History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern Expression

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Life Changing Perspective on Music
What a fantastic experiential approach to learning harmony!
Harmonic Experience changed my life!
a text book must-have
ear and mind opener

Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern Expression
W. A. Mathieu
Manufacturer: Inner Traditions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0892815604
Release Date: 1997-08-01

Book Description

An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual.

W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.

Customer Reviews:

Life Changing Perspective on Music.......2007-08-12

Mathieu generously, and eloquently, teaches and inspires the reader to explore the harmonic Deep Structure of the mystery we call Music. Using music theory, philosophy, mathematics, poetry, botany, and his own rich world view, he unearths the underlying relationship between harmony, scale, and rhythm. Starting with the acoustical given of the overtone series, Mathieu builds a coherent system with which the Music student can frame and further delve into the patterned world of Musical phenomena.

What a fantastic experiential approach to learning harmony!.......2007-05-05

I am a musician and have played professionally. Now, I work in the psychology field, but I have a good education in science including physics. I think this qualifies me to speak about the merits of this very fine book.

This book differs from most other musical theory books in that it encourages you to experience how music evolved and harmony grew out of the natural harmonics that occur in strings and other instruments. It gives you the theory and some of the physcis, but must importantly it provides exercises to give you the FELT SENSE of what each concept corresponds to. This is both at the emotional and somatic levels.

This is a very natural way to learn and embody harmony. It makes use of chanting intervals with a string drone or note from an instrument or tuning fork. It teaches you how to listen for harmonics and explains how these harmonics naturally lead to the contruction of certain chords and scales. It is really a "ground up" approach as one reviewer said and an eye opener even for most musicians.

The book encouraged the use of Indian syllables for the musical exercises, which was a bit difficult for me. However, the ideas behind the exercises were great and could be converted to do, re, mi, fa, so, la, di, do. I must confess, however, that at times this was a bit of an annoyance, but totally forgivable given what I took away from this book!

Harmonic Experience changed my life! .......2007-02-16

Harmonic Experience has proven to be as valuable of an education as my four years at a music conservatory. But this is also easily accessible to all musicians, not just professionals! The book is written in clear English and it feels like Mathieu is in the room with you.

I'm delighted to find some insight into some musical contradictions that I frequently think about, but have never reconciled. Harmonic series vs. major and minor tonality? just intonation vs. equal temperament? western harmony vs. eastern music? It's beautiful to see a unified perspective that embraces acoustics, emotion, intuition, knowledge and many musical traditions. My approach to intonation has also changed for the better!

Here is my favorite testimonial:

"Harmonic Experience is the Rosetta stone of music. It turns harmonic theory into a web of "ah hah's"! What has been a tangle of inexplicable concepts is transformed into a repertory of generative experiences. Mathieu puts together what no one has put together before"

-Will Johnson, professor of music, Sonoma State University

a text book must-have.......2000-11-17

This is hands down one of the best books about music I've ever read. This should be circulated in ever high school and college throughout the U.S. and beyond!

ear and mind opener.......1999-08-25

I am so glad to see jzmckay's excellent review of this book, posted here. He said many of the things that I feel about this book.

I have studied music, including theory, for thirty years, and nothing has expanded my understanding (and perception!) of music as much as the information in this book.

I have studied music with the author of this book -- he's a great writer about music and an even better teacher! I know that this work is the result of a lifetime of profound consideration of what is at the very heart of the musical experience, and of why music affects us as it does. W. A. Mathieu's highly intelligent exposition is a great gift to all who wish to deepen their understanding of music.

Book Description

A.C. Crombie is one of the best known writers on the history of Science. Science, Optics and Music in Medieval and Early Modern Thought brings together a coherent body of essays that complement his books and are of independent value. A.C. Crombie traces general themes in the development of Science: the Aristotelian inheritance and the importance of the search for logical explanation in the middle ages; the ambitions and limitations of experiment and quantification; changing attitudes to scientific progress; the relations between Science and the Arts, and between Mathematics, Music and Medical Science; and the study of the senses. In particular he shows how the mechanistic hypothesis stimulated the experimental and philosophical study of vision.

The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance

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The Nikolais/Louis Dance Technique: A Philosophy and Method of Modern Dance
Murray Louis
Manufacturer: Routledge
ProductGroup: Book
Binding: Paperback

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ASIN: 0415970202

Book Description

The Nikolais/Louis Dance Technique provides the definite resource for understanding and practicing the influential dance technique developed by two pioneers of modern dance, Alwin Nikolais and Murray Louis. The Nikolais/Louis technique is presented in a week-to-week classroom manual, providing an indispensable tool for teachers and students of this widely studied movement practice. Theoretical background for further reading is set off from the manual for those interested in deeper study. Their philosophy and methodology span a broad readership and offer an important addition to dance literature and American cultural history.

