Product Description
This fake book is a cornerstone for many musicians' libraries. With over 1200 songs in all styles of music, this third edition has been updated to include even more great songs and recent hits. From jazz standards to Broadway blockbusters and country classics to pop chart-toppers, this book has the songs you're looking for all in one convenient collection. It is comb-bound with locked tabs to ensure long-lasting durability. Songs include: Alfie All the Things You Are Always And So It Goes Autumn in New York Beauty and the Beast Brazil Blue Skies Body and Soul Call Me Irresponsible Can't Help Falling in Love Candy Caravan Change the World Cry Me a River Duke of Earl Easter Parade Edelweiss Endless Love Everyday A Foggy Day Friends in Low Places Georgia on My Mind Heart and Soul Here's That Rainy Day How Deep Is the Ocean (How High Is the Sky) I Love Paris I Shot the Sheriff I'm Always Chasing Rainbows I've Got the World on a String The Impossible Dream Isn't It Romantic? It's Only a Paper Moon The Lady Is a Tramp Lazy River Let's Fall in Love Love Is Here to Stay Makin' Whoopee! Memory Mona Lisa Moon River Moonlight in Vermont My Funny Valentine My Heart Will Go On Oh, Pretty Woman Operator Piano Man Precious and Few Release Me Roxanne Satin Doll Small World Somewhere Out There Sophisticated Lady Speak Softly, Love (Love Theme from 'The Godfather') Splish Splash ...
Customer Reviews:
Insufficient information.......2007-09-02
Was interested but not being able to see what it actually consists of (view inside) I passed it by and spent $$$ at a brick and mortar store where I could look at what I was purchasing.
Don't need a lot but not being a pro musician I have no idea what is actually in a fake book.
This is the net folks, not a brick an mortar, wake up if you want to sell to me.
Too much of a good thing?.......2007-02-24
I have been playing tunes from this book almost every day since I received it several weeks ago and have only scratched the surface. It has a great selection of songs from the various genres and eras. Lot's of fun stuff. About the only bad things I can say about it are that the book is so big that I am a little worried that the plastic music stand on my keyboard will break off if I really start rocking out and that the comb binding is a little difficult to deal with. The pages tend to jam when you turn them. As far as the tunes go, this is a great collection, one that I look forward to exploring further.
Great book.......2007-02-17
A must have. Plenty of songs to refer to if ever needed. Buy it.
Ultimate ?.......2007-01-10
Well maybe not THE ULTIMATE, but very good selection of oldies, movie theme songs, even turn of the century fun stuff... Having a ball with this one...
Piano Man is two thirds of a page long.......2006-07-10
In Billy Joel Complete Vol. I, Piano Man is five full pages long. In the Ultimate Fake Book, it's about two thirds of a page. Similarly, the sheet music for Webber's All I Ask of You is five full pages, but exactly one page in the Ultimate Fake Book. The Titanic Love Theme is one page in this fake book. I find the comb binding to be strong, and the print large enough and clear and everything is neat and accurate as far as I can tell. I am having SO MUCH FUN playing songs out of this fake book, I can't believe it!!! I'm almost giddy with delight -- I can't believe I'm playing some of these songs that I always wanted to be able to play!!!
Customer Reviews:
FORCED TO BUY FOR JAZZ HISTORY.......2007-07-26
This was required for my jazz history class at Sacramento City College (MUFHL 315 - online). It was 125.00 at the college book (packaged along with some worthless CD's). It is not laid out like a normal textbook. At the beginning, it doesn't have a chapter outline or learning objectives. At the end of each chapter, all you have is a sorry summery that doesn't cover any of what the author is trying to say within the chapter. THIS IS THE WORST BOOK I HAVE EVER BEEN FORCED TO BUY FOR A CLASS. I am tired people publishing the results of their graduate work as TEXTBOOKS and ripping off poor undeserving student. Reading this book is like watching paint dry.
This book connects the dots..........2006-02-13
I had begun to get serious about immersing myself in Jazz. A little dive around the corner was showing excellent Jazz groups and I had to take the opportunity to discover this great art form. My daughter lent me a textbook she had from college.
I immediately picked it up and for several hours was scanning it backwards and forwards. I kept referencing all the artists and songs I had heard of all my life and this book very handily made the connections. It's loaded with clear and concise and insightful teaching aids.
