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The Birth of Tragedy & The Genealogy of Morals
Friedrich Nietzsche
Manufacturer: Anchor
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ASIN: 0385092105
Release Date: 1956-05-07 |
Book Description
Skillful, sophisticated translations of two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.
Customer Reviews:
Unpopular Advocacy..........2007-03-03
I have to be the sensible voice of dissent on this one: having read the Hollingdale and Kaufmann translations of these books, and although Golffing was no authority par excellance on Nietzsche (but rather a poet--not utterly devoid of perspective), I think this particular pair of translated works has its necessary place among the more respected editions. Yes, it does lack the trademark styles and general passion characteristic of Nietzsche's writings--but only for the initiated reader; this is actually a perfect edition for the rookie, the newbie: it takes the overwhelming aspect away, it eases the fresh reader into the shock and rapidity of the stream of thought, it presents the subject matter in a way that would garner an undergrad or graduate student "props" as a brilliant writer with a universal style. Obviously, as one becomes more attuned to these vibes, they will want to reach for the more difficult readings--not merely to test their comprehension skills, but for personal aesthetics as well, like the feeling of accomplishment. The more seasoned reader knows that Nietzsche is all about personality (he is literary-style, personified) and passion, but they should as well note that our author here is not accessible to everyone the same way (let alone with ease, if at all). I still found substance here, I found a less colorful rendition of thematic scope, I found a "Nietzsche for Beginners"--but why hate on Golffing as a result?; and considering the growing popularity of the author, the latecomers will all have to step through that door in some fashion, and this book does a better than average job of allowing just that.
Good book, Bad translation, do not buy.......2005-02-26
Ill give it 2 stars instead of 1. because it is not nietzsche i have the prolem with.
I knew i was taking a chance by buying this, I like Hollingdale, and like kaufman, but this translater, takes the fun out of freddie. It hardly even sounds like nietzsche speaking. For one example a famous line is "we all speak vaugly about poerty because we are all bad poets.".. When i read that line i barely realized i read it as he write "we all speak abrtractly about our poetry because we tend to be indifferent poets." The whole book reads like that. Nietzsche Bold statements! poetic prose are replaced with boring textbook like translation. I realized we might have a problem when i read the "ABOUT THE AUTHOR" in the book and he had traslated the title of "THE GAY SCIENCE" to "THE JOYFUL KNOWING" uhm.... I'm re-buying the book today the kaufman version. dont buy this.
A Wake Up Call for Christians: How the World Views Hypocrisy.......2003-04-15
"Die, Jew!" These words and other anti-Semitist phrases echo through the reader's mind as he studies this piece. Friedrich Nietzsche's Genealogy of Morals is the powerful piece of literature with more than controversial ideals. Upon reading it, one gets the sense that this work is the product of a demented, enraged mind. In the course of this reading, Nietzsche shows his ability to captivate a reader with his reason, no matter how twisted his reason is. After reading this selection I came to the assumption that Nietzsche used his brilliant mind to make broad, generalized attacks against those whom he claims are responsible for the problems in the world.
Nietzsche sees a problem with the way morals and values are carried out in our society. The strong are seen as forbidding and the weak are viewed as righteous. He believes that this is an inversion of morals which originates from the hatred of Jews transferred through the Gospel of Christianity. He assumes that any belief in God or values based on kindness is based on personal weakness and is the fruit of the true evil in the world. Morals and values which place a restriction on the strong and favor the weak are the cause for the unjust society. Nietzsche also has a modal for the great controversy these past two thousand years. He uses the titles the dispute "Rome vs. Israel, Israel vs. Rome." Rome he sees as the epitome of strength and the ideal he holds to be noble, Israel as the system which created the weak values system. He is angry because this weak system was able to topple mighty Rome.
I had to read Nietzsche in short sections at a time because it overwhelmed me. It was hard for me to see how someone can be so enraged by the system of values to write a book such as this. As a Christian, I cherish the values of the Bible and hold to a belief in a better life beyond this world. I appreciate Christianity for giving hope to hopeless world. However, Nietzsche sees Christianity as the ultimate form of slavery and the belief in a loving God as an infection upon the human mind. It is impossible for these two ideals to see eye to eye without one side trying to strangle the other. I also see Nietzsche's vendetta against the Jews, his love for strength, and his justification of the strong preying upon the weak as the cornerstone principles needed in for the creation and development of Nazi Germany.
