Product Description
Music fans who grew up with Rock and Roll in Cleveland remember a golden age. We were young, so was the music, and the sense of freedom and excitement the Rock and Roll scene delivered was electric. There were so many great clubs, like the Agora, where every big band seemed to break in the 1970s. The trendsetting radio stations, from A.M.'s WIXY 1260 to F.M.'s groundbreaking "Home of the Buzzard", WMMS. And all those memorable shows. The free Coffee Break Concerts--remember Springsteen just when he hit it big? The gigantic World Series of Rock. Nights on the lawn at Blossom (including local favorites the Michael Stanley Band and their record-setting sellout streak).
This book collects the favorite memories of Clevelanders who made the scene: fans, musicians, DJs, reporters, club owners, and more.
Includes rare photographs and other memorabilia such as concert posters, bumper stickers, pins, and ticket stubs.
Customer Reviews:
Cleveland rock(ed).......2007-05-07
It was a fun look back at some of the bands, clubs,concerts,etc. that I spent time in the 70's with. I even saw some quotes and pictures of long time friends.
I thought there were a few glaring omissions though. Devo, who must have sold as many records as almost anyone else from Northeast Ohio, and was an influential force in music, barely warrants a mention.Also, from a media standpoint, Scene Magazine played a big part in exposing people to both local and national bands, and they too are barely referred to.
A Fun Book (www.deannaadams.com).......2007-02-20
Glad to see yet another book on the interesting and richly diverse talent so often associated with the Cleveland music scene. Carlo Wolff has put together a great collection of fun memories and stories - some of which this native hadn't heard before! And lots of photos every nostalgic baby boomer will enjoy. This book reiterates the fascinating impact this area had on pop culture. And proves there are more reasons to reflect on those days than just a trip down memory lane.
Hail Cleveland Rock and Roll.......2007-01-27
If you are from Cleveland, or lived here during the 60s through the 80s, you'll know what this book is about. Carlo Wolff covers the high and the low points of what was Cleveland Rock and Roll during that time. If you need a rerun to what was happening in the music scene in Cleveland, this is it. The book relects a history that ties itself to sounds and places that are gone for good. Elvis, Joey and the Continentals, the Beatles, The Choir, Rastus, Rolling Stones, David Bowie; they were either from here or played here. All of them left an important and permanent mark in the tapestry of Cleveland music. It's all in here. Learn how Carlo Wolff has woven this thirty year history of Cleveland Rock into a very entertaining book.
Thumbs up for Wolff's Cleveland Rock & Roll Memories.......2007-01-21
I was very delighted to get my copy of Cleveland Rock & Roll Memories. Unlike alot of rock books that I have read in the past, his book contained not only memories from players and club owners, but also from the fans!!
As a boomer who attended a ton of Cleveland shows and haunted some of the clubs he writes about, I could not put the book down, until I had absorbed every page.
A great read for anyone who grew up in the golden era of Cleveland Rock & Roll, or for those who wonder why Cleveland was picked for the Rock & Roll Hall of Fame.
The only thing I want is another book with more memories from the clubs and concerts from Cleveland
Buy this book today.
Amazon.com
Among America's great symphonic institutions, the Cleveland Orchestra is not only one of the best, but one of the youngest. Founded by the formidable impresario Adella Prentiss Hughes in collaboration with the city's industrial and political leaders, it made its public debut in 1918. This book tells the story of the Cleveland's rise from modest beginnings to a position of undisputed preeminence among international orchestras.
Its first guide and mentor was the Russian-born violinist and conductor Nikolai Sokoloff. His contribution to its growth and expansion has been overshadowed by the great, often colorful maestros who succeeded him: Artur Rodzinsky, Erich Leinsdorf, Lorin Maazel, and, currently, Christoph von Dohnányi. However, it was the imposing, authoritarian George Szell who, in his 24-year tenure, left the strongest imprint on the orchestra, developing its matchless technical perfection, transparency, and balance, and forging it into "his instrument" as a world-class group.
