The Glass Castle: A Memoir

Amazon.com

Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically. In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover. --Brangien Davis

Book Description

Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever.

Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home.

What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms.

For two decades, Jeannette Walls hid her roots. Now she tells her own story. A regular contributor to MSNBC.com, she lives in New York and Long Island and is married to the writer John Taylor.

TO INQUIRE ABOUT SCHEDULING JEANNETTE WALLS FOR SPEAKING ENGAGEMENTS PLEASE CONTACT:

Keppler Speakers

Dustin L. Jones

Associate, College & University Division

703.516.4000 (P)

703.516.4819 (F)

Customer Reviews:

Jeannette Walls.......2007-10-04

Thank you for visiting our school, Ms. Jeannette.
I figured you'll probably see this, since you said you like Amazon.

Your book has truly touched me. I just wanted to say I admire you more than anyone in this world.

I feel very fortunate to have had to opportunity to meet you ... at the school paper (Grits) meeting, the service leader meeting, in the Science & Technology lobby, and at the Senior Girls Lunch.

I admit, I also feel a little guilty because I mean ... PG "educates" the most spoiled Charleston kids who spend most of their time partying, drinking, and wasting time. It's a phenomenal school with a brilliant faculty, but the majority of the student body takes their gifts for granted. I hope your story and your truths have gotten through to some of them.

I'm so glad you are where you are now and I'm so glad you're happy.

For anyone else reading this review, go out and buy the book right now. It will change you forever.
For anyone who has written reviews accusing Ms. Walls of lying, please open your minds. If you ever meet her, or even hear her speak, you'll know immediately that every word is true.

Thank you.
Sincerely,
Alice Phillips, Senior, PGS (Charleston).

PS: You're right - everyone has something.

A Disturbing but Positive Memoir.......2007-10-04

What an eye opener. I'd like to believe every parent does the best they can, but as I read "The Glass Castle" I really had to ask myself, "Is this the best they could do?" I found myself wincing at times as I read the memoir. However, I couldn't put the book down, and the love Jeannette Walls has for her parents despite the neglect and disregard she endured, shows the incredible strength of the human spirit. To a society in which some people blame their lack of stability on a bad childhood, this book is a gift and a must read.

THANK YOU JEANETTE and your entire family for sharing your life!.......2007-10-03

An excellent book so engrossing I could not put it down. I love to read, but this book has moved me and stayed with me longer than any other. This book shows that you can break the chains that bind when you are focused. I've been in recovery many years and I appreciate the work involved in writing, along with courage in sharing, such intimate details of a family history. I will be recommending this book for years to come. Thanks again.

Absolutely amazing!.......2007-10-02

An amazing account of how one can overcome her/his circumstances instead of "blaming" the parents. A real page turner and so well written. I had put off reading this book for many months (thinking it would be too depressing to read) until a co-worker said, "It's really a good book."

The Glass Castle.......2007-10-01

Moving story. Uncomfortable to think the young woman would deny the existence of Mother when seen on street until you hear her story. It's a story of child neglect mixed so strangely with child love. Parents- child like themselves.

White Bicycles: Making Music in the 1960s

Average customer rating:

Very slow and tiring read
"Matter of Fact"
What a trip! And I wasn't even born yet when most of it happened!
Somewhat interesting, ultimately disappointing
Sight Unseen, Sound Unheard

White Bicycles: Making Music in the 1960s
Joe Boyd
Manufacturer: Serpent's Tail
ProductGroup: Book
Binding: Paperback

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ASIN: 1852429100

Book Description

"This is the best book about music I've read in years, and a gripping piece of social history."-Brian Eno

When Muddy Waters came to London at the start of the 1960s, a kid from Boston called Joe Boyd was his tour manager; when Dylan went electric at the Newport Festival, Joe Boyd was plugging in his guitar; when the summer of love got going, Joe Boyd was running UFO, the coolest club in London; when a bunch of club regulars called Pink Floyd recorded their first single, Joe Boyd was the producer; when a young songwriter named Nick Drake wanted to give his demo tape to someone, he chose Joe Boyd.

More than any previous sixties music autobiography, Joe Boyd's White Bicycles offers the real story of what it was like to be there at the time. As well as the sixties heavy-hitters, this book also offers wonderfully vivid portraits of a whole host of other musicians: everyone from the great jazzman Coleman Hawkins to the folk diva Sandy Denny, Lonnie Johnson to Eric Clapton, Sister Rosetta Tharpe to Fairport Convention.

Record and film producer Joe Boyd was born in Boston in 1942 and graduated from Harvard in 1964. He went on to produce Pink Floyd, Nick Drake, Fairport Convention, R.E.M., and many others. He produced the documentary Jimi Hendrix and the film Scandal. In 1980 he started Hannibal Records and ran it for twenty years. He lives in London.

Customer Reviews:

Very slow and tiring read.......2007-08-31

This has got to be the most boring book about the music business I've ever read. I really tried to make myself believe it was going to be a true page turner, but it wasn't. The only reason I continued to turn the page is because, well... I'd paid for the book! I'm not the biggest fan of folk music, but I do like it and I love the blues, but this book made me dislike both genres (while I was reading, mind you). Mr. Boyd had such a long and fulfilling career in the music business, but the way he told the story was just plain boring. I've read many biographies on this business and have read some real bizarre stuff, but this book was quite tame. Don't get me wrong, I was GLAD that it was tame. I was quite impressed with Mr. Boyd's self-control and his professionalism. He sounds like a total "stand-up guy." But boy, does he tell a boring story. I usually pass my books on to friends so that they we can converse on the book, it's characters, the author, and so on. I must admit, when I FINALLY finished this book, I promptly threw it in the trash. I will give Mr. Boyd one other thing, I was so happy that he made mention of all the blues greats that have graced stages and auditoriums worldwide. That in itself was very much worth this book purchase, but that's about it.

