Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Average customer rating:
- PC slant backfires
- Mae West As Technicolor Goddess
- YES, AN ICON!
- Amazon Reviewers Can't Read
- Author is trying to make money off of lies
|
Mae West: An Icon in Black and White
Jill Watts
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
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Becoming Mae West
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ASIN: 0195105478 |
Book Description
"Why don't you come up and see me sometime?" Mae West invited and promptly captured the imagination of generations. Even today, years after her death, the actress and author is still regarded as the pop archetype of sexual wantonness and ribald humor. But who was this saucy starlet, a woman who was controversial enough to be jailed, pursued by film censors and banned from the airwaves for the revolutionary content of her work, and yet would ascend to the status of film legend? Sifting through previously untapped sources, author Jill Watts unravels the enigmatic life of Mae West, tracing her early years spent in the Brooklyn subculture of boxers and underworld figures, and follows her journey through burlesque, vaudeville, Broadway and, finally, Hollywood, where she quickly became one of the big screen's most popular--and colorful--stars. Exploring West's penchant for contradiction and her carefully perpetuated paradoxes, Watts convincingly argues that Mae West borrowed heavily from African American culture, music, dance and humor, creating a subversive voice for herself by which she artfully challenged society and its assumptions regarding race, class and gender. Viewing West as a trickster, Watts demonstrates that by appropriating for her character the black tradition of double-speak and "signifying," West also may have hinted at her own African-American ancestry and the phenomenon of a black woman passing for white. This absolutely fascinating study is the first comprehensive, interpretive account of Mae West's life and work. It reveals a beloved icon as a radically subversive artist consciously creating her own complex image.
Customer Reviews:
PC slant backfires.......2007-03-19
The book itself is tediously written, as others have stated already, but the politically correct issue of "did she have negro blood" backfires. It's incredibly racist to assume that a white woman could not be sexual in an earthy way and love rhythm & blues unless she had negro blood. That falls under the category of "all blacks are good dancers" and "all whites are uptight" and other such nonsense. The argument of "What's so wrong if she's a little black?" can easily be countered with "What's so wrong if she's all white?" Mae West did not fit the stereotype of a white woman of her era, so people are trying to find some small trace of "something" which can justify cramming her into a comfortable stereotype. She was sensual and bawdy, well then, she must be black because God Forbid a genuine white woman behave that way. She made people uncomfortable back then and she's making people uncomfortable now. Mae West is an original and she's still stirring up controversy, which I'm sure she'd be delighted about. But if you want a good book about her, read Simon Louvish's book instead.
Mae West As Technicolor Goddess.......2006-11-24
In her biography of Mae West, "An Icon in Black And White, Ms Watts makes a valiant attempt to connect West's appropriation of African American idioms to her possible black roots. While Ms Watts may be on shaky ground, there is no disputing the fact that Mae West borrowed liberally from Black culture in creating her unique persona.
West's personal life mirrored her respect for African Americans and she evidently enjoyed the company of people from a broad range of cultural and sexual backgrounds as friends and associates. Unfortunately, Ms Watts examination of West often comes across as a university text book, which it appears to be.
During the past ten years, I have been researching a ribald biography on the 'stimulatin' but nevah irritatin'' Miss West entitled SAINT MAE: OUR LADY OF HIPS & QUIPS, and I am presently seeking a publisher. While extensively interviewing the men involved in her life, a previously hidden side of Mae's personality is unmasked and she comes alive through their stories. Her tough vixen image was considerably softened in the company of the friends she held in high esteem. Surprisingly, Miss West was more comfortable socializing with colorful, offbeat characters than the Hollywood crowd.
Ms Watts' examination of Mae West proves to be an entertaining read. One thought to ponder, although Mae West once appeared on the vaudeville stage as a man, she was sensitive enough never to appear in blackface and undo the behind the scene assistance she gave her fellow African American coharts.
YES, AN ICON!.......2005-03-20
When you tell the truth, people will be angry. Yes it is true that there is no real proof about Mae West, but I have had people insist that I had caucasian blood in my family tree. I look in the mirror from time to time and wonder why this was but I am now starting to see it to a degree. It is not that this or that person have this or that blood, but the truth is that we are made of one blood. That is the unique thing about the human race.
I hope that this book becomes a #one saler to help people understand the genome project. I did not purchase this book to read about Mae West's genetic make-up, but to learn more about her fantastic mystical style!
There is one thing that bothers me. Her movies tend to show racial inequalities. But this is the characteristic of 30's movies.
