The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)

Book Description

"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."
âSidney Poitier

In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measureâas a man, as a husband and a father, and as an actor.

Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters...and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.

Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.

Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limitsâhis own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.

Customer Reviews:

Nice man, wandering story..........2007-10-04

I had to force myself to finish this book, simply because I didn't want to waste my money by leaving it when I was tempted to. It was interesting to realize that an actor whose work I had appreciated came from such a spare beginning, but by halfway through the book, the continuous wandering asides and disclaimers of the author so overwhelmed the narrative that I could barely tolerate it. It seems to me that the story could have been told to greater effect with half the words!

****LOVED IT****.......2007-09-24

Kept me interested...I really enjoyed this book...I couldn't put the book down until I finished reading it!!!!

MEASURE OF A MAN does not measure up.......2007-09-21

Wow, a book about Sidney Poitier. An outstanding actor with a book that just does not give him true justice. The reading tends to be dry and lacks substance. His life struggles could have been the story of any man or woman, black or white. The writing and editing are weak in some sections.

You should rent or buy one of Poitier's movies instead. His movie roles show his true skills.

SPIRITUAL "Of, Relating to, Consisting of, or Affecting the Spirit" MERRIAM-WEBSTER.......2007-08-30

I've always been smitten with Poitier's voice--his diction and control on film, the flow of his words as they travel in and around ideas during interviews--so I read THE MEASURE OF A MAN with an ear for his voice. I wondered, Is it translatable to print? It is, but that means allowing Poitier's thoughts to meander until they find their point, and that his thoughts are less formulated (or formal) and more "in his own words," than they might be if they were written by a biographer. (I read just enough "You know?"s "You hear me when I tell you?"s and "You follow?"s to feel like he was talking to me, but not too many to be annoyed.) I read to imagine what it might be like to have a conversation with Poitier. The book reinforced what I already knew--I'd be as intimidated as heck--but it also gave me the courage to think I'd be able to speak my mind.

As an editor, I read Poitier's book because I wanted to know how he defines a "spiritual" autobiography. Is it a I-Was-A-Sinner-But-I-Found-Jesus-And-Now-I'm-Saved chronology? Is it about how Christianity or another faith influenced his life? Neither. Poitier examines the people, events, circumstances, beliefs, and so on, which have related to, consisted of, or affected his "spirit," and, in doing so, he writes about childhood experiences in the Bahamas, his changing perceptions of his parents, how he adapts to living in the United States, his approach to acting and filmmaking, and his attitude toward fatherhood. He also shares a debate a friend and he had about the Basic Truth of Nature, a debate worth every second of reading it takes to get to.

Is THE MEASURE OF A MAN going to satisfy readers interested only in Poitier's film career? No, but I urge them to read it anyway, if for no other reason than to find out how his "spirit" influenced the films he starred in.

Books.......2007-08-21

I purchased this book for my daughter and she loved it!
She is a teacher and plans to teach this story in her English class fall 2007.
A great story with a great moral.

History: Fiction or Science? (Chronology, No. 1)

Average customer rating:

Calculations are only as good as your numbers
Pants on fire?
Accepted History & Chronology Must Be Changed.
Very Interesting
History as Science Fiction

History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback

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Similar Items:

History: Fiction or Science? Chronology 2 (Chronology)
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ASIN: 2913621058

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

Great gift for Elvis fans
Well-done pop-up, awesome tribute, kitschtastic
Fun
graceland an interactive pop up tour
I live in Memphis

Graceland: An Interactive Pop-Up Tour
Chuck Murphy
Manufacturer: Quirk Books
ProductGroup: Book
Binding: Hardcover

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Accessories:

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Postcards from the Boys

ASIN: 159474131X

Book Description

More than 600,000 people visit Graceland every year, making it one of the most popular tourist destinations in the United States. With Graceland: An Interactive Pop-Up Tour, you'll go behind the velvet ropes for an all-access tour of the Elvis Presley Estate. Eight full-color pop-up spreads feature the mansion's most memorable destinations:

The Kitchen: Home of the famous peanut butter and banana sandwich.
The TV Room: With three TVs running simultaneously, there's never a dull moment.
The Trophy Room: A monument to the King's legacy.
The Meditation Garden: Where Elvis and his family are buried.

Along the way, interactive pop-up features allow you to flip through Elvis's record collection, browse the family photo album, open his refrigerator, and discover other hidden surprises. Graceland: An Interactive Pop-Up Tour is the perfect gift for Elvis fans of all ages!

Customer Reviews:

Great gift for Elvis fans.......2007-10-01

GRACELAND: AN INTERACTIVE POP-UP TOUR is a must-have for any Elvis fan. I bought one for a friend, and it was such a hit that several of her friends have purchased them also. The pop-ups are well done, and the book gives a lot of information about Elvis and Graceland. It makes a great birthday present and will be the hit of the party.

Well-done pop-up, awesome tribute, kitschtastic.......2007-09-21

I bought this for my mother, a huge Elvis fan, and she loves it. The pop-ups are very well done - lots of detail, and lots of little extra flaps and such to open. Each page features a different room - kitchen, jungle room, etc., and the book discusses the significance of each room in Elvis' life. In a slightly morbid twist, the last page is the grave of Elvis and his parents. Also included are a cardboard pair of Elvis' famous gold sunglasses that you can wear! This book far surpassed my expectations.

