REPUBLICAN who believed in the American Ideal nonetheless...Philistines like that can NEVER make good movies...how dare he?
sad, vicious book from a sad, vicious author
A Biography from a Prosecuting Attorney.......2002-08-05
This was a disappointment. I don't like everything that Capra made ("Platinum Blonde" and "You Can't Take It With You" do nothing for me)but this book proved too much to take. It reads like a legal brief against Capra by a prosecuting attorney. Every action Capra undertakes is wrong. Every success Capra enjoys is really the work of someone else.
Shortly after reading "Catastrophe of Success," I read "Christmas in July" by Diane Jacobs, a biography of Preston Sturges. It was the difference between night and day. Jacobs seemed to enjoy her subject, and while she noted Sturges' personal failings, she didn't dwell on them or harp on them. Instead she focused on the films and why they worked (or didn't). If only McBride had done the same.
Want revenge? Write a biography!.......2001-12-11
One gets the same feeling finishing Frank Capra's autobiography The Name Above the Title as one does finishing a Capra film: thrilled with the zigs and zags of life and optimistic about one's own future.
But following up The Name Above The Title with Catastrophe of Success is akin to washing down Thanksgiving dinner with a rotten-egg-and-sour-grape smoothie. McBride has tainted a seven year odyssey of painstakingly documented research (175 interviews! weeks with Capra's personal papers! archive searches! FOIA releases! federal declassifications!) with an animosity uncommon in academics, at once vilifying Capra and his father while portraying those who loved and associated with Capra as selfless victims of Capra's insecurities, inner torments, and anticommunist political convictions.
In reading McBride, one senses that behind it all, there exists an even better story than the one McBride has scratched out from the voluminous source material. Why did McBride seek to so vehemently deconstruct what he called "the Capra myth," and soil the dignity of Capra's image by using such tactics as only quoting those interview passages in which his subject used expletives, or subjectively interpreting Capra's blinks and nods in a This Is Your Life episode as queasy squirming in the face of some underlying "irony"?
Was it because Capra declined to direct a made-for-TV sequel to It's A Wonderful Life, one which McBride hints he may have been involved in on page 644 of the paperback edition? Did Capra at one point step on McBride's toes as had done with so many insufferable fools?
McBride's perseverant scholarship is self-evident, yet his shamefully slanted execution degrades the whole presentation, making the book unreadable except to Capra enemies and eternal sourpusses. Readers are advised to reserve a second helping of "legend" for after the egg-and-grape "truth" sauce.
Biased Attack on Capra.......2000-12-23
This book, though it does have much interesting detail, is essentially an attack on Frank Capra, with many dubious conclusions drawn, and is so unrelentingly negative and unfair that it at times borders on the ludicrous. The theory of the book is that Frank Capra was a pathlogical liar and unrelenting egotist, who used the talents of others to make his films and then tried to hog all the glory himself, culminating in his famous autobiography, "The Name Above the Title," which is a "self-aggrandizing fairy tale." Capra was essentially a front man for the brilliant work of screenwriter Robert Riskin, who is the main reason behind Capra's success. When you finish this book, however, you stop and say, "How did this pathetic fraud produce such a staggering array of classic films, in such a distinctive style, and in such a variety of genres (comedy, drama, documentary, and even educational films)?" None of McBride's conclusions makes the slightest bit of sense. One key flaw of the theory is that Capra's two greatest films, "It's a Wonderful Life" and "Mr. Smith Goes to Washington," were not written by Riskin. McBride attempts to answer this by saying that they "followed the Riskin formula," as if by watching a few Disney Classics we could each make one ourselves, simply by following the formula, as if any decent movie was ever made by a "formula." In actuality, the brilliant screenplay of "It's a Wonderful Life" bears little resemblance to anything written by Riskin, although Capra's directorial style is easily recognizable (his style is almost as easily identifiable as Hitchcock's). The fact that Capra made many great films without Riskin (The Strong Man, The Bitter Tea of General Yen, Arsenic and Old Lace, State of the Union, Why We Fight series, the Bell Science series, and the two classics mentioned above), while Riskin made none without Capra, though he was given the opportunity to direct his own material, should seem to be a telling blow.
