to Gluck's "Orfeo ed Euridice" (Opera Explained)

Manufacturer: Naxos
ProductGroup: Book
Binding: Audio CD

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ASIN: 1843790815
Release Date: 2004-01-01

Music from the Tang Court: Some Ancient Connections Explored (Music from the Tang Court)

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Music from the Tang Court: Some Ancient Connections Explored (Music from the Tang Court)
Laurence E. R. Picken , and Noël J. Nickson
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0521543363

Book Description

The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This ‘Tang Music’ (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earliest sources. This process has revealed surprising evidence for ancient interconnections in Asian musics, and the essays in this seventh volume present aspects of this research to date. They provide evidence, for example, of music in a scale of four notes only from Bali and from Ancient China, as well as, most significantly, for the transportation from the Tang capital to Japan of ‘several tens of scrolls of music in tablature’.

From the Tanjore Court to the Madras Music Academy: A Social History of Music in South India

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From the Tanjore Court to the Madras Music Academy: A Social History of Music in South India
Lakshmi Subramanian
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 0195678354

Book Description

This book traces the adaptation of the traditional music in south India to the necessities of colonial and post-colonial social realities. The cultivation of classical music and the music of the Tanjore Trinity in particular, emerged as a central element in the articulation, nourishment and defence of a collective cultural persona by the Tamil Brahmin community in the face of the atomising threat of modernity. This project coincided with the growth of nationalist political agendas and traditional music was enlisted in the service of the freedom movement as an emblem of India s unique and independent authenticity. Classical music, in moving from the quiet courtyards of Tanjore to the concert halls of Madras, acquired a systematic re-ordering internally and externally that has empowered it to survive and thrive in the eccentric contemporary world.

Gagaku;: Court music and dance (Performing arts of Japan)

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Gagaku;: Court music and dance (Performing arts of Japan)
Masataro Togi
Manufacturer: Walker/Weatherhill
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Binding: Unknown Binding

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ASIN: 0802724450

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