Art of Imagination: 20th Century Visions of Science Fiction, Horror, and Fantasy

Book Description

Since the beginning of his existence, man has used imagination to create magical worlds that would transport him beyond the borders of reality. Art of Imagination is a trilogy consisting of the award winning Illustrated History series: Science Fiction of the 20th Century (Year 2000 Hugo Award Winner), Horror of the 20th Century (Bram Stoker Award nominee), and Fantasy of the 20th Century creating the ultimate collection. It was in the twentieth century that book, magazine, and poster artists reached new pinnacles of creativity in depicting the unknown. This collection of works by artists and designers of movie posters, books, and magazines provides a hearty feast for the eyes of the enchanted reader. These artisans and their works are the subject of this new must-have book for not only collectors of memorabilia, but for every person who has longed to step into his or her imaginary world, be it one of fantasy, flight, or fear -- if only for a moment.

Customer Reviews:

Lost for days..........2006-01-31

This book is amazing. You will find yourself peering at every full-color nook and cranny for days. There are so many historical, book, and film references, you'll find yourself taking endless notes for things to look up later.
If you consider yourself even the slightest of sci-fi/fantasy/horror fans, you will cherish this book.
It is quite a tome, however. Be sure to work up your bicepts before trying to lift it.

MY HIGHEST RECOMENDATION.......2005-01-08

If ever there was a book that's a treasure trove of images and information, this is it. An incredible array of pulp, comic, paperback and other art of 20th century science fiction, horror, fantasy and the like. The production values of this mammoth book are great, with familiar and totally obscure titles shown and explicated. Buy this book!

A heavyweight vision........2003-11-02

First off I think you should know that this wonderful book's 768 pages weigh a bit over ten pounds. It is a reprint of three very popular Collectors Press 20th Century series, Science Fiction, Horror and Fantasy. I bought this copy because I'm interested in visual popular culture and I was very impressed with the historical scope of the subject matter, the 1300 colored illustrations include not only book jackets but covers of magazines, comics and nicely, film posters.

With so many illustrations you can search out your favorites, I like the work of Hannes Bok, Kelly Freas and Jeff Jones and there plenty of examples of their work. Running through all the images the three authors contribute a popular history of each genre but it is the huge collection of covers that make this a knockout book for me.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

BTW, I bought this big book at a huge discount and I suggest you take the trouble to check the title out on the comparison shopping book websites, you'll be surprised at price variations.

Necessary purchase for my collection of art texts.......2003-05-13

Being a professional artist, and a mondo horror fan, I was craving to get my pencil smudged paws on this book. Over 700 pages of lavishly illustrated science fiction and horror history. Art of Imagaination brings to attention the works of the great artists who have worked in this field for over a century. Anyone with even a minor interest in thsi subject would find this text a true page turner. Highly Recommended.

A Trip Through the Fantastic!.......2003-01-17

This book is a must have for anyone who is creative. If you've lost your sense of wonder, this book will bring it back. You cannot help but be inspired by this fine tribute to the illustrators and art directors of fantastic art. You will not be disappointed buying this book. No cheap black & white stroll through memory lane here. It's a full color journey spotlighting the creative talent of imaginative artists from days gone by to today. High quality paper and binding are the icing on the cake. A tip of the hat to the authors and publisher for such an authoritative volume on a thinly treated subject.

Story and Discourse: Narrative Structure in Fiction and Film

Average customer rating:

Rhetoric and Narrative
Useful for analyzing written and film narratives

Story and Discourse: Narrative Structure in Fiction and Film
Seymour Benjamin Chatman
Manufacturer: Cornell University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 080149186X

Customer Reviews:

Rhetoric and Narrative.......2002-02-24

Chatman's book has been around for a while, but it is still probably the best summary of structuralist narrative theory out there. Chatman makes the very important connection beetween narrative theory and its rhetorical effects on audience. His treatment of the construction of time in narrative summarizes several other prominent narrative theorists, but his terminology is perhaps the most useful. His clear presentation of the distinction between "story" and "discourse" (often called "l'histoire" and "recit" after Genette) and the linking of discourse to rhetorical theory is perhaps the book's most useful feature. Chatman, whose early works included a treatise on poetic meter, is known primarily as a film theorist, but his work analyzes narrative in many media and in many forms. I have used this book as an introduction to narrative theory in my classes.

Useful for analyzing written and film narratives.......2000-10-14

This book offers, for me, the most understandable model of a narrative I've read so far. Chatman offers helpful concepts for analyzing both written and film narratives. He tries to create a synthesis of all narrative theory before his book, and he does a very good job. Instead of getting lost in a collection of different approaches, you actually find yourself connecting them all, seeing where they fit together.

Among all the books on narratology and narrative analysis I've read, this is the one most helpful not only for analyzing film narratives but also written narratives (although I would always recommend you also read "Narratology: An Introduction", "Narrative Fiction" and perhaps Bordwell and Thompson's " Film Art : An Introduction", if you want to focus especially on films).

This book and the way Chatman dissects the narrative are also interesting for people more interested in writing than in analysis: I believe the parts Chatman splits the narrative into resemble very closely those writers use in putting one together. So this book may actually help writers gain new insights into what they are doing instinctively.

