Book Description
The John Adams Reader: Essential Writings on an American Composer gathers a colorful and wide-ranging selection of pieces from leading musical commentators and critics. Included are revealing interviews with the composer as well as eloquent essays by Ingram Marshall, Michael Steinberg, Alex Ross, Sarah Cahill, Alan Rich, and many others. Editor Thomas May has grouped this collection into four sections: profiles of the artist (including a fascinating memory piece from Ingram Marshall on Adams's early San Francisco years), detailed essays on the major works, interviews with some leading collaborators and interpreters, and critical reception. This reader should be of use both as an introduction for the general reader to a preeminently significant American artist and as a reference for the more serious student or scholar.
Customer Reviews:
A "must-read" portrait for anyone striving to better understand both the artist and his musical art.......2006-08-06
The John Adams Reader presents an anthology of writings by a wide variety of authors about one of the most frequently performed American composers in the realm of classical music. Friends and collaborators of John Adams, including director Peter Sellers, conductor Robert Spano, performers Emanuel Ax and Dawn Upshaw, and friend Ingram Marshall, as well as extensive interviews with John Adams himself, allow for a thorough tour of his personality, his musical works, collaborators and interpreters, his critical reception, controversies about his work and his political views, and much more. As accessible to lay readers as it is to advanced music students and practitioners, The John Adams Reader is a "must-read" portrait for anyone striving to better understand both the artist and his musical art, presenting the compiled wit and charm of expert musicians.
Essays by People who Know Him.......2006-07-05
John Adams is probably the most performed living American composer of classical music. And in this book, really a tribute to Mr. Adams, some sixty writers have written on some aspect of John Adams life. The essays are broken down into four major categories: Portraits of the Artist, The Musical Works, Collaborators and Interpreters, and Critical Reception. The book is biographical in part, talking of Mr. Adams early years and his decision to spend his life writing music. Other aspects of the book discuss most of his major works from looking at the content and then critically.
The writers of these essays are a who's who of the classical music world. They include performers (Emanuel Ax, Sarah Cahill), critics (Justin Davidson, Rupert Christiansen), composers (Ingram Marshall, David Schiff), critics (Renaud Machart, Alan Rich), directors (Robert Spano, Peter Spano), professors (Richard Taruskin, Arthur C. Danto), and of course Thomas May who basically put this whole book together.
Book Description
The fall of the Soviet empire has not diminished the popularity of Dmitri Shostakovich's great symphonies and concertos one bit, despite the fact that most literature on him neglects any substantive discussion of the music itself in favor of biographical speculation on the relationship between the composer and the political climate of the day. This is the first book to provide a detailed, descriptive analysis of the 21 symphonies and concertos, work by work, explaining not just why they are significant documents of their time and place, but why they are great music in general. This offers readers an understanding of why Shostakovich's music enjoys the enduring support of performers and listeners alike, and how it fits into the great tradition of Western classical music generally.
Customer Reviews:
An excellent introduction to Shostakovich's major orchestral works.......2007-01-11
I believe that as his work becomes better-known, Shostakovich will be universally regarded as the composer who in the post World War I era of the 20th century has contibuted than any other to the expansion of the standard classical music repertory. Hurwitz'z book is an excellent, jargon-free introduction to his 15 symphonies and 6 concertos. Written with the general reader, it has interesting insights on virtually all the works covered, even on those few symphonies, such as the 12th, which are usually dismissed as substandard hackwork. He is well aware of the already massive Shostakovich literature, including the controversial "Testimony" by Solomon Volkov, but he is not afraid to form his own opinions which may or may not be contrary to received knowledge. Heartily recommended to all classical music lovers.
'Popular' treatment.......2006-11-12
Boy, do I ever hate being the ant at the picnic. But somebody has to say something. This is both useful and of little use simultaneously. That is, it is a well-written, conversational excursion through the repertoire that will be illuminating to many music-lovers. But at the same time it will teach them almost nothing.
Here is the problem: this book, like so many books on music written recently, takes the position that it would be the kiss of death to actually include a single musical example. To which many might say, yahoo! But if you resolutely avoid any use of musical notation, or even musical terms, in talking about music in a detailed fashion, then you find yourself having to say things like "and now the bippity-boop theme returns, this time on the flute." And I'm only slightly exaggerating. Imagine several pages about a work that uses a characteristic rhythm throughout in which the only way the author can refer to this rhythm is as 'The Rhythm'. Imagine if we have two themes and instead of describing one as being repeated eighth notes on D and the other as being rising fourths he has to refer to them as "the droney theme" and "the leapy theme". (These names are made up.) This is to reduce discussion of music to baby talk. And when the subject is large symphonic works, that seems particularly incongruous.
