Book Description
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials--including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982--to create an expansive chronicle of Gershwin's meteoric rise to fame. He also traces Gershwin's powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses.
Pollack's lively narrative describes Gershwin's family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin's entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.
Customer Reviews:
Genius writes about genius.......2007-05-11
We usually apply the term genius to the subject of a biography. With the writing of Howard Pollack, one can also apply that term to the biographer.
When I first heard that Pollack was at work on a biography of Gershwin, I was saddened to think that he would be devoting his time to someone who had been the subject of so many biographies. I thought, what else was there to be said about Gershwin, but when I recalled the balanced and thoroughly considered approach he brought to his biography of Copland, I was curious to read what he would write. Not only was I not disappointed, I was overwhelmed.
Pollack does not question the actions of his subjects, he reports and tells a story, leaving the reader to make his or her own judgements. There is no attempt to sensationalize anything as he lets the facts speak for themselves. Pollack treats his subjects with the greatest respect without losing sight of their humanity. He brings great dignity to his writing and to his subjects.
His use of the language is transparent. You are never slowed down by his words. When he writes about music, Pollack has a remarkable ability to engage both the musician and non-musician alike. As with his volume on Copland, you sense he knows the music so well that he can intuit what the composer intended with each new work. He seeks out so much of the related material one would think he has devoted his entire life to the study of his subjects. You are aware of the detail, but not overwhelmed or encumbered by it.
I found the quotes from Michael Feinstein to be very informative. Feinstein, is not only the great exponent of popular music of the tradition of Gershwin, Kern, Berlin, et al; he is also one of the most informed in the music of that period. The time Feinstein spent as Ira Gershwin's assistant lends credibility to his perspective and recollections, and adds great insight to both the humanity and the music of Gershwin.
This volume is as close to an encapsulation of Gershwin's life and works as one could hope to find in words.
THE Gershwin study.......2006-12-06
Gershwin buffs, run, don't walk to get this book. Pollack has written the definitive study of both "The Life" and "The Work," as per his two fat sections.
Pollack's book is, for one, the first Gershwin bio that takes advantage of the discovery of mountains of original orchestra parts for Golden Age musical theatre scores in a Secaucus warehouse in the early eighties. As such, Pollack analyzes Gershwin's theatre scores closely just as classical music scholars can attend to Mozart or Haydn's works.
Earlier bios could only address the scores largely on the basis of the songs from each score that happened to be published as sheet music, with only a handful of the scores then existing as full piano-vocal scores or as latter-day abridged and heavily adapted recordings. But over the past two decades, most of Gershwin's significant scores have been recorded in full from the discovered materials, such that via these recordings as well as examining the original materials himself, Pollack can address the work as it was presented when it was new, i.e. chorus numbers, character songs not published as sheets, incidental music, etc. Given that musicals constituted the bulk of Gershwin's output in his short life, this alone makes Pollack's book invaluable.
In addition, some Gershwin bios have been written by people focused on pulling him down, devoted to revealing him as an undereducated, boorish parvenu (i.e. the ones by Charles Schwartz and Joan Peyser). Pollack's sleuthing and interviews conclusively demonstrate that these evaluations were incorrect: Gershwin pursued serious musical training throughout his life, it shows in his work, and socially, he was a beloved, charming person who was deeply mourned at his death.
Pollack has truly done his homework, such that just about any question one might have about Gershwin is exhaustively answered. For each show he chronicles not only the score and its critical reception in New York, but also its London and even Australian versions if there were any, all of the revivals across the US, and its recordings -- and he does this even starting with the obscure early efforts. He is equally thorough re Gershwin's concert music.
It should be said that those seeking further engagement with the raison d'etre of Joan Peyser's THE MEMORY OF ALL THAT, the story that Gershwin fathered a love child with a chorus girl and paid him and his mother off to keep it quiet, will not be satisfied. Pollack briefly addresses objections to that thesis from some quarters since Peyser's book was published -- but, in my view, neglects the rather damning facts that 1) said love child looks exactly like Gershwin and 2)was supported in his claim to have made regular visits to Gershwin's apartment by none other than Gershwin's valet. As such, one must consult various sources pre- and post-Peyser to come to conclusions about that issue. One suspects that Pollack, having been granted interviews from surviving keepers of the Gershwin flame, opted on that particular subject to step around giving offense. He is not to be faulted for this.
It should also be said, however, that inevitably of a work so dazzlingly complete, this book is not one most people would want to read from front to back. It is, in its way, a reference book set in prose. There are times when Pollack seems almost obsessive -- such as bringing vast study to bear upon locating the purchase by Gershwin's parents of a piano in precisely late 1910, or letting us know (based on a chance message from abroad) that OH, KAY played in translation in Sweden, or informing us via close examination of the original arrangement of RHAPSODY IN BLUE -- not later arrangements, but the original one, mind you -- that one player doubled on bass and tuba.