Fun.......2007-08-29

I gave this book as a gift and boy was it a huge hit. Great fun for everyone. If you have an Elvis fan in your circle you can not go wrong. Great detail and package. Highly recommended

graceland an interactive pop up tour.......2007-08-16

hi as i have just returned from visiting graceland with my wife 30years anniversary i bought a lot of things home to remind of our visit i bought this item a book which features inside of elvis home there is alot of things in this book we wernt allowed to see to our dissapointed in graceland no camcorder was allowed and no flash lights a lot of the rooms were dark so most of our pictures came out dark spoilt this book shows all elvis rooms to great detail even inside his fridge i will go back one day but until that day ijust open this great book and it brings it all back as if we were there in person worth buying go for it you wont be dissapointed hope this review helps

I live in Memphis.......2007-05-12

Since I live in Memphis, I am of course an Elvis authority (not.) My father-in-law created the Christmas scene to Elvis' specifications years ago. I hoped that Christmas would be included. Eveyone I have shared this book with has bought one. I plan to use it for gifts. You don't have to be a fan to appreciate the accuracy and "fun" of visiting the King's house.

Worlds of Music: An Introduction to the Music of the World's Peoples, Shorter Version (with CD-ROM)

Average customer rating:

Good Book!!!!
Good book for your Music Class
Expensive, yet very useful
Costly but damn interesting!

Worlds of Music: An Introduction to the Music of the World's Peoples, Shorter Version (with CD-ROM)
Jeff Todd Titon , Linda Fujie , David Locke , David P. McAllester , and David B. B. Reck
Manufacturer: Schirmer
ProductGroup: Book
Binding: Paperback

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Worlds of Music: An Introduction to the Music of the World's Peoples
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ASIN: 0534627579

Book Description

No background or training in music? No problem. This shorter version of WORLDS OF MUSIC: AN INTRODUCTION TO THE MUSIC OF THE WORLD'S PEOPLES is written to make music accessible. Using the case-study approach, the text presents in-depth explorations of music of several cultures from around the world. The authors all ethnomusicologists working in their fields of expertise base their discussions of music-cultures on their own fieldwork and give you a true sense of both the music and culture that created it. Two CDs accompany every copy of the book and cover a wide range of music-cultures, including authentic recordings from the authors' fieldwork. Leading off is the long-standing jewel in the Worlds of Music crown - James Koetting's magnificent recording of postal workers canceling stamps at the University of Ghana post office. A Western-sounding hymn tune performed against African rhythms, this piece, more that any other, lets you hear contrasting music-cultures.

Customer Reviews:

Good Book!!!!.......2007-09-21

The book is interesting and the CDs that accompany the book are perfect with the reading!

Good book for your Music Class.......2007-03-11

I have enjoyed this book a lot. It really goes into the world's music cultures in detail. The CD that comes with the book has some very interesting listens on it.

Overall, an interesting book if you have to get it for your World Music class, as I did.

Expensive, yet very useful.......2006-07-28

I don't mean to take the same words of the reviewer Nicholas H. Canale, but he's right. Worlds of Music is an excellent book containing two CDs to introduce you to the music of the world and its relation to the culture the music is found in.

The book contains an introduction which explains musical terms to non-musical people. From there, you're on your own to understand the how these terms apply to odd music cultures. Hopefully you will have a great professor or musically-inclined friend to help you out. Nevertheless, the authors all have Ph.D's in ethnomusicology (or a similar subject) and are very good at presenting information.

The book does indeed cost a pretty penny, but its well worth it. Then again, worth doesn't mean much if you're taking a 'World Music' class at college and don't have a choice. Even still, the situation isn't bleak - the audio examples are great, and you're bound to enjoy at least one foreign music you never considered worth your time before reading Worlds of Music.

Costly but damn interesting!.......2005-10-10

My opinion is this is def. not worth the money. It is a very interesting text, but not worth the amount the writers set out to get.

Rockin' Down the Highway: The Cars and People That Made Rock Roll

Average customer rating:

Rockin' Book!
This is not a coffeetable book...
Rockin Down the Highway
Rockin Down the Highway ROCKS!
A 'must' for any comprehensive rock library collection.

Rockin' Down the Highway: The Cars and People That Made Rock Roll
Paul Grushkin
Manufacturer: Voyageur Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0760322929

Book Description

In the world of music, a car is a helluva lot more than a just another mode of transportation. Its inspiration, a symbol of freedom and style, and often a way to hit the road and get to the gig. From Robert Johnsons 1936 recording Terraplane Blues to rapper Xzibits hit MTV show, Pimp My Ride, from pink Cadillacs and Lil Deuce Coupes to T-birds and Roadrunners, cars have been a constant theme in rock-n-roll and the blues. Perhaps its because references to cars in American song are so pervasive that no one has ever attempted the daunting task of exploring the connection . . . until now. In this beautifully produced volume, best-selling music writer Paul Grushkin draws on private collections, renowned photographers, lauded poster artists, and top private archives to present a thematic illustrated examination of the remarkable 50-plus-year synergy between rock music and motoring, from early RB to surf to metal to punk to hip-hop. The result is astounding. Hundreds of rare 78s, 45s, LPs, sheet music, and more were photographed for the book. Dozens of prominent photographers (including Steve Coonan, Jim Marshall, Henry Diltz, Glen E. Friedman, and Pamela Springsteen), illustrators (Stanley Mouse, Ed Big Daddy Roth, Darrell Mayabb, and Coop, among them), and prominent poster artists (Emek, Justin Hampton, and Mike Martin, to name just a few) participate. Rockers like Elvis Presley, Eric Clapton, the Grateful Dead, Bruce Springsteen, Snoop Dogg, and Billy F Gibbons are just a few of the hundreds of artists whose associations with automobiles are celebrated here. The book is replete with lyrics, anecdotes, and commentary from famous musicians, as well as ordinary rock-n-rollers whove loved rock and cars equally with a passion.