But I suspect that the author is not as much to blame as might be thought. He is after all, not starting a trend, but merely extending it. Apparently no-one, not even music-lovers, actually learns to read music any more. And also, apparently, if you want to actually, y'know, sell your book on music it must not contain any actual music.
But it's still baby-talk.
Music review.......2006-07-09
I found this most interesting and easy to read. Hurwitz has whimsical style that makes it easy to be informed and entertained. His works should make good textbooks for music students of the current generation.
Especially recommended for music students and classical music lovers everywhere.......2006-07-04
David Hurwitz, founder and editor of respected daily classical music magazine Classicstoday.com, presents Shostakovich Symphonies And Concertos: An Owner's Manual, an in-depth discussion of Shostakovich's grand musical creations. Offering much more than a technical analysis, Shostakovich Symphonies And Concertos also discusses at length what the music sounds like and how it works expressively. Featuring scrutiny of fifteen symphonies and six concertos in chronological order, Shostakovich Symphonies And Concertos provides a marvelous guided tour of the unfolding melodies as well as an overview of how Shostakovich's works fit into Western classical musical tradition. An accompanying full-length music CD contains a performance of Shostakovich's Fifth Symphony, which accurately showcases his style. Especially recommended for music students and classical music lovers everywhere.
A Guide to Listening to Shostakovich.......2006-06-19
Born in 1906 Shostakovich lived through the communist years in the Soviet Union. This book covers Shostakovich from his first symphony, completed when he was 19 through his next 14 symphonies and six concertos. It has relatively little in the way of biography, but instead is about his music.
Each major work is given a chapter of its own, and like the Owner's Manual of an automobile it describes the feelings generated by that work.
Mr. Hurwitz is perhaps the foremost writer working today in the field of classical music. He founded and is the executive editor of ClassicsToday.com a daily clasical music magazine, and is the chairman and founder of the Clkasical Internet Awards. He is the author of similar books on Wagner, Mozart, Mahler, Dvorak, and Haydn. The book includes an audio CD of Shostakovich's Fifth Symphony, easily his most famous.
Amazon.com
Anyone fascinated but daunted by Mahler's monumental, complex orchestral works will find this book a welcome guide. Focusing on the nine completed symphonies and The Song of the Earth, David Hurwitz addresses his readers directly in an informal, conversational tone. Aided by a CD of four selected movements, he tells them what to listen for, what to pay special attention to, and, pointing out some recurring characteristics, what to remember for future reference. He explains Mahler's concept of form and structure, from the smallest motives to the over-life-size finished edifice. He discusses Mahler's manifold use of his songs, his love for quoting from himself and for recalling and anticipating thematic material--always in a new guise--and his penchant for aborted climaxes and deceptive endings: part of his reluctance (or inability) to conclude a composition. Despite his originality, Mahler stood on the shoulders of other giants, notably Wagner and Verdi, whose works he conducted at the Vienna Opera. Hurwitz devotes much attention--and an entire appendix--to Mahler's unsurpassed mastery of orchestration, his skill in exploiting every instrument's resources, even using them for thematic purposes. Hurwitz admits that describing music in words has limitations; he falls back instead on describing Mahler's complex mixture of elements from the most sublime to the raw (for example, we find the music characterized as pretty," "cute," "sleazy," "sexy," "vulgar," "flatulent," or "squealing" like a barmaid "after being pinched on the behind" and the like). On the other hand, he rejects the conventional assumption that there is a link between a composer's work and life experiences, isolating the music from the personality. This might be considered a drawback insofar as it neglects a crucial dimension (consider, for example, our knowledge that Mahler tried to outwit fate by interpolating The Song of the Earth between his Eighth and Ninth Symphonies and how this might enhance our understanding of those two dark, valedictory final works). Yet even such cavils cannot diminish the originality and thoughtfulness behind this illuminating book. --Edith Eisler
Book Description
Since Gustav Mahler was rediscovered in the early 1960s, his symphonies have become arguably the most popular works in the modern orchestral repertoire. Mahler's Symphonies: An Owner's Manual is the first discussion of the ten completed symphonies (No. 1-9 plus "The Song of the Earth") to offer music lovers and record collectors a comprehensive overview of the music itself, what it sounds like, how it is organized, its form, content, and meaning, as it strikes today's listeners. The book caters to the novice as David Hurwitz describes what the listener will hear, section by section, using simple cues such as important instrumental solos, recognizable tunes, climaxes, and other easily audible musical facts. He explains how each work is arranged, how the various parts relate to each other, and how one work leads to the next. It describes the emotional extravagance that lies at the root of Mahler's popularity, the consistency of his symphonic thinking, the relationship of each work to its companions, and his dazzling and revolutionary use of orchestral instruments to create an expressive musical language that is varied in content and immediate in impact. The accompanying CD contains recordings from Symphony No. 1, Third Movement; Symphony No. 2, First Movement; Symphony No. 5, Third Movement; and Symphony No. 7, Second Movement: "Nachtmusik I."
