Book Description
Brahms was a master of musical structure, especially in his 4 symphonies. This text presents full orchestral scores of No. 1 in C. Minor, Op. 68; No. 2 in D Major, Op. 73; No. 3 in F Major. Op. 90; and No. 4 in E Minor. Op. 98.
Customer Reviews:
Absolutely Wonderful!.......2005-07-11
Brahms was a genius. This book includes his greatest and most important works, with the notable acception of the student of harmony/orchestration/composition student.
Great Reproduction of a Classic Scores.......2001-10-05
This edition is (inexpensive), detailed, and easy to read. I use these scores for study and rehearsal and I highly reccommend it. Detailed corrections (as well as explanations) from earlier editions were done by Hans Gal.
It is a large score (9 3/8 x 12 1/4 inches)and the is very durable. The pages are thick and the binding allows for the score to lie flat for easy use.
Very good.......2001-03-14
This edition of the Brahms symphonies is relativley cheap for the wealth of material it presents. The music is very easy to follow and is a must for the Brahms fan and serious student or layperson.
Excellent way to study the classics........2000-04-08
Buying the full score of these wonderful symphonies allows you to dig deeper into such wonderful works. I strongly recomend you buy this full score.
Average customer rating:
- ... was it a real love??....
- A richly rewarding read
- Great story about a great composer
- A Magisterial--or Should I Say, Masterly?--Work of Biography
- I only wish there were more analysis on the concertos
|
Johannes Brahms: A Biography
Jan Swafford
Manufacturer: Vintage
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ASIN: 0679745823
Release Date: 1999-12-07 |
Amazon.com
The brilliant biographer of a quintessentially American, prototypically modern musician (Charles Ives) proves just as masterful in probing the life and art of a 19th-century German composer. Writing with passionate clarity that perfectly matches the genius of Brahms (1833-97), Jan Swafford traces the emotional wellsprings of this secretive man's music without trivializing art into mere autobiography. A composer himself, Swafford understands and lucidly conveys Brahms's unique position in musical history: beloved by many, emulated by few, the triumphant yet melancholy heir of a tradition coming to an end in his lifetime.
Book Description
A New York Times Notable Book
"This brilliant and magisterial book is a very good bet to...become the definitive study of Johannes Brahms."--The Plain Dealer
Judicious, compassionate, and full of insight into Brahms's human complexity as well as his music, Johannes Brahms is an indispensable biography.
Proclaimed the new messiah of Romanticism by Robert Schumann when he was only twenty, Johannes Brahms dedicated himself to a long and extraordinarily productive career. In this book, Jan Swafford sets out to reveal the little-known Brahms, the boy who grew up in mercantile Hamburg and played piano in beer halls among prostitutes and drunken sailors, the fiercely self-protective man who thwarted future biographers by burning papers, scores and notebooks late in his life. Making unprecedented use of the remaining archival material, Swafford offers richly expanded perspectives on Brahms's youth, on his difficult romantic life--particularly his longstanding relationship with Clara Schumann--and on his professional rivalry with Lizst and Wagner.
"[
Johannes Brahms] will no doubt stand as the definitive work on Brahms, one of the monumental biographies in the entire musical library."--London Weekly Standard
"It is a measure of the accomplishment of Jan Swafford's biography that Brahms's sadness becomes palpable.... [Swafford] manages to construct a full-bodied human being."--The New York Times Book Review
Customer Reviews:
... was it a real love??...........2007-04-18
I wonder how Brahms would have compensated for the defeat to his friend's wife - Clara Schumann. Although lively attention to details was a notable characteristic of the German woman lover, pianist and composer, her indifference to the sentiments of her husband - the German composer Robert Schumann - was so shallow as to miscalculate Robert's perturbation with her lover's apathy.
How could Brahms, having degenerated to low stage, get over the perfidy of such relationship with the woman who was fourteen years his senior (and who also raised seven children)? Such polyandrous practice was not customary in Germany and both lovers must have become impetuous when they, again, met with indecision of purpose.
Was it bigamy? Or sheer adultery? Did it really matter to Brahms who, at least, cared for Clara's husband and his friend's illness? Was Clara prematurely getting old marking her life by irrational thoughts? Or was it the agnostic Brahms believing in nothing?
