This Is Your Brain on Music: The Science of a Human Obsession

Book Description

A fascinating exploration of the relationship between music and the mind—and the role of melodies in shaping our lives

Whether you load your iPod with Bach or Bono, music has a significant role in your life—even if you never realized it. Why does music evoke such powerful moods? The answers are at last be- coming clear, thanks to revolutionary neuroscience and the emerging field of evolutionary psychology. Both a cutting-edge study and a tribute to the beauty of music itself, This Is Your Brain on Music unravels a host of mysteries that affect everything from pop culture to our understanding of human nature, including:
• Are our musical preferences shaped in utero?
• Is there a cutoff point for acquiring new tastes in music?
• What do PET scans and MRIs reveal about the brain's response to music?
• Is musical pleasure different from other kinds of pleasure?

This Is Your Brain on Music explores cultures in which singing is considered an essential human function, patients who have a rare disorder that prevents them from making sense of music, and scientists studying why two people may not have the same definition of pitch. At every turn, this provocative work unlocks deep secrets about how nature and nurture forge a uniquely human obsession. BACKCOVER: “I know Dan to have a deep musical knowledge and strong intellect combined with a warm spirit and a big heart. He has an encyclopedic knowledge of popular music . . . He is a fine writer and has the ability to make difficult concepts very clear.”
—STEVIE WONDER

Customer Reviews:

any impressario, non-performer, non-musician, lacks credibility.......2007-10-03

For a musicican, for one trained as a musician, this is a heady intellectual book. However, it often misses the point - entirely, aesthetically, and in practical terms. For instance, a piece practiced a 1000 times, according to the author, should be peerless. Obviously, this is not true. The native talent of the performer is paramount, and, most of all, the piece may be practiced WRONGLY 1000 times, of which, as a non-performer, the author is clearly unaware. The author also almost completely ignores the influence and insight of professional classical performers. The author is an administrator and impressario of rock and probably rap bands. The author has no training in musicology, and probably never talked to a musicologist. I admire the intent, but there are no breakthroughs here in understanding, or enjoying music, and no great insights into music's magic.

Music For The Brain?.......2007-10-01

Certainly well documented and written for those in the know. It tends to be somewhat boring on some occations but you have to continue on the read to hear the music!

Very interesting.......2007-09-30

Being a musician, I was suprised at how little I actually knew about sound. The book was very interesting and well written. If you're at all curious about the phycology of sound, check out this book.

Absolutely perfect marriage of music, psychology, and neurology.......2007-09-13

This was an amazing read that I absolutely could not put down. This is exactly the book I have been waiting years for. It is written for people with a deep interest in both science and music; I believe that many "engineer/scientist by day and musician by night" types will love this book. Best of all, it does not require a deep understanding of music, psychology, or neurology (although one of Levitin's premises seems to be that we ALL have a deep understanding of music, whether we know it or not!)

Levitin starts out with a chapter or so on his background and music theory. As many reviewers have mentioned, the music theory presented here (and throughout the book) may not be new material for practicing musicians, but it does lay a good groundwork for many of the definitions and ideas that Levitin uses throughout the text.

Moving on to the rest of the book, Levitin has an interesting style that I found riveting. The book is not highly dense with ideas - it is not a textbook. It often takes several pages to come to a point. However, in these pages, Levitin is either giving historical information about how the current theories have come about, telling anecdotes related to the topic, or explaining laboratory results that have shed light on the topic.

Please do not misunderstand the intent of this book . . . it is not a thesis, a textbook, a journal article, etc. It should not be used as a primary source for information on any of the topics presented. And Levitin lays this out in the forward. This book is geared toward a much broader audience.

not written for a musician.......2007-09-07

Although i was personally quite disappointed with the book, I have given it a rating of 3 stars because it perhaps serves a role educating younger readers looking for a few interesting ideas or a general overview of music psychology.

As for me, I found myself skimming the pages as rapidly as possible, occasionally saying out loud in frustration, "Get to the point!" The few interesting ideas (such as that professional musicians tend to transfer activities from the right brain to the left) I had already picked up elsewhere.

I have nothing against the author. He seems friendly and nice enough, and has obviously spent a lot of time and effort researching the subject, coming to reasonable and well-supported positions. However, I do think a lot more (or better?) editing was called for, so that ideas were presented in a more organized way, and a lot of fluff and unnecessary repetition removed.

In summary, this could be an introduction to the subject if you have never thought about it before, but if you are a musician, and have thought at all about the psychology and evolution of music, even casually, and especially if you have kept up with the general media's coverage of new scientific research, this will not have anything to offer you. In addition, if you like writing to be dense with ideas and information (Oliver Sacks is a good example), this will be particularly frustrating.

Head, Shoulders, Knees and Toes (Baby Board Books)

Average customer rating:

Great Book
Loves reading
Average
Love Love Love!
Buy "Where's My Belly Button" instead

Head, Shoulders, Knees and Toes (Baby Board Books)

Manufacturer: Child's Play International
ProductGroup: Book
Binding: Board book

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ASIN: 0859537285

Product Description

This award winning series has been specifically designed for babies. A great introduction to books through well-known nursery songs and interactive text. By Annie Kubler. Ages: birth - 2 years Manufacturer: Marlon Creations

Customer Reviews:

Great Book.......2007-09-15

My son who is 2.5 years old loves the book and we read it about 10 times a night.

