History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

Poor Glossary/Index, Very vague
The different types of music are explained in this reference manual
Not good for Music Appreciation text
Understanding Music Text book
Very approachable

Understanding Music (4th Edition)
Jeremy Yudkin
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

History & Criticism | Music | Entertainment | Subjects | Books

All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books

Entertainment | Qualifying Textbooks - Fall 2007 | Stores | Books
Similar Items:

ASIN: 0131505483

Book Description

This book focuses on music of the Western tradition in a global context -- from the Middle Ages to the present. Historical and cultural background are clearly explained, but the emphasis is on “active listening.” A number of completely fresh pieces are integrated among the universally acknowledged masterpieces, and all are presented in fine performances, accompanied by illuminating and accessible Listening Guides (coordinated with available CD or cassette). Explores the activity of concentrated Listening. Shows students that music, like literature and the other arts, can be subjected to intellectual and critical thought and analysis. Includes careful consideration of the contributions of women. Examines the often overlooked aspect of patronage and audiences. Features serious analysis of the history of popular music. For anyone interested in music.

Customer Reviews:

Poor Glossary/Index, Very vague.......2007-04-10

This book is abysmal. I have used it this semester for an "Art of Listening to Music" course. The glossary is a whole 4 1/2 pages for a 500 page book; it includes maybe half of the vocab in the book. The index is even worse. It may have the term you are looking for, but the chances are it will not refer you to the context you want it in. I also found this book to be very vague over all. This could be for one of two reasons. First it's an introductory book, secondly I'm a math major and I demand very thorough proofs. However, neither of these reasons are an excuse for not defining a word that is only used in the musical world (Scherzo for example. The book uses it throughout, yet never says anything more then it means "to joke" in Italian. Yeah, thanks, very helpful) and continually using that word throughout the text. Horrible book, avoid at all costs, and if you have a class that uses it don't take it!

The different types of music are explained in this reference manual.......2006-07-06

Beautifully illustrated. Each type of music is traced back to its beginnings--how and when it first was developed. Explains what specifically makes this music different from other types of music. Very interesting and useful information! A very good reference manual that gives you an excellent foundation to music.

Not good for Music Appreciation text.......2005-10-12

I've used this book for three years and am eager to trade it for something else. Why? 1) Musical examples are chosen seemingly because Yudkin got tired of the tried-and-true favorites (Bach Brandenburg Concerti are not on the student CD set, but the St. Matthew Passion is. As a result, the students may get to hear Bach Brandenburg Concerti in class but can't listen on their own). Same is true for Verdi: Otello is included, but not Rigoletto or La Traviata? 2) This text is written for the average music major (not stellar, just average), rather than a music appreciation student. He assumes much greater knowledge of instruments, timbre, texture, and familiarity with general musical terms than any introductory student will have. 3) An exasperating dilemma: many works on the instructor CD set are not on the student set, despite those being the better selections. Why not put the obscure works on the instructor CDs, and let students have access to really great works? For example, when he selected a recording of a madrigal, he picked one that has two females singing a verse, then two males singing a verse...nothing at all like 95% of all madrigals students would ever be likely to hear. The reason? He knows the performers on the CD! Students never get to hear real text painting as every "real" madrigal illustrates. It's hard to build on that when asking students to understand the concept of text painting.

Anyway, I'm not Yudkin-bashing, but there are definitely problems with this text that need to be addressed.

Understanding Music Text book.......2005-09-24

I think the book should have questions at the end of the chapters.

Very approachable.......2004-11-24

This book is a nicely done introduction to music appreciation for Western audiences. It includes an overview of musical genres and traditions from the Gregorian chants through Hip Hop rap. The book is organized into chapters according to musical era with chapters for the Middle Ages, the Renaissance, the Baroque era, the Classic era, Nineteenth Century, and Twentieth Century. Beethoven receives a chapter of his own. There are also chapters on World Music, music theory, listening techniques, jazz, and popular music. Within each era, there is a general description of musical development of the times, and then several well-known representative composers are profiled. Yudkin goes out of his way to include information about the contributions of women and minorities to music. Interspersed with the text are listening guides with notes for active listening for specific pieces of music to exemplify the prose. The listening guides include such information as instrumentation, lyrics and translations, short segments of notation, as well as comments keyed to specific time spots for the selection on the student or faculty CDs (sold separately). The book is amply illustrated with black-and-white reproductions of paintings and photographs. Each chapter also includes a section of colored plates with artwork or scenery typical of the era and location. At the end of the book are a glossary and index.

