Average customer rating:
- Nice man, wandering story...
- ****LOVED IT****
- MEASURE OF A MAN does not measure up
- SPIRITUAL "Of, Relating to, Consisting of, or Affecting the Spirit" MERRIAM-WEBSTER
- Books
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The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
Sidney Poitier
Manufacturer: HarperSanFrancisco
ProductGroup: Book
Binding: Paperback
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ASIN: 0061357901
Release Date: 2007-01-26 |
Book Description
"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."
—Sidney Poitier
In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure—as a man, as a husband and a father, and as an actor.
Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters...and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.
Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.
Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limits—his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.
Customer Reviews:
Nice man, wandering story..........2007-10-04
I had to force myself to finish this book, simply because I didn't want to waste my money by leaving it when I was tempted to. It was interesting to realize that an actor whose work I had appreciated came from such a spare beginning, but by halfway through the book, the continuous wandering asides and disclaimers of the author so overwhelmed the narrative that I could barely tolerate it. It seems to me that the story could have been told to greater effect with half the words!
****LOVED IT****.......2007-09-24
Kept me interested...I really enjoyed this book...I couldn't put the book down until I finished reading it!!!!
MEASURE OF A MAN does not measure up.......2007-09-21
Wow, a book about Sidney Poitier. An outstanding actor with a book that just does not give him true justice. The reading tends to be dry and lacks substance. His life struggles could have been the story of any man or woman, black or white. The writing and editing are weak in some sections.
You should rent or buy one of Poitier's movies instead. His movie roles show his true skills.
SPIRITUAL "Of, Relating to, Consisting of, or Affecting the Spirit" MERRIAM-WEBSTER.......2007-08-30
I've always been smitten with Poitier's voice--his diction and control on film, the flow of his words as they travel in and around ideas during interviews--so I read THE MEASURE OF A MAN with an ear for his voice. I wondered, Is it translatable to print? It is, but that means allowing Poitier's thoughts to meander until they find their point, and that his thoughts are less formulated (or formal) and more "in his own words," than they might be if they were written by a biographer. (I read just enough "You know?"s "You hear me when I tell you?"s and "You follow?"s to feel like he was talking to me, but not too many to be annoyed.) I read to imagine what it might be like to have a conversation with Poitier. The book reinforced what I already knew--I'd be as intimidated as heck--but it also gave me the courage to think I'd be able to speak my mind.
As an editor, I read Poitier's book because I wanted to know how he defines a "spiritual" autobiography. Is it a I-Was-A-Sinner-But-I-Found-Jesus-And-Now-I'm-Saved chronology? Is it about how Christianity or another faith influenced his life? Neither. Poitier examines the people, events, circumstances, beliefs, and so on, which have related to, consisted of, or affected his "spirit," and, in doing so, he writes about childhood experiences in the Bahamas, his changing perceptions of his parents, how he adapts to living in the United States, his approach to acting and filmmaking, and his attitude toward fatherhood. He also shares a debate a friend and he had about the Basic Truth of Nature, a debate worth every second of reading it takes to get to.
Is THE MEASURE OF A MAN going to satisfy readers interested only in Poitier's film career? No, but I urge them to read it anyway, if for no other reason than to find out how his "spirit" influenced the films he starred in.
Books.......2007-08-21
I purchased this book for my daughter and she loved it!
She is a teacher and plans to teach this story in her English class fall 2007.
A great story with a great moral.
Average customer rating:
- Whoa!
- Do you like perfection???
- Genius
- Beautiful luxury item..
- The Kubrick Experience
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The Stanley Kubrick Archives
Manufacturer: Taschen
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Binding: Hardcover
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Stanley Kubrick Collection (2001: A Space Odyssey / Dr. Strangelove / A Clockwork Orange / The Shining / Lolita / Barry Lyndon / Full Metal Jacket / Eyes Wide Shut)
ASIN: 3822822841 |
Book Description
Stanley Kubrick The first book to explore Stanley Kubrick's archives is also the most comprehensive study of the filmmaker to date
Part 1: The films
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It's not a message I ever intended to convey in words. 2001 is a nonverbal experience…. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content." The philosophy behind Part I borrows from this line of thinking: from the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, Kubrick's complete films will be presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience.