But this degree of obsession is what real scholarship is, and though for most it will be a book to jump around in than to read page for page, Pollack has given us an authoritative masterpiece. I am in awe of the man, and happy to have this one on my shelves forever.
Book Description
A fully updated and revised edition of the classic album-by-album, song-by-song study of the Beatles.
A unique combination of musical analysis and cultural history, Tell Me Why stands alone among Beatles books with its single-minded focus on the most important aspect of the band: its music. Riley offers a new, deeper understanding of the Beatles by closely considering each song and album they recorded in an exploration as rigorous as it is soulful. He tirelessly sifts through the Beatles discography, making clear that the legendary four were more than mere teen idols: they were brilliant innovators who mastered an extremely detailed art. Since the first publication of Tell Me Why in 1988, new primary source material has appeared--Paul McCartney's authorized biography, the Anthology CDs and videos, the complete Parlophone-sequenced albums on CD, the Live at the BBC sessions, and the global smash 1. Riley incorporates all the new material in an update that makes this a crucial book for Beatles fans.
Customer Reviews:
Getting the Beat out of the Beatles.......2007-05-03
I did not like the Beatles when I first heard them in high school, but by the time Sgt. Pepper came out, I had matured enough to discover that they were a very special phenomenon. Now there are so many books about them that it is hard to know what to read to get the best sense of their contribution to music. I recommend Tim Riley's book for that purpose. The best thing about this book is that it will increase your sensitivity to the Beatles creative art as you listen to their songs. If you pay attention, you will be able to hear the way Paul brings the bass in to support the lead guitar or to counter the drums. You can hear how Ringo changes the beat in accord with what the song is trying to convey, and you have a better sense of how the words and music work together.
As other reviewers have noted, it does require some knowledge of music, notably chord theory, to understand some of the details, I do not think it is entirely necessary. I know just enough about chords to understand major and minor changes and what they mean to the music, but I get lost when he goes into descriptions of the tonic and dominant. You will also need to know a lot about percussion, because he refers not generally to Ringo's drumming, but to what he is using (high hats, tom-toms, snare, etc.). It is clear from this book that Ringo contributed more to the group than he is usually credited with doing. He is the one, according to Riley, who was able to subdue his ego and try to keep everything together with his beat and ability to complement everyone else.
Riley likes John Lennon the best and tends to favor whatever Lennon did, albeit not uncritically. He gives Paul a rougher time, putting down any song that lacks an edge or an angle as another "silly love song" unless it rises to the level of a standard such as "Yesterday." Unlike other reviewers, I did not find his analysis of George Harrison's contribution to be all that insulting, but I do think he understated Harrison's contributions as a forward looking instrumentalist. Riley has a low opinion of the vocal abilities of both Starr and Harrison, but it is true that both (and a lot of other singers) suffer in comparison to both Lennon and McCartney, whose vocalizing was overshadowed by their composing talent.
You also need to understand that he is writing his opinions of the meanings of the lyrics and the reasons the Beatles did certain things musically. His bias shows clearly. He admires the group and his disappoint over some of their less than stellar creations is palpable. It is a very high standard that they set for themselves and, although Riley acknowledges the timeless nature of their best work, he is scathing in his criticism of their more mediocre efforts. Bruce Greenfield's review is correct in saying that Riley pontificates a bit too much. I also found it irritating that he claims to know exactly what the lads were trying to do with each note and word. Again, these are only Riley's opinions. Another problem I had with that is that he goes into great detail on the songs he likes and admires, but if a song does not measure up to that, he will give it a sentence or two, dismissively.
I found value in the book from his ability to explain some of the innovations the Beatles developed from the very beginning of their career. A few of these are almost common knowledge to rock fans, such as the use of feedback at the start of "I Feel Fine" to George Harrison's introduction of the sitahr. There are some very good insights that never occurred to me, though. Riley points out that the lyrics to "She Loves You" break new ground in that although it is sung in the first person, the singer is speaking to a friend rather than to the listener. Their music conveys a sense of excitement and joy in carrying this good news. Another example is from McCartney's bridge in "Day in the Life," which is marked by a quicker sharper beat from Ringo. Riley notes that this beat evokes the "corporate precision" of every day life, but notes that while this may seem like waking from Lennon's nightmare verses, it becomes hard to tell who is singing about the real nightmare.