Brahms gave us medley of music; conscious of the shadow of the dead Robert, Ein Deutsches Requiem {1867/8} is one that represented heavenly masterpiece as if to seek pardon in humble supplications like the sinner who renounces lifelong bad habits when in extremity of pain.
A richly rewarding read.......2006-02-12
What a wonderful biography. Brahms' dealings with Clara Schumann, Joachim, and other friends is studied in fascinating detail through meetings and letters -- an intimate portrait of personal relations, desires and fears, quiet joys and resentments, etc., all as absorbing as a Henry James novel.
Meanwhile, Brahms' incomparable music is a life of its own, and we are treated to the master's views of it, as well as those of contemporaries and the author. The author's assessments seem to me almost unerringly valid. (Take, for example, his lofty praise of Gesang der Parzen, an underheard choral masterwork, or his concession that the Double Concerto, a concert standard, is on a less than inspired level.)
Add to this the author's occasional shift of focus to the Austro-German culture in which Brahms lived, in retrospect an even more remarkable time and place, where music was valued to a rare degree, and where ideas and events -- artistic, philosophical, political -- were poised to take momentous turns. Fascinating, even haunting, stuff, and all the more appropriate for discussion as these were issues about which Brahms had much concern in his later years.
Great story about a great composer.......2005-10-25
This is a great story about a great composer. The book tells his life story, and highlights many of his great works. Within this biography, the book also mentions the interactions, disagreements and perspectives of the different composers of the late 19th century - Liszt, Wagner, Schumann, Bruckner, Mahler and of course Brahms. From that perspective, it is not only a biographry of Brahms but in some ways a history of classical music in that period. In my opinion, Brahms was the best composer of the group, and this book highlights why he was. It focuses on many of his great compositions, even providing the major musical notes for key parts of a composition. For example, in what is arguably his best work, the 4th symphony, this book spends four pages on the last movement of this symphony, a very powerful cantata and chaconne that Brahms brought to the symphony. This form, according to the book, derives from the Baroque period and Bach has a great similar work with the violin. Brahms took it a step further and using the whole capabilities of the symphony orchestra, weaves this concept into a very powerful piece of music. Since reading these four pages, I've developed a greater interest in this movement and in the 4th symphony in total. It is a beautiful powerful work and this book provides a beautiful perspective of this work. The same is true for all of the book. It has given me a better perspective of Brahms and classical music. For this reason, I highly recommend this book.
A Magisterial--or Should I Say, Masterly?--Work of Biography.......2005-10-12
I have never heard a piece of music by composer Jan Swafford, but if he composes as well as he writes, his music should be stimulating indeed. Some reviewers have called this book hard to put down, a page-turner. I found it so. Part of its interest lies in Brahms himself; any book that purports to shed even a bit of light on so enigmatic a figure would cause one to turn pages in hopes of illumination. But I can imagine, too, a very dull book about Brahms. Well, there are few dull pages among the 600+ in Swafford's biography. As is now de rigueur in good modern historical writing, Swafford creates a judicious blend of primary-source material and commentary thereon, along with a rich store of anecdotes told in his own fine, writerly voice.
Musical analysis is treated in such a way that the amateur musician, and even the musically challenged, will not be put off. In all cases, Swafford demonstrates well one of his chief theses--that Brahms was the most Janus-like of the great nineteenth century composers. He looked back all the way to Renaissance masters, assimilating their contrapuntal styles in ways beyond anything that Beethoven, Mendelssohn, or Schumann had done before him. Yet he so thoroughly anticipated the ambiguity of tonality and rhythm in twentieth-century music that Schoenberg could, long after Brahms's death, speak of "Brahms the Progressive."