However, I am looking back on his writing from perspective which has seen what he ideals carried out have produced. I doubt that Nietzsche intended to create monsters like Hitler and the terrible power of Nazi Germany. It seems to me that Nietzsche is merely looking at his world from a rational, atheistic viewpoint and is not happy with how things are going. Therefore, he does what all humans do when they have a problem he complains about and uses his writing as a venue to channel out his aggression. I wonder what Nietzsche would say if he knew the consequences of his tantrums and ranting.
Though I do not agree with Nietzsche's offhand remarks against God and believers in God, I did find humor in his dialogue with Mr. Foolhardy into the shop where ideals are contrived. He uses this little anecdote to target mainstream Christian beliefs in a satirical sort of way. He even mentions the unpleasant smell of this shop in a humorous offhand way. I enjoyed that excerpt, though I did not agree with it at all.
Overall Nietzsche's writing is a revolt against the Christian dogma which has captivated the world for so long. He views the system as a manufacturer of weakness and itself a type of parasite to attach to any unwary victim. In this sense I cannot help but understand where Nietzsche is coming from. His perspective of Christianity is the result of centuries of political strife caused by unconverted Christians making hypocritical and atrocious statements in the name of Christ. This has not given the church a good reputation in the eyes of many and may be the single greatest caused for atheism. It is not rational for people to be humble and to learn to love your enemy. Human nature tells us to seek revenge and retaliation but Christ tells us to forgive. This does not make sense to someone who does not have a relationship with God and is extremely preposterous to a person looking at it from outside the Christian circle. Nietzsche is a prime example of the results of the affects of "manufacturing" morals without winning people over. Christians can avoid creating enemies such as Nietzsche if we stop trying to ram our values down other peoples' throats, take away the political influence of the church, and let Christianity be its own witness.
This is a poor translation of an excellent book.......1998-10-22
The translator of this volume does not seem to grasp what Nietzsche is trying to do. He omits passages that are important for understanding of the text simply because the importance of them is not always clear at first. He also omits the references that Nietzsche makes to his own earlier works. This makes the text flow more smoothly, but doesn't allow the reader the opportunity get a handle on what Nietzsche is up to, and doesn't give the reader a sense of what other works by this author might be of interest. Again, this is a good work, but there are better translations available!
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Nietzsche and Music
Georges Liebert
Manufacturer: University Of Chicago Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0226480879 |
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"Without music, life would be an error."—Friedrich Nietzsche
In his youth, Friedrich Nietzsche yearned to become a great composer and wrote many pieces of music. He later claimed to be "the most musical of all philosophers." Yet most books on Nietzsche fail to explore the importance of music for his thought.
Nietzsche and Music provides the first in-depth examination of the fundamental significance of music for Nietzsche's life and work. Nietzsche's views on music are essential for understanding his philosophy as a whole. Part biography and part critical examination, Georges Liébert brilliantly demonstrates that despite failed attempts at a professional career as composer, Nietzsche never fully removed himself from the world of music, but instead, became a composer of philosophy, utilizing the musical form as a template for his own writings and creative thought. Liébert's study surveys Nietzsche's opinions about particular composers and compositions, as well as his more theoretical writings on music and its relation to the other arts. He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness.
A virtuoso exploration of this little-known but crucial aspect of Nietzsche's life and work, this volume will be of enormous value to scholars of philosophy, music, aesthetics, and literature.
Book Description
Philosopher's classic study declares that Greek tragedy achieved greatness through a fusion of elements of Apollonian restraint and control with Dionysian components of passion and the irrational.
