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Handbook of North American Indians, Volume 17: Languages (Handbook of North American Indians)
Manufacturer: Smithsonian Institution
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Similar Items:
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Handbook of North American Indians, Volume 14: Southeast (Handbook of North American Indians)
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Handbook of North American Indians, Volume 13: Plains, Pt. 1 and Pt. 2 (Handbook of North American Indians)
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Handbook of North American Indians:Plateau 12
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Handbook of North American Indians, Volume 3: Environment, Origins, and Population: Environment, Origins, and Population (Handbook of North American Indians)
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Handbook of North American Indians, Volume 4: History of Indian-White Relations (Handbook of North American Indians)
ASIN: 0160487749 |
Book Description
10th volume to be published in a planned 20 volume set.
William C. Sturtevant, general editor. Ives Goddard is the editor of this volume.
Provides a basic reference work on the Native languages of North America, their characteristics and uses, their historical relationships, and the history of research on these languages.
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Currier & Ives: America Imagined
Bryan F. Le Beau
Manufacturer: Smithsonian
ProductGroup: Book
Binding: Hardcover
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The Great Book of Currier and Ives' America (Tiny Folios)
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Currier & Ives Prints: 24 Cards (Card Books)
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The Battle for Christmas
ASIN: 1560989904 |
Book Description
Nathaniel Currier and his partner, James Ives, literally changed the American landscape by mass-producing inexpensive lithographs and selling millions of copies that adorned countless homes, businesses, and even barns. Bryan F. Lebeau provides the first in-depth study of the sweeping range of Currier and Ives images produced until the end of the nineteenth-century, placing them in historical context as meaningful representations and reflections of American values, beliefs, hopes and dreams.
Book Description
Unlike any other fashion designer at work today, Paul Smith has managed to combine a flair for eccentric, subversive detail, a dedication to the highest standards of craftmanship, and a business and marketing sense that has made him simply the most successful designer in British history. But this publication is not a fashion monograph; it is not a catalogue of suits. Rather, imagine Paul Smith's brain on a page: cleverly original and often humorous thoughts and ideas, perfectly executed, not just on the back of a man or a woman, but in shop windows, in advertising campaigns, in toys, photographs, and souvenirs brought back from travels throughout the world that became the inspiration for the look of a season. Words and images crash together in striking contrast to reveal the passions and amusements of a designer committed to both modesty in his pursuits and stunning innovation. Designed by Alan Aboud, Art Director for Paul Smith for more than a decade, and with a slipcase designed by Jonathan Ive (famed designer of the iMac), this publication will bring together observations, images, and, in its own unique design and production, all of the extraordinary qualities possessed by Paul Smith himself.
Book Description
The Boys on the Tracks is the story of a parent's worst nightmare, a quiet woman's confrontation with a world of murder, drugs, and corruption, where legitimate authority is mocked and the public trust is trampled. It is an intensely personal story and a story of national importance. It is a tale of multiple murders and of justice repeatedly denied.The death of a child is bad enough. To learn that the child was murdered is worse. But few tragedies compare with the story of Linda Ives, whose teenage son and his friend were found mysteriously run over by a train. In the months that followed, Ives's world darkened even more as she gradually came to understand that the very officials she turned to for help could not, or would not, solve the murders. The story of betrayal begins locally but quickly expands. Exposing a web of silence and complicity in which drugs, politics, and murder converge, The Boys on the Tracks is a horrifying story from first page to last, and its most frightening aspect is that all of the story is true.Mara Leveritt has covered this story since it first broke back in 1987. Her approach is one of scrupulous reporting and lively narrative. She weaves profiles and events into a smooth and chilling whole, one that leads the readers to confront, along with Linda Ives, the events' profoundly disturbing implications. A powerful story reminiscent of A Civil Action and Not Without My Daughter, The Boys on the Tracks is destined to become one of the most powerful works published in 1999.
Customer Reviews:
Still Relevant.......2007-03-03
This is a great book that proves the value of a determined citizen. Had Mrs. Ives just backed off and believed what she was told much of this information may have remained buried. Although this book speaks about "long ago" events it is still relevent today. Pick it up and read through, I bet you find more than one recongnizable political figure within the story.
Interesting Exploration of a Corrupt State Government.......2003-04-23
This report of a mother's quest to solve the mystery of her son's death takes us into a sewage pit of corruption in 1980s Arkansas -- corruption not really resulting from any sort of organized conspiracy, but corruption resulting from dishonesty, incompetence and/or both at various levels of state government operations. Thanks to drug money, the police were corrupt. Thanks to politics, state agents (such as medical examiners and prosecutors) were incompetent, and the elected leadership was both incompetent and highly corrupt. Thank goodness this pustule of government/administrative cancer was confined to Arkansas -- it would have been complete disaster for these shabby people ever to have obtained the reins of national-level power, either in the White House or the Senate.