Amazon Reviewers Can't Read.......2004-01-05
Amazon customers' reviews of this book are as fascinating as the book itself. I'm amazed at how many people appear unable to understand what they read. Contrary to several reviewers' indignant claims, Jill Watts does *not* argue that Mae West was part black. Her meticulously-researched book carefully separates speculation from fact, and she states early and clearly that there is simply not enough information to settle the question of West's racial background. She then asserts that it doesn't matter whether West did or did not have African-American ancestry. What *does* matter is how West handled issues of racial identity in her writing and in her personal and professional performances. Watts' analysis reveals a woman who was, for her time, a strong champion of African-Americans and who was also deeply ambivalent about racial roles and identities. This book is more than a biography; it is also study of the social constructions of race, class, and gender in general and of the persona of "Mae West" in particular.
I suspect that the readers who are so outraged at the idea that West may have been part-black find issues of race personally disturbing. (As one reviewer asked, why does it matter so intensely to some people that Mae be all-white?) The dismissive readers probably also came to the book expecting a standard Hollywood-style star story rather than an academic analysis. Perhaps because the book took a different approach than they expected, they didn't read very carefully.
In terms of the text itself, it has the strengths I've already noted: it's carefully researched, thoughtful, and does a great deal more than simply detail a star's life. However, in exploring her thesis, Watts is often repetitive and is sometimes guilty of trying far too hard to make her case. Also, because she wants to portray West as a positive force in subverting traditional definitions of gender and class, Watts often downplays or excuses West's sometimes demanding, hurtful, temperamental behavior. It would have been more intellectually honest to acknowledge West's flaws more fully.
Overall, an informative, interesting book.
Author is trying to make money off of lies.......2003-12-24
Pure sensationalism! It's like reading the National Enquirer. The author has jumped on the "he/she was part-black bandwagon" in a feeble attempt to make a buck.
Hey, I got an idea... I will write a book claiming that Robert DeNiro must of had a black grandma because he only dates dark skinned women!
Skim thru it at the library and you will agree.
Average customer rating:
- GREAT BOOK ABOUT A COUNTRY LEGEND!
- You can feel Johnny Cash's pain!
- I Walk The Line...
- Liner notes
- Disappointingly flawed.
|
Johnny Cash: The Life of an American Icon
Stephen Miller
Manufacturer: Music Sales
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Cash
ASIN: 1844494144
Release Date: 2006-03-29 |
Book Description
Johnny Cash is the only artist to have been elected to the Country Music and Rock and Roll Songwriters Hall of Fame. By 1969 he had sold more records than The Beatles. Author Stephen Miller has interviewed Cash's brother Tommy who has provided interesting material from his childhood as well as insights into life on the road with the Johnny Cash Show. Includes interviews with Johnny's long time manager Lou Robin, his producer since the early days, the legendary Jack Clement as well as artists Sandy Kelly, Narvel Felts, George Hamilton IV and V.
Customer Reviews:
GREAT BOOK ABOUT A COUNTRY LEGEND!.......2007-03-11
It is worth to read this book about "Johnny Cash".
Very detailled and well known described.
I love it!
You can feel Johnny Cash's pain!.......2005-07-06
With an intention to skim, I became wrapped up in the life of Johnny Cash. This was a complete chronicle that focuses more on the entertainment side of Cash's life.
Cash endured lots of pain that starts with losing his brother in a freak accident, the pain & destruction of a druggie lifestyle, trials & tribulations of trying to stay on top, exhaustive touring, pain of aging, and most of all, the pain of poor health & debilitating disease.
You won't get too much out of the very personal deeper relationship with June, only what we already knew, how she struggled to save him from himself. There is very little about his daughters, in fact, there are no pictures of the daughters except Roseanne. We only learn how absent he was in their lives, and while he was home, he was still absent!
It was rumored that June was not the best singer and their son John Carter Cash best was not talent. His voice was weak compared to his father. In the book, the author provides some quotes of sharp criticism toward young Carter Cash. Johnny Cash kept family close and they always performed with him.
Many aspects of Cash's life were covered chronologically. Knowing how celebrity stories change through the years, the author provided more than one interpretation of an incident. What I appreciated is that the author gave several versions, interpretations, or stories about the man and incidences, because with celebrities, few versions appear.
This book reveals so much about the album hits & misses. It is surprising how many albums he made, and how many didn't make it to the top. You get a full sense of his druggie lifestyle, and the damage that goes with that. Much is written about Cash's religious influences and how he incorporated it to his musical career.
