Average customer rating:
- Very good for an introductory course
- Excellent textbook
- Horrible book or just hard material?
- Struck by its simplicity and completeness!
- The usefulness of a text book often depends on the professor...
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Computer System Architecture (3rd Edition)
M. Morris Mano
Manufacturer: Prentice Hall
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ASIN: 0131755633 |
Customer Reviews:
Very good for an introductory course.......2007-08-05
I had this text for a course more than a decade ago. I found everything very easy to understand and still refer to the book when I want to know something about computer architecuture. It is very complete at the introductory level. My main complaint is the book introduces too much old-fashioned CISC with its microcode and single accumulator register before introducing RISC later on. In a modern course the order should be reversed since I believe most students would find RISC enjoyable to read about while the CISC examples make for tedious reading.
Excellent textbook.......2007-04-13
Read this book before reading anything else. It is clearly written.
Brings you from the bottom to the top.
Dont fall for new modern latest shiny expensive Comp Architecture books. They are impossible to study from.
Horrible book or just hard material?.......2006-12-27
I don't know, but this book was not very useful to me.
Struck by its simplicity and completeness!.......2006-05-22
I love this book. I am struck by its simplicity. How can a book be so simple, yet so clear in delivering the message, in a topic that is considered to be complicated? Computer architecture is not easy, but with the help of this book I was able to build a very solid foundation when I took the course. And even though it is an introductory book, I still refer to it in more advanced courses and related topics.
The usefulness of a text book often depends on the professor..........2006-02-17
I found this book to be one of the most clearly written texts on the subject of computer architecture(as opposed to the terse, cryptic Astrom and Wittenmark books for control systems, for example.)
Now, a professor can easily test around the basics of any text book by surprising students with unexpected special cases, exceptions, and boundary conditions. But, that is not the fault of the text book itself. If any of those tricks actually appeared in a text book, they would be ignored and he/she would find new ones to test.
Noone can memorize how to think; knowing how to solve the examples in a textbook is only the beginning. That's why there are homework problems.
Unpopular professor tricks aside, I think this is a great book on the topic and it gave me the skills to perform certain assignments on my own during my first engineering job...skills that my employer thought he would have to teach to all us newbies. I was glad I had this book in school.
Book Description
With the worldwide surge in the demand for project management skills, the PMP and CAPM are among the hottest certifications today. To pass the PMP or CAPM exam, you need a no-gimmicks, no-nonsense book on the exam objectives. PMP In Depth is that book! Best-selling author Paul Sanghera offers concise yet comprehensive coverage of each topic included in the PMP and CAPM exams. With a laser sharp focus on the exam objectives, this study guide goes beyond being a simple exam cram. It includes hundreds of questions and detailed answers modeled after the actual exam and contains a complete practice exam with fully explained answers. It is 100% compatible with the latest (3rd) edition of the Project Management Body of Knowledge (PMBOK) by PMI. Appropriate for beginners, PMP In Depth assumes no prior knowledge of project management and presents material in a logical learning sequence: each section builds upon previous sections and each chapter upon previous chapters. All concepts-- simple and complex--are well-defined and clearly explained the first time they appear. There is no hopping from topic to topic and no technical jargon without explanation. PMP In Depth is written to the most current versions of the PMP and CAPM exams and also serves as a great reference tool for project managers after the exam. Maximize your learning and minimize your study time!
Customer Reviews:
The Must-Have PMP Exam Book.......2007-10-04
I bought this book because a friend of mine with more than 15 years project management experience recommended this book to me. I'm glad I bought it. I would say this is basically the only book you need in addition to the PMBOK Guide to pass the PMP exam (I also used Dr. Sanghera's PMP Exam Quicklet which has very realistic practice exam questions). I am relatively new (beginner) to the project management knowledge. This book is especially excellent for beginners because it's self contained and explains each concept from scratch. (That's why I was also able to use this book successfully for my CAPM exam). I love the author's style. The whole book is like a story of project management, all the concepts, sections, and chapters are logically linked to each other: There is a perfect flow. Everything is explained such as why an input is an input and an output is an output...Things explained this way makes much more sense and the knowledge obtained this way stays with you even after the exam...
Another biggy is that the book is organized according to the PMP exam specifications, that is, according to the process groups, and exam objectives...the exam objectives covered in a chapter are explained in the beginning of the chapter...this is refreshing and re-assuring because most of the PMP Exam books including Rita's book don't do that...Talking about Rita's book, it's way over-hyped...full of advertisement pages and empty spaces, lots of references to the PMBOK Guide (that is, not self contained), and lots of artificially wordy (or complicated) questions...That said, Rita's book is not a bad book either.
Helpful but not a must-have book .......2007-10-03
I bought this book mainly because it had high customer ranking on Amazon.
If you are new to the PMI methodology, it is not a book to use for preparation. Too dry, too focused on the formal classification of the processes and knowledge areas. It takes all the fun and problem-solving spice from the art of project management and presents it as a set of dry schemas that are useless in practical life anyway and are not enough to answer questions on the PMP exam. PMBOK is a more lively and educational source of knowledge than this book, with almost the same number of pages.
The book omits number of areas that are covered in the exam - such as organizational theories. It does a decent job of presenting EV analysis and scheduling - enough to answer questions in the respective areas on the test.
However, situational problem-solving is reduced to questions like "what process group does this activity belong to?" while in fact it should be focused on the choices between bad, not so bad and too risky - decisions that a project manager constantly needs to make in a day-to-day life.
If you are good at memorizing, you should be able to pass the exam using just this book and PMBOK. If you want to enjoy your studying and hold on to your newly acquired knowledge more than 3 days past the exam, look elsewhere.
