Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
" The Night Club Era should rate as a Broadway Koran. Other books on the subject are unnecessary if they agree with it, wrong if they differ from it, and in either case should be burned." -- Alva Johnston, from the Introduction
Written in the aftermath of Prohibition, Stanley Walker's The Night Club Era is a lively and idiosyncratic account of the people and places that defined New York's night life during the era of "the great American madness." Here we meet murderers and millionaires, gangsters, bartenders, celebrities of the stage, screen, and society, and a host of other colorful characters who populated the city's diverse night clubs, from El Fey to the Cotton Club. Walker relives the "night of incredulous sadness" on which the Volstead Act went into effect, visits a classic speakeasy, discussing the owner's delicate arrangements with policemen, prohibition agents, and bootleggers, and details the frequently brutal swindles practiced in the city's numerous clip joints and the tactics of the era's crime organizations, explaining precisely what happens when one is "taken for a ride." Among the larger-than-life night club habitués Walker sketches are Owney Madden, the elder statesman of the city's rackets; Walter Winchell, America's most influential columnist and the "brash historian of our life and times"; Mayor James J. Walker, who typified the gaudiness, smartness, and insouciance of the city he ran, yet was never too refined to shoot dice on hotel room floors; and Texas Guinan, the beloved entertainer, hostess, and entrepreneur who greeted customers with her trademark phrase "Hello, sucker!" Vividly told, The Night Club Era offers a singular, serious -- though never sober -- history of New York City during Prohibition.
Book Description
TOP FIVE MUSICAL THINGS I HOPE HAPPEN NOW THAT THE ORIGINAL LINEUPS OF THE PIXIES AND DINOSAUR JR. HAVE REUNITED
1. Ian Curtis is resurrected.
2. The Smiths reunite for a private party at my favorite bar.
3. There is a new My Bloody Valentine album.
4. A new Nirvana comes along to blow away all of those fey Duran Duran emulators.
5. Radiohead stops listening to Pink Floyd and starts listening to Black Sabbath.
If you've ever made, or conceived of, a list like this, then look no further for your next book purchase. You have it. In your hands. Please consider it as your next book purchase.
In Perfect From Now On, John Sellers has written a fan's memoir overflowing with humor, self-deprecation, encyclopedic knowledge of musical minutiae, and "you should have been there" personal anecdotes. Despite vowing never to get caught up in music due to the nuttiness of a Dylan-obsessed father and playground taunts about his preference for Top 40 trash, he found himself powerless to resist the allure of indie rock, the genre that begat the likes of Sonic Youth, Pavement, Built to Spill, and Modest Mouse. When his favorite band, Guided By Voices, called it quits in 2004, Sellers examined his own listening habits, caught a few mind-blowing shows, got drunk with his heroes, and wrote this book -- one that is sure to resonate with anybody who has ever obsessed over good music.
Customer Reviews:
Less than perfect.......2007-09-09
I ordered this book because I could relate to the title, unfortunately. "Indie rock" (or what I would call alternative rock...where did this new term, indie rock, come from anyway?) probably did save my life. When I suffered from depression as a young adult, music was my therapy. It provided me with the words or the emotions that I could not express myself. It was an outlet, an escape, a friend. Being a huge fan of 90's music, I was disappointed that Sellers dismissed grunge and only mentioned it in passing. He seemed to be moved more by British bands than American ones, which is okay, but was something I couldn't identify with. The biggest downside to the book was the infinite number of footnotes, which I eventually stopped reading all together because I found them distracting. I think a better writer could have included the material from the footnotes within the text to provide a better flow, or not included them at all (as some of the notes were so idiosyncratic...i.e., who cares?).
Sellers rocks!.......2007-08-28
I bought a signed copy of this book during a visit to Powell's Books in Portland, OR, completely on the basis of liking what the book jacket said about music and Donkey Kong. Maybe you need to have grown up during the '80s and to appreciate college/indie music to get it? Not sure, but I identified with a lot of the scenarios, loved the titling of chapters from song lyrics, got the emotions behind listening to different kinds of music at different points in your life, and ... well, liked John Sellers. It's good stuff that made me laugh out loud many times.
