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- Tome essential to all theatre artists
- The theatre, life and writings of a brilliant lunatic
- Artaud: what and where and how were you thinking?
- Full of Sympathy for Van Gogh
- Essential!
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Antonin Artaud: Selected Writings
Antonin Artaud
Manufacturer: University of California Press
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Anthology
ASIN: 0520064437 |
Book Description
A revolutionary figure in the literary avant-garde of his time, Antonin Artaud (1896-1948) is now seen to be central to the development of post-modernism. His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film, theater, art, and literature, and many letters. Susan Sontag's selection conveys the genius of this singular writer.
Customer Reviews:
Tome essential to all theatre artists.......2001-06-26
Studying Artaud is one way of taking a deep dive off into the realm of the unknown. His struggle to fully comprehend and describe lucidly his thought process and the clockwork of his soul; his obsessive desire and drive to break beyond the mundane level of median psycological theatre to rediscover the fiery roots and potent magic of the theatre event; and his visionary words---all of these combine to give us a man who was deep, profound and troubled---hence, utterly human, and truly inspirational to any theatre artist or artist in general. This translation of some of his most essential writings is essential to anyone who wishes to study the avant garde theatre. His influence is at times lucid and clearly defined; at other times, one sees that the myth of Artaud has distorted what the actual man wanted and worked for. In dealing with any artist who has created such a controversy (in his own time as well as in our time), one has to approach his work with the discipline of a tightrope walker. And Sontag's work provides the researcher with a straight, keen and powerful translation. Among the other translations of Artaud, this one is the best anthology available for the experienced researcher and the burning initiate. Read it as an athlete of the heart.
The theatre, life and writings of a brilliant lunatic.......2001-05-27
This isn't a book that you read from cover to cover. Find a subject that interests you. Then another. And then another. Soon you'll find yourself caught in his web of genius. His madness came from his endless spring of sanity that could no longer hold up under the insanity of the world he lived in. Genius suffers. He suffered too much. Years ago I saw a one man play "Artaud's Project" in Chicago. Best piece of theatre I've ever seen. This was my introduction to Artaud. This book captures this brilliant lunatic's crystal clear vision and pain. His letters are prehaps the highlight of this collection. This book is not for the masses, though, I wish it were. So much insanity and ignorance could be wiped out in a single stroke if people understood this man. Of course the sane appear to be insane in an insane world. If any of what I've said makes the least bit of sense to you this book is for you!
Artaud: what and where and how were you thinking?.......2000-06-30
Selected Writings isn't an easy read. I jumped around a lot. This stuff is the most intense stuff I've ever come across. Artaud is one of the most important writers to rationalise beyond logic. His ideas on Van Gogh prove, beyond doubt, that his sense of aesthetics was far more acute than his contemporaries. They always said weird stuff about Neitszche, how he was more 'in touch with himself' than other writers or, indeed, society at large. But Artaud explodes that idea, since he continually toys with his own sense of himself to the extreme. Reading Artaud for prolonged periods is like going beyond this (his) sense of self to another place, something completely new and agonizing. His ideas abouty the theatre are quite well established but there is other stuff here. The poems, monologues and just the sheer variety of 'inner scenarios' at play here really astounds you. 'To have done with the judgement of God' must be the most extreme form of self expressed mental torture around! (incidentally, am I correct in thinking there is a recording of this piece knockin' around?) Anyways, please take a slice of the insanity, you never know where it will lead you...
Full of Sympathy for Van Gogh.......2000-05-24
This book offers selections on a much broader range of interests than my own. Understanding the nature of deep empathy seems easiest to me in the 1947 work, "Van Gogh, the Man Suicided by Society" on pages 481 to 512. Artaud only lived from 1896 to 1948, but he seemed to be strangely affected by the coronation of Heliogabalus which began in the year 217. Artaud was not reading the history of events lightly when he reported "that the historians begin to go mad with rage." (p.317) Artaud was on the side of the emperor who picked his victims from among the aristocrats in "a kind of superior anarchy" which "runs from jewel to jewel, from outburst to outburst, from form to form, and from flame to flame, as if he were running from soul to soul in a mysterious interior odyssey which no one after him ever repeated." (p. 329) Strangely enough, this seems very modern to me, approaching what is now considered the height of entertainment.