You really have to listen to the song while reading the book and even then, it is often hard to hear what Riley is writing about. He devotes a lot of words to explaining how different sounds come from the right, left or center in stereo, but I found it hard to detect these even after numerous playing. Perhaps, as others have pointed out, it is very hard to hear without the 1982 masters.
Riley uses the albums that were originally issued on Parlophone and neither the US Capitol releases (which were a greedy manipulation of the buying public while sacrificing the art of the Beatles created in sequencing the songs) nor CDs. Younger readers will have difficulty relating to his idea of endings and beginnings of vinyl sides, which CDs have rendered meaningless.
In the second edition, Riley gives a bow to Mark Lewisohn's book "The Beatles Recording Sessions," which is a description based on Lewisohn's hearing of all of the Beatle's master tapes. This book has its own insights and I would recommend it as a less harsh book than this one. Riley did not have the use of Lewisohn's book in writing "Tell Me Why," and it is clear that he would have benefited from it. The two authors disagree on a number of points so it would is useful to have the balance of their opposing views.
A Celebration of The Beatles' Music........2007-04-05
I loved this book. I don't know why so many people seemed to have a problem with it. Tim Riley is a knowledgable music critic,schooled in musical theory and an expert on classical music. He also absolutely adores the Beatles' music. With very few exceptions,he loves everything they ever did and tells,in great detail exactly what it was musically,that made them so special. Each and every song from Love Me Do to Let it Be,just like the title says,album by album, song by song. Actually,my love of the Beatles' music is a viceral thing. From the moment I first heard the opening chords of I Want to Hold Your Hand,this music seemed to enter my blood stream. I still get the same feeling whenever I listen to certain favorite songs,or hear their voices in harmony. But I never understood it in musical theory terms. The chord progressions, changes from major to minor chords in the same song, this had never been done before in pop music, only classical,until the Beatles. This is what excited everybody about their music but only other musicians can describe it accurately. Us lay people just think, "that song makes me cry" or "wow, I've never heard anything like this before". Riley dissects each song,practically note by note,every guitar lick,bass line, and drum fill. He particularly loves Rubber Soul and Revolver sighting them as two of the greatest albums of all time. He also loves Please Please Me, With the Beatles, and A Hard Day's Night. So he doesn't just give their later music a lot of acclaim,which would have been annoying. He feels that all of these albums were important, along with Abbey Road and the White Album. He describes them in a way that makes you think of them as little works of art. Each one pivotal and ground breaking in their own unique way. He also describes why each Beatle was wonderful and essential to the greatness of each song and album. He never lets you forget that they were an ensemble. He worships John and Paul's singing, calling McCartney's voice, "peerless". He details their songwriting and George's. He talks about how BOTH Lennon and McCartney were melodists, not only McCartney. He points out Paul's melodic,inventive bass lines,George and John's brilliant guitar work (not just George's like other books have). And he loves Ringo,calling his drumming underrated, because it was. He goes into so much detail about Ringo's drumming that it made me sit up and take notice of it also. Listen to 'Rain' and 'Ticket to Ride' and Ringo's live drumming, which he also loves. He dissects the Live at the BBC cds, and after reading that long section,I've begun to listen to all the things he hears on them. I see what a great live band they were. This book made me listen to their music from a fresh perspective, and I realize that I never really HEARD their music until now. There is so much going on, on their records. So much to listen to. While reading this book you need to have a cd player handy and a good pair of head phones with a bass booster. You need to be able to hear what he's talking about. In this new edition there is a section added which details the 3 Antology CDs, Live at the BBC,and others that have been released since the first edition of this book came out, in 1988.There is also a section on the solo records. You don't have to be a musician to enjoy this book either. You just have to be a fan of Beatle music.
Beatle Theory.......2007-02-13
I love this book. The author's trenchant, insightful analysis of the Beatles' music is nothing short of scholarly. He brilliantly discusses what the Beatles used to create their own unique sound. Fans will no doubt love and appreciate the Beatles all the more.
Tim Riley's research into the background of each Beatle is accurate and well done. He piques readers' interest in the group all the more by making them more aware of the influences that led them to create the songs they did.
This book is one musicians, guitarists in particular will love. Readers are treated to discussions of chord progressions so as to play Beatle songs the Beatles' way.
Very Enjoyable Book.......2006-09-22
I enjoyed this book immensely. I appreciated the song-by-song analysis from someone who obviously is a true scholar of music -- his articulation of what were the ingredients that went into making the Beatles' music so great truly enhanced my appreciation of them.
His knowledge of biographical and historical information -- such priceless vignettes as John's gleeful enjoyment of an obscure, chaotic Side B by a one-hit wonder group -- puts their music in a wider context, further deepening our understanding of how their music developed.