I learned more from free websites and PMBOK than from this book.
If you can choose between this book and Rita Mulcahy's book, spend more money and get her book.
Great PMP preparation tool.......2007-10-03
I started my preparation to PMP exam from reading PMBook which I found very dry a the first attempt.
Then I decided to buy a book that explains the concepts from PMBook. Well, I bought two books: Rita's book and Paul's. I started from reading Paul's because:
- it seems much `user friendly' and easy to read
- it is a self-contained book
- topics are organized in the order of Process Groups - which is very logical as projects run in that way
- at the beginning of each chapter you'll find exam objectives, at the end there are summary, glossary, things to memorize, comprehend and look out at the exam,.
And one more very important thing for me:
- there are no advertisements of the other products in this book (it is very annoying when you read Rita's book and you are frequently `advised' to her web page for some course or to buy the other tools in her offer - like FastTrack etc.). It makes reading this book much easier.
I found only three drawbacks to me:
- there are no `in depth' descriptions of communication processes
- an exam at the end of the book seems to be much easier than the real one is
- there are some errors in questions and answers in the exam
Overall, I think it's a great book but definitely it is not the only preparation tool for the exam as there are some topics not covered by this book.
True to the Exam Spec and Self Contained.......2007-08-14
Unlike many other study guides, this book is true to the PMP Exam Spec by PMI. It lists the exam objectives, explains them, and then covers them in a comprehensive fashion. Most other Study Guidesa are just a re-run of PMBOK Guide. This one is 100% compatible with the PMBOK Guide, but is organized according to the exam spec and explains all concepts from scratch. Self contained. I love it and highly recommend it.
Easy, Comprehensive, and Self Contained.......2007-08-09
I passed the PMP exam mainly by using this book and PMP Exam Quicklet by the same author. This book is very easy to understand and is written around the exam objectives unlike any other PMP exam study guide. The book is self contained (each concept is explained well), unlike Rita's book which repeatedly refers you to the PMPBOK Guide. The PMP Exam Quicklet contains Practice Exams with realistic questions. These are the only two books you need (in addition to the PMBOK Guide)to pass the exam.
Average customer rating:
- Not for Beginners
- Same Book As Audio In Media With Infotrac
- An industry primer
- Sound God
- Never is late to learn
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Audio in Media (with InfoTrac ) (Wadsworth Series in Broadcast and Production)
Stanley R. Alten
Manufacturer: Wadsworth Publishing
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ASIN: 0534630464 |
Book Description
In this market-leading text, Stanley Alten, an internationally recognized scholar and expert in the area of audio production, provides students with an introduction to the basic techniques and principles needed for audio production in media. The text has helped professors effectively teach this technically based course to the introductory audio production student through its clear and current illustrations and photos and student-friendly writing. Comprehensive, technically accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process -- from planning to post-production.
Customer Reviews:
Not for Beginners.......2007-02-25
If, as this book claims, is a beginner's guide offering a nontechnical approach, than I am the Queen of England. I have an advanced degree, am published myself and work as a college professor in another field, but for all practical purposes, this book might as well as be in another language. If this book is truly for beginners, it would avoid sentences like "There are two parallel signal strengths, channel and monitor. In the I/O section, equalization and other signal processing can be delegated to the monitor system for auditioning without effecting the signal being sent to the multitrack recorder, or the signal can be sent to multitrack recorder, or both." Sure.
The editors at Wadsworth should have caught this, but my guess is no editor ever read it. Expensive and frustrating.
Same Book As Audio In Media With Infotrac.......2003-05-16
This text is a broad-based approach to audio for radio/TV/film, and music recording. The emphasis is on audio for production students rather than for engineers, and the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process-from planning to post-production.
An industry primer.......2002-12-31
This was my college text for Broadcasting in 1984/85 and I taught Radio Production from this book. I am a video editor (Avid) and a freelance audio engineer having mixed/recorded over 500 music performances. I STILL reference this book. It is easy to understand, direct and thorough; maybe the only textbook you might keep.
Sound God.......2000-07-27
I have had Stanley Alten for a professor and he knows what he is talking about. He is the know-all be-all of sound. His books are easy to read and to understand and great for people learning sound techniques.
Never is late to learn.......1999-08-05
The most important in this book is that you can find anything about sound. I mean 1) fundamentals in sound 2) technology from past to future and 3) aplications. This book speaks of any thing in sound for any aplication (TV, studios, acoustic ect)
Book Description
Whom the Gods Would Destroy, They First Make Mad — Euripides, 480 - 406 B.C.
·All treasures chests revealed
·Maps of every level
·Extensive Art collection with developer commentary
·Challenge of the Gods, secret costumes, and more
·Classic Mythology history and factoids
·Every foe's strengths & weaknesses revealed
Customer Reviews:
Product has changed. NO DVD!! Amazon get with it!!!.......2006-07-18
I ordered this new direct from amazon because of the great ratings on the included DVD, however, after an extremely long wait, the DVD wasn't included with the guide, so I ordered a replacement copy, same problem! I ended up buying a used one because amazon couldn't supply it. At least they offered me a refund and return postage. Overall a great guide if you can find one with the DVD.
Great Book!.......2005-09-23
This book is EVERY detail you'll ever need to play this game. Game is so intricate, you'd miss so much without it.
God Of War.......2005-08-09
This is highly addictive action adventure game that will make you lose track of time. This game is an instant classic with unbeatable graghics. It also has a good storyline and suprise twists all this way until the end of the game. I highly recommend it to the mature gamer.
Walt Hickman
Snellville Georgia.