Customer Reviews:
An intro to Mahler.......2007-09-13
Good book, only gripe is that the author goes into too much detail describing the music itself (for example telling what instruments are doing what) I think what I am looking for is more of an analysis of the symphonies. Hope this helps
An Excellent Listener's Guide.......2006-10-23
David Hurwitz has written a marvelous guide for the classical music listener who wants to get more out of Mahler's symphonies but: a) lacks the ability to follow the music him/herself, or make sense of it; and b) finds that CD and program notes do not provide sufficiently detailed description, or are too technical to be understandable. The author provides lengthy but non-technical descriptions of the music as it progresses, keeping the listener on track and ready for what comes next. Major melodies or tunes are identified by ad hoc names (the "kletzmer," the "Alma," etc.). Major rhythms are identified for the reader-listener in the most basic terms (i.e. "dum dum dadum dum"), but it works! Hurwitz eschews biographical background in favor of discussion of the form and content of the music itself. Even if the author fails to convert you to a Mahlerian (and he certainly seems to be one himself), his book will deepen your appreciation for this formerly "much abused" composer.
My complaints are few. In his enthusiasm the author has a tendency to confuse the words "literal" and "figurative" such that, at one point in the book he describes the orchestra as "literally falling over a cliff" or words to that effect; which, for the sake of the musicians' health and casualty insurance premiums I hope did not happen. I wish that discussions of form and interpretations of meaning had been reserved for the front of each chapter, directly following the introduction, so the chronological description of the music had not been interrupted. Strangely, the author, who is not bashful about expressing his opinions, seems surprisingly hesitant to divulge his extra-musical interpretations of the music. Finally, Hurwitz is a most uncritical critic, defending Mahler from every criticism, even those that, to my ears, are justifiable.
In addition to the book the purchaser receives a CD with one-movement excerpts from four Mahler symphonies (#'s 1, 2, 5 and 7). The guides to these four movements contain exact time references to these CD performances for greater ease in following along.
Buyer beware: you'll find you'll want to acquire CD's of Mahler symphonies you don't presently own (I bought #'s 6 and 7), or purchase other versions if yours don't reveal all the twitters, birdcalls, or cowbells itemized in the book.
Highly recommended.
This is simply a great book for all Mahler fans out here..........2006-05-26
... and hopefully Mr. Hurwitz's words strenghen the fact that Mahler is one of the greatest composers of all time (and he is my top favorite composer) - not just through vastness and complexity, but also through "representing the world", being universal, escorting humanity through music like Beethoven.
Just reading certain passages which seems to coincide what I exactly thing about Mahler's remarkable musical messages (especially in the triumphant Symphony No. 2 and the apocalyptic Symphony No. 9) put me to tears.
Whether you're obsessed with Mahler, or want to understand his musical words, buy it!!!
introduction to Mahler's major symphonic works.......2005-03-01
Hurwitz breaks down Mahler's nine symphonies plus his song cycle "The Song of the Earth" into their parts as these contribute to the whole; and the parts too are broken down for their development, tone, and instruments. Analyses and commentary mingle with frequent metaphoric, near-poetic, evocations of musical passages. In the Fifth Movement of Symphony No. 5, "Horn and woodwinds unfold a series of perky little tunes...." In the Second Movement, "As this climax dies away trailing clouds of strings and horns, the woodwinds slither back in with sinister whirring scales." Hurwitz also gives attention to the spiritual ideas and the emotions embodied in Mahler's music. The author of "Beethoven or Bust: A Practical Guide to Learning About and Listening to Great Music," Hurwitz writes about music in a style that is suitable for readers of all ages from young adults and up.
Average customer rating:
- The Gospel Truth ...
- Pointless and Misleading
- the only way to read Shakespeare
- A Crazy Scheme?
- THE BEST FOR ACTORS, DIRECTORS, ETC.
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Applause First Folio of Shakespeare in Modern Type: Comedies, Histories and Tragedies
William Shakespeare
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All the Words on Stage: A Complete Pronunciation Dictionary for the Plays of William Shakespeare
ASIN: 1557833338 |
Book Description
This landmark publication is printed in clear, legible type. Each play has its own comprehensive introduction as well as extensive, expert annotations. Highlighted areas show where lines have been altered over time and also shows where verse has been changed to prose in the past (but not here!) The original compositions are marked and folio clues are highlighted.