Guided by Indie Rock.......2007-08-20
John Sellers is a music/pop culture writer who's gotten the opportunity to transform his blog (google "Angry John Sellers") into a book that's a kind of musical autobiography--that is, he charts his musical maturation over the years, from young Duran Duran fan to modern day indie rock obsessive. Consider this, then, a non-fiction version of Nick Hornby's seminal High Fidelity: A Novel. One important difference is that where HF's protagonist views his music in terms of his love life, for Sellers the music IS his love life. Sure, he's had relationships with women, but his chief interest in them lies in their ability to turn him on to new bands. Therefore, hie relationships with his favorite bands is what drives this book, and it helps to enjoy it if you share his passions, mainly regular-guy alt rockers such as the Pixies, Pavement and Built To Spill (whose album Perfect From Now On had an obvious influence). He will endlessly listen to and mull over the career of Joy Division/New Order and the lyrics of The Smiths. In fact, he'll even travel to Manchester for a New Order reuniion show and impromptu pilgramage. Far less time-consuming are the numerous lists (you can't be a true music obsessive without them) the lengthy appendix to the book: everything from "My Top Ten Favorite Albums" (#1: The Queen is Dead by The Smiths) to "Top Five musical things I hope happen now that the original lineups of the Pixies and Dinosaur Jr. have reunited" (#5: "Radiohead stops listening to Pink Floyd and starts listening to Black Sabbath"). Meanwhile, the main body of the book is frequently interrupted by long, digressive footnotes, some going on for as long as ten pages (Sellers admits he got the idea from Nicholson Baker, but he could just as easily been channeling David Foster Wallace).
The last few chapters, however, are devoted mainly to one subject: Guided By Voices. This Ohio band has gathered a freakishly obsessive cult following, and Sellers has clearly not only drunk the Kool Aid (or Miller High Life, as the case may be), but mixed it as well. He describes how his addiction grew from just being a fan to finally spinning in their orbit. His status as hanger-on might have helped get him the book deal, but it also garnered him brief ignominy on GBV message boards. Naturally, he covers this incident at length, and in fact continues to apologize for any misunderstanding. Therefore, his fawning over GBV frontman Robert Pollard gets pretty grating after awhile, especially if you don't share Sellers' love of the band (I myself could have written a book about my devotion to Sonic Youth, but of course I digress). Actually, you'll find the whole book annoying if you cna't connect your own obsesseions (be they sports, shoes or heroin) with the author's, and even then it helps greatly to know a bit about what he's talking about. Still, Sellers' writing style is self aware (in that uniquely Gen-X way), witty and often flat out hilarious. Taken for what it is, this is definitely a worthwhile read for music fans, even if, alas, it won't save your life.
Disappointing...........2007-08-01
To any true music fan, there is often times as much joy in debating the relative merit of one artist against another as listening to the music itself. I suspect that is true with most things (sports talk radio comes to mind). That is why I was excited to read this book. Going in, you understand there you are not getting anything that is plot driven or even has a point. What you expect is that the author will lay out arguement as to why he loves a certain band/genre of music and you can silently juxstapose those against your own biases. I am willing to concede almost any point in these debates when I engage in them with friends, with the understanding that they are nothing if not totally arbitrary, so long as there seems to be a sense the opposing viewpoint has a heartfelt conviction about the subject matter. That is why I was hugely dissapointed with this book.
While there is no doubt that the author seems to have a sincere conviction that indie music is a superior medium, it seems borne out of a sense of what he thinks is cool rather than what indie artists produce. For example, if The Pixies has acheived the same level of commercial sucess as Pearl Jam, there is no doubt in my mind the author would dismiss them with the same contempt he holds for Journey. It becomes exhausting to read the contempt he has for anything that exists outside the very obscure or how a band he loved at one point he now regrads with a sneer simply because they eventually achieved broad acceptance.