If you read Capra's own book after reading this one, you will be surprised to discover no sense of rampaging ego, but the thoughts of a rather straightforward, idealistic, and often self-deprecating person. Capra did very little research for his own book, largely relying on his wife's scrapbooks and his own memory, and so there probably are some minor factual errors, but McBride jumps on every minute inconsistency, and if Capra says one thing and some obscure person says something contradictory, he immediately and annoyingly assumes Capra is lying and the other person is telling the truth.
As an example, Capra says in his book that he graduated high school a half year early. McBride pounces on this eagerly, and says that Capra graduated on time with his class. However, we learn that Capra graduated on January 27, and didn't start college until September, so it's very easy to see how he could remember that he graduated 6 months early when recalling the events 50 years later. Capra also then says he spent 6 months working at the Western Pipe and Steel Company to earn money for college. McBride pounces again, saying that Tony Capra claims that he was the one who worked there. Later McBride ruminates about "the mysterious missing 6 months" after Capra graduated High School and ponders what he could have done in that time. Gosh, could it be that Tony Capra is the one mistaken, and that Frank did work at the factory?-such a possibility would never occur to McBride.
McBride even somberly and absurdly quotes a certain Eugene Vale, who claims that he was the man who wrote most of "The Name of Above the Title" and that he "made" Capra, as if Capra's classic films don't speak for themselves. Capra's book is great because we get to hear Capra's own opinions on various aspects of his films, not because it's brilliantly written. We're all still awaiting with bated breath the next astonishing literary production from the great Eugene Vale.
It appears that McBride's animosity toward Capra is largely due to the fact that Capra was a Republican who believed in rugged individualism and conservative values, which seems to lead McBride to think that it was therefore impossible to care about his fellow man, and that surely there must be a liberal somewhere responsible for all these powerful films.
McBride claims he wrote the book because after World War II "no other Director had such a precipitous decline" as Capra. For the record, after World War II Capra made possibly the greatest movie of all time, an outstanding political comedy-drama, two mediocre remakes of his earlier films, an enjoyable musical comedy, a disappointing musical comedy, and 4 Educational films (Out Mr. Sun, etc.) that have been beloved by schoolkids everywhere for the past 45 years.
In conclusion, it's especially galling that shortly before his final, paralyzing stroke, the 87-year old Capra was gracious enough to grant McBride a number of interviews, and supply him with information (such as his military records), while McBride (no doubt acting as servile and ingratiating as possible) knew full well that he intended to do a vicious hatchet job on him the second he could no longer defend himself.
Watch the films, read "The Name Above the Title," and don't bother with this book
Customer Reviews:
One of the best entertainment book.......2007-08-10
I have read many, many books on Hollywood and auto/biographies in general and this book ranks as one of the best ever. It is a very entertaining book that doubles as a great history of Hollywood through its golden age. Capra interacted with Hollywood's legends and reports in a funny, candid and emotional way his dealings with the likes of Harry Cohn, Sinatra, Disney, Monroe and many more stars of the thirties and forties. Do not think the book is dated: yes, some of the names are meaningless to us today but the perspetive and lessons contained in every single page are timeless. this book tells you better than any others how movies are made or should be made...
The Definitive Autobiographical Experience!!.......2007-03-18
I cannot figure out which is more amazing and inspiring: the man, his films, his life or his autobiography.
Every autobiography will pale in comparison after you read this one. Frank's book should come with a
warning that he will open your mind, transform your relationship with films, and ultimatley find a place of permanent endearing love in your heart! Friends don't let friends go into the Light, without reading this book,
as I am sure, it is required reading in Heaven!
Frank's biggest fan, Vaishali, author of "You Are What You Love."
An Astounding Talent and an Astounding Life.......2004-04-12
From the opening chapter which describes the incredible saga of how this man (as a young child) and his poor Sicilian family managed to come to America, to the end of his inspiring life and his brilliant career when he suffered cluster headaches so severe he could barely function, but kept his head up, this book captivated me. Capra exemplifies the American Dream, where a poor immigrant can become anything he sets his mind to be. Especially significant is his pure and honest soul. This book is SO inspiring.