Customer Reviews:
The Gospel Truth ..........2006-10-29
Priceless.
(Please read my book, 'Shakespeare for the Rest of Us' for clarification ...
Pointless and Misleading.......2004-12-23
If you want to consult the First Folio, get a facsimile. Freeman's "editions" are not only pointless, they are profoundly misleading: only someone who was completely ignorant about Jacobean book-production could possibly suppose that the vagaries of F1 represent a meticulous adherence to Shakespeare's intentions. In the matter of lineation, for example, Charlton Hinman long ago showed that compositors would divide their copy into lines to suit their own convenience -- i.e. to take up more or less space as the process of "casting off" required.
the only way to read Shakespeare.......2002-04-09
If you are interested in a simple read of the Bard, any edition will do. But if you want to know what Shakespeare wanted from his actors - how he imagined (I imagine) his lines being spoken - this is the edition for you. The line endings in this edition are different from those in most editions and clearly change the meaning of the text. Captializations and punctuations are clear guides to speech. While this edition is not for everyone, anyone interested in acting Shakespeare, whether on stage or in the privacy of home, must have this edition.
A Crazy Scheme?.......2001-12-27
A Crazy Scheme?
The Applause First Folio of Shakespeare should not be confused with a facsimile of the 1623 folio published by Applause in the 1990's. In the earlier facsmile, Applause used the images from
the Norton Facsimile without permission. W. W. Norton sued, and Applause withdrew the facsimile. In 2001 Applause published another edition of the first folio, this one being in modern
type. It's not specifically a facsimile edition, but it does present the Shakespeare's plays in the order they were presented in the 1623 folio. Though this edition is in modern type the spelling and punctuation of the first folio have been for the most part retained.
In his acknowlegements Freeman thanks his publisher for persisting with such a crazy scheme. Crazy? Perhaps. Audacious? Certainly. You see, Freeman is an actor, not a textual scholar and he rejects the work of textual scholars. For example, he proposes that the punctuation marks of the folio are rhetorical signals. They are the cues for the actors. This controversial proposition has been roundly criticized by many scholars, but Freeman is undaunted. I applaud his audacity. The great value of this edition is that it retains so much of the spelling and punctuation of the 1623 folio. Finally we have an original spelling edition of most of Shakespeare's plays in print.
It is important to note that this is not a complete edition of Shakespeare's writings. The narrative poems, the sonnets, the occasional poems, "Pericles," and "Two Noble Kinsmen" are not included.
It should be stated that this edition does not in every instance reproduce the spelling of the 1623 folio. Freeman's treatment of abbrivations is unsatisfactory. For example it was common practice in the 17th century to represent certain words by a special kind of abbrivation. On page lviii Freeman explains that "y" with an umlaut was usually short hand for "you," "thee," "thou," "thy," "thine," or "yours." The 1623 folio usually spells these abbrivations differently from the way Freeman describes it. The word "thou" could be represented by the letter "y" with the superscript "u" directly on top of it. The word "that" could be written with the letter "y" with the superscript "t" directly over it. The word "the" could be written with the letter "y" with the superscript "e" directly over it and so on. In Freeman's edition all the superscript letters are replaced by umlauts, so there is no way of telling what the superscript letter was, and hence no way of knowing what the word is. So when you come across the line "Thou do'st then wrong me, as (y/with umlaut) slaughterer doth" (page 441, col. 2, line 1) are you supposed to read:
"Thou do'st then wrong me, as thou slaughterer doth," or
"Thou do'st then wrong me, as thee slaughterer doth," or
"Thou do'st then wrong me, as that slaughterer doth"?
You'll have to go to a facsimile edition to find out that that the third line is the correct reading. It is also interesting to note that the word "that" doesn't appear in Freeman's list of what "y with umlaut" could stand for.
The edition should be used with caution.
THE BEST FOR ACTORS, DIRECTORS, ETC........2001-12-17
This is the best edition of Shakespeare's works FOR THE ACTOR OR PERFORMANCE. Period.
Shakespeare wrote before spelling and punctuation were standardized. If he wrote "Meee" he wrote it so the actor would say it that way - think musical scores. These words are meant to be spoken out loud, and Neil Freeman brings you the Folio text so you can see Shakespeare instructions on how to speak them. A large percentage of what you see in a normal edition of Shakespeare is actually a product of an editorial decision made by some editor since Shakespeare wrote. In other words: people who think their poetic sensability is better than Shakespeare's. Neil Freeman, a founding member of the acclaimed Shakespeare & Company theater in Massachusetts creates what is in essence a musical score for the actor: he uses the original Shakespeare Folio texts, spelling, punctuation, etc., but in modern typeface (so you don't have trouble reading the f's and s's and things). His notes (which are not very helpful if you're writing at thesis, but are invaluable if you're performing, directing, etc.) are also very powerful.