Very Helpful.......2005-07-27
I really only needed the book for some ending parts to the video-game and as for instructions on getting past these parts it was very helpful on helping me finish and complete the game and the grahics in this book are very good visual aids and very artistic. Thanks for the help in helping me conquer this awesome game just waiting for the next game from them to come out
Ain't really necessary.......2005-05-02
The game isn't too hard and is quite short, so the price tag is kind of high. The game is epic, but I don't know if the length justifies $70, that's all.
Book Description
With its powerful combination of visual layout tools, application development features, and code editing support, Dreamweaver MX 2004 is sure to become the constant companion of many Web developers. Here to get you hands-on with it fast is the definitive project-based training on the topic from one of the master teachers at Linda.com training. Using a combination of project-based lessons, guided exercises, and QuickTime tutorials, veteran author Garo Green walks you through all the Dreamweaver MX 04 basics: navigating the new interface, creating and managing Web sites, and linking among pages. You'll learn about frames and forms, cascading style sheets, and Fireworks and Flash integration, and gobble up Garo¿s suggestions about best layout and typography practices. You'll also find extensive coverage of all of Dreamweaver's newest features: dynamic cross-browser validation, improved CSS support, built-in graphics editing, and more. Throughout, Garo shows you not just how to do something but why you¿re doing it and the results of your actions.
Customer Reviews:
Macromedia Dreamweaver MX 2004 Hands-On Training.......2007-01-11
Good price, quick delivery, and brand new. All positive feedback. The only slightly negative thing is one of the corners of the book was damaged, but the book is fully usable.
Terrible.......2006-06-09
I had to buy this book for a class, it is terrible. All the author does is have you go click here and drag this to go through the exercises with no explainations. It's a waste of time and money.
Best book out there to learn Dreamweaver.......2006-03-26
I have taken several classes to learn Dreamweaver but still didn't handle to use Dreamweaver very well...until I found this book which answered all the questions I had to master Dreamweaver. This book is the best book out there so far for beginner; A must have.
I Was Forced To Read This For A Class, and Will Never Be The Same Again.......2006-03-12
This has to be the worst book ever written. Do yourself a favor, and spare yourself from the pain. The author thinks it's cute to make little quips that a 3 year might think of and put little wink things behind them, you know what I mean ;). The problem is they just annoy you to no end. The other annoying thing is that it takes the author a page and half to say "Hit the Enter Key". He spends page after page talking of inane things, hawking other books, and making stupid, juvenile comments. The book is a laborious 700 pages long, an agonizing 700 pages long. I have noticed that they have fired the dweeb who wrote it, Garo Green (who I always imagined him as a pasty white, fat 50 year old geek-you'll see what I mean if you have the misfortune of being forced to use this book), and significantly shorten the book, even though Dreamweaver 8 has many more features. I write this with the full knowledge that I will be selling my copy of this at the end of the semester, and that this review will adversely affect my selling price, but the book is really that bad. Unless you need it for a course, do not buy it. I promise you will regret it.
The best thing out there!.......2006-02-23
This book follows along with the online lessons offered at lynda.com. The exercises in the CD-ROM are the same as those used online. As complimentary tools to one another, they are without any doubt, hands down, the best thing anywhere for learning Dreamweaver from scratch, whether you learn best visually, by listening, or by doing, or all of the above. (Believe me, I over-research everything.) I can't recommend strongly enough that you consider getting both the book/CD and the online tutorials at lynda.com. They offer free samples so you can test it out. Have the book in front of you, download the sample exercises from the CD, and start the online tutorial. You can flip back and forth on your computer between the tutorial and doing the exercises, and follow along (and take notes) in the book. As good as an expensive class (or better, since with this you can rewind, skip around, and take unlimited bathroom breaks)!
Book Description
This book will assist journalists and Flash developers who are working together to bring video, audio, still photos, and animated graphics together into one complete Web-based package.
This book is not just another Flash book because it focuses on the need of journalists to tell an accurate story and provide accurate graphics. This book will illustrate how to animate graphics such as maps, illustrations, and diagrams using Flash. It will show journalists how to integrate high-quality photos and audio interviews into a complete news package for the Web.
Each lesson in the book is followed by a learning summary so that journalists can review the skills they have acquired along the way. In addition, the book's six case studies will allow readers to study the characteristics of news packages created with Flash by journalists and Web developers at The Washington Post, MSNBC.com, and Canadian and European news organizations.
* Perfect for photojournalists who want to create or produce online slide shows with audio.
* A list of keyboard shortcuts for Flash will be included as an appendix.
* Lessons, not reference. This accessible approach for learning Flash MX 2004 illustrates its concepts with concrete examples that make sense.
* Full Color!
Customer Reviews:
85% of perfect.......2006-05-17
Very clearly explained for people who have no experience in flash. However, it didn't get me all the way to where I wanted to be. I wanted to produce an audio slide show that featured a) faded transitions, b) synchronization to the audio track, c) seamless loading on the user's end, and d) dynamically loaded content for ease of re-use. Although the book teaches a, b, c and d individually, it never puts them all together; the "final project" doesn't incorporate syncronization or seamless loading, and the audio-sync slide show it teaches doesn't have dynamic content or faded transitions. However, I feel well equipped to pick up a more thorough flash book to take me the rest of the way, and I'm glad I started with this one (a more general starter book would likely have covered topics of no use to me, like advanced animation et cetera).
An excellent book. Focused and complete........2005-09-18
This book is excellent. It has a mission and it executes it well. Its mission is to teach people to use Flash to communicate their ideas through images, words, and if necessary, sound. The book is structured with an introduction to communicating effectively followed by 10 progressive lessons for using Flash to accomplish the stated mission. The 3rd part of the book presents 6 case studies, real live examples of Flash in action. These case studies discuss the issue at hand, the approach that the designers, producers, and developers took to solve their problem, plus a technical tip that we all encounter when building Flash applications. An Appendix is included with additional information, such as preloaders, swf management, and video. The companion website takes this book from 5 stars to 10 stars. This is one of the best technical books I have ever read. It never looses sight of its mission. It marries technical technique to a functional objective.