I dabble in music theory so I did appreciate the technical aspects of the book, such as getting into chord progression and such. I read this book many times -- it has provided me with many enjoyable hours.
Not for the Casual Fan or Non-Musician.......2005-12-31
"Tell Me Why" is a good look at the Beatles for what they are remembered for: the music. Long after all the gossip and backbiting and innuendos are forgotten, that is all that remains. And if you are a casual fan and only have "Tell Me Why" to guide you, I wish you the best luck in the world.
Tim Riley is a professional music critic, which means apparently that he thinks his audience will understand every musical notation cited in the text. If you really love discussing the difference between G chords and A chords, this will make your day. But for the rest of us, it's a bit much at times.
To be fair, though, if you get through the musician-speak without beating your head against the wall, you'll find that the book does a fairly fantastic job of getting at the heart of the music. By eschewing flowery discussions of the Beatles' history and concentrating on the music itself, Riley ends up creating a look at the creative process rarely dissected with such skill.
Riley has his opinions and isn't afraid to state them, especially in regards to what he considers the "fallow" period of late 1967 (after the release of the much-hyped Sgt. Pepper). Riley also pulls no punches in holding Paul McCartney's feet to the fire for his abandonment of the risk-taking that characterized his partnership with Lennon, instead becoming the pop-song behemoth that we all love to hate. The portrait that emerges of the Beatles as a group is that of a multitalented band with endless streams of talent on which to draw, with even their lesser efforts (Magical Mystery Tour, Let It Be, etc) having some worth not found in other music from the era.
Mark Hertsgaard's masterful "A Day In The Life" is probably a better selection for those who are casual or half-hearted fans, because it covers much of the same territory with little of the dedication to music-speak that colors some of the best passages in this book. But for a simple, nuts-and-bolts look at what made the Beatles' music special, and as a discussion of each and every song they ever recorded, "Tell Me Why" is hard to beat.
In the end, there is just the music. And it is a body of music worthy of such discussion as to have countless books written about it. But "Tell Me Why" is a nice one-book source for much of the motivation behind each song the Fab Four committed to vinyl, even if it's overboard with the musical composition language. If you can overcome that, you might find a good book about why the Beatles matter long after their last performance together.
Average customer rating:
- Elvis at 21 Book
- THE Best Elvis Book
- spectacular
- Elvis at 21 book
- Elvis at 21
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Elvis at 21: New York to Memphis
Alfred Wertheimer
Manufacturer: Insight Editions
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ASIN: 1933784016
Release Date: 2006-10-31 |
Book Description
In 1956, a twenty-one-year-old Elvis Presley was at the beginning of his remarkable and unparalleled career and photographer Alfred Wertheimer was asked by Presley’s new label, RCA Victor, to photograph the rising star. With unimpeded access to the young performer, Wertheimer was able to capture the unguarded and everyday moments in Elvis' life during that crucial year, a year that took him from Tupelo, Mississippi to the silver screen, and to the verge of international stardom and his crowning as "The King of Rock 'n' Roll.” As Alfred Wertheimer photographed Elvis during 1956, and again in 1958, he created classic images that are spontaneous, unrehearsed and completely without artifice.
Wertheimer’s photographs of Elvis are extraordinary and he appears almost ethereal, whether reading a newspaper while waiting for a cab, or washing his hands during one of his many train trips. After 1958 and Elvis’ induction into the army, the world seemingly forgot about Wertheimer’s magical photographs- for nineteen years- until Aug 16, 1977, the day Elvis died and Time Magazine called. “The phone hasn’t really stopped ringing in the last thirty years,” observes Wertheimer.
Many of the photographs in this visual treasury are previously unpublished and some have become almost as famous as the man himself.
Customer Reviews:
Elvis at 21 Book.......2007-06-30
i Love this Book it has very good quality photos of the king in his prime!
THE Best Elvis Book.......2007-04-11
If you only have one Elvis book in your library, or one photography book, let it be "Elvis at 21"...you will never buy a more sumptuous volume. The printing of the images is phenomenal, with wonderful use of gatefolds. It is one of the very few art books I've bought that I didn't balk at the retail price.
Wertheimer's photographs are collectively an artifact of our cultural history. It's amazing to see so many of them gathered together and in sequence. A much smaller selection of this body of work was published about 20 years ago as "Elvis '56"--this was my one-book-in-the-library, even back when I only had a photocopied edition. With this expansion, a whole new king is crowned.
2007 is of course the 30th anniversary of the King's passing. The world should expect a vast onslaught of new and revised offerings on the man. "Elvis at 21" throws down an early gauntlet so firmly, the other publishers might just as well crawl back into their niches.
