Average customer rating:
- Geared towards professionals
- Not very current...
- Only relevant to FX artists
- The Technique
- Mostly Black & White Photos!
|
The Technique of the Professional Make-Up Artist
Vincent Kehoe
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
 General
| Theater
| Performing Arts
| Arts & Photography
| Subjects
| Books
Stagecraft
| Theater
| Performing Arts
| Arts & Photography
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Reference
| Performing Arts
| Arts & Photography
| Subjects
| Books
Direction & Production
| Movies
| Entertainment
| Subjects
| Books
General
| Movies
| Entertainment
| Subjects
| Books
General
| Television
| Entertainment
| Subjects
| Books
Cosmetics
| Beauty & Fashion
| Health, Mind & Body
| Subjects
| Books
General
| Beauty & Fashion
| Health, Mind & Body
| Subjects
| Books
General
| Foreign Languages
| Reference
| Subjects
| Books
Look Inside Entertainment Books
| Trip
| Specialty Stores
| Books
Look Inside Health Books
| Trip
| Specialty Stores
| Books
Look Inside Nonfiction Books
| Trip
| Specialty Stores
| Books
Look Inside Reference Books
| Trip
| Specialty Stores
| Books
All Amazon Upgrade
| Amazon Upgrade
| Stores
| Books
Arts & Photography
| Amazon Upgrade
| Stores
| Books
Entertainment
| Amazon Upgrade
| Stores
| Books
Health, Mind & Body
| Amazon Upgrade
| Stores
| Books
Reference
| Amazon Upgrade
| Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Entertainment
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Reference
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Making Faces
-
Face Forward
-
Makeup Makeovers: Expert Secrets for Stunning Transformations
-
FabJob Guide to Become a Makeup Artist (FabJob Guides) (FabJob Guides)
-
Makeup Your Mind
Accessories:
-
Laura Mercier Tinted Moisturizer
ASIN: 0240802179 |
Book Description
A classic in its field since its original publication, The Technique of the Professional Make-Up Artist is now revised, updated and paperback for a new generation of professionals. This encyclopedic resource covers all of the current studio make-up methods and lab techniques, with text and art contributions from some of the leading experts in the industry.
The author explains clearly and precisely the differing approaches to stage-lit, audience-attended television taping; studio-lit, no-audience taping; live television with natural outdoor lighting; live stage make-up ; and the innumerable techniques and methods of film make-up. In addition to detailing the basic, day-to-day 'paint and powder' procedures that are the bulk of any professional make-up artist's work. He also describes exciting new visual effects that can be achieved using puppetry, digital computing, and electronic coloration. Included in this paperback edition are:
* Revised make-up charts for men and women
* New special effects make-up photographs
* New information on contact lenses and dental work
* Updated information on film types
* Revised appendices.
Vincent J R Kehoe has been working in the professional make-up field since 1940. He has been in charge of make-up for more than 3000 major television, film, and stage productions, and was head of the make-up departments for CBS-TV in New York and the NBC Hallmark Hall of Fame series. His previous books include Special Make-Up Effects (Focal Press), The Technique of Film and Television Make-Up, and Photographic Make-Up for Stills and Movies, and he has written several articles on advanced make-up research for the Journal of the Society of Motion Picture and Television Engineers (SMPTE). As president and director of the Research Council of Make-Up Artists since 1963, Mr Kehoe designed and produced the entire Color Process line of RMCA Professional Products. He lives in Somis, CA.
A classic text updated for the next generation of make-up artists.
Covers all studio methods and lab techniques.
Contains information on many types of exciting new visual effects.
Customer Reviews:
Geared towards professionals .......2007-08-20
This book is definately geared towards the professional makeup artist. I'm an avid Halloween costumer and wanted to try special effects makeup but this book was over my head. The author assumes that you have some basic knowledge of makeup technique and the lack of color photos makes it impossible for the novice to figure out what he's talking about. I'm thinking of purchasing Laura Thudium's makeup book to learn the basics and then hopefully this book will be more useful.
Not very current..........2007-07-18
This was a good book and gave a lot of technical advice and illustration but it didn't help me as much as I was hoping. It's dated-- now we're having to deal with changes in makeup due to Hi-Def, etc. These are not addressed... nor are many other things that I think are relevant to doing makeup for film/tv in 2007.