Customer Reviews:

Rockin' Book!.......2007-09-26

If cars, rock-n-roll,and the birth of those two cultures even slightly interests you, this is the book for you! The author, who also put out another great book, art of modern rock, really shows just how much rock-n-roll and the car culture have been intertwined since the birth of rock-n-roll to the present time.

This is not a coffeetable book..........2007-02-03

I'm not a huge fan of coffeetable books. They always seem to have an air of pretension about them (or I do ha ha), but "Rockin Down The Highway" does NOT come across that way. It's packed full of cool photos and info that draws you in and doesn't leave you feeling like an outsider. Even you're not a fan of rock music and hot rod cars, this is a great book to while away the time with...and maybe have a cup of coffee while you're at it.

Rockin Down the Highway.......2007-01-16

Awesome book. It's about time that someone wrote about the marriage between music and cars and the people that drove them. This author really did his homework. I've done my share of reading about cars but there are photos in there that I've never seen.
Worth every dime.

Rockin Down the Highway ROCKS!.......2006-12-21

Rock `n' roll is cool music, of that we can have no doubt. From Chuck Berry and Elvis, to the newest stars of 2006, rock n roll does, in fact, appear to be "here to stay." And cars have been a big part of rock since the early days. Whether you were revving up your Little Deuce Coupe, if you were Born to Run, or Born to Be Wild, or just roaring down the road in your Little Red Corvette, the cars have been there all along.

Paul Grushkin's book, Rockin Down the Highway celebrates this marriage of cool with photos, stories, cartoons, art and much more, bringing cars and rock together in a big, very attractive package. The book is as fun to read as it is to look at, with all varieties of entertaining anecdotes and tidbits from Mr. Grushkin and other contributors, ranging from well-known rockers and rock writers to ordinary rock fans recounting the pleasure of the open road, stereo blasting out their favorite tunes.

This is a big, lovely style book, lavishly illustrated and beautifully composed. It would go beautifully on the coffee table of any rock fan!

A 'must' for any comprehensive rock library collection........2006-12-14

There are plenty of books on automobile history and culture and plenty on music history, but what makes Rockin' Down the Highway: The Cars and People That Made Rock Roll an impressive study is not just an oversized format which packs in color photos on every page - some 1,000 of them - but an attention to surveying the connections between cars and rock music. It's the first illustrated, book-length history of the topic and includes many photos not previously seen in print, coming from a notable rock historian who uses posters, photos, ads, album covers and more in the process of analyzing the attraction of fast cars and fast music to a teen audience. An outstanding, sweeping presentation which will prove a 'must' for any comprehensive rock library collection.

Diane C. Donovan
California Bookwatch

Average customer rating:

Excellent Just Needs A Musical CD !!!!
Encore! We want more!
A great read aloud for kids!
Jude's Review of Jazz Man
This Great Book! (More and More Honors!)

This Jazz Man
Karen Ehrhardt
Manufacturer: Harcourt Children's Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0152053077

Book Description

In this toe-tapping jazz tribute, the traditional "This Old Man" gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound "divine."

Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance!

Includes a brief biography of each musician.

Customer Reviews:

Excellent Just Needs A Musical CD !!!!.......2007-04-23

I love this book! My son is 20 months and loves this book the rhythm of the words, the numbers, the clapping the sounds of the instruments. What would be excellent if there was an auditory accompaniment to the book. A taping of someone reading the book who can demonstrate the sounds or even better a taping that included musical instruments playing.
I know a lot of people would LOVE to hear it as well and it would be an excellent teaching tool. Please forward this to the appropriate individuals and if possible keep me updated on the release date of the cd. Thank YOU for writing such an awesome, entertaining and needed book!

Encore! We want more!.......2007-03-22

Oooh, this book made me what to rap and tap and beedle-di-bop! Which is quite somethin', since I don't have a musical bone in my body!
This is a great book-the text jives off the page and the illustrations thimp dumple thump right along. What a great way to teach kids about jazz legends!
Hats off to Ehrdhardt and Roth for a beautiful book!
Encore!

A great read aloud for kids!.......2007-03-07

I am an elementary school media specialist for grades 1 - 5. I read this book to my first and second graders. By the third jazz man they were chanting along with me. By the fifth man we were all singing along with the familiar song tune. They loved the scat phrases and repeated them over and over. What a bonus that these men are actual jazz legends. I highly recommend this book for a great musical read.

Jude's Review of Jazz Man.......2007-01-21

I'm 3 and my Grandmother Helene reads this book to me. She said that my Doctor Beth gave it to me and my sister Scarlett and the author signed it. That made me smile.

I really like this book. My grandmother sings me it and i like music and instruments and can name the saxophone and trumpet and drums.I like the pictures of the conga drums.

I usually say, " read it again" when she's done and I can almost pick out all the numbers now too. Jude Stulb, Pueblo Colorado

This Great Book! (More and More Honors!) .......2006-10-05

Note: Since writing the review below, I've discovered that "This Jazz Man" has received three (and counting) prestigious honors in the last month or so: A Nick Jr. Book of the Year for Children, one of the N.Y. Public Libraries Top 100 books to Read to Kids, and one of a very few named by National Public Radio as a best children's book of the year!