Loves reading.......2007-08-27

My little absolutely loves these books. I have to read one or more of the everyday.

Average.......2007-08-15

This is a cute book, but my 10 month old daughter isn't that crazy about it. She has other books she likes much more.

Love Love Love!.......2007-08-09

I purchased this book for my son when he was 15 months old and he loves this book. He brings it to me to read to him over and over again. The illustrations are fun, he loves the song, and he knows all the body parts now. Many times I have seen him flipping through the book on his own "studying" the pictures. Given I don't usually pay to buy new books that cost more than a dollar or two, this one was definately worth it!

Buy "Where's My Belly Button" instead.......2007-06-13

This is merely a verbatim book version of the old playschool song "head and shoulders, knees and toes, knees and toes . . " It could be made a bit more worthwhile if the art was engaging or dynamic in some way, but it's blah (think Precious Moments meets Charlie Brown) and does little to enhance a young childs perception of where to find his/her head, shoulders, knees . . well you get to idea.

Average customer rating:

Class didnt reflect his own textbook.
not helpful
Considerably out of date in some places
counterbalance to the "bites my..." review
This is the Book if You want to Know the"Whats" of Sound!

Physics of Sound, The (3rd Edition)
Richard E Berg , and David G Stork
Manufacturer: Benjamin Cummings
ProductGroup: Book
Binding: Hardcover

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ASIN: 0131457896

Book Description

This book incorporates the developments in digital audio technology, including consumer products, into a firm foundation of the physics of sound. No knowledge of physics, mathematics, or music is required. Includes updated information on musical synthesizers. Provides recent information on the ear, including new advances in cochlear implant technology. Updates material for modern technology, particularly MP3. Features abundant examples, including discussion of demonstration experiments. Includes historical discussion of musical temperaments and instruments. Offers videotapes of musical demonstrations on topics discussed in the book, available from author. A useful reference for musicians or anyone interested in learning more about the physics of music.

Customer Reviews:

Class didnt reflect his own textbook........2007-03-29

Whats better than taking a course where the professor actually wrote the book. Well I did just that and was disappointed. The class had many visual demonstrations but the book had very few pictures which made me wonder why his teaching style did not reflect the textbook.

not helpful.......2006-05-17

Did they even have an editor for this book? I took a class with Dr.Berg and his class was interesting but the book was not helpful nor was it well organized.

Considerably out of date in some places.......2003-12-21

Acoustics is an interesting subject, at all levels, and very important of course due to the human love for music and the need for high fidelity sound reproduction. This book is written for a readership that does not have expertise in physics or mathematics beyond the high school level. The authors do an excellent job, and the book could be used in classes on music theory or a class in physics for the humanities. The audiophile reader will gain a greater appreciation of the physics behind quality sound reproduction. Heavy use is made of demonstrations to illustrate the properties of sound, and most of these are easily set up in the classroom. I have used most of these demonstrations in the classroom, and can highly recommend their use to reinforce the understanding of the physics of sound.

The book opens, appropriately, with a discussion of simple harmonic motion, with the properties of this type of motion related to sound waves. The nature of simple harmonic motion as periodic, in contrast with noise, which is nonperiodic, is pointed out very early on. To introduce the concept of resonance, in particular the concept of coupling resonance, the author use the coupled pendulum system. This demonstration is easily constructed for classroom use and very effective in illustrating coupled resonance. Lissajous figures, which arise in the study of the relationship between two waves, is discussed in some detail.

The difference between longitudinal waves, which sound waves are, and transverse waves (such as light), is illustrated in chapter 2. To reinforce the difference between sound and light, the authors use the "bell in vacuum" demonstration. A demonstration for measuring the speed of sound is also described. Ripple tanks are used to demonstrate Huygen's principle, interference, and parabolic reflectors. The origin of beats, so important in music theory, is discussed, along with a very detailed overview of the Doppler effect. Ultrasound, very important medically, is treated also. A very brief discussion of infrasonic waves is given. Infrasonic waves, which are outside the range of hearing since they are below 20 Hz, are only experienced as vibrations. They have recently been discussed in the popular press as being explanations behind "haunted" houses. The anxiety felt in some old houses is thought of as being due to infrasonic waves.

The origin of the overtone series, so very important in music theory, is discussed in chapter 3. The three laws of Mersenne, which govern the fundamental frequency of stretched wires, are also treated. The Kundt's tube demonstration is used to describe the properties of longitudinal standing waves, and the famous Chladni plates are used to demonstrate standing waves in two dimensions. All throughout the chapter the properties of standing waves are related to music and musical instruments.

Fourier analysis and synthesis, which is typically very formidable mathematically, is presented in chapter 4 in a manner that is very understandable to the targeted readership. The Fourier synthesis of triangular, square, and sawtooth waves, along with a pulse train, is discussed. After a treatment of Fourier spectrum of these waves, the authors discuss the factors contributing to tone quality.