Part 2: The Creative Process
Divided into chapters chronologically by film, Part 2 brings to life the creative process of Kubrick's filmmaking by presenting a remarkable collection of material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews.
Customer Reviews:
Whoa!.......2007-09-16
Lucky me! I scored a copy of this and I have to say it is the best book on an artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.
A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.
A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.
Do you like perfection???.......2007-08-12
One of the most beautifully produced books I have ever seen!!! Worth every cent. This is the kind of book you set aside in a special place, so you can revisit it and continually discover something new. Five stars is not enough. An essential addtion for anyone who is interested in the work of Stanley Kubrick!!!
PERFECT!!!
Genius.......2007-06-01
The book is definetely a work of art. Congrats, Taschen, for such a well done job. You will find photos, storyboards, interviews, texts, articles and sorts of wonders from the Stanley Kubrick universe. The strip from a 90mm copy of 2001: A Space Odyssey is a delightful gift for appreciators of his masterpiece.
Absolutely worth-having.
Beautiful luxury item.........2007-05-17
As others have mentioned, this is a tremendously well put together book, with the tab system making it easy to get to the sections on the particular film you've just seen or are interested in. The essays, for the most part, are well written and engaging, and do a good job of enhancing the movies and giving you a context for the circumstances under which the movies are made. I've been using the book while watching each of one of Kubrick's movies, and it's a great way to get more out of each.
The size of the book is impressive from a collector's perspective but frustrating from an reader's - you do really have to read the book in a particular position, otherwise you may damage it. That said, the size of the book does enhance the tome's first half, featuring shots from the movies themselves. This might seem a bit dull, but for Kubrick, who actually grew up a photographer, it's well worth the time to flip through and marvel at the compositions.
Finally, I had wondered before buying the book if it was still in its first run with the filmstrip - as of May 2007, it is. I recommend sending a question to Amazon to ask - they quickly got back to me to let me know that the book I was buying did have the film strip.
Of course, the book is a bit pricey, so you certainly do need to be a devoted Kubrick follower to make it worth it. There are a number of other quality books with similar essays to the ones you'll find here, but the whole package - filmstrip, largeness of the book, screen shots, and the essays - combine to make the overall item something very special, and well worth it for those who can't get enough of Stanley.
The Kubrick Experience.......2007-03-28
The other reviews of this remarkable book have more or less summed up what I would say so I've approached it from another angle: I've uploaded eight photos to give you an idea of what this highly visual (and costly) book looks like. Amazon doesn't display images numerically so you'll have to see them at random. Click 'customer images' under the cover.
If you are buying a used first-run copy do check with the seller that Mr Kubrick's film strip is in its sleeve and the CD is also included, photo one shows them in position. Some reviewers have rightly said that owning a bit of '2001' from Kubrick's personal collection gives the book extra kudos.
Photo two will give you an idea of how the book is organised. There are two sections, each with a series of colored tabs. His twelve movies have a tab each and in the first section there are eight hundred stills, black and white and color depending on the film. Photos three, four and five are some of the spreads from Dr Strangelove. The second part of the book covers each movie in detail with an amazing collection of visual material to back up the text. Photos six, seven and eight show some pages about the background and production of Dr Strangelove.
The back of the book has a fifty page Appendix A, B and C. A covers three unmade movies: Napoleon, AI and Aryan Papers. B has three essays. C is a chronology of Kubrick's life.
This is a BIG book, opening to thirty-three inches wide and at over fourteen pounds in weight it really can only be read on a table. Needless to say being a Taschen book it is beautifully designed and printed and if you do buy a copy the Kubrick experience will be quite overwhelming and long lasting.
Book Description
Provides a complete, comprehensive overview of the Prequel movies (Episodes I-III) and the Trilogy (Episodes IV-VI), this is the definitive photographic guide to the entire Star Wars saga.
Customer Reviews:
The Complete Visual Dictionary of Star Wars.......2007-09-26
This book is extraordinary. The pictures are sharp and extremely detailed. There are explanations of many characters that are only seen in the background scenes. I highly recommend if you're a Star Wars fan. My 4 year old won't give it up.
My Star Wars fanatic loves this book.......2007-09-26
I bought this for my 6 year old who is a Star Wars FREAK. He sat down with this book immediately and has not really stopped looking at it since. He can barely read, but he loves examining all of the characters, and the way they are broken down and labeled is very exciting to him. He likes to see everything that he's seen in the movies, and video game, in full detail.