Another point of contention I have with the overall tone of the book is that Sellers comes off as fairly spineless. A large chunk of the narrative is devoted to him getting to meet Bob Pollard from Guided By Voices. I was willing to overlook the fawning tone toward Pollard as his whole point was to draw a picture of how he is more slavishly devoted at various points in his life to artists than just about anyone so he can gain an upper hand when congregating with like minded obsessives (and if you don't believe his motivations are this shallow, read the book). However, he mentions something in passing (a footnote actually, one of the several thousand he includes in the book) that made me lose all respect for him as a man and thus tainted the whole book. Seller is a University of Michigan grad while Pollard is an OSU fan. Anyone with even a passing knowledge about the sport of college football knows that this is one of the most storied rivalries in all of college sports and the two sides hate each other. Anyway, he ends up cheering for OSU in front of his idol as they watch the game because he so badly wants Pollard to like him. I know nothing about Pollard personally but I bet it wouldn't be far from the truth to speculate that he would have had much more respect for Sellers if he would have grown a pair and had his own opinion about the game rather than adopting one based on being accepted. And that right there pretty much sums up the whole book.
Perfect indeed.......2007-05-24
You know how, every now and then, you come upon someone's music mix, and you instantly think, this person is completely in sync with me, yet simultaneously infinitely cooler?
It's like that.
When it comes it to music, Sellers is insightful, funny as hell, and scarily knowledgeable. He's the guy you want filling your iPod for a long drive, and the guy you'd want in the car, telling great stories along the journey. Anyone's who's ever had that feeling of a song speaking for the state of their lives, anyone who's ever thought of a band as THEIR band, will love it.
Book Description
Finally in paperback, the story of the musical revolution that happened right under the nose of the Reagan Eighties when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives reenergized American rock with punk rocks do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. Our Band Could Be Your Life is a sweeping chronicle of music, politics, drugs, fear, loathing, and faith that is already being recognized as an indie rock classic in its own right. Among the legendary bands Azerrad writes about: Black Flag, the Minutemen, Mission of Burma, Minor Threat, Hsker D, the Replacements, Sonic Youth, Butthole Surfers, Big Black, Dinosaur Jr. Fugazi, Mudhoney, and Beat Happening. The story of the American indie underground has never been told in depthuntil now.
Customer Reviews:
Rose colored histories.......2007-08-26
So much of this book is tripe. What you get is a cut/ paste of old interviews alongside higly romantisized band biographies. Everyone talks so highly of Azerrad's writing, but that's just make-up covering a lack of substance.
Its not really a bad book, I just think its a rather pointless book. Like I said, most of these interviews have been around for a decade or more, and I don't really need to hear some fan-boy gush over his man crushes with seminal 80's rock icons.
'Cides, if you're into the bands, then you probably know most of this stuff already.
This book could be your guide.......2007-07-21
I don't know what all the complaints are about. Azerrad has written a solid account of the punk/underground music scene in 1980s America, and it is authentic, because he was partaking of the scene at the time. I still snicker when I recall big-media coverage of the breaking "alternative" scene in 1991-92, and slick magazine hacks writing clueless articles about supposedly groundbreaking bands like Nirvana (who played loud and screamed, like
no one had ever done before). Azerrad isn't about that, he clearly knows and loves the music of the bands he's chosen to profile, and as far as I'm concerned, having seen several of these bands perform in cramped clubs in the Decade of Reagan, he is accurate. And we get the warts too: his profile of Sonic Youth is not particularly flattering from a personal standpoint. So if you weren't around to see giants like Husker Du and Minutemen at the time and want to know how amazing they were, or if you want to revive your memories of those exciting years (when, to quote the Germs, "what we did was secret...SECRET!"), get this book.
At the very least, this book is largely responsible for the revival of the careers of Mission of Burma and Dinosaur Jr, so it gets five stars just for that.
On the con side: why no discography??
Has everyone forgotten how to ask questions?.......2007-04-16
What is it with books on hardcore punk that have come out in the last few years? This one is much the same as many of the others that have come out (the God awful Blush American hardcore, Dance of Days etc) The problem with this book is it's just painting by numbers journalism. Nothing is challenged.