Book Description

Our most death-defying adventures and wildest flights of imagination—the stuff such as dreams are made of—this is the realm of fantasy. And ever since ancestral storytellers created myths of monsters, lost worlds, dragons, and heroes, fantastical tales have transported us to these magical places beyond. William Morris, Edgar Rice Burroughs, and Robert E. Howard are just a few examples of writers who sailed off the edge of their known worlds into those of their own creation.

In these beautifully illustrated pages, you will read of voyages launched by these celebrated commanders of the genre and more. Randy Broecker reveals how the fantasy story evolved over the centuries into the entertainment found in today's books, comics, and films. Collectors, aficionados, and readers of the genre will be amazed by the breadth of Broecker's history, and eager to make it part of their library.

Customer Reviews:

Excellent History of Fantasy Fiction.......2005-08-28

What do C.S. Lewis, J.R.R. Tolkien, Mark Twain, William Morris, George MacDonald, Washington Irving, and Sir Arthur Conan Doyle all have in common? They all have written fantasy novels/stories in one form or another, and in one type or genre or the other.

This massive book gives an excellent detailed history of Fantasy fiction, including the writings of all the authors mentioned above. Moreover, the text is accompanied by some great illustrations, actual book covers, magazine covers, and art all aiding in the detail of the history presented.

This book is quite thorough in its history, making mention of classics such as the Iliad and Odyssey, Greek, Roman, Celt, and German mythology, as well as Arthurian mythology and tales. What is more, the book details fantasy fiction from the early 1900's to the present day (the actual date of publication for this book).

There are chapters devoted to the Pulps written from the early teens to the late fifties. H.P. Lovecraft, Edgar Rice Burroughs, Robert E. Howard, Fritz Leiber, and many more are detailed in the Pulp section of this work. The book also details what is known as 'High Fantasy' with works by Tolkien, Lewis, Terry Brooks, Peter Beagle, Piers Anthony, Terry Pratchett, and the like. All have works that are either historical sword and sorcery set in imaginary worlds with hybrid creatures, dwarfs, elves, warriors and the like. A genre which has become so popular that it dominates the fantasy market today.

This book is a must for all fantasy fiction fans, collectors of fantasy novels and old pulp magazines, as well as for those who just love reading history and fantasy. The book is over 250 pages, filled with color art work, reads quite well and keeps the reader's attention throughout, all making it a wonderful addition to any library.

Fantastic Fantasy.......2002-08-03

This is a very interesting book. I think the illustrations are easily enjoyed by collectors, enthusiasts and just the average reader alike.

The commentary in addition to the images really gave depth to the Illustrated History. In addition, the formatting of the book, having sections for different strains of the fantasy genre, was very convenient.

Overall, a very fun and visually stimulating book.

A 'must' for any serious collector and reader.......2002-07-12

Randy Broecker's Fantasy Of The 20th Century deserves ongoing mention as an outstanding fantasy reference guide which should be a 'must' for any serious collector and reader. From the earliest fantasy mythology epics to later publications and modern authors from H. Rider Haggard to Robert Howard, Fantasy Of The 20th Century surveys the major publications of the 20th century. A highly recommended reference, this is packed with color photos and insights alike.

For solid fans of fantasy writing and the genre's history.......2002-01-09

Solid fans of fantasy writing and the genre's history will appreciate Randy Broecker's Fantasy Of The 20th Century, a superbly presented survey of fantasy creators and their worlds. Full-page color photos of fantasy publications from magazines to pulp fiction accompany a coverage of notable authors, plots, and series titles alike. This will prove an especially inviting gift for that avid fan who 'has everything'.

The Sense and Sensibility: Screenplay & Diaries : Bringing Jane Austen's Novel to Film

Average customer rating:

Emma Thompson's dazzling adaptation of Jane Austen's novel
A look inside the making of the film
A fascinating look at a remarkable film.
Great marriage of screenplay and journal writing
Excellent Book!

The Sense and Sensibility: Screenplay & Diaries : Bringing Jane Austen's Novel to Film
Emma Thompson
Manufacturer: Newmarket Pr
ProductGroup: Book
Binding: Hardcover

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ASIN: 1557042608

Amazon.com

Emma Thompson spent five years translating Jane Austen's work to the screen. Fans of the film will treasure this beautiful volume that includes her screenplay, diaries of the writing and the filming, and many gorgeous color pictures from the film.

Book Description

This engaging and beautiful book includes the complete Academy Award-winning script and Thompson's own diaries detailing the production of the film, reviewed by Stanley Kauffmann in The New Republic as "vivid, funny, and gamy." 88 photos including 36 in color.

Customer Reviews:

Emma Thompson's dazzling adaptation of Jane Austen's novel.......2001-11-28

If you read Jane Austen's "Sense and Sensibility" before or after seeing the 1996 film version then I think it is pretty easy to conclude that Emma Thompson's Oscar for Best Screenplay adaptation was richly deserved. After writing and performing a series of short skits for British television, Thompson was approached by producer Lindsay Doran to write the screenplay. Thompson began by dramatizing every scene in the novel, which resulted in 300 hand written pages to be followed by 14 drafts as the 1811 novel was crafted into the final script. The result was a script that manages to be not only romantic and funny, but also romantic and funny in the best Austen sense of both words.