Straight from the Heart.......2002-01-08
Frank Capra's superb autobiography provides loads of fascinating information about the film industry during a thriving period, when he was one of filmdom's most popular and successful figures, as well as about the mindset of this intriguing man of accomplishment. What is refreshing, along with his basic candor, is that despite his enormous success he retains a humble and highly humane touch.
Some of the most humorous anecdotes of "Name Above the Title" involve madcap, always colorful Columbia boss Harry Cohn, who took his Gower Street studio from the ranks of "Poverty Row" to the that of a giant. Capra helped significantly with box office smashes such as "It Happened One Night", "Mr. Smith Goes to Washington","Lost Horizon" and "Meet John Doe." It took awhile, but the Capra film which has soared to top spot in the hearts and minds of the public was the 1946 release starring Jimmy Stewart, "It's a Wonderful Life." The star was so enthused about the story that he pitched it personally to Capra after driving over to his house. Capra relates the time that he begged Cohn not to drop a struggling young cartoonist from the Columbia payroll, predicting that he would be sorry. Capra was right as the cartoonist was a young, meek Iowa farm boy named Walt Disney.
One of Capra's great contributions was directing and producing the excellent World War Two documentary series "Why We Fight." He tells about being called into the office of Army Chief of Staff, General George C. Marshall, who asked him to undertake the project. "But I've never done a documentary!" a surprised Capra replied. Marshall pointed out that he had never run an army before either, and that the American way during the critical war period was for citizens to learn jobs with which they were previously unfamiliar. Capra saw Marshall's logic and the rest is history.
This autobiography is fascinating enough for the interesting information about Capra's life. What makes it even better is that you are reading the revelations of a good man who did his best to instill positive values into his films, and to help in his distinctive way to make America a better country.
Five Inspiring Words: It's a Frank Capra Book........2000-06-30
To begin with, several adjectives to describe this wonderful book: 1.) candid, 2.) inspiring, 3.) poetic, 4.) instructional, 5.) spiritual, 6.) humanitarian, 7.) humorous, 8.) compassionate, 9.) courageous. From what I gather, it took Capra approximately three years to write this book, and what book it is. To be honest, this book is perhaps one of the best pieces of work we might ever have about the legendary director, the course of the twentieth century, and the people who have helped shape the film industry. This book demystifies the often deified directors, actors, moguls that ruled Hollywood during the golden age, reminding us of the universal bonds of humanity that link us all to each other. In many ways, it reads like a Frank Capra movie -- life-affirming to the end. For the younger generation (X'ers and Y'ers) who might question the values of their fathers' generation, this book is a must read. Underline this fact several times because when Capra takes you into his fold and shares his world, it is an experience you won't likely forget. Most history books seem to be written with a detached sense of objectivity from an supposedly impartial historian. The results of such labor is often an uninspiring book that keeps the reader at arm's length from the fascinating history, often boring the reader to no end. No so with Capra's autobiography. Capra reminds the reader that people are still simply people, no matter what generation, no matter which occupation. There are always going to be saints, martyrs, bullies, intellectuals, clowns, idiots in every walk of life. Such an example can be seen when Capra served in World War II and was privy to a touching moment with the great Admiral Nimitz. The old war hero had just come back from seeing three thousand men he had sent off to war -- some of them now without limbs, others without faces, yet all of them saluting him and thanking him from the bottom of their hearts. Nimitz broke down and wept, his shoulders so burdened by the sadness of his men's suffering. Hitting his desk over and over again the Admiral cursed the war with ever fiber in his being. After a brief moment to recompose himself Nimitz thanked Capra for being in the same room... allowing one tortured soul to connect and draw strength from another. Personally, it is easy to find yourself laughing when he laughs and crying when he cries. Like all classic works of literature, this book is so fresh in content, that it inspires the reader to look into his/her own heart and find the beating pulse of humanity and to take pride in the fact that one such as Capra was able to do so much through his films. I look forward to reading this book again and again. And perhaps, others will agree and do likewise.
Book Description
In this innovative historical examination of the American movie audience, Eric Smoodin focuses on reactions to the films of Frank Capra. Best known for his Hollywood features—including It Happened One Night, It’s a Wonderful Life, and Mr. Smith Goes to Washington—Capra also directed educational films, military films, and documentaries. Based on his analysis of the reception of a broad range of Capra’s films, Smoodin considers the preferences and attitudes toward Hollywood of the people who watched movies during the “Golden Age” of studio production, from 1930 to 1960.