This book covers some of the most well known bands in punk, Black Flag, Minor Threat, Fugazi, Big Black etc but the whole books is just a "Band started in year blah blah, made a few demos, blah blah blah, toured blah blah blah, split up in year blah blah blah. You may as well read the back of an album cover! How about asking some of these people some challenging quesions. How about putting Ian Makaye on the spot about the song "guilty of being white" (something only MDC have bothered to do over the years) How about putting Steve Albini on the spot for some of his numerous comments? Punk was (and still is) all about challenging. Speaking your mind what it seems to have become is just another form of music. Green Day and Fall out Boy on MTV, bit of eye make up, spikey hair, stupid clothes (t-shirt and tie) and thats punk. Now we have books like this about how the bands "stuggled to make it"
I mean for Gods sake! You have people here such as Husker Du, Sonic Youth, Buthole Surfers, The Minutemen and Mission of Burma. Steve Albini like him or hate him at least if a half decent journalist spoke to him (you would assume) he/she would find something worth putting to print. Even if much of this book is a collection of already compiled material Azerrad has to be able to find better than this.
I mean the title says it all "Our band could be your life" When I see books like this I cant help thinking of the Crass song "punk is dead" Amazing in that that song was written more than 20 years ago!
An interesting look at Punk.......2007-03-04
I'm not a huge fan of this genre of music, but as a very part-time musician, this book was recommended by a fellow friend and musician. I liked this book alot and found it education and entertaining, even if the subject matter was not of immense interest. This is definitely not the fault of the author, who did a fine job of making this subject engaging.
Thus, I found the read illuminating to no small degree. I learned alot about the roots of punk, how it spread and rose, and the end of it. By correctly defining the terms of the book "The Indie Years", we only see what happens to the bands in their formative years. Once they sign with a major label, their story is ended. This was both a good idea and frustrating one, as we see the birth and growth of bands, but not what happens to them (in most cases) once they hit a major label. Frequently, signing with a major label creates/expands both the zeniths and nadirs for a band and I would have liked to have known what happened from there.
Regardless, this book is well-written and a great read for any person who likes the bands included in the book.
Is this book accurate?.......2007-01-12
I picked up this book specifically because there is a chapter devoted to one of my favorite bands, Big Black. As I read the section devoted to Big Black, I was upset to find several mistakes regarding song lyrics and titles. The first was when lyrics to the song "Deep Six" are attributed to the song/title track "Racer X." The second mistake was the song "Grinder" is referred to as "Grind." This left me wondering how well-researched and accurate this book really is. If such simple things as double-checking lyrics and song titles slipped under the radar, what else has?
Average customer rating:
- Check and see
- Suprise! Suprise!
- Prescient St Augustine?
- Something of a disappointment
- Romulus courts Helen, Paris founds Rome, Moses goes to Troy..
|
History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback
Assyria, Babylonia & Sumer
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Similar Items:
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History: Fiction or Science? (Chronology, No. 1)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
ASIN: 2913621066 |
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Amazon.com
Rockabilly pioneer Carl Perkins once described his brand of music as "a country man's song with a black man's rhythm." This may be simplifying matters a bit, but you can decide for yourself after reading Craig Morrison's rockabilly bible, whose title also tips its hat to Perkins. All the major figures are here, including Elvis, Eddie Cochran, Gene Vincent, and Jerry Lee Lewis. But rockabilly is a field particularly rich with obscurities and one-trick ponies, and Morrison makes room for them all. If you want to know about the genesis of Malcolm Yelvington's "Drinkin'Wine Spo-Dee-O-Dee," or about Sonny Burgess's taste in clothes (all red, to match his guitar and dyed hair), this is the book for you.
Customer Reviews:
A Disappointment.......2006-11-02
This might have been a pretty good article, but there is just not enough interesting material for a book on the subject. Most of these guys were working class amateurs who made a couple of records. I have listened to a number of compilations that include many of the people that the author mentions. Believe me, there are no lost "masters" among them. The author cannot even really define "rockabilly" in any coherent fashion, and many of his judgments appear quite arbitrary. A short-lived, transitional phenomenon. Not worth the price unless you are a fanatic fan of the music.