Finally a book to learn how to do a multimedia piece right!.......2005-06-04
Finally a flash book that does not just show you how to make a ball bounce across a stage!
This is the book I recommend to aspiring multimedia journalists.
If you are a journalist who wants to go toward the online realm this is the book to buy, read and learn from -- I have always sent folks to Mindy McAdams' web site in the past -- now this new book she has done is even better.
Seth M. Gitner
Multimedia Editor
(...)
Amazon.com
Producing Great Sound for Digital Video educates beginning and experienced filmmakers on the intricacies of creating an outstanding soundtrack, from preproduction planning through the final mix.
The entire book is fascinating: it's absolutely packed with useful information and tips. Most of us remember learning in high school physics that sound travels about 1,100 feet per second, but besides gauging the location of a lightning bolt from how long it takes for the thunder to reach our ears, we never found it useful. Imagine, however, shooting a scene from about 90 feet away with a camera-mounted microphone. In this scenario, the audio will lag behind the image by about three frames--not much, but it's certainly noticeable. The problem gets worse as the distance increases. The workaround is to put a microphone next to the subject or slide the audio track so that it syncs with the images.
The book presents other solutions to showstopping problems that, because of lack of experience, a filmmaker wouldn't realize until getting to the editing room. Other critical issues such as preproduction planning, the art of production and recording (including environmental factors and microphone setups), and post-production editing and effects are also discussed.
The advent of low-cost, high-quality video production equipment has ushered in the birth of AV producers and AV presenters who have grand intentions but negligible experience. Digital cameras, inexpensive computers capable of capturing and playing back high-quality digital video, and full-featured editing software offer all kinds of ways to create visual eye candy, but embryonic filmmakers don't always realize that the picture is only half the story. Producing Great Sound for Digital Video explains how the other half works, what to watch out for, and how to achieve professional results. --Mike Caputo
Book Description
Producing Great Sound for Digital Video is a complete audio training guide as well as a quick problem-solving resource for the working pro. The author explains hundreds of real-world techniques to use from preproduction through the final mix. Readers get how-tos, tips, and time-savers, plus tutorials on key skills such as dialogue and music editing. This edition features deeper coverage of location techniques, including choosing the right mic, in-camera sound recording, getting sound into the camera cleanly, calibrating the camera to location sound equipment, working with mic booms, using separate recorders, and digital wireless. It also includes updates on working techniques, including new software categories for postproduction and new interchange standards.
Producing Great Sound for Digital Video is packed with hundreds of real-world techniques that range from pre-production through the final mix--including tutorials, tips, and tricks to make great tracks with any computer or software.
Customer Reviews:
Great Book.......2007-01-19
for anyone that wants to have a professional approach to digital video this is a good book.
If you only buy one book on sound.. This is it.......2006-09-09
Where do I start? In a nutshell, this book *IS* the only book to have on sound if your only buying one. No lie. My background... 20 years ago I used to be the "The Amp Dr" fixing commercial PA systems, amps, etc. I have a much better background on sound than most, I was an electrical engineer after that, designing power supplies, and other analog interfaces to digital equipment. Most of that has been dormant for the last 20 years, but I recently decided to make documentaries, and as two of my first projects deal with music, sound seemed pretty important. I got several books on sound, I figure buy six, one has to be good. You can save your money, this book was the one in six.
Knowing audio but NOT audio for video, one of the most important things I discovered is that a professional quality product (video) can only be made with good sound.. If you think you $2 -$10K pro-sumer camera is going to deliver it with the standard mic turn on "auto level", you're really wrong. Half of good sound is the absence of sound, or at least the absence of unintended sound. Insuring good sound is more work than it sounds, but the quality and impact of what I am shooting now is significantly better than before. Otherwise, its' all like home videos, maybe pretty shots and cleverly edited, but still seems like home videos. It all becomes much clearer after reading this book.
When I picked up this book, it was a mental orgasm. Not only does this guy know his stuff, even more importantly, he knows how to communicate it. The way it was written, I was easily able to skip over the stuff I didn't want to review, and go straight for the meat. It is meaty. Almost EVERYTHING I wanted to know was here. I did end up going back just to see how he explained the basics.. great! One of the things I liked about his style, is some authors will tell you something is bad or wrong, with no explanation.. Jay give you good examples.. the CD recording with the book is worth it's weight in , he give examples of proper recording and bad recording (with explanations). You can actually hear it as oppose to read an explanation and take it on faith. Borrow money if you have too.. but buy it.
My message to Jay:
If you read this Jay, I have a few requests. (1) Don't let this book go out of date. Please do you SNR and distortion measurements on some of the new HD cameras. Given the bit resolution is now even less with HDV (12 bits (HDV) vs 16 bits (DV)), I think dual systems are even more important to cover in greater detail. (2) Update with some of the new digital recorders that are replacing DATs (3) Thanks for a great book!
A rare 'how to' book that delivers actual content!.......2006-01-05
I've often been taken in by large reference books that promise to be a comprehensive guide to a subject, but turn out to be a lot of filler (screen shots of PC applications, or an excuse for the author to give lots of less-than-useful anectodal stories, etc.)
Not so with Jay Rose's 'Producing Great Sound for Digital Video' book. This informative guide covers a lot of ground, including sound theory, equipment explanations and use, and techniques for sound production including NLE tips, audio mixing, mic use etc. The great thing about this book is it is written with the expectation that your sound production values should be professional, but it's still accessible to hobbyists and those on a budget.