I can now understand much better the overall experience and history of jazz. The technical parts are still quite overwhelming, but the author's writing is very articulate and non-judgmental. I've rarely seen a more learning friendly book. As I started to mention, you can start anywhere you want in this book and just take what you can handle.
not for jazz scholars alone.......2005-12-20
It has been nearly 30 years since Mark Gridley's first edition of Jazz Styles appeared, and no other treatment of jazz styles comes close to his careful analysis of how jazz has been made since its inception. It is a work of great and serious scholarship, an invaluable resource for students of the genre. Yet, Jazz Styles is also an enjoyable and entertaining companion for anyone who wants to become a more perceptive listener to jazz. The Listening Guides are useful even for those 'veteran'
jazz fans familiar with the works described. Gridley will take you to ever-deeper levels of appreciation for jazz in all its varieties.
Book Description
With its superb recording package and innovative listening charts, this landmark text teaches students how to listen to music better than any other. Listen makes music approachable by placing it in its cultural context with lavish illustrations, timelines, and maps. Equipped with a free Study Guide CD-ROM, the new edition is more accessible than ever, offering additional help in focused listening and in music fundamentals.
Customer Reviews:
Wonderful selection of music.......2007-02-01
Bought this at a university bookstore some years ago (6 CDs). Wonderful selection of music (and some accompanying paintings) from early music like chant to the weird modern experimental art stuff.
A good introductory text.......2002-07-19
I have had this book prescribed as a textbook for a music history and theory course. This is a good book for such a purpose, it covers much. (This review is on the third edition).
Unit I has 5 chapters covering the fundamentals of musical theory. Sound, time, pitch, structure, form and style. Unit II is a 4-chapter overview of early music, starting with the Middle Ages. Unit III covers the 18th century in 6 chapters, starting with Late Baroque. Unit IV focuses on the 19th century, starting with Beethoven and finishing with the Late Romantics in 5 chapters.
Unit V: The Twentieth Century, was my favourite section. The prelude chapter discusses the concepts of music and modernism. The next chapter covers the early 20th century, then there is a chapter on alternatives to modernism, and the fourth chapter covers the late 20the century. Chapter 24 focuses on music in America: Jazz.
The book is organised around listening samples. These are available on a set of a 6 accompanying CDs. I liked the samples chosen. The late 20th century chapter, for example, discussed works by Ligeti, Berio, Varese, Cage, Crumb, Leon, Gubaidulina and Reich.
An alternative to "Listen" is Music: An appreciation" by Roger Kamien. It seems to me to have a bit more on artistic context, whilst at the same time covering more topics at slightly more depth.
However, "Listen" is well organised (always a good sign), and richly illustrated. Historical events are touched upon, and there is some reference to other art forms in context with the music of the time. I would recommend it as an introductory text even if you don't need to read it for school. Of course a book like this can cover topics only to a limited depth.
You Will Find It More and More Interesting.......2000-08-29
With the accompanied 6 CDs, Joseph Kerman has written one of the most interesting and comprehensive introductory music text. Not so much a memory-and-fact type of textbook, Kerman's uncanny ability to describe music experience has made this a success. Students do not need musicianship prerequisite to read this book. From ancient to modern, the book gives a broad overview of some of the masterpieces with insights and explanations. Excellent reading. (Note: The 6 CD set mentioned in this review is sold separately, and is not included in the price of the book. -Ed.)
comprehensive history of Western music.......2000-05-28
This book makes learning about music interesting and fun. It begins talking about basic structures of music (rhythm, harmony, tonality, etc.) but mostly follows the history of recorded music starting from the Middle Ages through Baroque to Jazz. It does a good job relating the development of music to other artistic developments of the time, like painting and architecture. With the CD you can listen right along and learn a lot of interesting things about music a novice like me had never thought about before.
Average customer rating:
- any impressario, non-performer, non-musician, lacks credibility
- Music For The Brain?
- Very interesting
- Absolutely perfect marriage of music, psychology, and neurology
- not written for a musician
|
This Is Your Brain on Music: The Science of a Human Obsession
Daniel J. Levitin
Manufacturer: Dutton Adult
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Book Description
A fascinating exploration of the relationship between music and the mind—and the role of melodies in shaping our lives
Whether you load your iPod with Bach or Bono, music has a significant role in your life—even if you never realized it. Why does music evoke such powerful moods? The answers are at last be- coming clear, thanks to revolutionary neuroscience and the emerging field of evolutionary psychology. Both a cutting-edge study and a tribute to the beauty of music itself, This Is Your Brain on Music unravels a host of mysteries that affect everything from pop culture to our understanding of human nature, including:
• Are our musical preferences shaped in utero?