Almost everything you wanted to know about rockabilly!.......2002-10-10
This is an interesting dip into the world of rock n' roll and rockabilly. It would have been more interesting had the copy that I purchased, not gone inexplicably from page 76 to 19!! Thus I shall never know the finer points about Carl Perkins that I was about to read!
Certainly though this book is worth getting...although a properly ordered copy might be an advantage! Deserves to be on every rocker's bookshelf!
Good Cats Good!!!.......2002-05-06
This book is without any doubt the best out there. Besides good biographical stories about bands and artists, you get to know a whole lot about the MUSIC rockabilly. This book also covers the cultural and sociological aspects of rockabilly. I've just finnished my major essay at the University in Trondheim (Norway) - studying music - and Morrison's book has helped me a lot. From the 50s, to the revival, and up to the present. Morrison's book covers it all!!!
A Good Place to Start..........2002-03-02
I enjoyed reading this book and finished it within the week. It's mostly an expanded-overview of the major figures of rockabilly from the 50's through the 70's. This isn't a comprehensive book but that's not its intent. The outline is structured by either region or eras. It also explains when and how they started, and where they are now (if they're still around). There's also a chapter devoted to the semi-recent revival (up through the early 90's, thereby missing most of the bands that sprung up after the BSO struck it big). Also includes a recommended listening chapter.
All about it.......2001-03-16
I am researching about rock'n'roll, rockabilly and other rhythms of the '50s and '60s. I am enjoying this book very much and it has been very helpful to me, not only because of the loads of info about history, bands, etc. that it contains but also for the suggested reading & listening lists it gives. I strongly recommend it.
Customer Reviews:
The Rest of the Story.......2007-07-07
In the classic slave narrative genre, Frederick Douglass' narrative of his life brings to life, in all its horrors, American slave society, and one slave's life-long protest against it.
When we read Frederick Douglass in his own words, he is less the radical and more the reformer than we've been led to believe. He is also more the Christian statesmen and less the Christianity critic than we might imagine. Douglass' oft quoted comments about Christianity had much more to do with a righteous critique of distorted Christian living practiced by white masters than with any critique of Christianity or of Christ. In reality, Douglass, like so many enslaved African Americans before and after him, saw in Jesus a Savior they could identify with--a suffering Savior.
Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction, Soul Physicians, and Spiritual Friends.
Not Just a African, but an American Hero!.......2005-10-10
Frederick Douglass is the complete ressurection of the saying, "Knowledge is Power." With the more information he aquired as a slave the more he lusted for freedom. He also provides an excellent example of what black people in this country could do for themselves, interms of their economical status. Looking further, Douglass loved to think and imagine the endless possiblities, while he was still in bondage physically. When he began to read and understand the "Hypocrasy" that this country was based on, using christianity as it main tool, and what every human should be allowed by right, this released his psychological enslavement. If blacks throughout this country could read and understand there were blacks that went through worse situatians and overcame them, and the current situation that destroy the black communities were created for them to fail, just like slavery, many would wake up and take on the mask of Douglass. The mask that says, "regardless of class, race, or creed, this world was created for everyone to enjoy including me."
Required Reading.......2004-08-27
I read this book as part of a summer assignment entering into the 11th grade in addition to "Incidents in the Life of a Slave Girl" by Harriet Jacobs. Both are great pieces of African-American historical literature and well worth the read. I couldn't read this book all in one sitting, due to the need to fight the urge to throw up. He detailed descriptions of physical, psycological, and emotional abuse are enough to sicken any one and make you disgusted with the human race.
My heart broke.......2004-06-11
The honesty with which this is written is amazing. I was glued to it from page one. I felt disgusted by the human race, saddened by his traumas and guilty just for being white. I think this needs to be read more. Especially in schools. Why isn't it???
Average customer rating:
- Very Entertaining
- Great!!