One aspect of the book that I particularly liked was the fact that it began with World Music, describing aspects of music that are found the world over. Instead of approaching the topic as if all classical music is from the Western tradition, Yudkin explains that Western classical music is simply one kind of music found in the world, and there are other classical music traditions that are quite different. Only after he has established this point does he turn to an in-depth description of the classical tradition most familiar to his audience, the Western tradition. Throughout the book, I was quite impressed with Yudkin's global rather than ethnocentric approach to Western classical music.

The layout of the book is exceptionally well done. Although there numerous short articles for special topics inserted in the text, as well as the listening guides, and images with captions, the text is neatly cut so that sentences are rarely left hanging or continued across page turns when such items are included. My only complaint is that quotations about composers are printed in the margins in light yellow ink, which can be extremely hard to read. Also, a few of the listening guides in the popular music section contain nothing besides lyrics; they could benefit from a few additional words of analysis as found in the listening guides earlier in the book.

Overall, the book is quite accessible and interesting to students of with varying musical backgrounds. Although I've been exposed to classical music all of my life, there was much about the tradition that I remained completely unaware of. After reading Yudkin's explanations, I find that there is a lot more to listen to than I had noticed before.

The Guitar Amp Handbook: Understanding Tube Amplifiers and Getting Great Sounds

Average customer rating:

Great book for understanding tube amplifiers
Best all around tube amp book!
guitar handbook
Great & Detailed Material - Better Than Aspen Pittman Books
THIS BOOK DELIVERS ON IT'S PROMISE!

The Guitar Amp Handbook: Understanding Tube Amplifiers and Getting Great Sounds
Dave Hunter
Manufacturer: Backbeat Books
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

Look Inside Entertainment Books | Trip | Specialty Stores | Books
Similar Items:

ASIN: 087930863X

Book Description

There's a huge amount of hype and mythology surrounding tube amplifiers in the guitar world. For years, experts have argued over the tiny details of exactly how they do what they do, and how their various components interact. What's undeniable is that, far more than being just a "loudness booster," the unique combination of tubes, capacitors, resistors, and transformers in these amps can contribute enormously to the quality of sound derived from any electric guitar. In this thorough and authoritative book, Dave Hunter cuts through the marketing hyperbole, and the blind faith, and supplies all the information you need to choose the right amp, and get the best from it. The book also features exclusively conducted, in-depth interviews with leading figures in the tube amp-building world - including Ken Fischer, Mark Sampson, and Michael Zaite - and even provides full instructions on how to construct your own high-quality tube guitar amp from scratch.

Customer Reviews:

Great book for understanding tube amplifiers.......2007-05-25

This book is very detailed and spends more time on describing how the tube amplifier works, but not enough time on how to actually get the sounds you are really after.

Best all around tube amp book!.......2007-05-14

This book presents the WHOLE tube amp picture. It even provides instructions on how to build your own tube amp. The first chapters go through tube amp components. Some of it is a little tough to follow without some experience in electronics. However, the writer keeps it entertaining enough to get you through it. If you make it through these chapters, you will be rewarded. In subsequent chapters, you will get into the meat of finding the best TONE. Detailed advice and explanation of different amp components (tubes, cabinets, speakers, etc.) give great insight into what is hype and what is not when it comes to finding great amp sounds. A very good interiew section with several amp builders is also included.

I love this book! I keep picking it up to refresh my memory on how to get my own tube amp to sound better. It is a great resource and I know that I will go back to it whenever I want to change a speaker, dial in a different sound, or buy a new amp!

guitar handbook.......2007-01-16

Very informative and great picture with good refreance to visually see the schamatic information discriptions!
This book is Better then the Gerald Webber books I purchased before.
Recommend this book to every guitarist that works on their own amps,and the info is dedicated to the biginner to the expert amp hobbiest.
Thanks.

Great & Detailed Material - Better Than Aspen Pittman Books.......2006-08-07

This book is somewhat similar to the tube amp book by Aspen Pittman but I think it is much better. Dave has included several interviews by very knowledgable people in the world of tube amps, most notably Ken Fisher.