Be aware that this is the Original Script, not to be confused with the Shooting Script. This should be clear as soon as you beginning reading, because originally Thompson had the scene shifting back and forth between Mrs. Dashwood and Elinor/John and Fanny Dashwood (credit for this revision must go, I believe, to Film Editor Tim Squyres, who recut the scene so that we get all of one side and then the other instead of alternating back and forth as in the original script). Overall the strengths of Thompson's script are in two main directions. First, she manages to convey the scope of the novel in a two-hour screenplay, no mean task. Second, the little details she adds to Austen's story are simply marvelous. For example, her use of Shakespeare's Sonnet 116 ("Let me not the marriage of true minds"), which Marianne and Willoughby share to their great mutual delight and which Marianne repeats standing in the rain looking at Willoughby's new estate. In fact, Thompson revised the first scene to make it even better, having Willoughby misquote a key word in an elegant bit of foreshadowing. Thompson also makes one nice little change at the end. While Austen has Elinor bolt from the room to cry outside during the happy ending. Thompson creates a wonderful moment by having her stay in the room and having the rest of her family flee. There are not too many scenes where you are crying and laughing at the same time, but Thompson certainly created one (and has the added virtue of relying on herself as an actress to nail the performance as well). All of these are marvelous examples of playing to the strength of the cinema to bring Austen's novel to the screen.

But we get much more than just the screenplay in this volume, because Thompson includes excerpts from her diaries kept during both the writing of the screenplay and the actual production of the film. It would be nice if there was more insight into what she was thinking when writing the screenplay as I am always interested in how decisions were made and where inspiration comes from, but Thompson makes up for that with her little tales of working with director Ang Lee and the rest of the cast in making the film. Finally, in the Appendices, there is a very choice little treat, namely Imogen Stubbs' Prize-Winning Letter, written to Elinor from Lucy. Do not worry; by the time you read it you will understand why it is so hysterical. There is also a list of the fine homes and estates where "Sense and Sensibility" was filmed if you happen to be roaming around England and are interested in looking for such things.

A look inside the making of the film.......2000-11-21

Most for-sale screenplays are just that -- screenplays. Emma Thompson, who wrote the screenplay for the delightful Jane Austen film "Sense and Sensibility," chose to include journal entries throughout the filming of the movie as well, in addition to the winning entry of a contest to see who could write the best letter from Fanny to Elinor.

There is wit in the descriptions and the photos, all well-captured. The journal entries are entertaining and a good look into the making of a movie. Although be forewarned -- because they dress like the characters of S&S, they do not talk like them. There is definitely some verbal crudeness in the book, men and women alike, but if you can overlook that (or are used to it) then this book will be a delightful read for any Jane Austen fan.

A fascinating look at a remarkable film........2000-07-07

There are three separate parts to this fine volume; introduction, script and diaries. The producer of the film, Lindsay Doran, opens the door for us with her wonderful introduction. At age 13, she was determined that not only was "Jane Austen a very stupid writer," but also she would "never, never read one of her stupid books again."

Fortunately for the rest of the world, Ms. Doran changed her mind, and some twenty-five years after that first erroneous conclusion, has brought us this wonderfully witty, and extremely faithful film version of this first novel by Austen. As producer of the Kenneth Branagh/Emma Thompson film, DEAD AGAIN, she became acquainted with the woman who was not only a phenomenal actress, but also a gifted writer-one with a sense of humor and a strong romantic bent. These two qualities had proven to be the stumbling block over nearly ten years of searching for the right scriptwriter for Sense and Sensibility.

It took nearly seven years to come up with something close to a shooting script, sandwiched as it had to be between Thompson's many award-winning acting chores. Serendipity was obviously at work, however, and eventually, a budget was established, and casting accomplished.

Many of the actors Emma had envisioned in various roles had participated in a read-through the year prior to the filming; they were all in the film, in those same roles.

While the Dashwood ladies are all suitable beautiful, it is the men who are truly gorgeous. ("Repellently so," writes Ms. Thompson in the diary portion, referring to Hugh Grant. "He's much prettier than I am.") With his look-alike Richard Lumsden, they are the brothers Ferrar, Edward and Richard, with Greg Wise as the fickle Willoughby. Alan Rickman (be still my heart!) brings maturity and virility to the role of Colonel Brandon. The sets and costumes are sumptuous.

Interspersed with the actual shooting script and the diaries are some 50 photographs, 36 of them in luscious color. One script looks pretty much like another, but this one allows Ms. Thompson's wry wit to shine, especially in some of the non-spoken words. Of course, not every scene from the book could be included; the movie would have been more than six hours had they been. But the essentials are here, along with all the major characters. Providing testimony to just how perspicacious was the choice of writer is the number of awards garnered by Thompson for this, her first film script.

The diaries portion begin with a production meeting on January 15, 1995 and continue through July 9 of that year. A very small mention is made of Hugh Grant's visit to California, where he'd gone for his next film project after the completion of filming his scenes in England. A final two pages describes the 'location' houses chosen to represent those lived in by the families in the novel.

It may come as somewhat of a surprise to some readers to discover rather explicit language in the diaries. In addition to an apparent fascination with the alimentary process, our Emma has a bit of a potty-mouth, as do some of the gentleman involved, and their words are recorded, one presumes unhappily, all too accurately. They seem curiously jarring and out of place in a book otherwise devoted to the pristine words of Jane Austen.

Nevertheless, this is a lovely, hefty book; one which will bring the reader back to it time and again. There is always a new and enjoyable nugget to be mined from its various depths.

Great marriage of screenplay and journal writing.......2000-02-28

The screenplay itself is a must-read for anyone wanting an education in bringing a well-loved story to life. Emma Thompson does an ingenius job of crafting scenes that are faithful to Austen's original while inventing more that add character development and plot intrigue. I especially like her diary, though. For those who wonder what to include in a memoir of an experience, this journal is a rich model of self-disclosure and humor. I heartily recommend it!