- Great read...lousy title ):
- PIMP, HOS, PLAYA HATAS, AND ALL THE REST OF MY HOLLYWOOD FRIENDS: MY LIFE JOHN LEGUIZAMO
- Pimps, Hos, Playa Hatas, and All the Rest of My Hollywood Friends: My Life
|
Pimps, Hos, Playa Hatas, and All the Rest of My Hollywood Friends: My Life
John Leguizamo
Manufacturer: Ecco
ProductGroup: Book
Binding: Hardcover
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Book Description
John Leguizamo defies easy categorization. Fans of his smash-hit one-man shows (Mambo Mouth, Spic-O-Rama, Freak, and Sexaholic) have gotten a glimpse into his life, but this book tells the whole story, taking readers on a journey from his childhood in Queens ("my father was a strict autocrat-totalitarian-despot-dictator-disciplinarian") to his current home at the top of the Hollywood pyramid—actor, director, producer, one of the highest-paid Latin actors in the world, with the clout to shape every aspect of his own career.
Beginning on the classic New York comedy club circuit, where he made the rounds with Ray Romano, Mario Cantone, and Chris Rock, through his disastrous one-night run as Puck in Joseph Papp's production of A Midsummer Night's Dream, to his brief go at Method acting with Lee Strasberg (who died the next day; "I have that effect on people") and his hit Broadway debut with Freak, the protean performer shares the stories behind his many roles—what inspired them and what transpired as he created them. Never shy, he dishes on his personal relationships with his family, friends, and colleagues, including Spike Lee, Steven Seagal, Bruce Willis, Sean Penn, Harrison Ford, Brian De Palma, Al Pacino, Baz Luhrmann, and Nicole Kidman.
Keenly intelligent and insanely funny, this book offers a unique behind-the-scenes look at the magic and chaos of stardom, as well as an intimate portrait of John Leguizamo's greatest achievement—to grow up Latino in America and to succeed on his terms.
Customer Reviews:
Very Entertaining.......2007-08-31
This book is very much like John Leguizamo's show's - introspective and intersting. While I didn't think it was too hard-hitting against his fellow thespians, I enjoyed an inside perspective into the real lives of Hollywood actors. I also really enjoyed that Leguizamo shared his failures and weaknesses. It was clever, funny, and sad all at once. A true John Leguizamo experience.
Great!!.......2007-03-09
I can't complain at all about this book. John Leguizamo is hilarious. I felt like I was sitting front row at one of his stand up comedies. He talks about his struggles and some 'beefs' he has with actors I certainly never knew about. I also admired the way he was completely honest about every role he played and every person he worked with.
Great read...lousy title ):.......2007-03-04
I am a huge John Leguizamo fan. My son introduced me to him because of his love for Leguizamo's short lived TV show House of Buggin. In addition to his films, we have seen him perform Freak on Broadway and John Leguizam Live before it was renamed Sexaholic. With a background like that, I found this autobiography to be very revealing and entertaining. However, as a long time librarian I am very familiar with how people react to book titles when they are unfamiliar with the author or the subject matter. And just as Leguizamo acknowledges bad career choices and mistakes that he has made in his career to date, I am afraid that he will have to eventually accept the fact that his unfortunate title choice has repelled rather than attracted many potential readers. By doing so, he has missed a golden opportunity to use this entertaining vehicle to expand his fan base.
PIMP, HOS, PLAYA HATAS, AND ALL THE REST OF MY HOLLYWOOD FRIENDS: MY LIFE JOHN LEGUIZAMO.......2007-01-16
THIS BOOK WAS NOT AS JUICY AS I WAS ECPECTING.... IT WAS FUNNY AND READ WITH ENJOYMENT BUT IT WAS EASY TO PUT DOWN AND FORGET ABOUT! IT WAS OK
Pimps, Hos, Playa Hatas, and All the Rest of My Hollywood Friends: My Life.......2007-01-10
I bought this book for my husband for his birthday -He is not much of a reader -We really like John Leguizamo as an actor and saw him on David Letterman promoting the book -It sounded so interesting and my husband was like -I want to read that -I was kind of surprised because he rarely ever reads. He loves the book -He's even got me reading it -John did a great job -If you like John and movies -You will love this book -It's got a lot of dirt on celebrities -But done in a playful way -Even some of the names have been changed -I would recommend this book -Excellent work John!