Donald Rosenberg follows the orchestra's triumphs and tribulations--musical, personal, financial--in a rehearsal-by-rehearsal, concert-by-concert, recording-by-recording, dollar-by-dollar account, listing every program, every conductor, every soloist, in exhaustive, frequently exhausting detail. He describes the behind-the-scenes squabbles and intrigues; the conductors' strengths, weaknesses, and idiosyncrasies; the hiring and firing of players; the incessant labor conflicts between musicians and management, and, sadly, between musicians and their own union. Abundant quotes from both local and, later, worldwide newspaper reviews and commentaries reveal the extraordinary influence of the press on internal and public policy, which Rosenberg, himself the music critic of a Cleveland newspaper, casually takes for granted; his own opinions and preferences come through clearly, if obliquely. His writing is lively and informative, though it occasionally lapses into repetition and even contradiction.
The book includes copious notes, the orchestra's discography, the premieres it has performed, and--best of all--the names of its members through the years. So many of them have gone on to making successful careers as soloists, chamber musicians, orchestral leaders, and prestigious teachers that the list induces constant shocks of recognition: proof that the Cleveland Orchestra, though rooted in the seemingly inhospitable soil of a Midwestern industrial city, has always attracted and nurtured outstanding musical talent. --Edith Eisler
Book Description
They are, simply, the best at what they do.
The Cleveland Orchestra is one of the three greatest orchestras in the world--by the near-unanimous acclaim of audiences, critics, and musicians around the globe. What's more, they achieved this extraordinary success in a small Midwestern city, far from the traditional cultural centers of Europe and the U.S. east and west coasts. And they've stayed at the very top now for almost four decades.
This book tells how the Cleveland Orchestra rose amid the gritty surroundings of Big Industry to become a titan in the world of Big Art.
It's a story of indomitable founders like iron-willed impresario Adella Prentiss Hughes (the first woman to manage a symphony orchestra) and shrewd, wealthy patrons like industrialist John L. Severance. Of dedicated musicians and driven conductors--like colorful Artur Rodzinski (who packed a loaded pistol during every performance) and authoritarian genius George Szell, who drilled into his orchestra the awesome precision for which it is still renowned (and who even told his players how to dress and the cleaning ladies at Severance Hall what brand of toilet paper to stock).
It's also a story of many battles, for the orchestra has fought relentlessly to maintain its reputation for near-perfect performance.
How these musicians and maestros, managers and patrons rose repeatedly to meet the challenges--and in doing so set a standard for excellence rarely matched by any other arts organization--is the story of a true virtuoso performance.
In this book, the first about the Cleveland Orchestra in 30 years, and the first-ever independently published history of the subject, Donald Rosenberg recounts a complex, sweeping success story in very human terms, with a feel for its true drama and an eye for its telling details.
Customer Reviews:
Fine Musical Biography of America's Best Symphony Orchestra.......2005-02-07
Among serious fans and critics of classical music, the "Big Five" of Boston, Chicago, Cleveland, New York and Philadelphia are America's finest symphony orchestras, equal in quality to their peers in Europe. Yet only one of these is universally regarded as the equal to Europe's very best, the Berlin Philharmonic and Vienna Philharmonic orchestras: surprisingly, the one often mentioned as among the world's top three is the Cleveland Orchestra. Having heard the Cleveland Orchestra performing live under the batons of Dohnanyi, Boulez and Welser-Most at Carnegie Hall, I must concur with this popular opinion since this orchestra may now be the world's finest, or at least, on par with the venerable Vienna Philharmonic (Under Simon Rattle's leadership, the Berlin Philharmonic seems to have slipped somewhat in quality, and I would add yet another orchestra, Amsterdam's Royal Concertgebouw Orchestra, to my list of the world's top four symphony orchestras.). I have yet to hear a disappointing Cleveland Orchestra recording or live performance; this is without question, a precision quality ensemble always capable of flawless, lovely playing.