Only relevant to FX artists.......2007-05-07
Why didn't I listen to the other reviewers? The tiny section on "beauty" makeup is dated and unhelpful.
The Technique .......2006-06-23
The book makes doing eyebrow shaping look easy...and it not only looks easy- by following a few steps it turns out it IS easy. If you want to learn the basics- buy this book. If you want to do a home makeover- go glamorous, sensual, then fun later on - buy this book. If you want to tune your look a bit- get it! I guess I don't have to go on, but if you are like me and need a bit of instruction and cant afford a makeup artist to be at your beckon call- buy this book.
Mostly Black & White Photos!.......2006-02-03
You would think that a book on makeup -- especially at this price -- would contain many more color photographs. After all, successful makeup is dependent upon illusions of color as well as light and shadow.
That said, I did learn a great deal from the book, particularly the chapter on human aging. This is a good book if you are as interested in makeup theory as you are technique.
Book Description
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field.
Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed.
Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.
Details both the practice and the theory necessary to be a camera assistant.
Concentrates on technique, not equipment.
Serves as a comprehensive manual, which teaches the necessary methods to get the job done and stay employed.
Customer Reviews:
Great starter book for AC's.......2006-06-12
Of the two major "textbooks" on ACing, this is the best one to start with. It gives enough information to initiate you into what is expected of all members of the camera crew, but is not overwhelming with technical info (not that you are not going to want that info someday, but if you are new, it can be confusing and even discouraging.) After this book, get David Elkin's Camera Assistant's Manual, which goes into much further detail. As you work with different cameras, download the manuals from the panavision/arri/aaton/etc websites so you can feel comfortable with the differences in individual cameras. Lastly, get a used copy of the very expensive American Cinematographer Manual for all the technical bits in one handy portable reference book. This, and tons of set experience, is probably all you need (and keep in mind some of the greatest cinematographers who ever lived worked without any of these aids). Rely on your eye!
The Camera Assistant - A Complete Pro Handbook (Hart).......2000-08-17
This is probably the best handbook for this discipline I've ever seen. I bought a copy when I was in the States three years ago - and it was swiped ! I plan to prescribe this book for my students from 2001 onwards. Well done !
John Hill ctftvs@netactive.co.za
The bible for operating camera personnel!.......1999-06-10
This book is a complete and highly insightful manual for motion picture camera assistants and operators. It covers the disciplines, techniques, skills and even the politics of the craft. For anyone involved or wanting a fabulous look into the workings of the film industry, buy this book!
This is the new Bible........1997-10-15
Compiled from years of teaching innumerable students at the International Film & Television Workshops in Rockport, ME, this book supercedes all previous texts on the subject. A former President of East Coast Camera Local 644, Hart writes in a manner as readable as it is thorough. Illustrations and appendices are completely useful. This is the new Bible for the working A.C. and anyone seeking to understand how the camera department really functions.
Book Description
Have you ever watched a big-budget Hollywood movie and wondered "How did they do that?" or, perhaps, "How can I do that?" While digital technology greatly simplifies the filmmaking process, there are many tried-and-true production tricks that only those lucky enough to work in the world of high-budget professional film production get to know. The truth is that setting up a car chase, making a realistic-looking alien, staging a fistfight, creating atmospheric lighting, and using special effects are often not as difficult to master as you might think.
Digital Video Production Cookbook will show you how to create sophisticated-looking visual effects, dramatic shots, and powerful sequences using low-cost methods adapted from high-end professional techniques. Author and award-winning filmmaker Chris Kenworthy explains how you can use a digital video camera and basic editing software, to create high-end production values with household equipment and a little imagination.
The book includes easy-to-follow recipes for:
- Creating bluescreen effects
- Simulating rain, snow, and other natural phenomena
- Working with backlighting, simulated candlelight, and special lighting effects
- Shooting day for night
- Staging safe stunts, chase scenes, and fistfights
- Makeup techniques for aging, bruises, and serious injuries
- Shooting at night
- Working with camera movement
- Adding special effects such as laser bolts, holograms, and explosions
and much more.
Packed with full-color, step-by-step instructions, inspirational examples, and authoritative information and advice, this book is the ultimate, no-nonsense cookbook for every aspiring digital filmmaker.
