History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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My son loved it!!
excellent deal
Mistake
Nothing and everything all at once
Perfect Book for a Perfect Band!!!

Gorillaz: Rise of the Ogre
Gorillaz
Manufacturer: Riverhead Hardcover
ProductGroup: Book
Binding: Hardcover

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ASIN: 1594489319
Release Date: 2006-11-02

Book Description

"I tell you what, right, I can guarantee you're going to get some real juicy bits of Gorillaz info. I'll probably slag off loads of people, too. It'll be packed full of great shots from the sets of our videos, gigs, rehearsals, interviews...you name it. It's all in there. So place your order up front kids, this book going to be a scorcher!" - Gorillaz bass-slayer Murdoc Nicalls. This stunning, full-colour hardback will be the most unique rock autobiography ever published. Gorillaz have always been as much about the visuals as they are about the music, and the autobiography will be a feast for the eyes. Featuring brand new art from and designed by Jamie Hewlett, this is the full story of Murdoc, 2D, Noodle and Russel Hobbs for the first time. Included will be their emailing with their motley crew of collaborators, from Ike Turner to Sean Ryder, and accounts of the gigs, the movie (for the first time), the videos and the website - including the low down on Kong Studios, their legendary HQ. It is an essential purchase for a legion of fans.

Customer Reviews:

My son loved it!!.......2007-08-06

My son has wanted this book for months. he earned enough money himself and wanted me to drive him 30 miles to borders. ilooked on amazon and found it $5 cheaper with free overnite shipping. Perfect!

excellent deal.......2007-06-13

The delivery of this porduct arrive around a month from the day the purchase was made. The product arrived in excellent conditions and this product was better than I expected.

Mistake.......2007-05-27

I unfortunately expected comic book from Jamie Hewlett rather than this huge story, so I was dissapointed. The book is nicely made and the story is very belivable since the characters are described very good - it looks like they really exist. But if you expect Jamie's early work like Tank Girl or Get the Freebies from Face magazine, this is not to be your choice.

Nothing and everything all at once.......2007-04-11

Probably the most concise visual history of the published work Jamie has done for this project as of yet and a great work of humorous fiction in it's own right. Continues the tradition of creating a surrealistic reality for the band where existing people coexist and interact with Murdoc, 2D, Noodle and Russel. Won't find much in terms of concept art (some early drawings though) or how Jamie and Damon masterminded the project but a definite pick-up for any Gorillaz fan.

Perfect Book for a Perfect Band!!!.......2007-03-20

I have liked Gorillaz since I first saw there video on MTV for "Clint Eastwood". There videos and there music just drew me in and never will let me go. Now with this book this answers all the burning questions Gorillaz fans have been wanting to know. It has a great set of chapters and great artwork and pictures to go along with the book. Considering this book is almost 300 pages long and is a very nice hardback book for its cost its not a bad price. It also tells on upcoming things especially in the future. Just us fans can hope that Gorillaz will stay around for a very long time to come.

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Genius writes about genius
THE Gershwin study

George Gershwin: His Life and Work
Howard Pollack
Manufacturer: University of California Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0520248643

Book Description

This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials--including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982--to create an expansive chronicle of Gershwin's meteoric rise to fame. He also traces Gershwin's powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses.
Pollack's lively narrative describes Gershwin's family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin's entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.

Customer Reviews:

Genius writes about genius.......2007-05-11

We usually apply the term genius to the subject of a biography. With the writing of Howard Pollack, one can also apply that term to the biographer.

When I first heard that Pollack was at work on a biography of Gershwin, I was saddened to think that he would be devoting his time to someone who had been the subject of so many biographies. I thought, what else was there to be said about Gershwin, but when I recalled the balanced and thoroughly considered approach he brought to his biography of Copland, I was curious to read what he would write. Not only was I not disappointed, I was overwhelmed.

Pollack does not question the actions of his subjects, he reports and tells a story, leaving the reader to make his or her own judgements. There is no attempt to sensationalize anything as he lets the facts speak for themselves. Pollack treats his subjects with the greatest respect without losing sight of their humanity. He brings great dignity to his writing and to his subjects.