"Matter of Fact".......2007-08-20

Woody Allen made a film called "Zelig" about a little guy who found his way into all the significant events of the 20th Century.

Well, record producer Joe Boyd's life in the 60's was kind of like that. He was all over the place, at the Newport Festivals (both jazz and folk), touring with bluesmen through Europe, and finally at the epicenter of both the British psychedelic and English Folk Rock scenes.

With all that material to draw from, you would think that this book would be a regular psychedelic sundae, vibrating like a day-glo art poster. Nope. It's just a recounting of Joe's ups and downs in the music business. There are nice reminiscences about Sandy Denny and Nick Drake, and Joe drops some little known facts about his resume, such as his involvement in the Eric Clapton/Steve Winwood "Powerhouse" recordings, and his production of Pink Floyd's "Arnold Layne"--plus his notable failures, such as missing out on opportunities to sign Procol Harum, or to profit from the Abba catalogue.

But, Joe is primarily known for his involvement with Folk-Rock, and he doesn't really pour forth with details, here. What about "Liege and Lief", generally called the greatest British folk-rock album of all time? What about Vashti Bunyan, a cult artist in her own right? She gets about one paragraph. And what about Linda (Peters) Thompson? Joe lets it drop that he was in an intimate relationship with her, yet she merits only a sentence or two.

This book isn't badly written, but it doesn't really give you a great picture of the music. It could have been much better. People who are curious about the time would be better served checking out the music. I guess a CD sampler of Joe's productions, also called "White Bicycles", is available. Otherwise, there is the great "Nuggets II" box set, which I recommend without reservation.

What a trip! And I wasn't even born yet when most of it happened!.......2007-08-10

As a musician and general music junkie, I'd rate this as a must have. Joe Boyd is just as important to learn from as those blues and jazz bands he resurrected in the last 50s and early 60s. I also sensed the sadness and reverence he had towards Nick Drake, the sad honesty about Sandy Denny, as well as rejoicing in the still flourishing career of Richard Thompson, all of which are influences of mine.

I wonder if he has ever been to the Philadelphia Folk Festival.

Somewhat interesting, ultimately disappointing.......2007-07-22

As previous reviewers said, I "couldn't NOT read this book" and "devour" it with the special anticipation of having seen the words 'Produced by Joe Boyd' on so many of my cherished album covers. However, though it contains a few new facts about the artists and some insight regarding the music business only an insider would know, the book was a disappointment. As earlier reviewers here have stated, it's too short - with not enough information about the actual sessions and music-making itself. The text also seems to be missing something - perhaps over-edited? Perhaps shortened for some reason at the last minute? And some of the potentially fascinating little stories he relates are left dangling in space. The subtitle of the book is 'Making Music in the 1960s', but there's very little of that in the narrative. I wanted to find out what is was like to observe luminaries such as Nick Drake at work in the studio. I wanted to be a fly on the wall at a Fairport Convention session with Sandy Denny & Richard Thompson. What made the Incredible String Band tick? How did these artists get their signature SOUNDS? I was looking for a window on Joe Boyd's working world; What we get are mildly interesting and too-quick glances of the surface of '60s-'70s music.

Sight Unseen, Sound Unheard.......2007-07-17

In the mid to late 60s, there were so many unheralded masterpieces, even the recording companies couldn't keep up with them. Most were relegated to
the old school, family-owned record store. Illinois Speed Press, The United States of America and Joe Boyd and the Field Hippies were a few of them. Some of their members went on to nominal fame in other groups, but they mostly languished in the bargain bins. If this is the same Joe Boyd,
and his way with prose is as adroit as his way with music, you are in
for an incredibly interesting ride. I haven't read the book yet, but I
haven't been moved to make a purchase of anything sight unseen or sound
unheard since I read an article in Hit Parader about CSN three months before their debut album was released in 1969.

Destinos: An Introduction to Spanish (Student Edition)

Average customer rating:

Destinos: An Introduction to Spanish
muy excelente para todos quien quieren aprender el idioma!
¡Destinos es muy fantastico!
Destinos rules!
Encorages Bilingualism and Culture

Destinos: An Introduction to Spanish (Student Edition)
Bill VanPatten , Martha Alford Marks , Richard V. Teschner , and Bill Van Patten
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
ProductGroup: Book
Binding: Hardcover

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ASIN: 0070020698

Book Description

DESTINOS is an innovative beginning Spanish program based on a 26-week television series premiering on PBS in the fall of 1992. The 52 half-hour shows of the series use the powerful appeal of a uniquely Hispanic genre -- the telenovela (soap opera) -- to make language and culture come alive. The situation and context of each episode introduce students to the basic structures, language functions and vocabulary groups of Spanish that are then presented in the print materials. (Most grammar explanations and exercises are in the workbook/study guides.) This complete one-year course is designed to help students develop communicative proficiency -- listening, speaking, reading, and writing -- as well as cultural awareness in Spanish. The plot of DESTINOS is designed to engage student viewers from the very beginning. A wealthy Mexican patriarch, nearing the end of his life, reveals a secret he has kept from his family for many years. His revelation leads to some important questions that must be answered before he dies. Raquel Rodríguez, a Mexican-American lawyer, embarks on a search for those answers, a search that takes her to Spain, Argentina, Puerto Rico, and back to Mexico. Students and viewers can join in the search -- learning Spanish and about the rich and diversified cultural context in which it is spoken throughout the world.