FOR SHAKESPEARE IN PERFORMANCE, YOU CANNOT BEAT THIS TEXT.
SK
Book Description
Frederic Chopin died a famous man with his place in the musical pantheon secure. Yet the works that were once most popular tended to be his lightest and least challenging, leading many listeners and critics to view him as a miniaturist and composer for the salon. The bold pieces now revered as his masterpieces-the epic and tragic structures of the ballades, scherzos, polonaises, and sonatas, and the compact but daring preludes and mazurkas-were rarely played and poorly understood. In fact, a larger proportion of Chopin's pieces are now in the active repertory than that of any composer. Chopin - A Listener's Guide to the Master of the Piano takes a detailed tour through the life and oeuvre of the sovereign master of the keyboard. The composer's metabolic adaptation of the melodic structures of Italian opera and the folk music of his native Poland for the resources of the piano are examined in detail, as are the originality and boldness he displayed throughout his tragically short, astonishing career. The book is accompanied by a CD containing 15 complete compositions (and one full movement from his Piano Sonata No. 2) performed by pianist Idil Biret, from her complete survey of the composer's music on the Naxos label.
Customer Reviews:
A most accessible way of understanding Chopin's music........2007-02-06
Pair a full-length classical cd from the classical music publisher Naxos with a book surveying Chopin's biography and influences and you have the perfect introduction to Chopin - and a pick recommended not just for public library holdings, but for schools seeking to introduce students to Chopin. Descriptions of his works, styles, and diversity come from a New York-based critical music writer whose addition to the 'Unlocking the Masters' series provides newcomers with a most accessible way of understanding Chopin's music.
Diane C. Donovan
California Bookwatch
A marvelous series from Amadeus Press.......2007-01-15
Amadeus Press has filled a underserved niche in the classical music literature with these marvelous little guides to the great composers and their greatest compositions. They fill the gap between the highly detailed, scholarly volumes of the lives of the great composers ... and the too-superficial tiny guides that offer too little program notes on the music or the composer. It gives you a compelling "play-by-play" description of each composition without venturing into musicology that would lose a beginner. The entire series is extremely well written and make a great guides to new discoveries. It should appeal to beginners as well as classical veterans alike. This Chopin volume is proving to be a valuable guide as I explore in depth Chopin's music and the great performances on disc.
Every major category is covered in satisfying depth to give you solid understanding of what is behind each work - and what in particular is historically and musically significant in them. ALl major works are covered: the lilting Waltzes .. the pensive and sometimes turbulent Nocturnes ... the weighty Sonatas, Scherzos and Ballades ... the delicate miniatures ... the amazing early piano concertos ... the showpieces, Etudes, Preludes and even the few chamber pieces of Chopin are explored to reveal many curious historic details.
This volume on Chopin makes for compelling reading and is one of the only modern volumes of program notes on the piano music of Chopin I could find. The number of works covered is large and satisfying with enough detail to give you a deep appreciation of the significance, musical structures and impact of each work. In a way, it reads much like program notes in a CD, but covering the entire range of Chopin's life and works. Other reviews below outline the range covered. The volume, supplemented by classic volume like Schonberg's "Lives of the Great Composers" should give a high quality education to the music of Chopin. This book includes a Naxos CD containing performances by Idl Bieret which gives a quality intro to Chopin, but some listeners will surely want to explore the great Chopin performances of pianists like Rubinstein, Horowitz, Kissin, Perahia, Argerich and many others. Bottom line: these "Unlocking the Masters Series" are a great investment to deepening one's appreciation that will not go out of style any time soon. 5 stars.
A Small but Exquisite Book with CD of the Music Discussed.......2006-12-07
These small books from Amadeus concentrate on one composer, one of the masters. In these books a brief biography (25 or so pages) set the tone for a discussion of the man's music. In the case of Chopin, this can be summed up as a case of being considered a musical genius at a very early age, followed by increasing fame as a composer even as he was spending years dying from tuberculosis.
In the sections on the music, an expert author describes what the best consensus of our time is saying about the works. In the case of Chopin these are broken down into the types of works: Etudes and Preludes, Music for Piano and orchestra, The Waltzes, The Nocturnes, The Sonatas, Patriotism and Tragedy: The Polonaises, Individual works, The Impromptus and Scherzos, The Mazurkas, and The Ballades.