Excellent Book!.......2000-01-04

I truly enjoyed this work by Emma Thompson. Not only is the screenplay included, with pictures, but also there are diary entries by Thompson that give insights into the making of the movie. If you loved this movie, you should read this book. I really enjoyed it.

The New Essential Guide to Alien Species (Star Wars)

Average customer rating:

Expanded Second Edition
New Essential Guide To Alien Species
Star Wars
Incomplete
THE ESSENTIAL GUIDE

The New Essential Guide to Alien Species (Star Wars)
Ann Margaret Lewis , and Helen Keier
Manufacturer: Del Rey
ProductGroup: Book
Binding: Paperback

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ASIN: 034547760X
Release Date: 2006-10-31

Book Description

Discover who’s who and what’s what in the Star Wars universe with this beautifully illustrated guide–now in full color for the first time.

When it comes to extraterrestrial life-forms, there’s more to science fiction’s most famous galaxy than just Jawas, Wookiees, Ewoks, and Hutts. From the skylanes of Coruscant to the worlds of the Outer Rim, an untold number of species populate those planets far, far away. And if you confuse Gungans with Gamorreans, or don’t know a bantha from a tauntaun, you definitely need the in-depth data that only this revised, expanded, and updated guide can deliver.
This comprehensive overview includes beings from all six of the classic movies–plus the novels, cartoon series, comics, and video games. It’s an even bigger cross section of species than what you’ll find in the Mos Eisley cantina. And each entry, from acklay to Zabrak, from amphibians to vacuum-breathers, features everything you need to know, including

• complete physical description and official designation, so you can tell your sentients from your non-sentients, and your humanoids from your insectoids
• homeworld: from dry and dusty Tatooine, stormy and waterlogged Kamino, to arctic Hoth, and countless other strange and varied worlds
• phonetic pronunciation: Askajian, H’nemthe, Iktotchi, Ssi-ruu, and Xexto/Quermian aren’t as easy to say as they are to, er, spell
• notable appearance: a listing of one of the more significant appearances of each species in the teeming Star Wars storyline

Plus, this brand-new edition includes a glossary of crucial descriptive terms and a completely original, full color illustration for each of more than one hundred individual species. It’s a big galaxy, and someone has to organize it. Count on Star Wars®: The New Essential Guide to Alien Species–and don’t leave your homeworld without it.

Customer Reviews:

Expanded Second Edition.......2007-01-12

Now how are you going to understand the joke unless you know these species. And how are you going to know these species without the guide book.

This guide book is a description of the alien species found in the Star Wars. Generally each species gets two pages. On the left hand side wil be a drawing illustrating a representative of the species. On the tight is a description of the species, their home habitat, and other pertinent information about them. Overall, about a hundred species are so described, with another few dozen more given a third of a page or so of description.

This is the second edition of the book: revised, expanded and with color images of the alien species as requested by the readers of the earlier edition.

Of particular interest is the entry on 'Humans.' It remarks that we are really quite wide spread across the galazy. I guess that mean we've still got a chance.

New Essential Guide To Alien Species.......2007-01-12

Glad to see the newer version. They did leave out the Selkath and Rakata from Knights Of The Old Republic. Hopefully they will be added to the 3rd version (if there is one).

Star Wars .......2007-01-11

My husband is a BIG Star Wars fan! He received this book along with the updated Guide to Droids. He has all the Essential Guides & likes to keep up to date on the latest Aliens. I would recommend this book to add to your collection of Star Wars Books. Kind of like a "program" guide

Incomplete.......2006-12-20

Now while I did enjoy the new info, pics, and the fact that it has finally been released, it is still lacking. Some species should have been depicted and further explored such as the Muun, Gen'Dai, Sith (species), Vagaari, and the like. It was lacking.

THE ESSENTIAL GUIDE.......2006-11-03

If you've ever wondered what the differences were between a tauntaun and a bantha, well than this is the book for you! Lavishly illustrated with complete bios and histories on the denizens of the STAR WARS universe, you'll spend hours exploring a galaxy far, far away!

Mapping the World of the Sorcerer's Apprentice (Harry Potter) (Smart Pop series)

Average customer rating:

Adults only, self important, disappointing.
Excellent book for adults who think HP is not "just for kids"
Finally An Adult Take on This Series
Awesome!
Disappointed but probably my fault

Mapping the World of the Sorcerer's Apprentice (Harry Potter) (Smart Pop series)

Manufacturer: Benbella Books
ProductGroup: Book
Binding: Paperback

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ASIN: 1932100598

Book Description

** COMPLETELY UNAUTHORIZED **

This book has not been authorized by J.K. Rowling, Warner Bros., or anyone associated with the Harry Potter books or movies.

New and old fans of the Harry Potter series will welcome this collection of fresh essays on Potter lore, plotlines, and characters. With up-to-date information through book six in the series, this companion volume offers a comprehensive look at the world of Potter through the eyes of leading science fiction and fantasy writers such as David Gerrold, Joyce Millman, and Martha Wells, and religion, psychology, and science experts. Along with feminism, fascism, and moral life, topics include the Three Faces of Severus Snape, Harry Potter as Luke Skywalker, I Am a Hufflepuff: A Look at the Houses, and Harry Potter and Post-Traumatic Stress Disorder.