• Is there a cutoff point for acquiring new tastes in music?
• What do PET scans and MRIs reveal about the brain's response to music?
• Is musical pleasure different from other kinds of pleasure?
This Is Your Brain on Music explores cultures in which singing is considered an essential human function, patients who have a rare disorder that prevents them from making sense of music, and scientists studying why two people may not have the same definition of pitch. At every turn, this provocative work unlocks deep secrets about how nature and nurture forge a uniquely human obsession. BACKCOVER: “I know Dan to have a deep musical knowledge and strong intellect combined with a warm spirit and a big heart. He has an encyclopedic knowledge of popular music . . . He is a fine writer and has the ability to make difficult concepts very clear.”
—STEVIE WONDER
Customer Reviews:
any impressario, non-performer, non-musician, lacks credibility.......2007-10-03
For a musicican, for one trained as a musician, this is a heady intellectual book. However, it often misses the point - entirely, aesthetically, and in practical terms. For instance, a piece practiced a 1000 times, according to the author, should be peerless. Obviously, this is not true. The native talent of the performer is paramount, and, most of all, the piece may be practiced WRONGLY 1000 times, of which, as a non-performer, the author is clearly unaware. The author also almost completely ignores the influence and insight of professional classical performers. The author is an administrator and impressario of rock and probably rap bands. The author has no training in musicology, and probably never talked to a musicologist. I admire the intent, but there are no breakthroughs here in understanding, or enjoying music, and no great insights into music's magic.
Music For The Brain?.......2007-10-01
Certainly well documented and written for those in the know. It tends to be somewhat boring on some occations but you have to continue on the read to hear the music!
Very interesting.......2007-09-30
Being a musician, I was suprised at how little I actually knew about sound. The book was very interesting and well written. If you're at all curious about the phycology of sound, check out this book.
Absolutely perfect marriage of music, psychology, and neurology.......2007-09-13
This was an amazing read that I absolutely could not put down. This is exactly the book I have been waiting years for. It is written for people with a deep interest in both science and music; I believe that many "engineer/scientist by day and musician by night" types will love this book. Best of all, it does not require a deep understanding of music, psychology, or neurology (although one of Levitin's premises seems to be that we ALL have a deep understanding of music, whether we know it or not!)
Levitin starts out with a chapter or so on his background and music theory. As many reviewers have mentioned, the music theory presented here (and throughout the book) may not be new material for practicing musicians, but it does lay a good groundwork for many of the definitions and ideas that Levitin uses throughout the text.
Moving on to the rest of the book, Levitin has an interesting style that I found riveting. The book is not highly dense with ideas - it is not a textbook. It often takes several pages to come to a point. However, in these pages, Levitin is either giving historical information about how the current theories have come about, telling anecdotes related to the topic, or explaining laboratory results that have shed light on the topic.
Please do not misunderstand the intent of this book . . . it is not a thesis, a textbook, a journal article, etc. It should not be used as a primary source for information on any of the topics presented. And Levitin lays this out in the forward. This book is geared toward a much broader audience.
not written for a musician.......2007-09-07
Although i was personally quite disappointed with the book, I have given it a rating of 3 stars because it perhaps serves a role educating younger readers looking for a few interesting ideas or a general overview of music psychology.
As for me, I found myself skimming the pages as rapidly as possible, occasionally saying out loud in frustration, "Get to the point!" The few interesting ideas (such as that professional musicians tend to transfer activities from the right brain to the left) I had already picked up elsewhere.
I have nothing against the author. He seems friendly and nice enough, and has obviously spent a lot of time and effort researching the subject, coming to reasonable and well-supported positions. However, I do think a lot more (or better?) editing was called for, so that ideas were presented in a more organized way, and a lot of fluff and unnecessary repetition removed.
In summary, this could be an introduction to the subject if you have never thought about it before, but if you are a musician, and have thought at all about the psychology and evolution of music, even casually, and especially if you have kept up with the general media's coverage of new scientific research, this will not have anything to offer you. In addition, if you like writing to be dense with ideas and information (Oliver Sacks is a good example), this will be particularly frustrating.