While the book does not contain any real amp modification suggestions, it does have various philosophies on modifications and the persuit of great tone.

I was pleasantly supprised and would buy it again.

-Don

THIS BOOK DELIVERS ON IT'S PROMISE!.......2006-04-08

When you are done reading this - you will understand tube-based (and let's face it those are the only kind any of us really care about) guitar amplifiers. Hunter writes clearly, and concisely, my only objection to his style is that he's a little bit too sympathetic to people's feelings. I'd rather he just apologize once for his opinions and level his criticisms.
But that's me.

I've been playing guitar for going on 30 years, and I managed to learn practical service information about tubes and controls as well as effects set up.

The great thing about this book is it will actually teach you how to build an amp! I haven't tried it as I've not got the money for the kit, but I feel more than encouraged by the clean layout and direct explanations.

Understanding Audio: Getting the Most Out of Your Project or Professional Recording Studio

Average customer rating:

Great book for techie but new to audio.
You will understand audio after reading this book.
Awesome Guide!
Build a Better Sound

Understanding Audio: Getting the Most Out of Your Project or Professional Recording Studio
Daniel M. Thompson
Manufacturer: Berklee Press
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

Recording & Sound | Music | Entertainment | Subjects | Books

ASIN: 0634009591

Book Description

Understanding Audio explores the fundamentals of audio and acoustics that impact every stage of the music recording process. Whether you are a musician setting up your first Pro Tools project studio, or you are a seasoned recording engineer or producer eager to find a reference that fills in the gaps in your understanding of audio, this book is for you.

Understanding Audio will enable you to develop a thorough understanding of the underlying principles of sound, and take some of the mystery and guesswork out of how equipment setup affects the quality of your recordings. Projects at the end of each chapter will assist you in applying these principles to your own recording environment.

Customer Reviews:

Great book for techie but new to audio........2007-06-27

I just started to work with the technical group at Church and needed to come up to speed on audio systems. I'm an amateur radio operator (ham) so technical things didn't scare me but I just didn't know about the equipment or concepts.

This was a great book to show me what's out there, how it's controlled and what to look for.

I've realized the world is ratio's and this book did a great job showing how things are processed and reasons why they are that way. Great book to learn from and a fantastic book to double check others thoughts. (Yea, politics)

Best book I've seen so far on audio systems to date.

You will understand audio after reading this book........2005-06-27

Begin (and end) your quest for audio knowledge as it relates to a studio and modern recording with one book. It delivers what the title promises, an understanding of audio (even if you're not building a studio). I found UNDERSTANDING AUDIO an immensly practical and comprehensive volume explaining "everything you needed to know about audio", whether you're a layman, student or professional. From start to finish, the explanations of concepts, processes, and technical definitions were abundantly clear and free of unnecessary techno-babble. This is used as a text at Boston's Berklee College of Music, but don't let that scare you, rather embrace it. (especially since you won't have to pay the tuition fee) The writing is concise with well chosen words and the information is top notch stuff. Designed to give you a complete overview of the various and interactive components of "audio", it more than does so and in my opinion, better than any other comparable book on the market today at any price.

Awesome Guide!.......2005-04-05

Through friends I heard about Berklee Press' books and decided to check out a few titles at the local bookstore. I was very impressed and requested a catalog, and in the catalog I found Understanding Audio: Getting the Most Out of Your Project or Professional Recording Studio. Being a novice in the sound recording world, I decided to risk the $25 and buy the book. Let me tell you it was $25 well spent. This book explains, in a very understandable way, basic and advanced audio techniques. One thing I found most useful was it explained how putting a microphone at different angles produces a different type of sound. It also goes as far as showing the history of recording studios and their technology. This was a perfect book for me because it is not only a handbook for intermediate to advanced level sound engineers, but it also serves as a beginners guide to sound as well. The graphic examples are extremely accurate and helpful, and the in depth detail of every topic is excellent. This is a great book for anyone currently working or planning on working in the recording field.