Customer Reviews:

Destinos: An Introduction to Spanish.......2007-03-29

The format and content of the course is the best I've found. A great way to supplement your learning and practice. We are using it in an informal conversation group to give us a basis for discussion as we view and do our workbook practice.

muy excelente para todos quien quieren aprender el idioma!.......2005-08-04

(translation of title: Very excellent for everyone who wants to learn the language!)
I cannot emphasize enough how beneficial the Destinos: An Introduction to Spanish series is for those who want to learn Spanish, or become more familiar with the language. This was used in a course I took at college, and it felt like we were all travelling along with the main character, Raquel, a lawyer who travels from her home in Los Angeles, to Mexico, Spain, Argentina and Puerto Rico, as part of her work with her clients, a family living in an estate in Mexico City.

The format of this program is styled after the Latin American "novelas" (soap operas). In other words, you will need to carefully watch each episode, to keep up with plot details. But, not to worry, because Raquel reviews what happened with you, at the end of every episode. Each episode is entirely in Spanish, and it gets you thinking in the language, comprehending what is going on very quickly, as well as picking up interesting information specific to the cultures she is immersed in, during her travels. We learn about art, music, dance, food and slang. (Slang is also a very valuable thing to know about, when travelling in Spanish-speaking countries. Words that are acceptable in one country could get you shot in another country---this isn't addressed in the episodes, but that is really important to be aware of)

I am pleased to say that the series is entertaining, educational and very beneficial to students. It makes you WANT to learn, and also, in spite of the melodrama, you will want to stick it out to the last episode to see how things turn out. Muy excelente!

¡Destinos es muy fantastico!.......2002-06-24

I'm using Destinos in a telecourse, and am having lots of fun with it, and even learning some Spanish. My listening skills have improved dramatically, since the video is the main learning tool, which forces one to sharpen up and really listen to what's going on. The workbook that accompanies Destinos is really detailed, making it possible to learn a considerable amount of Spanish grammar on one's own. Overall, the best Spanish textbook I've used yet! ¡Adiós!

Destinos rules!.......2000-03-16

okay, if you don't like Destinos, then you just aren't with the picture. Its the best, its the bomb, and if you don't like it, don't diss it! Go back and do your own little fancy thing! Forget the world around you and sit on your couch!

Encorages Bilingualism and Culture.......1999-07-23

Last May (1999) I finished my fifth year of Spanish. For two and a half years my class used Destinos. After the AP exam, of the 7 Students who took this years exam, 4 non-native "4's" and one non-native "5". I myself and a much stonger speaker now that I am in college. Destinos promoted speaking from day one and it gave real results. I am exceling in my cuture classes and also with different Spanishes (mex, castilano, argentinian) Destinos gives a well rounded look on the Hispanic Culture. I enjoyed following the charaters through their journeys (video series). I highly recommend this text/video series too all.

Media Programming: Strategies and Practices

Average customer rating:

Media Programming: Strategies and Practices
Susan Tyler Eastman , and Douglas A. Ferguson
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Paperback

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ASIN: 0534636896

Book Description

MEDIA PROGRAMMING: STRATEGIES AND PRACTICES is an exciting book that will provide you with the most accurate and current information on the techniques and strategies used in the programming industry. This innovative text covers everything from how programs are selected to the limits of media programming.

Average customer rating:

A Great Start
Very Good
great book!!
Superlative
Bad Copies

Video Basics
Herbert Zettl
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Paperback

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Accessories:

VideoLab 3.0, Revised

ASIN: 0495050326

Book Description

Herbert Zettl draws on his expertise and field experience to bring you the new edition of VIDEO BASICS, the handiest and most authoritative, current, and technically accurate student guide to video production. Meeting the need for a briefer book, this text distills comprehensive video instruction so that it can be covered in a single semester. The book moves students from video concepts and processes to production tools and techniques, and finally, to the production environment (studio and field, inside and outside) and its effects. A more conceptual framework leads the student from the idea (what to create) to the image (how to create) on video.

Customer Reviews:

A Great Start.......2006-03-02

This book is a must for anyone getting into video production. Full of basic information that is conveyed in an intuitive and concise way, plus there is plenty of advanced knowledge to keep you referring back for years to come. Definitely a staple for all video people.

Very Good.......2004-01-24

My boss told me to buy this book, and it is one of the best available book.

great book!!.......2002-08-09

i am an electronic media communications major and this book has been used for a number of years in my school's communications program. video basics 3 has everything you need to know and everything is explained in much detail, yet not too complicated. there are great illustrations throughout the book that are very helpful as well.
i bought this book used from my campus bookstore and i gotta wonder, why would someone return this book at the end of the semester? i still have mine and have re-read it through quite a few times, most definately something worth holding on to!

Superlative.......2002-04-24

This book gives a broad overview of the field of video. It is intended as a textbook for students in a university video course, however, the information that it contains will be valuable for anyone interested in improving their video skills, especially in professional contexts. Since the book is a textbook, each chapter begins with a list of key terms and definitions, and key concepts are highlighted in the text and repeated at the end of the chapter. Each chapter also contains instructions for a lesson in Zettl's Video Lab on CD (not included). The book covers many topics related to professional video production, including the video production process, the video team, video cameras, lighting, sound, editing, and the studio. I found the language to be very straightforward and highly informative.