Customer Reviews:
Very easy to read book with good info.......2007-09-13
I read through the book which was very informative, form ohh so thats how and TV never really was the same after. I have also tested out good part of it and got good resuslts. I would recommend it highly
Take a pass on this one.......2007-09-03
There are a view techniques described in this book that might come in handy someday, but the descriptions are not particularly thorough. The bottom line: this will make a good coffee table book but don't expect to learn too much.
Creative ideas for any video project.......2007-08-01
I was looking for a video book that shows methods of filming ideas. Just searching I ended up with very complex cinephotographer books that contained tons of detail but too complex for casual person like myself. Just happended to stumbled across this book and was really surprised at the clear writing style and easy to understand images. For making a simple film project with no budget I thought this was the perfect book.
If you are looking to improve your video skills or making a large student project, I would highly recommend this book. For the film student or professional these tips might be already covered in school. Many of the project require nothing special, just a standard video camera and basic editing software. This is a nice change from other books that almost require Adobe After Effects to produce a good special effect.
Overall I really enjoyed this book and will keep this in my video bag to spark any ideas I might need during filming.
EXCELLENT BOOK.......2006-03-25
very practical way of showing how to do multimedia effects at minimal or no cost. Good illustrations & straight to the point. very clear bullet points under the photos, No boring bulcky paragraphs.
I recomment this book, it's Excellent.
Some good some bad........2006-03-02
The lighting stuff is really nice. The special effects section is great, but some of the stuff at the end of the book is pretty cheesy at best. All in all, I found the book very useful.
Book Description
Software packages are complex. Shouldn't software books make it easier? Simplify your life with The Focal Easy Guide to Final Cut Pro 5! This short, full-color book lives up to its name by paring down the software to its essentials. It covers only the key features and essential workflow to get you up and running in no time. When time is of the essence, less is more.
With this book you can start cutting immediately, whatever you edit, whatever the format. This is an ideal introduction whether you are a professional moving over to Final Cut Pro from another package or system, a new user, or just someone who wants to get the best results from Final Cut Pro, fast!
* Save time, learn all you need to know to edit professionally with FCP5 in a few hours!
* Concise full-color coverage, written for FCP5 but relevant to all versions
Customer Reviews:
another Amazon fake-out........2007-04-25
This is NOT a book as all other reviewers have stated. This is an E-book for download only. Amazon is misleading by lumping all reviews together. When purchasing this, you will NOT receive any Hard copy at all.
Quick, easy to understand read and reference........2007-01-12
The first time I opened this book I was hooked on it.
It has a lot of pictures and real world terminology. I'm an audio engineer looking to get into post production and this book also used and explains a lot of production terms I never knew.
The other thing I like about this book compared to other Final Cut books is that it teaches you how to use this NLE from start to finish instead of jumping around, teaching you the video editing process out of order.
This book starts with setting up the program and optimizing FCP for yout computer. Then it go's onto capturing al the way to the finsihed product.
Definetly worth the small amount of money you'll pay for it...
View,Edit ,Print.......2007-01-10
This guide to Final Cut Pro 5 is excellent. Like it says it is geared toward the learning but adds trinkets from professionals. I am a producer at URTV public access Channel 20 here in Asheville,North Carolina and everyone at the studio depends on all productions to be worked out through Final Cut Pro. If you are just starting out -this is the book for you. Carry this as your new bible. If you are a professional -there is still plenty for you to learn..maybe different approaches but well worth the amount you'd pay for a copy. A great compliment to a great piece of software........
Pretty Basic.......2006-11-24
I really looked forward to reading this book, as I have been thinking of buying Final Cut Studio and a MAC to run it. (not cheap in Africa I can tell you) I was dissapointed ... all these 5 star reviews led me to expect more, instead, I found a book that is just plain average. Example ... In Adobe Premier & Avid Liquid I use the ripple tool quite a lot, this book does not cover it in useable detail, I had to borrow some time on a FCP suite to find out for myself. The book contains a lot of "history" about "how you would have done something 20 years ago" ... who cares!!!? I certainly don't ever want to see a half inch Lo-band umatic machine for the rest of my life. The colour illustrations are great but the detail and user tips are lacking, making it pretty ... but basic.
Exactly what I was looking for.......2006-10-31
I have been trying to teach myself Final Cut Pro recently, and was making some progress. However, using lots of trial and error and referring to the voluminous Help guide was taking up a whack of my time, time I would rather have spent just getting stuck into the editing. I wanted a book that would lay down all the groundwork for me. This book fits that requirement perfectly.