Cleveland newspaper music critic Donald Rosenberg tells an engrossing saga of the Cleveland Orchestra's history, from its founding in 1918, through the George Szell years which ensured the orchestra's rise to prominence as a world-class symphony orchestra, and finally, the close of Christoph von Dohnanyi's successful tenure as the orchestra's music director over the span of eighteen years. This is a fascinating inside look at the inner workings of a major American symphony orchestra, pointing out how Cleveland's wealthy elite were determined to create a fine music ensemble, and noting the importance of early conductors such as Artur Rodzinski and Erich Leinsdorf in the orchestra's rise to national artistic prominence. It is a story that is in a sense, miraculous, for no one would have expected that a small Midwestern city like Cleveland would be the home of one of the world's finest orchestras, and maintain that excellence inspite of the city's waning economic fortunes over the latter half of the 20th Century. And I fervently hope that Cleveland continues to support the artistic excellence demonstrated by the Cleveland Orchestra, which recently was the first American orchestra invited as a resident guest orchestra at Vienna's Musikverein, the celebrated concert hall that is home to the Vienna Philharmonic.
Bravo Donald Rosenberg!.......2002-02-26
Rosenberg's new volume has been joyously received and devoured by this reader. Even though the length (some 700 pages) is formidable, I was not able to leave it for long since receiving it this week. I find R's account thoroughly accurate, engaging, and stimulating. The book's account of Szell's life and Cleveland tenure finally fills the void for any such account (save a scattered few articles and Robert Marsh's volume on the Cleveland Orchestra published in 1967). For this alone, Rosenberg deserves high praise, but goes so much farther in presenting and illuminating all the significant on-stage and behind-the-scenes personalities in the life of this estimable musical institution. This is essential reading for anyone who, as I, grew up in the golden era of the Cleveland Orchestra. Bravo and thank you Don Rosenberg! ...
Detailed, often entertaining........2001-10-10
Certainly anyone who loves the Cleveland Orchestra or George Szell's work will want to have this, although most of the famous Szell-as-heartless-martinet stories have been widely told elsewhere. I enjoyed the section on the orchestra's early years, which were much more unfamiliar; it really is amazing how an orchestra like this has survived and even thrived in a "mid-market" city like Cleveland. Great photos, too, including Artur Rodzinski with his goats. However, I felt the book ultimately depended too much on lists of tour cities, lists of works played at concerts, and endless excerpts from contemporary newspaper reviews. I would have liked less time in the archives and more time interviewing musicians (in Cleveland and elsewhere) on what Szell (and Maazel, and Dohnanyi) really did in terms of working with the orchestra, the details of what they asked for and how the "sound" evolved over time. I guess that's hard to accomplish in the same book where you need to mention every time the orchestra went to New York, but it would have made for a more interesting read. Still, anyone who enjoys orchestral biographies (as I do) will want it.
Go with the plaudits.......2001-07-13
This is an enjoyable, comprehensive, and inside-out read. The Cleveland story is dramatically conveyed, the personalities come to life, from Leinsdorf's bad luck to Szell's *&^**%$ "personal" style in the pursuit of excellence. If reading something recent on classical music in the US, one is well advised to go here. More than the Bernie bios or the Solti (whom I love) memoirs. Serves well as both a continuous and a here-and-there random read. And depicts rather objectively all the intrigue, dedication, personal foibles underlying the external results through the 80+ yr history, and before. And very well documented appendices. You can believe the positive professional critics' reviews above.
Definitive musical history.......2001-06-09
I've been a fan of the Cleveland Orchestra for many years but have heard them live only once, at the Hollywood Bowl during a West Coast tour in mid-70's. It was an unforgettable experience - I had never heard an ensemble play with such clarity and precision.
Rosenberg's history nicely blends details about the musicians, managers, performances, and the music itself. Others have summarized many of the topics covered. I was particularly impressed by the sacrifices of the musicians, who did not have a full-year contract until the late 60's, despite being acknowledged as one of the 2 or 3 finest orchestras in the world. Many had to work odd jobs to keep their bills paid (still the case for most smaller market orchestras). And arrogant union leaders wouldn't allow the musicians to have a representative present during contract negotiations with management until well into the 70's.