A CD included with the book contains fifteen complete compositions of Chopin's works. Having the CD with the book means that the author can refer to the music in his writing knowing that you will have exactly the music he is discussing. This is a great concept that adds imeasurably to the book.
great for students.......2006-10-31
This is a GREAT book for students studying Chopin! As a recent student myself, I wish I would have had this book for general information on Chopin, his life, and his works. The book is laid out in a simple format, making easy for anyone to use. It goes into the styles of his songs and what made them unique. It also includes a CD which the book tells you what and how to listen for things that are specifically Chopin. This book is a must-have for any student studying or performing the works of this master of the piano.
Book Description
With more than 200 stunning color photographs by noted photographer Wendy McDougall, Classical Destinations takes readers on a tour of the history and geography of classical music, examining the lives of the great composers as related to their places of birth, education, triumphs, and failures. For today's traveler the book comes full-circle, describing how, through their achievements, the great composers came to influence the places where they lived and performed. In these pages readers can visit Venice when it was home to Vivaldi, Salzburg as Mozart's prodigious talents emerged, Leipzig during the time of Mendelssohn and Schumann, Prague as growing Czech nationalism gripped Smetana, and the Vienna where Beethoven faced incurable deafness. The reader will accompany J. S. Bach through the towns of central Germany and tour St. Petersburg as Tchaikovsky knew it. Beyond the cities, Classical Destinations includes the dramatic landscapes of Norway and Finland that made so much of an impression on the music of Grieg and Sibelius.
Customer Reviews:
A delightful visual and written treat .......2007-07-08
CLASSICAL DESTINATIONS: AN ARMCHAIR GUIDE TO CLASSICAL MUSIC considers the history and geography of classical music in Europe's greatest cities, blending over 200 color photos in a new title tied to the TV series and national PBS special of the same name. It's more than a biography, though it does consider the lives of the great world composers - it blends in a travelogue to the places they lived and created in, it shows how their works were influenced by the cities they lived in, and it blends travel with classical music insights in a delightful visual and written treat recommended for any library collection strong in classical music history and culture.
great photos, great history.......2007-06-08
I wish that I would have had this book while planning my travels around Europe! The photos and stories that it comes with are absoultely amazing. As a person who loves to travel and majored in music, this book is able to tell and show the historic cities that inspired some of the greatest classical music ever! I can't wait for my next trip to Europe to see some of the things that I missed!
Customer Reviews:
S'Wonderful!.......2007-03-15
I just had musical theatre with Dr. McLamore and used her book as a textbook for the class. I joked with all my friends that this is the type of book I would by in stores for "fun" reading.
It really is a great look at the history of musical theatre going back to the early Operas. It's nice to see a book back up that far and show where the roots of musical theatre are found. I have never found that in another book on musical theatre so this ones definetely a wonderful book to have.
The book explores many musicals in detail complete with a plot synopsis of many of them and a deeper examination of some of the songs within them.
It is really an amazing book. Any musical theatre fan would benefit from reading it:)
Book Description
Jean Sibelius was not only Finland's greatest composer, he was one of the most distinctive and appealing musical voices in the first half of the 20th century, especially renowned for his characterful handling of the romantic symphony orchestra. His example has led directly to an unprecedented cultural flowering in his homeland, making this small country of 5 million people a powerhouse in the world of classical music composition and performance. Sibelius The Orchestral Works - An Owner's Manual considers over 80 individual orchestral pieces, from songs and choruses to symphonies, tone poems, overtures, and theatrical music. Along the way, readers are invited to identify and enjoy the fascinating mix of elements that make up Sibelius's colorful personal idiom. Two CDs accompanying the text offer not only a rich selection of music by Sibelius, including two complete symphonies and two of his most popular tone poems, but also a representative selection of the best Finnish music by his contemporaries and successors. This approach offers a unique opportunity: to hear Sibelius in context and gain an understanding of exactly what distinguishes him from his contemporaries, how he influenced later generations, and how it was that he came to be viewed as the musical spokesperson of an entire nation.
Customer Reviews:
A Must-have Book for Sibelians!!!.......2007-09-23
David Hurwitz's book on the orchestral works of composer Jean Sibelius is definitely a must-have for anyone doing extensive research on Sibelius's music.
This book offers a highly detailed analysis on all of Sibelius's symphonies, tone poems and shorter works and puts these works under the microscope so-to-speak. Granted, after reading this book, you'll probably never listen to a Sibelius piece the same way again.
Additionally, the book comes with two audio CDs. One is nearly 80-minutes worth of highlights from Sibelius's masterworks including the third and seventh symphonies heard in their entirety. The second disc is a compilation of music from various Finnish composers who have followed in Sibelius's footsteps. Brief bios of these composers are spread throughout the book as well.