Bad Copies.......2002-01-30

My copy of the book did not have chapters 3 and 4. I had a chapters 1 and 2 repeated. Check your copy of the book.

Sight, Sound, Motion with infotrac: Applied Media Aesthetics

Average customer rating:

5 stars
Best in field
motion graphics professor
Fundamental book on the theory of the moving image
The Filmmaker's Bible of Aesthetics or What Works and Why

Sight, Sound, Motion with infotrac: Applied Media Aesthetics
Herbert Zettl
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 053452723X

Book Description

The most comprehensive book on the market, SIGHT SOUND MOTION/APPLIED MEDIA AESTHETICS describes the major aesthetic image elements--light and color, space, time-motion, and sound--and how they are used in television and film. Zettl's comprehensive coverage of aesthetic theory and how that theory can be successfully applied place this text in a class by itself. This edition is richly illustrated with visuals that often draw on traditional art forms, such as painting, sculpture, and dance.

Customer Reviews:

5 stars.......2005-10-10

The book is totally new and under very good condition, and the dilievery time is much earlier than i expected.

Best in field.......2004-12-28

This text thoroughly explains the intricacies of applied media asthetics in a concise and completely accessible way. It is a well organizied text that ehances its presentation through the use of many illustrations. I believe that this is the best text on the subject and that it has been since its first edtion.

motion graphics professor.......2002-06-04

"Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book."

I would disagree with the above review. Only by learning WHY first, can we learn HOW later. This book is more than a cookie cutter approach to film and video. If you want to "click and drag" your way through an editing program, then true, this book is not for you. Add this to your collection if you want a book that teaches how to see and create film. Sight, Sound, Motion: Applied Media Aesthetics has staying power.

Fundamental book on the theory of the moving image.......2001-05-20

This was the assigned textbook for my digital video 2 class, and it is simply wonderful. Zettl is a very knowledgable man on the subject of creating images for film, video, and even new media. (Zettl's text Video Basics 3 was used in my digital video 1 class as well) This book lays a solid foundation for the theory behind how and why the viewer perceives the moving image, and how the filmmaker and video producer can create more pleasing and coherent productions.

While the biggest complaint I've heard about this book is it's over-reliance on theory, it still does a good job of contextualizing theory into practical application. Thus the title of the book: APPLIED Media Aesthetics. Although I haven't read any of Eisentien's theories behind filmmaking, I suspect that Zettl's treatment would compete rather well, and is probably more accessible for a modern reader.

This book covers all the bases from color and light, time and space and structuring audio to image. Zettl succintcly deconstructs the intelligent mind behind the images and sound of our cultures film and television productions.

Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book.

The Filmmaker's Bible of Aesthetics or What Works and Why.......2000-11-04

This is probably the most important textbook a film production student can have on his/her shelf. NOT for how to work with actors or how to light a scene, but for understanding the underlying reasons of why things work due to our learned aesthetics and Western sensibilities.

Professor Herbert Zettl has written the most concise manual on why we has film viewers percieve things the way we do. He explains in detail (and layman's terms) how our aesthetics have been formed to interpret the dynamic medium of film and television.

How editing of action from shot to shot creates the illusion of continuous motion. How stagelines work so not to give the effect that your actor is jumping around from one side of the scene to the other. How to crop your shot BETWEEN the bodies natural cut-off points (i.e. neck, elbow, waist) to prevent the actor from looking like a disembodied head or torso.

This book is cover-to-cover insights into what we as viewers take for granted when we watch a good filmmaker's work, but may not consider when faced with the daunting task of mounting a film production and the on-set "reality" problems that dominate the filmmaker's mind when shooting a film.

I first read this book when I was in film school twenty years ago. Since then I have directed many professional film productions and I still review it before starting a new one to refresh myself.

Just as Syd Field's book "Screenplay" is the bible for screenwriting, "Sight Sound Motion" is the bible on understanding what works in film/video and why.

Average customer rating:

Excellent Overview of Media Studies Methodologies

Channels of Discourse, Reassembled: Television and Contemporary Criticism
Robert C. (ed.) Allen
Manufacturer: The University of North Carolina Press
ProductGroup: Book
Binding: Paperback

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Approaches to Popular Film (Inside Popular Film)

Television: The Critical View

Media Analysis Techniques

This Thing of Ours

Television: Technology and Cultural Form (Routledgeclassics)

ASIN: 0807843741

Book Description

Since its original publication in 1987, Channels of Discourse has provided the most comprehensive consideration of commercial television, drawing on insights provided by the major strands of contemporary criticism: semiotics, narrative theory, reception theory, genre theory, ideological analysis, psychoanalysis, feminist criticism, and British cultural studies.

The second edition features a new introduction by Robert Allen that includes a discussion of the political economy of commercial television. Two new essays have been added—one an assessment of postmodernism and television, the other an analysis of convergence and divergence among the essays—and the original essays have been substantially revised and updated with an international audience in mind. Sixty-one new television stills illustrate the text.

Each essay lays out the general tenets of its particular approach, discusses television as an object of analysis within that critical framework, and provides extended examples of the types of analysis produced by that critical approach. Case studies range from Rescue 911 and Twin Peaks to soap operas, music videos, game shows, talk shows, and commericals.

Channels of Discourse, Reassembled suggests new ways of understanding relationships among television programs, between viewing pleasure and narrative structure, and between the world in front of the television set and that represented on the screen. The collection also addresses the qualities of popular television that traditional aesthetics and quantitative media research have failed to treat satisfactorily, including its seriality, mass production, and extraordinary popularity.