I can't comment on how this book is similar or different to any other book, but I can say, it's very detailed, it covers a lot of information and describes alot of the relationships and uses of the characters & items. My 6 year old can identify way more than I can. This book is well set up, with loads of information and LOTS AND LOTS of details full color high quality photos which is just what we were looking for.
Good luck!
A Must-Have for any Star Wars fan.......2007-09-21
My son constantly wants to look at this book, and he is only 6 and has never seen any of the movies. That pretty much says how good this book is. I grew up with the original Star Wars movies, so looking through this book is like looking into the past for me. It is well put-together, very concise with a lot of nice photos and a plethora of Star Wars information. An excellent resource for any Star Wars aficionado.
Star Wars is a Five star choice for the ultimate fan.......2007-09-09
This book is just fantastic, and it is worth every penny. I originally bought it for my friends son who loves Star Wars. The kid walked around with the book under his arm like a bible! He never put it down. I recently bought it for my own two elementary age boys and they love it just as much. This is wonderful gift to get for any Star Wars fan -- Once again DK has cornered the market on wonderful visual books for young children. Their books are so well executed and so wonderfully edited, they know exactly how to appeal to this age group by giving just enough information with out making it too simple. An adult fan would actually love this book too. It's a great purchase.
My 9-year-old loves this book!.......2007-09-03
I purchased this book for my 9-year-old son who has been a Star Wars fan for a few years. He has spent hours looking through the book on his own or alongside his friends. I have never seen the movies and I have little knowledge of the people in them, but I could easily learn A LOT from this book if I wanted to. The pictures of the people and tools/weapons are great! I also like the fact that they show pictures from movie scenes that depict the people or the tools being discussed on that particular page. This was a great price for a large hardcover book with great details and pictures!
Customer Reviews:
Explotation Goodness.......2007-09-14
This book is an excellent companion piece to the two movies that were part of the in theater double feature collectively known as Grindhouse.
The book treats us to plenty of pictures of not just the lovely ladies, of which there are many, but of everything from the movie. Included is the script for Planet Terror along with plenty of commentary about the filmaking process and the support network of both Robert and Quentin.
Unlike other film related books this one is not a fluff piece, there is a lot of material between the covers and this book is definately worth reading more than once.
Awesome.......2007-08-24
It's everything I expected and more! Loads of pictures and information. Even QT's AMI playlist. I love it XD
What a Ride.......2007-06-27
Talking about the movie, the girl riding on the hood of the challenger was quite a stunt and I have to admit that it was original and very edgy.
The girls in this movie were well cast and Cherry is hot.I can't wait to buy the DVD, hurry up and release it!
Not sleazy at all.......2007-05-25
Great transaction! No SLEAZY here! The book is great. The shipping was super fast. Thanks a whole bunch!
Grindhouse: The Sleaze-filled Saga of an Exploitation Double Feature.......2007-05-18
fantastic book with interviews, heaps of behind the scenes info and photos, screenplay for Planet terror and the trailers a very comprehensive book for any movie lover
Book Description
What does it mean to turn one of the great graphic novels of our time into a major motion picture? In 1998, Frank Miller shook the comics world with his groundbreaking series 300. Marking Miller's first collaboration with watercolor artist Lynn Varley (Ronin, The Dark Knight Returns) in over a decade, 300 was a gritty reimagining of a battle in which 300 Spartan soldiers fought to hold back the entire Persian army. The series won five Eisner Awards, including Best Limited Series, Best Writer/Artist (Miller) and Best Colorist (Varley). 300: The Art of the Movie takes you behind the scenes as director Zack Snyder (Dawn of the Dead) adapts 300 to the silver screen. With 200 pages of production photos, concept art and much, much more, 300: The Art of the Movie is sure to delight Miller fans and movie buffs alike.
Customer Reviews:
Concepts galore.......2007-08-26
Translating a graphic novel into the world of cinema can be a tricky business.
And the first step is concept art -- creating basic images of the characters, costumes, and important, visually-striking scenes. "300: The Art Of The Film" is crammed with such images, detailing virtually every part of the movie... but it's very skimpy on explanations and information.