Essential!.......1999-12-22
Artaud is more pertinant to today's world and the battle for sanity in an insane world than any other writer save William Burroughs. As Poe, Rimbaud,Lautreamont and De Nerval were influentual to generations of writers decades after their work; so does Artaud promise to be the next great muse of the new. This book is for anyone who is interested in the most intrigueing of experimental literature.
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- Satchmo in his own words
- A GENIUS IN MUSIC... AND IN WORDS
- Quite revealing
- Armstrong hits a high C on his typewriter.
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Louis Armstrong, In His Own Words: Selected Writings
Louis Armstrong
Manufacturer: Oxford University Press, USA
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Satchmo: My Life in New Orleans (Da Capo Paperback)
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ASIN: 0195119584 |
Book Description
Louis Armstrong has been the subject of countless biographies and music histories. Yet scant attention has been paid to the remarkable array of writings he left behind. Louis Armstrong: In His Own Words introduces readers to a little-known facet of this master trumpeter, band leader, and entertainer. Based on extensive research through the Armstrong archives, this important volume includes some of his earliest letters, personal correspondence with one of his first biographers in 1943-44, autobiographical writings, magazine articles, and essays. Here are Armstrong's own thoughts on his life and career--from poverty in New Orleans to playing in the famous cafes, cabarets, and saloons of Storyville, from his big break in 1922 with the King Oliver band to his storming of New York, from his breaking of color barriers in Hollywood to the infamous King of the Zulus incident in 1949, and finally, to his last days in Queens, New York. Along the way Armstrong recorded touching portraits of his times and offered candid, often controversial, opinions about racism, marijuana, bebop, and other jazz artists such as Jelly Roll Morton and Coleman Hawkins. Indeed, these writings provide a balanced portrait of his life as a musician, entertainer, civil rights activist, and cultural icon. Armstrong's idiosyncratic use of language and punctuation have been preserved to give the reader an unvarnished portrayal of this compelling artist. This volume also includes introductions to the writings, as well as an annotated index of names and places significant to Armstrong's life.
Customer Reviews:
Satchmo in his own words .......2006-05-24
He was the greatest of all jazz-musicians. He was a founding father of the form. No one could play the horn like him, and no one could sing his gravelly voiced songs like him.
"I'm white inside
that can't help my case
cause I can't hide
what is on my face.
Old feather bed,
Filled up with lead
Feel like Ole Ned
Wish I wuz dead,
What did I do to be so black and blue?
One of the finest music critics writing today, Terry Teachout, says that this book is true Satchmo and he would have loved it to be twice as long as it is. The more Satchmo the better.
While it is true that he knew problems with the black-community in later years because some held him to be serving the 'Man' the truth was he brought great honor and dignity to not only blacks in America but all Americans.
And above all he brought joy and beauty through his music into the lives of so many.
A GENIUS IN MUSIC... AND IN WORDS.......2004-07-22
Of the 21 books I have collected which are either by or about Louis Armstrong, this is definitely the one I would choose if I was allowed to keep only one. Basically a collection of autobiographical pieces, interviews, letters and so on, it reveals more of Armstrong as a man than all the other books put together. It also proves that, just as Armstrong had his own unique voice as a musician, so he has virtually invented his own language when doing his "typing" as he modestly called it. Grammar and punctation have been used this way nowhere else. Particularly moving are Armstrong's lengthy reminiscences of his early life in New Orleans, Chicago and elsewhere. Yes, his childhood was severely deprived but he recalls it not just without self-pity but with a kind of joy - joy in his family, in the friends who helped him along the way and, of course, his discovery of his own innate talent for both playing and singing. The book is filled with affectionate pen-portraits, as well as sharp social comment and, at times, with indignation at the injustices of life, whether suffered by himself or others. Equally moving are the pieces written when his life was nearing its end yet still exuding that same extraordinary open-ness and generosity of spirit which are humbling to experience. If anyone wants to know what Louis was like, and if they can take a little time to tune in to his vivid and utterly unself-conscious style, this is the book they should read.