February 2007 Update: This Jazz Man is on the cover of the February "Crickets" magazine! In addition, it was shortlisted as a top book by the Cooperative Children's Book Center, and is being used as a teaching tool for a Smithsonian Museum (yes, that Smithsonian!) exhibit.

If you've bought this book, you and I share a certain nose for kids' books; if you haven't, you'll discover a book that's snappy and swinging, fun and informative. My original review follows.

"Doodly-doodly-Doot-doot! Toot-Toot!"

That's Karen Ehrhardt's delightful take on a Dizzy Gillespie trumpet line, and like the rest of this sparkling first book, every note rings joyous and true. In a somewhat daring move, Ms. Ehrhardt airs out the musty English poem, "This Old Man," with jazz-infused lyrics, and distills the essence of nine jazz giants: Louis Armstrong, Bill "Bojangles" Robinson, Chano Pozo, Fats Waller, Duke Ellington, Art Blakey, Charlie Parker, Dizzy Gillespie, and Charles Mingus.

The improvisations in "This Jazz Man" are authentic and fun--the text is made for reading out loud! Listen to this evocation of Charlie Parker, for example:

This jazz man, he plays five,
He plays bebop, he plays jive,
With a Deedle-di-bop! Bebop!
Give the man a hand,
This jazz man blows with the band.

Within the 5-line format of the original song, the author conveys the sound and spirit of these artists, while keeping the tone light and understandable for her young, perhaps jazz-naive audience (about 3 to 7 years-old). Along with each Jazz Man's stanza are the sounds and rhythms of his performance -- depicted in text incorporated with each illustration. When drummer Art Blakey "plays solos with his sticks" and "beats with the band," the percussive sounds "Chikka-chee! Chikka-chee! Bubbuda-bubbuda-bubbuda-BOMP!" pulse over his vibrating cymbals. Following the `performance,' older readers (and adults) can learn more about Blakey -- his innovation of the "press roll" and his role in nurturing new talent -- in the book's afterward. Riffing on the customary introductions of band members at jazz gigs ("Playing 4, form Washington, D.C... Edward Kennedy "Duke" Ellington"), the book briefly spotlights the life of each Jazz Man.

Illustrator R. G. Roth complements Ehrhardt's narrative pictures with multi-media illustrations that are playfully retro yet fresh and child-friendly. Airy compositions help children see the relaxed, expansive pose of the smiling Louis Armstrong, the verve and rhythmic creativity of "Chano" Pozo (how many times have you seen him in a jazz book for kids?), the playful attack of Fats Waller, and the stature and majesty of Charles Mingus. Roth displays a repertoire of textures and soft, engaging colors, and makes subtle references to Birdland, the Newport Jazz Festival, and other venues along the edges of book's `stage. For the small fry, a cute and playfully elusive mouse plays hide and seek throughout the book. "This Jazz Man" has an exhilarating finale -- after each man plays (1 through 9), all of the jazz icons appear on stage together:

This jazz band, they play ten,
We beg them to play again,
With an "Encore, we want more!"
Give them all a hand"
These jazz men make one great band!

"This Jazz Man" gets it right, rhymes it tight, and entertains without misrepresenting. (To put this achievement in context, too many kids' "jazz" books really focus on the blues--usually the rural blues, seen through an awkward sentimentalism--or solely on dance. Sometimes they confuse eras, portraying any jazz singer as a combination of Bessie Smith, post-WWII hep cats, and 1950's beats, with a dash of oddly misplaced 1970's styles.)

"This Jazz Man" is a natural for school or library audiences, rambunctious group singing, the first efforts of beginning readers, or as a bedtime treat for toddlers. One doesn't need to know one lick about jazz to enjoy the musicality of the rhymes and the understated but compelling jazz portraits: They stand on their own. In addition, teachers can easily adapt "This Jazz Man" to language units, numbers and counting, music appreciation, art, solo and group singing. Older students may delve further into the lives and times of the musicians through Ehrhardt's rich yet compact biographical sketches in the afterward. (Offhand, I can't think of any book--for kids or adults--that so succinctly and eloquently describes each musician's significance.) For readers who'd like to sample the actual music, Ehrhardt recommends recorded works for each Jazz Man: a couple tracks for each musician, and even two feature films (available on video) that display Bojangles' tapping talents. (Perhaps in future editions of this book, the publishers could include a companion CD/DVD.)

With apologies to the author--though inspired by her:

This jazz fan, I count one,
"This Jazz Man" is lots of fun!
With a smile and a nod and an "ain't that grand!"
Let's give Ehrhardt a great big hand!