His use of the language is transparent. You are never slowed down by his words. When he writes about music, Pollack has a remarkable ability to engage both the musician and non-musician alike. As with his volume on Copland, you sense he knows the music so well that he can intuit what the composer intended with each new work. He seeks out so much of the related material one would think he has devoted his entire life to the study of his subjects. You are aware of the detail, but not overwhelmed or encumbered by it.

I found the quotes from Michael Feinstein to be very informative. Feinstein, is not only the great exponent of popular music of the tradition of Gershwin, Kern, Berlin, et al; he is also one of the most informed in the music of that period. The time Feinstein spent as Ira Gershwin's assistant lends credibility to his perspective and recollections, and adds great insight to both the humanity and the music of Gershwin.

This volume is as close to an encapsulation of Gershwin's life and works as one could hope to find in words.

THE Gershwin study.......2006-12-06

Gershwin buffs, run, don't walk to get this book. Pollack has written the definitive study of both "The Life" and "The Work," as per his two fat sections.

Pollack's book is, for one, the first Gershwin bio that takes advantage of the discovery of mountains of original orchestra parts for Golden Age musical theatre scores in a Secaucus warehouse in the early eighties. As such, Pollack analyzes Gershwin's theatre scores closely just as classical music scholars can attend to Mozart or Haydn's works.

Earlier bios could only address the scores largely on the basis of the songs from each score that happened to be published as sheet music, with only a handful of the scores then existing as full piano-vocal scores or as latter-day abridged and heavily adapted recordings. But over the past two decades, most of Gershwin's significant scores have been recorded in full from the discovered materials, such that via these recordings as well as examining the original materials himself, Pollack can address the work as it was presented when it was new, i.e. chorus numbers, character songs not published as sheets, incidental music, etc. Given that musicals constituted the bulk of Gershwin's output in his short life, this alone makes Pollack's book invaluable.

In addition, some Gershwin bios have been written by people focused on pulling him down, devoted to revealing him as an undereducated, boorish parvenu (i.e. the ones by Charles Schwartz and Joan Peyser). Pollack's sleuthing and interviews conclusively demonstrate that these evaluations were incorrect: Gershwin pursued serious musical training throughout his life, it shows in his work, and socially, he was a beloved, charming person who was deeply mourned at his death.

Pollack has truly done his homework, such that just about any question one might have about Gershwin is exhaustively answered. For each show he chronicles not only the score and its critical reception in New York, but also its London and even Australian versions if there were any, all of the revivals across the US, and its recordings -- and he does this even starting with the obscure early efforts. He is equally thorough re Gershwin's concert music.

It should be said that those seeking further engagement with the raison d'etre of Joan Peyser's THE MEMORY OF ALL THAT, the story that Gershwin fathered a love child with a chorus girl and paid him and his mother off to keep it quiet, will not be satisfied. Pollack briefly addresses objections to that thesis from some quarters since Peyser's book was published -- but, in my view, neglects the rather damning facts that 1) said love child looks exactly like Gershwin and 2)was supported in his claim to have made regular visits to Gershwin's apartment by none other than Gershwin's valet. As such, one must consult various sources pre- and post-Peyser to come to conclusions about that issue. One suspects that Pollack, having been granted interviews from surviving keepers of the Gershwin flame, opted on that particular subject to step around giving offense. He is not to be faulted for this.

It should also be said, however, that inevitably of a work so dazzlingly complete, this book is not one most people would want to read from front to back. It is, in its way, a reference book set in prose. There are times when Pollack seems almost obsessive -- such as bringing vast study to bear upon locating the purchase by Gershwin's parents of a piano in precisely late 1910, or letting us know (based on a chance message from abroad) that OH, KAY played in translation in Sweden, or informing us via close examination of the original arrangement of RHAPSODY IN BLUE -- not later arrangements, but the original one, mind you -- that one player doubled on bass and tuba.

But this degree of obsession is what real scholarship is, and though for most it will be a book to jump around in than to read page for page, Pollack has given us an authoritative masterpiece. I am in awe of the man, and happy to have this one on my shelves forever.

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Applauds for Sinatra and Hamill
Sinatra to the point
Consider The Source
The man and his music
Some Outstanding Ideas, But Just a Touch too Much Gossip!