Build a Better Sound.......2005-02-02

I recently embarked on the adventure of transforming my basement into a functioning recording studio. Shortly after beginning the process I realized I was way in over my head. However, after reading "Understanding Audio", all of my questions have been answered. After providing you with a basis for understanding how sound works, Thompson gives several suggestions and techniques for setting up your equipment for optimal sound quality. Project guidelines are given at the end of each chapter which help you apply the techniques discussed. I'm happy to say that my studio is nearly finished and I am thoroughly pleased with the sound quality it is producing. I definitely recommend this book to anyone thinking about building their own studio, or for anyone who is interested in learning more about the way sound works.

Secrets of Negotiating a Record Contract: The Musician's Guide to Understanding and Avoiding Sneaky Lawyer Tricks

Average customer rating:

A classic!!!!!!!!!
excelent
Real World Advice from a Real Guy - Highly Recommended
Staright to the point, easy to understand and insightful
Absolutely perfect.

Secrets of Negotiating a Record Contract: The Musician's Guide to Understanding and Avoiding Sneaky Lawyer Tricks
Moses Avalon
Manufacturer: Backbeat Books
ProductGroup: Book
Binding: Paperback

Business | Music | Entertainment | Subjects | Books

General | Music | Entertainment | Subjects | Books

Recording & Sound | Music | Entertainment | Subjects | Books

Entertainment | Intellectual Property | Law | Subjects | Books

General | Taxation | Law | Subjects | Books

Look Inside Business Books | Trip | Specialty Stores | Books

Look Inside Entertainment Books | Trip | Specialty Stores | Books

Look Inside Nonfiction Books | Trip | Specialty Stores | Books
Similar Items:

ASIN: 087930636X

Book Description

To help artists avoid hidden agendas, this book exposes the multi-layered language of recording agreements crafted by major label lawyers. Clause by clause, it deconstructs actual contracts and translates them into "real English," presenting the original and decoded versions side by side. Focusing on artists' issues, such as advances, royalties and distribution, this revealing handbook explains the need for each clause, offers advice on negotiating fine points, and outlines alternatives for developing new contracts. User-friendly, it clarifies common terms uniquely redefined by the music industry, and has entertaining inside stories. "Considerable wit and wisdom on this festering snake pit of a business." - New Times

Customer Reviews:

A classic!!!!!!!!!.......2006-07-03

As soon as I bought the book I could not put it down I read it from top to bottom non-stop. This book is an easy read and very applicable. I highly recommend this book to gain greater insights in the Music business or any business. It was a great buy along with a couple of manuals purchased from Musicbrains.net entitled the Indie label Kit on Amazon, Music business 101, future of music and Guide to releasing an independent record by Tim Sweeney.

excelent.......2006-05-15

The music industry world ins an alien environment for most of the emerging artists and many need guidance to avoid scams and legal glitches, this book can be a good guide in defeating those lawyers that try to fool you into a deal. Despite the depth and professionalism , the book it isn't the best out there,” Music Business & Entertainment Law Contracts for Indie Recording Artist, Labels, Songwriters, Composers, Producers, Managers and All Others in the Record Industry. Binder / CD-ROM set (PC & Mac)" by Ty Cohen is far better when dealing with all the aspects and it includes viewpoints from different men in the industry, and also includes clear and easy to understand examples

Real World Advice from a Real Guy - Highly Recommended.......2003-09-21

Not only is this book (and it's prequel, "Confessions of a Record Producer") the real deal, so is the man who wrote it. I was so impressed by his first book that I contacted him as a consultant on a producer/artist agreement I was negotiating (I am a producer). My goal was to come up with something that was actually fair to both parties and Moses got us to that point quickly. His suggestions were works of innovation that surprised and satisfied everyone.

I also attended his 2-day seminar which dissects recording contracts. Here he dispelled the many misconceptions I had about record companies and their contracts AND he helped me to understand what is really being said in these contracts (and it's scary!).

He is not a lawyer, but one of the most insightful men I've met. Lawyers pay HIM for his advice. He REALLY understands contracts and explain things in a manner no one else seems to be able to do - it must be a sixth sense.. Highly recommended reading. Both his books should be permanent reference books for anyone in the music business. Besides, they're fun reads, unlike most other "how-to" music-biz books.

Staright to the point, easy to understand and insightful.......2002-09-03

This book is easy to read. It goes straight to the point and gives you inside information so you can undestand everything. I recommend this book to any kind of person, including lawyers (like myself).