The contributors are Robert C. Allen, Jim Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Kozloff, Ellen Seiter, and Mimi White.

Customer Reviews:

Excellent Overview of Media Studies Methodologies.......2002-07-04

In a critical writing course I taught in Spring 2002, I used Channels of Discourse, Reassembled as the core text for the course readings. The many chapters within are written by the best of the best in the fields of media studies and cultural studies, and the methodologies are presented in an easy-to-read manner which is informative and full of examples and case studies. This is an excellent book for media studies students, as its chapters lay out the basic information they should know about many of the methodologies often used in media criticism.

Average customer rating:

A worthy contribution to history free of myth and full of facts
Two Shortcuts To Becoming A Lone-Assassin Believer: Watch The 11/22/63 Real-Time Live TV Coverage....And Then Read This Book
Out of the Past
very good press reporting
JOURNALISM CLASSIC AND INSIDE SCOOP

When the News Went Live: Dallas 1963
Bob Huffaker
Manufacturer: Taylor Trade Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 1589791398

Book Description

Broadcast journalism came of age in the Kennedy Assassination crisis and helped to hold a mourning nation together. Four reporters on the scene relate their experiences.

Customer Reviews:

A worthy contribution to history free of myth and full of facts.......2007-04-03

There are so very few books that convey a sense of "being there" when it comes to the Kennedy assassination. This outstanding book takes the reader back to that fateful weekend of November 22nd 1963 in Dallas, Texas and does so in an open, honest and compelling manner.

"When the News Went Live" is written by four journalists who were in Dallas on that day covering the presidential visit. Bob Huffaker and the other three newsmen share many interesting stories that you will not find elsewhere and that have been untold for many years no doubt to all but their personal friends. This is why the book is such a valuable contribution to the historical record. Such first hand observation regarding not just those few seconds in Dealey Plaza, the murder of Officer Tippet and the shooting of Lee Harvey Oswald by Jack Ruby, but how in fact the entire story unfolded, makes fascinating reading.

As an aid to anyone interested in the assassination, this book is a must have. I would emphasize - rarely do you find first hand knowledge like this - much of what is written on this subject is written by people many steps removed from the event where fact and fiction merge into one. Not so here. A fabulous book which is refreshingly free of the conjecture and myth that is so common in the Himalayan pile of work on the Kennedy assassination and is highly recommended.

Two Shortcuts To Becoming A Lone-Assassin Believer: Watch The 11/22/63 Real-Time Live TV Coverage....And Then Read This Book.......2007-01-02

"With three shots from a mail-order rifle, Lee Oswald set off a worldwide tragedy that developed too fast to print. .... Broadcast journalism came of age in that crisis of grief and uncertainty, and as it drew its mourning audience, it helped to hold the nation together." -- Bob Huffaker; From the Preface of "When The News Went Live: Dallas 1963"

----------------------

"When The News Went Live: Dallas 1963", published in 2004, paints a vivid word picture of many of the incredible events that surrounded President John F. Kennedy's assassination in November of 1963, as seen through the eyes of four journalists -- Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise -- who covered those events as they happened for CBS affiliate KRLD-TV and Radio in Dallas.

President Kennedy's shocking and appalling assassination on November 22, 1963, was the very first really big "Watch It Unfold Live On TV" news event of the television era, with four full commercial-free days being devoted to nothing but exclusive assassination-related coverage by all three major TV networks (with KRLD's on-the-scene Dallas reporters frequently feeding CBS-TV headquarters in New York).

And the four reporters whose intriguing stories unfold within this 224-page hardcover volume were right smack in the thick of things during the rapidly-developing events -- from the initial sketchy bulletins that told of the President being shot in Dealey Plaza during a motorcade drive through the city of Dallas -- to the announcement of JFK's death at Parkland Hospital -- to the capture of the accused assassin (Lee Harvey Oswald) in a nearby movie theater -- to Oswald's very own murder on live TV (with Bob Huffaker reporting live from the basement of the Dallas Police Department, where the single gunshot from Jack Ruby's pistol added yet another hard-to-believe chapter to the weekend's nightmarish story).

It was a mesmerizing weekend in American (and television) history, to say the least. And those days are re-lived with clarity in this engaging book by way of the recollections of four men who lived through and reported on those events when they were occurring.

"When The News Went Live" contains several excellent black-and-white photographs, too (some of them I haven't seen published elsewhere).

On a personal level, I have had the pleasure of communicating (via e-mail) with Bob Huffaker several times. He has been very cordial and gracious whenever answering the questions that I had for him. His personal insights into the events revolving around JFK's death are fascinating glimpses into the past, and are insights that I have enjoyed reading immensely.

A sample e-mail excerpt from Mr. Huffaker:

----------------------

"David, you're right about the presidential visit and motorcade being the main attraction that all Dallas media were covering, of course. But all our stations had limited capabilities for doing mobile TV, which then demanded either cables or microwave dishes--as well as a receiving dish within line-of-sight beaming or bouncing.

Hence the pool TV arrangements, limited to three planned locations. The local TV stations did live TV from the FTW {Fort Worth} breakfast, Love Field, and the Trade Mart. But this was, indeed, the day the news went live on television, unplanned.

WBAP-TV in Fort Worth had a non-running TV van, which they had towed all the way from Cowtown to Dallas Police headquarters, and we sent both of our KRLD-TV vans into duty--the Bread Truck at DPD and the Blue Goose on the 24th to the county jail, etc.

This was the first time in TV history when on-the-spot news suddenly demanded to go live from the scene. Before that, radio news on-the-spot descriptions such as ours that day were common (like the Hindenburg broadcast--radio only), and live TV was usually reserved for major speeches, sports, etc.