Excellent, Informative. Enthralling.......2001-07-15
A mother's determination to learn the truth about the deaths of her teenage son and his friend, who were hit by a train late at night in Arkansas after being laid side-by-side on the tracks. Local authorities offer absurd explanations and try to brush it off as an accident, but in time it becomes clear that a cover-up is in the works, and that the deaths were possibly related to a large-scale, international drug-smuggling operation of the 1980's, which was condoned and covered up by authorities because of its links to Iran-Contra. Don't let this sound too confusing or far-fetched. Mara Leveritt is a respected reporter with the Arkansas Times, and the entire story is carefully explained and well-documented. This is a must read for anyone interested in American government policies in relation to the drug war, Iran-Contra, and covert activities, or Arkansas state politics in the Clinton era.
The Boys Who Fell through the Cracks.......2001-02-24
This is an investigative report that reads like a thriller, though it is frustrating in that the corruption it exposes is never cleaned up. Any parent's worst nightmare is the loss of a child; in this case, the child was murdered and the killers were never asked to take responsibility for the crime. The courageous mother who pursues justice is continually stonewalled and dismissed. It is infuriating to read about what she went through.
Arkansas, where all this took place, was then under the leadership of a governor who has been shown to be as crooked as a country road--his involvement, and the involvement of his familial/political clique--is sickening.
I have yet to find anything that convincingly refutes the facts gathered by Leveritt. This is not a crackpot-conspiracy-theory book; it isn't a propogandist smear. I tend to think that, in the not-so-distant future, a LOT of interesting information regarding some of these high-ranking individuals will come to light. At this point, nothing will surprise me.
American Democracy on the line.......2000-10-19
The death of the boys serves as a focal point. We need a focal point, for this story eventually leads us to what is undoubtedly the greatest challenge to our democratic system of government most of us will know in this century. The essence of Ms. Leveritt's story is the solvency of our system of justice, rule by the people vs. rule by a central government. In a democracy where justice is withheld by abusive political elities and the perversion of our national organizations of justice and law ... we have to suspect democracy has withered on the vine. This should be a call to action for our national media who have behaved scandalously in shunning and obstructing the details of this sordid tale of the decline of American Justice.
My hat is off to Linda Ives and Jean Duffey who have thus far proven that brave women are more effective crusaders than men.
Jim
Customer Reviews:
Classical Essays.......2007-07-27
I think the thing I liked most about this book was the fact that these were composers writing. It felt like I was getting inside their head, perhaps understanding them a little better, and meanwhile understanding music as well.
For this reason, Debussy's essays were without a doubt my favorite. In fact, it is only thanks to his portion of this book that this receives a five-star rating and not a four (but mostly to raise the overall rating, because this is not a three-star book, but a FOUR). Debussy's writing is clear and interesting, providing the reader with so much information about the most random things and some things that are simply fascinating. The various essays on different composers were incredibly enjoyable as well as amusing. It made me smile to see one of my favorite composers writing about my other favorite composers, all in one book! Debussy wrote about things that were relevant at the time, and that in itself is interesting. A charming collection that I loved reading and rereading.
Busoni's "Sketch of a New Esthetic of Music", I'm afraid, is less enjoyable. A bit dryer and bit more complex, Busoni's essay seems more geared towards people who are already well-versed in music, composing, and the tricky little things that the casual listener doesn't really care about. The casual reader will find this to be dull, and even the hard-core reader who is also a music fan may find this to be just a tad bit slow and boring in comparison to Debussy's charming essay.
Ives' essay, meanwhile, is kind of... different. It feels a bit more all over the place, which while making it less boring, still doesn't make it quite as interesting as the first batch. It's interesting, but not incredible. I found that it's not exactly something you go back to reread very often.
Overall, if Debussy's "Monsieur Croche the Dilettante Hater" was offered as a single volume, I'd heartily recommend you buy that. However, as it is NOT offered anywhere as a new volume, cheap, or even anything remotely comfortable and appropriate, I'd say buy this. Classical music fans who can read long essays without nodding off should definitely read this interesting book, despite the occasional boring moments.
Recommended, if only for Debussy.