Buy it, and wear a bib so you don't ruin the pages with your drool.
spectacular.......2007-02-14
the photographs are spectacular, but where is the non-limited edition that i've seen retail in the bookstore for $65?
Elvis at 21 book.......2007-01-20
This book is beautiful. The pictures are excellent and it is nice to have as a collectors item for any Elvis fan or give as a gift to any Elvis fan.
Elvis at 21.......2007-01-17
Alfred Wertheimer's photos is this book are FANTASTIC! It is a rare treat to be able to see Elvis at this stage in his life... when he was doing what he loved while still able to go in to restaurants, walk the streets, etc. and be recognized and appreciated by people around him, without being mobbed. What a wonderful time to cherish in these photographs.
Book Description
Greetings from E Street celebrates the passionately loved group that has been entertaining the world for 35 years. Written with their cooperation, this fully illustrated informal biography combines rare photographs with 30 removable facsimiles of E Street memorabilia, including Bruce Springsteen's first business card and hand-written set list, and even two fabulous posters. Longtime band intimate Robert Santelli captures the ecstatic highs and devastating lows on the E Street Band's roller coaster ride to stardom. He follows the band from the early days in Asbury Park, New Jersey, to the critical acclaim of Born to Run, the mania of Born in the U.S.A. and international touring, and each member's unique projects. Throughout, the band's signature combination of friendship, humor, and stellar musicianship is revealed in stories, snapshots, and the ephemera of life of the road. Warm and personal, Greetings from E Street is a postcard from the most famous address in rock and roll.
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- Madonna IS art!!
- More than just a "coffee table" book! Don't judge this book just by its cover! Devour it... bon appetite!
- A Must for Madonna Fans - Fun for Art Lovers
- Even a non-Madonna fan will enjoy this book
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Madonna in Art
Mem Mehmet
Manufacturer: Chaucer Press
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ASIN: 1904957005 |
Book Description
In 1977, Madonna Louise Ciccone moved from Michigan to New York City, re-christening herself simply ‘Madonna’. Six years of hard work in the clubs of Manhattan with a succession of bands propelled her to the forefront of the New York scene. In 1983, her self-titled debut album was released, and the hit singles ‘Holiday’ and ‘Borderline’ soon followed. Then came seventeen consecutive top ten hits, a further ten albums, and roles in nineteen feature films, from her debut in the 80’s classic Desperately Seeking Susan to the steamy thriller Body of Evidence. Multitalented, controversial in her own proud sexuality and a dedicated campaigner for sexual tolerance, Madonna is one of the great Millennial Icons, a one-woman pop phenomenon who has pushed back and blurred the boundaries of the music, film and fashion worlds.
‘Madonna in Art’ is a celebration of the Pop Goddess at every stage of her career. A testament to her unique global impact, it features work by over a hundred artists, including Andrew Logan, Bruni, Sebastian Kruger, Al Hirschfeld, Donna Lief and Peter Howson. These images range across every role Madonna has played on the world stage, from erotic dancer to the dignified figure of Eva Peron in Evita.
Customer Reviews:
Madonna IS art!!.......2007-01-21
Fantastic hard-cover book with work by artists all over the world. Some of the stuff is really beautifully done - you've gotta have this!
More than just a "coffee table" book! Don't judge this book just by its cover! Devour it... bon appetite!.......2006-06-07
I am a librarian. Over the decades, I have had many art books pass through my hands. The compilation of fine artists by the author is glorious! The author's rigorous research in finding the artists whom he chose to be included within, certainly substantial.
In particular, the artist Susan Victor of murrrbeast.com, is
included in this book. It is about time that someone recognized her exceeding works. I would highly recommend this book -- especially to those in academia; the field of commercial art;
and anyone who simply loves art.
A Must for Madonna Fans - Fun for Art Lovers.......2004-10-30
I bought a book in 1984 called "Marilyn In Art". I always loved to every now and then flip through it because it was so much fun to see the different ways these artists drew or painted (etc) the same subject. I happen to be a longtime Marilyn fan.
From what I understand, the author (compiler) of this book, Mem Mehmet, is friends with the author of the twenty year old Marilyn book, Roger G. Taylor (who also did an "Elvis In Art"). I had the paperback version of the Marilyn book, but was lucky enough to get the hardcover version of "Madonna In Art". I am also a Madonna fan (not as much as a Marilyn fan, but...), this book is a MUST for any fan of Madonna! Fantastic, fun renditions of Madonna in every style imaginable, which also makes it great for any artist or art lover. Along with each piece of art is a quote from Madonna herself or a celebrity or author, etc. about some aspect of the superstar which is fun to read. Unlike my paperback "Marilyn In Art" book, the hardback version of this is of the highest quality. Beneath the attactive book cover, the name is embossed in silver metallic ink (which is used throughout the book). Would make a wonderful gift for Madonna fans, artists, art lovers!!! I'd scoop up the hardcover before it's only available in paperback!