Bob" -- E-mail to this writer; May 30, 2006

----------------------

Relating to the subject of "WHEN THE NEWS WENT LIVE", I'd like to offer up the following observations as an extension of this book review.....

To those JFK conspiracy theorists who seem to favor the Oliver Stone-like or Robert Groden-promoted assassination scenarios (that feature a minimum of three gunmen and anywhere from 6 to 10 gunshots being fired at President Kennedy in Dallas' Dealey Plaza on November 22, 1963) -- I always suggest to them that they ought to dig up some of the originally-aired "As It Is Happening" live TV or radio broadcasts from that dark Friday in American history.

After performing that exercise of watching a few hours of the November 22 television coverage of the assassination (in real time), or listening to some of the radio broadcasts in real time (which works just as well) -- I challenge anyone to then arrive at the same conclusion that was slapped up on the big theater screen in 1991 via Director Oliver Stone's blockbuster, conspiracy-laden motion picture "JFK".

Watching the day's events unfold "live" in front of you (or listening to them unfold on the radio as it was happening) should, in my opinion, provide everyone with a good general idea of how utterly impossible a task it would have been to have "faked" so much stuff that was being IMMEDIATELY reported to the world on live television and radio within minutes and hours of the President's assassination (and within a very short space of time following Police Officer J.D. Tippit's murder as well).

Via those original live TV/Radio broadcasts, you're not going to hear a SINGLE report that resembles anything close to the Oliver Stone/Jim Garrison-endorsed nonsense of:

"Three gunmen fired six shots at President Kennedy's motorcade today here in Dallas!!"

What you will hear, instead, is live coverage, as it happened, of a ONE-GUNMAN assassination taking place from where the majority of witnesses said it took place (the Texas School Book Depository Building), with no more than three shots having been fired by the SINGLE SHOOTER, which is a shot count that over 91% of the witnesses concur with -- including the small percentage of witnesses who heard only one or two shots, who are witnesses that certainly don't do Mr. Stone's "6-shot ambush" theory any favors.

Upon evaluating virtually all of the TV networks' live assassination footage from November 22nd, 1963, there is no possible way that a reasonable person could arrive at a conclusion that JFK was shot by three assassins, firing from both front and rear. Let alone arriving at an even more-cockeyed "8-to-10-shot" shooting scenario, as purported by Mr. Groden and some other CTers, which is an outlandish conspiracy-flavored scenario that has John Kennedy and John Connally being shot by way more than just the two Warren Commission-backed Mannlicher-Carcano bullets from Lee Harvey Oswald's rifle.*

* = And Mr. Groden's theory (that sports from 8 to 10 gunshots) also features an additional hunk of lunacy, in that Groden thinks it's very likely that NONE of these eight to ten shots came from the "Oswald window" in the Book Depository! (I'm not making this crazy stuff up here. I promise. Anyone who owns a copy of Robert Groden's 1993 book "The Killing Of A President" can check out Groden's preposterous theory for themselves, on pages 20-40.)

The bottom line is -- Very nearly all of the information being reported on TV and radio that November day favored a "Lone Assassin" shooting scenario (including the info concerning the Tippit murder in Oak Cliff), with very little evidence and information being broadcast that would support any type of a "conspiracy" whatsoever; and certainly no "conspiratorial" evidence that has ever panned out and "proved" that a multi-gun plot ended JFK's life in Dallas.

This is quite a telling "One Killer" fact. Because, in my view, if a vast conspiracy and subsequent "cover-up" had been in place on November 22nd (given the immense amount of TV and radio coverage, with reporters scrutinizing everything coming across their desks and digging hard for any type of case-solving clues during those first hours and days after JFK and J.D. Tippit were killed), I think that at least SOME pieces of the conspiracy would have leaked through to the sweeping television and radio coverage surrounding the two Dallas murders.

And I'm guessing that every reporter and newsman in the country (including Messrs. Huffaker, Mercer, Phenix, and Wise) would have loved to dig up some "conspiracy"-proving angle during that weekend in November of '63. Being the person who uncovered such a huge story would certainly be a feather in that reporter's cap, to be sure. But, as it turned out, nothing of that nature occurred....and has yet to occur all these many years later.

To think (as many theorists do) that these conspirators were so smart and so quick to have had the capabilities to immediately eliminate virtually every last scrap of information leading to a conspiracy plot of some kind, making sure that none of the "multi-gunmen shooting event" details seeped through to the media (multiplied by TWO separate murders as well, counting Tippit's!), is to think that any such evil-doers had powers similar to "Superman".

For example -- Almost every one of the initial reports concerning the number of gunshots heard by witnesses stated "3 shots". And while it's true that the very first report of the shooting from UPI's Merriman Smith (which was broadcast over all the television networks) stated "Three shots were fired...", it's also worth noting that Smith's initial bulletin was not the ONLY "three shots" account that was reported during those early hours just after the shooting.

For instance, Jay Watson of ABC affiliate WFAA-TV in Dallas (who happened to be in Dealey Plaza during the shooting and nervously reported the first bulletins to the unaware Dallas TV audience) is heard multiple times on November 22nd saying he heard "3 shots" fired.

Plus, several other members of the media are also on record stating their own PERSONAL beliefs that exactly three shots were fired by the assassin, including Robert MacNeil, Jack Bell, Bob Clark, Jerry Haynes, and Pierce Allman, among still others.