Drawing on archival sources including fan letters, exhibitor reports, military and prison records, government and corporate documents, and trade journals, Smoodin explains how the venues where Capra’s films were seen and the strategies used to promote the films affected audience response and how, in turn, audience response shaped film production. He analyzes issues of foreign censorship and government intervention in the making of The Bitter Tea of General Yen; the response of high school students to It Happened One Night; fan engagement with the overtly political discourse of Meet John Doe and Mr. Smith Goes to Washington; San Quentin prisoners’ reaction to a special screening of It’s a Wonderful Life; and at&t’s involvement in Capra’s later documentary work for the Bell Science Series. He also looks at the reception of Capra’s series Why We Fight, used by the American military to train recruits and re-educate German prisoners of war. Illuminating the role of the famous director and his films in American culture, Regarding Frank Capra signals new directions for significant research on film reception and promotion.
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Another Frank Capra (Cambridge Studies in Film)
Leland Poague
Manufacturer: Cambridge University Press
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Frank Capra: The Catastrophe of Success
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The Name Above the Title: An Autobiography
ASIN: 0521380669 |
Book Description
Another Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra’s exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters. Informed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a ‘proto-feminist’ director whose feminism has been entirely neglected by previous critics.
Book Description
Few motion pictures have enjoyed a renaissance like the 1946 Frank Capra masterpiece IT'S A WONDERFUL LIFE. Nominated for five Academy Awards, it was dismissed as syrupy Christmas fare and fell into obscurity until television gave it new life. Today it is an American tradition.
With IT'S A WONDERFUL LIFE: A MEMORY BOOK, any fan of the classic film can further appreciate its magic and legacy. The warm reminiscences of the film's cast are supported by excellent photographs, providing the perfect companion for any fan of the film—or anyone who believes in miracles and angels.
The book features dozens of interviews and rare behind-the-scenes photographs that allow readers to see how the movie was created. Comments from Frank Capra, Jimmy Stewart, Bobbie Anderson, Jimmy Hawkins, Karen Grimes, and many more make the story behind the movie come alive.
More than a dozen brief biographies of the prominent cast members detail how IT'S A WONDERFUL LIFE affected their lives and careers. "Then" and "now" photographs supplement the career highlights of Jimmy Stewart, Donna Reed, Lionel Barrymore, Beulah Bondi, Gloria Grahame, Frank Faylen, Ward Bond, and others.
Like George Bailey himself, IT'S A WONDERFUL LIFE was rescued from oblivion in the 1970s when it was discovered that the film's copyright had not been renewed and the motion picture had fallen into public dominion, and television stations nationwide began freely airing the film. From film remakes and marvelous merchandise to cast reunions and SATURDAY NIGHT LIVE'S hilarious parody, IT'S A WONDERFUL LIFE: A MEMORY BOOK explores the adoration of generations of viewers who have fallen under the movie's spell.
Customer Reviews:
Perfect Christmas Gift!.......2006-11-29
If you love "It's a Wonderful Life" (and who doesn't?), then you'll LOVE this book! I was stunned to learn about what happened to the cast and where the Bailey kids are today and what they look like in more recent years. No other book offers the pure nostalgia factor like this one. The author gives us some amazing details about deleted scenes, as well as photographs that have surfaced showing these rare behind-the-scenes glimpses into scenes that never made the final cut. I loved the photo of Henry Travers (Clarence the Angel) in full color, not long before he died. What a treat this book is!! And the special message from Jimmy Stewart at the beginning of the book is pure magic! If you are a fan of this film, you won't be disappointed! This book is the perfect gift for any friends who love the movie, too. I've already ordered several and am giving them out this holiday!
Wonderful but not exceptional.......2006-02-23
There are plenty of surprises in this book. You'll read what director Frank Capra and the players themselves have to say about making "It's a Wonderful Life," and you'll discover some interesting names among those who were almost cast. You'll also learn that some of the film's legends are true, while others are not. For example, while it is true that Carl Switzer (Alfalfa from the "Our Gang" comedies) was the rascal who opened the gym floor exposing the swimming pool beneath, it is NOT true that muppets Bert and Ernie were named as an homage to Bert the cop and Ernie the cab driver -- that's just a coincidence. In spite of the book's rather crowded layout and lackluster production, if you love "It's a Wonderful Life" and/or if you collect IAWL memorabilia, you'll want to have this book.
