The Encyclopedia of Stanley Kubrick (Library of Great Filmmakers)

Customer Reviews:

For the Kubrick fan.......2003-08-22

This is a book of Kubrick facts and trivia, arranged in easy-reference format. The authors are opinionated about their subject, which is good --- they clearly love writing about these movies and everything that went into them. For the non-fan, this book could be tedious. Entries on actors veer off into complete discussions of the Kubrick movie in which they starred, minor details are repeated, and a few entries seem to be too technical or industry-based to be worth mentioning.

(For example, Kubrick says that at the end of Lolita, Humbert realizes that he loves her --- he's not just feeling lust for her. Kubrick calls this the most poignant moment in the story. This particular quote is repeated in the book at least five times.)

If you've read every other book about Kubrick, get this one. If not, read the books by Ciment, Walker, Herr, LoBrutto, and Baxter first.

Well, why not?.......2003-06-20

Bronx-born Stanley Kubrick spent much of his professional life in England where he made some of the most controversial and original films ever to grace the silver screen. This uneven but fascinating book is in a sense a tribute to the man and his work. This is not the first encyclopedic treatment of a top movie director published by Facts on File--they have also done Alfred Hitchcock and Orson Welles. Perhaps this format--an "encyclopedia"--will catch on. At any rate, it is fun to leaf through randomly or perhaps one could actually proceed alphabetically.

The entries of course all have some connection with Kubrick. Included are actors who played in his movies, and people related to him and his friends and other people he worked with. There are also entries on movie business phenomena like "antiwar themes" and "censorship." There is an interesting entry on Steven Spielberg's Artificial Intelligence (2001) in which I learned that the original conception came from Kubrick. There are a number of black and white photos spread throughout the text and some line drawings, mostly of Kubrick and the actors who played in his films. Often the photos are stills from the movies. It is interesting to see Kubrick at various stages of his career and how time changed his appearance. My favorite photo is of George C. Scott and Stanley Kubrick playing chess on the set of Dr. Strangelove underneath the "War Room" mock up. By the way, Scott is reported to have gained respect for the younger Kubrick when Kubrick beat him at chess.

There is rather a lot of repetition in the entries, some of it unavoidable of course because entries overlap in content. However the entry for Sue Lyon, for example, who was Kubrick's Lolita, contains a summary of the plot of Lolita to the exclusion of the rather sparse information about Lyon. Also the editing and proofreading of the entries is not first rate. The text was begun by Rodney Hill and then taken up by Gene D. Phillips, which may account for some of the avoidable repetition. Some of the entries were written by John C. Tibbetts and others tagged with initials and identified as "Contributors" near the back of the book.

Clearly the strength of the book is in the light it sheds on Stanley Kubrick and his life in film. The detail is fascinating and the writing, in spite of the repetitions, is engaging. There are nice pieces on George C. Scott, James Mason, Peter Sellers, Malcolm McDowell, Nicole Kidman, Shelley Winters, Arthur C. Clarke, etc. as well as essays on all of Kubrick movies. Included are behind the scenes information about what went on during the shooting of the films, how the films were conceived and how they progressed. I was intrigued to learn that Kubrick was able to get a fine performance from the otherwise undistinguished Sue Lyon partly because he sometimes allowed her to use her own vernacular instead of words from the script. Also interesting was the difficulties that Shelley Winters experienced (from her viewpoint!) in working with James Mason and Peter Sellers in Lolita (1962). The relationship between Kubrick and Arthur C. Clarke, who wrote the novel 2001: A Space Odyssey and worked with Kubrick on the screenplay for the film, is interesting to follow. One realizes again that at the base of Kubrick's film creations is an abiding interest in science and human psychology.

Bottom line: an irresistible companion to the films of Stanley Kubrick, one of cinema's greatest directors and one of my personal favorites.

Stanley Kubrick: A Biography
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A filmography more than a biography

Forensic Biography

Excellent Introduction to Kubrick, but written before Eyes Wide Shut and his death.