But there is much more than musical analysis in this book. There is a thorough investigation of the many dualities in Brahms's nature: Brahms the generous, Brahms the curmudgeonly; Brahms the respecter of (intellectual and artistic) women, Brahms the misogynist; Brahms the romantic, Brahms the classicist; Brahms the sentimentalist, Brahms the cynic; Brahms the self-effacing, Brahms the monumentally egotistical. Swafford presents them all in their staggering incompatibility. And while Swafford himself admits that no one can ever quite hope to reconcile all these manifestations or indeed fill in the gaps in a life that the composer himself hoped to keep mostly a closed book, he comes close to making this great study in contrasts that was Brahms into a flesh-and-blood individual whose most mystifying acts seem almost comprehensible because we have seen him in action in similar contexts. By an exhaustive examination of the primary literature and shrewd speculation based thereon, Swafford builds a picture that convinces. He can't make us always like Brahms or even sympathize with him, but we come to understand him better through Swafford's portrait than we ever thought we could. That is some accomplishment.
Beyond this are the passages in which Swafford speaks of musical and indeed cultural history after Brahms. The epilogue to this book, in which the author traces Brahms's paradoxical legacy through the great century of change since his death, should be mandatory reading for all students of culture in the West.
Are there flaws? Yes. Some parts of the book show haste while others show careful crafting. In a work this large, that is to be expected. And Swafford overuses the word "magisterial." This may describe Brahms to a tee, but so, I hope, do a few other adjectives. Small gripes? Small indeed, given the wealth of insight and reading pleasure that Swafford provides here. I'm ready for his biography of Ives!
I only wish there were more analysis on the concertos.......2005-05-07
Mr.Swafford did excellent jobs in dissecting and analyzing major symphonic works without sounding pedantic and dry. However, I wish he had invested more ink on the other major orchestral works such as Piano Concerto no.2 and the Violin Concerto, two of my favorites, like he did Piano Concerto no.1 and the symphonies and variations, etc. On the late concertos he merely described the circumstances surrounding their creation and barely touched on structural analysis.
Other than that, the book is very detailed and enjoyable to read. It sheds a lot of light on the human side of the composer and his friends, and thus makes these historical figures come back to life. At several instances I was so touched by Swafford's writing that I almost shed tears. Reading this book has been an emotional journey for me, and I rank it as my favorite book on music and musicians. Very touching! I love it!
Book Description
This volume reproduces, from the authoritative Breitkopf & Härtel edition, three of Brahms's great orchestral favorites. Editor's commentary in German and English.
Customer Reviews:
3 Works By Brahms.......2003-08-24
This volume contains three orchestral works by Brahms. The Academic Festival Overture, The Tragic Overture, Variations on a Theme By Haydn.
Perhaps not Brahms' best compositions, but interesting nonetheless. The edition is true to Dover's standards. Large format, clear printing, lies flat for easy reading. Recommended!
Average customer rating:
- Love it!
- A great edition of a great choral work!
- The best requiem ever written
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German Requiem in Full Score
Johannes Brahms
Manufacturer: Dover Publications
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Brahms: A German Requiem (Cambridge Music Handbooks)
ASIN: 0486254860 |
Amazon.com
Many composers--Mozart, Verdi, Durufle, Faure--have written settings of the requiem, the Roman Catholic mass for the dead, and the listener can find a score for every taste, from the bombastic to the reflective. In this 1865 composition, Johannes Brahms took a different tack. Instead of using the familiar texts of the Latin Mass, Brahms chose to write a German requiem with a decidedly evangelical tack. Using texts from the German translation of the Bible--beginning with a phrase from the Beatitudes and ending with the Revelation of St. John the Divine ("Blessed are the dead which die in the Lord …") Brahms created one of the most comforting works of its kind ever written. (There are few greater evocations of heavenly bliss than No. 4, the chorus sung in English as "How lovely is thy dwelling place.") You can see how he did it with this full orchestral score from Dover. Dover scores are short on bells and whistles--not to mention English translations--but if your primary interest is in the music and how it was put together, you will find this a valuable tool at a bargain price.
Book Description
Brahms' greatest, most ambitious vocal work is a masterpiece of choral music that is now one of the most performed and recorded works in the repertoire of religious music. Reprinted in full score, including solo voices, chorus and orchestra, from definitive Breitkopf & Härtel edition.
Customer Reviews:
Love it!.......2007-02-25
This is a great piece of music and I really enjoyed getting to see it on the page as it was written out by Brahm's. This score will become an old friend, I'm sure of it!