Customer Reviews:

Adults only, self important, disappointing........2007-06-03

My personal disappointments are these:
1. There are no warnings on the outside that this book is NOT suitable for underage readers.
2. Many of the authors seem smug.
3. I expect better commentary from this group of otherwise seemingly talented authors. What do I mean by "better"? How about something that is really about the Harry Potter series instead of what these authors wish it to have been?
4. How sad is it when the cover artwork far exceeds the book?
I've read a lot of Harry Potter "fan" books. This is the only one that brought less than ten minutes of enjoyment. If you want this book, you can have mine.

Excellent book for adults who think HP is not "just for kids".......2007-03-25

I am a college professor of english literature and composition, but I am also a huge Harry Potter fan. "Mapping the World of Harry Potter" appealed to both sides of my reading pleasure: it gave great insight into the HP books as well as providing really well-written and though-provoking literary analysis and criticism. I couldn't put the book down, and as I read each subsequent essay, I was more and more intrigued and it gave me so much to think about. Really fantastic!

Finally An Adult Take on This Series.......2007-03-13

Finally I found it. A book worth reading, with views offered by real intellects on this series. This book has been a great read and well worth the money spent on it. I find it fun and enlightening. Some of the chapters seemed to drag on but overall they are very good. I found the chapter on Neville Longbottom great, since I completely share the sentiment felt for this character. A lot of thought provoking ideas in here. BE WARNED that there is a chapter on the sex symbol that has become of Severus Snape...this chapter and book are intended for adults. Overall really great!

Awesome!.......2007-03-11

I was really thrilled to get this book, seeing as it is a more serious treatment of the Harry Potter stories. Glad to see that other authors are taking Rowling seriously!

Disappointed but probably my fault.......2007-01-10

I was disappointed in this book, but I think it was probably my fault. I actually thought it was by Mercedes Lackey, not edited by Mercedes Lackey. And it was actually a collection of essays by various people. Boring essays. By people I don't read.

Conan: The Ultimate Guide to the World's Most Savage Barbarian

Average customer rating:

Graphic SF Reader
Roy Thomas' Ultimate Guide to Conan
3 and1/2 stars For Comic book Conan fans... only.
I liked it - but I didn't like it.
Please get your Howard info elsewhere!

Conan: The Ultimate Guide to the World's Most Savage Barbarian
Roy Thomas
Manufacturer: DK Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0756620953

Book Description

For more than 70 years, fantasy fans have followed the exploits of Conan through novels, comic books, and movies. This book, the first-ever illustrated guide to Robert E. Howard's most beloved character, is a genuine treasure chest of Conan lore, following Conan through the ages, through his different careers, as he meets friends and foes and travels across the Hyborian continent.

Click through on the images below to see sample pages from Conan: The Ultimate Guide to the World's Most Savage Barbarian:

Includes a foreword by Todd McFarlane. Created in full cooperation with Conan Properties International, LLC. Features character profiles, maps, art from original paperbacks, comic books, video games, and more.

"Conan of Cimmeria remains as vital today as he did when he first emerged from the pages of Weird Tales three quarters of a century ago to trample the jeweled crowns of earth under his sandaled feet. This gorgeous new volume, lavishly and beautifully illustrated, is a testament to his enduring popularity, a treasure for fans of Robert E. Howard, and a splendid introduction to the Hyborian Age for new readers. If you don't know Conan, you don't know fantasy."
--GEORGE R.R. MARTIN, author of #1 New York Times bestseller A Feast for Crows

"Robert E. Howard dreamed Conan the Cimmerian for himself, and set him free to roam the world of his own Hyborian soul; but first in his years at Marvel Comics and now with this encyclopedic culmination, Roy Thomas dreamed him for all of us, and made that world come vividly to life within our own."
--MICHAEL CHABON, Pulitzer Prize-winning author of The Amazing Adventures of Kavalier and Clay and Wonder Boys

"No one has done more to popularize Robert E. Howard's Conan the Barbarian than Roy Thomas, whose thrilling stories and brilliant editing propelled the world's favorite barbarian to the list of Marvel Comics' best-sellers for more than a decade. And now Roy has brought his knowledge and skills to bear in this ultimate guide, a fan's dream come true."
--STAN LEE, creator of The Amazing Spider-Man and The Fantastic Four

Customer Reviews:

Graphic SF Reader.......2007-08-02

A very nice, bigarse square book, by Roy Thomas of Conan comics fame. It goes chronologically through Conan's adventures in the comics format, and is profusely illustrated throughout as it details his history, as well as the history and geography of the lands of the Hyborian Age.

Fans of Conan comics will dig it, but Conan fans in general should be happy to have a look at this.

Roy Thomas' Ultimate Guide to Conan.......2007-02-19

Roy has put in one place the reasons why Robert Ervin Howard will live forever in the hearts of fans of the Heroic Pulp Fiction.It is an excellent 'Baron's Review'for cribbing for an exam on the Conan Saga (which should be a course in college along with courses in Stephen King's literary world).For both the fan and the novice this is a must have on the shelf with all of Howard's Works.