In chapter 5, the authors turn to more practical considerations, wherein they discuss how to create electronic music. Analog synthesizers, although very antiquated by modern standards, are used to illustrate how to combine waves to obtain special sounds or effects. The authors then immediately turn to digital synthesizers and keyboards. They discuss the Musical Instrument Digital Interface (MIDI), but the equipment they illustrate in the chapter is considerably out of date.

The anatomy and physics of the human ear and voice tract are discussed in chapter 6. The diagrams they include are useful, and they discuss the "place theory of hearing" , which is based on the correlation of sound frequency with position of response along the basilar membrane. The critical band, just noticeable difference, and the limit of frequency discrimination are all discussed in the context of this theory, with several different experiments proposed to illustrate these concepts. Most interesting is the discussion on periodicity pitch, which musicians seem to have a knack for. Also interesting is the treatment of vocal formants, which are frequency regions in which harmonics have large amplitudes. Due to the element of subjectivity in hearing and listening, the connection of the material in this chapter to "psychophysics" and "psychoacoustics" is readily apparent.

Most of the next chapter is out-dated since the authors discuss sound reproduction using LPs and tape recorders. However, the authors do discuss how this is done using compact disks, which though are themselves on their way out, due to the rise of the Internet, MP3 formats, and digital music files. Chapter 8 is timeless though, as the authors discuss the acoustics of auditoriums and rooms, detailing the most important acoustical characteristics that contribute to a pleasant musical experience, and some of the problems that arise in acoustical design. The last section of the chapter gives a fairly good overview of what is involved in setting up a home listening room.

In chapter 9, the authors take the plunge into music theory, discussing temperament and musical pitch. The history behind these concepts is detailed, emphasizing in particular that an ideal temperament is not available, its choice being dictated by the musical requirements at hand. Arithmetic descriptions of the Pythagorean, just, mean-tone, Werckmeister, and equal temperaments are given.

The last five chapters are specialized to the principles behind woodwind, brass, string, and percussion instruments, and the piano. The discussion is purely descriptive, but some of the physical principles studied in the first chapters of the book are applied here to give an understanding of the acoustical and musical properties of these instruments.

counterbalance to the "bites my..." review.......2002-02-02

Haven't read the book, but Mr. "bites my wacker" shouldn't be allowed to lower the average score.

This is the Book if You want to Know the"Whats" of Sound!.......1999-04-09

The Physics of Sound is a great book for both musicians and nonmuscians alike. Its not a book for anyone who is afraid of a little mind work. I recommend Physics of Sound because immediately upon after reading it I gained a whole new perspective and deep appreciation for the fundamental elements,and principles that govern this wonderful phenomena we call "SOUND".

Ever wondered how fast sound travel? What about how various sound frequencies react to each other,and in rooms? What exactly is sound? All these questions and more,are answered here. Physics of sound even gives you basic formulas that allow you to manipulate sound in the real world.

Book Description

OnMusic: Appreciation is the first truly interactive, multimedia course for music appreciation

This exciting, interactive product integrates high-bandwidth audio-visual materials, provided on a student CD-ROM, with web-based, customizable low-bandwidth course content and management tools. Students simply purchase the CD-ROM containing the music, graphics, and video that the online course component draws from, log on to the course website, and they’re ready to start learning. The course CD-ROM allows instant, random access to the music, animated presentations, audio-linked photos, and instructional videos regardless of Internet connection speed and file size. The web-based portion provides customizable text content, communication, and advanced Learning Management System (LMS) tools that replicate virtually every administrative and academic aspect of a traditional face-to-face learning environment. The seamless integration of CD-ROM and web-based course materials and tools allows for the richest possible teaching and learning experience online. Discover how OnMusic can revolutionize your campus-based or distance-learning music appreciation course! Visit www.connect4education.com or contact your McGraw-Hill representative for more information.

Customer Reviews:

Not Yet Ordered.......2007-06-04

I wonder why Amazon takes 5-7 weeks when the vendor is shipping with next day. Here's a very classic case where text book industry is a big sham and needs some regulating -- just like Enron they over charge, because you can't get it elsewhere. This product is $15 more than Amazon, plus another $20 for next day shipping. Although, this is not all that bad, in general, the whole educational text book industry needs to be fixed.

Open to Music.......2006-08-15

This course was actually pretty enjoyable. It a shame how expensive the CD required is and the really sad part is that it's not like a textbook you can resell. I tried reselling it without knowing that it was a one time use code, but the buyer and I worked things out by..well...they were happy to have the "information" within the registration. Other than how rediculous school textbook prices are these days, the course itself was very simple to understand and multiple choice made it easy.

Word of Warning.......2006-08-12

This product accompanies a college course, so it is just about as interesting as you might expect. It was completely bearable, and I really have no interest in music.

But - a WORD OF WARNING - do NOT buy this item used! It can only be used with a NEW PRODUCT KEY and once the item has been used once, it cannot be used again. There are DISHONEST people who sell the used CD set used to make a quick buck, but the CD's are USELESS to you if they do not have a BRAND NEW KEY.