Book Description
Endorsed by Jamey Aebersold, James Moody, Dave Liebman, and others, The Jazz Theory Book presents all the information any student of jazz needs in an easy-to-understand, yet thorough, manner. For intermediate to advanced players, and written by one of the acknowledged masters of jazz, it is used by universities around the world.
Customer Reviews:
The Jazz Theory Book review.......2007-09-13
An excellent comprehensive text by Mr. Levine that details the core of what is needed to begin and progress as an improvisational jazz musician regardless of what instrument you play.
Jazz Theory .......2007-06-27
This book covers it all and leaves no "gray areas".
You can "dip into" it or work through it systematically.
It's of value if you've been playing jazz for 50 years or are new to the art form. Takes the mystique out of chord substitution.
Hghly recommended.
good but not the only jazz theory book.......2007-06-19
This book is very good and I recommend it to any serious music student. I learned a lot from it and it gave me plenty of new information and insights. It is also valuable as a reference with excellent indicies and appendices, for example a long list of contrafacts based upon standard song forms. My main criticism of it is that it is very piano-centric. Most examples are given in complex two-handed piano-score format which is great if you can sight read complex piano parts, but are not immediately helpful if piano is your second or third instrument. Also, examples and contexts reflect the author's own personal tastes heavily. There is nothing really wrong with these things, but for a book that seems to present itself as the authoritative text on jazz theory, it's not. I think Bert Ligon's series of books presents a more comprehensive, accessible, and balanced overview of jazz theory, and is more oriented towards musicians in general, not only pianists.
Excellent.......2007-06-17
Great book that not only explains theory, but explains it in the context of what great musicians have done with it. I know this is going to be a lifelong reference. A must have theory book on the bookshelf of any Jazz student.
The definitive book on jazz theory........2007-06-13
This book will whip you into shape. Big time. The incredible amount of information on all facets of playing jazz (including but not limited to: altered scales, harmonic progressions, reharmonization, form, playing the changes) is impressive enough, but the book also references hundreds of recorded examples of jazz giants to better illustrate the concepts discussed. The language used is not so complicated that topics become incomprehensible and at the same time not so simple that the information is too confusing or vague. The wealth of, not only useful but, vital material in this book makes it essential for anyone even remotely interested in the theories of jazz.
Average customer rating:
- Very slow and tiring read
- "Matter of Fact"
- What a trip! And I wasn't even born yet when most of it happened!
- Somewhat interesting, ultimately disappointing
- Sight Unseen, Sound Unheard
|
White Bicycles: Making Music in the 1960s
Joe Boyd
Manufacturer: Serpent's Tail
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Binding: Paperback
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Book Description
"This is the best book about music I've read in years, and a gripping piece of social history."-Brian Eno
When Muddy Waters came to London at the start of the 1960s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running UFO, the coolest club in London; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd.
More than any previous sixties music autobiography, Joe Boyd's
White Bicycles offers the real story of what it was like to be there at the time. As well as the sixties heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, Sister Rosetta Tharpe to Fairport Convention.
Record and film producer
Joe Boyd was born in Boston in 1942 and graduated from Harvard in 1964. He went on to produce Pink Floyd, Nick Drake, Fairport Convention, R.E.M., and many others. He produced the documentary
Jimi Hendrix and the film
Scandal. In 1980 he started Hannibal Records and ran it for twenty years. He lives in London.
Customer Reviews:
Very slow and tiring read.......2007-08-31
This has got to be the most boring book about the music business I've ever read. I really tried to make myself believe it was going to be a true page turner, but it wasn't. The only reason I continued to turn the page is because, well... I'd paid for the book! I'm not the biggest fan of folk music, but I do like it and I love the blues, but this book made me dislike both genres (while I was reading, mind you). Mr. Boyd had such a long and fulfilling career in the music business, but the way he told the story was just plain boring. I've read many biographies on this business and have read some real bizarre stuff, but this book was quite tame. Don't get me wrong, I was GLAD that it was tame. I was quite impressed with Mr. Boyd's self-control and his professionalism. He sounds like a total "stand-up guy." But boy, does he tell a boring story. I usually pass my books on to friends so that they we can converse on the book, it's characters, the author, and so on. I must admit, when I FINALLY finished this book, I promptly threw it in the trash. I will give Mr. Boyd one other thing, I was so happy that he made mention of all the blues greats that have graced stages and auditoriums worldwide. That in itself was very much worth this book purchase, but that's about it.