It's really nicely designed - easy on the eyes, lots of screenshots and step-by-step instructions, and an intuitive structure. The writing style doesn't treat you like an idiot, but it is simply written, clear and concise. It also shows the shortest and simplest ways of achieving things. The shortcuts that I've learnt alone have saved me a lot of time.
Some important points about the approach the book takes: firstly, it isn't a 'project-based' approach. I bought another book which used a CD with files on it to walk you through the step-by-step process of achieving an exact final product. I hated this approach - it made the book very difficult to use as a general reference. With the Focal guide, I just use the index to find out information on what I want.
Secondly, it is far more functional than stylistic. By this I mean it shows you how the various tools work, not recommendations on the effects you can achieve. You're left to do the monkeying around with all the filters and things to figure that part out by yourself - but at least you should be comfortable at the controls.
Thirdly, it's not going to teach you how to edit, in terms of the types of shots to cut together, framing, and so on. Either learn this somewhere else, or use your own creative instincts.
All of which adds up to the book delivering exactly what it promises: a guide to the software, for beginner to intermediate users. More advanced users will want more detail. Good price, great book, will get you up and running fast. Buy it.
Average customer rating:
- Good
- Best source for camera specs
- EXCELLENT ,BRILLIANT AND A REAL HELP
|
Professional Cameraman's Handbook, The, Fourth Edition
SYLVIA E CARLSON , and
VERNE CARLSON
Manufacturer: Focal Press
ProductGroup: Book
Binding: Hardcover
General
| Photography
| Arts & Photography
| Subjects
| Books
General
| How-to
| Photography
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Cinematography
| Movies
| Entertainment
| Subjects
| Books
Direction & Production
| Movies
| Entertainment
| Subjects
| Books
Guides & Reviews
| Video
| Movies
| Entertainment
| Subjects
| Books
Photography
| Studio Art
| Art & Music
| Humanities
| New & Used Textbooks
| Stores
| Books
Film Studies
| Communications
| Humanities
| New & Used Textbooks
| Stores
| Books
All Amazon Upgrade
| Amazon Upgrade
| Stores
| Books
Arts & Photography
| Amazon Upgrade
| Stores
| Books
Entertainment
| Amazon Upgrade
| Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Entertainment
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
American Cinematographer Manual, Ninth Edition
-
Camera Assistant, The: A Complete Professional Handbook
-
Set Lighting Technician's Handbook, Third Edition: Film Lighting Equipment, Practice, and Electrical Distribution
-
The Camera Assistant's Manual, Fourth Edition
-
Painting With Light
ASIN: 024080080X |
Book Description
This new edition of an all-time best-seller is completely revised and updated and details the components and step-by-step use of over forty of the most widely used film cameras. Significant new topics include time code and time code slates, video assist, and the Steadicam film stabilizing system. Among a few of the new camera systems are the Aaton 16mm; Arriflex 535, 35-3, 35-BL3 and -BL4, and 16BL; Fries 35R3; and the all new Panavision Panaflex 35mm and 16mm. The book teaches basic film camera procedures and troubleshooting techniques. It also looks at all the components, accessories (including lenses), and support systems.
Details the step-by-step use of most film cameras.
Updated to cover the newest cameras.
Describes both the technique and equipment necessary to be an efficient cameraman.
Customer Reviews:
Good.......2006-03-22
A fairly, good guide to Cinematography, the fourth edition has many gaps and needs technological update, perhaps the fifth edition will be excellent, specially to students.
Best source for camera specs.......2000-04-26
Because it hasn't been updated Professional Cameraman's Handbook is missing some newer equipment, but it is the best source for information for pre-1994 camera equipment. I'll buy the 5th edition as soon as it is available.
EXCELLENT ,BRILLIANT AND A REAL HELP.......1999-09-04
I have bought this book in 1995 and it was a real help for me.I live in greece and most of the times d.o.p. stands as a camera operator too.I have made lot's of films since then but there was two of them with second-hand 16 mm Eclair bought from two old filmakers.(no operators manual in it and i have never heard this machines before!).As cinematographers know, many things depend of the expirience someone have on specific equipment that is using.this cameras was one Npr and one Acl (S16patend).My assistand get scared when he saw the Acl!! I JUST GIVE HIM THE BOOK AND EVERYTHING GO PERFECT!! THE AUTHOR IS A REAL PRO AND WE GET TOO THRU HIS KNOWLEDGE.THANK YOU.