The Measure of a Man: A Spiritual Autobiography

Average customer rating:

profound
An Insightful Autobiography
A True and Honest Measure of Oneself
A story well told
Insightful into a surprisingly diverse number of areas

The Measure of a Man: A Spiritual Autobiography
Sidney Poitier
Manufacturer: HarperSanFrancisco
ProductGroup: Book
Binding: Paperback

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ASIN: 0062516086
Release Date: 2001-04-24

Amazon.com

Sidney Poitier wrote The Measure of a Man: A Spiritual Autobiography because he "felt called to write about certain values, such as integrity and commitment, faith and forgiveness, about the virtues of simplicity, about the difference between 'amusing ourselves to death' and finding meaningful pleasures--even joy." Yet Poitier's book does not speak from on high; its tone is conversational and endearingly self-critical. He begins the first chapter by recounting an evening spent channel-surfing and wondering, as most of us do at one time or another, "What am I doing with my time?" The spiritual reflections in The Measure of a Man are nonsectarian; Poitier's faith is clearly influenced by his experience in Christian churches, but he is not, strictly, Christian. Though idiosyncratic, his faith is disciplined and rigorous, informed by leaders as diverse as Gandhi and Nelson Mandela. Poitier's love--for himself, his family, and the world--infuses his recollections of his early life on Cat Island in the Bahamas and his memories of his stage and film career (including his Oscar-winning role in Lilies of the Field). Poitier has been rich and poor; he has been popular and despised; and his extremely varied experiences have made him a wise man, as he demonstrates with statements like this one: "[W]hat we do is stay within the context of what's practical, what's real, what dreams can be fashioned into reality, what values can send us to bed comfortably and make us courageous enough to face our end with character."

Book Description

"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite the contrary, I began this book as an exploration, an exercise in selfquestioning. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."

In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure--as a man, as a husband and father, and as an actor.

Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of selfworth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters ... and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.

Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.

Here, finally, is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, pride and humility, rage and forgiveness, and paying the price for artistic integrity, What emerges is a picture of a man seeking truth, passion, and balance in the face of limits--his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.

Customer Reviews:

profound.......2007-08-13

An humbling read in deed...this is a man with a profound sense of self,I'll come back to this book often in the years to come.

An Insightful Autobiography.......2007-05-07

Learn about the man behind the great actor and storyteller who captivates audiences on the big screen.

A True and Honest Measure of Oneself.......2006-03-18

Sidney Poitier has always been one of my favorite actors and he has meant so much to me personally as a lover of the cinema. He is one out of a handful I can say that about. His autobiography is impressive and he is ever so modest about many of his accomplishments.

Sidney Poitier is one of America's greatest screen actors, a multi facetted practitioner of the performing arts and a true humanitarian. Not only did he portray men of humanity with a sense of dignified morality but his own career as a black actor broke racial barriers that ran parallel with the perception and acceptance of blacks in American films.

The beginnings of Sidney Poitier's big break into theatre and films have always seemed sketchy and are slightly different depending on what sources are available. However several events do seem to stand out and these lend credence to Poitier's place as a humanitarian because the poverty, the racial prejudices and the people that helped start his career were never forgotten. Sidney Poitier was understudying Harry Belefonte in the play "Days of our Youth" while working at the American Negro Theater. It does seem likely that he filled in for Belefonte for several performances at which he gained experience and proficiency through Belefonte's assistance. After several more productions and a national tour of "Days of Our Youth" Poitier got his first staring film role two years later in 1950's NO WAY OUT with Richard Widmark and directed by Joseph L. Mankiewicz. This is a role that his good friend Harry Belafonte said put the truth about black people on the screen for millions to see due to Poitier's brilliant performance as a young good natured yet morally strong doctor pitted against bigoted Widmark.

Throughout the fifties, Sidney Poitier made some very important films in the history of cinema and some that were controversial during their time. BLACKBOARD JUNGLE made in 1955 was a realistic look at adolescence contempt for society at an inner city trade school for delinquent boys. Glenn Ford played a new teacher who decides that his only chance of teaching the boys anything is to reach the roughest boy of the bunch played by Sidney Poitier. Poitier gave a brilliant performance as the one youth that new true right from wrong and only used his tough facade to survive in a world of his peers where he would otherwise have been the low man on the rung. 1958's THE DEFIANT ONES directed by the progressive filmmaker Stanley Kramer was an engrossing story of two escaped prisoners, Sidney Poitier and Tony Curtis, who must overcome issues of race in their struggle for freedom from police in the deep South. Sidney Poitier was nominated for an Academy Award.

In 1961 Sidney Poitier starred in A RAISIN IN THE SUN from Lorraine Hansberry's play, the first by a black playwright to show on Broadway. It was about a black Chicago family's attempts to make a better life against the many problems they faced both from within and from outside their household. In 1962 Sidney Poitier won the Academy Award for Best Actor for director Ralph Nelson's LILIES OF THE FIELD. Poitier played the handyman stranger who helps build a chapel for German-speaking nuns in the American southwest. Just prior to LILIES OF THE FIELD Poitier made PRESSURE POINT produced by Stanley Kramer. It was an intelligent drama based on a true case, with Poitier playing a prison psychiatrist trying to search out the problems of his deranged Nazi patient played by Bobby Darin. This was one of Poitier's best performances but the film has been long forgotten.

By 1965 Sidney Poitier was truly becoming a mainstream actor and his race seemed to play a minor factor in the characters he was portraying. In 1965 he made THE BEDFORD INCIDENT, THE SLENDER THREAD, A PATCH OF BLUE and appeared in George Stevens' THE GREATEST STORY EVER TOLD. In 1966 he starred in Ralph Nelson's DUEL AT DIABLO a violent tale about bigotry between whites and Indians out west. However, 1967's GUESS WHO'S COMING TO DINNER directed by Stanley Kramer involved the first interracial kiss in screen history. Some reviewers criticized the film's story of interracial romance, as being unrealistic since Poitier played a black man who had such impeccable credentials race was hardly a factor. Kramer pointed out that that was his point. He wanted to put Poitier and his fiancée on an even playing field where their only differences could only be the color of their skin. Therefore, was there really a difference?