On Late Style: Music and Literature Against the Grain

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Late Style Said

On Late Style: Music and Literature Against the Grain
Edward W. Said
Manufacturer: Pantheon
ProductGroup: Book
Binding: Hardcover

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ASIN: 037542105X
Release Date: 2006-04-11

Book Description

In his fascinating last book, Edward Said looks at a selection of essays, poems, novels, films, and operas to determine what late style may explain about the evolution of the creative life. He discusses how the approaching death of an artist can make its way “with anachronism and anomaly” into his work, as was the case in the late work of Thomas Mann, Richard Strauss, Jean Genet, Giuseppe Tomasi di Lampedusa, and C. P. Cavafy. Said examines Beethoven’s Missa Solemnis, Genet’s Le captif amoureux and Les paravents, Mozart’s Così fan tutte, Visconti’s film of Lampedusa’s The Leopard, Euripides’ The Bacchae and Iphigenia at Aulis, and Thomas Mann’s Death in Venice, among other works.

He points out that one can also find an “unearthly serenity,” in last works, for example, in Sophocles, Shakespeare, Rembrandt, Matisse, Bach, and Wagner, which, as Said puts it, “crown a lifetime of aesthetic endeavor.” But in On Late Style he concentrates on artistic lateness as “intransigence, difficulty, and unresolved contradiction.” He also writes about Theodor Adorno and about Glenn Gould, who chose to stop performing, thereby creating his own form of lateness. Said makes clear that most of the works discussed are rife with deep conflict and an almost impenetrable complexity. In fact, he feels that lateness is often “a form of exile.” These works frequently stood in direct contrast to what was popular at the time, but they were forerunners of what was to come in each artist’s particular discipline—works of true genius.

Eloquent and impassioned, brilliantly reasoned and revelatory, On Late Style is Edward Said’s own great last work.

Customer Reviews:

Late Style Said.......2007-06-18

Edward Said's writings never aim to make the obvious observation but instead seek to discover underlying strands of ideas that buoy up the work at hand and reveal subterranean layers of meaning. When he accomplishes this, his writings brim with the enthusiasm of a new discovery or the pleasure of understanding a familiar work in an unfamiliar way.

The cost to the reader not infrequently consists of wading through thickets of inpenetrable prose, prose that needs be hacked at to decipher the meaning intended. This necessity may be exacerbated in this collection by the fact that it was left unfinished and unpolished at his death. Nonetheless, skill in reading Theory and the jargon that attends it is required to comprehend, not to say appreciate, much of the early chapters. Happily much of this falls away as the book proceeds and many pearls are revealed undisguised and in fascinating verbal settings.

I continued to have difficulties with much of the entire enterprise: to wit, are Mozart's late operas really "late style" considering the man died so young? Surely they became "late style" by way of premature mortality alone. Extrapolating late style from one book wonders such as Di Lampedusa also stretches the point.

And yet incomplete, impenetrable and, as always, arguable Said, paradoxical as it sounds, remains more intellectually stimulating than most comparable critics, and still repays the effort it takes to read him.

The Beatles and Philosophy (Popular Culture and Philosophy)

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Nothing to Get Hung Up About
Far more involving insights than the usual dry philosophy tome.
Beatle Musings

The Beatles and Philosophy (Popular Culture and Philosophy)

Manufacturer: Open Court
ProductGroup: Book
Binding: Paperback

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ASIN: 0812696069

Book Description

The most popular musical group of all time, the Beatles also brought serious thought to the bubble gum-scented world of pop and rock music, with adventurous, profound, and sometimes mysterious lyrics that veered from the deliberate absurdity of “I Am the Walrus” to the rosy Rousseau-like fantasy of “When I’m 64” to the darkly existential/nihilist visions of “Eleanor Rigby” and “A Day in the Life.” In this lively new book, 20 Beatles-loving philosophers offer fresh insight into the lives and words of the Fab Four. Among the topics investigated are the groups’ critique of consumer culture; John Lennon and the Cold War; Paul McCartney’s philosophy of love, community, and politics; the Beatles’ struggle against the inauthentic; the ethics of chemically changed states of consciousness; the metaphysical standing of popularized Eastern meditation; and skepticism in the Beatles’ worldview. Like earlier titles in this popular series, The Beatles and Philosophy discusses complex issues in an enjoyable, highly readable fashion.