Light & Smoke & Mirrors

How to write a book about a filmmaker

Stanley Kubrick: A Biography
Vincent Lobrutto
Manufacturer: Da Capo
ProductGroup: Book
Binding: Paperback

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ASIN: 0306809060

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In 1962, an MGM trailer teased its audience by asking "How Did They Ever Make a Movie Out of Lolita?" Readers of this book, which recounts the life of Lolita's director, might ask, "How Did They Ever Write a Biography of Stanley Kubrick?" Kubrick is the most reclusive of celebrities, a man who seems mysterious even to those who have known and worked with him. Vincent Lobrutto's engrossing and beautifully researched biography succeeds in tracing this meticulous and brilliant visionary from his childhood and early career as a photographer for Look magazine to his creation of masterpieces such as Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, and Full Metal Jacket. Lobrutto concludes his book by discussing projects that have not yet been realized: Eyes Wide Shut, a film about sexual obsession, the Holocaust drama Aryan Papers, and the most eagerly awaited of Kubrick's prospective movies, the science fiction film A. I.

Customer Reviews:

A filmography more than a biography.......2007-03-16

Published in 1999, prior to the release of "Eyes Wide Shut" and the death of his subject, Stanley Kubrick, Vincent LoBrutto's biography arrived, however unfairly, at the wrong time. Since Kubrick did not grant LoBrutto the kind of access a strong biography needs, he had to do the nasty gruntwork that makes biographical writing, particularly of the deceased, such a demanding, but ultimately rewarding adventure. We can only speculate, but now that Kubrick has been dead for nearly eight years, that perhaps Christiane Kubrick and their daughters would grant access into the secretive, obsessive world that made Kubrick such a mythic filmmaking figure.

Instead, we have a text that owes to LoBrutto's extensive knowledge of cinema more than it does to the insight of Stanley Kubrick. The book starts off poorly, reading like a catalog of events and dates, lacking any real musical sensibility for his use of the English language. LoBrutto hits his stride when describing the making of Kubrick's breakthrough film "The Killing." From there, LoBrutto's research into the depths of Kubrick's approach to filmmaking is rewarding. We learn about Kubrick's use of specific movie cameras, lenses, his approach to scoring films, "needle-dropping," his approach to lighting and his encyclopedic absorption of the subject matter pertaining to the films he made.

However, as a "biography," a study in human character, LoBrutto's book is thin. We learn little about Kubrick's attitudes towards his Jewish heritage. His first two marriages are passed over without any real depth. His obsessive nature and the creation of his own closed-off world, akin a filmmaker's Xanadu, are provided little to no psychological depth or inquiry. Kubrick comes across in LoBrutto's text as a reserved, calm guy who really didn't antagonize anybody. This overly consistent portrayal of his subject leads me to believe that, since Kubrick was still living at the time the author was writing this book, that LoBrutto was fearful of getting sued or blacklisted if he wrote anything too critical of the director. For these reasons, the book does not receive my overwhelming recommendation. But for aspiring directors, this books is a marvel, providing wonderful glimpses into the habits, approaches and skillsets of America's greatest film director.

Forensic Biography.......2007-01-04

Even though, as others have correctly observed below, this biography was written some time before Stanley Kubrick's death, Lobrutto is about as well equipped to write definitively about this one-of-a-kind filmmaker as anyone would be.

Kubrick died just after completing "Eyes Wide Shut," and those who were critically unkind to that effort would conclude that he'd about run out of steam.

It's understandable. The more we learn about Kubrick's personal life here, the less we understand his art. He was and remained an extremely private and elusive man, and simply pursued his various compulsions as they occasioned. The results are what we see on the screen, of course.

Lobrutto's a good writer; you'll enjoy the effort a great deal.

Excellent Introduction to Kubrick, but written before Eyes Wide Shut and his death........2005-10-11

I got this book in 1998 to read a bit about the man before he was to pass away a few years later. For this reason the book is probably a bit dated now and does not cover his Eyes Wide Shut production. However in terms of insight I remember this is a great guide for introducing us into the life and times of the man. It covers his youth and upbringing and how he got into the film making scene. There are many references to Kirk Douglas and film financing, including Kubrick's interaction with Hollywood. In terms of a historical reference, this book was very interesting and I would recommend it in terms of being able to give us an account of the ins and outs of this man's life. The photograph section is quite well detailed with lots of early stuff. However the one downside to the book is that it never touches on Kubrick's motives. Anyway Kubrick was an illusive character. I have seen maybe two very small 1 minute interviews with the man in my life. If you are looking for insider information then you may want to read something like, Eyes Wide Open : A Memoir of Stanley Kubrick (Paperback)
by Frederic Raphael, although this book was denounced by Kubrick's family, and to be taken with a pinch of salt, it is still interesting none the less.

