Book Description
This practical, easy-to-use self-study course is perfect for pianists, guitarists, instrumentalists, vocalists, songwriters, arrangers and composers, and includes ear training CDs to help develop your musical ear. In this all-in-one theory course, you will learn the essentials of music through 75 concise lessons, practice your music reading and writing skills in the exercises, improve your listening skills with the enclosed ear training CDs, and test your knowledge with a review that completes each of the 18 units. Answers are included in the back of the book for all exercises, ear training and review.
Customer Reviews:
Good workbook-style resource.......2007-08-06
I wrote a review of this and several other books for an upcoming article in Classical Singer Magazine. This is a good workbook-style resource for getting a headstart on your theory; goes from basic to early advanced topics. The only thing I would have liked to see in it was more composition exercises, but that's my bias as a composer.
Good for music fundamentals or review.......2007-07-30
I used this to brush up before taking music theory. It's a decent review of the fundamentals of music. If you are completely unfamiliar, you might want something a bit more comprehensive. If you know basic theory, this is probably a waste of your time.
Good practical theory book.......2007-07-13
It was just what I learned in California's Certificate of Merit program. I needed a review, but it was how I learned it the first time. I recommend it to anyone. And I love that it has the listening CD's. The one caveat is that I play viola, and this version doesn't have my clef. But the theory is still the same. It was brand new and delivery was on time.
Music theory.......2007-05-07
Very well done for a quick review of music theory and would also be excellent for complete novices.
Meh.......2007-02-28
It was not what I expected and it is very dry... I guess all music theory is dry. But this book just seems to kill it for me. I don't know how to explain it I guess. I'd recommend going to a store and flipping through it first to see if you would like it, I only got it because someone had it on a list that had other good books.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
This exciting Flash Card set includes 48 note naming cards, containing 96 notes and rests in the treble and bass clefs. It is organized into 4 progressive sets and may be used with any beginning music theory course. Correlated with Essentials of Music Theory, Book 1, and Volume 1 of the Computer Software.
Customer Reviews:
The title "Flash Cards" is misleading.......2007-08-15
This packet is meant to be ordered with a book and used by a music teacher who already knows the notes. I was disappointed in the product.
Slightly disappointed!.......2006-08-03
This was a slight disappointment when I received the flash cards. I bought them to teach my eight year old daughter the musical notes. The flash cards had a note on one side for her to look at and a small one on the reverse for me to look at. The only problem is I don't know the notes either so when she guessed at the note I didn't know if it was right or not. I had to manually look up all 93 cards and write the answer on the back so I would know whether she was correct or not. Other than that I was happy with the product.
Book Description
The most complete music theory course ever! This all-in-one series includes concise lessons with short exercises, ear training activities and reviews. Available in three separate volumes or as a complete set, Essentials of Music Theory also includes Ear Training CDs (performed by acoustic instruments), a Teacher's Answer Key Book, reproducible Teacher's Activity Kits, Bingo Games, Flash Cards and Computer Software.
Customer Reviews:
Perfect.......2007-09-13
The book was in perfect condition. It's just the book I needed for my music class.
Alfred's Essentials of Music.......2007-09-10
My son needed this book for school and we received in time for school. Great service!
Good for self-study when you buy another book.......2007-05-25
This is a good music theory book. It's easy to follow the lessons, and you don't really need a teacher if you have the other book with ear training CDs as well as answers. But the thing is that this guide book costs around $26, and that's more expensive than ths theory book itself. If you want the whole bunch at cheaper price, buy a book that has practice questions and answers together.
Good value!.......2007-03-09
This workbook is very easy to use and a great value considering it is a 3 in 1 offering.
Perfect for Beginngers and Review.......2007-02-21
I bought this book as a review before starting theory one at the university level. Some of the info was easy everyday stuff but other portions of the book helped me not only in theory but in dictation as well. I would recommend this book for any musician that has never had formal theory training and would like to start. It is by no means complete but it is definitely a solid start.
Product Description
Alfred's Essentials of Jazz Theory is designed for jazz enthusiasts and musicians who want to learn jazz concepts and terminology. To get the most out of this course, it is recommended that you have a good understanding of basic theory, such as the lessons in Books 1-3 of Alfred's Essentials of Music Theory. The book contains lessons with both written and music reading exercises and ear-training and listening are addressed through the included CDs. Each unit is complete with a review section. Playing and/or singing along with each example is encouraged throughout the book. The Self Study Course includes lessons, a complete answer key to check your work, and three listening and ear-training CDs.