Why Sinatra Matters
Pete Hamill
Manufacturer: Little, Brown and Company
ProductGroup: Book
Binding: Hardcover

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ASIN: 0316347965

Book Description

As products of the same urban landscape, Pete Hamill and Frank Sinatra have both been credited with giving the American city a voice. In this widely acclaimed and bestselling appreciation-now available in paperback for the first time-Hamill draws on his intimate experience of the man and the music to evoke the essence of Sinatra, illuminating the singer's art and his legend from the point of view of a confidant and a fan. - May 2003 marks the fifth anniversary of Sinatra's death. - The hardcover edition of Why Sinatra Matters (Little, Brown and Company, 1998), published five months after Sinatra's death, became a national bestseller.

Customer Reviews:

Applauds for Sinatra and Hamill.......2007-09-15

Another masterpiece by Hamill. This work reveals the humanity of Sinatra. It is short, but oh soooooo good! If you are interested in Sinatra, read this book. It is sophisicated and loaded with the nuances of the man who did it his way, faults, bruises, and all.

Sinatra to the point.......2006-10-02

This is a small book. Short and sweet. Mr. Hamill gets right to the point . There isnt a lot of fluff in this book. A few pictures and so anecdotes to start some of the chapters. It written well and the layout is succint. This is a must read for any Sinatra fan.

Consider The Source.......2006-06-18

Ironic that Pete Hamill should write this book. To my ears and eyes, Pete Hamill has never written a sincere or honest word in his life.

The irony is that when Sinatra was asked how he wanted to be remembered, he said he would want people to think of him as an honest singer.

The book is good, but read it with a grain of salt due to the author.

The man and his music.......2006-04-19

I like this book because it isn't like all the other Sinatra biographies out there. In fact, it isn't really appropriate to call "Why Sinatra Matters" a biography at all. Author Pete Hamill was an acquaintance of Sinatra's and much of the book is built around conversations that the two men had together, which is very interesting. This book gives a general overview of Sinatra's upbringing and rise to stardom. Hamill explains how Sinatra's childhood and Italian American background contributed to the development of his music. Sinatra's "fall from grace" is also examined, but Hamill is quick to point out that the only thing that really matters is that Sinatra was able to overcome his obstacles and make an incredible comeback. There has never been another singer like Frank Sinatra and there never will be again. Sinatra continues to represent so many things to so many people, which is why his music will live on forever.

Some Outstanding Ideas, But Just a Touch too Much Gossip! .......2005-05-24

Many of the basic,well known aspects of FS's life are mentioned here, starting with the Genoan and Sicilian branches of his family history, his quiet father and brash, Democratic Ward Leader mother. The segment on Bing Crosby's huge influence on 1930's popular culture, especially in the new radio-centered family (like TV today) is great, and perhaps not known too much today. FS as an icon for immigrant Italians, along with LaGuardia and DiMaggio, is also a high point. The days with James and Dorsey are also well done, if rehashes, like much of this otherwise excellent book. And much is written about FS's legendary "Fall" and 2nd Rise, the Fall being among the most overdone of FS's incredible life.(Many would love to fall from such Olympian heights!). Mr. Hamill says that the music is what matters. Obviously, he's right! Only Frank could sing so well about the depths of anguish and despair, as well as the thrill of triumph! The author also gives a nice summation of the great work of FS with Nelson Riddle. Unfortunately, short shrift is given to Billy May, and a short paragraph mocks the "sugary" work of Gordon Jenkins. Oddly, the most famous pairing of Jenkins and FS, "September of My Years" is listed in the appendix as among Mr. Hamill's favorite albums! It would have been nice if a CD was included,since this book does not really mine the golden depths of FS's best recordings. Still, all in all, a fine and succinct presentation of The Man and His Music.

Marley Legend: An Illustrated Life of Bob Marley

Average customer rating:

A Must for the true Marley Fan
A NICE CELEBRATORY OVERVIEW...