And then, of course, the health problems, you just can't help but feel his pain. Although Johnny wanted to perform til his was dead, he pretty much did that... and maybe he should not have. It's difficult for us to see our idols age!!
An epilogue was inserted to reflect the death of June and mention of Johnny's death on Sept. 12, but there isn't much on the deaths.
What is included is a huge selective discography and a lengthy index. The author mainly received his info from sources that included articles, books, etc. It's clear that he didn't get much from the Cash family but did speak with brother Tommy Cash and close friends.
Note: Don't get distracted by the use of English spelling, such as recognise, harmonise, programme, etc.
If you are into a blow by blow account of his professional and religious life, read this one!.....MzRizz
I Walk The Line..........2004-05-25
This is a rather different approach to a biography.The author admits that he never actually met Cash,but researched a lot of what has been written by and about him over the years.It is a good place for someone who doesn't know much about Cash to start and there are numerous references and leads to follow up on.The tone of the book is very much like a textbook and has very little in the way of passion either about Cash or his music.There are a lot of references to liner notes and other written material;but little if anything that is new or original.There is also no indication that the author had any love or admiration for Cash the person or his music;but just decided to review what was available (of which there is an awful lot) and produce a book.It is a good book to add to others about Cash;but is completely overshadowed by "Johnny Cash"the Autobiography with Patrick Carr.(see my review on it).
I thought it might hav been titled "An Encyclopedia of Cash";but it is too superficial for that.The list of albums and books is too incomplete for even that.Nonethelessit is still a good read.
Liner notes.......2004-01-16
This author was in need of serious editing. The book with all of its distracting English spellings was nothing more than a complilation of album liner notes. The rest has obviously been cribbed from other publications. Reminded me of a high school term paper albeit a tad more lengthy.
Disappointingly flawed........2003-12-15
As a lifelong Cash fan, a book like this was a long time coming during Cash's own lifetime. Overall, while adding some interesting insight into some aspects of Cash's life and career, it's a missed opportunity to clarify many misconceptions about the life and legacy of Johnny Cash and only supports and adds to the inaccurate misconceptions by obviously failing to correct them using more thorough research. Miller tends to rely way too much on previosuly published material by other writers that was just as inaccurate then as it is now - facts any serious Cash fan would easily be able to point out. How anyone can justify a 372 pg. biography without including even one sourced footnote - something a high school student is required to include in any term paper - is beyond comprehension. In comparison, Peter Guralnick's brilliant 1994 biography on Elvis, "LAST TRAIN TO MEMPHIS," included over 40 pages of notes and acknowledged a list of hundreds of people who contributed personal and professional input. Miller, however, relies way too much on the comments of only a very select few directly involved in Cash's life and career which comes across more as rumor or innuendo rather than fact. Hopefully, the next major Cash biography will be written by someone more able and interested in using accurate facts. If you're looking to read a definitive Johnny Cash biogrpahy, you'll have to wait because this isn't it.
Average customer rating:
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Icons of Black Music
Charlotte Greig
Manufacturer: Advanced Marketing Services
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ASIN: 1571451897 |
Average customer rating:
- Bad title, great book
- I'd give it no stars if I could
- Never judge a book by it's cover or title.
- Biz Dude gone Bad
- Misleading Title
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Paranoid: Black Days With Sabbath and Other Rock Icons
M. Wall
Manufacturer: Mainstream Publishing
ProductGroup: Book
Binding: Paperback
ASIN: 1851589937 |
Customer Reviews:
Bad title, great book.......2007-09-24
Its misleading title aside (the publishers simply cited Black Sabbath to try and attract more buyers, it's true), Mick Wall's harrowing memoir strikes terrifyingly close to the music business' true heart of darkness. Sure, the first-hand anecdotes aren't always as satisfying as those found in most rock biogs out there, but they're also a lot more REAL, as anyone who's ever worked in the music industry will attest. So Sabbath and Ozzy fans should by all means look elsewhere for more detailed stories about their heroes, but music fans who dare to step up and peek behind the magic curtain won't find many accounts as courageously candid as this one.
I'd give it no stars if I could.......2004-07-26
In addition to the mis-leading title, this book is a piece of self-serving garbage. As boring as can be. Save your money.