Essential reading for mature musicians.......2007-05-16
Debussy is delightful. Writing as "Monsieur Croche" for various newspapers, he produced 25 articles of irreverent, sparkling wit. Busoni attempts to answer the question "What are the aims of music?" But the real gem is the "Essays before a Sonata" by Charles Ives which serves as a literary complement to the movements of his still difficult and esoteric Piano Sonata 'Concord, 1845". These essays are not for the casual reader or the young music student.
confusedly yawning.......2005-11-15
I don't usually like to give bad reviews of anything, but this book leaves me no choice. I had to read it to write a paper on it and just getting through the first chapter alone is a chore in itself. Debussy is so repetetive, the writing has ABSOLUTELY no form and it just hammers a point to death. I couldn't concentrate on this for more than a few seconds at a time.
Book Description
The two essays in this book, first published in 1989, were delivered as two of the 1987 Carpenter Lectures at the University of Chicago. Wittgenstein and Emerson are major influences on and subjects of Cavell's thought, and here he thinks and rethinks of these two intellectual forebears. As the title shows, he finds an important crux for contemplation in Emerson's idea of America.
Book Description
Antonio Gramsci and his concept of hegemony have permeated social and political theory, cultural studies, education studies, literary criticism, international relations, and post-colonial theory. The centrality of language and linguistics to Gramsci's thought, however, has been wholly neglected. In Gramsci's Politics of Language, Peter Ives argues that a university education in linguistics and a preoccupation with Italian language politics were integral to the theorist's thought. Ives explores how the combination of Marxism and linguistics produced a unique and intellectually powerful approach to social and political analysis.
To explicate Gramsci's writings on language, Ives compares them with other Marxist approaches to language, including those of the Bakhtin Circle, Walter Benjamin, and the Frankfurt School, including Jürgen Habermas. From these comparisons, Ives elucidates the implications of Gramsci's writings, which, he argues, retained the explanatory power of the semiotic and dialogic insights of Bakhtin and the critical perspective of the Frankfurt School, while at the same time foreshadowing the key problems with both approaches that post-structuralist critiques would later reveal. Gramsci's Politics of Language fills a crucial gap in scholarship, linking Gramsci's writings to current debates in social theory and providing a framework for a thoroughly historical-materialist approach to language.
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Native Languages and Language Families of North America: Folded Study Map
Smithsonian Institution
Manufacturer: University of Nebraska Press
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Binding: Map
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ASIN: 0803292694 |
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Champ Fleury
Geofroy Tory
Manufacturer: Octavo
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ASIN: 1891788868 |
Book Description
Ostensibly a formal treatise on letters and letterforms, Geofroy Tory's Champ Fleury is a marvelously personal work that reveals much about the experiences, perceptions, and attitudes of the prototypical Renaissance man. Taken literally, champ fleury means "flowery fields"; written as a single word, it is an old French idiom for "paradise." Tory clearly chose the title to connote the variety of ideas rooted in his everyday experience as a scholar, editor, scribe, illuminator, and bookseller. Tory's analysis of letters, for instance, was not limited to their construction and visual presentation, but also included larger issues of language and literature. This Octavo Edition includes a commentary, bibliographical notes, and complete images of the original 1529 work and of the 1927 translation designed by Bruce Rogers. Commentary by Kay Amert.
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- I can't overestimate the value of this priceless collection.
- The Place To Start
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Charles Ives Remembered: AN ORAL HISTORY (Music in American Life)
Vivian Perlis
Manufacturer: University of Illinois Press
ProductGroup: Book
Binding: Paperback
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Charles Ives: A Life With Music
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Charles E. Ives: Memos
ASIN: 025207078X |
Customer Reviews:
I can't overestimate the value of this priceless collection........2003-05-09
I have my days when I feel as if I've known Charlie Ives all my life. Of course, this is physically impossible: when Charlie died, in 1954, I was only fifteen, and I didn't hear any of his music at least until a few years later, in college. And even then, there wasn't all that much of it available on LP. But, over a period now approaching a half-century, my knowledge of, and admiration for, the man and his music grew steadily, if at first slowly.
With this steady accumulation of knowledge now at the point where I feel at ease ("comfortable in my skin," one might say) with providing some informed commentary, I suggest to readers interested in learning about Charlie, and his life and music, two recommendations. The first recommendation is that they read Jan Swafford's "Charles Ives: A Life with Music," one of the most superb books of its kind, totally sympathetic to the man but at the same time not close-minded to his "warts" and their possible causes.
The second is of course this book by Vivian Perlis, one of the most remarkable of its kind. It is one of the most frequently quoted resources by Ives scholars and writers, and obviously so.
The reason for its very existence is almost as fascinating as its contents. Perlis, in 1968, had been working with the Ives Collection, and, to quote her (in the Preface), "I became aware that there were [...] people still living who had known and worked with [Ives], and that an effort [...] be made to [...] preserve their memories of him."