Book Description
Our experts will tell the reader what's right and what's wrong with a screenplay and how to fix it. Our experts are tough and tell you what you need to hear rather than what you want to hear.
Customer Reviews:
Just an Average Writing Advice Book.......2006-09-30
ASK THE PROS: SCREENWRITING is a book presented by the people behind the Final Draft screenwriting software. I saw an advertisement for the book in some promotional materials that came with my copy of Final Draft and since I liked the software so much I figured ASK THE PROS: SCREENWRITING would be better than some of the screenwriting books I have read. I was sorely disappointed.
Through the course of the book 101 questions that beginning or struggling screenwriters have asked are answered by a "panel" of professionals. The "panel" consists of screenwriters, tv writers, producers, development and studio execs, readers, story editors, agents, managers, attorneys, and mentors. The book is divided in chapters according to the type of professionals answering the question, for instance legal questions are answered by attorneys, development questions are asked and answered in the section with producers and development and studio execs, etc.
Though there are some specific questions, most of the 101 questions are general: How do I get an agent?; How do you come up with ideas?; What makes a screenplay great?; etc. I've read much of the same type of material in other books and there isn't anything new here. Not only that, but just about every question asked has two opposing answers given. Writing is a process and there is no one way to write. All good writers know that, but apparently the editors weren't marketing this book towards good writers. If you finish the entire thing (as I did--once I start a book I have to read it through) the only non-conflicting advice you will receive is that if you want to write you should try to write a little everyday, screenwriters should read a lot, most scripts are rejected because of bad writing, producers and studio execs will listen to pitches by new talent, you need to get an agent, and winning a screenwriting contest doesn't mean you have a script that is worthy of being made into a movie.
I love Final Draft, but if you want to read this book, I'd check it out from the library and spend your money on watching another movie or buying an actual screenplay.
101 Questions Answered By Industry Professionals .......2004-10-06
Enhanced with an accompanying install demo disc, Final Draft Presents Ask The Pros: Screenwriting: 101 Questions Answered By Industry Professionals is the collaborative compilation of joint-editors Howard Meibach and Paul Duran. covers everything from formatting to deal making. Applicable to screenwriting for film and television productions alike, professionals from ICM, UTA, Writers & Artists Group International, DreamWorks, MGM, Paramount, and other production companies were tapped to explain every aspect of developing a screenplay, including what to do with what's gone wrong. If you aspire to write a screenplay worthy of production, then give a close and careful reading to Final Draft Presents Ask The Pros: Screenwriting.
What Were They Thinking?.......2004-08-18
If you're a screenwriter and have ever thought, "what were they thinking?" this book is for you. "Ask the Pros: Screenwriting" is a total insider's POV of Hollywood. Written in an informative Q&A style, chapters include answers by film and TV writers; producers, development and studio execs; readers/story editors; agents and managers and even attorneys. Also there's a mentors section. If you can handle "the truth about Hollywood," this is a must-read.
Finally, real insight into the process.......2004-06-29
One of the best books I've read on the subject of screenwriting. Not a "how to" on the technical aspects of the craft (although there is a wonderful section on this included at the end for the novice), the interviews illustrate the battle that all writers face: a blank page. Written with humor and honesty from some of the best in the business, this book is highly recommended for anyone who truly loves to write.
Must-have for screenwriters.......2004-06-15
The book contains lots of different opinions on the business, which is why I think it is so useful. Since there's
no one way to break into the movie business, this book is invaluable. You've never seen a book with so many pros offering their thoughts on the subject of writing and selling to Hollywood. A must-have book for any writer interested in breaking into the movies.
Product Description
Whether you re new to Photoshop or want to use it at a more advanced level, this book will give you must-have techniques to work more quickly and achieve dazzling results. You ll begin with core Photoshop and DV fundamentals, then move on to titling, working with still photos, and advanced tricks for specific effects. This one-stop resource gets right to the point and walks you through procedures with loads of images. Whether you re on a Mac or PC, you will benefit quickly from the authors expert advice. This full-color book, based on Adobe Photoshop CS, provides complete information on how to master Photoshop and incorporate it within the video workflow. Everything from working with files to creative typography and animation is included in short, cookbook-style chapters with sample files on the DVD.