While I think novices to the field of sound engineering (like myself) probably benefit most from this work, I think a lot of the material here is useful to the video production community as a whole. I learned a lot from this, great work.
A Top Resource for Anyone who does Serious DV Recording.......2005-04-23
This book is a top shelf resource. It is useful to both novices and those with more experience. Starting with the very basics, and that does involve some physics, it works its way through virtually all aspects of sound production for digital video.
Do not be fooled. You are not going to learn much to improve the built in recording that comes with your camera. The author is unapologetic in his broad condemantion of the built-in stuff in terms of both quality and usablility. He goes into the reasons and gives a bit of advice on making the most of what you have but this is not what the book is about. Instead, it is about exactly what the title claims. Unfortunately, this is seldom if ever achieved with the built in stuff.
After going over some of the basics of sound and recording, different types of equipment are described in terms of suitability to task and cost. After that, the actual use of this equipment is considered in a variety of situations. The book is not just concerned with equipment and its use, however. There are chapters on editing and even on the use of prefessional talent. In short, the assumption is that you want to get good quality audio for your video production. The author then describes how to do exactly that in a variety of settings. Unfortuately, doing the job sometimes takes a bit more effort than just pushing the record button on the camera. It also take a bit more money although it does not have to take a great deal more. It depends on what type of sound is needed and how you are going to use it.
If all you want is to catch the background sound in a home video, spend your money on something else. If you want to learn how to get the best possible sound for your particular need and preserve that sound to use with video, you need this book.
You will understand sound after this book.......2005-03-02
Audio is really important, and this book will make sure you get incredible sound at every shoot. I really recommend this book!
Book Description
Broadcast journalism came of age in the Kennedy Assassination crisis and helped to hold a mourning nation together. Four reporters on the scene relate their experiences.
Customer Reviews:
A worthy contribution to history free of myth and full of facts.......2007-04-03
There are so very few books that convey a sense of "being there" when it comes to the Kennedy assassination. This outstanding book takes the reader back to that fateful weekend of November 22nd 1963 in Dallas, Texas and does so in an open, honest and compelling manner.
"When the News Went Live" is written by four journalists who were in Dallas on that day covering the presidential visit. Bob Huffaker and the other three newsmen share many interesting stories that you will not find elsewhere and that have been untold for many years no doubt to all but their personal friends. This is why the book is such a valuable contribution to the historical record. Such first hand observation regarding not just those few seconds in Dealey Plaza, the murder of Officer Tippet and the shooting of Lee Harvey Oswald by Jack Ruby, but how in fact the entire story unfolded, makes fascinating reading.
As an aid to anyone interested in the assassination, this book is a must have. I would emphasize - rarely do you find first hand knowledge like this - much of what is written on this subject is written by people many steps removed from the event where fact and fiction merge into one. Not so here. A fabulous book which is refreshingly free of the conjecture and myth that is so common in the Himalayan pile of work on the Kennedy assassination and is highly recommended.
Two Shortcuts To Becoming A Lone-Assassin Believer: Watch The 11/22/63 Real-Time Live TV Coverage....And Then Read This Book.......2007-01-02
"With three shots from a mail-order rifle, Lee Oswald set off a worldwide tragedy that developed too fast to print. .... Broadcast journalism came of age in that crisis of grief and uncertainty, and as it drew its mourning audience, it helped to hold the nation together." -- Bob Huffaker; From the Preface of "When The News Went Live: Dallas 1963"
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"When The News Went Live: Dallas 1963", published in 2004, paints a vivid word picture of many of the incredible events that surrounded President John F. Kennedy's assassination in November of 1963, as seen through the eyes of four journalists -- Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise -- who covered those events as they happened for CBS affiliate KRLD-TV and Radio in Dallas.
President Kennedy's shocking and appalling assassination on November 22, 1963, was the very first really big "Watch It Unfold Live On TV" news event of the television era, with four full commercial-free days being devoted to nothing but exclusive assassination-related coverage by all three major TV networks (with KRLD's on-the-scene Dallas reporters frequently feeding CBS-TV headquarters in New York).
And the four reporters whose intriguing stories unfold within this 224-page hardcover volume were right smack in the thick of things during the rapidly-developing events -- from the initial sketchy bulletins that told of the President being shot in Dealey Plaza during a motorcade drive through the city of Dallas -- to the announcement of JFK's death at Parkland Hospital -- to the capture of the accused assassin (Lee Harvey Oswald) in a nearby movie theater -- to Oswald's very own murder on live TV (with Bob Huffaker reporting live from the basement of the Dallas Police Department, where the single gunshot from Jack Ruby's pistol added yet another hard-to-believe chapter to the weekend's nightmarish story).
It was a mesmerizing weekend in American (and television) history, to say the least. And those days are re-lived with clarity in this engaging book by way of the recollections of four men who lived through and reported on those events when they were occurring.
"When The News Went Live" contains several excellent black-and-white photographs, too (some of them I haven't seen published elsewhere).
On a personal level, I have had the pleasure of communicating (via e-mail) with Bob Huffaker several times. He has been very cordial and gracious whenever answering the questions that I had for him. His personal insights into the events revolving around JFK's death are fascinating glimpses into the past, and are insights that I have enjoyed reading immensely.
A sample e-mail excerpt from Mr. Huffaker:
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"David, you're right about the presidential visit and motorcade being the main attraction that all Dallas media were covering, of course. But all our stations had limited capabilities for doing mobile TV, which then demanded either cables or microwave dishes--as well as a receiving dish within line-of-sight beaming or bouncing.