Product Description
Alfred Essentials of Jazz Theory is designed for jazz enthusiasts and musicians who want to have a better understanding of the language of jazz. To successfully navigate this all-in-one jazz theory course, you should be versed in basic music theory concepts, such as those taught in Books 1-3 of Alfreds Essentials of Music Theory. With this book, you will: learn the essentials of jazz music through concise lessons; practice your jazz music reading and writing skills in the exercises; improve you listening and ear training skills with the CDs; and test your knowledge with a review that completes each unit. You are encouraged to play and/or sing the musical examples throughout, at first along with the enclosed recording, and then on your own. Basic Elements (Melody, Harmony, Rhythm, Texture, Form) Swing Feel, Swing Eighth Notes, Swing Groove Syncopation, Bebop Style, Lick, Line & Melodic Soloing Major Triad, Major Scale, Consonance Major Seventh Chords, Chord Changes Tonic Function, Scalar Melody, Passing & Neighboring Tones Dissonant 4th and Resolution Subdominant Major Seventh Chords Voice Leading for Tonic & Subdominant Major Seventh Chords Modes, Lydian Scale Hierarchy of 3rd and 7th Major 9th Chords, Major 6/9 Chords, Major Pentatonic Scale Grace Notes, Scoops & Turns Dominant 7th & 9th Chords, Dominant Function Resolution of V7 Chords, Tendency Tones and Tritone V7 IMA7 Common Tones and Voice Leading Dominant Scale (Mixolydian), Bebop Dominant Scale Bluesy Dominant Chords, Blue Notes, 12-bar Blues Progression, Blues Scale Glossary & Index of Term & Symbols Melody Walking Bass Lines Walking Bass Lines in the Circle of Fifths, Two-Note Voicings Comping & Comp Rhythms, Voice Leading Brazilian Bass Lines& Comping Patterns Minor 7th and 9th Chords (MI7, MI9) & Inversions Supertonic Function iiMI7 and iiMI9 Chords Resolution of iiMI7 to V7 The ii-V-I Turnaround Progression Jazz Language Combined Scale/Arpeggio & The ii-V Lick Jazz Language Triplet Arpeggio and The Bebop Dominant Lick Dominant 13th (13) Chords & ii-V-I Voicings Passing Minor +7 Chord (MI(+7)) & Progression Tonicisation of the IV Chord The ii-V Turnaround to IV Melody for the Turnaround to IV II Dominant Seventh Chords (II7) II7 (#11) Chords, Lydian Dominant Scale, I Augmented Chord Extension (I+) Diminished 7th Chords (7) & Diminished Scales Diminished 7th (7) Function & Melodic Language VI7 (b9) Chord, The Turnback Progression AABA Standard Song Form Take the A Train Progression Jazz Language Chromatic! Leading Tones, Bebop Scales Jazz Language Auxiliary Enclosure Tones The Jazz Blues Progression, Finding the Chromatics Glossary & Index of Terms & Symbols Jazz Language Melodic Soloing & Melodic Sequence Afro-Cuban Jazz Clav & Tumbau Afro-Cuban Jazz Cascara & Montuno Drop-Two Voicings Minor 11th Chords (MI11) & Sus Chords (SUS7) Minor Tonic Chord (iMI (MA7), iMI6/9), Jazz Minor Scale Minor ii-V Turnaround, Half-Diminished Chord (7) & V7(b9) Resolutions and Voice Leading Jazz Language Scales for the Half-Diminished Chord (7) Jazz Language Harmonic-Minor Scale & Lick for V7(b9) Turnaround to iv in Minor Keys Minor Turnback, VI7-V7(b9)-i Cadence Blues Scale in Minor Keys, Minor Pentatonic & Pentatonic/Blues Scales Turnarounds to III, VI and VII in Minor Keys Minor 12-Bar Blues Progression Minor Turnarounds in Major Keys to ii and vi Minor Turnaround in Major Keys to iii, Deceptive Cadence (Backdoor Cadence) Altered Dominant Chords (VALT) Jazz Language Diminished Scale for Dominant Chords & Altered Dominant Cell Jazz Language Altered Dominant Lick and Scale Step-Down Progression IVI (Plagal) Progressions, Backdoor Progressions I-VI Progressions ABAC Standard Song Form Slash Chords Glossary & Index of Terms & Symbols
Product Description
Alfred's Essentials Of Jazz Theory is designed for jazz enthusiasts and musicians who want to have a better understanding of the language of jazz.
Book Description
Alfred's Essentials of Jazz Theory provides the ultimate journey to musical freedom! Books 1 and 2 introduce swing feel, major/minor/dominant seventh and ninth chords, dominant function, the ii-V-I Turnaround Progression, 12-bar blues and more!
Product Description
Alfred Essentials of Jazz Theory is designed for jazz enthusiasts and musicians who want to have a better understanding of the language of jazz. To successfully navigate this all-in-one jazz theory course, you should be versed in basic music theory concepts, such as those taught in Books 1-3 of Alfred?s Essentials of Music Theory. With this book, you will: learn the essentials of jazz music through concise lessons; practice your jazz music reading and writing skills in the exercises; improve you listening and ear training skills with the CDs; and test your knowledge with a review that completes each unit. You are encouraged to play and/or sing the musical examples throughout, at first along with the enclosed recording, and then on your own.Book 3 Lessons 51-75 Jazz Language ? Melodic Soloing & Melodic Sequence ? Afro-Cuban Jazz ? Clav Tumbau ? Afro-Cuban Jazz ? Cascara & Montuno ? Drop-Two Voicings ? Minor 11th Chords (MI11) & Sus Chords (SUS7) ? Minor Tonic Chord (iMI (MA7), iMI6/9), Jazz Minor Scale ? Minor ii-V Turnaround, Half-Diminished Chord (? V7(b9) ? Resolutions and Voice Leading ? Jazz Language ? Scales for the Half-Diminished Chord (? Jazz Language ? Harmonic-Minor Scale & Lick for V7(b9) ? Turnaround to iv in Minor Keys ? Minor Turnback, VI7-V7(b9)-i Cadence ? Blues Scale in Minor Keys, Minor Pentatonic & Pentatonic/Blues Scales ? Turnarounds to III, VI and VII in Minor Keys ? Minor 12-Bar Blues Progression ? Minor Turnarounds in Major Keys ? to ii and vi ? Minor Turnaround in Major Keys ? to iii, Deceptive Cadence (Backdoor Cadence) ? Altered Dominant Chords (VALT) ? Jazz Language ? Diminished Scale for Dominant Chords & Altered Dominant Cell ? Jazz Language ? Altered Dominant Lick and Scale ? Step-Down Progression ? IV?I (Plagal) Progressions, Backdoor Progressions ? I-VI Progressions ? ABAC Standard Song Form ? Slash Chords ? Glossary & Index of Terms & Symbols
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