In 1967 Norman Jewison's IN THE HEAT OF THE NIGHT Poitier plays a black big-city black detective who assists redneck Southern sheriff Rod Steiger solve a murder. This is an excellent film and makes a great social commentary on color, respect and friendship. It also contains an innovative score by Quincy Jones. This film is a modern classic and is still powerful today. In 1967's TO SIR WITH LOVE, written and directed in Britain by James Clavell, Poitier plays a West Indian teacher to a bunch of tough East End teenagers who becomes successful and reaches them by teaching the class about survival in the real world. Poitier was and remains a force to be reckoned with.

Sidney Poitier helped change many persistent racial attitudes that had persisted in this country for centuries by the image he projected on and off the screen and the very life that he has lived. He has opened the doors for countless artists in succeeding generations. He is an actor who stood and still stands for hope, for excellence, and who has given happiness and the will to persevere in questionable times to millions of people around the world.

A story well told.......2006-01-15

Sidney Poitier's autobiography illuminates not only why he is true hollywood royalty, but why he is also to be considered a royal man. There is nothing pompous or egotistical about his journey from the island to Hollywood, but rather it is a very human story told with humility and grace.

Insightful into a surprisingly diverse number of areas.......2005-07-09

Poitier recounts his very humble childhood on Cat Island in the Bahamas. He then tells us stories about coming to the USA, making it into Hollywood, his experience with racism and civil rights, his reflections on life and spirituality, and the making of his movies. The book is a little uneven: I loved his stories about getting started in acting and making his films, while I got impatient with some of his thoughts on the nature of the world. But overall, this memoir is insightful and entertaining.

He provides an engaging narrative of the Civil Rights Movement from the perspective of black artists in show business. He gives a powerful example as he tells the story of refusing a film because it would have betrayed the values that his father taught him, and of how that refusal ultimately led to his Hollywood career taking off. He also entertains with anecdotes about his experiences with Katharine Hepburn, Spencer Tracy, Harry Belafonte, Carl Sagan, and many others. Shortly after watching his film Guess Who's Coming to Dinner, I read the story of how that film got made and enjoyed the insight that story provided.

Along the way, Poitier shares some wonderful insights about life and culture, progress and overconsumption.

If you have any opportunity to listen to this book on tape, I recommend it. Poitier reads the entire book himself, and his voice and intonation would make this worth listening to even if the memoir were less good than it is.

Songs of West Africa: A Collection of over 80 Traditional West African Folk Songs and Chants in 6 Languages With Translations, Annotations

Average customer rating:

Songs of West Africa" by Dan Gorlin is perfect for me.
At last - a great way to learn some African music!

Songs of West Africa: A Collection of over 80 Traditional West African Folk Songs and Chants in 6 Languages With Translations, Annotations
Dan Gorlin
Manufacturer: Alokli West African Dance
ProductGroup: Book
Binding: Plastic Comb

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ASIN: 0970443900

Book Description

Here's an exciting new resource for anyone interested in African music and culture. Songs of West Africa by Dan Gorlin contains over 80 traditional African folk songs and chants in 6 languages along with extensive translations, annotations and performance notes. It may be the most complete collection of African songs ever published.

The book highlights traditional songs from the Anlo-Ewe, Lobi, Ga-Adangbe, Egu, Foh, and related ethnic groups from Ghana, Togo, Benin, and Nigeria. There are sacred songs from Afa, Agzogbo, Gadzo, and Yewe traditions. Also major secular and historical music including Agbekor, Kinka, Atsia, Gahu, Takada, and more.

Many of the songs are simple to learn, and can be easily taught to grade school students or adapted to other styles of music. But the scope of this book goes far beyond children's songs. Each song is explained in terms of cultural context, and translated in a way that helps you form your own interpretation of its meaning. You'll discover that singing the songs of Africa is a superb way to learn about her people, culture, and history -- and it's fun!

The text includes music fundamentals, a pronunciation guide, and useful introductions to West African society, sensibility, and spirituality. Using the companion audio CD (included) you learn by singing along like young Africans do - or just listen and enjoy. The CD was studio-recorded especially for this book, so vocals and harmonies are easily heard over the supporting drums. With insightful perspectives and a wealth of information, this book is a must-have for students, teachers, and libraries.

Customer Reviews:

Songs of West Africa" by Dan Gorlin is perfect for me. .......2006-08-24

I have studied in Ghana and continue to study and teach this music here in Philadelphia, and this book has enough substance to feed a small country of song hungry drummers. Also, it seems the Author also sings and plays the support drums, lead vocal and chorus (overdubbed); which is really incredible because the CD sounds so Ewe~! A must have for anyone who values beauty and hard work!
Shawn Hennessey, Leana Song.

At last - a great way to learn some African music!.......2002-09-10

I wasn't sure what to expect when I bought this, but this book turned out to be really fun to read! Part storytelling, part anthropology, part language lessons, the book introduces not just songs from six different tribal groups but a sense of how they see the world. The songs are translated, plus the pronounciations written out, and you can play the CD and read along with it - a great help if you want to try singing or drumming the music.

Worlds of Music: An Introduction to the Music of the World's Peoples

Average customer rating:

A decent text
Not a bad world music textbook, but.....
Fascinating and scholarly!!!