It starts off with a couple of prefaces -- one by an expert on military history, and the other explaining the purpose of revealing the concept art. Then concept art itself: it basically outlines the story, beginning with the "inspection" of newborn Spartan boys and ending with another battle brewing between the Spartans and Persians.
These include pages and pages of rough sketches and detailed drawings for the cinematogrpahers, some representing only a few seconds (a fist hitting a slave's face). Then there are plenty of costume sketches, depictions of unreal-looking monsters, tents, and the gorgeous sets for things like Xerxes' opulant golden litter. Actually, it's more of a portable house.
But it has more than just concept art -- there are clay models, special effects shots, elaborate makeup and costume for things like the hunchbacked traitor, Xerxes' chain-porn costume, and things like knives stuck in a eye, and even green-screen shots before the CGI gloss was put on. And there are shots showing how they managed certain effects, like the people who controlled the animatronic "wolf."
And with every sketch and behind-the-scene shot, they show the finished result as it appears in the movie. A lot of them have the original art by Frank Miller as well, to show us how close the movie actually is to its source material. Visually speaking, it's a feast of behind-the-scenes information.
Buuuuut....
"300: The Art Of The Film" suffers from a lack of background information -- they show us loads of information, but don't tell WHY they were done, or even the intricacies of HOW. Come on, they must have had some trial-and-error in this film. While we can see the art for ourselves, we're rarely told much about why they chose this costume, or that monster, and how they created some of the weirder visuals.
So while the book is visually rich, it feels incomplete, like they left a lot of the text out to keep the guide from getting too long. Sometimes pages and pages will go by with only a few sparely-written paragraphs describing the intricacies of the movie. "300" is a visual movie, but come on, there's more to it than that.
"300: The Art Of The Film" has loads of art, but not much explanation in how it got from art to movie. It stumbles badly as a behind-the-scenes guide, but it's still an intriguing visual read.
Pretty Nice Book.......2007-07-28
This book has quite a few photos showing the making of 300 but the biggest draw (to me) was the similarities to the 300 Graphic Novel. Size, shape and cover picture are the same. The book shows a lot of photos of how the digital images were added to bleak green screen sets, how things like the wolf were made, etc. Its a good book for 300 fans it's a must have for those who have the Hardcover graphic novel (to display them side by side).
Misinterpretations Aside.......2007-07-17
It seems that some people are having a hard time realizing that the title of this book includes "The Art of the Film" and are searching for filming procedures, or sociopolitical explanations on behalf of the film when, in fact, this IS an art book. And for what it is, it does a great job revealing the artistic vision behind the film 300. From makeup effects to storyboarding to the comic conversion of the film, "300: The Art of the Film" makes a stylistic presentation that is worthy of the aesthetic care of the movie itself. Anyone who is interested in the artistic background in the movie 300 will appreciate the clean layout and complete presentation of this book.
A great companion..........2007-05-28
A great companion to a great movie and a great graphic novel.
Not often do you get to see behind the blue (or green) curtain to see how a movie is made.
This book gives you that insight!
Newsflash: Persians are Real People!.......2007-05-16
This is an interesting making-of book about an interesting movie based on an interesting graphic novel. I bought this book to see if I could get a clue as to why the Persians were portrayed as inhuman Orc-like mutant monsters, and while the book has something to say about the 'how,' it is curiously silent on the 'why.' Unlike fantasy creatures like Orcs, Persians (also called Iranians) are real people. They were regular folk in the days of the Battle of Thermopylae, and they continue to be regular folk today. I would think that Christians in particular would take issue with the misrepresentations of Biblical history detailed in 300: The Art of the Film. The Xerxes in "300" is the same Xerxes as in "One Night with the King"!!!
Amazon.com
Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg
Book Description
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
In Story, McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.
Customer Reviews:
Recommended by son, to mom and now you.......2007-09-23
Transforming a lifetime of short stories to screenplays has become my focus. Struggling with story, my son told me he had a teacher in film school suggest this book. It helped him. Now its helping me. Hopefully, you'll be next. Screenplays are perplexing if you've always written in short story or book form. McKee assists in making the necessary thought revisions you must in order to succeed.
A must read book.......2007-08-02
I bought this book three years ago, I keep referring to it whenever I am stuck in a script problem.I like the scene structure part very much, it is very focused, easy and helpful.