Killing Yourself to Live: 85% of a True Story

Average customer rating:

Klosterman=Hipster Jerk
It's Only Rock and Roll
Hilarious...
This is a great book IF.....
Snooze

Killing Yourself to Live: 85% of a True Story
Chuck Klosterman
Manufacturer: Scribner
ProductGroup: Book
Binding: Paperback

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ASIN: 0743264460

Download Description

For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock 'n' roll all the way. Within the span of twenty-one days, Chuck had three relationships end -- one by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field. A man in Dickinson, North Dakota, explained to him why we have fewer windmills than we used to. He listened to the KISS solo albums and the Rod Stewart box set. At one point, poisonous snakes became involved. The road is hard. From the Chelsea Hotel to the swampland where Lynyrd Skynyrd's plane went down to the site where Kurt Cobain blew his head off, Chuck explored every brand of rock star demise. He wanted to know why the greatest career move any musician can make is to stop breathing...and what this means for the rest of us.

Customer Reviews:

Klosterman=Hipster Jerk.......2007-09-18

I picked up this book after reading "Fargo Rock City", and I was still undecided about Klosterman as an author. This book cemented my opinion that Chuck Klosterman is an idiot. This book has nothing to do with the title, or even the supposed subject of the book.

This is supposedly about Klosterman's journey to places where famous rock stars died. He goes to these places, but his reaction everytime is the same. He doesn't care, he's unimpressed, he'd rather think, talk, and write about himself.

What this book shoud really be called is "I'm a Hipster Jerk Who Sucks With Women", because that is what you get. 275 pages of Klosterman explaining how he has three women, but can't decide between them, all the while talking about how he hates his life, and ripping on any band that has ever had anything good said about them (and proclaiming that Motley Crue is the best band ever). Don't waste your time unless you like guys who sound like eighth graders who think they know everything about everything.

It's Only Rock and Roll.......2007-09-07

I got this book because it was recommended by a friend, and I have to tell you, it was one great recommendation. I could not put this book down. Chuck Klosterman (a writer for "Spin" magazine) sets off on a cross-country road trip following the pathways of rock and roll death. From the site where Lynyrd Skynyrd's plane crashed to Kurt Cobain's hometown to the site where more than 90 Great White fans died in club inferno, Klosterman's journey is like taking a road trip with your best college friend, playing your favorite tunes and discussing why you love rock music, as well as endlessly analyzing your (all too often) failed relationships, and just seeing what America has to offer.

Klosterman is funny, engaging, witty, and a slightly more upbeat version of Dave Eggers (for those of you who loved his book, "A Heartbreaking Work of Staggering Genius"). Or maybe he's a slightly more melancholy Dave Eggers...you read the book and decide for yourself. A lot of Klosterman's journey focuses on three relationships, which distracts somewhat from the main rock and roll focus. Still, Klosterman has a great writing style and a depth of music knowledge that are an unbeatable combination. His music tastes may not agree with your own, but with 600 CDs piled into his car for this road trip, you're sure to find something about which you will agree with Klosterman. Despite the morbid theme for this road trip, I assure you, you won't soon forget the journey.

Hilarious..........2007-09-06

I found this book absolutely hysterical! Like another reviewer said, you need to be a part of Klosterman's narrow audience in order to really "get" the humor. For instance, there is a part in the book where he relates each of his ex-girlfriends to a member of KISS. This makes sense completely if you are a KISS fan or are at least vaguely familiar with the members, but makes no sense if you aren't.

If you're a music fan who interprets the entire world through guitar-shaped goggles, Klosterman is for you.

This is a great book IF............2007-07-05

So far I've read two books by Chuck Klosterman: "Fargo Rock City"; this one. And I've noticed that while his books get generally good ratings, here on Amazon, that some reviewers rate them really low. I think there is a reason for this: Chuck writes to a kind of narrow audience, and you're either part of that audience or you're not.

To best understand Chuck Klosterman's books you need to be a male Hard Rock fan, born between roughly 1952 and 1978. You also need to have some high school sports experience, maybe played basketball, football, baseball, hockey, or ran track. And you also need to be a bit of a nerd, at least in the eyes of women, so that you've had some rough dating experiences.

If you fit the mold, Chuck Klosterman is your humorist. I really had to laugh at his humorous take on high school football coaches; the life advice that he got from the old bar patron in Montana; his troubles with the women that he has dated; and the way that he can question and even make fun of the music that it is still obvious that he loves so much.

So if you've never been that much of a smoothy in your relationships with women; have played sports, and been a sports fan, but can still laugh a little at what goes on in the world of sports; and KISS, Def Leppard, Led Zeppelin, Nirvana, and Pearl Jam still mean a lot to you, Chuck Klosterman is a genius humorist, and you will totally get what he's talking about. If these conditions don't apply to you, I'm not sure how well you will receive these books.

Another thing, maybe by the blurb on the back of the book jacket, you think this book is about Chuck Klosterman's pilgrimages to Rock N Roll death sites, like: the site of the Buddy Holly crash; Graceland where Elvis died; Kurt Cobain's suicide house; and whatnot... And while he mentions visiting these sites, to write an article for his employer at the time, the Rock magazine Spin, the incidents in this book are more about his journeys between the Rock N Roll death sites, and rememberences of his youth that come back to him during the long drives. So the stories are more about ex-high school/college girlfriends; ex-young adulthood girlfriends; crazy waiters/waitresses; bartenders and bar patrons; motel employees; gas station attendants met along the way; and the memories of school sports; school newspapers; and other things from the past. Then there are the musings on national monuments: "Why does anyone care about seeing the Washington Memorial?"; and wondering about the happenings in tourist towns: "Would you ever come to a Minnesota, lakeside tourist town thinking that you were going to find handmade, Tiawannese silk fabrics, yet this town of 1,500 has three stores that sell that. Imagine that?"