Hence the pool TV arrangements, limited to three planned locations. The local TV stations did live TV from the FTW {Fort Worth} breakfast, Love Field, and the Trade Mart. But this was, indeed, the day the news went live on television, unplanned.
WBAP-TV in Fort Worth had a non-running TV van, which they had towed all the way from Cowtown to Dallas Police headquarters, and we sent both of our KRLD-TV vans into duty--the Bread Truck at DPD and the Blue Goose on the 24th to the county jail, etc.
This was the first time in TV history when on-the-spot news suddenly demanded to go live from the scene. Before that, radio news on-the-spot descriptions such as ours that day were common (like the Hindenburg broadcast--radio only), and live TV was usually reserved for major speeches, sports, etc.
Bob" -- E-mail to this writer; May 30, 2006
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Relating to the subject of "WHEN THE NEWS WENT LIVE", I'd like to offer up the following observations as an extension of this book review.....
To those JFK conspiracy theorists who seem to favor the Oliver Stone-like or Robert Groden-promoted assassination scenarios (that feature a minimum of three gunmen and anywhere from 6 to 10 gunshots being fired at President Kennedy in Dallas' Dealey Plaza on November 22, 1963) -- I always suggest to them that they ought to dig up some of the originally-aired "As It Is Happening" live TV or radio broadcasts from that dark Friday in American history.
After performing that exercise of watching a few hours of the November 22 television coverage of the assassination (in real time), or listening to some of the radio broadcasts in real time (which works just as well) -- I challenge anyone to then arrive at the same conclusion that was slapped up on the big theater screen in 1991 via Director Oliver Stone's blockbuster, conspiracy-laden motion picture "JFK".
Watching the day's events unfold "live" in front of you (or listening to them unfold on the radio as it was happening) should, in my opinion, provide everyone with a good general idea of how utterly impossible a task it would have been to have "faked" so much stuff that was being IMMEDIATELY reported to the world on live television and radio within minutes and hours of the President's assassination (and within a very short space of time following Police Officer J.D. Tippit's murder as well).
Via those original live TV/Radio broadcasts, you're not going to hear a SINGLE report that resembles anything close to the Oliver Stone/Jim Garrison-endorsed nonsense of:
"Three gunmen fired six shots at President Kennedy's motorcade today here in Dallas!!"
What you will hear, instead, is live coverage, as it happened, of a ONE-GUNMAN assassination taking place from where the majority of witnesses said it took place (the Texas School Book Depository Building), with no more than three shots having been fired by the SINGLE SHOOTER, which is a shot count that over 91% of the witnesses concur with -- including the small percentage of witnesses who heard only one or two shots, who are witnesses that certainly don't do Mr. Stone's "6-shot ambush" theory any favors.
Upon evaluating virtually all of the TV networks' live assassination footage from November 22nd, 1963, there is no possible way that a reasonable person could arrive at a conclusion that JFK was shot by three assassins, firing from both front and rear. Let alone arriving at an even more-cockeyed "8-to-10-shot" shooting scenario, as purported by Mr. Groden and some other CTers, which is an outlandish conspiracy-flavored scenario that has John Kennedy and John Connally being shot by way more than just the two Warren Commission-backed Mannlicher-Carcano bullets from Lee Harvey Oswald's rifle.*
* = And Mr. Groden's theory (that sports from 8 to 10 gunshots) also features an additional hunk of lunacy, in that Groden thinks it's very likely that NONE of these eight to ten shots came from the "Oswald window" in the Book Depository! (I'm not making this crazy stuff up here. I promise. Anyone who owns a copy of Robert Groden's 1993 book "The Killing Of A President" can check out Groden's preposterous theory for themselves, on pages 20-40.)
The bottom line is -- Very nearly all of the information being reported on TV and radio that November day favored a "Lone Assassin" shooting scenario (including the info concerning the Tippit murder in Oak Cliff), with very little evidence and information being broadcast that would support any type of a "conspiracy" whatsoever; and certainly no "conspiratorial" evidence that has ever panned out and "proved" that a multi-gun plot ended JFK's life in Dallas.
This is quite a telling "One Killer" fact. Because, in my view, if a vast conspiracy and subsequent "cover-up" had been in place on November 22nd (given the immense amount of TV and radio coverage, with reporters scrutinizing everything coming across their desks and digging hard for any type of case-solving clues during those first hours and days after JFK and J.D. Tippit were killed), I think that at least SOME pieces of the conspiracy would have leaked through to the sweeping television and radio coverage surrounding the two Dallas murders.
And I'm guessing that every reporter and newsman in the country (including Messrs. Huffaker, Mercer, Phenix, and Wise) would have loved to dig up some "conspiracy"-proving angle during that weekend in November of '63. Being the person who uncovered such a huge story would certainly be a feather in that reporter's cap, to be sure. But, as it turned out, nothing of that nature occurred....and has yet to occur all these many years later.
To think (as many theorists do) that these conspirators were so smart and so quick to have had the capabilities to immediately eliminate virtually every last scrap of information leading to a conspiracy plot of some kind, making sure that none of the "multi-gunmen shooting event" details seeped through to the media (multiplied by TWO separate murders as well, counting Tippit's!), is to think that any such evil-doers had powers similar to "Superman".
For example -- Almost every one of the initial reports concerning the number of gunshots heard by witnesses stated "3 shots". And while it's true that the very first report of the shooting from UPI's Merriman Smith (which was broadcast over all the television networks) stated "Three shots were fired...", it's also worth noting that Smith's initial bulletin was not the ONLY "three shots" account that was reported during those early hours just after the shooting.