"Matter of Fact".......2007-08-20
Woody Allen made a film called "Zelig" about a little guy who found his way into all the significant events of the 20th Century.
Well, record producer Joe Boyd's life in the 60's was kind of like that. He was all over the place, at the Newport Festivals (both jazz and folk), touring with bluesmen through Europe, and finally at the epicenter of both the British psychedelic and English Folk Rock scenes.
With all that material to draw from, you would think that this book would be a regular psychedelic sundae, vibrating like a day-glo art poster. Nope. It's just a recounting of Joe's ups and downs in the music business. There are nice reminiscences about Sandy Denny and Nick Drake, and Joe drops some little known facts about his resume, such as his involvement in the Eric Clapton/Steve Winwood "Powerhouse" recordings, and his production of Pink Floyd's "Arnold Layne"--plus his notable failures, such as missing out on opportunities to sign Procol Harum, or to profit from the Abba catalogue.
But, Joe is primarily known for his involvement with Folk-Rock, and he doesn't really pour forth with details, here. What about "Liege and Lief", generally called the greatest British folk-rock album of all time? What about Vashti Bunyan, a cult artist in her own right? She gets about one paragraph. And what about Linda (Peters) Thompson? Joe lets it drop that he was in an intimate relationship with her, yet she merits only a sentence or two.
This book isn't badly written, but it doesn't really give you a great picture of the music. It could have been much better. People who are curious about the time would be better served checking out the music. I guess a CD sampler of Joe's productions, also called "White Bicycles", is available. Otherwise, there is the great "Nuggets II" box set, which I recommend without reservation.
What a trip! And I wasn't even born yet when most of it happened!.......2007-08-10
As a musician and general music junkie, I'd rate this as a must have. Joe Boyd is just as important to learn from as those blues and jazz bands he resurrected in the last 50s and early 60s. I also sensed the sadness and reverence he had towards Nick Drake, the sad honesty about Sandy Denny, as well as rejoicing in the still flourishing career of Richard Thompson, all of which are influences of mine.
I wonder if he has ever been to the Philadelphia Folk Festival.
Somewhat interesting, ultimately disappointing.......2007-07-22
As previous reviewers said, I "couldn't NOT read this book" and "devour" it with the special anticipation of having seen the words 'Produced by Joe Boyd' on so many of my cherished album covers. However, though it contains a few new facts about the artists and some insight regarding the music business only an insider would know, the book was a disappointment. As earlier reviewers here have stated, it's too short - with not enough information about the actual sessions and music-making itself. The text also seems to be missing something - perhaps over-edited? Perhaps shortened for some reason at the last minute? And some of the potentially fascinating little stories he relates are left dangling in space. The subtitle of the book is 'Making Music in the 1960s', but there's very little of that in the narrative. I wanted to find out what is was like to observe luminaries such as Nick Drake at work in the studio. I wanted to be a fly on the wall at a Fairport Convention session with Sandy Denny & Richard Thompson. What made the Incredible String Band tick? How did these artists get their signature SOUNDS? I was looking for a window on Joe Boyd's working world; What we get are mildly interesting and too-quick glances of the surface of '60s-'70s music.
Sight Unseen, Sound Unheard.......2007-07-17
In the mid to late 60s, there were so many unheralded masterpieces, even the recording companies couldn't keep up with them. Most were relegated to
the old school, family-owned record store. Illinois Speed Press, The United States of America and Joe Boyd and the Field Hippies were a few of them. Some of their members went on to nominal fame in other groups, but they mostly languished in the bargain bins. If this is the same Joe Boyd,
and his way with prose is as adroit as his way with music, you are in
for an incredibly interesting ride. I haven't read the book yet, but I
haven't been moved to make a purchase of anything sight unseen or sound
unheard since I read an article in Hit Parader about CSN three months before their debut album was released in 1969.