Hope this helps ya'll evaluate whether you want to read them or not.

Snooze.......2007-06-21

"My thoughts are unoriginal," Chuck Klosterman states on page 73 (hardback). That was my conclusion by page 3.

Affecting a Kerouacesque randomness with Bangsian hipness, Klosterman grinds through a passionless, pretentious diary in which nothing of significance occurs. It's possible to write about nothing but oneself (Burroughs sure could) but a unique voice and a lifetime of living, not to mention serious literary skill, is required to pull it off. Not Klosterman. Well, I never cared much for the stuff in Spin, but at least that material, however slight and evanscent, is edited; this book, however, just runs and runs ... like a forgotten motel room faucet.

Oh, yay.

History: Fiction or Science? (Chronology, No. 1)

Average customer rating:

Calculations are only as good as your numbers
Pants on fire?
Accepted History & Chronology Must Be Changed.
Very Interesting
History as Science Fiction

History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621058

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Lonely Avenue: The Unlikely Life and Times of Doc Pomus

Average customer rating:

Can't say enough about it...
A great book for everyone
Providing depth to the inner workings of the music industry.
The poet laureate of early rock/pop gets a worthy biography
Well written and researched biography of a musical legend

Lonely Avenue: The Unlikely Life and Times of Doc Pomus
Alex Halberstadt
Manufacturer: Da Capo Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0306813009

Book Description

The only biography of colorful and legendary songwriter Doc Pomus, who wrote such enduring songs as "Lonely Avenue," "Save the Last Dance for Me," and "Viva Las Vegas."

One of the most original, influential, and commercially successful American songwriters, Jerome Felder, aka Doc Pomus (1925-1991), gave the world a dazzling legacy of musical hits during rock 'n' roll's first decade. A role model for generations of writers and performers, Doc was renowned for his mastery of virtually every popular style, from the gutbucket rhythm and blues of "Lonely Avenue" to the symphonic soul of "Save the Last Dance for Me" to the pure pop of "Viva Las Vegas." His songs--"This Magic Moment," "A Teenager in Love," "Hushabye," "Little Sister," "Turn Me Loose," and many others--have been recorded by everyone from Ray Charles, Elvis Presley, and B. B. King to Bob Dylan, Led Zeppelin, and Bruce Springsteen, with sales exceeding $100 million.

Doc was ready-made for literature. His collaborator Mort Shuman once described him as an "entire rollicking soul neighborhood rolled into one man." Garrulous, profane, hilarious, and Rabelaisian, Doc was never inhibited about offering his opinions and his friendship. His confidants, collaborators, and discoveries included Duke Ellington, John Lennon, Dr. John, Jimmy Scott, Bette Midler, and Lou Reed. In the words of renowned producer Jerry Wexler, "If the music industry had a heart, it would be Doc Pomus."

Despite, or more likely because of, his successes, few acquaintances knew that this writer of jukebox hits led one of the most dramatic and unlikely lives of his time. Spanning extravagant wealth and desperate poverty, suburban domesticity and the depths of New York's underworld, worldwide fame and near-total obscurity, enduring love and persistent loneliness, Doc's story remains one of the great untold American lives. Its chapters comprise a back-room history of rock 'n' roll, touching on more than a half-century of American popular music--from the blues Doc performed with Lester Young to his collaborations with the luminaries of New York's punk scene, shot through with vivid portraits of virtually every major player.

Lonely Avenue is the first biography of this American original, so elegantly rendered that it reads like a novel, and fortified by full, exclusive access to Doc Pomus's family, friends, voluminous journals, and archives.

Customer Reviews:

Can't say enough about it..........2007-06-29

"Lonely Avenue" is one of the most moving books I've read in a long, long time. It's so good, I read it in one sitting. I couldn't put it down. This book will make you laugh, it will make you cry, and parts of it will make you want to jump out of your chair and cheer for its hero (and a new hero of mine), Doc Pomus, a true American orginal if there ever was one. Even if you don't know anything about him or his music, do yourself a favor and buy this book.

A great book for everyone.......2007-06-05

This is a fantastic new book. Among its many strengths is the fact that this is a book that can be appreciated and enjoyed by anyone. While it is a biography of a great American song writer, it is also a multi-dimensional work that offers readers glimpses into the history of New York City and its various neighborhoods, the evolution of American culture, the personal struggles of all its characters and the music industry. The book is also very personal and very human and is an inspiring piece about extraordianry and ordinary people. Anyone can read this book; no one needs to have a background in music history or to even love Elvis!

Halberstadt's book is very beautifully written. I was just as caught up with the writing as I was with the subject. I learned a great deal about America's famous musicians, but I also just loved the prose and the intimate details that the author included. Clearly, this book was exhautively researched and the author obviously labored lovingly over each sentence. I hope that Halberstadt will continue to publish books as I am eagerly looking forward to his next one.