3 and1/2 stars For Comic book Conan fans... only........2007-01-08

I hate to be the naysayer in the lot because this book is, for the most part, beautiful to look at. However, this is not for the serious reader of Robert Howard's Conan. From an artistic perspective I'm glad to see this book, but there are some considerable exceptions which keep me from endorsing it. There is a lot of representation from comic books, which is fine but there are a considerable amount of images missing, and too many from both old and recently reprinted art that is below the quality a book like this one should require. There is a lot of Cary Nord's artwork from the current Dark Horse series. While I like his work it seems to pad the book out more than it is highlighting the subject. There are reprints of some very nice Barry Windsor Smith art, which is unfortunately culled from the recent Dark Horse reprints featuring horrendous new digital color (some obscures Barry's original linework so badly as to blot it out entirely with garrish results). What is missing are the stellar talents of artists like Michael Kaluta (he did stunning cover art for the comics and the magazine), more Gil Kane, Val Mayerick, more Neal Adams (again, a vivid cover artist for the magazine line), the weird and wonderful pin-ups and illustrations done by Armando Gil and countless others. Instead we get a lot of the current artist and old John Buscema who, while a decent to sometimes great Conan artist he is not represeented well in these pages since his bread and butter pages, proofed from newsprint pages, make up the vast majority of his work. He did better work, particularly when he inked his own pencils.
On the plus side, the recent illustrations from the new Del Rey editions are also presented here. Those artists, Mark Schultz, Gary Gianni and Gregory Manchess are joined by older Conan artists like Frank Frazetta, Boris Vallejo, the late Nestor Redondo, Doug Beekman, Earl Noram and others.
The forward written by Todd ("I can't remember what Conan I read first")McFarlane is not terrible exciting or indicative of his love for the character. It's more like the editors decided to go with a name related to comics as opposed to someone who really sank his teeth into the subject. This brings me to the decent but altogether less than stellar writing by former Conan comic scribe, Roy Thomas. His descriptions of Conan and his world are quite good, unfortunately a lot of the things included in this book are stories straight out of Roy's scripts and not part of Howard's written work. Will this book be updated later with Kurt Busiek's filler strories from Dark Horse as well? Well, no update will be required yet because a Busiek creation named Janissa is in this book.
What can I say? This is not a terrible book. It is a another in a line of missed opportunities.
For people who are Conan fans and only read the comics, well this book was made for you. The rest of us will still be left waiting for the real deal to come along.

I liked it - but I didn't like it........2007-01-07

I so wanted to enjoy this illustrated guide into the world of Conan yet, even after reading it, I still have my reservations. The artwork and imagery alone is a blast! I've always loved the grand mythos of Howards characters as seen or dreamed through the eyes of top-noch artist. But it's the so called chronological events of Conans life-long saga that leaves me with a rather bitter taste in my mouth. Much like the "Star Wars" expanded universe, I find it hard to validate these additional stories of Conans travels. I have nothing against the musing of Conans high adventures by other various story tellers. I've read many Conan books in my time that were not written by howard but I have always seen them as "Separate Works" of fiction.

Anyone could write a story about what happens to Odysseus after he returns home to Ithica to reclaim his throne but no one would ever dare to officialize it as part of the original Homeric myth. You don't see anybody writing additional stories to JRR Tolkiens "Lord of the Rings" trilogy or Stephen Kings "The Dark Tower" sereies either. If Marvel decided to continue the exploits of these characters through the medium of comics, I don't think anyone would complain. Certainly not me. Yet the events of these comics would never be added to any kind of visual companion guide of the original stories. I don't see how Robert E. Howards work should be excluded from this norm. A book of artwork involving Conan is a great idea but three quarters of the chronology that can be read from "Conan: The Ultimate Guide to the World's Most Savage Barbarian" just doesn't hold weight for me. So I'am definitely torn here.

Please get your Howard info elsewhere!.......2006-11-04

I cannot believe that in this age of enlightenment regarding how much Robert E. Howards creations have been diluted over the years by the likes of deCamp, Carter and Thomas to name a few and that we are only now in the last decade been able discover Conan, Kull, and Kane as REH wrote, I get to see a review of this "Ultimate guide"
actually aplauding the literary rape ocf the amazing body of work Howard created.

To give him the praise he does deserve though Thomas could visually adapt REH's original stories of Conan
very well, my favourite being his adaptation of Red Nails illustrated by Barrry Smith, *however* this does not excuse all the pap that was presented as authentic Conan over the years. It is sad that in the centenary year of Howard's birth that the most available "guide" to Howards gives such aplause to non Howard work and that actual Howard scholarship is still limited to low print works by genuine REH fans.

If you want to know abot howards charaters please buy any of Del Rey's Howad TPB like The Savage Tales of Solomon Kane , The Coming of Conan The Cimmerian et al, and Bran Mak Morn The last king.

Green Trilobite

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Dracula rocks
Good Book, Atrocious Editor
Great critical edition
Simply the Best
Still the best

Dracula (Norton Critical Editions)
Bram Stoker
Manufacturer: W. W. Norton
ProductGroup: Book
Binding: Paperback

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ASIN: 0393970124

Amazon.com

Dracula is one of the few horror books to be honored by inclusion in the Norton Critical Edition series. (The others are Frankenstein, The Turn of the Screw, Heart of Darkness, The Picture of Dorian Gray, and The Metamorphosis.) This 100th-anniversary edition includes not only the complete authoritative text of the novel with illuminating footnotes, but also four contextual essays, five reviews from the time of publication, five articles on dramatic and film variations, and seven selections from literary and academic criticism. Nina Auerbach of the University of Pennsylvania (author of Our Vampires, Ourselves) and horror scholar David J. Skal (author of Hollywood Gothic, The Monster Show, and Screams of Reason) are the editors of the volume. Especially fascinating are excerpts from materials that Bram Stoker consulted in his research for the book, and his working papers over the several years he was composing it. The selection of criticism includes essays on how Dracula deals with female sexuality, gender inversion, homoerotic elements, and Victorian fears of "reverse colonization" by politically turbulent Transylvania.