Mr. Hurwitz has definitely performed his research well in writing this book. I personally have never read such an analysis on Sibelius's music that cuts right down to the most minute detail until this book was released. It's about time too.
Definitely a must-have for die-hard Sibelians!!!
An in-depth, at times modestly technical analysis.......2007-05-13
Written by radio commentator David Hurwitz, Sibelius the Orchestral Works An Owners Manual is a book and CD set celebrating the classic creations of Finnish composer Jean Sibelius. The text discusses Sibelius' musical language, symphonies, violin concerto, tone poems, theatrical music, and more, while two full-length CDs offer a beautiful cross-section of not only Sibelius' work, but also the compositions of his contemporaries and successors. An in-depth, at times modestly technical analysis, written especially for dedicated music lovers and musicologists, and a "must-have" for anyone interested in learning about and experiencing the Finnish master.
Gigantic Book for a Tiny Market.......2007-05-12
When I call the book Gigantic, I'm not referring to its physical size, which is quite modest. I'm talking about its intent and accomplishment.
Writing about classical music is difficult. Much of the terminology is unfamiliar to most readers, and there's always the temptation to go in one of two unwelcome directions: either over-popularizing the subject or being dry and academic. The effective path lies along a fine line between those two extremes, and David Hurwitz walks that line beautifully. I'm so impressed by this treatise on Sibelius that I'm going to immediately start collecting the rest of his similar books on Dvorak, Mahler, Haydn, and anybody else he's covered that I don't know about yet.
Although the market for a book like this one must be incredibly narrow, Mr. Hurwitz has waxed expansive and entertaining. His insights into the composition techniques employed by the Finnish master are unparalleled. The illustrative samples on the two included CDs are both wisely chosen and luminously recorded-- bravo!
I should probably explain that I consider myself somewhat of an expert on Sibelius and his music, having studied both the composer and his output for well more than fifty years. David Hurwitz, who is considerably younger than I am, has nevertheless studied these subject even more deeply than I have, and his analyses and evaluations ring absolutely true. From now on, when people ask me about Sibelius, I will quote Hurwitz rather than myself!
For anyone familiar with the jargon of classical music essays and with an interest in the subject, this book is a godsend. I had high expectations for it, and it exceeded them.
Must have for teachers/students.......2007-04-11
I have some of the other books from this Unlocking the Masters series, and they are WONDERFUL!!! Not only are they factual and informative, but they are easy to read and really show you what to look/listen for in the music! It comes with a CD which has musical examples of pieces that are talked about in the book! This book is a wonderful tool for any student!
Book Description
In this book, Hurwitz takes the reader/listener through Mozart's chamber and orchestral music. This music doesn't sound like anyone else's - only Mozart could have written it. What makes it so special and how to enjoy it are explored. The CD contains excerpts from BMG Classics Recordings.
Customer Reviews:
Brilliant and deceptively simple - hold that - elegant.......2006-03-08
David Hurwitz is fantatically insightful. Himself a composer, he gets to the heart of Mozart. His discussion is the sort that enlightens newbies, and stimulates the professional by going back to basics.
I enjoyed every page of both the Mozart books, and the musical cds were full of well chosen examples.
Roberta Prada, contralto, author of "The Ear and the Voice" in English, with Francis Keeping andPierre Sollier, and translator of J Faure: "The Voice and Singing" with Francis Keeping. Principal of Vocalimages.com, and voxmentor.com
Insight from a Pro.......2005-08-17
This is the second volume of a two volume series explaining the genius in Motzart's work. This folume concentrates on the Instrumental Works. To listen to great music and to enjoy it is one thing. Yet the professional student of classical music sees/hears/understands so much more than the rest of us.
In this book David Hurwitz, the founder and executive editor of daily classical music magazine, takes readers through Mozart's seven major operas, one part at a time explaining what he sees in each area. This provides an insite that most of us, particularily those of us living in remote areas, can never see.
I never imagines that you could see so much in this music.
The book comes with a full length CD that includes eleven of Mozarts pieces.
Great for classical fans and a great intro for others........2005-03-18
As another reviewer has already pointed it, this collection would make an EXCELLENT intro to the wonders of classical music, as well as a must-have for Mozart fans. Even if you already have these pieces, having it on one collection makes the drive to work a pleasure rather than a chore. Highly recommend.
A really excellent guide to Mozart.......2005-02-25
Unlocking the vast rewards of classical music takes more than just casual listening - it requires learning some of the basic aspects of music (rhythm, structure, harmony, etc) and a little of the historical context of the composers and his/her predecessors. Mozart is an excellent place to start into classical music for many reasons - one being his highly-melodic music is considered easily "accessible" to the average listener who can appreciate and enjoy it without any musical know-how.