Worlds of Music: An Introduction to the Music of the World's Peoples
Jeff Todd Titon
Manufacturer: Schirmer
ProductGroup: Book
Binding: Paperback

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ASIN: 0534591035

Book Description

This market-leading, best-selling book covers ethnomusicology-the study of music in a people's way of life, which treats music as a distillation of cultural styles. The authors of this book approach diverse musical styles with the desire to understand them on their own terms-as the people who make the music would understand them. The book is organized by region. Each study focuses on the life histories and autobiographies that are essential to understanding music as a human activity. Song lyrics are singled out by the authors as a way to understand the meaning and purpose of musical performances. Musical examples, or transcriptions, are included on the accompanying CDs, and are treated throughout as points of departure for discussion. Readers music-making projects-singing, building and playing instruments-greatly increase music appreciation and allow readers to experience firsthand what it's like to be an ethnomusicologist puzzling out unfamiliar music. This book seeks to provide as much pleasure as knowledge, fostering lifelong curiosity and a desire to experience and appreciate music in all its forms.

Customer Reviews:

A decent text.......2004-11-06

While the text book is informative and enlightening on many of the aspects of World Music, it is frustrating that he continually puts out newer editions that have minimal changes except for the CD. For the general information gathered from this text, anyone will be able to gain loads of interesting facts about the different cultures and their musical ceremonies/practices.

Not a bad world music textbook, but............2003-11-29

I've been teaching a world music course out of this textbook for a couple years now and will say that there are some positives to it: the CD compilation is great, good variety and interesting and there is some really good, detailed information that students would find interesting-it's good for people who go into world music without knowing much, it can be engaging and intriguing. It was the book I used as a student. But, on the other hand from an academic, teaching point of view there are some flaws. I will admit it's difficult to cover an entire world of music in one book, it must be an editor's nightmare on how to arrange the information. But one problem is that some chapters focus on a country or region within a country, i.e. - Japan, South India, Native America. Whereas other chapters focus too broadly-an entire chapter that covers the whole continent of Africa and one on South America!! It doesn't cover Brazil which is full of various musical traditions and is such a large country. Some of the chosen examples of traditions are highly localized too and not indicative of the general population. My Bosnian student had never heard of Bosnian ganga singing until this class. It's not that the information is at all wrong or presented in a bad way, it just needs clarification for students. You wouldn't want them walking away from a class thinking these musical traditions are known and practiced by the entire population (as with ganga singing). One other problem is that there is no chapter on the Middle East which is really unfortunate. I don't think this is a horrible textbook, of the few out there, this is probably the better one. Students can get a lot out of it, and especially the CDs, but if you teach with it, I highly suggest using supplemental information and even make your students be critical of the information they find in the book as well as how it's arranged.

Fascinating and scholarly!!!.......2001-10-21

This book is wonder and a treasure trove of musical ideas from around the planet. For example, how many music historians are aware of how the Native Amercians used song to identify each of their tribes?
Mr. Titon has provided very interesting facts about music making from many world cultures. He has also produced a 3 CD sound compilation of musical examples for this book that is indispensible.
If you're tired of today's bland market of music that has sadly squashed historical music making of any kind, this book is an excellent journey into the world's most basic roots of song and music.

Emerging Worship: Creating Worship Gatherings for New Generations

Average customer rating:

Agree with premise, hate the writing
Four and Half Stars--Must read for those in ministry!
Awesome Questions...dangerous answers
Better than coffee
Challenging and insightful

Emerging Worship: Creating Worship Gatherings for New Generations
Dan Kimball , David Crowder , and Sally Morgenthaler
Manufacturer: Zondervan/Youth Specialties
ProductGroup: Book
Binding: Paperback

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ASIN: 0310256445

Book Description

A complete guide to developing an alternative worship service for the younger emerging generation.

Customer Reviews:

Agree with premise, hate the writing.......2007-09-28

Many people are praising this book for its challenging message. I don't disagree with the message.

I was disappointed in this book because it the poor quality of writing inhibits clarity and good argument. Also, because the author believes every gathering must fit its unique context (I agree!), he tries to avoid making specific recommendations. The result is just jumbled ideas and vague quasi-suggestions. If you are looking for a book that will teach you how to start an emerging worship gathering, this is not going to be very helpful.

The best part of the book is where Kimball profiles several different emerging worship gatherings (at the back), and it would have been a better book to start with these, then draw observations about things they have in common. (And it would have been better if such observations were written by a better writer.)

More specifically about the writing, Kimball's problems start with a poor vocabulary. A good vocabulary results in an economy of words and a precision in meaning; a poor one yields vague, shallow wordiness.

For example, he writes on page 172: "Historically, church ministry functions in a certain way and there was a specific approach to looking at the church leadership structure. But Graceland [an alternative/emerging worship gathering] started going against the norms of consistency and church uniformity!" Lots of words, little clarity: it's clumsy and vague.

I found Kimball's avoidance of specific suggestions or guidance for creating emerging worship gatherings annoying. Either he is unable to find common threads in emerging worship gatherings, or he is deliberately obfuscating. I wish he would show a little more faith in his readers, and tell us how each gathering he profiles was envisioned and created. Most of us are bright enough to realize that our situation is unique, and we must be careful in applying the lessons from other gatherings. But more specifics would have made this a much more helpful resource.

Four and Half Stars--Must read for those in ministry!.......2007-09-24

I am an evangelical Christian finishing up my Bachelor's in Music Ministry from an A/G University. The issues presented in this book are issues that I have been wrestling with and for which I have been unable to find very good answers.