I highly recommend this book. It is perfect for summer reading, for serious inquiry into American history, for book clubs, for college classes.... You will not be disappointed, and you will probably go out and buy lots of new music after reading it!

Providing depth to the inner workings of the music industry........2007-05-08

I met Doc Pomus in a treasured CD by Johnny Adams. Pomus' lyrics fascinate me. I have searched and found bits and pieces of his life. When I read a review of Lonely Avenue, I had to have it. I savored every word as I have a special place in my heart for musicians. I did not want to finish the book because I did not want him to die. I have loaned the book to friends who are musicians and loaned Johnny Adams' interpretation of his music also. Friends of my who are avid readers have been receiving this recommendation from me as "a person I would like to have known." Long Live Doc's Music!

The poet laureate of early rock/pop gets a worthy biography.......2007-03-07

He was short and stubby. He'd had polio at 9; he couldn't walk without braces and crutches. To see this 16-year-old kid struggle to the stage of a Greenwich Village club in 1943 was to get a taste of what it was like to run into Toulouse Lautrec in a Paris cafe half a century earlier --- you knew this guy was....different.

His dreams, for starters. Jerome Felder wanted to stand in a boxing ring and, though he couldn't move, win the championship. Or fire unhittable fastballs from the pitcher's mound. And the women --- they'd be lined up for him.

In that club, though, Jerome connected with a dream that could come true. He got on stage and sang the only blues song he knew --- and people clapped. The next night, he was back, with a new confidence and a new name: Doc Pomus. He was on his way to becoming the greatest songwriter in the history of early rock `n roll.

There are books you read because you're interested in the subject. And then there are books you read because you just happen to pick them up --- and the next thing you knew, your mouth was dry, your heart was racing and you were turning the pages like the secret of life lay just ahead. "Lonely Avenue" was like that for me: a freight train with no brakes, bound for glory and ruin.

I have a soft spot for stories about people who make something out of nothing --- people who reach into their guts and share their deepest, rawest feelings in a form that makes us feel them too. The Doc Pomus story is the very best of that breed. A Brooklyn kid who didn't want to waste his life at a desk. A misfit who found his first home in black blues clubs. A survivor who realized he was never going to make it as a performer and started writing songs because behind-the-scenes was the closest a white, chunky cripple could come to touching an audience.

He was in his 30s when he teamed up with an 18-year-old composer named Mort Shuman. And when, unaccountably, he persuaded a virginal blond actress to marry him. A few years later, he chanced upon their wedding invitation, and he remembered what it was like to sit on the sidelines while other men danced with his wife. He picked up a pen and watched the words flow:

You can dance
Every dance with the guy
Who gives you the eye
Let him hold you tight
You can smile
Every smile for the man who held your hand
'Neath the pale moonlight
But don't forget who's taking you home
And in whose arms you're gonna be
So darlin', save the last dance for me...

Before Ben E. King recorded that song, Ahmet Ertegun told him the back story. King's eyes misted. And, as you know, he and the Drifters delivered a record they'll be playing as long as there are lovers.

Silly stuff followed. "Turn Me Loose" and other hits for Fabian, a teen idol "who had a reliable range of four or five notes." But also, more hits for Ben E. King and the Drifters: "This Magic Moment" and "I Count the Tears." For Dion & the Belmonts, "Teenager in Love."And, for Elvis, "Suspicion" and "Viva Las Vegas."

If this were just a story about music, it would be fascinating --- Halberstadt introduces us to a world of sleazy promoters, crooked producers, random hangers-on and freaks. All inhabited Doc's world --- he was not only the ultimate hipster, the insider's insider, but he had infinite time for stories. To read these pages is to enlarge your world.

And then, to read these pages is to watch a world explode and one of its kings have to re-invent himself all over again. What happened? The Beatles. The Stones. And Dylan. "Tin Pan Alley is dead," Dylan announced. "I killed it."

At 40, Doc was broke again. His weight ballooned to 350 and crutches were out of the question --- now he was chair-bound. His wife divorced him and took the kids. This is where the Doc Pomus story gets really exciting for me, because it's one thing to be at the bottom when you've never seen the top, another to wake up in a fleabag hotel after you've known success. Anyone who's been there will tell you: It's harder to make it the second time.

Poc made it twice. That's one good reason to read this book: as a fable of disability denied, as the rugged, raw story of a guy in a wheelchair learning how to become the tallest guy in the room. But there's so much more in these lightning-fast 225 pages. A large claim, but here it is: the story of a great 20th century artist.

Oh, come on, you say. The guy wrote pop ditties for pimply kids.His stuff is like Kleenex. Keats and Shakespeare he ain't. I beg to differ. I say anyone can write arty stuff that only the elite can appreciate; it takes real talent to deliver a clear, powerful message with just a few chords in 2 minutes and 30 seconds. Keats and Shakespeare were immensely talented poets, and popular in their day --- but they never reached a fraction of the people Doc Pomus. And admit it: You can quote five of Doc's songs for every Shakespeare sonnet you know.

One of Motown's early mottos was, "It's what's in the grooves that counts." On "Till the Night Is Gone," you can hear Dylan and The Band and Lou Reed and Aaron Neville and Dion and Rosanne Cash --- the kings and queens of modern music --- pay tribute to the master. Every cut is gold.