A great edition of a great choral work!.......2005-10-04
If you love choral music, you have to love Brahms; if you love Brahms, you have to love his Requiem. It is obvious why this work brought him broad recognition: it is touching and inspiring. This is a must-have.
The best requiem ever written.......2001-03-18
Dover does an extraordinary job in developing a quite accurate version of the German Requiem. Many consider this piece to be one of the best written in the Romantic Era. Brahms's originality and experimentation between the marriage of both the orchestra and chorus make this piece absolutely one of a kind. Strongly recommended for any listener and Dover's flawless edition is the best around if the listener wants to see the piece as Brahms visioned it.
Average customer rating:
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Johannes Brahms
Ivor Keys
Manufacturer: Amadeus Pr
ProductGroup: Book
Binding: Hardcover
Brahms, Johannes
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ASIN: 0931340268 |
Book Description
This is the largest collection of Brahms songs commercially available. Historical notes on all songs address compositional context in the composer's career, remarks about the poets and early performance history. A new translation appears on the first page of each song. New musical research, clear new engravings make this a distinguished source of song literature.
Customer Reviews:
A+.......2001-07-29
I don't read a lot of biographies because I often find the amount of detail to be excruciatingly excessive, and often the writer, even if he knows the person he is writing about personally, often tends to descend into sharp criticism of his subject, as if that were the norm in our age of gossip and entertainment. Perhaps the necessary detachment in this case comes from the fact that Brahms died just over a hundred years ago, for his was not a perfect character!
I have always liked Brahms' compositions quite a bit, especially his chamber music, which is among the best. Yet I have never bothered to read a biography of the composer. I only read this one because a relative of mine is handling the estate of one of the author's wives (not Irene, the collaborator), and while visiting this relative I was offered the book. Fortunately, from the outset I thoroughly enjoyed reading Prof. Geiringer's biography.
Geiringer acknowledges that there have been many other fine biographies of Brahms, and he decided to write one only because he was given access to about a thousand letters of correspondence Brahms received from well-know artists like the Schumann's, the violinist Joachim, and many others. Geiringer combines a vast knowledge of Brahms' life and music with these letters to produce a highly readable and entertaining work, w/o a hint of sensationalism.
In order to leave enough room for a discussion of Brahms' extensive output, the author limits his discussion of the composer's life to about 200 pages, yet it is quite thorough. Brahms' early life of extreme poverty is discussed w/o trying to evoke sympathy, followed by the burgeoniong composer's failure to get a post in his native Hamburg, a lifelong hurt for Brahms, but which very fortuitously causes him to move eventually to Vienna, where his music flowers in a very supportive environment. The young composer's career is given a huge push by a letter Robert Schumann writes in a widely read journal, and Brahms fulfills those expectations, though he surely destroys many compositions we would love to hear, because of his high standards. Also, Brahms, unlike other composers, receives the accolades he deserves while still alive and composing.
The view we get of Brahms is balanced - we see his good humor and we also read the famous quote of the composer, who, upon leaving a party, wonders if there is anyone there he has not insulted! Also, while Brahms reaches tremendous heights in his art, he never marries in order to achieve it, and we read about the women (mostly singers of his choral music) he loves but cannot attach himself to. No, Brahms is far from perfect, yet the composer is unfailingly helpful and generous to his family, friends, and also to other composers - Dvorak usually comes to mind in this respect.
Following the biographical discussion of Brahms' life, the author as musicologist again provides a thorough but not excessive discussion of the different kinds of works the composer put out, from the chamber music to the many varieties of choral works.
Towards the end of the book Geiringer writes an excellent chapter called "The Man And The Artist," a thorough summary that, as expected, is succinct yet not sensational in any way.
Brahms: His Life and Work (Third Edition).......2000-06-27
Wonderfully written book! I borrowed it from a friend and I love it so much I am going to buy it! This book is conveniently divided into three sections (Brahm's life, work, and letters). There are many references to his actual letters throughout the book. Brahm's certainly had an interesting life (definitely more interesting than what I had learned in music classes!) This book explains the relation between his music and life experiences very effectively. Quite a joy to read!