Marley Legend: An Illustrated Life of Bob Marley
James Henke
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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Accessories:

Lennon Legend

ASIN: 0811850366

Book Description

Published to coincide with the twenty-fifth anniversary of his death, Marley Legend celebrates the life and work of Bob Marley in an authorized and fully illustrated biography. In the same interactive format as the best-selling Lennon Legend, this innovative book features rare photographs and 20 removable facsimiles, including Marley's handwritten lyrics and concert memorabilia, even a private sketchbook. The package also includes a 50-minute spoken word CD featuring archival Marley interviews. Rock journalist James Henke relates the dramatic story of Marley's life, from his impoverished childhood in Jamaica's Trenchtown to his spiritual awakening through Rastafarianism, his multinational musical success, and his death from cancer at age 36. In addition to interviews with Marley's family and associates conducted especially for this book, Henke includes thoughts on favorite Marley songs from such diverse artists as U2's Bono, Sean Paul, Ben Harper, and Chrissie Hynde. Marley's message was one of love, peace, and equality -- and in words and pictures, Marley Legend shows why Bob Marley is, as Entertainment Weekly recently called him, "still the world's biggest rock star."

Customer Reviews:

A Must for the true Marley Fan.......2006-12-30

When this was opened at X-mas, brought the recipient to tears. All the goodies packed into the book are amazing & worth every penny!

A NICE CELEBRATORY OVERVIEW..........2006-06-04

This is a nicely packaged (and slipcased) celebration of a reggae icon with beautiful pictures and interesting tidbits...the gatefolds and pockets with little surprises might become tiresome after a few browsings but Bob Marley is one those performers whose legend only grows with time and he is entirely deserving of this elaborate book. It's not too deep but then there are plenty of good books to choose from...in the end, it's all about the music.

No Compromise: The Life Story of Keith Green

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Like his life, it ended too soon.
The Best!
Sold out for God
No Compromise
Insightful Biography About The Late, Influential Music Minister

No Compromise: The Life Story of Keith Green
Melody Green , and David Hazard
Manufacturer: Harvest House Publishers
ProductGroup: Book
Binding: Paperback

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ASIN: 0736903194

Book Description

Longtime fans and new listeners can experience the impact of Keith’s character, courage, and commitment in this revised and expanded testimony of his extraordinary life.

Who better to tell Keith Green’s story than the woman who shared his life and mission—his wife, Melody. At the time Keith and two of their children were killed in a tragic plane crash, Melody was pregnant and had a one–year–old child at home. She inherited Keith’s musical legacy of published and unpublished songs and his private journals, which she has put together in this extremely personal biography of Keith.

Customer Reviews:

Like his life, it ended too soon........2007-09-13

I grew up listening to the Music of Keith Green. My parents were big fans, and to them, Keith was more then just a singer.
I slowly stopped listening to his music when I got older, and thought that the new music I listened to had a better sound and a more meaningful message, simply because it was newer music. But then I started listening to Keith Green again, and saw that his music is timeless, and can still change lives.

I picked up this book, and started reading it right away. The tone read very much like a novel, with pictures every now and then to show you how Keith and those around him had changed over time. At first, I wasn't sure how I felt about there being pictures so much, but then I saw the effect they had on me.

I got to know Keith as if he were a friend of mine. I got to see his struggles, his fears, his likes, his dislikes; I got to shake hands with Keith. His story of how he came to know Jesus is one that can touch anyone.

Ultimately, when the book started to end, I knew how he was going to die. I knew it was coming. I even looked ahead to see what chapter it happens in. Even though I knew it was coming, I still started to cry.
I spent my time reading this book, and getting to know Keith, his children, and his friends, that I he died all over again. I missed him again.

Still, with that said, I think my favorite part in the book is the story of how they had a cow die, and they couldn't get a butcher out to the farm (because the butcher has to kill the animal he'll be butchering), so they did it themselves.

With all that said, this is an amazing story that every Christian should read. Even if you weren't a fan of his music, it is still an amazing story.

The Best!.......2007-08-23

Melody green did an amazing job at letting us in on her life with Keith Green. She is very open and honest and makes it easy to follow. It is very easy to relate to for practically anyone. Some parts brought tears to my eyes and it brings you to self reflect where you are at spiritually. I highly recommend this book!

Sold out for God.......2007-06-08

Keith Green's book "No Compromise" was an in depth look at this Christian mans life. He lived his life solely for God, and never looked back. He was constantly examining himself to see if he measured up to how a Christian life should be led. He was an inspiration to me of how to live for Jesus!

No Compromise.......2007-01-17

This book is a great book describing a man who lived a life loving the Lord and encountering some of the issues we individually face. This just goes to show that we all can stand out and trust the Lord. Keith was a man who chose to live a life with No Compromise with his relationship with the Lord.