Well written and researched biography of a musical legend.......2007-03-05

LONELY AVENUE gives us a glimpse into songwriter "Doc" Pomus career and life. During the 50's he was one of THE most important songwriters that worked in the penthouse of the Brill Building providing songs to everyone from Big Joe Turner to Elvis Presley. Crippled by polio, Pomus held court with some of the biggest singers of the day as a unique talent that scored with a series of great hit songs from 1959 through the early 60's. Even when the hits dried up he continued to provide inspiration to talents as diverse as John Lennon to Andy Williams (who scored a huge hit with Pomus' "Can't Get Used to Losing You"). Collaborating with Mort Shuman Pomus produced classics such as "Save the Last Dance for Me" (which he wrote about a personal incident--Pomus watched his friends dance with his new wife something he wasn't able to do).

Author Alex Halberstadt used Pomus' journals as some of the source material for this marvelous biography. Well written with the insight afforded access to Pomus' private papers, LONELY AVENUE paints a picture of a man with tremendous talent who was never quite content and overcame tremendous adversity to achieve musical greatness. Ultimately, though, we get a sense that Pomus' melancholy about those things he couldn't control in his life drove him to continue to achieve.

Pomus was later celebrated and rediscovered by other generations of singer/songwriters after the British Invasion dissapated and after the waning of Punk rock. Although it isn't a perfect biography, it's a heartfelt, intelligent exploration of Pomus' unique gift and the burdens that haunted him his whole life.

Average customer rating:

Lots to learn in Auditon 2
. . . for the cautious
EXASPERATING BUT INDISPENSIBLE

Adobe Audition 2.0 Classroom in a Book
Adobe Creative Team
Manufacturer: Adobe Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0321385500

Book Description

The most comprehensive way to learn Adobe Audition 2.0!

Classroom in a Book, the best-selling series of hands-on software training workbooks, helps you learn the features of Adobe software quickly and easily. Classroom in a Book offers what no other book or training program does--an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.

Adobe Audition 2.0 Classroom in a Book contains thirteen lessons and a bonus CD with lesson files. The book covers the basics of learning Adobe Audition, and countless tips and techniques to help you quickly become an Audition expert. You'll learn how to work and edit in a multitrack mixing environment, create audio effects and original soundtracks with loops, restore poor-quality audio, export to CD and MP3, and more. You'll also learn about Audition 2.0's new features, including low-latency mixing with unlimited tracks, ASIO support, audible scrubbing, analog-modeled Multiband Compressor, recordable parameter automation with external hardware support, and more. You can follow the book from start to finish or choose only those lessons that interest you.

Customer Reviews:

Lots to learn in Auditon 2.......2007-03-09

A great book and cd of data. Because of not the greatest help files and no tutorials that came with Audition 2.0 this program while very powerful can be quite intimidatiing. Classroom in a book is very helpful in getting started and learning how to use the program.

. . . for the cautious.......2007-02-18

Could be considered a waste of time by many who are more experienced with applications of this sort. The difficult part is sticking to the tutorials and not wandering off on your own. Everything covered here can be accessed via the help files and user guide. Adobe might want to consider putting a little more effort into features such as a midi sequencer than reiterating itself.

EXASPERATING BUT INDISPENSIBLE.......2006-09-21

Above all, make sure the version of Audition 2.0 Classroom in a Book IS FOR YOUR OPERATING SYSTEM. Also understand that you must have the program to make sense of the manual.

Classroom in a Book is a good guide, but it has two omissions.

Anyone is in their rights to expect that a guide of this sort would have at least a few passages about live recording---but there is exactly one passing sentence in the entire manual about live recording. In Multitrack View the tracks have a panel wherein (among a great many other virtual dials and buttons and such) there is an "M" button, a "S" button, and an "R" button. "M" is for mute, which is explained more than once (even more than twice over the course of the book). "S" is for "Solo", which is also explained to its death over and over again. But as for the "R" button there is only one sentence regarding it.

"R" is "Armed for Record".

Now, maybe someone with a background in audio-editing software knows full well what "Armed for Record" means. Even for a rank beginner like me it wasn't that hard to figure out, I'll admit, but still for a book to go on and on about the other two buttons and to just mention the third term without any further comment seems to me a fundamental lapse. In my case it made for the beginning of a series of exasperating stumbles.

Going at it blind, I simply clicked on "R" and got a message informing me that the best recording was achieved by switching to ASIO. I knew that ASIO meant "Audio Stream In/Out" and had something to do with the new sound card that I had installed. The old sound card that had originally come with the computer was still in there, but apparently from what the message said I would only get mediocre results if I didn't switch by going to Edit and clicking on Audio Hardware Set-Up and following instructions from there on. Needless to say, this was easily done, and in seconds I had switched the program to my new audio card, which any intermediate or advanced user would have known to do from the get-go. Why install the card and not make sure the program was set to it? Ordinarily I would not even admit to anybody that I had to be told to do this; it's embarrassing; but still Audition is a very involved program; there's a lot to learn; and I was just very new to this whole business.