This is not a kind of book that you would read in the bus station or in one session.It is a lifetime friend once you decided to be a screenwriter.I am strongly convinced that "Story"is most useful for film and TV writers and not for any other writing genre.
Buy it, read it, re-read it and start writing knowing that it is a long journey.
There is only one way and that is McKee's way because he says so.......2007-07-30
If you can look past the contradictions, McKee's enormous ego, and writing as coherent and clear as that in Dianetics, you will occasionally find a helpful insight in this book.
Write the truth..........2007-06-26
In my experience books tested and proven before being written tend to be the best. A prime example - Angela's Ashes, won the Pulitzer Prize, fine tuned by the author McCourt doing a one man show talking about his wicked cruel childhood, growing up in Limerick, Ireland.
In the same way, Story evolved out of McKee giving lectures, and now, he continues to spread the word.
McKee is definitely an antagonist as opposed to a protagonist, and in person a funny and engaging fellow, and an excellent teacher. As you might expect, he does know how to tell a funny story, and he had a little fun at the expense of some of the sacred cows in the industry. I particularly liked his rant about Roger Ebert, who took his name in vain once but never again.
Anyway, the book shines a bright light on the elements of story. Conflict is to story what sound is to music. Story trumps dialogue in importance. Setups, payoffs, turning points, structure, inciting incident, protagonist vs antagonist, resonating and contrasting subplot, negation of the negation. Emotional value of scenes. Arc of the character. Act structure, rhythm and pacing. Text and subtext, beats, exposition. Character, dimension, step outline. All this and so much more.
Perhaps the most important single thing I learned from McKee is..treatment. The character treatment may be twice as long as the screenplay. This is the key difference between aspiring screenwriters, and successful ones.
I open my book, and look at his personal inscription to me, which I am sure he has written to many others... "Write the truth." I will, Mr McKee, I will.
If you were to find this review helpful, please click yes.
THE book for understanding story.......2007-06-24
If one were to read Joseph Campbell's, A Hero With a Thousand Faces, and Story, you would have the foundations (not formula) for understanding why story telling is such a powerful medium for communicating eternal truths. McKee says all people have an insatiable appetite for story. We can't get enough of them.
Book Description
For serious amateur photographers who already shoot perfectly focused, accurately exposed images but want to be more creative with a camera, here's the book to consult. More than seventy techniques, both popular and less-familiar approaches, are covered in detail, including advanced exposure, bounced flash and candlelight, infrared, multiple images, soft-focus effects, unusual vantage points, zooming, and other carefully chosen ways to enhance photographs. The A-Z format make sit easy for readers to find a specific technique, and each one is explained in jargon-free language. Top Tips for each technique help readers achieve superb results, even on the first attempt.
Customer Reviews:
Basic.......2007-10-04
Very basic book, mostly for those who are absolute beginners in photography or for point-and-shooters that are upgrading to SLR.
Great Book for Users.......2007-09-27
I purchased this book after reading reviews and having people suggest this literature to me. I have to say that the author makes it very straightforward, concise and comfortable to read. For a amateur photographer, this book is a gem and I highly suggest reading it just to familiarize yourself with the basic conceps of exposure and how you apply it to both digital and film photography.
If You Can Only Afford One Photography Book, THIS IS THE ONE!!!.......2007-09-26
I purchased this book over a year ago and have since bought several more copies to give to my friends that are into photography. It is by far one of the best books out there for teaching ANYONE about correct exposures!! It's a very easy read, I have read it through at least three times, and this guy knows his stuff. There are so many beautiful full page color photos to demonstrate what he is talking about and he gives his settings for all the shots. If you are just starting out in photography, or have been into it for a while, I feel EVERYONE can learn something from this book. After reading this book, obtaining a 'proper exposure' in-camera clicked for me. I gained a thorough understanding of shutter speed, ISO, aperature/f-stop, light, composition, depth of field and many more very important aspects of photography, everything made sense, opened up new creative doors for me. I still don't always achieve the perfect exposure, but I do have complete control over my camera and settings, the whys and how-to-fors. If you can only afford ONE book, this is the one. I rarely do book reviews, but this one deserves it! I submitted some of my own photos above, using various techniques in photography, all learned from this book.
