Average customer rating:
- Check and see
- Suprise! Suprise!
- Prescient St Augustine?
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- Romulus courts Helen, Paris founds Rome, Moses goes to Troy..
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History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
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Binding: Paperback
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ASIN: 2913621066 |
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
The Totally Awesome 80s!
If you can name all the members of Duran Duran, lip synch with perfection to a song by Milli Vanilli, or out-dance Madonna in her “Lucky Star” music video, then this is the perfect book for you! It’s all here, from a-ha to ZZ Top. So, slip on your leg warmers or your “Frankie Says Relax” shirt, open a can of New Coke, and put on a Culture Club CD, it’s time to take a trip back to the Wild and Wacky 80s, the most totally awesome decade of all time!
Open up this book and you’re sure to have a gnarly good time!!!
Customer Reviews:
2 stars, but only for the concept.......2003-09-16
This book is filled with misinformation. My husband & I found several incorrect answers when going through it the first time. The concept is GREAT...a book dedicated to the pop culture of the 1980s! SUPER COOL! However, that's where the excitement ends. You'll have a better times looking online at different short trivia games. Incredibly disappointing!
It came from the 80s!.......2001-08-09
I got turned onto this book in an 80s chat room! Ordered the book, and I'm glad that I did. It really captures the spirit of the music of the time, which was a lot of fun. It makes a great addition to my pop culture book collection.
It's like, Totally Tubular, ya know?!.......2001-08-06
This is the best book I have found that I have actually gotten stumped at....but then I realized that I must have had a fugue state....remembered them!!! *grin* Great book, great author....
The Interactive 80s Network's (i80s.com) 80s Book Review.......2001-04-10
The Totally Awesome 80s Pop Music Trivia Book is an excellent resource for all 80s music fans. From cover to cover this book is jam packed with everything you want to know about 80s Pop Music Trivia and more! We especially love The Totally Awesome 80s Pop Music Trivia Book because we offer our members/visitors 80s trivia. With the graciousness of author Michael-Dante Craig allowing us to utilize information from the book, we now have an excellent addition to our 80s trivia section...
Totally Awesome 80s Pop Music Trivia Book by Michael Craig.......2001-03-26
What can I say, but "Totally Awesome"!!! If you grew up in the 80s, then you will love this book. Every page will bring back a happy memory and a big laugh; this is a funny book! The questions go from simple to extremely difficult. My favorite is the "guess the video" segment... I laughed my head off. If you enjoy 80s pop music, then you will definitely love this book. So buy it today, like, fer shur, it's totally radically awesome...
Book Description
This rich, diverse, and intelligent collection of hip-hop and rap album reviews includes pieces from some of the country's most talented critics on hip-hop music, drawing on a range of expertise from writers at such magazines as Spin, Rolling Stone, The Source, and Vibe. With over 40 entries covering more than 60 classic albums, it disproves the idea that there is a dearth of intelligent commentary and criticism on rap music. Essays and reviews include observations on the music and meaning of the Beastie Boys, Cypress Hill, Eminem, Ice-T, Public Enemy, and Run DMC. Tupac's legacy, Jay-Z's pop allure, and Pharcyde's black masculinity issues are also explored.
Customer Reviews:
Albums Book Describes...Classic; The Book Itself...Ummm.......2006-12-23
Oliver Wang has assembled a group of some of the greatest writers/media assassins to create a book of essays, containing some of hip hops greatest records. The book covers everything from the Cash Money crew down to Gangstarr. No years of hip hop history is left out up to 1998. Various writers cover certain albums which is a gift and a curse. A gift in that it brings out the passion of each writers experiences with the music they are documenting. A curse in that it seems like a bunch of essays were just jumbled alphabetically, by group name together with no cohesive reading from one page to the next. There are some pros and cons when reading this book.
One thing that is apparent are the memories the book provokes. For example, Oliver Wangs first time when his life was forever changed by "3 Feet High and Rising". Dante Ross' involvement in the making of seminal classics like "Mecca and The Soul Brother" and the self titled debut of "Cypress Hill". And of coarse, the music that is documented in each essay. However, there are some cons that really drags this book down from being great.
First off, even though many great records are covered...it is not nearly enough. Maybe time has made many of the non-covered material age like fine wine since the book came out, but there are dozens of records off the head that deserved recognition. With so many renknowned journalists, you'd think they could expand this hand book into something more. However, this minor criticism is shadowed by something much worse. Certain writers actually misquote the artists they are documenting frequently. For example, on pages 42-43 the writer transposes quotes between Brand Nubians Sadat X and Grand Puba. It's a little embarrassing, especially when they state, "back in 1990 everybody thought Grand Puba was the best emcee," when they were using Sadat X quotes by example. On page 81, another writer misquotes Willie D when Scarface used the line, "keep letting the gov't dictate what you hear/ Next they'll put stickers on your ears" from "We Can't Be Stopped". The misquotes keeps coming. On page 114, the writer quotes Prodigy using the opening line on "Start of Your Ending" with "I keep it real packin' steal" when it was in fact a Havoc line.