Customer Reviews:

Nothing to Get Hung Up About .......2007-09-09

Any book about the Beatles will be enjoyable for me. I can't help but think of their music while I am reading, and that is a good thing. But I did think the philosophical insights, while often on point, were extremely forced. The writers were often forcing Beatles lyrics into their prose as if that would make their philosophical case.

To be honest, much of the philosophy went over my head. I think one would need to be, not just a Beatles junkie (like me) but have been formally trained in philosophy (not like me) to get much out of this book.

If you're looking to read about the Beatles, go to A Day in the Life: The Music and Artistry of the Beatlesby Mark Hertsgaard, which is an astonishing analysis of their work. It's also a far superior book to the recent Beatles biography.

Far more involving insights than the usual dry philosophy tome........2007-02-03

The Beatles made their musical impact partially because they quickly moved from teen love songs to reflecting the questioning and philosophy of their generation: thus The Beatles and Philosophy is an especially significant, important recommendation for both music history collections and high school to college-level philosophy libraries. It uses the insights of some twenty professional philosophers to analyze the ideas and implications of Beatles lyrics, connections these ideas to both traditional and modern forms of philosophical thought, and thus provides students with far more involving insights than the usual dry philosophy tome.

Beatle Musings.......2006-12-03

This wonderful book makes me think of the 1965 George Harrison classic, "Think For Yourself." It is a nice blending of Beatle music and the Beatles' career with philosophical concepts ranging from the basic to the esoteric.

Inveterate Beatle fans will undoubtedly enjoy it. It is an interesting look at the Beatles and how philosophy interplays with their impact on culture as well as their music.

U2 and Philosophy: How to Decipher an Atomic Band (Popular Culture and Philosophy)

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Great idea poorly executed
A top pick for fans of the group

U2 and Philosophy: How to Decipher an Atomic Band (Popular Culture and Philosophy)

Manufacturer: Open Court
ProductGroup: Book
Binding: Paperback

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ASIN: 0812695992

Book Description

Is it possible to be a committed Christian and a rock superstar? Can political activists make good music? Do hugely successful rock bands really care about AIDS and poverty in Africa, or is it just another image-enhancing schtick? U2 and Philosophy ponders these and other seeming dichotomies in the career of the Irish supergroup. For over two decades, U2 has been one of the biggest acts in rock music. They’ve produced over a dozen platinum and multiplatinum records and won 15 Grammy Awards. Critics everywhere have praised the band’s thoughtful, complex lyrics and the artistry of their music. At the same time, Bono, the group’s lead singer, has dedicated himself to political and social causes, blurring the line between rock star and respected statesman. Offering fresh insight into the band’s music and activism, these thought-provoking essays allows fans to discover philosophy through the eyes of U2, and rediscover U2 through the eyes of philosophers.

Customer Reviews:

Great idea poorly executed.......2007-03-16

This could've been a great collection, but many of the pieces just aren't very well written. The writers use very few actual examples from U2's songs, and most of the chapters jump all over the place, with subtitles seemingly inserted at random. There are stylistic and spelling inconsistencies, as well as some factual errors (it lists The Unforgettable Fire as released in 1990, when in fact it came out in 1984, for example). While it's not a bad introduction to some key philosophical ideas, students would be better off seeking out a textbook or the original texts, and I don't think the scant references to U2 made any of the essays better. In fact, most of them felt convoluted because they didn't provide enough proof to back up what they were trying to argue.

That said, the chapter on the Joshua Tree and place was fantastic. If the whole book had been that way, I'd be writing a much different review. As it is, though, that chapter just made the others in the book look bad.

Good for those somewhat interested in philosophy, but U2 fans will be disappointed. Those interested in learning more about U2 would be better off searching out U2 at the End of the World or U2 By U2, or simply just listening to U2's music and thinking about it on their own.

A top pick for fans of the group.......2007-02-06

U2 AND PHILOSOPHY: HOW TO DECIPHER AN ATOMIC BAND is a top pick for fans of the group, introducing philosophy in the context of a popular music venue review to make it more understandable to modern audiences. What does U2 have to do with Plato, existentialism, and Nietzsche, among others? This is the perfect pick for a high school collection wishing to introduce students to philosophy without appearing dry or dull in the process!

Diane C. Donovan
California Bookwatch

Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology

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A Chromatic Feast
Disappointing
An original, ambitious book about the idea of color

Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology
Charles A. Riley II
Manufacturer: University Press of New England
ProductGroup: Book
Binding: Paperback

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ASIN: 0874517427

Book Description

"The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color.