Customer Reviews:

Dracula rocks .......2007-08-26

Bram Stocker is still a classic read. It was very scary from time to time.

Good Book, Atrocious Editor.......2007-06-20

I love Norton Critical Editions, but the footnotes in this volume are maddening. I'm puzzled that no one seems to have mentioned this. Example, a passage where Dracula appears in disguise and Bram Stoker obviously doesn't mean for the reader to have this bit of information yet. The footnote? "Here we see Dracula in disguise speaking wonderful German." I'm exaggerating, but you get the point. Another example: a passage describing Dracula's map of England (footnote: Here we see that Dracula has circled the city of X, where later in the story he will....and....and....until later....). Finally, there are even footnotes that engage the reader in conversation. Something like: "What do you think Dracula meant by that, curious comment, don't you think?" As with all Norton editions, there are some wonderful footnotes, commentary, etc. included, but still I would choose a different version.

Great critical edition.......2006-11-17

If you want lots of in-depth footnotes and many critical essays, than this is your book.

Simply the Best.......2006-07-10

I've listened to Dracula from Audible.com. I downloaded it last month. It's the best of all the Dracula books I've read. Definitely worth the investment of time. It's incredibly suspenseful, full of well-drawn, unbelievably real characters. I wish the movies could capture the characters as well as the book.

I was surprised at the narrative style, which has no actual "scenes", because it's a collection of journals, letters, newspaper articles, etc. But Bram Stoker does an amazing job of pulling all of it together into one very scary, very exciting read. Don't miss this one.

Still the best.......2005-12-30

This is still the best vamp book around, bar none. I was always upset with Coppola's movie because he used Stoker's name, and made the count into this loving anti-hero. THIS is Dracula. Pure evil.

Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter

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The Best History of Clifford Available
Clifford Brown-Maybe The Ultimate 'Tough Sell' Book'
Brownie
Sensitive portrait of the trumpet's most tragic talent
Dull Account of Life of Super Trumpeter.

Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter
Nick Catalano
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 0195100832

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In the early '50s, Clifford Brown was one of the most dominant trumpeters of the Hard Bop period. Nick Catalano, professor of literature and music at Pace University, has written the first book on this important artist, and it's a winner. "In addition to his artistic achievements, Brown exuded virtue and magnanimity," Catalano writes. "He wasn't just a 'nice guy'; he was much more than that." At a time when jazzmen where generally portrayed as drug addicted hustlers, Brown was the exception. He was college educated, rarely smoked or drank, and was a positive role model to other musicians. Had he not been killed in a tragic car accident at the tender age of 25, he may have altered the future of jazz. As it is, he has left a lasting impression on the art form.

Beginning with his nurturing childhood in Wilmington, Delaware, Catalano chronicles Brown's extraordinary rise as a Dizzy Gillespie-inspired upstart, to a seasoned professional who continued to practice and play R&B dates despite terrible pain from a near-fatal car accident. Catalano highlights Brown's work with heavyweights like Lionel Hampton, Quincy Jones, John Lewis, and Art Blakey, and his analyses of Brown's crisp trumpet style and compositions, including "Joy Spring" and "Dahooud," are detailed and entertaining. At the summit of his career, while co-leading a trailblazing combo that featured Max Roach and Sonny Rollins, Brown perished on the rain-soaked Pennsylvania Turnpike on the way to a gig in Chicago. Catalano shows that, even in death, his influence lives on in trumpeters like Freddie Hubbard and Wynton Marsalis, and in the Tony Award-winning Broadway play, Sideman. If there is such a thing as a jazz saint, Clifford Brown was it. --Eugene Holley Jr.

Book Description

Although he died in a tragic car accident at twenty-five, Clifford Brown is widely considered one of the most important figures in the history of jazz, a trumpet player who ranks with Louis Armstrong, Dizzy Gillespie, and Miles Davis, and a leading influence on contemporary jazz musicians. Now, in Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, Nick Catalano gives us the first major biography of this musical giant. Based on extensive interviews with Clifford Brown's family, friends, and fellow jazz musicians, here is a fascinating portrait of a remarkable musician. Catalano depicts Brown's early life, showing how he developed a facility and dazzling technique that few jazz players have ever equaled. We read of his meteoric rise in Philadelphia, where he played with many of the leading jazz players of the 1950s, including Dizzy Gillespie and Charlie Parker; his tour of Europe with Lionel Hampton, which made him famous; and his formation of the Brown-Roach Quintet with prominent drummer Max Roach--one of the most popular hard bop combos of the day. Catalano also shows that Brown was a remarkable individual--he grew up in a middle-class African-American home in Wilmington, Delaware, attended college, was a skilled mathematician, and had wide cultural interests. Moreover, in an era when most jazz players were either alcoholics or addicts, Brown was clean-living and drug free. Indeed, he became a role model for musicians who were struggling with drugs and had great influence in this area with one prominent colleague, tenor sax player Sonny Rollins. Clifford Brown not only provides a colorful account of Brown's life, but also features an informed analysis of his major recorded solos, highlighting Brown's originality and revealing why he remains a great influence on trumpet players today. It is a book that anyone with a serious interest in jazz will want to own.