Insightful Biography About The Late, Influential Music Minister.......2006-12-26

This book looked into the life of Keith Green, especially the final seven years of his life, from his conversion to Christianity to his untimely death. It was written by his widow, Melody, who came to Christ at the same time.

Keith Green was more than just another Christian singer/songwriter. He was sold out to the Gospel, and it showed in his music, his lifestyle, and his writings. I am not sure I agree with some of what he did or some of his doctrinal leadings, but I admire his zeal.

One note of comment: In 1977, you would find the debut albums of two artists next to each other: Amy Grant and Keith Green. In 1982, Grant became the first Christian artist to earn a gold album. The same year, Green became the first to earn a gold crown. We need more Keith Greens today: in Christianity in general and in Christian music specifically.

Average customer rating:

Lots of info
Fun for film buffs
marni Nixon bio
Hollywood's most famous vocal "Ghost" appears in the shimmering flesh!
My Fair and Wonderful Lady

I Could Have Sung All Night: My Story
Marni Nixon , and Stephen Cole
Manufacturer: Billboard Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0823083659
Release Date: 2006-09-01

Book Description

*The most celebrated "voice" in Hollywood speaks for herself!
* Beloved show-biz icon Nixon dubbed songs for Natalie Wood and Audrey Hepburn--now she tells her story for the first time
* Entertaining behind-the-scenes celebrity stories from six decades of performing

Everyone knows Marni Nixon...even if they think they don't. One of the best-known and best-loved singing voices in the world, Nixon dubbed songs for Natalie Wood in West Side Story, Audrey Hepburn in My Fair Lady, and Deborah Kerr in The King and I. She was the voice of Hollywood's leading ladies, arriving in filmland after a debut with the Los Angeles Philharmonic at 17 and continuing her career with Leonard Bernstein, Aaron Copland, Charles Ives, Stephen Sondheim, Rogers and Hammerstein, and many others. Her inspiring autobiography reveals Nixon as a singer, an actress, and a woman fighting for artistic recognition. Today, a survivor of breast cancer, she works on Broadway and television's Law & Order SVU, tours with her own stage show, and teaches master classes in voice. Marni Nixon: The Voice of Hollywood reveals the woman behind the screen is revealed, in a frank, funny biography that is as remarkable as the woman whose story it tells.

Customer Reviews:

Lots of info.......2007-10-03

I had long known about Ms. Nixon's film work, dubbing for Deborah Kerr, Natalie Wood and Audrey Hepburn, but this memoir filled in a lot of gaps. I really enjoyed it.

Fun for film buffs.......2007-01-13

If you have ever wondered who sang Kerr's songs in KING & I or Wood's in WEST SIDE STORY, then this is the book for you. Marnie Nixon was the dubbed voice of many non-singing stars'in some of their best roles. Here she tells her story and while at times it drags a bit, I found it very interesting and entertaining. The chapters about her work in film are espcially engaging.

marni Nixon bio.......2006-11-10

Enjoyed this book so much.It was fun to read about all the colleagues she had worked with during her career. A very pleasant read.

Hollywood's most famous vocal "Ghost" appears in the shimmering flesh!.......2006-10-19

Marni Nixon's was one of those famous people who fascinated me from the moment I heard her story of being the vocal "ghost" in three of Hollywood's most remarkable musicals. Her's is a story I was waiting to hear, and with this great book, it was worth the wait.

For anyone interested in musicals, Hollywood or performing, Ms. Nixon's wonderful book will be a boon. From her personal stories about Hollywood to her journey from singer to remarkable actress, the book is a wonderful read.

Her story would make one of the most fascinating movie musicals ever. Part "Singing in the Rain" and part Hollywood Grimm's fairy tale, I want to see this story made into a movie musical. Anyone out there listening?

Bravo to Ms. Nixon! Thank you for sharing your amazing story. I was completely enthralled as well as inspired.

My Fair and Wonderful Lady.......2006-10-12

"I Could Have Sung All Night" by Marni Nixon is a wonderful, enjoyable autobiography of her life. Marni Nixon has dubbed singers Audrey Hepburn (My Fair Lady), Deborah Kerr (The King and I), and to my surprise Natalie Wood (West Side Story). Growing up with these movie musicals I knew about Marni Nixon's dubbing in "My Fair Lady", but when reading the chapter on "West Side Story" regarding the dubbing for Natalie Wood, I was surprised. When watching West Side Story, I really thought it was Natalie Wood doing her own singing!
Marni Nixon tells wonderful stories about her travels in Israel with Liberace, her stint with Victor Borge, and many other anecdotes.
The book is a fun and entertaining read, and I could not put it down. Thank you Marni Nixon!