Absolutely perfect........2002-05-26

Avalon fills the books with plain text translations of virtually every major clause in a standard record deal and makes it very easy to understand. He puts in plenty of narration and real world examples to let you see how each of these clauses can come into play and where loopholes lie so you won't just have to take your lawyer's word for really anything. Great book. Will save you tonnes of cash in legal fees and might end up saving your career. My only complaint is that he uses false names for all the stars he talks about in his examples to protect himself from being sued. But a lot of them are really famous so if you think about it you can figure a few out (I found the Michael Jackson one quite an eye opener). Definitely recommend it.

The Musician's Handbook: A Practical Guide to Understanding the Music Business

Average customer rating:

Best book ever
Informative, essential
Great!
Good learning tool
THIS IS A MUST READ FOR EVERY SERIOUS MUSICIAN!!!

The Musician's Handbook: A Practical Guide to Understanding the Music Business
Bobby Borg
Manufacturer: Billboard Books
ProductGroup: Book
Binding: Paperback

Business | Music | Entertainment | Subjects | Books

General | Music | Entertainment | Subjects | Books

General | Popular Economics | Business & Investing | Subjects | Books

Look Inside Business Books | Trip | Specialty Stores | Books

Look Inside Entertainment Books | Trip | Specialty Stores | Books

Look Inside Reference Books | Trip | Specialty Stores | Books
Similar Items:

ASIN: 0823083578

Book Description

FINALLY, a book written BY A MUSICIAN FOR MUSICIANS--from an author who has actually been in the trenches himself—from rehearsal studios to label signings, from recording studios to concert stages. Get the STRAIGHT FACTS about the music industry--NOT THE FAIRY TALES.

In The Musician's Handbook, veteran musician Bobby Borg reveals over 35 inspirational and proactive strategies for pursuing a successful career in the music industry. Other chapters of this indispensable primer provide comprehensive coverage of the four types of business relationships, the five key people a musician needs to succeed and the four major sources of music revenue.

Rare and candid interviews with top industry professionals such as Fred Croshal (GM of Maverick Records), Neil Gillis (VP of A&R and Advertising at Warner/Chappell Music), Chris Arnstein (personal manager, international tour manager and booking agent) and Henry Rollins (punk-rock legend of Black Flag and Rollins Band) make the Musician's Handbook one of THE MOST HONEST AND RESOURCEFUL BOOKS EVER WRITTEN ABOUT THE MUSIC BUSINESS TO DATE! If you're even thinking about pursuing a career in music, or wondering why it hasn't turned out as expected, The Musician's Handbook is a Necessity!

*Loaded with invaluable information and contacts that can mean the difference between succeeding and failing in the music industry

*Essential reading for musicians, songwriters, publicists, managers, and anyone else interested in making a successful career in the music business

*Filled with entertaining anecdotes and side bars allowing you to flip through its pages and read interesting stories and facts

*A Concise, easy-to-read introduction to the business of music that arms musicians with What they WANT and NEED about the music business so that they can get back to doing what they like best--CREATING MUSIC!

Customer Reviews:

Best book ever.......2007-08-06

Really easy to read, gives a fantastic broad view over the music industry. The author writes it like it is and he gives us information straight and clear, gives practical advice and the book is FUN to read. Buy it or regret it forever!!

Informative, essential.......2007-06-17

A very important work for musicians written by someone who hates to see people get screwed. This book reads easy and is comprehensive.

Great!.......2006-12-16

Well, I read this book cover to cover. It's a definite must read for the serious musician who wants to learn about the music business and how it works. The music business is pretty confusing but this book is written in a way that is completely understandable. It has a lot of information such as music publishing, legal topics, and agreements. It also has Q&A sections from Henry Rollins, Fred Croshal (Maverick Records) and Neil Gillis (VP of A&R at Warner/Chappel Music). Bobby Borg was my instructor and I know he knows his stuff. The music industry is an arcane language, but this book makes everything easy to understand. Everyone in our class was happy to be able to study of off such a book. Buy it! it's worth it.

Good learning tool.......2006-02-27

I found this book very helpful. It broke down the material step by step and gave great examples. I think anybody entering into any aspect of the music industry should read this book!