A must have.......2007-09-26
No question, this is an excellent book. I am a intermediate level photographer, it is filled with great tips. Stop reading this and buy the book!
That is what I wanted! All-in-one book for amateurs who want to master photography - both digital and film.......2007-09-21
Well, I never expected to write a review, but I did because this book is what I was looking for. I've been using camera for decades now, but I was mainly point-and-shoot photographer. Yes, everybody liked my pictures but I really did not know how to be consistent in the results. So I got myself a new Nikon D80 and undertook to learn how to take pictures with full control over the process. I browsed through Amazon in search of "become a concious photographer book for dummies" and I ended up buying this book and Ansel Adams's "Camera".
This book has everything you need to move from amateur to prosumer photographer. It expalains what is exposure and light and how you can control it. It gives you hints on metering and some basic special techniques. What is very important is that it gives you plenty of color pictures with short stories on how they were taken and data on exposure parameters so you can check how they impact the final result.
So get this one if you would like to buy one book which would allow you to undersatnd how to take beautiful and creative pictures! I guess that when you finally get it and read it you will be hungry for more information. But then you can get books on specific subjects - here - you have all the basics that you need.
Amazon.com
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.
Book Description
A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.
Customer Reviews:
Chicken scratches vs. Detailed Storyboards.......2007-08-19
I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.
of moderate interest to readers of video magazines.......2007-08-13
as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars
Mind-opening, even if you aren't interested in directing.......2007-06-30
I've worked in the graphics design business for years, but more recently I've grown interested in working with video, primarily shorts and documentary work. I was looking for a book that could help teach me the "language" of motion and visual storytelling, and this book fit the bill. In fact, I found it to be incredibly inspiring as a student of art in general. It's extremely well-written, chock full of practical examples, and contains numerous time-worn techniques as well as cutting-edge experimentation. One funny thing: since it was written a few years before the desktop digital video revolution began, it talks about some of the difficult aspects of shooting which are now in many ways moot. But it's good to hear about the history of the craft.
If you have any interest in all in shooting, directing, or producing any kind of motion picture, show, or short, you'll definitely want to buy this book. However, be forewarned: you'll never be able to watch movies the same way again. You'll begin to pick up all the subtle nuances of filmmaking without even realizing it, so don't feel bad if you have to force yourself to re-engage with the actual story as you're watching!
Useful, pleasurable.......2007-05-07
I'm a college student, not at film school, who makes videos as a serious hobby. I thought this book was much better than other titles in the same market, because it's so specific. Instead of telling you what anyone with common sense knows, like "keep continuity" and "composition can affect the mood of a scene," this film lays it all out in detail. I recommend this for everyone who wants to improve. Even if you're not particularly interested in storyboarding, you'll learn how to think about your sequences in advance much better.
Learning the Rules Before You Break Them.......2007-01-13
Even though many of the great filmmakers may have not utilized storyboards, every one of them has pre-visualized their films.
Pre-visualization is the essence of what it means to be a director. A director can only be effective if he/she properly prepares for each scene. Even if one does not have every shot precisely planned out, they will still have an idea of the look and the flow of the process.
There are certainly many people who feel directing should be intuitive, that there should be no structure to the process or else creativity is stifled. This is a valid point from the perspective of the artist.
What is wonderful about this book is that it gives extensive insight into WHY one should cover a scene in a certain way. Directing as a profession requires a certain amount of preparation and PROOF that you have a handle on the film. Producers want reassurance that you have a vision worth pouring tens of millions of dollars into. Armed with the ability to properly express yourself in regard to your vision, you will have a much easier time convincing others to follow you.
So, in the end, if you are interested in studying the language of film and the methodology behind classic film composition and editing, then this book and the accompanying Film Directing: Cinematic Motion are essential.
Book Description
Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but don't have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there. Readers will learn how to integrate visual effects into every aspect of filmmaking--before filming, during filming and with "in camera" shots, and with computers in postproduction. Throughout the book, the author makes specific references to and uses popular action movies (both low and big-budget) as detailed examples--including El Mariachi, La Femme Nikita, Die Hard, and Terminator 2.