Song: The World's Best Songwriters on Creating the Music That Moves Us (American Songwriter Magazine)

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Song: The World's Best Songwriters on Creating the Music That Moves Us (American Songwriter Magazine)

Manufacturer: Writers Digest Books
ProductGroup: Book
Binding: Paperback

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ASIN: 1582974241

Book Description

Song is an enthralling compilation of songwriting wisdom from 100 of the biggest names in music. From country to rock to folk to alternative, this genre-spanning collection of interviews captures the anecdotes, history, and wisdom of the best songwriters aroundInside, you'll find entertaining and enlightening interviews from great songwriters such as Smokey Robinson, Willie Nelson, Jewel, Kenny Chesney, Cat Stevens, Jack Johnson, Sheryl Crow, John Legend, John Mellencamp, Ray Charles, Clint Black, Rob Thomas, Dolly Parton, Rufus Wainwright, Bob McDill, Lyle Lovett, Keith Urban, Beck, M.Ward, Lou Reed, Roger Miller, Grant-Lee Phillips, and John Denver.

Body Piercing Saved My Life: Inside the Phenomenon of Christian Rock

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honest thoughts on american evangelicalism
Body Piercing Didn't Save Beaujon's Life
Great Perspective
Inside the Religious Machine
A VIEW FROM THE OUTSIDE

Body Piercing Saved My Life: Inside the Phenomenon of Christian Rock
Andrew Beaujon
Manufacturer: Da Capo Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0306814579

Book Description

A riveting, in-depth, behind-the-scenes account of the subculture of modern Christian rock music, which saw estimated sales of one billion dollars in 2003 alone

Body Piercing Saved My Life is the first in-depth journalistic investigation into a subculture so large that it's erroneous to even call it a subculture: Christian rock. Christian rock culture is booming, not only with bands but with extreme teen Bibles, skateboarding ministries, Christian tattoo parlors, paintball parks, coffeehouses, and nightclubs,encouraging kids to form their own communities apart from the mainstream.

Profiling such successful Christian rock bands as P.O.D., Switchfoot, Creed, Evanescence, and Sixpence None the Richer, as well as the phenomenally successful Seattle Christian record label Tooth & Nail, enormous Christian rock festivals, and more, Spin journalist Andrew Beaujon lifts the veil on a thriving scene that operates beneath the secular world's radar. Revealing, sympathetic, and groundbreaking, Body Piercing Saved My Life (named for a popular Christian rock T-shirt depicting Christ's wounds) is a fascinating look into the hearts and minds of an enormous, and growing, youth culture.

Customer Reviews:

honest thoughts on american evangelicalism.......2007-08-11

I think there's something in all of us that loves to know what other people think of us. Growing up in the `90s under the "christian music only" rule, and a (former) collection of over 300 christian rock cds, I found this aspect of my life under scrutiny from the "outside." And I loved it.

In Body Piercing Saved My Life, Beaujon offers a very candid look at the christian rock music industry. I have to say that I learned a ton about the music industry in general by reading this book. Seeing the behind the scenes issues, the financial policies, the tensions, etc. was something new for me.

The book focuses more on people than anything, and I think Beaujon realizes that you can't really learn much from caricatures or stereotypes. (I guess that's why he wrote the book). This, for me, was incredibly interesting, as he basically related a series of interviews, relationships with figures in the scene, and how they all fit into the big picture.

I can't say that I found much to disagree with in the book. I resonated strongly with David Bazan's confusion and then rejection with the charismatic background he was raised in. I very much agreed with Beaujon's analysis of modern praise music as "more than a little sexual and a tad uncomfortable if you're sitting next to an attractive person who's been overcome by the Spirit." (159). He pointed out the similarities between the way Deadheads and now the current jamband scene experience their music, and the current "worship experience." I thought I was the only one who saw that! As one who has had deep experiences in both scenes, I thought his analysis was right on and matched my experience perfectly. He also points out many of the quirks and foibles in modern american evangelicalism, and I couldn't really argue with any of them.