THIS IS A MUST READ FOR EVERY SERIOUS MUSICIAN!!!.......2006-02-26

I would recommend this book to anyone who is a SERIOUS musician or if you are truly serious about being in the entertainment business! I bought this book at the TAXI Music Convention in Hollywood, California after sitting through one of Bobby Borg's seminars. I thought to myself why not buy it and read it after all that is why I attended the Music Conference in the first place: to expand my knowledge about the music industry! That is exactly what this book does! In fact I like this book so much I bought 4 extra copies for my bandmates and a couple other people that I work with in the entertainment industry. This book is very easy to read and has tons of useful information in it. Once again if you are SERIOUS about being in the Music Industry you owe it to yourself to read this! Trust me you WON'T be disappointed!

Musical Performance: A Guide to Understanding

Average customer rating:

Musical Performance: A Guide to Understanding

Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

Look Inside Entertainment Books | Trip | Specialty Stores | Books

All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books

Biographies & Memoirs | Qualifying Textbooks - Fall 2007 | Stores | Books

Entertainment | Qualifying Textbooks - Fall 2007 | Stores | Books
Similar Items:

ASIN: 0521788625

Book Description

This book unravels the complexities of playing music and reveals aspects of learning, playing and responding to music relevant to performances of all levels. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorization. The next section considers the "translation" from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and "performers on performance".

Sing With Understanding: An Introduction to Christian Hymnology

Average customer rating:

Helpful introduction to hymnology

Sing With Understanding: An Introduction to Christian Hymnology
Harry Eskew , Hugh T. McElrath , and H. Eskew
Manufacturer: Genevox Music Group
ProductGroup: Book
Binding: Hardcover

General | Music | Entertainment | Subjects | Books

Music | Judaism | Religion & Spirituality | Subjects | Books

Look Inside Entertainment Books | Trip | Specialty Stores | Books

Look Inside Religion & Spirituality Books | Trip | Specialty Stores | Books
Similar Items:

ASIN: 0805498257

Customer Reviews:

Helpful introduction to hymnology.......2005-07-03

Harry Eskew and Hugh McElrath had a twofold purpose for writing "Singing with Understanding." The primary purpose is their hope that this book would be used as a textbook in Christian colleges and Seminaries to better educate professional church workers on the history and use of hymns (along with encouraging critical thinking on hymns). The second purpose is for those already involved in worship (planning or attending) would have their knowledge of and appreciation for hymns increase. This reviewer falls into that latter category.

I must first admit that I cannot read music, nor have I ever made a study of any sort of music. However, I am familiar with the tunes of many of the hymns referenced simply because I've sung them many times. I have found nearly every aspect of the book favorable--from the discussion of hymn lyrics as poetry to the examination of various historical and cultural traits of hymns to the use of hymns in modern churches. As a result of this book, I feel more prepared to choose hymns for a worship service, move a congregation in a musical direction, and observe the future development of hymn writing and study.

I would recommend this book for any church-goer who wants to develop a deeper understanding of congregational singing--from chants to "spiritual songs" to non-Western hymns--and especially their own congregational heritage. I would also recommend it to those who have an interest in this unique branch of the arts.

Average customer rating:

Listen, Read, Listen Again ... And You Will Hear More Each Time.

Understanding Jazz: Ways to Listen
Tom Piazza
Manufacturer: Random House
ProductGroup: Book
Binding: Hardcover

General | Music | Entertainment | Subjects | Books

ASIN: 1400063698
Release Date: 2005-09-20

Book Description

“Jazz is primarily to be heard, to be experienced.”
–Tom Piazza, from the Introduction

Much more than just another history of this vital music and those who play it, Understanding Jazz is a multimedia master class and late-night jam session rolled into one–an indispensable guide to a deeper appreciation of jazz.

Jazz is America’s greatest indigenous art form, a musical hybrid whose origins are as mysterious, complex, and surprising as its evolution has proved to be. Written by Grammy award-winning author Tom Piazza and produced by the experts at Jazz at Lincoln Center, Understanding Jazz uses simple explanations and analogies to illuminate the basics of listening to a jazz performance: how to discern form, instrumentation, style, and intent.