Even a non-Madonna fan will enjoy this book.......2004-10-26
I've never been a fan of Madonna's music, but have admired her willingness to constantly re-invent herself. This new art book shows how others in the art world have viewed Madonna throughout her career. There are sketches, water colors, oils, and works from many other mediums with the artist's unique view on who (or in some cases, what) Madonna is.
If you love art, or love Madonna, this is the book for you. And it makes a perfect gift as well!
Average customer rating:
- Applauds for Sinatra and Hamill
- Sinatra to the point
- Consider The Source
- The man and his music
- Some Outstanding Ideas, But Just a Touch too Much Gossip!
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Why Sinatra Matters
Pete Hamill
Manufacturer: Little, Brown and Company
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ASIN: 0316347965 |
Book Description
As products of the same urban landscape, Pete Hamill and Frank Sinatra have both been credited with giving the American city a voice. In this widely acclaimed and bestselling appreciation-now available in paperback for the first time-Hamill draws on his intimate experience of the man and the music to evoke the essence of Sinatra, illuminating the singer's art and his legend from the point of view of a confidant and a fan. - May 2003 marks the fifth anniversary of Sinatra's death. - The hardcover edition of Why Sinatra Matters (Little, Brown and Company, 1998), published five months after Sinatra's death, became a national bestseller.
Customer Reviews:
Applauds for Sinatra and Hamill.......2007-09-15
Another masterpiece by Hamill. This work reveals the humanity of Sinatra. It is short, but oh soooooo good! If you are interested in Sinatra, read this book. It is sophisicated and loaded with the nuances of the man who did it his way, faults, bruises, and all.
Sinatra to the point.......2006-10-02
This is a small book. Short and sweet. Mr. Hamill gets right to the point . There isnt a lot of fluff in this book. A few pictures and so anecdotes to start some of the chapters. It written well and the layout is succint. This is a must read for any Sinatra fan.
Consider The Source.......2006-06-18
Ironic that Pete Hamill should write this book. To my ears and eyes, Pete Hamill has never written a sincere or honest word in his life.
The irony is that when Sinatra was asked how he wanted to be remembered, he said he would want people to think of him as an honest singer.
The book is good, but read it with a grain of salt due to the author.
The man and his music.......2006-04-19
I like this book because it isn't like all the other Sinatra biographies out there. In fact, it isn't really appropriate to call "Why Sinatra Matters" a biography at all. Author Pete Hamill was an acquaintance of Sinatra's and much of the book is built around conversations that the two men had together, which is very interesting. This book gives a general overview of Sinatra's upbringing and rise to stardom. Hamill explains how Sinatra's childhood and Italian American background contributed to the development of his music. Sinatra's "fall from grace" is also examined, but Hamill is quick to point out that the only thing that really matters is that Sinatra was able to overcome his obstacles and make an incredible comeback. There has never been another singer like Frank Sinatra and there never will be again. Sinatra continues to represent so many things to so many people, which is why his music will live on forever.
Some Outstanding Ideas, But Just a Touch too Much Gossip! .......2005-05-24
Many of the basic,well known aspects of FS's life are mentioned here, starting with the Genoan and Sicilian branches of his family history, his quiet father and brash, Democratic Ward Leader mother. The segment on Bing Crosby's huge influence on 1930's popular culture, especially in the new radio-centered family (like TV today) is great, and perhaps not known too much today. FS as an icon for immigrant Italians, along with LaGuardia and DiMaggio, is also a high point. The days with James and Dorsey are also well done, if rehashes, like much of this otherwise excellent book. And much is written about FS's legendary "Fall" and 2nd Rise, the Fall being among the most overdone of FS's incredible life.(Many would love to fall from such Olympian heights!). Mr. Hamill says that the music is what matters. Obviously, he's right! Only Frank could sing so well about the depths of anguish and despair, as well as the thrill of triumph! The author also gives a nice summation of the great work of FS with Nelson Riddle. Unfortunately, short shrift is given to Billy May, and a short paragraph mocks the "sugary" work of Gordon Jenkins. Oddly, the most famous pairing of Jenkins and FS, "September of My Years" is listed in the appendix as among Mr. Hamill's favorite albums! It would have been nice if a CD was included,since this book does not really mine the golden depths of FS's best recordings. Still, all in all, a fine and succinct presentation of The Man and His Music.