Book Description
The Special Edition is the first two volumes of the Fretboard Logic guitar series combined with a special discount. Part One deals with the pattern organization of the fretboard which results from the guitar's unique tuning system. Part Two teaches the tone groups of music - Chords, Scales and Arpeggios - by building them in the context of this pattern organization, and thereby eliminating the usual guesswork and rote memorization associated with these areas of a guitarist's education. This alone can take years off the learning curve. Combined, the two parts form a solid foundation by which a guitarist can intelligently pursue the music styles of their own choosing, and play them on the guitar types which they prefer.
Customer Reviews:
Let me save you some time and money, again . . ........2007-08-15
I originally wrote this review for Volume I, but it applies here too.
The reviews below all sound wonderful, even the ones that weren't five stars. Too good to be true I thought, so I only bought Volume I, rather than the box set. After a week of study, and occasionly rereading the same paragraph over and over until I got it, I too will say that this book did more for me in a week than all the decades of playing guitar and buying countless other books.
Still I was skeptical about the other volumes, so I decided that rather than buy the box set with the DVD I'd just buy the combination of Volumes I and II, and give Volume I to a friend. After spending some time with Volume II, I realized I needed the DVD. Amazon just emailed today saying the box set of three volumes plus the DVD has just shipped.
Let me save you some time and money - buy the box set with the DVD. I say that without having seen the DVD, but from what I see with Volumes I and II, I think you're going to want to do that. Like everyone else, I only wish that I had discovered this book when I was a kid.
Fretboard Logic SE: The ultimate guitar book !!!.......2007-07-10
Simply said this is a must... I played the guitar for 6 years and I was blind as regard as the fretboard... Not anymore :-))
DON'T BUY THIS BOOK IF YOU WANT TO LEARN HOW TO PLAY GUITAR!.......2007-07-07
First let me say this he takes some stabs a Mel Bay books but the thing is Mel Bay books teach you how to READ MUSIC. I wasted weeks reading this book and its cryptic if you ask me.You can learn the notes on the fretboard way faster if you know all your octaves IMHO. This book is a waste of good paper.
Very tough for a complete novice.......2007-05-13
As I v'e read in other reviews, this book goes from major open string chords straight to barre chords which at this stage in the game I am not capable of doing. I like the logic presented here and will come back to this book once I've developed more hand strength and basic skills.
A Real Eye Opener!.......2007-05-03
I have been teaching concepts from this book for 7 years now. I still consistently have lessons where the students go "Ahhh, I get it now." Everything you need to know about organizing and understanding the fretboard is in this book. The only drawback is, if you're not "ready" to understand it, then this book might be tough to get through.
If you:
1. are at a plateau and you have trouble telling someone what note you are on, or
2. you want to know how to connect all those scales together, or
3. you don't truely understand what I mean when I say "the CAGED system is one of the most powerful tools for any guitarist,"
Then, you need this book.
Amazon.com
Available in different covers that may differ from the image shown on this page. Amazon.com is unable to accept requests for a specific cover. The various covers will be assigned to orders at random.
Book Description
Named the CMA song of the year, I Hope You Dance is a challenge to make the most out of life: "And when you get the choice to sit it out or dance, I hope you dance."
This beautiful gift book by the Nashville team that wrote the song includes a CD with an acoustic version recorded especially for this book by Lee Ann Womack.
Customer Reviews:
hope you dance.......2007-07-28
This book is very inspirational and can be used a a motivator for young people embarking on their life journey. The accompanying cd is excellent as well.
Moved Me .......2007-07-27
I felt so connected to this and cried , I gave it to my daughter , who had just found out she had cancer . goldenyrs43
Fantastic Book.......2007-07-03
Leeann Womack does a fantastic job at describing how the song came about and how to apply it to every day life.
Uplifting.......2007-03-08
My mother purchased one for all of her daughters. The book and the lyrics of the song will certainly inspire. Moms...A great gift for your aspiring daughters.
I HOPE YOU DANCE TOO.......2007-01-10
IT IS THE MOST BEAUTIFUL BOOK. THE SONG IS A FAVORITE OF MY MOTHER IN LAW WHO RECENTLY PASSED AWAY AND I BOUGHT THEM AS GIFTS FOR PEOPLE WHO HELPED TAKE CARE OF HER WHEN SHE WAS SICK.