I think I share the same opinions with Beaujon when it comes to american evangelicalism and its music. For me, I've rejected it in favor of a bare-bones, bible based faith which rejects most of the trappings of this sub-culture (some would label me a "fundamentalist," though (like we all say) "it's much more nuanced than that!") When I "got convicted" about my music, it wasn't just the Grateful Dead that got tossed out, it was my entire music collection, all 300+ christian rock cds included. Beaujon, in contrast, finds himself identifying with those christians who reject the american evangelical subculture in favor of the world's culture, and an emphasis on a social gospel.

I found this fascinating: "As I left, [Jae] Choi asked me if I was a Christian, and when I said no, he handed me a tract. I was on the plane home before I realized that I'd been working on this project for six months, and it was the first time anyone had tried to evangelize me." (168)

It's apparent to me, also, that Beaujon doesn't understand the gospel: "To me, the message of the Gospel is love one another, look out for the less fortunate, and try to walk gently on the earth." (271). This is, in fact, the "gospel" that many american evangelicals are currently preaching. To me, the message of the gospel is this: even though I am a wretched sinner who knows that I deserve hell and have no possible way of saving myself from it, God Himself took the initiative, became a man, took my sin upon Himself, and received the punishment I deserve. The way is clear for a restored relationship with the Creator of the universe! That's good news!

I loved Beaujon's writing style. It was downright art at times. I also loved his transparency, and felt that this was a pretty unbiased, straightforward account of the scene. I didn't feel any hatred or malice or desire to make anyone look stupid; (if anyone looks stupid in this book, they brought it upon themselves). Overall, I wouldn't say that I necessarily gained a whole lot by reading this, but I found it fascinating and enjoyable to read.

Body Piercing Didn't Save Beaujon's Life .......2007-07-09

I enjoyed reading the book, but I didn't agree with much of what the author had to say. Beaujon inserted a lot of opinion into this book and it shows in some ways he had an agenda even though he probably would deny that. He highlighted Christians who swear, drink and carouse. He hung out with David Bazan and seems to feel most comfortably with him more than anyone else in the book.

The book is informative and shows that he did research, but still he wrote that Yellowcard started as a Christian band that crossed over to the mainstream. He wrote transcripts of interviews in the book, which is kind of lazy. He revealed all the "off the record" comments by the people he interviewed. Not only that but some parts of the book dragged on because he lacked a clear focus. It becomes apparent that Beaujon wrote the book and didn't have an editor who knew enough about Christian Rock or Christianity to correct some of the mistakes he made.

The bottom line is that this book is better than "Why Should the Devil Have All The Good Music?" But that's not saying much. The book should have been called "A Spin Magazine Writer's Take On Christian Rock".

Great Perspective.......2007-07-05

I thoroughly enjoyed this book. I am a Christ follower, and it was interesting reading about the history of Christian rock. Of greater interest to me was looking at things from Andrew's perspecitve on Christianity as a self-described non-Christian (not anti-Christian). Beyond his perspectve on Christianity and Christian music, my favorite thing was the occasional glimpse into his own personal journey and thoughts.

Inside the Religious Machine.......2006-10-03

As a Christian who has refused to disengage my brain in order to embrace religion, I am encouraged that an agnostic writer would be willing to tackle the wooly subject of Christian rock and roll. Is such music the real deal? Is it all about money? Is it even necessary?

Beaujon approaches his subject with honesty, insight, and not even a smidgen of mean-spiritedness. He admits that the secular media has some biases toward this sector of music, but he himself explores the fringes and the heart of the matter with eyes open and intellect intact. "Body Piercing Saved My Life" is an admirable job of reporting, on any level. Not only does the author take us through the history of modern Christian music, he explores the trends and theologies that infiltrate it. He pulls no punches, showing the frustrations of those within the industry--regarding lifestyles, business practices, and censorship--but he also demonstrates the rare willingness of an outsider to enjoy and even be moved by the music. Admittedly, these moments of enjoyment come infrequently for him (for understandable reasons).