Ives died in 1954, in his eighthieth year. At the time of the start of Perlis's project, then, those of his contemporaries still alive who knew him were already well in their nineties. Mrs. Ives (Harmony Twichel Ives) was still alive, but too ill to be interviewed. (She died on Good Friday, April 4, 1969.) Ives's business partner, Julian Myrick, was able to be interviewed, but he passed on in the course of the project. Charlie's piano tuner died on the day he was to be scheduled to be intereviewed. There were only three Yale classmates who survived long enough to be interviewd. Facts such as these explain the need on Perlis's part to "work against time" in her plan to capture as many direct recollections as possible in putting together this oral history.
Perlis's subjects included, of course, family members, as well as friends and neighbors, most of them from succeeding generations. (Charlie's brother, Moss Ives, had six children [five nephews of Charlie and Harmony, and one niece]; three of the nephews provide some of the best recollections. Sadly, Charlie's niece, Sarane [Sally], as well as his own daughter, Edith [Edie], died in 1956, only two years after him.) Perlis even interviewed Charlie's personal secretary, his barber, and the architect who was responsible for remodeling his West Redding, CT home. Each provides his or her glimpse of the man. That these glimpses are often reminiscent of blind men describing an elephant speaks to the complexities of an outwardly simple-appearing man.
A large portion of the book covers recollections of musicians who knew and worked with Charlie. While all were of the succeeding younger generation, they can lay claim to being the closest to Charles Ives the composer and musician. The list reads like a "Who's Who" of mid-20th century American music: Elliott Carter, Aaron Copland, Lehman Engel, Lou Harrison, Bernard Herrmann, John Kirkpatrick, Goddard Lieberson, Carl Ruggles and Nicolas Slonimsky among others.
Each of these musical friends achieved fame for his own contributions to the art. Each remembered Charlie in the greatest of detail and anecdote, often in terms that bordered on "reverential" and with individual insights which added substantially to a better understanding of his musical psyche.
With one exception: Elliott Carter. Carter, still alive and kicking (and composing) at age 94, was one of the very earliest beneficiaries of Charlie's intellectual and personal largesse. As a teen-age high schooler, he was often invited to Charlie's W. 74th Street townhouse, a comfortably short distance from Carnegie Hall, where they would take in concerts and then talk about what they heard. Given that these were Carter's "formative years," one might think (and some do) that Carter was the logical successor to Charlie. In my judgement, he wasn't; there are simply too many differences between the two, in terms of compositional aesthetic, for the relationship to be valid. And, of all the musical associates interviewed, only Carter, in what I feel to be mean-spirited commentary, was negative about Charlie's contributions to American music. (It is more than a little interesting that Perlis, in her Preface, found it necessary to state that of all the interviews, only Carter's, as published, differed substantially from the raw interview material. One can only wonder at just what was expurgated!)
I am indebted to J Scott Morrison, fellow music lover and Amazon.com reviewer, for bringing to my attention that, in addition to Elliott Carter, there is one other survivor to this day who can claim direct contact with Charlie. That other person is Paul Moor, who interviewed Charlie for the September 1948 edition of Harper's. Moor (now in his late 70s) was in Europe between about 1953 and 1979, and therefore "out of reach" (and likely off the radar screen) of Perlis. It is too bad that this understandable omission is nonetheless an omisson. Perhaps Moor's judgement would offset Carter's; perhaps not.
In searching for a comparable book about another composer, the closest I can come to Perlis's unquestioned masterpiece is Elizabeth Wilson's "Shostakovich: A Life Remembered." But, whereas reading first-hand accounts about Shostakovich's life can often be an exercise in pain, given the circumstances of that life, reading about Charlie's life only seems to bring me joy. I hope it does for you as well.
Bob Zeidler
The Place To Start.......2003-03-16
This is the first book I read about Charles Ives, and I'm happy that it's still in print. If you are new to Charles Ives, I would suggest that you start here. If you have the funds, I also recommend you pick up Jan Swafford's excellant biography.
Why is this book the best place to start? The book is a compilation of thoughtful and revealing rememberances from Mr.Ives's close friends and his family, all personally interviewed by the author. We even get to hear what Mr.Ives's barber had to say about him! Perhaps most moving is the interview with Brewster, Mr.Ives's nephew.
This book is also chock full of photos and pictures of Mr.Ives's original manuscripts.
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- Henri Cartier-Bresson: Scrapbook
- Here, There and Everywhere: My Life Recording the Music of the Beatles
- Heyday: A Novel
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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