Amazon.com
Between all the critical acclaim, Greg Kot's book on the band, and the introspective I Am Trying to Break Your Heart documentary, you'd think that pretty much everything has already been said about Wilco. But The Wilco Book--the influential rock band's own scrapbook of photos, observations, and random notes--has more than a few revelations for fans. Here we get beautiful photographs of musical instruments (taken apart, being fixed and played) interspersed with quotes about their studio, their performance and recording habits, and their songwriting. Some may think a close-up of a Gibson guitar is a mundane affair, but to Wilco's Jeff Tweedy, that tool of the trade is an important element in the music-making process, worthy of plenty of attention. In addition, there are numerous shots of the band, random images by Fred Tomaselli, a new essay on the ensemble by Rick Moody, and "The Angel Is My Watermark," a piece by Henry Miller that resonates with the group. The enclosed 12-track CD contains previously unheard tracks from the A Ghost Is Born sessions. A couple tunes ("Diamond Claw," "What Good Am I") rank with Wilco's best work, while the rest show the band in the midst of the creative process, making aural sketches. All-told, the poignant randomness of The Wilco Book unfolds like a great Wilco album: it's a wonderful mix of compelling experimentation and heartfelt sentiment. A must-have for Wilco lovers. --Jason Verlinde
Tweedy Talks
Amazon.com Music Editor Jason Verlinde talks with Wilco's Jeff Tweedy about the book, the band's music, and more in our special audio interview:
Jeff Tweedy on The Wilco Book
Jeff Tweedy on Wilco's fame and status
Wilco on Record
Looking for more Wilco? Check out Amazon.com's complete list of Wilco on CD.
Book Description
This is a book about Wilco and the pictorial, literary, and musical world it conjures up on record and in performance. Created in collaboration with Jeff Tweedy, Wilco, and Tony Margherita, this primarily visual book explores what Wilco does, how it does it, and where it all comes together. The band narrates the book in the form of long captions accompanying a variety of images: a Korean postcard, a Stratocaster, a backstage practice session, and so on. Along the way, central topics such as instruments, touring, and recording are covered both in general (i.e., what happens, physically, when a guitar string breaks) and specific to Wilco. Just as the band assembles its disparate talents and inspirations to make music, this book coheres in the end to reveal a 40 minute CD of original, unreleased songs. Just as Wilco experiments with music by turning convention on its head, this book is an utterly new take on the old genre of the rock 'n' roll book. The Wilco Book will look and read like a Wilco record sounds; it's a translation of the band's sensibility from sound into print.
Customer Reviews:
Gracing my coffee table for years to come.......2007-08-06
This is a wonderful buy for all fans of the band. It really brings you into the Wilco circle. Excerpts and essays by and about the band, their methods, and their ideas are attractively presented through a series of pretentiously artsy photos. There is not nearly as much hard info as Greg Kot's magnificent Wilco: Learning How to Die, but the two books are completely different reading expereinces. The Wilco Book is not meant for plowing through; it is meant for experiencing.
The book also comes with a CD. These are not the polished studio gems of Summerteeth or the country rockers of AM. These are sonic experiments from the "a Ghost is Born era", and have a feeling of no pressure. Tweedy and co work together - Glenn's influence is really felt here. "Pure Bug Beauty" is a favorite of mine, although "diamond claw" is cool, "barnyard pimp" struts its stuff, and the alternate version of "hummingbird" will be a highlight for many.
Great Book For any Wilco Fan.......2006-08-22
Great book for any Wilco fan. Just finished the book today. It also comes with a nice CD of unreleased songs! That was a nice little surprise. Very high quality book with alot of pictures. Good read.
Lighten up, Francis.......2005-08-06
If this last guy wants to go off on Tweedy for being pretentious, then he shouldn't use the word "didatic" and then misspell "heywire" (it's spelled haywire, dude).
I think the price of enjoying an artist that refuses to fit into a box is that he sometimes can seem a bit pretentious. Deal with it. If you can't then go back to you Nickelback CD's...
Coffee Table Art.......2004-12-27
The Wilco Book is a great book if you enjoy the creative process. This book is less about the band and more about how they record, why they do it, and what the environment around them looks or feels like while they are doing it. It's an open-minded look at a process most of us don't enjoy on the same scale, but that we can all relate to in our own creative lives.
The accusations of pretense are understandable. But if you are someone who loves the process as much as the finished product this will be an inspiring piece. The cd and the book fit perfectly together in creating a mood of idea exploration. I found this book insightful and a very nice addition to a progressingly great body of work.