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Whatever might have been be the basis for this dubious book, it must have been a question of the utmost importance and charm, as well as a deeply personal one. Testimony to that effect is the time in which it arose (in spite of which it arose), that disturbing era of the Franco-Prussian war of 1870-71. While the thunderclap of the Battle of Worth was reverberating across Europe, the meditative lover of enigmas whose lot it was to father this book sat somewhere in a corner of the Alps, extremely reflective and perplexed (thus simultaneously very distressed and carefree) and wrote down his thoughts concerning the Greeks, the kernel of that odd and difficult book to which this later preface (or postscript) should be dedicated. Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
Customer Reviews:
defective merchandise.......2007-03-03
This is one of maybe five reviews I've ever written online. I only do so if I absolutely love a product or am absolutely appalled by something I wish a fellow amazon addict had included in an online review. This will be the latter. This book is rife with translation errors. Not even so much translation errors because I don't speak German but basic grammatical mistakes; "From another perspective we see the force of this un-Dionysian spirit in action directing its effects against myth, when we turn our gaze toward the way in which the way in which the presentation..." -page 56 (this is just one in a long list of examples). Another weird fact about this book is that it is the size of a magazine? I have no fundamental problem with that, I loved JG Ballard's The Atrocity Exhibition which had the same dimensions; however because this book is a mere 80 pages it's just awkward to read. Do yourself a favor and buy another version of this book that doesn't have an abundance of errors. The only saving grace for this POS are the ideas contained therein.
The Op. 1 of Frederic Niezsche !.......2004-11-02
The first essay of this giant philosopher is deeply influenced for the echoes of Schopenhauer and Richard Wagner and pretends expose a new conception of the world : the tragic thought, , the intuition of the unity of the things , the converse affirmation of the life and death , the timeless return , the innocence of becoming .
Fundamental text if you want to get ready for the Apollonian and Dionisus duel!
Dionysian without Apollo Will Destroy - Rebirth of Tragedy.......2004-06-15
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The Birth of Tragedy, Nietzsche's first book. Why have I read it? Three reasons. One, I am studying ancient Greek culture. Secondly, I love to learn anything from mysticism, spiritual and Eastern thought, psychology and philosophy and again Grecian thought of Plato, Socrates, Aristophanes, Sophocles and etc. Third, I've always admired Jim Morrison, a Rock singer and poet who was also influenced by Nietzsche, primarily his interpretation of ancient Greek tragedy, more specifically, "The Birth of Tragedy. And so I've read it. Now Walter Kaufman's translation agrees with me and I think it one of the best in understanding and clarity. This book is a great read and answers so many questions and thoughts.
But ultimately I found something I never intended on thinking and it's staring me right in the face with bold assertiveness. I honestly never expected to find this. First Nietzsche does a superb job in slamming the Socratic culture of logic, science and optimism, which I agree, has destroyed the real chaotic nature of true art, the Dionysus nature and that of the real meaning of tragedy. He is right on the money here. "Existence is only justified as an aesthetic phenomenon." Euripides has destroyed the Aeschylean and Sophoclean tragedy into Socratized thinking. The Dionysian element of chaos, of drunkenness and dissolution, of irrational art in it's raw existence is imaged by Apollo and necessary in conceptualization of the fleeting moment of depth that only resides in temporal flow of Dionysus and yet is destroyed by the scientific Socratized analysis. Euripides's plays have adopted such logic, lost the Dionysus, taken the optimism and linguistic clarity in destroying the satyr's chaotic hold of frenzy and creativity found in formless tragedy of music. The Apollonian form is imagery while the Dionysian forms the Apollonian. "Dionysian speaks the language of Apollo, and Apollo, finally the language of Dionysus and so the highest goal of tragedy and all art is obtained." P. 130
All of this, and much more, is brilliant and profound, but then, this now leads to something about German history, and is there in the flagrant words, of Nietzsche who calls for "The rebirth of tragedy," the rebirth of Greek tragedy. Where is this? In the German spirit.
"Out of the Dionysian root of the German spirit a power has arisen which, having nothing in common with the primitive conditions of Socratic culture, can neither be explained nor excused by it, but which is rather felt by this culture as something terribly inexplicable and overwhelming hostile, the German music we must understand it. from Bach to Beethoven, and to Wagner." p. 119
What is this Dionysian root, this power from the German spirit.? Nietzsche symbolically calls it a "demon, " a power one that cannot be easily subdued, and it is rising from the unfathomable depths, which is against the Socratic logic and superficial optimism. And here Nietzsche goes further than music into a Dionysian spirit of German philosophy that he believes transcends the boundaries of Socratic thinking into adrenaline flowed tragic rediscovery, a rebirth of Greek tragedy.