In conclusion, the frequent "not giving credit where it is due" hurts "Classic Material, The Hip Hop-Album Guide" from being great. I myself have made mistakes reviewing (like any human being) but from people whose profession is to critique albums presents some rough edges. Still..."Classic Material" is a solid read, front to back, with plenty of memorable moments. Hopefully, if there is another book in the making, it can be more accurate.
Book Description
It is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent - and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in lengend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.
Customer Reviews:
Fascinating (If Implausable) Musical .......2006-08-18
A Chorus Line is what many people (with the exception of this reviewer) considers the best musical ever written. I feel that the best musical ever written wa Chorus Line's original Tony award competitior, Chicago (which alas, won no awards that year.) That isn't to say that I don't like the show. I think it has one of the best musical books ever written and some nice songs.
The show tells the personal stories of dancers auditioning for an unknown musical in 1975. The stories range from hysterical to sad to disturbing. I'm sure that the actor\dancers that told these tales were exceptional. Some of them, like Kelly Bishop and Donna McKechnie, have gone on to great success.
The show's score is nice, but nowhere near the calibur of Chicago's excellent music and lyrics. Marvin Hamlisch supplies nice tunes with a soft rock beat. The most memorable is "One" which is sort of like a Jerry Herman showtune. "Dance: Ten;Looks: Three" is also charming. The montage, which includes two good songs "Hello 12, Hello 13, Hello Love" and "Nothing" also has nice music.
Ed Kleban's lyrics are conversational and blend well with the dialouge. They are sometimes funny and sometimes touching. However, they are sometimes rather predicitable and nowhere near the brillance of Fred Ebb's ironic, cynical lyrics for Chicago.
However, the book is so superb, it makes the okay score nearly perfect for the show.
I do think that A Chorus Line is an important piece. It's extremely well written. However, I doubt if any busy director would take the time to personally talk to eac auditioner about their life. The story is slightly implausable.
However, the great director- Michael Bennet, the great writers and cast made this show a singular sensation that brought tourism and prosperity back to New York.
Good but not worth the price!.......1998-06-10
C'mon! A chorus Line is THE best musical ever written! Now you can have the chance to own a wonderfully published script to this amazing music. I also suggest buying the cd to the musical to go with the script. It's just a pity that this script can not encapsulate the performances of the original cast as well. But I guess you can't have your cake and eat it too. But you can buy this script... and for a severely discounted price!...Congratulations. Jump at this deal immediately.
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Catch a Falling Star
Neil Young , and
Dante Friend
Manufacturer: Empire Publications
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Binding: Hardcover
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ASIN: 1901746437 |
Book Description
One of the most perceptive descriptions of Manchester City's play during their glory years was made by Manchester Evening News reporter Peter Gardner who remarked, "When Youngy plays, City play". For all the talk of greats such as Summerbee, Bell and Lee, it was the local lad made good who made the most impact when it mattered. Tall and leggy with a venomous left-foot shot, Young scored in every significant game for City in the late 60s. Scorer of two goals in the 1968 Championship win up at Newcastle, the scorer of the 1969 FA Cup Final winner and the first goal in the 1970 Cup Winners' Cup final, Young played a pivotal role in the success and style of the Mercer-Allison era. In 1972, just two years after playing a starring rôle in Manchester City's most successful team, Neil Young left his boyhood favourites for the final time. And, as the club began their now familiar relationship with underachievement and mismanagement, Neil drifted into relative obscurity, finally hanging up his boots just four years later. In Catch a Falling Star, Neil Young explains what he has been up to in the years since his sizzling shots stung the hands of the country's finest goalkeepers. Following his premature retirement from football, Neil's life has taken in tragedy in almost equal proportion to the glory he experienced as a player. Here, for the first time, he candidly discusses the depths to which he sank in the intervening years. Told with Neil's famed wit and laconic humour, Catch a Falling Star reveals how a star on the wane managed to mount a personal comeback as impressive as any achieved on the pitch by City's star-studded squad of the late 60s.
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Dante and Music
Maria Ann Roglieri
Manufacturer: Ashgate Publishing
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Binding: Hardcover
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ASIN: 1859282555 |
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Dante Symphony: for Female Chorus and Orchestra
Imre Sulyok
Manufacturer: Eulenburg
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Binding: Paperback
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ASIN: 3795762626 |
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De Vulgari Eloquentia: Dante's Book of Exile (Regents Studies in Medieval Culture)
Marianne Shapiro
Manufacturer: University of Nebraska Press
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ASIN: 0803242115 |
Book Description
"A thorough overview of the very particular nature of Dante's treatise. It discusses the work as the distinctive product of the poet's exile, a universal statement on language that coincides with and complements Dante's conception of Empire. This text contains much valuable commentary." -- Christopher Kleinhenz, University of Wisconsin.