For instance, Jay Watson of ABC affiliate WFAA-TV in Dallas (who happened to be in Dealey Plaza during the shooting and nervously reported the first bulletins to the unaware Dallas TV audience) is heard multiple times on November 22nd saying he heard "3 shots" fired.
Plus, several other members of the media are also on record stating their own PERSONAL beliefs that exactly three shots were fired by the assassin, including Robert MacNeil, Jack Bell, Bob Clark, Jerry Haynes, and Pierce Allman, among still others.
Some of the other "Three Shot" witnesses who were riding right in the Presidential motorcade itself include -- Photographers Tom Dillard, Robert Jackson, Mal Couch, and James Underwood. Plus, both John and Nellie Connally, who were riding in the same car with President Kennedy.
In addition, Presidential aides Ken O'Donnell and David Powers, who were both riding in the Secret Service follow-up car directly behind JFK's limousine, can also be added to the lengthy list of witnesses who heard precisely three gunshots.
And then there's also amateur filmmaker Abraham Zapruder, who took the most famous 26-second home movie in history when he captured the entire assassination with his 8mm Bell & Howell movie camera -- Zapruder showed up on live TV about 90 minutes after the President's murder took place and gave a graphic account of the horrifying event that had taken place in front of his very eyes.
Mr. Zapruder told the WFAA-TV viewing audience that he had heard two or three shots (but definitely no more than three), and he also demonstrated on live television where on the President's head he had seen the effects of the fatal gunshot. Zapruder puts his hand over the right-frontal portion of his own head to demonstrate where he saw the blood coming from JFK's head.
That's pretty amazing "LIVE" stuff from Mr. Zapruder's own lips (within approx. an hour-and-a-half of the assassination). And it's especially incredible and amazing if there had actually been many more than just two or three shots fired at the President, and if the fatal shot had actually (as many CTers believe) caused a huge hole in the BACK of John Kennedy's head, instead of the location where Zapruder placed it on live television -- i.e., the RIGHT SIDE AND FRONT portion of the head.
How could the so-called "conspirators" have possibly gotten THAT lucky with respect to Abraham Zapruder's live "on-the-air" WFAA-TV statements and head-wound "demonstration"? How?
And -- Could these ultra-clever conspirators have somehow managed to "manipulate" several reporters who were relaying the news live to the world immediately after the event, and have them ALL report on hearing just "three shots" (or, in a few cases, hearing only TWO shots, which is a number that certainly does not favor a "Multi-Shooter Conspiracy Plot")?
Or did the plotters just happen to get really, really LUCKY (again) when virtually all of the news reports favored the "Three Shots Fired" conclusion? With this 3-shot scenario matching the precise number of bullet shells that were found on the 6th Floor of the Book Depository after the shooting; and also perfectly matching the exact number of shots heard by TSBD witness Harold Norman, and also perfectly matching the precise number of bullet shells (3) that Norman heard hitting the plywood floor directly above his 5th-Floor location within the Depository.
Which, per Oliver Stone's movie, would mean that a full 50% of the ACTUAL number of gunshots were somehow inaudible to the enormous majority (91%+) of the earwitnesses! And, remember, Oliver has NONE of the shots within his movie's six-shot assassination ambush being "synchronized" in order to merge together with the sound of some of the other shots.
And yet, per Mr. Stone, we're supposed to actually believe that approximately 9 out of every 10 witnesses somehow missed hearing HALF of the gunshots fired that day! A reasonable thing to believe....or not? I ask you.
Were these so-called conspiratorial shooters so good that they could make 4 to 10 shots sound like only three to the vast majority of witnesses scattered all throughout Dealey Plaza? Highly doubtful, to say the least.
Again -- I'd advise all conspiracy theorists to sit down and watch the live TV footage....or listen to some of the surviving 11/22/63 radio tapes....and then try to find a "Multi-Gunmen Conspiracy" lurking within ANY of those original broadcasts. If anybody finds proof of a conspiracy via those means, please let me know. And let the world know too.
David Von Pein
December 2006
January 2007
Out of the Past.......2006-04-04
We have become accustomed (yea, verily, some would say desensitized)to horror unfolding before our eyes in our very own living rooms. Bob Huffaker's book brings us back to a time before the desensitization, when we could scarcely believe what our eyes were telling us. I recommend this book highly to those who were there, watching as I was, and even more so to those who were not there. The young, raised in an era of suicide bombers, need to understand that it was not always thus.
very good press reporting.......2005-07-30
1963 nov 22 brought to life again but with more professionalism.some very interesting facts that confirmed my own thoughts .
JOURNALISM CLASSIC AND INSIDE SCOOP.......2005-05-07
I stayed up all night reading when my copy of When The News Went Live, Dallas 1963 arrived. This book is a classic and should be included in the curriculum of every journalism and political science classroom in America.
Huffaker, Mercer, Phenix and Wise have written the Texas story of the Kennedy assassination, the inside scoop on Oswald's murder and the history of the evolution of modern journalism. These four men were Dallas television reporters, on the scene and on their own, in the middle of the news story of the century.
It is a salute to their training and their integrity as newsmen that their coverage under duress stands today as a compelling rendering of those fateful moments. I am glad they were the early ones on the scene, for they were the ones who broke the news to me in my elementary classroom. The story gives their perspectives more fully; all these years later, this book helps me understand the events and how they affected Texas and the nation.
Bob, Bill, George and Wes were there in Dallas with their Southern sensibilities. They weren't easily pushed around or manipulated that dark day and still aren't. They were taught to tell the truth as objectively as possible, and they reverted to that training and their good common sense when placed in positions lesser men might have blown or exploited. These four men cared about truth and justice and fairness and still do. I hope all young journalists will read this and learn about balanced reporting.