Book Description
This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his own words, and in his own voice. 'I am aware of my bad habit of writing briefly but obscurely', Brahms once wrote to a friend. He was needlessly hard on himself, for his letters describe many significant events in his life, throw light on his friendships and music, and reveal his wit, idealism, intelligence, generosity, sarcasm, and above all his powerful sense of integrity. The letters in this volume range from 1848 to just before his death. They include all Brahms's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover. The result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
Customer Reviews:
Just Wonderful !!.......2003-01-31
I'v been a Brahms' music fan for a long time and i have read three different biographies, without having the opportunity of get closer to his thoughts before i buy this great book. Now I know how Brahms' mind worked, how (really) was his relationship with his friends and how were his feelings and thoughts during the periods he composed that wonderful music.
I'm not an english born speaker, so i had some difficulties in understand the meaning of some sentences, more exactly, some modisms, wich are very frecuent in Brahms' speech.
In spite of this, I recommend this book because it's just wonderful.
Wonderful translation, superb commentary.......1998-11-30
The virtues of this book are several: about 800 previously untranslated letters of Brahms, masterfully translated and carefully and judiciously annotated, based on research entirely from source materials which, among other things, give the lie to the unsavory myths of Brahms childhood, proving beyond doubt that he came from a hard-working, well-meaning family who lived in a good neighborhood, and provided him with a good education and normal childhood. The author's research confines to the rubbish heap the silly Freudian theories, never based on any evidence, for his reasons for not marrying. This compendium of letters and their absorbingly written annotation is a gold mine for amateurs and professionals interested in a truthful picture of Brahms.
Excellent, comprehensive, and revealing........1998-11-06
Unfortunately, Jan Swafford did not have a chance to read this book before writing his own "biograohy" of Brahms. If he had, he would have been privy to a wealth of information, much of which has not been available to non-german speakers. Avins' commentary on the letters of Brahms and many of his correspondents is clear and well researched.
From recent reviews of: Johannes Brahms - Life and Letters.......1998-04-20
"Richly informative" - Sunday Times, London. "Occasionally a book comes along which changes perceptions of its subject. This is such a book. ... [The] annotations are not only scholarly but often witty and always full of common sense. ... Wherever you read, you will feel you are in Brahms's world and that he is speaking to you." - Sunday Telegraph, London. "There are many gems here ... much to be gleaned from what Avins has selected.. Those who seek to be on more intimate terms with Brahms and his circle... will find much to pore over in this collection" - Los Angeles Times. "Little short of a bombshell ... Ms. Avins's contributions are terse and often illuminating... fascinating illustrations, a helpful chronological table and other tools... Brahms reveals himself in workaday as well as transcendent moods." - New York Times. "This is a work that will thrill Brahms fans and provide much pleasure to those entertained by the personal correspondence of great artists. Recommended for general and academic libraries." - Library Journal. "It is not much of an exaggeration to say that the book presents Brahms in a new but quite convincing light... the book can be read as a biography... this composer has seldom seemed more lovable, more vulnerable, more honorable." - Gramophone. "This is one of the most important music books published in recent years." - The Oldie, London.
A Brahms biography based on his letters........1997-12-06
"Johannes Brahms, Life and Letters" is a new biography published by Oxford Univ. Press and is based on the composer's letters. The letters were selected and annotated by Styra Avins and its 550 complete letters which constitute the first such general collection of letters in English, were translated by Josef Eisinger and Styra Avins. The book also contains 48 rare photos, detailed notes and appendices (e.g. on Brahms and Clara Schumann), and a bibliography. The lively text joining the letters is based on the latest Brahms scholarship and provides a fresh view of the composer's life, much of it in his own words. It sheds new light on the early life of Brahms, his numerous friendships, his family, his work, his character and his personality. A well-written book which will heighten anyone's appreciation of the man and of his music. Highly recommended to lovers of biography and music.