Quite revealing.......2004-06-16
Satch fans will find a whole lot more to our hero than we knew before. For one thing,his 1954 bio was severely edited and we get some of the raw stuff here. Satch wrote as eloquently (and uniquely) as he sang. He does not hold back on his views of race (see "Louis Armstrong and the Jewish Family" (1970) which may shock some people and outrage others, as is true with almost everything else here. He holds forth on his love of "Swiss Kriss" and its after effects and delivers a heartfelt letter to a fan in Vietnam closing with the lyrics of "You'll Never Walk Alone."
Would be nice if the complete unedited documents were here in a multivolume series,but this will suffice. Swiss Krissly yours.
Armstrong hits a high C on his typewriter........2000-02-26
If you like jazz, Armstrong, "Potato Head Blues," or life itself, read this book.
Book Description
Although Luis Buñuel, one of the great filmmakers of the century, was notoriously reluctant to discuss his own work in public, he wrote--and wrote well--on many subjects over the years. This collection proceeds chronologically, from poetry and short stories written in Buñuel's youth in Spain to an essay written in 1980, not long before his death. Newly translated into English, the writings offer startling insights into the filmmaker's life and thought.
The earliest pieces came well before Buñuel joined the Surrealist movement in Paris and created the landmark film Un chien andalou with Salvador Dalí. Yet these and the early Surrealist writings reveal the inventiveness of the mind that would later create such masterpieces of cinema as L'Age d'or, Los olvidados, Viridiana, The Milky Way, The Discreet Charm of the Bourgeoisie, and That Obscure Object of Desire.
Later writings, which include screenplays and reflections on his own and others' films, illuminate many aspects of Buñuel's career, as well as the ways of thinking and perceiving that underlie his unique cinematic style. The final essay by this extraordinary artist sums up his view of the world--still vibrant and full of contradictions--at the end of his life.
Customer Reviews:
Sublime.......2003-06-14
The "return" of the master. Although not as good of a read, imho, as MY LAST SIGH, this is still required reading for Bunuel fans, and still retains all of the great artist's power, humor, and insight. In an era of big bucks and ready-made food, it stands out like a whale among minnows.
Finally, these writings are available.......2000-06-07
This is a wonderful and funny collection of surreal writings from one of the greatest filmmakers of all time. Many of the earlier, surreal writings by Bunuel, written when he was with the Surrealists in France, are imaginative and funny. There is also the complete collection of poetry originally titled An Andulsian Dog, which is surprisingly strong. The criticisms by Bunuel, along with the autobiographical material, offer insight to his aesthetic beliefs and his thinking. There are also snatches of the last screenplay on which he was working before he died in addition to the original screenplay for Andulsian Dog and a Hollywood treatment for an unrealized film GOYA. Overall, this is a big treasure for those who love Bunuel and who have been anxiously awaiting to read his hard to find pieces. It is a great companion to Bunuel's MY LAST SIGN.
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The Silents Of God: Selected Issues & Documents In Silent American Film & Religion, 1908-1925
Terry Lindvall
Manufacturer: The Scarecrow Press, Inc.
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ASIN: 0810839547 |
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Covering the historical period from 1908 to 1925, this study traces the process of religious response to film as a prophetic vision, a series of great debates, the articulation of film as a handmaiden to church work, and the great divorce of church and cinema, eventuating in a religious posture and emphasis on rigid censorship rather than creative dialogue.
Book Description
n the course of making nearly 400 films over the past 50 years, "Stan Brakhage" became synonymous with independent American filmmaking, particularly its avant-garde component. This major collection of writings draws primarily upon two long out-of-print books--Metaphors on Vision and Brakhage Scrapbook. Brakhage examines filmmaking in relation to social and professional contexts, the nature of influence and collaboration, the aesthetics of personal experience, and the conditions under which various films were made. Brakhage discusses his predecessors and contemporaries, relates film to dance and poetry, and in "A Moving Picture Giving and Taking Book" provides a manual for the novice filmmaker. Lectures, interviews, essays, and manifestos document Brakhage's personal vision and public persona.
Customer Reviews:
the best brakhage book.......2002-04-13
After plodding through Brakhage's "Metaphors on Vision" as well as "the Brakhage Scrapbook" during my research on this amazing filmmaker, I was thankful to find Brakhage's most interesting and significant writings collected into this single volume. It truly is the "essential brakhage." Personally, I don't really think that much of what else remains in those OTHER two volumes (all those difficult writings and collections of artist's notes and confounding letters full of puns)is worth the reading effort for most readers.