Book Description
NB -- This is not a CD-ROM. This is an electronic book on three diskettes. These works are here presented in a public domain edition. The material on these diskettes is in plain (ASCII) text, formatted for a PC(not Macintosh). You can manipulate it with your favorite word processing program to enhance the format or to print out portions just the way you want. The complete Divine Comedy (Inferno, Purgatorio, and Paradisio) in the original Italian and in three different English translations.
Disk #1 -- original Italian and translation by Henry Wadsworth Longfellow
Disk #2 -- translation by H.F. Cary
Disk #3 -- translation by Charles Eliot Norton
Customer Reviews:
Understandable.......2006-12-21
This is a great translation of Dante. I've read a few translations of The Inferno - once in high school and a different one in college. This one was far clearer and had better notes that either of them. Also, I am a fan of hardcovers for books such as this - ones that you intend to keep around.
The story itself is fascinating - Dante's view of the afterlife, filled with beautiful literary devices. In the Inferno, for example, he will discuss different circles of hell, with different degrees of punishment, reserved for different sinners. The retribution that the sinners face always reflects their sins on earth.
For example, he visits those who have taken their own life. They are turned into trees and are mute - that is unless a branch is broken. In that case, they are able to speak through their blood while it flows. So, as they used their blood to say their final words to the world, so they can only use that as their means to communicate in hell.
Abysmal Translation, Good Notes.......2006-02-11
Reading this book gave one the impression that they could well sympathize with Hannibal's troops as they crossed the alps--one sets out with an obstensibly noble mission, but encounters massive casualties along the way.
Sisson's vers libre provides the vacuum within the bog. If the Divine Comedy is poetry, the Divine Comedy this is not. Poetry turned mundane.
However, his 235 pages of endnotes are massively helpful. The Divine Comedy was, in part, an exercise in commentary concerning contemporary politics. This veritable iceberg of symbolism's main bulk remains unseen without a strong dose of explanation for each page. Sisson offers the needed notes.
All things considered, a mixed-bag. An abysmal translation in text of this length is akin to adding the chains of Dickens's Marley onto the reader. Formidable scholarship regarding explanation of symbolism is, for the reader, analogous to Bouchard's discovery of the Rosetta Stone.
Divine Comedy.......2005-07-21
I found the cd very close to the book but abriged. I recommended even if you can't get thought the book which is difficult
The need for Quality Assurance ???.......2004-07-30
Dante stands alongside Shakespeare, Milton, & T.S Eliot et al. as one of the most profound minds and thinkers of our shared culture and history. Whilst the recording does not capture the tone and poetic sensibilities of Dante, It is tragic to say the least that anyone can publish a review - in particular those who can not even read (See Annie Feng's review). I think there is a need for some form of Quality Assurance to ensure that those who can appreciate art (regardless of their religious or philosophical stance) can read reviews that are of a genuine critical nature that understand something of the historical and literary context of a particular work rather than just bigoted condemnations !!! A good way of doing this would be to note the number of people who find a particular review helpful -
It is important to note that 0 out of 3 found Annie Fengs review of help !!! (good to see Annie gave the Angel DVD series 5 stars - i think this speaks for itself).
Could Annie and people like her please stick to the Angel series or at least learn to read - are u really over 13 years of age Annie ???
Bad recording of a Great Book.......2004-05-11
While the actor, Heathecote Williams, clearly can read, either he was a poor choice for this task, or the producers of this audio version had no experience with audio books. The production quality of this recording is terrible. I purchase a lot of audio books, but seldom have I had such a horrible listening experience.
The actor speaks in a droning monitone and then starts to yell in a high-pitched and squeaky voice.
I would suggest that you read this book rather than listen to this badly produced set of discs.
Customer Reviews:
It's a collectors item................2005-10-11
but only because it is so hard to find. Got mine for $100 off eBay. It's in pretty damn good shape........
On the other hand, if you're a big fan than you already have Decade of Decadence on CD and video, so you've already seen 90% of the pictures this book contains.
The Biography portion is VERY POORLY WRITTEN;I think this thing was a limited product for this very reason.
If you dont already own the above mentioned CD and VHS, that would be your first stop. Those should satisfy U for awhile.
Out of Print...how do I get this???.......2005-03-14
Would love to have this title for my collection but I am having a hard time finding any printed copies. Motley Crue is back and this tour "Red, White & Crue" is going to break the bank with ticket sales. We need to print more of this item for the many fans that will demand it.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- How Brands Become Icons: The Principles of Cultural Branding
- How to DJ Right: The Art and Science of Playing Records
- Hubris: The Inside Story of Spin, Scandal, and the Selling of the Iraq War
- Human Resource Management in the Hospitality Industry
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