A Wonderful Review of a Wonderful Book.......2005-12-28
Cox's "It's a Wonderful Life: A Memory Book" is an excellent addition to the movie buff's collection, and to fans of this exceptional film. The book is packed with stunning photographs (many never seen before), interesting tid-bits about the making-of, backstory on not only the fine performances of James Stewart, Donna Reed and Lionel Barrymore, but the character actors that helped make Capra's touching film so memorable and the holiday favorite it has become--almost 60 years later. It is well-researched and richly-written. This is a perfect gift year-round for any reason. It is one of Cox's best!
It's a wonderful book!.......2005-07-20
I have to admit that I wasn't much of an "It's a Wonderful Life" fan....until now. I had the pleasure of meeting Karolyn Grimes (little ZuZu Bailey) recently. She is such a warm and lovely person and spoke of IAWL with such passion that I bought the DVD the next night and watched it with new eyes. Now I'm hooked.
I was so delighted to find this book, to learn even more about this classic movie. After reading the book, I had to watch the DVD again.
Even if you're just a casual viewer of the movie, you'll still love this book. It's incredibly well-researched and jam-packed with beautiful photographs. Stephen Cox has a way with words. You feel like you're sitting with an old friend. His books are like comfort-food for the mind!
Awesome book!!!!!.......2005-01-15
I totally loved this book!- I finished it in one sitting- I was facinated with all of the little tidbits that I wasnt aware of: H.B. Warner being sauced when he filmed the loss of his son scene- I was especially impressed with the very rare colored photos in the mid section of the book. I have read almost every one of this author's books but this one is a special holiday treat!
Book Description
Few Hollywood directors had a higher profile in the 1930s than Frank Capra. He served as president of the Academy of Motion Picture Arts and Sciences and of the Screen Directors Guild. He won three Academy Awards as best director and was widely acclaimed as the man most responsible for making Columbia Pictures a success.
This popularity was matched by films that spoke to and for the times---It Happened One Night, Mr. Deeds Goes to Town, Mr. Smith Goes to Washington, and Meet John Doe. These replicated the nation's hopes and dreams for a national community. He worked with some of the brightest stars in Hollywood---James Stewart, Clark Gable, Jean Arthur, Gary Cooper, Barbara Stanwyck, Claudette Colbert, Bette Davis, Donna Reed, and Ann-Margret.
Capra's interviews express his connection to the national audience and explore his own story. He was a Sicilian immigrant boy who survived rough-and-tumble beginnings to become Hollywood's most bankable director. In reflecting his life, almost every one of his films was a parable of acclaim verging on disaster. He spent much of the 1940s in uniform while making films for the War Department. Although Capra was an optimist, World War II and his series of Why We Fight films called his legendary optimism into question. His postwar film It's a Wonderful Life (1946) gave an answer to those questions with an astonishing directness Capra never equaled again.
In 1971 he published his autobiography, The Name Above the Title. Many of the interviews collected here come from this period when, as an elder statesman of motion picture art and history, he reflected on his long career. The interviews portray the Capra legend vividly and demonstrate why the warm relations between Capra and his audiences continue to inspire acclaim and admiration.
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The Films of Barbara Stanwyck
Homer Dickens
Manufacturer: Citadel Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0806510692 |
Book Description
The first interdisciplinary study of America's best-known filmmaker.
Books:
- Gathering Remnants: A Tribute to the Working Cowboy
- Hardcore Zen: Punk Rock, Monster Movies, & the Truth about Reality
- Harry Potter and the Deathly Hallows (Book 7)
- Here, There and Everywhere: My Life Recording the Music of the Beatles
- Hidden Idaho: Including Boise, Sun Valley, and Yellowstone National Park (Hidden Travel)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- How to DJ Right: The Art and Science of Playing Records
- Improvising Blues Piano
Books Index
Books Home
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Frank Capra: Interviews (Conversations With Filmmakers Series)
Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930-1960
The Men Who Made the Movies
American Vision: The Films of Frank Capra