Self-Congratulation Run Amok.......2004-12-16
Wilco is a great band (their latest, A ghost is born, notwithstanding), but they've let their pretentions get the best of them. The once great Rick Moody's essay, in particular, is particularly painful in every way an essay can be. I was greatly disappointed by this book of self-congratulation: Essays detailing why Wilco is so great (answer according to them: because their experimentation is better than a nameless Everyone Else's status quo - as if The Flaming Lips and Beck and numerous others don't even exist); pointless photographs (example: a boombox with a leaf next to it. Gee, thanks guys); and a CD full of Noise, which Wilco has officially decided is DEEPER than real music. They have become blinded by the notion that impenetrability equals depth and brilliance. In the case of this book and cd, it most certainly does not. They got the balance right on Yankee Hotel Foxtrot, and now they just don't know what to do anymore. It's a shame they've opted for arty pretention, because they still have the potential to be one of our time's most vital bands. I would only recommend this book to huge wilco fans that have lots of money to waste.
Book Description
Given the phenomenal fame and commercial success that the Beatles knew for the entire course of their familiar career, their music per se has received surprisingly little detailed attention. Not all of their cultural influence can be traced to long hair and flashy clothing; the Beatles had numerous fresh ideas about melody, harmony, counterpoint, rhythm, form, colors, and textures. Or consider how much new ground was broken by their lyrics alone--both the themes and imagery of the Beatles' poetry are key parts of what made (and still makes) this group so important, so popular, and so imitated. This book is a comprehensive chronological study of every aspect of the Fab Four's musical life--including full examinations of composition, performance practice, recording, and historical context--during their transcendent late period (1966-1970). Rich, authoritative interpretations are interwoven through a documentary study of many thousands of audio, print, and other sources.
Customer Reviews:
Well done.......2007-05-16
To understand the majority of this book one would need a music theory background, possibly at the graduate level.
I was surprised at the amount of other information provided as to ho played which instrument.
Very well researched.
A Fine Review Of The Beatles' Later Music.......2005-07-14
This book and its companion (which traces the Beatles' music from its beginnings through "Rubber Soul") demonstrate that there are writers who are serious about the remarkable music of the Beatles. Apart from Mellers' rather professorial, pedantic book and Riley's excellent, approachable book, there is a dearth of material on the music of the Beatles, apart from their sociological or gender ramifications, their cultural iconic status and their effect on fashion and morals, etc. And the music is the only aspect of the Beatles that should matter, since they were incredible musicians and their music has clearly withstood the test of time. Forget other recent books about the Beatles, such as "Meet the Beatles," which reassesses their sociological and gender significance largely by repeating what was previously written about them. Everett succeeds brilliantly in reviewing the Beatles' music as if he were reviewing the music of any great composer. For those who do not have a background in music theory, certain parts of this book may be difficult to comprehend. However, it is worth the effort. A fine achievement.
A 10-Star Salute.......2004-09-03
If you are interested in the technical aspects of the Beatles' music, then make this book your best friend. This book has a plethora of information that will enthrall readers from those who are mildly interested in the Beatles to their most inveterate fans.
As noted in another review, for those who are not interested in the technical parts of this work, skip ahead to other parts of this book and prepare to be delighted. This book is a compliment to the intelligence of its readers; this author has done a sterling job of researching his material.
Hats off and a 10+ star review for this book!
Best study of the Beatles' music.......2001-11-30
A goldmine for anyone interested in the Beatles! By far the best study of the Beatles' music, indeed of any repertory of popular music. Everett includes technical analyses that will assist and inform musicians and scholars. BUT the general reader must not be scared off by the technical sections! If you're not familiar with music theory, skip the technical parts and you still have the best coverage of the Beatles as composers, with historical and personal details accurately recounted for each song and album. Impressed by Everett's work, the Beatles gave Everett unprecedented access to sketches and other unpublished material.
Both author and publisher deserve 10 stars for this magnificent effort.
Excellent book.......2001-10-20
The author knows his subject and, when considering the market for the book, must have decided not to "dumb it down". Good work!
Book Description
How can a band that started as a joke become one of music's most unstoppable forces? These sonic soulmates have endured death, addictions, an unstable line-up, and have still managed to produce some of the most vital rock `n roll of the past three decades. Charts the Red Hot Chili Peppers' unlikely rise, from their days as funk-loving punks wearing little more than smirks, to their current status as multi-million sellers and dynamic performers.
Tells the complete Red Hot Chili Peppers story, from their first meeting at a Los Angeles high school to the creation of such career-defining albums as BloodSugarSexMagik, Californication and By The Way.
Customer Reviews:
RHCP better and more interesting than the Beatles.......2005-07-12
Fornication: The Red Hot Chili Peppers Story is a great story of one of the greatest bands ever! RHCP!!!
They are 100 times more interesting and talented than those dopey boys from Liverpool, the Beatles.
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