Never judge a book by it's cover or title........2000-10-29
Like others I bought this book because of the title. That is a book on Black Sabbath. Finally, I thought ,a book about Sabbath that is not written in point form,is not double spaced,and is actually over 200 pages long. No it is not just about Sabbath unfortunatly,but hey it's a good book and is worth a look. Yes there is some text on Black Sabbath and Ozzy in this book but remember this book begins in 1979/1980 when relations between the two camps is at an all time low. Don't expect a song by song analysis of their albums here. What it's actually about is a British writer recollecting about his past including his modest foray into rock journalism but mainly it's about his heroin addictions. He goes into great detail about his struggle to kick junk along other other vices and his role in the British rock press for the past twenty years. He recounts the rock stars he has met,their attitudes,ego's and insecurities sometimes in startling and highly personal detail. The chapter about Poison,Motley Crue etc is priceless and so true. He does a good job deconstructing the stereotype of a glamourous rock writer, what pathetic lows a junkie can sink to, and goes for the jugular in telling us what heavy metal and the people who play it really are. Don't buy this thinking it's a biography about four blokes from Birmingham. Don't buy it if you are looking for a excuse to start shooting up smack. But do read it because ,deceptive titles aside, it is a good Rock and Roll account and Mick Walls writing is funny, personal and very opinionated. Alas the wait continues for someone to write the definitive story about Black Sabbath,and write it in a way that does not assume we are all illiterate, heavy metal airheads.
Biz Dude gone Bad.......2000-05-12
If you are expecting tell all revelations about Black Sabbath, along the lines of those about Led Zeppelin in "Hammer of the God"s, well this just isn't it. Mick Wall wasn't around for most of Sabbath's career, and doesn't remember a great deal from when he was. But don't hold it against him - he tells a good tale of rock decadence (a more truthful title might be "When Rock Journalists go Bad"), and there's plenty of bits and pieces of behind the scenes gossip. Ozzy even turns up once in a while. Low point: when the author's bodily fluids turn yellow.
Misleading Title.......2000-03-26
Don't buy this book if you think you are purchasing a book that is predominantly about Black Sabbath. Instead, the author spends most of the book writing about his heroin addiction and the drug culture in which he spent most of his life.
While some of his anectdotes about the celebrity rock stars he met are interesting and show a side to these people that is usually kept from public view, I'm not sure I really needed this information. Many of these people are heroes to a lot of music fans, and some of us don't really want to know just how contemptible they may have really been. Some of these stories seem to be included just for shock value and could easily have been left out without harming the main theme of the book. Wall's story about staring up Stevie Nicks' dress while following her up a flight of stairs should tell you something about his general tone.
Maybe this would be a good book for a person with an addiction problem. Mick Wall's example might show them how low they really are. I can't say I would recommend this to the average reader, however.
Average customer rating:
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Two icons of musical genius: Mary Lou Williams sought the sacred; Marvin Gaye probed the world, the flesh and the Devil.(Soul on Soul: The Life and Music ... An article from: Black Issues Book Review
Joy Duckett Cain , and
Daphne Muse
Manufacturer: Cox, Matthews & Associates
ProductGroup: Book
Binding: Digital
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ASIN: B00096XTQM
Release Date: 2005-07-13 |
Book Description
This digital document is an article from Black Issues Book Review, published by Cox, Matthews & Associates on July 1, 2004. The length of the article is 798 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: Two icons of musical genius: Mary Lou Williams sought the sacred; Marvin Gaye probed the world, the flesh and the Devil.(Soul on Soul: The Life and Music of Mary Lou Williams)(Mercy, Mercy Me: The Art, Loves & Demons of Marvin Gaye)(Book Review)
Author: Joy Duckett Cain
Publication:
Black Issues Book Review (Magazine/Journal)
Date: July 1, 2004
Publisher: Cox, Matthews & Associates
Volume: 6
Issue: 4
Page: 35(1)
Article Type: Book Review
Distributed by Thomson Gale
Average customer rating:
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Icons of Black Music
Charlotte Greig
Manufacturer: Thunder Bay Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000O2WCBE |
Average customer rating:
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Icons of Black Music : A History in Photographs 1900-1999
Charlotte Greig
Manufacturer: Thunder Bay Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000O2WCBO |
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- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- Home for the Holidays: Delicious Recipes from Master Chefs That You Can Make Right at Home with CD (Audio) (Great Taste)
- I Hope You Dance
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- Inside Autocad 13 for Dos/Book and Disk (Inside)
- Intro Stats (2nd Edition) (DeVeaux/Velleman/Bock)
- Jimi Hendrix - Experience Hendrix
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