Book Description
James Agee brought to bear all his moral energy, slashing wit, and boundless curiosity in the criticism and journalism that established him as one of the commanding literary voices of America at mid-century. In 1944 W. H. Auden called Agee's film reviews for The Nation "the most remarkable regular event in American journalism today." Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American.
Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock's Lifeboat, Vittorio De Sica's Shoeshine, and a wealth of other cinematic subjects.
Agee's own work as a screenwriter is represented by his script for Charles Laughton's unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agee's masterfully probing reporting for Fortune-on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting-and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.
Customer Reviews:
Film Writing and Selected Journalism.......2005-12-14
Includes the classic Agee on Film as well as the screenplay for the classic, chilling Night of the Hunter, this is a must read for film fans of the WWII era. Never shy to express an opinion, Agee wrote with great passion and intellegence about the films of the period. I was esp. impressed with the features he wrote for the fledgling perodical - The Nation. When he discovered a film he liked, he would delve into great detail on what interested him in the work (sometimes pieces would continue from one issue into the next). I also appreciated his willingness to say that a film touched a particular interest in him and might not be to the taste of all readers (can you imagine a critic doing that today - actually putting him or herself out there as just another spectator as opposed to a critical god....) As with the theatrical writings of Ken Tynan - a treasure.
Book Description
Letters by Mozart in sparkling new translations that capture the flavor of the writing, transmit every nuance, and render every thought faithfully and accurately. What was Mozart really like--wild? sublime? responsible? fun-loving? bright? foul-mouthed? Reading these letters, we learn in his own words that he was all of these and much more. Here is the composer at his most intimate and unguarded, expressing his feelings about life, love, music, and the world around him. For this collection, Robert Spaethling has carefully chosen letters written by Mozart over a span of almost twenty-two years--from his first journey to Italy as a shy teenager to the final months of his life in Vienna. The letters, together with the accompanying introductions, chronicle the composer's life, personal development, and artistic growth. These new translations into English, the first in more than sixty years, are faithful to the original German even to the point of misspellings, which abound in the early correspondence. No effort has been spared to find language as closely equivalent to Mozart's as any translation can be and to clear up references in the letters to people, places, and events. Mozart's Letters, Mozart's Life makes wonderful reading for anyone who has ever loved a work by the composer, from the deceptively simple Eine kleine Nachtmusik to the towering, magnificent Requiem.
Customer Reviews:
I love it................2007-04-18
Mozart's full and final dedication to his work was exemplary; no doubt, his music spoke for the conscience of the world and his audience felt an almost religious faith in it. But the young man had frivolous and fun-loving personality, and his closeness to infantile notions was apparent with friends, relatives and pupils.
Mozart was possessor of the least inhibited tongue even in his contacts with serious foundations like Archbishopric or Freemasonry that mismatched the depth of notes he wrote.
This composer genius was filled with spontaneous strong-willed passion for music if weak-witted for romance and throughout the wide spectrum of his works involving every conceivable style of symphonies, operas, and orchestral pieces - some of the finest ever written - Mozart produced something truer than love.
Great book.......2005-08-03
If you are interested in everyday lives and struggles of geniuses, this is a book for you. Most of us know Mozart as a great composer, but he also wrote passionate letters to his friends and loved ones. His writing style and personality allow us to understand his times more and to have a closer look at the person that he was.
This lively book will deepen your appreciation of Mozart.......2004-03-19
What a fine accomplishment! According to the introduction, this book contains about 2/3 of Mozart's surviving correspondence. It has letters from and to Mozart and the translations are very lively and bring the personality of the composer to life. In older translations it seems that care was taken to make him sound like the monumental cultural force that he has become. But in this book, Mozart is a boy, a young man, a young husband, a fiery genius, and at times lost, grieving, and even confused.
The book is organized chronologically and provides biographical information that gives each letter some context. There are many useful footnotes as well as a couple of maps and list of Mozart's travels. The author has even included some notes about the various currencies in order to help the reader understand the discussions of money in the letters.
I can't emphasize enough what a lively read this book is. I found that I simply didn't get bogged down and enjoyed reading it. Yes, there are some portions of some letters I skipped, but that is one of the beauties of the book. You don't get lost simply because you skipped some mundane portions of one letter or another.