Book Description
This book is the definitive guide to Johannes Brahms's four symphonies. It presents an engaging and thorough treatment of the genesis, structure, reception, and performance history of these internationally admired and frequently performed works. Walter Frisch provides a sensitive analytical commentary on the symphonies as well as a consideration of their place within Brahms's oeuvre, within the symphonic repertory of his day, and within the broader musical culture of nineteenth-century Germany and Austria. Frisch also pays particular attention to the evolution of performance style since Brahms's symphonies were first heard. The book begins with an investigation of the different ideologies of the symphony in the decades leading up to Brahms's First. Brahms's early development as a composer is also examined. Frisch then devotes a detailed chapter to each of the four symphonies, including an in-depth analysis of each movement. A separate chapter treats the reception of Brahms's symphonies, and the book concludes with a history of the performances of the symphonies in the concert hall and in early recordings.
Customer Reviews:
Good, but out of print.......2003-05-06
I am always amazed how books that actually tell you something somehow go out of print. There has not been a single decent analytic study of the complete Brahms Symphonies since Julius Harrison's Survey in 1939. That work is written in a period style that tells the student of these symphonies very little. This is symptomatic of a problem with English music literature in general. There are not enough general purpose guides to single pieces of music.
The density of Brahms's symphonies is such that many details can be easily overlooked without guidance. Walter Frisch is one of the foremost English-speaking experts on Brahms's music. One can try to work out all the thematic ideas of the symphonies without a guide. I have conducted three of these works myself, and before reading this work, I had missed several details that now redefine how I interpret them (for example, I was never able to articulate reason for the magical of the second movement of the Third Symphony, until I read Frisch's comments on how the tonic chord can be the dominant of the subdominant.)
This last comment is music-speak. Regrettably, it is only comprehensible by a small percentage of the concert/recording audience. For those fortunate enough to know German, there are several good guides on individual pieces of music in that language. Otherwise, the closest thing one has in English is the Cambridge Music Handbook series. The problem with that series is that many of the entries are not analytic enough (ie. they fail to provide a measure by measure breakdown of the piece) and the books are overpriced for what they provide ...
Luckily, Rheinhold Brinkmann's Late Idyll is still available for the reader. He restricts his discussion to the Brahms 2cd symphony, but it is a wonderful work indeed. Frisch attempts a similar approach with all the symphonies. It could use more detail, but I'm sure he was limited to a certain length by his editors.
Average customer rating:
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Late Idyll : The Second Symphony of Johannes Brahms
Reinhold Brinkmann
Manufacturer: Harvard University Press
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Brahms: The Four Symphonies
ASIN: 067451176X |
Book Description
Though central to our concert and recording repertory, and crucial to the history of the symphony, the four symphonies of Johannes Brahms have proved surprisingly resistant to critical analysis. In this brief, elegant book, a premier musicologist conducts us through the Second Symphony to show us what is unique and remarkable about this particular work and what it reveals about the composer and his time.
Reinhold Brinkmann guides us through the symphony movement by movement, examining musical ideas in all their compositional facets and placing them in the context of major trends in the intellectual history of late nineteenth-century Europe. He delineates connections between this symphony and the composer's other works and traces its relation to the music of Brahms's predecessors, particularly Beethoven. The product of a long and deep engagement with the music of Brahms, Late Idyll captures the spirit of the composer, probes the impulses behind his revisions of the original manuscript, and explores the meaning of the disparity between the first two movements of the symphony and the last. The result is a penetrating reading of a perplexing and important composition, clearly placed within its biographical, historical, and artistic context. It will engage and enlighten students and concertgoers alike.
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- Introduction to Management Science
- Collectible Beads: A Universal Aesthetic
- Weddle's Job Seeker's Guide to Employment Web Sites 2003: The Job Seeker's Edition
- Varanoid Lizards of the World
- Affective Communities: Anticolonial Thought, Fin-de-Siècle Radicalism, and the Politics of Fr
- Harry Potter and the Chamber of Secrets
- Applied Numerical Methods with MATLAB for Engineers and Scientists
- Darkly Dreaming Dexter: A Novel
- Valuation of Intangible Assets in Global Operations:
- Highlights In Space, 2003
Symphonies Nos. 5, 6 and 7 in Full Score
Symphonies Nos. 1, 2, 3 and 4 in Full Score
Symphonies Nos. 8 and 9 in Full Score
Fourth, Fifth and Sixth Symphonies in Full Score
Later Symphonies (Nos. 35-41) in Full Score