Three separate collections of photos allow one to associate names with faces, and I find this helpful when listening to recordings. There's Myron Bloom heading up the wonderfully precise horns; and Josef Gingold playing a beautiful violin solo; and Robert Marcellus with his definitive performance of Mozart's Clarinet Concerto. Most of these fabulous performances are available as digitally re-mastered CD's on Sony's budget Essential Classics series. More recent, equally outstanding performances are led by soon to retire current conductor, Christoph von Dohnanyi, who has maintained and enhanced the orchestra's reputation. There are no better values in recorded orchestral music.
Anyone who loves orchestral music should enjoy this book. I recommend it most highly.
Book Description
An entertaining resource for people of all ages who want to know more about rock history, "Rock 'n' Roll and the Cleveland Connection" links national and international events in music and the world, with the primary focus on Cleveland. This is an enthusiastic celebration of rock 'n' roll.
Customer Reviews:
Soon to be a best-seller in Cleveland!.......2004-12-22
I grew up in Cleveland, and now reside in Michigan. When I was home for Thanksgiving, my brother showed me his copy of "Rock 'n' Roll and the Cleveland Connection", which I then spent a few hours with.
My first reaction? I quote the amazon.com editorial review of this book: "At 612 pages, the book will lag for readers with no interest in radio."
Somebody nailed that one. I agree; There's too much baloney about one local radio station, which I won't even mention because I personally am tired of hearing about it and don't want to contribute to its notoriety.
Suffice to say that there's a lot that's missing from "Rock 'n' Roll and the Cleveland Connection" mainly because the main thrust of the text evolves around Cleveland radio, and the constant stream of almost endless self-promotion surrounding a few personalities involved in the politics of the Cleveland music scene of the seventies and eighties. This book serves as yet another example of all that.
On a more positive note, the book is fairly well-written and has some nice pictures. While it's probably not a book that anyone will read from cover to cover, "Rock 'n' Roll and the Cleveland Connection" at over 600 pages does cover a lot of territory.
"Rock 'n' Roll and the Cleveland Connection" will probably appeal to a more conservative mainstream audience who remember the seventies and eighties music scene in Cleveland and wish to wax nostalgic. I'm sure that this book will be very popular in the Cleveland area.
corrections?.......2004-08-10
This is an important book, a milestone. And certainly, <I>Radio Daze</I> follows in its footsteps.
I regret there doesn't seem to be a way to contact the writer to update/correct her research, perhaps for future editions. For the last few years my efforts haven't succeeded.
There's gotta be a way. Does anyone know an address to send items to Deanna?
peace
Excellent book.......2003-11-05
For anyone involved in the Cleveland music scene, or just a fan of some of the greatest talent ever to (generally) stay in Cleveland, this book is a must-have. Nice work from Deanna Adams.
Awesome Book!.......2003-10-19
Just got this book for my birthday and read it in a couple of days (not easy considering it's length). But being a former Clevelander, I was able to relive many great moments in music history-the bands, the deejays, the clubs. What indepth research this author did. All the quotes & the behind- the- scenes stories of all the important musicians & people that made Cleveland such a fun town(honest!) makes it a must have for anyone interested in rock 'n' roll. It's now on my coffee table & friends who have never been to Cleveland pick it up & suddenly we're talking about all the concerts & times we lived through, proving you don't have to be from Ohio to really enjoy this book. And great photo's! Highly recommended. N from Florida
Rock 'N Roll and the Cleveland Connection.......2002-06-15
Personally, I loved this book. Three of my seven kids were avid Rock fans and, being a single mother, I ended up taking them to concerts. I also ended up a fan of many of the bands mentioned. Deanna Adams gives so many insights to the era. One can tell she set out to produce a wonderfully detailed, and truthfully told chronicle of those times. Reading the book struck such a note of nostalgia for me. Thanks for the memories, Ms. Adams. And guess what three of my "Kids" are getting for Christmas.