I was one of those church kids, back in the eighties, who loved rock music and wanted to be "with it." With parents who were pastors, this meant I had to rummage through the garbage pile of Christian music and hope to find gold flakes (no double meaning intended) in the stream of heavenly wannnabes. Of course, as the years passed, I realized that life could not be compartmentalized into simple boxes--despite the attempts of many preachers to do so. Although I've still managed to hold onto a belief in a relationship with Jesus, I've been discouraged by the industry's attempts to cover up scandals and to placate the masses with mediocre "worship" music. To hear Beaujon address these subjects is to be reminded that Christian rock and Christianity itself should be more than a phenomenon--they should be reflections of the love of Christ for those inside and out of the religious machine.

Andrew, thank you for "risking" a year in the trenches of American Churchianity. I would've loved more focus on fringe bands (such as Underoath, As I Lay Dying, As Cities Burn, Project 86), but you did a remarkably comprehensive job. Your candid, yet mostly kind, words should be a challenge for thought and action on the part of all those involved.

A VIEW FROM THE OUTSIDE.......2006-09-30

I read this book after I read "Faith, God, and Rock and Roll" by Joseph. I liked that book very much, but this one was a bit better. As an outsider, Beaujon takes a relatively objective look at Christian music and what it tries to do. However, just because he's an outsider doesn't mean he is not sympathetic to these musicians and what they're trying to do. I believe that it comes through in the book that Beaujon is sympathetic to any musician who takes his/her job seriously. I think Beaujon has a certain respect for anyone who is passionate about what they do.
That said, the book is a sometimes fascinating (David Bazan), sometimes frustrating (music executives, blah blah) read. Personally, I think the topic of whether Christian musicians should make music only for Christians or for the "outside market" is a fascinating one. I see both sides of the argument and I think it's a good argument (how about debate"?) to have. This book is a nice addition to the growing literature which asks tough questions of Christians concerning their (sometimes) insular musical genre.

The John Adams Reader: Essential Writings on an American Composer

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A "must-read" portrait for anyone striving to better understand both the artist and his musical art
Essays by People who Know Him

The John Adams Reader: Essential Writings on an American Composer
Thomas May
Manufacturer: Amadeus Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1574671324

Book Description

The John Adams Reader: Essential Writings on an American Composer gathers a colorful and wide-ranging selection of pieces from leading musical commentators and critics. Included are revealing interviews with the composer as well as eloquent essays by Ingram Marshall, Michael Steinberg, Alex Ross, Sarah Cahill, Alan Rich, and many others. Editor Thomas May has grouped this collection into four sections: profiles of the artist (including a fascinating memory piece from Ingram Marshall on Adams's early San Francisco years), detailed essays on the major works, interviews with some leading collaborators and interpreters, and critical reception. This reader should be of use both as an introduction for the general reader to a preeminently significant American artist and as a reference for the more serious student or scholar.

Customer Reviews:

A "must-read" portrait for anyone striving to better understand both the artist and his musical art.......2006-08-06

The John Adams Reader presents an anthology of writings by a wide variety of authors about one of the most frequently performed American composers in the realm of classical music. Friends and collaborators of John Adams, including director Peter Sellers, conductor Robert Spano, performers Emanuel Ax and Dawn Upshaw, and friend Ingram Marshall, as well as extensive interviews with John Adams himself, allow for a thorough tour of his personality, his musical works, collaborators and interpreters, his critical reception, controversies about his work and his political views, and much more. As accessible to lay readers as it is to advanced music students and practitioners, The John Adams Reader is a "must-read" portrait for anyone striving to better understand both the artist and his musical art, presenting the compiled wit and charm of expert musicians.

Essays by People who Know Him.......2006-07-05

John Adams is probably the most performed living American composer of classical music. And in this book, really a tribute to Mr. Adams, some sixty writers have written on some aspect of John Adams life. The essays are broken down into four major categories: Portraits of the Artist, The Musical Works, Collaborators and Interpreters, and Critical Reception. The book is biographical in part, talking of Mr. Adams early years and his decision to spend his life writing music. Other aspects of the book discuss most of his major works from looking at the content and then critically.

The writers of these essays are a who's who of the classical music world. They include performers (Emanuel Ax, Sarah Cahill), critics (Justin Davidson, Rupert Christiansen), composers (Ingram Marshall, David Schiff), critics (Renaud Machart, Alan Rich), directors (Robert Spano, Peter Spano), professors (Richard Taruskin, Arthur C. Danto), and of course Thomas May who basically put this whole book together.

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