Book Description
Final Cut Pro is a serious tool for serious (usually professional) editors. If you're like most users, you already know the software's interface, are well-versed in editing basics, and are interested in just one thing: going as deep as possible with the software's tools and features. In this comprehensive guide, award winning experts from post-production house DigitalFilm Tree deliver hard-to-find training in real-world color correction and effects techniques using Final Cut Pro 5 . With the help of these experts, you'll learn invaluable advanced effects techniques, including motion and filter effects, keying and compositing, creating animated titles and how to apply effects to nested sequences. In the extensive color correction section of the book, hands-on tutorials will guide you through scene-to-scene color matching, and correcting for broadcast specifications. Finally, you'll learn to harness LiveType's capabilities (and media library) to create professional and compelling opening titles. Each chapter in this self-paced, Apple-authorized guide represents a self-contained lesson, with a project to complete, a review section, and bonus exercises to reinforce what you've learned. The accompanying DVD includes lesson files and all the materials you'll need to complete the book's projects.
Alexis Van Hurkman is a writer, director, visual effects artist, and colorist. He was also the lead writer of the Final Cut Pro User Manual for versions 2,3, and 4, and of the Shake User Manual for versions 3.5 and 4. As a postproduction artist, Alexis has contributed effects for and color corrected a wide variety of commercial and independent projects, including a collaboration with Harrel Fletcher and Elizabeth Meyer on The Forbidden Zone. Most recently he completed the feature Four Weeks, Four Hours (www.alexisvanhurkman.com)
DigitalFilm Tree is a research and development-based post production facility, specializing in cutting edge digital workflows and consulting services. Located in Hollywood, California, DigitalFilm Tree’s credits include Miramax’s âCold Mountainâ, Fox-Searchlight’s âNapoloen Dynamiteâ and NBC’s hit show âScrubsâ . For this book DigitalFilm Tree engaged some of its top color correction and effects experts for contributions and feedback (www.digitalfilmtree.com)
Customer Reviews:
An excellent color correction tutorial!.......2007-01-22
I have spent the last two years learning and improving my editing skills, but I have always been a little (a lot) intimidated and in the dark (no pun intended) when it came to color correction. I'm still working in FC Express, and thought that this book may be pointless, since Express lacks many of the tools discussed. But I started reading the color correction section today and have devoured every bit of it. Although I don't have the scopes to work with, I have really appreciated the clear, concise, methodical way that the book explains the concepts and procedures behind color correction. The subject is now demystified for me, and I feel confident in applying what I'm learning to the tools that are available in Express. I will eventually upgrade to Pro and purchase a monitor as well, and when I do, I'll be well prepared to take on the color correction process.
A very good book with helpful hints and tips.......2006-03-22
Now I am an advanced Final Cut Pro user who has made a living with it for going on 5 years now, but still this book gives me new tips and tricks that I hadn't realized, and an excellent section on color correction which is really why I got the book in the first place.
Book Description
Great food always elicits strong reactions-the smell of freshly baked bread, the taste of a perfectly prepared steak. The job of a food photographer is to elicit that same mouth-watering reaction, but without the benefit of scent or taste. A well-shot photograph can send crowds flocking to a new restaurant or boost the sales of a culinary magazine. Capturing the perfect image requires a trained eye, finesse, and photographic skill. Digital Food Photography gives you the ingredients to cook up your own recipe for success-with professional lighting techniques, composition, food and prop styling, retouching, and tricks of the trade. You'll learn how digital photography combines teamwork, creativity, and technology, and how to make money creating delectable works of photographic art.
Customer Reviews:
Excellent resource - all you need to know!.......2007-03-11
I am new to food photography and was looking for a how-to book to help me educate myself without having to take formal classes. This book is it! It has a wealth of information, well-laid out and very clearly explained. In the words of a professional photographer friend, food photography makes most photographers break out in a cold sweat. This book will help you get over that fear. I would recommend this book to anyone interested in learning the ropes in food photography, which is a very different animal from all other types of photography.
The Dirty Tricks that Clean the Plate!.......2007-01-26
Okay, when you were a kid playing video games, were you a purist or did you love learning the cheat codes right off the bat? When you read a mystery, do you read as you should or do you ever flip ahead to preview what happens next and how the story ends?
If you went with the second option in either of the above than this is the food photography book you've been waiting for. Sure, some define the techniques here as cheating. I personally define them as smart.
Soapy water to make coffee look fresh, mashed potatoes in the cherry pie to make the cherries stay in place under the lights and glue those sesame seeds down baby! You can use these techniques and spend a few minutes with a camera, or not use them and spend a couple hours or days in Photoshop. (Actually, that's an exaggeration. You will have to spend time in Photoshop either way, but at least you can get a step ahead with these technique.)
So I say bring on the dirty tricks and thank you, Mister Manna!
Good, but..........2007-01-20
The first 82 pages are un-necessary. The real 'meat and potatoes' of the book is the last two thirds. I learned form this part of the book.
Digital Food Photography.......2007-01-10
Received my copy of this excellent book today. I am impressed with the book and the speedy service. It covers information for the beginning as well as the more professional photographer. My only issue, although a small one, is the fact that many photos are not marked with pertinent information. This is a valuable learning book and I would like to know just exactly how the image was made, i.e. f/stop. lens, etc. Lou Manna is quite knowlegable. I also might hope there will be a companion CD like the Adobe Photoshop training CDs. It would be an invaluable help.
dissapointed.......2006-12-18
I wanted to know more about setting up to shoot food photos. More about the strobes and less about cameras and fstops. If you have made it to the point that you are doing this type of photography, you already know about those things! Half of this book was wasted on stuff people of this level already understand
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