Customer Reviews:
For video?.......2006-04-05
First of all I kind of expect a touch of sense in graphics and layout when the book treats the subject Photoshop. The interface reminds me of a Spanish course book I had in 8th grade wich also made me puke.
This book treats video in as many pages as I have fingers.
The book is for them who never seen Photoshop before.
I feel cheated. Erik Eliason
Don't bother.......2006-01-18
With the tons of Photoshop books out there is one should be at the bottom of the list or not on the list at all. Being a veteran photoshop user and having bought quite a few PS books in the past this one is the worst I've come across. I bought this thinking it would cover information for using PS for video that other books hadn't covered. Not only was the information in this book incredibly basic it was also very hard to read.
Book Description
If you want to become a resourceful creative artist then look no further! This quick reference to After Effects will show you how to open, install and get up-and-running to a professional level with Adobes motion graphics and visual effects software package.
Curtis Sponsler guides you through some of the common stumbling blocks that frustrate novice and many intermediate designers. Clear and concise full color examples will help you to quickly learn the key features, interface and functional techniques used within the production workspace. By putting these key skills into practice you will discover how to build on and extrapolate concepts, enabling you to solve common production design problems straight away! You can then move on to build simple compositions and progress into the advanced feature-set of After Effects.
As you work through each section you will grasp an ever-increasing array of tools and capabilities to discover a program that will well and truly change your working life!
Associated Website: www.focalpress.com/companions/024051968X
* Achieve excellent results, fast, through Curtis Sponsler's expert teaching
* Clear and concise color coverage helps you explore the full power of the program
* Ideal for editors who want to learn how to push their skills to a professional level with this affordable package
Customer Reviews:
Excellent starter book!.......2007-05-22
I love this book, it's easy to read and understand even for an artistic type. The book is spangled with pictures, and visual guides. I use this for my beginning motion graphics class and all kinds of students are able to understand it.
AND above all it is not horribly expensive like all other software books!
Great starter book if you want to get familiar with After Effects!
A Useful book with one main problem.......2006-10-25
As an artist with a lot of 2d experience in animation who needs to absorb several new animation programs quickly, I find this book very easy to read and well organized.
There is one major problem though (actually, perhaps two).
Key components of the book are the 'downloadable' files located at the publishers' site online (rather than on CD as with other computer books). Many of these files seem to be corrupted or do not open in a newer version of AI. In addition there appears to be no 'help' page or resource for this problem from the publishers. I am unsure how much I'll be able to learn here without being able to perform many of the examples and lessons featured in the book.
I really want to like this book a lot more than I feel I am able.
excellent for curious and first-timers.......2005-10-16
After Effects is an amazing program, so powerful, so intuitive. People that are already committed to taking it on will be better off with the excellent but very dense Trish Meyers books. People that have gentler goals and less technical experience will be overwhelmed by them, and probably quit before they really crack AE, so that's where this book comes in.
AE is potentially a radical tool; with it anyone with a computer and a DVD burner is a film and animation studio. Far more people could learn it, and to that end this book is a useful thing: it isn't as thorough as the Meyers books or the also-excellent H.O.T. book, but as a quick spin through the essentials, a teaser to get you excited and briefed so you'll be ready to take on heavier selections, it's a good choice.
Book Description
What makes a movie great? Perhaps even more crucial, who decides what makes it great - before it gets made into a movie? The entertainment industry's top executive decision-makers are always looking for a great story. But they don't have time to read every screenplay or book themselves. Instead, they often rely on story analysts, or readers, who become the first to read and pass judgment on submissions. Story analysts' reports ("coverages") help form a basis for executive decisions.
Now, for the first time, training for readers is easy to find, easy to do, low cost, and comprehensive. READING FOR A LIVING reveals all: how to get the job and how to do it well. READERS: Learn what makes a story great. Earn extra income while pursuing another career. Gain valuable insight into the industry. Train to be a story editor, Director of Development, or other high-level executive. DEVELOPMENT EXECS: Make sure your readers are educated. Review your own story analysis skills. WRITERS: Find out what readers and executives want. Review your fundamental writing skills.
Customer Reviews:
Start reading for a living!.......2003-02-26
A unique book to break into script and book reading for a living. A very useful tool for people who want to break into this business. A practical guide to the business of story analysis. With lots of ideas, resources and tips.