Customer Reviews:
Essential Reading for Indie Filmmakers.......2007-10-03
The DV Rebel Guide, by Stu Maschwitz, formerly a member of Industrial Light And Magic, explains in easily understandable, yet highly technical language, exactly how to create astounding visual effects using the kinds of cameras, computers, and software available to ordinary people. A Spielbergian budget is NOT required. In addition to his information, he offers many links to other websites of technical expertise and training,
You may be making a little family drama, rather than a shoot-'em-up, but the techniques in this book will increase your palette of possibilities. In other words, every indie movie maker can benefit from this book. It's essential reading, period. No one else has published anything like it.
Maschwitz assumes throughout that you are not an idiot or a dummy. Scores of color photos show exactly how every technique is done. He also runs an on-line forum; he and other digital rebels (some of whom are exceedingly experienced and clearly top pros) will help you through the rough patches.
Get this book, go out and make movies better than anything you thought you could do.
This is got the TRICKS!!!.......2007-09-23
Awesome book. My friends and I make ugly videos as a hobby and we've tried many things... but this book has some balls to the wall tricks. The guy is not a scaredy cat about shooting videos with minimal resources and lets you know how to make the most with what you've got. Also has great instructions on how to build your own stuff and pull crazy stunts. Grease up your baby, this is gonna have you running to your video camera with ideas as soon as you open it up!
love it.......2007-08-27
I've done video production professionally for several years and picked up some of these tricks from simple trial and error. What I love is how well Stu connects the techniques in this referrence and compares them to equivalent effects on film. And its not just informative, its enjoyable to read.
I recommend this book to anyone interested in making their videos stand out or looking to up their production value without spending a lot of money.
Love this book.......2007-08-19
I have read a lot of film making books and this is easily the most useful and informative. Anyone trying to make a film on their own needs to have this book!
Best Book for Independent Digital Video Production Ever!!!.......2007-08-12
This is it!!! If you want to produce an Independeant Film this is THE book to read. Don't be fooled. You still need to know what you're doing go to school. Read the manuals, watch the best movies, by the best directors, then read this book and make your movies!!!!!
Average customer rating:
- Very slow and tiring read
- "Matter of Fact"
- What a trip! And I wasn't even born yet when most of it happened!
- Somewhat interesting, ultimately disappointing
- Sight Unseen, Sound Unheard
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White Bicycles: Making Music in the 1960s
Joe Boyd
Manufacturer: Serpent's Tail
ProductGroup: Book
Binding: Paperback
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ASIN: 1852429100 |
Book Description
"This is the best book about music I've read in years, and a gripping piece of social history."-Brian Eno
When Muddy Waters came to London at the start of the 1960s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running UFO, the coolest club in London; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd.
More than any previous sixties music autobiography, Joe Boyd's
White Bicycles offers the real story of what it was like to be there at the time. As well as the sixties heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, Sister Rosetta Tharpe to Fairport Convention.
Record and film producer
Joe Boyd was born in Boston in 1942 and graduated from Harvard in 1964. He went on to produce Pink Floyd, Nick Drake, Fairport Convention, R.E.M., and many others. He produced the documentary
Jimi Hendrix and the film
Scandal. In 1980 he started Hannibal Records and ran it for twenty years. He lives in London.
Customer Reviews:
Very slow and tiring read.......2007-08-31
This has got to be the most boring book about the music business I've ever read. I really tried to make myself believe it was going to be a true page turner, but it wasn't. The only reason I continued to turn the page is because, well... I'd paid for the book! I'm not the biggest fan of folk music, but I do like it and I love the blues, but this book made me dislike both genres (while I was reading, mind you). Mr. Boyd had such a long and fulfilling career in the music business, but the way he told the story was just plain boring. I've read many biographies on this business and have read some real bizarre stuff, but this book was quite tame. Don't get me wrong, I was GLAD that it was tame. I was quite impressed with Mr. Boyd's self-control and his professionalism. He sounds like a total "stand-up guy." But boy, does he tell a boring story. I usually pass my books on to friends so that they we can converse on the book, it's characters, the author, and so on. I must admit, when I FINALLY finished this book, I promptly threw it in the trash. I will give Mr. Boyd one other thing, I was so happy that he made mention of all the blues greats that have graced stages and auditoriums worldwide. That in itself was very much worth this book purchase, but that's about it.
"Matter of Fact".......2007-08-20
Woody Allen made a film called "Zelig" about a little guy who found his way into all the significant events of the 20th Century.