In this fresh and much-needed new series, vetern music-writer David Hurwitz gives us an enticing roadmap to understanding the music of Mozart in a way that most anyone can deepen their music appreciation and enhance their listening experience. The text is friendly, well writen, without complex jargon and analyzes Mozart's music in simple but enough detail to reveal just exactly "what makes Mozart's music sound like Mozart."
Mr. Hurwitz takes the classical enthusiast through the some fifty major works of Mozart's instrumental music, focusing each chapter on one category (chamber music, symphony, concerto, church music). The vocal works (opera, concert arias, masses) are in a separate volume with the green cover. Within each major work, Hurwitz describes the most common musical "structures" Mozart used - such as the all-important sonata form, theme-and-variations, rondos, and the minuet. His "analysis" of Mozart's well-loved piano concertos is quite interesting and helpful, breaking them down into 10 'groups' to help get your hands around the differences in composition and effect of each. The accompanying CD of several movements helps bring to life Hurwitz's commentary of several featured works that are discussed in more depth.
I also appreciated his defense of "delightful music" such as Mozart's from the critical voices that sometimes devalues such music as merely "cute" - while giving elevated status to the later, more troubling-sounding music of the Romantic or Modern eras ... or as he jokingly terms it: "the suffering, Romantic, artist-hero expressing personal misery in their creations." Great music is not only about dramatic tension, disturbing dissonances and individual emotional expression but also about pleasant, happy tones that anyone can enjoy.
Hurwitz' book is one of the "fun to read" intros to Mozart and classical music appreciation and is highly recommended. It should appeal to both the newcomer as well as those with more experience in classical music as it also has great depth and detail. If your interest is to follow in more detail the actual musical scores for several popular works, a similar but slightly more musically-involved book is by Robert Harris' ("What To Listen For In Mozart"). Harris' books are also easy and interesting to read for the non-music major types.
Book Description
Composer and author Daniel Felsenfeld takes the reader on a tour of some of the "Little Russian's" most beloved works, including The Nutcracker, Swan Lake, 1812 Overture, Romeo and Juliet, Symphonies Nos. 4 and 6, the Serenade for Strings, and his Violin Concerto. The book is a series of blow-by-blow listening sections matched to the music on two accompanying CDs, guiding the reader through these magical compositions, illuminating their edges and fine points.
Customer Reviews:
Perfect for high school-level music libraries or any general lending collection handling cds and text alike........2007-04-07
Tchaikovsky was a composer of lovely melodies rooted in his personal angst: TCHAIKOVSKY: A LISTENER'S GUIDE blends prose to music by offering two accompanying cds from classical music cd publisher Naxos to accompany author Daniel Felsenfeld's exploration of his most notable works. The pairing of text from a music writer and composer with the master pieces of an artist makes for a particularly involving production perfect for newcomers to Tchaikovsky's works. Perfect for high school-level music libraries or any general lending collection handling cds and text alike.
What an Expert Sees/Hears.......2007-03-28
To listen to great music and to enjoy it is one thing. Yet the professional student of classical music sees/hears/understands so much more than the rest of us.
In this book Daniel Felsenfeld, a prolific composer and music writer has written what he sais agimes to give 'the interested but potentially uninitiated listener' the tools he or she needs to lsiten to Tchaikovsky's music and to become more comfortable with classical music overall. This provides an insite that most of us, particularily those of us living in remote areas, can never see.
I never imagined that you could see so much in this music.
The book comes with two full length CDs.
Books:
- The Librettist of Venice: The Remarkable Life of Lorenzo da Ponte Mozart's Poet, Casanova's Friend, and Italian Opera's Impresario in America
- The Literature of Music Bibliography
- The Messiah: An Oratorio Complete Vocal Score (G. Schirmer's Editions of Oratorios and Cantatas)
- The Mozart Effect for Children: Awakening Your Child's Mind, Health, and Creativity with Music
- The Pema Chodron Collection: Pure Meditation:Good Medicine:From Fear to Fearlessness
- The Penguin Guide to Compact Discs and DVDs Yearbook 2006/07 Edition (Penguin Guide to Compact Discs and Dvds Yearbook)
- The Situation Is Hopeless, but Not Serious (The Pursuit of Unhappiness)
- The Sugar Solution: Weight Gain? Memory Lapses? Mood Swings? Fatigue? Your Symptoms Are Real - And Your Solution is Here
- The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan and Isolde
- This Is Your Brain on Music: The Science of a Human Obsession
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