Book Description
This vivid ethnography of the musical lives of heavy metal, rock, and jazz musicians in Cleveland and Akron, Ohio shows how musicians engage with the world of sound to forge meaningful experiences of music. Unlike most popular music studies, which only provide a scholar's view, this book is based on intensive fieldwork and hundreds of hours of in-depth interviews. Rich descriptions of the musical life of metal bars and jazz clubs get readers close to the people who make and listen to the music.
Of special interest are Harris M. Berger's interviews with Timmy "The Ripper" Owens, now famous as lead singer for the pioneering heavy metal band, Judas Priest. Owens and other performers share their own experiences of the music, thereby challenging traditional notions of harmony and musical structure. Using ideas from practice theory and phenomenology, Berger shows that musical perception is a kind of practice, both creatively achieved by the listener and profoundly informed by social context.
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Art in Other Places: Artists at Work in America's Community and Social Institutions
William Cleveland
Manufacturer: Praeger Publishers
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Beginner's Guide to Community-based Arts
ASIN: 0275940543 |
Book Description
During the past 15 years, artists have established a remarkable record of innovation and success in institutional settings. Their work with hospital patients, prisoners, the elderly, the disabled, the mentally ill, and others has shown that the arts can have a significant positive impact on the lives of these people. This book recounts the histories of 22 institutional and community arts programs across the country pioneering this approach through activities such as creative writing and the performing and visual arts. Consisting largely of first-hand accounts, the book demonstrates how the creative processes have been used to address and solve some of society's most pressing problems. Included are case studies, research, and descriptions of the wide variety of artistic, educational, and therapeutic approaches utilized by each of the 22 programs. Also described are many of the financial and political strategies used to build and sustain support for these unlikely endeavors. This work will provide valuable insights for artists, educators, social service providers, and community leaders.
Customer Reviews:
The Lava Birth of WMMS.......2005-03-25
"Radio Daze" is like looking back into a time portal of recent history packed with behind the scene info and details of the legendary radio station.
Olszewski paints an easy to read and interesting portrait of WMMS, its owners, management and DJ's. His non-stop tapestry of employee's mixed with stories of some of the original rockers are both interesting and entertaining.
WMMS was the dominant radio station of its time in the Cleveland, Ohio area and was co-existing in a parallel complimentary world of rock music. Riding the airwaves of some of the greatest rock bands ever to emerge out of the musical creative times of the 60's and early 70's.
Ambitious undertakings seemed to be prevalent with the youthful WMMS management, and from my observations they weren't following any recommended guidelines on building a brand name. In a parallel universe the early WMMS management team would have been likened to a band of swashbucklers under the Jolly Roger. Marconi would turn over in his grave if he new of the amount of time this troop spent irritating the other radio stations with Gestapo like tactics to bring in ratings. After reading some of the excerpts in "Radio Daze" I was a little afraid to turn the radio on fearing retaliation.
Some of the highlights: How the radio stations personal helped promote some of the new breed of rockers with radio airplay and marketing promotions. How the WMMS management were very influential in orchestrating a campaign to acquire votes to bring the "Rock and Roll Hall of Fame" to Cleveland. The seemingly constant shifting of DJ personal [including nicknames] various antics, egos and a mind set where even sabotage was not out of the question.
This book is not filled with off the shelf information, but valid details from someone who was there. Olszewski does a great job of blending 1st person knowledge and then writes from the 3rd person. With his writing abilities and his descriptive style he makes you feel like he's talking to you over a hamburger, fries and a beer. The author definitely has the "worn out shoes" when it comes to his credentials and knowledge base for acquiring information for this multifaceted book.
He has the exclusive rights to exclaim "The World Premier" of books about the birth of FM radio in Cleveland Ohio.