Each of the book’s seven sections focuses on a particular aspect of the jazz vernacular, from the way individual instruments or voices come together yet remain distinct, to the spontaneous miracles of skilled improvisation, to the transcendent rhythmic qualities of swing and the enduring influence of the blues.

Specific points in the text are illustrated and reinforced on the accompanying CD in recordings that capture some of jazz’s most gifted musicians: Louis Armstrong, Count Basie, Lester Young, Duke Ellington, Sonny Rollins, Stan Getz, Miles Davis, and Dizzy Gillespie, among others.

A unique celebration of the influence of jazz on American life, this book and CD are perfect for both jazz enthusiasts and beginning listeners alike, initiating them into the exciting world of this singular style of music.

Customer Reviews:

Listen, Read, Listen Again ... And You Will Hear More Each Time........2006-01-03

Tom Piazza took on a difficult subject. Explaining how to listen to jazz via the printed word can be a daunting task and the author's approach of selecting several classical jazz recordings for inclusion with the book on a "companion CD" is right on the mark. Piazza approaches each of the tracks individually, often providing stop watch-timed musical analysis--allowing the reader to first read and absorb the technical explanations and then playback the track and engage in focused listening exercises."Understanding Jazz: Ways to Listen" is geared towards musically-trained readers eager to add to their knowledge base the intricacies of jazz music--it is not a book for those without any prior knowledge of music theory and terminology. Piazza also succeeds in bringing to life the music through creative use of analogies, thus going beyond explanations of the discussed recordings. He also offers ample of "further listening suggestions." The only thing missing is a glossary containing the most commonly used musical terminology which is not always synonymous with the terminology used in classical music theory. Definitely worth checking out!

The Native American Flute: Understanding the Gift

Average customer rating:

Very thorough!
Worth the money!
From Heartland Reviews

The Native American Flute: Understanding the Gift
John Vames
Manufacturer: Molly Moon Arts & Publishing
ProductGroup: Book
Binding: Perfect Paperback

General | Music | Entertainment | Subjects | Books

General | Instructional & How-To | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

General | Occult | Religion & Spirituality | Subjects | Books

Pedagogy | Education | Nonfiction | Subjects | Books

Look Inside Entertainment Books | Trip | Specialty Stores | Books

Look Inside Religion & Spirituality Books | Trip | Specialty Stores | Books
ASIN: 0974048623

Product Description

A comprehensive step by step guide for learning how to play Native American Flute as well as the "basics" of making music. Interactive with 39 track audio CD demonstrating all instruction. You will learn: Proper finger and breath control, how to ornament melodies, how to understand Pitch and Rhythms, How to practice successfully, How to creat your own songs, Useful scales to develop technique and How to read printed music and Nakai Flute Tablature

Customer Reviews:

Very thorough!.......2007-07-28

John Vames describes everything in great detail.
the CD that comes with the book lets you know what all the exercises should sound like. it's a very good Starter Book.

Worth the money!.......2006-09-02

The reason I gave this book 4 stars instead of 5 is that it is not spiral bound, which would make it much easier to use. Otherwise, it's an excellent learning aid, especially the CD that comes with it. The songs included are easy enough for a beginner, but the CD demonstrates what can be done with the same song when you get to be a better player. Plus, you can hear what they're supposed to sound like, instead of just reading the music. The music is in Nakai tab, so it's quite easy to learn and use. Highly recommended!

From Heartland Reviews.......2006-06-22

Title: The Native American Flute: Understanding the Gift

Author: John Vames

Native American flute music has become an important aspect of the New Age and World music genres. What was once used by young warriors to sound out, quite literally, potential mates, is now used to produce haunting musical albums. In the past, many of the flute "how-to" manuals were written by musicians with little or no formal European music training. This manual closes that gap as the author, a highly experienced music educator, explains the instrument in both Native American terms and notation systems, as well as Western music theory analysis. It does a great job of explaining an almost mystical primitive musical instrument and system in a way that all cultures will understand. The accompanying audio CD is an absolutely necessary teaching aid which aptly demonstrates each lesson line upon line, precept upon precept. We rated this manual and CD a high four hearts.

Bob Spear
Publisher & Chief Reviewer
HEARTLAND REVIEWS
Leavenworth Kansas

Books:

Books Index

Books Home

Recommended Books