Mr. Spaethling is to be congratulated on this fine achievement. If you are interested in Mozart in any way, this book will deepen your appreciation of the living breathing person who wrote all that music. It didn't come from some alien dimension. Wolfgang Amadeus Mozart, this wonderful and complex human being did it all and we are much richer for it.
A whole new view of Mozart.......2002-12-26
Those of us who know a little about Mozart believe that he was perfection incarnate, part angel, fluttering down to endow the world with heavenly music. (There probably is some truth to that.) This book, however, reveals a whole new side of Mozart, a very human side. As beautiful as Mozart's music is, the more beautiful it becomes after reading this book. Understanding his big heart, hard work and, yes, even imperfections, increases one's appreciation of his music.
Bravo!.......2002-10-12
This book enabled Mozart come to life for me. The translation was very good. It showed, (in english), how Mozart worked on his grammar and spelling as he got older. Since he was "home educated", he had to work at this.
I could not put this book down, reading a few letters every day, I saw how Mozart grew from a boy into a man with a family. He was a really good guy, it's a shame he had to die so young.
I would say, to anyone who wants to know more about Mozart, buy this book. You can form your own opinion of him, then you can buy the "expert's" books.
After having read this book, I would like to know more about Constanze!
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Talking Songs: Javed Akhtar in Conversation with Nasreen Munni Kabir and Sixty Selected Songs
Javed Akhtar
Manufacturer: Oxford University Press, USA
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ASIN: 0195674995 |
Book Description
This book is centred around an engaging and lively conversation on the Hindi/Urdu film song between the renowned poet and lyricist, Javed Akhtar and documentary film director and author Nasreen Munni Kabir.
One of the first on the subject, the book also includes a selection of sixty songs written by Javed Akhtar for the many hugely successful films to which he has contributed. These songs are a reminder of the excellence of his work and for those unfamiliar with Hindi/Urdu, English translations are
also provided.
It is an established fact that the Indian film song enjoys an enormous impact, and has always been a vital part of the national culture. For the reader, it is a rare privilege to discover the thinking that went behind a song that can be heard in a billion homes. This book will interest and appeal
to Hindi film and music buffs within India and outside.
Book Description
Visualizing Theory is a lavishly illustrated collection of provocative essays, occasional pieces, and dialogues that first appeared in Visual Anthropology Review between 1990 and 1993. It contains contributions from anthropologists, from cultural, literary, and film critics, and from imagemakers themselves. Reclaiming visual anthropology as a space for the critical representation of visual culture from the naive realist and exoticist inclinations that have beleaguered practitioners' efforts to date,
Visualizing Theory is a major intervention into this growing field. Attending to quick and dead imagery, to mobile and still art-ifacts, to the narrative and fetishistic alike, the contributions move variously between theorizing visuality and visualizing theory, eliciting reciprocities between these two modes of experience and cognition.
Covering a vast and heterogeneous field,
Visualizing Theory contains essays on modernism and montage in a ethnography and film; on paranoiac space and exilic subjectivity; on films and memory; virtual reality and dis-appearing worlds; Indigenous Media and their lure of authenticity; ethnographic film and cine-ipsography; the disenchantment of the eye and the Surrealist crisis of ocularcentrism; on modernity and its resurgence of mimesis; on Dziga Vertov and the perceptual reconstruction of social identity; African tourist art and its simulations of postmodernity; and on the work of such imagemakers as Victor Burgin, David MacDougall, Jean Rouch, and Trinh T. Minh-ha.
Contributors: Homi Bhabha, Marc Blanchard, Victor Burgin, Jane Collins, Hal Foster, Martin Jay, Ludmilla Jordanova, Bennetta Jules-Rosette, Catherine Lutz, Dean MacCannell, David MacDougall, Alan Macfarlane, George Marcus, Trinh T. Minh-ha, Henrietta Moore, Rachel Moore, Bill Nichols, Christopher Pinney, Peter Redfield, C. Nadia Seremetakis, Paul Stoller, Marilyn Strathern, Susan Suleiman, Michael Taussig, David Tomas, Elizabeth Traube, Eliot Weinberger, Annette Weiner
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