Anyway, I switched, and that should have been the end of it, but sadly the minute I switched my "R" buttons went gray and became inoperable! What's that? Maybe there's no problem on a Mac; I wouldn't know. All I know is that I'm a Windows XP Home Edition guy as I write this; and I lost my "R" buttons!

To say this upset me and got me mad is an understatement. The next morning I was in a better frame of mind and logically went over the steps and saw that there was a pattern to what was happening. For some reason switching to ASIO will gray out the "R" buttons, but if you close the program and go back to it you'll have your "R" buttons back and still be in ASIO.

It's that simple, but there's no mention of it in the book.

Of course, "Armed for Record" must be followed up by clicking on the circular red button on what is called the "Transport Panel" at the bottom of the screen. You're left to guess this, but anyone who has operated a ghetto blaster or a VCR knows what that red circle is; but still it would nice for Adobe to spell this out for us intimidated newbies.

The other big omission gets back to the same lapse as the other one. The book does not bother to point out that switching to ASIO in Multitrack View will not carry over to Edit View. It may not seem like a big deal, but I freaked out when my stuff sounded so weak in Edit View. I couldn't figure it out. The louder I got it in Edit View the more obnoxiously deafening it became in Multitrack View because the two "views" were coming at me through two entirely different sound cards!

Finally I realized what the problem was. Duh . . .

On the positive side in the last analysis it's actually very nice that the two windows can have different settings to let me know how the same file will sound on different computers. My thing with this will be podcasting, and podcasting is about posting on the Net, so one should be aiming at a happy medium that accommodates ordinary cards and quality cards alike. I'm getting better and better at it. The quality will never be a sound stage level thing, but I'm fast approaching the same smoothness of an FM radio commercial.

So go with this book, yes, but keep my comments in mind as you go.

Average customer rating:

Title may be misleading
A book for the advnaced
Good book
A recording studio masterpiece
Have you got time?

Master Handbook of Acoustics
F. Alton Everest
Manufacturer: McGraw-Hill/TAB Electronics
ProductGroup: Book
Binding: Paperback

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ASIN: 0071360972

Book Description

The goal of this book is to apply the principles of acoustics to the audio arts. This involves serving as an interpreter of major trends and the literature for students and practitioners in the audio field. Along with covering the more theoretical aspects of acoustics, the book applies the theory to the design of specialized audio spaces such as the home listening room, the control room, and the multi-track-recording studio.

Customer Reviews:

Title may be misleading.......2007-07-25

There are two common definitions of the word "acoustics." The most general is "an area of physics dealing with sound and sound waves" and the second is "the qualities of a room that determine audibility and fidelity of sound in it." This book is a very good reference for the latter, but if you're looking for the former, look elsewhere. Also, I'm not sure I would describe it as a Handbook, but rather as a reference text.

It is good for what it does cover and is relatively easy to read.

A book for the advnaced.......2007-07-09

A great book, but can be too advanced for some. A lot of physics is included - which is great - but perhaps some previous knowledge or some side reading is a good idea.

Over all, excellent book, and a goldmine to buy.

Good book.......2007-05-11

It is nice REFERENCE book for practicing sound engineer. If you in a process of setting up your home studio and need quick and meaningful start get Acoustics for producer and musician, includes SoundsAcademy Certification and it will take you inside the subject fast and straight to the point.

This book addresses room acoustics and in this regard is superb reference but many music related aspects of acoustics aren't there. For room acoustics treatment this book is very useful though.

A recording studio masterpiece.......2006-04-27

OK, so this does not cover ALL acoustincs. If one is interested in recording or playback acoustics, this is THE BEST. As an engineer and producer who has been involved in the construction of a dozen studios, I have the clients and architects read this before we start hard design parameters. For lay listeners, the chances are good your audio budget is better spent on acoustic treatment rather than a more exotic cable. For all of the above, this book will explain the what, why and how to get results. For professionals, it explains how to obtain designable results. I find it an easy read, and I refer to it occasionally, particularly when discussing room acoustics with neophyte "sound men" and audio engineers. I'd read it if I were you.

Have you got time?.......2006-03-27

Despite its title, this book should better be called Master Handbook of Room Acoustics, as it is primarily and almost solely dedicated to the acoustics of enclosed rooms. With its over 600 pages you will need a large hand, and plenty of time to read. But the information you gather when reading the main text, could have been presented in less than half the number of pages. Despite - or is it because - the abundance of words and excursions into anecdotes, the explanations are sometimes missing the clue. The last few chapters have been written by others authors, and are more to the point. Besides, these co-authors use the SI system, while the main text is using American units. A bit out of time, I would say.

Mastering Audio: The Art and the Science

Average customer rating:

Very useful - but not gospel truth.
Mastering Audio: The Art and the Science
Excellent introduction to mastering
The next step.
the art and the science

Mastering Audio: The Art and the Science
Bob Katz
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0240805453

Book Description

Mastering Audio explains leading-edge audio concepts in an easy-to-grasp, holistic manner, including an ear-opening investigation of the mysteries of jitter, dither and wordlengths, high sample rates, distortion, headroom, monitor calibration, metering, depth perception, compression and expansion, equipment interconnection and much more. Mastering Audio is for everyone who wants to increase their mastery of digital and analog audio: musicians, producers, A&R, mastering, recording and mix