Needs updating!
By Thei Zervaki
author of Globalize, Localize, Translate
See your script from another P.O.V........2001-02-27
Whether you imagine YOURSELF "reading for a living" or not, this book will help you see from the READER's perspective what makes a good script. Your script will likely not become a motion pictures without having first passed through the hands of a reader. With that said, how can you afford not to know what the reader expects of a well-crafted story? If you can't get the reader to at least give your script a "consider", then all your painstaking effort is a loss. This book offers some interesting advice.
The Info you need to be a reader.......2000-03-28
While somewhat dated, this title offers a lot of information that will help you get a job as a writer. It shows you great techniques on how to critique screenplays, as well as how to "grade" the scripts and format coverage.
Book Description
Videotape Editing and Post-Production emphasizes the basic information that professionals need to acquire a practical, working knowledge of editing equipment and the post-production process.
This book is a "real world" guide to both the technical and non-technical aspects of videotape production. The text and numerous illustrations bring the reader up-to-date on the latest developments in video, including component video signal, field rate SMPTE time code, Betacam SP (TM), VHS HiFi, the videotape editing bay, control edit list cleaning, and multi format editing. Anderson also provides timely information on the latest film to video offline systems, track editing, time-code editing, offline editing, digital video effects systems, electronic animation and graphics systems, and personal computers that function as edit controllers and edit list management tools. Combining basic information on editing equipment and techniques with tips on budgeting, organization, and getting into video editing, this is a valuable reference tool for experienced and novice editing professionals.
· Practical, hands-on approach
· Provides novices with basic information on equipment and techniques
· Offers professionals guidance on the management of the process
Customer Reviews:
A great book for new editors!.......2005-08-18
First off I have to say that the other reviewers are correct in saying that this book is geared toward linear editing. THERE IS NOTHING WRONG WITH THAT!!! ALL editors should know what an EDL is or how 3:2 pulldown works or even what a field is. Unfortunately most non-linear editors haven't a clue about these things and when I, the finishing editor gets ahold of their lists (or OMF's) it makes my life a living hell! All editors should know how to read a scope especially if they are outputting their masterpieces to tape. so often broadcasters are getting unacceptable masters due to editors not being able to read video levels. This is where this book is a godsend. It explains in great detail all these issues and more to make you become a more professional editor. This book won't necessarily going to help you artistically (although there is a few chapters on esthetics) but it might make you more money in the real world by giving you tools that shows & production companies are looking for.
The Best Linear Editing Book!.......2002-01-16
This text book has been used to instruct students in the technical art of linear video editing for many years. The only glitch is how many people need instruction in linear editing? It starts off with a brief history of video edting, talks about time code, editors, editing with multiple machines, gets a little technical with the analog video signal, introduces you to a typical linear post system, audio for post, how to organise your post project and ends with a look into the future. Except that the future is now!
Disappointing and Outdated.......2000-12-13
I was looking for something covering video post production topics completely. Although the name gives such an impression this book is not a good choice: First of all It is a little bit old fashioned and outdated. The subjects are not covered in depth and there are some parts that are really hard to understand. This is not a "guide", this is not a real "textbook" so it is inbetween.
Books:
- The Trial of Ivan the Terrible: State of Israel Vs. John Demjanjuk
- The Ultimate Gift (The Ultimate Series #1)
- The Woods
- The Writer's Guide to Writing Your Screenplay: How to Write Great Screenplays for Movies and Television
- The Writer's Journey, Second Edition: Mythic Structure for Writers
- Three Tales of My Father's Dragon
- Trick of the Eye
- Ultimate Spider-Man Vol. 10: Hollywood
- Ulysses Annotated
- Visual Explanations: Images and Quantities, Evidence and Narrative
Books Index
Books Home
Recommended Books
- Adjustment Computations: Spatial Data Analysis
- The Black Jewels: Trilogy: Daughter of the Blood / Heir to the Shadows / Queen of the Darkness
- Shop, Save, and Share
- The Case Against Hillary Clinton
- Steve McQueen The Last Mile
- The Reivers
- The Grouchy Ladybug
- Welcome to Hospitality: An Introduction
- Office XP Para Dummies, Spanish Edition
- Corporate Finance Sourcebook 2000