Book Description
This practical, easy-to-use self-study course is perfect for pianists, guitarists, instrumentalists, vocalists, songwriters, arrangers and composers, and includes ear training CDs to help develop your musical ear. In this all-in-one theory course, you will learn the essentials of music through 75 concise lessons, practice your music reading and writing skills in the exercises, improve your listening skills with the enclosed ear training CDs, and test your knowledge with a review that completes each of the 18 units. Answers are included in the back of the book for all exercises, ear training and review.
Customer Reviews:
Good workbook-style resource.......2007-08-06
I wrote a review of this and several other books for an upcoming article in Classical Singer Magazine. This is a good workbook-style resource for getting a headstart on your theory; goes from basic to early advanced topics. The only thing I would have liked to see in it was more composition exercises, but that's my bias as a composer.
Good for music fundamentals or review.......2007-07-30
I used this to brush up before taking music theory. It's a decent review of the fundamentals of music. If you are completely unfamiliar, you might want something a bit more comprehensive. If you know basic theory, this is probably a waste of your time.
Good practical theory book.......2007-07-13
It was just what I learned in California's Certificate of Merit program. I needed a review, but it was how I learned it the first time. I recommend it to anyone. And I love that it has the listening CD's. The one caveat is that I play viola, and this version doesn't have my clef. But the theory is still the same. It was brand new and delivery was on time.
Music theory.......2007-05-07
Very well done for a quick review of music theory and would also be excellent for complete novices.
Meh.......2007-02-28
It was not what I expected and it is very dry... I guess all music theory is dry. But this book just seems to kill it for me. I don't know how to explain it I guess. I'd recommend going to a store and flipping through it first to see if you would like it, I only got it because someone had it on a list that had other good books.
Book Description
The third edition of this high successful orchestration text follows the approach established in its innovative predecessor: Learning orchestration is best achieved through familiarity with the orchestral literature; this familiarity is most effectively accomplished from the music notation in combination with the recorded sound. The text has been revised to reflect the most informed reactions to the first and second editions, as well as Professor Adler's revisions. For comprehensiveness, conciseness, and contemporaneity, The Study of Orchestration remains without peer.
Customer Reviews:
Outstanding.......2007-05-06
I am a complete novice but I recognize this is the required study program. You must also buy the CD/DVDs that go along with the book.
Not cheap, but an outstanding learning tool. I would recommend that you read a book on music theory and composition before buying this set to get the most out of the program.
Multi-Media companion discs to The Study of Orchestration Book (6 CDs).......2007-03-16
This 6-disc set provides audio, video and music, and some musical scores to support the examples in The Study of Orchestration Book. The videos show players playing the various orchestral instruments to illustrate performance techniques. The audio examples let the student hear the various orchestration techniques being discussed. The examples and the book in general are very detailed and absolutely worth the purchase price. I highly recommend the book and CDs to everyone studying orchestration.
The way the discs are used is there is a main menu where the user can select which instruments to view and listen to the examples. There was a strange problem with the discs I received. The digital material and menu do not match the book examples or the content printed on the CDs. Strangely, CD 4 is blank (I've tried to read it on several computers) and the main menu doesn't have any pointers that reference CD 4. Also, the other 5 discs do not contain the contents listed on the CD, many examples are missing. Both my book and the discs are listed as "3rd edition" and the cover graphics are identical. I believe this is a manufacturing problem from the publisher and therefore other sets may also exhibit this problem. Perhaps the digital content on the discs was from the 1st or 2nd edition. I'm still working with the vendor I bought the discs from to get a new set of discs and I'm hopeful the next set I receive contains the correct digital content.
If you really want to know how to orchestrate via textbook.......2007-03-08
Every composer is aware that there are countless orchestration books- and every one will tell you basically about how to do the job. Every book will have your standard instrumentation, how they function mechanically, and ranges, or something to that effect. Of course this is important.
However, when it comes down the actual art of Orchestration, elements usually left to experience are taught through Samuel Adler's CD accompanied book. No matter how close a description of an effect, or sound is, the luxury of having a dictionary of them at hand is amazing.
Overall, this is a great concept and book- and I don't believe that there is any book out there that does what it does that well.
A good book!.......2007-02-24
Great, it's got everything you need in one consise but thorough reference. An excellent reference for composer or orchestrator to have.
Very very good!.......2006-11-07
I studied classical piano and composition myself for most of my life and have professional degrees in both. When I write my music, I need to look up stuff now and then, or brush up my knowledge. This book is perfect for this! I wish I had bought it years ago.
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