Customer Reviews:

The Best History of Clifford Available.......2006-11-29

To my knowledge, this is the only full biography of Clifford Brown ever written. It covers his entire life, from his birth, through his Blue Flame days, all the way to his historical work with Max Roach. The book also includes 8 or so pages of pictures in the middle, which is great for those of you whom haven't seen brownie, and a nearly complete discography in the back of the book. Simply put, Clifford Brown is one of the best jazz trumpeters of all time (my favorite, personally), and quite possibly the most tragic loss in jazz history. Any jazz musicians, Clifford fans, or general jazz aficionados should check this book out if they are looking to learn about one of the greats.

Clifford Brown-Maybe The Ultimate 'Tough Sell' Book'.......2006-01-05

Clifford Brown really was 'too good to be true'...didn't drink,do drugs...incredible jazz musician.Nick Catalano really
does an "impossible job" in telling the story of the great trumpeter who died tragically way before his time-and Catalano's anaysis of Brown's recordings makes the case that Brown is a man who "coulda been king"(even though he sorta was anyway).
.

Brownie.......2005-10-22

Clifford Brown had one of the most beautiful trumpet tones in all of modern jazz, and technique that other players would die for. He was not your "typical" (as portrayed to the masses) jazz musician - he didn't drink, smoke, or use drugs; he had a family and a good marriage; he worked hard at his craft. The tragedy is that he was killed in a car crash at the age of 25 at the height of his powers. Even by then though, he had recorded a number of albums establishing himself as one of the greats in the business.

Catalano's book competently traces Brownie's life, from the beginnings in Wilmington, Delaware, to his days with the Lionel Hampton band, early sideman dates in NYC, gigs in LA and Chicago, and finally the formation of the Brown-Max Roach Quintet with Harold Land and then Sonny Rollins on tenor. Catalano is a musician so is able to analyze Brownie's performances and recordings, which he does well, but the life history of the man is told somewhat blandly. We finish the book with a good skeletal outline of Brown's life and career, but much of the meat seems missing.

Sensitive portrait of the trumpet's most tragic talent.......2002-02-17

I read this modest little work last summer in a cottage in the lakeland region of central Finland. The silence around me allowed me to think about Brownie's playing -its purity and clarity- uncontaminated by other music or noise. Of course the first thing I wanted to do when I got back to my records was listen to Brownie over and over again. Catalano paints a sensitive portrait in an approachable, occasionally shoddy style. Clifford Brown's music doesn't quite come alive, perhaps, but Catalano expresses the lucidity of the trumpeter's musical vision and astonishing melodic gift with some agility. It's not a penetrating insight, but there is no other book around (as far as I know) that tells the poignant story of the great trumpeter's short life, so this is an essential purchase.

Dull Account of Life of Super Trumpeter........2000-09-13

Catalano's book about Clifford Brown fails to convey much more than lame summary. The reader receives a readable account of the trumpeter's short life, but the writing itself leaves much to be desired in that it's unpolished, redundant, chatty, and rarely profound. (And it's got typos to boot!) How about this telling detail of Brown's stint in an R&B band? "Clifford Brown and Vance Wilson were quite close and got the kind of education that only comes from being on the road. One time, recalled Wilson, 'We were in Wildwood [New Jersey]. Clifford had never eaten raw clams and neither had I. So we dared each other. We went over to this counter where they were serving them, but we didn't know how to eat them.' They proceeded to put sauce on the clams and started to chew them, failing to notice other eaters who were 'slurping' them. Their exaggerated chewing made everyone laugh" (Catalano 62). Catalano's choice of quotations, in my opinion, is very suspect throughout the entire book. It's as though he's a high-school-essay-writing-novice trying to round out a paper and show that's he read a thing or two or interviewed someone or another, as the case may be. Ok, the book does contain some analysis of Brown's music, and provided that not much else has been written of the trumpeter, I suppose the book merits a cursory glance. But be prepared for some dull, over-accessible, easy-reading.

Tolkien And Shakespeare: Essays on Shared Themes And Language (Critical Explorations in Science Fiction and Fantasy)

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Tolkien And Shakespeare: Essays on Shared Themes And Language (Critical Explorations in Science Fiction and Fantasy)

Manufacturer: McFarland & Company, Inc., Publishers
ProductGroup: Book
Binding: Paperback

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ASIN: 0786428279

Product Description

Tolkien and Shakespeare: one a prolific popular dramatist and poet of the Elizabethan era, the other a twentieth-century scholar of Old English and author of a considerably smaller body of work. Though unquestionably very different writers, the two have more in common than one might expect. These essays focus on the broad themes and motifs which concerned both authors. They seek to uncover Shakespeare's influence on Tolkien through echoes of the playwright's themes and even word choices, discovering how Tolkien used, revised, updated, "corrected," and otherwise held an ongoing dialogue with Shakespeare's works.

The depiction of Elves and the world of Faerie, and how humans interact with them, are some of the most obvious points of comparison and difference for the two writers. Both Tolkien and Shakespeare deeply explored the uses and abuses of power with princes, politics, war, and the lessons of history. Magic and prophecy were also of great concern to both authors, and the works of both are full of encounters with the Other: masks and disguises, mirrors that hide and reveal, or seeing stones that show only part of the truth.

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