Book Description
Fusing academic prose with vividly rendered memories, Gaunt's journey is refreshing. . . . Gaunt successfully lifts ignored girls from obscurity to center stage. . . . With
The Games Black Girls Play, Gaunt has created a necessary space for translating black girls' joy in a society that typically overlooks it. Hopefully, others will take their turn and jump in to keep the games going.
Bitch
"In thoughtful and affectionate prose, Gaunt makes plain how the schoolyard syncopations of body and voice are both oral-kinetic play and improvised lessons in socializing girls into the unique social practices of black urban life. . . .
The Games Black Girls Play is a smart, delightful and witty polemic of attributions; a cultural benchmark of the complex web of history, race and gender to suggest a `gendered musical blackness' and an `ethnographic truth' linking the `intergenerational cultures of black musical expression' as embodied in the infectious playfulness of black girls."
Black Issues Book Review
"Very informative and insightful. . . . A valuable source to add to one's collection."
AllHipHop.com
"By placing black girls at the center of her analysis, Kyra Gaunt challenges us to be ever mindful of the importance of gender, the body, and the everyday in our discussions of black music. The Games Black Girls Play is an exciting and original work that should forever transform the way we think about the sources of black, indeed American, popular music. This is a bold, brilliant, and beautifully written book."
Farah Jasmine Griffin, Columbia University
"
The Games Black Girls Play not only makes the point that black girls matter, but that the games, thoughts, and passions of black girls matter in a world that regularly renders black girls invisible and silent. Gaunt brilliantly argues that the culture of black girls is a critical influence on contemporary black popular culture."
Mark Anthony Neal, author of New Black Man: Rethinking Black Masculinity
"A particular strength of Gaunt's text is the ethnographic dimension of her discussions. The reader is privy to the personal musical and cultural experiences of African American females of varying ages (including Gaunt herself)."
New Black Man Book Review
It is written in an accessible style and the inclusion of personal musical and cultural experiences and histories of a variety of women, including the author, adds to the appeal. The infectious playfulness of the topic and Gaunt's own personal style and passion shine though.
Journal of Folklore Research
When we think of African American popular music, our first thought is probably not of double-dutch: girls bouncing between two twirling ropes, keeping time to the tick-tat under their toes. But this book argues that the games black girls play handclapping songs, cheers, and double-dutch jump ropeboth reflect and inspire the principles of black popular musicmaking.
The Games Black Girls Play illustrates how black musical styles are incorporated into the earliest games African American girls learnhow, in effect, these games contain the DNA of black music. Drawing on interviews, recordings of handclapping games and cheers, and her own observation and memories of gameplaying, Kyra D. Gaunt argues that black girls' games are connected to long traditions of African and African American musicmaking, and that they teach vital musical and social lessons that are carried into adulthood. In this celebration of playground poetry and childhood choreography, she uncovers the surprisingly rich contributions of girls' play to black popular culture.
Customer Reviews:
The blurbs from the back of the book..........2006-02-16
"By placing black girls at the center of her analysis, Kyra Gaunt challenges us to be ever mindful of the importance of gender, the body, and the everyday in our discussions of black music. The Games Black Girls Play is an exciting and original work that should forever transform the way we think about the sources of black, indeed American, populat music. This is a bold, brilliant, and beautifully written book."-Farah Jasmine Griffin, Columbia University
"The Games Black Girls Play not only makes the point that black girls matter, but that the games, thoughts, and passions of black girls matter in a world that regularly renders black girls invisible and silent. Gaunt brilliantly argues that the culture of black girls is a critical influence on contemporary black popular culture."
- Mark Anthony Neal, author of New Black Man: Rethinking Black Masculinity
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
Books Index
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