Some of the other "Three Shot" witnesses who were riding right in the Presidential motorcade itself include -- Photographers Tom Dillard, Robert Jackson, Mal Couch, and James Underwood. Plus, both John and Nellie Connally, who were riding in the same car with President Kennedy.

In addition, Presidential aides Ken O'Donnell and David Powers, who were both riding in the Secret Service follow-up car directly behind JFK's limousine, can also be added to the lengthy list of witnesses who heard precisely three gunshots.

And then there's also amateur filmmaker Abraham Zapruder, who took the most famous 26-second home movie in history when he captured the entire assassination with his 8mm Bell & Howell movie camera -- Zapruder showed up on live TV about 90 minutes after the President's murder took place and gave a graphic account of the horrifying event that had taken place in front of his very eyes.

Mr. Zapruder told the WFAA-TV viewing audience that he had heard two or three shots (but definitely no more than three), and he also demonstrated on live television where on the President's head he had seen the effects of the fatal gunshot. Zapruder puts his hand over the right-frontal portion of his own head to demonstrate where he saw the blood coming from JFK's head.

That's pretty amazing "LIVE" stuff from Mr. Zapruder's own lips (within approx. an hour-and-a-half of the assassination). And it's especially incredible and amazing if there had actually been many more than just two or three shots fired at the President, and if the fatal shot had actually (as many CTers believe) caused a huge hole in the BACK of John Kennedy's head, instead of the location where Zapruder placed it on live television -- i.e., the RIGHT SIDE AND FRONT portion of the head.

How could the so-called "conspirators" have possibly gotten THAT lucky with respect to Abraham Zapruder's live "on-the-air" WFAA-TV statements and head-wound "demonstration"? How?

And -- Could these ultra-clever conspirators have somehow managed to "manipulate" several reporters who were relaying the news live to the world immediately after the event, and have them ALL report on hearing just "three shots" (or, in a few cases, hearing only TWO shots, which is a number that certainly does not favor a "Multi-Shooter Conspiracy Plot")?

Or did the plotters just happen to get really, really LUCKY (again) when virtually all of the news reports favored the "Three Shots Fired" conclusion? With this 3-shot scenario matching the precise number of bullet shells that were found on the 6th Floor of the Book Depository after the shooting; and also perfectly matching the exact number of shots heard by TSBD witness Harold Norman, and also perfectly matching the precise number of bullet shells (3) that Norman heard hitting the plywood floor directly above his 5th-Floor location within the Depository.

Which, per Oliver Stone's movie, would mean that a full 50% of the ACTUAL number of gunshots were somehow inaudible to the enormous majority (91%+) of the earwitnesses! And, remember, Oliver has NONE of the shots within his movie's six-shot assassination ambush being "synchronized" in order to merge together with the sound of some of the other shots.

And yet, per Mr. Stone, we're supposed to actually believe that approximately 9 out of every 10 witnesses somehow missed hearing HALF of the gunshots fired that day! A reasonable thing to believe....or not? I ask you.

Were these so-called conspiratorial shooters so good that they could make 4 to 10 shots sound like only three to the vast majority of witnesses scattered all throughout Dealey Plaza? Highly doubtful, to say the least.

Again -- I'd advise all conspiracy theorists to sit down and watch the live TV footage....or listen to some of the surviving 11/22/63 radio tapes....and then try to find a "Multi-Gunmen Conspiracy" lurking within ANY of those original broadcasts. If anybody finds proof of a conspiracy via those means, please let me know. And let the world know too.

David Von Pein
December 2006
January 2007

Out of the Past.......2006-04-04

We have become accustomed (yea, verily, some would say desensitized)to horror unfolding before our eyes in our very own living rooms. Bob Huffaker's book brings us back to a time before the desensitization, when we could scarcely believe what our eyes were telling us. I recommend this book highly to those who were there, watching as I was, and even more so to those who were not there. The young, raised in an era of suicide bombers, need to understand that it was not always thus.

very good press reporting.......2005-07-30

1963 nov 22 brought to life again but with more professionalism.some very interesting facts that confirmed my own thoughts .

JOURNALISM CLASSIC AND INSIDE SCOOP.......2005-05-07

I stayed up all night reading when my copy of When The News Went Live, Dallas 1963 arrived. This book is a classic and should be included in the curriculum of every journalism and political science classroom in America.

Huffaker, Mercer, Phenix and Wise have written the Texas story of the Kennedy assassination, the inside scoop on Oswald's murder and the history of the evolution of modern journalism. These four men were Dallas television reporters, on the scene and on their own, in the middle of the news story of the century.

It is a salute to their training and their integrity as newsmen that their coverage under duress stands today as a compelling rendering of those fateful moments. I am glad they were the early ones on the scene, for they were the ones who broke the news to me in my elementary classroom. The story gives their perspectives more fully; all these years later, this book helps me understand the events and how they affected Texas and the nation.

Bob, Bill, George and Wes were there in Dallas with their Southern sensibilities. They weren't easily pushed around or manipulated that dark day and still aren't. They were taught to tell the truth as objectively as possible, and they reverted to that training and their good common sense when placed in positions lesser men might have blown or exploited. These four men cared about truth and justice and fairness and still do. I hope all young journalists will read this and learn about balanced reporting.

Making Media: Foundations of Sound and Image Production

Average customer rating:

Making complex issues clear

Making Media: Foundations of Sound and Image Production
Jan Roberts-Breslin
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback

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ASIN: 024080502X

Book Description

Making Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. A CD-ROM, compatible with both Macs and PCs, will provide interactive exercises for each chapter, allowing students to explore the process of media production. The text is heavily illustrated and complete with sidebar discussions of pertinent issues.