Well, record producer Joe Boyd's life in the 60's was kind of like that. He was all over the place, at the Newport Festivals (both jazz and folk), touring with bluesmen through Europe, and finally at the epicenter of both the British psychedelic and English Folk Rock scenes.
With all that material to draw from, you would think that this book would be a regular psychedelic sundae, vibrating like a day-glo art poster. Nope. It's just a recounting of Joe's ups and downs in the music business. There are nice reminiscences about Sandy Denny and Nick Drake, and Joe drops some little known facts about his resume, such as his involvement in the Eric Clapton/Steve Winwood "Powerhouse" recordings, and his production of Pink Floyd's "Arnold Layne"--plus his notable failures, such as missing out on opportunities to sign Procol Harum, or to profit from the Abba catalogue.
But, Joe is primarily known for his involvement with Folk-Rock, and he doesn't really pour forth with details, here. What about "Liege and Lief", generally called the greatest British folk-rock album of all time? What about Vashti Bunyan, a cult artist in her own right? She gets about one paragraph. And what about Linda (Peters) Thompson? Joe lets it drop that he was in an intimate relationship with her, yet she merits only a sentence or two.
This book isn't badly written, but it doesn't really give you a great picture of the music. It could have been much better. People who are curious about the time would be better served checking out the music. I guess a CD sampler of Joe's productions, also called "White Bicycles", is available. Otherwise, there is the great "Nuggets II" box set, which I recommend without reservation.
What a trip! And I wasn't even born yet when most of it happened!.......2007-08-10
As a musician and general music junkie, I'd rate this as a must have. Joe Boyd is just as important to learn from as those blues and jazz bands he resurrected in the last 50s and early 60s. I also sensed the sadness and reverence he had towards Nick Drake, the sad honesty about Sandy Denny, as well as rejoicing in the still flourishing career of Richard Thompson, all of which are influences of mine.
I wonder if he has ever been to the Philadelphia Folk Festival.
Somewhat interesting, ultimately disappointing.......2007-07-22
As previous reviewers said, I "couldn't NOT read this book" and "devour" it with the special anticipation of having seen the words 'Produced by Joe Boyd' on so many of my cherished album covers. However, though it contains a few new facts about the artists and some insight regarding the music business only an insider would know, the book was a disappointment. As earlier reviewers here have stated, it's too short - with not enough information about the actual sessions and music-making itself. The text also seems to be missing something - perhaps over-edited? Perhaps shortened for some reason at the last minute? And some of the potentially fascinating little stories he relates are left dangling in space. The subtitle of the book is 'Making Music in the 1960s', but there's very little of that in the narrative. I wanted to find out what is was like to observe luminaries such as Nick Drake at work in the studio. I wanted to be a fly on the wall at a Fairport Convention session with Sandy Denny & Richard Thompson. What made the Incredible String Band tick? How did these artists get their signature SOUNDS? I was looking for a window on Joe Boyd's working world; What we get are mildly interesting and too-quick glances of the surface of '60s-'70s music.
Sight Unseen, Sound Unheard.......2007-07-17
In the mid to late 60s, there were so many unheralded masterpieces, even the recording companies couldn't keep up with them. Most were relegated to
the old school, family-owned record store. Illinois Speed Press, The United States of America and Joe Boyd and the Field Hippies were a few of them. Some of their members went on to nominal fame in other groups, but they mostly languished in the bargain bins. If this is the same Joe Boyd,
and his way with prose is as adroit as his way with music, you are in
for an incredibly interesting ride. I haven't read the book yet, but I
haven't been moved to make a purchase of anything sight unseen or sound
unheard since I read an article in Hit Parader about CSN three months before their debut album was released in 1969.
Books:
- The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
- The New Essential Chronology to Star Wars
- The Stanley Kubrick Archives
- The Technique of the Professional Make-Up Artist
- The Trial of Ivan the Terrible: State of Israel Vs. John Demjanjuk
- The Ultimate Gift (The Ultimate Series #1)
- The Woods
- The Writer's Guide to Writing Your Screenplay: How to Write Great Screenplays for Movies and Television
- The Writer's Journey, Second Edition: Mythic Structure for Writers
- Three Tales of My Father's Dragon
Books Index
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- Atlanta Jobbank 1999