Customer Reviews:

A Chromatic Feast.......2000-05-22

This excellently researched, enlightening book by Riley offers a useful overview of chromatic developments in a number of fields (the person who called this book "cream puffs" misses the point completely). The book offers numerous examples of innovations and commentary on various artists (pictorial and literary) and their colorific tendencies. Connections to theory--from Derrida to Barthes--accompany many of the book's observations. As there is little serious critical work on color, Riley's book offers a useful stepping stone to further research. I would strongly suggest this work to anyone interested in color theory and approach. Riley is a lucid, engaging writer who has made a major contribution to color theory.

Disappointing.......1998-10-17

Reading this book was like being served up a meal of cream puffs -- impressive at first glance, but ultimately unsatisfying due to lack of substance. Like many books that attempt to present the reader with a cafeteria-style synopsis of a subject (a bit of this, a bit of that...) this work is a disappointingly superficial survey of a most difficult and elusive subject. I think John Ruskin said it best: "A great many people do not know green from red; and such kind of persons are apt to feel it their duty to write scientific treatises on color, edifying to the art-world..."

An original, ambitious book about the idea of color.......1997-04-09

Color Codes by Charles A. Riley II is an extraordinary example of inter-disciplinary thought, examining the fascinating topic of color through short essays on Modern and contemporary artists, architects, poets, novelists, psychologists, philosophers, composers and musical performers. Much of the most lively material in the book comes from direct encounters with artists in their studios and interviews. A passionate, ambitious book on a wonderful subject. Claudine Napoli

Nada Brahma: The World Is Sound : Music and the Landscape of Consciousness

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Extremely interesting and well written

Nada Brahma: The World Is Sound : Music and the Landscape of Consciousness
Joachim-Ernst Berendt , and Helmut Bredigkeit
Manufacturer: Inner Traditions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0892811684

Customer Reviews:

Extremely interesting and well written.......1998-11-21

This book explores the relationship between music, consciousness and the physical world. The author makes an interesting argument that objects in the physical world generally form into harmonious relationships, and he cites the movements of the planets, oxygen atoms in H20 and so forth as examples. This is well written and argued, not a purely metaphysical line.

Having described the harmony of the physical world at atomic and astronomical levels, he goes on to consider Nada Brahma, an Indian Yoga technique of 'listening to the internal sound current'. The technique consists essentially of blocking ones ears and listening to the 'sound currents' which do actually come when one performs the technique (I've tried it). By meditating on these sound currents, one is taken into deeper levels of concentration. This 'inner music' is related to the concept of the music of the spheres, and this notion is investigated historically.

Book Description

Stanley Cavell has been one of the most creative and independent of contemporary philosophical voices. At the core of his thought is the view that skepticism is not a theoretical position to be refuted by philosophical theory but is a reflection of the fundamental limits of human knowledge of the self, of others and of the external world that must be accepted. This volume is the first attempt systematically and accessibly to describe and assess the full range of Cavell's work. There are new accounts of Cavell's contribution to the philosophy of mind and language, the theory of action, ethics, aesthetics, Romanticism, American philosophy. Richard Eldridge is Professor of Philosophy and Chair of the Philsophy Department at Swarthmore College. He is author of The Persistence of Romanticism (Cambridge, 2001), On Moral Personhood: Philosophy, Literature, Criticism, and Self-Understanding (Chicago, 1989) and Leading a Human Life: Wittengenstein, Intentionality, and Romanticism (Chicago, 1997), which won the 1998 Jean-Pierre Barricelli Book Prize awarded by the American Conference on Romanticism. He is the editor of Beyond Representation: Philosophy and Poetic Imagination (Cambridge, 1996).

Download Description

Contemporary Philosophy in Focus offers a series of introductory volumes on many of the dominant philosophical thinkers of the current age. Stanley Cavell has been one of the most creative and independent of contemporary philosophical voices. At the core of his thought is the view that skepticism is not a theoretical position to be refuted by philosophical theory but is a reflection of the fundamental limits of human knowledge of the self, of others and of the external world that must be accepted. This volume is the first attempt systematically and accessibly to describe and assess the full range of Cavell's work. There are new accounts of Cavell's contribution to the philosophy of mind and language, the theory of action, ethics, aesthetics, Romanticism, American philosophy, Shakespeare, and film and opera. Outside philosophy the appeal of this volume will be unusually broad.

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