Focusing on the building blocks that transcend the boundaries between film, television, multimedia, and the Internet, this highly illustrated and interactive text stresses the commonalities of various types of media and prepares the student to succeed within a wide range of disciplines.

*Prepares students to move with ease into any number of media disciplines - film, video, photography, audio, multimedia
*Includes companion CD-ROM with interactive exercises
*Highly illustrated throughout

Customer Reviews:

Making complex issues clear.......2004-12-24

This book has been a real life saver for me on my first semester at graduate school. The other media books I had to read were overwhelming with never ending details and jargon language. Roberts- Breslin's book explains everything plainly from start to finish. She has an uncanny ability to simplify extremely complex matters. Even with no prior knowledge of the technical aspects of media making I now have a solid foundation.

The main terms are bolded, and also listed in the end so you can read the book beginning to end or just look up specific topics. The attached CD is a great addition as it visually illustrates concepts that are difficult to explain verbally, such as the different camera movement (What is the difference between the pan and truck movement?) or the phi phenomenon.

Another great thing about the book is the practical tips it gives to a beginner. Logging all my footage, for example, would have never accrued to me, but it made editing so much more manageable and must have saved me hours upon hours.

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Review
Wanted more of an autobiography
Intriguing,surprising insights about foucs & tenacity
The Women Who Raised Me
A wonderful book

The Women Who Raised Me: A Memoir
Victoria Rowell
Manufacturer: William Morrow
ProductGroup: Book
Binding: Hardcover

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ASIN: 006124659X
Release Date: 2007-04-10

Book Description

The story of a remarkable woman's rise out of the foster-care system to attain the American dream—and of the unlikely series of women who lifted her up in marvelous and distinctive ways

Born as a ward of the state of Maine—the child of an unmarried Yankee blueblood mother and an unknown black father—Victoria Rowell beat the odds. Unlike so many other children who fall through the cracks of our overburdened foster-care system, her experience was nothing short of miraculous, thanks to several extraordinary women who stepped forward to love, nurture, guide, teach, and challenge her to become the accomplished actress, philanthropist, and mother that she is today.

Rowell spent her first weeks of life as a boarder infant before being placed with a Caucasian foster family. Although her stay lasted for only two years, at this critical stage Rowell was given a foundation of love by the first of what would be an amazing array of women, each of whom presented herself for different purposes at every dramatic turn of Rowell's life.

In this deeply touching memoir, Rowell pays tribute to her personal champions: the mothers, grandmothers, aunts, mentors, teachers, and sisters who each have fascinating stories to tell. Among them are Agatha Armstead, Rowell's longest-term foster mother, a black Bostonian on whose rural Maine farm Rowell's fire to reach for greatness was lit; Esther Brooks, a Paris-trained prima ballerina, Rowell's first mentor at the Cambridge School of Ballet; Rosa Turner, a Boston inner-city fosterer who taught Rowell lessons of independence; Sylvia Silverman, a mother and teacher whose home in a well-kept middle-class suburban neighborhood prepared Rowell for her transition out of foster care and into New York City's wild worlds of ballet and acting and adulthood.

In spite of support from individuals and agencies, Rowell nonetheless carried the burden of loneliness and anxiety, common to most foster children, particularly those "orphans of the living" who are never adopted. Heroically overcoming those obstacles, Rowell also reaches a moment when she can embrace her biological mother, Dorothy, and, most important, accept herself.

Ultimately, The Women Who Raised Me is a story that belongs to each of us as it shines a glowing light on the transformational power of mentoring, love, art, and womanhood.

Customer Reviews:

Review.......2007-09-07

This was a well written book. The author gives a heartfelt account of her life in foster care. She begins her story as a small child in rural Maine and concludes as an adult actress in Hollywood. This is a great book that deals with foster care, mental illness, achievements, and adversity in a young woman's life.

Wanted more of an autobiography.......2007-08-16

I know the title says the women who raised me, but I really wanted to read more about how she got into acting, what it was like to be on the young and the restless and work with dick van dyke. She spends many chapters about her ballet years, but doesnt mention what it was like to get into tv acting, which is really her career, not ballet. She is known for being a TV star. She did a great deal of research into her families/friends - I think too much. I had to skip many many pages because it got boring. She mentions her marriage, but never talks about getting divorced. I never knew if she married Wynton or not, had to look it up on the net. She doesn't get into her relationships with men much or her children. I got the impression Wynton was raising her son? but who knows. She seems very multi talented though and it was great that she put so much time into writing a book in addition to her other charities/career.

Intriguing,surprising insights about foucs & tenacity.......2007-08-10

This is an exceptionally touching journey through the life of a foster child that was exposed to a number of phenomenal women.

All their lives were woven together beautifully by the author [Rowell]and revealed that despite backgrounds that were so different, these women all exhibited determined, giving spirits through their own talents.

A must read!!

The Women Who Raised Me.......2007-07-28

A very touching story , well written and informative. So sad at times. I loved that there were pictures of these incredible women to put faces on the heroes! Inspiring too, that with love and guidance, our children can thrive in difficult life situations.
As a grandmother to a mixed race child, very distubing also, that we still have so far to go in the US.

A wonderful book.......2007-07-01

I could not put down Ms. Rowell's life journey. I knew very little about her, only that she was an actress in a soap opera. She is an incredibly strong woman. I have great admiration for her. She could so easily have turned her back on her painful past and distanced herself from orphans; but she chose not to. She embraces her birth mother and all who assisted her.

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