I have not read Kimball's more famous book--"The Emerging Church" or some title along those lines--but I read this book quite intensely.

I was quite the skeptic of this book; the term "Emergent" to me has been misunderstood and made to mean a lot of things. In my mind before I read the book, the word "Emergent" meant a segment of Christianity with Epistemological issues (Truth issues) and entirely focused on experience in regard to every matter of faith and doctrine. Although I believe a lot of the "emergent Church" could fall into this boat, Dan Kimball shouldn't necessarily be thrown in with them.

This book became less about "Emergent" thought, or theology, but more about "Emergent" methodology. You see, the post-modern generation has epistemological issues that need to be met with the appropriate ministry methodologies. Some of the Emergent leaders get caught up with their own truth problems when the try to reach post-moderns, and some others like Dan Kimball simply use methodologies with truth-challenged people in mind.

I highly recommend this book to pastors and worship pastors, although it may not be as practical as you might desire. In case you haven't noticed, if you are looking for a "7 steps to do this..." or "21 reasons that..." kind of book you are in the wrong place. Those kinds of books are thoroughly influenced by modernism anyway (like John Maxwell type books). Emergent literature is not a "3 steps to" whatever kind of movement--to them it is all about "The Journey" for the individual and the truths discovered along the way. This book does provide examples of what some churches are doing, but encourages you to find out what will appeal to your community where you live.

I am from the Midwest and live in TX--the culture I am surrounded with is not as advanced in a post-modernistic way as the west-coast culture out in California from where we receive Kimball's insights. Ultimately, Kimball is saying that we have to change to reach people, change according to the culture you are in by finding what works for that culture, and make sure Christ is always at the center of everything we do. That is something that thoroughly impressed my throughout the entire book--it encourages being Christocentric at all times in every ministry endeavor.

Once again--methodology is not theology. Don't confuse ways to reach people solely through the "sacred spaces" and house churches discussed in this book; the Word of God is the only thing that can truly change people.

Awesome Questions...dangerous answers.......2007-09-17

The subtitle reads, "Creating Worship Gatherings for New Generations", which is a worth goal. And I think Kimball has explored and outlined how to create such a service which would be interesting and accessible to the "New Generation." But I really don't feel like he's adequately answered the real question of "Should we?"

He does tell us why he thinks we should - but all those reasons are based more on the fact that more and more of the post-modern generation are not attending church or dropping out of it. I think the real question is not what can we provide that they will be interested in or that will be relevant to them, the real issue is what do they need - not what they want. Children many times know that they are hungry, but more often than not they will desire foods that provide no sustenance.

This is a sequel or follow-up to Kimball's "Emerging Church", and I do think it is a must read for every modern pastor and worship pastor because it is good to wrestle with the issues being raised. And Kimball asks some great questions (for the most part), he just has some very dangerous answers. Church leaders need to explore these issues and understand biblically what is right and wrong with what Kimball is presenting here.

So yeah, I highly recommend this book - though it will be outdated within the next ten years, I believe. Just take it with a grain of salt and know that, though he doesn't have all the answers, he is recognizing many issues within the modern church.

Better than coffee.......2007-07-27

If you like to have your cup of coffee to help get your eyes open in the morning, reading Kimball's book on Emerging Worship will be a stimulating literary cup of coffee! This book rocked my boat. It made me uncomfortable. It stimulated, even agitated my thinking at times. And it was a welcome and needed jolt. If you are burdened about the missing generations in the church and are trying to figure out how to reach them, you will gain a lot of insight from this book. It will switch the lights on in your head and open up new doors of possibility.

Challenging and insightful.......2006-08-13

Where are all the 18-to-35-year-olds? Thy're not in the mainline churches. They're also not in the conservative evangelical churches! Kimball himself comes from that "camp," and I have significant issues with Kimball's theology (particularly his understanding of salvation). However, Kimball points to a disturbing trend.

"I've had numerous conversations with younger people who told me they left their church to be a disciple of Jesus in a way that makes sense to them," he writes on page xii. "They aren't abandoning their faith. Many choose to form small faith communities and meet in homes among friends. They are waiting for the larger, more organized church to change. This is no cop-out, either. Virtually every young adult I have talked to sincerely tried to bring change to their church and brought suggestions to their church leadership before leaving their church. Most volunteered to start something new. But the suggestions fell on deaf ears with a predetermined view of what emerging generations should be like in relation to 'church.' The closed minds in their church leadership eventually made them choose to leave." I'm struck by those sentences because I myself know people who have done precisely what Kimball describes; I know young adults who have tried to change the institutional church, faced a wall virtually made of bricks, gotten discouraged, and left the institution to find a new (and to them, more authentic) way to be faithful to Jesus Christ.

Kimball offers several models for how to reach this generation. These models are based upon a basic assumption: we need to get away from the idea that the fundamental building block in the church is the weekend worship service, and we need to embrace the idea that the fundamental building block in the church is the church's mission of making disciples.

Wait -- what? You mean the Sunday morning worship service isn't the bedrock of the faith community? Yes, that's precisely what Kimball is saying. Chapter 3 -- "Why This Is a Dangerous Book to Read" -- is, for me, the highlight of the book. Kimball wisely points out that if you are not able to shake yourself loose of some basic assumptions about what it means to "be church," you may find this book deeply troubling. It's no small thing to encourage people to accept the idea that everything they've always thought about "church" might not quite be what Jesus had in mind!

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