I Was There!.......2004-07-03
I remember walking into the penthouse of the Statler Hilton hotel on a chilly night in October 1971. I was a young antiwar protestor delivering leaflets to fledgling prog rocker WNCR. As I walked into the control room, I was intrigued by the ambience. Loud music blared from the large Electro Voice speakers mounted above the Gates Stereo Statesman console. Behind the mic was a bearded cat by the name of Jeff Gelb. He was really cool and allowed me to hang out with him. I ended up becoming an intern and fetched coffee and answered phones for Lyn Doyle's "People's Night on the Radio" show. A week or two after I started, my first cousin, Carolyn Thomas walked in. I asked her what she was doing there and she asked me the same question! It turned out that she was working overnights!! (I also found out that Doyle was my cousin by marriage). After WNCR moved to the Stouffer Building around December 1971, interns were exiled and I moved to WMMS working with Billy Bass and David Spero for a few months. It was amazing to watch them work. I ended up back at WNCR in February of 1972 and had a chance to run the board and "ride gain" for Carolyn and Lee Andrews on occasion. Those days were magical and I ended up in radio myself for over 20 years, working at stations in LA and Cleveland. If you want to relive those times, this is the book to read...
It's Only Rock and Roll, but...........2003-11-27
Mike Olszewski blows the Buzzard myth wide open, then ties the
shrapnel back up into one tidy little package. Fun, informative, a great read!
Close Enough for Rock and Roll.......2003-11-12
This book is an easy read and has some great stories in it. I was lucky enough to have been around radio in those days, in particular WMMS(though I never worked there, but my uncle was the PD) and this book brought back some great memories. It really shows the passion Cleveland had for it's Rock and Roll and it's radio. It is a great commentary on the greatness that TRUE competition can harbor. Nice job Mike.
A Great Ride.......2003-10-28
If you ever listened to FM radio during the 70's and 80's this is a book for you. I expected a textbook but instead got a wonderful ride through the FM radio ages. It doesn't matter what city you were in, this story is for everyone. Remember when radio had a personality? This will refresh your memory. Top 40 died and a new age was created, one that has flourished, made superstars out of bar bands, legends out of local stars. All the stories are here...you will ENJOY!!
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Cleveland's Gospel Music (OH) (Black America)
Frederick Burton
Manufacturer: Arcadia Publishing
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Binding: Paperback
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ASIN: 0738532002 |
Book Description
Clevelandís Gospel Music documents the history of black gospel music from the 1920s through the 1980s. The gospel quartet groups, radio announcers, solo artists, and promoters established Cleveland as the gospel singersí metropolitan hub. An integral part of Clevelandís history and its rich African-American community, gospel singers didnít sing for money or fame, but sang to the glory of God, often beyond the point of exhaustion. This work is a celebration of the past praises of those who sang tirelessly for some 60 years. ÝÝ
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Dark Laughter: War in Song and Popular Culture
Les Cleveland
Manufacturer: Praeger Publishers
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ASIN: 0275947645 |
Book Description
Popular culture is important in wartime. It asserts the values of patriotism, helps to create "happy warriors," and expresses people's emotions. Here, Cleveland treats war as popular culture, using service songs, folklore, and popular music as a leitmotif to explore cultural relationships between military life and society. Drawing on 20th-century lyrics, occupational folklore, and rank-and-file parodies, protests, and sexual fantasies, he shows how crises of war are mediated by popular culture and how the soldier comes to terms with boredom, discomfort, and danger. Ranging from World War I to Vietnam and drawing on his own experience in World War II, Cleveland provides a unique treatment of military folklore and popular song in 20th-century warfare from the perspective of the ordinary soldier.
Books:
- Critical Listening Skills for Audio Professionals
- Daughters of Madness: Growing Up and Older with a Mentally Ill Mother (Women's Psychology)
- Dear John
- Dosage Calculations
- Effective Group Facilitation in Education: How to Energize Meetings and Manage Difficult Groups
- Essential Elements 2000 for Strings Plus DVD: Violin
- Experiencing Music Technology (with DVD-ROM)
- Forecasting, Time Series, and Regression (with CD-ROM) (Forecasting, Time Series, & Regression)
- Fretboard Logic SE: The Reasoning Behind the Guitar's Unique Tuning + Chords Scales and Arpeggios Complete (The Fretboard Logic Guitar Method Parts I and II) (Fretboard Logic Guitar Method Ser)
- Georgius Agricola De re Metallica
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