"Let us recollect further that Kant and Schopenhauer made it possible for the spirit of German philosophy, streaming from similar sources to destroy scientific Socratism's complacent delight in existence by establishing its boundaries; how through this delimitation was introduced an infinitely profounder and more serious view of ethical problems and of art, which we may designate as Dionysian wisdom comprised in concepts. . . ." p. 120
In the earlier sections Nietzsche brought home the point that lyrical composition and most certainly concepts of any nature could not contain any shape or form of Dionysian, as it is only found in the raw and creative form of music. And now I find a contradiction, as Nietzsche is telling us of Kant's and Schopenhauer's thoughts to be comprised in Dionysian wisdom. It has now planted the seed for German readers and thinkers.
What this philosphical Dionysian wisdom and the German spirited power of Dionysian music now needs is a new political leader.
"And if the German should hesitantly look around for a leader who might bring him back again into his long lost home whose ways and paths he scarcely knows anymore, let him merely listen to the ecstatically luring call of the Dionysan bird that hovers above him and wants to point the way for him." p. 139
I don't know about you, but this sounds like the Dionysan "furor" to me. A new tragic, ecstatic leader, a non-Socratic leader with charisma and power. Now who later fits this bill?
Just imagine the adrenaline flow as the German people leave their Socratic constraints of logic and enter into their Dionysian nature of power and run down the street and smash the Jewish windows declaring in ecstasy, the Dionysian power of the new German spirit, the rebirth of Greek tragedy. Do you see what I'm leading to here? Real history! Don't get me wrong, please. Nietzsche does not talk hatred, or anti-Semitic, no not at all! But he sets the stage for chaos, for hate to come out of the depths of men and women that already contain Dionysian nature deep inside their non-Socratic nature, the "primitive man" as Nietzsche calls it, when the Apollonian is disregarded and the rational, optimistic Socratic man is destroyed and the Dionysian can come out and "tragedy be reborn."
Don't get me wrong, I think Nietzsche is amazing in his acknowledgment and connection to the real depth of the Dionysian spirit. But do get me right on this; this is dangerous teaching, dangerous enough to let educated people loose their Socratic, scientific nature and enter places they should not be. Nietzsche even writes in a letter 10/8/1868 to Rohide, (p. 120 ftn.) that the dimension of feelings of Wagner's music are greater than the "weak eyes and feeble legs of the educated."
Live life to the fullest without Apollo to conceptualize and form you, which subdues and constrains, and you will most assuredly mis-translate William Blake's words (as Jim Morrison did) in telling us "to live the road to excess." Live Socratic thinking alone, without Dionysus, and you will be destroyed, dead to the aesthetic, inner creative and primordial self. Live Dionysus without Apollo and without Socratic thinking and you will either destroy yourself or those around you.
An interesting insight into the early Nietzsche........2004-01-17
"The Birth of Tragedy" (1872) was Nietzsche's first published work, and what a work it is. Taking as its point of departure the origins and eventual death of tragedy in ancient Greece, this book shouldn't be taken as a literal meditation on Greek tragedy. Instead, Nietzsche uses his discussion of this art form to analyse trends he saw in the Germany of the early-1870s and to examine the similarities between the Hellenic world and the world of Bismarckian Germany.
He begins with an explanation of the dual Apollonian and Dionysian tendencies in art. The Apollonian, based on illusion, form, and restrained aesthetic contemplation, is contrasted with the Dionysian, which is characterized by a visceral, ecstatic, transcendental state. To Nietzsche, Greek tragedy was the only art form which was able to merge these two conflicting aesthetics into a successful union. He likens the operas of his then-hero, Richard Wagner, to the tragic drama of ancient Greece, and suggests that this similarity should be a cause of hope for the renewal of the "German spirit."
Crazy? Of course. Nietzsche was not a man noted for his intellectual restraint, and his associative thinking is never wilder or more disputable than in "The Birth of Tragedy." It is this very wildness which would later lead the philosopher to all but disown this book.
But "The Birth of Tragedy" is more than far-fetched theorizing--it is also a penetrating gaze into the destructive side of pure reason and the sunny optimism of the Enlightenment, which Nietzsche posits as being embodied in ancient Greece in the form of Socrates, whose withering, anti-aesthetic thinking Nietzsche finds deadening and repugnant. In the hyper-rational, heavily bureaucratic world in which he found himself at the dawn of the 1870s, Nietzsche looked to the colossal operas of Wagner to find a counterbalance to the icy skepticism of Socrates (and the Enlightenment) and what he considered to be a fundamental misunderstanding of ancient Greek culture on the part of his contemporaries. In stark contrast to their appraisal of Greek culture as serene and harmonious, Nietzsche located the enduring greatness of the Hellenic world in its brave and fierce pessimism, which he saw best represented in tragedy.
"The Birth of Tragedy," then, is a cry of hope from its author for what he considered a renewal of German myth and unity. It does not make for easy reading, however, and the reader should be prepared for many, many pages of exhausting and often ludicrous "insights," not one of which makes much sense from a logical point of view, but all of which play a vital role in Nietzsche's brilliant and brilliantly original analyses of ancient and modern culture.
Life As Art!!!.......2003-10-10
"The Birth of Tragedy Out Of The Spirit Of Music" is Nietzsche in the raw. This is before the later, "mature" posturing armchair philosopher took over. This is the philologist unearthing a great treasure - the Ancient Greeks REALLY lived, and in their super-abundance of LIFE, they had room for Tragedy/Pessimism! The opposite then, is also true, our modern society that cries out for OPTIMISM and "positive-thinking" is therefore the clearest sign that we are less than alive. This book is Nietzsche seeing in ART, that blazing passion for being ALIVE. This is Nietzsche as the young, unsystematic YEA-SAYER to LIFE. Aesthetics as the true metaphysics - not morality, since LIFE is beyond temporal, earthly taboos. ART-LIFE as the representation of transcending good and evil (later formulated more fully in "Beyond Good And Evil". This is art seen under the lens of life.
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The Birth of Tragedy: A Commentary (Twayne's Masterwork Studies, 8)
David Lenson
Manufacturer: Twayne Pub
ProductGroup: Book
Binding: Paperback
Wagner, Richard
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ASIN: 0805780084 |
Customer Reviews:
The celebration of Irrational Energy .......2005-11-01
Prior to Nietzsche the Greeks had been celebrated for their great calm and rationality. Nietzsche pointed to the irrational,passionate , energetic elements, the Dionysian force which contended with life and death as central element of the Greek Reality. The 'Birth of Tragedy (1872) is his first book but already present are his tremendous power to shock, his aphoristic brilliance, his effort to ' turn the tables' and break the mold of our ordinary thinking.
He himself says in describing the Birth of Tragedy" connects us with that which counters the Periclean desire for the beautiful and the good. He sees a desire preceding the desire for the good and the beautiful, " namely, the desire for the ugly or the good strong willing of the ancient Hellenes for pessimism, for tragic myth, for pictures of everything fearful, angry, enigmatic, destructive, and fateful as the basis of existence? Where must tragedy come from? Perhaps out of desire, out of power, out of overflowing health, out of overwhelming fullness of life?"
In his enthusiasm Nietzsche condemns the Socratic caution which will come afterwards,and which he claims will come to dominate the thought of the Christian West.
The Dialectic model of Art.......2000-01-14
Since the only other review is fairly obtuse about this book, it seems necessary to write another. If you consider yourself a creative entity, an artist, a musician, a filmmaker, a writer; then this book should be required reading. It describes two opposing "forces", Apollo and Dionysus, who are in perpetual conflict. From this conflict, all great art is born.
It is a dialectic, Thesis meets Antithesis to beget Synthesis.
The real point is though, after reading the book, you look for these opposing forces in everyday life and find them everywhere. Man and woman, religion and science, good and evil (for rudimentary examples). After reading the book it was apparent how much of this world is constructed out of, and centered on, opposition. It's like Matt Modine's helmet in Full Metal Jacket, man is a creature with inherent duality.
The Birth of Tragedy touches on something so essential and instinctually true to our existence that it can only vaguely be explained in words. Nietszche knows this and presents the concept as eloquently and clearly as it allows. It is up to the reader to take this knowledge as a starting point and explore deeper into their own individual experience and perspective.
Knowledge through tragedy.......1999-05-08
Any westerner (occidental man),will tell you if asked that knowledge must contain reason in order to qualify as such.Science will testify to that.Shall it be added that dialectic consists of the method to achieve this conclusive perfection.Presocratic thinkers were on a different track.The chaotic and fulgurent rythms of the Dyonisan asiatic music merge with the stern powerful measured,proportionated art of the Appolonian god gave their true followers inspired knowledge.Try it and you will know.Let fear have no part in it.
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