Light & Smoke & Mirrors.......2004-06-11

This was the first full biography of Stanley Kubrick I read, buying it in hardback as soon as it was published. There had been very little biographical info on the director until his death in 1999 and I think I read most of the books about his films up to that point.
I was disappointed with this bio. It got to the point where the last sentence in every third paragraph read, "And there was only one man for that job, and that man was Stanley Kubrick."

I found John Baxter's bio, also called STANLEY KUBRICK, much more entertaining and enlightening.
If you've seen Kubrick's daughter's short film, "The Making of THE SHINING," on THE SHINING DVD, you get a glimpse of the rewriting frenzies that went on--a genuine shock to me since Kubrick's films appeared so tight and controlled ("We make it up as we go," Jack Nicholson jokes as a Kubrick assistant literally cringes), a look at the director's temper when a scene doesn't go right, and the scenes featuring his disregard for Shelley Duvall border on cruelty.
All of this is more than you'll find in LoBrutto's biography.

How to write a book about a filmmaker.......2003-06-09

If you want to know about Stanley Kubrick, outside of viewing his films, this is THE book !

This book fills in the blanks, about this enigmatic filmmaker, with a very concise, pre-history, to his notariety as director of such films as "Paths of Glory" and "Dr. Strangelove".

It is from these "roots", that his story REALLY begins !

Be patient to get to those "famous" years, for it is this story, that explains, the "how" and "why" he is regarded so highly.

Stanley Kubrick: Interviews (Conversations With Filmmakers Series)
Average customer rating:

One Awesome Book!

The "Seinfeld" of Celebrity Interview Books

Great source for Kubrick fans, but repetitive

Excellent

Vital to anyone's Kubrick library

Stanley Kubrick: Interviews (Conversations With Filmmakers Series)
Stanley Kubrick , and Gene D. Phillips
Manufacturer: University Press of Mississippi
ProductGroup: Book
Binding: Paperback

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ASIN: 1578062977

Customer Reviews:

One Awesome Book!.......2006-04-06

For fans of Kubrick's work, this book is essential. The man only did a few interviews in his existence and semed to despise every minute of them but this book provides some essential information and opinion from one of the greatest filmmakers ever. Hearing his philosophies alone completely blew me away! By the end of the book I was wishing there were more interviews. Get it.

The "Seinfeld" of Celebrity Interview Books.......2005-10-17

You've heard many times that "Seinfeld" was "a show about nothing." That's pretty much what you get here...

Kubrick loathed publicity and hated doing interviews even more. Since he himself had been a photojournalist, of sorts, before starting his career making movies, this is a little paradoxical, but understandable.

I don't doubt that just about every documented Kubrick interview ever done is, in some way, represented in this book - but it still ends up a mighty slim volume. Students of Kubrick will not learn much here that has not already been cited, in secondary source, in the great number of other Kubrick "biographies" and critical treatises.

And you cannot help believing that this is exactly what Kubrick wanted. Over and over again, in this book itself, he insists that the movies he made were to stand on their own merits. Talking about movies meant nothing to him - making them was everything.

Great source for Kubrick fans, but repetitive.......2005-03-09

There is a huge amount of Kubrick in this one. Parhaps the most complete collection of things he has uttered to the press throughout his career. It covers all his fascinations, all obsessions and great visions for the modern mankind - and it unveils the gradual loss of hope, dienchantement with how the modern world develops.
But, being a collection of interviews, it is also slightly repetitive and many topics are discussed several times, so for non-scholars this can be increasingly boring while they advance.

Excellent.......2002-09-20

In Stanley Kubrick: Interviews (University Press of Mississippi), we have more of the voice of Kubrick than anywhere else. The interviews go chronologically and run the gamut from short three-page profile throwaways to massive, 30-page question-and-answer marathons. Many are worth noting: Jeremy Bernstein's profile dates from 1966 but is still fresh and amazingly well-written and candid, and Eric Nordern's interview with Kubrick for Playboy is insightful and worth reading for the Master's (mostly incorrect) predictions of immortality and space travel by the year 2001. Another excellent interview comes from Joseph Glemis, who talks to Kubrick about all of his films up to Clockwork Orange, and there are two interviews with Gene Siskel that are worth reading, too.

Simply put, this is a fine volume that should belong to every Kubrick fan. Most of these interviews, if not all of them, are long out of print and the book is 98% worthwhile. Moreover, reading the words of Kubrick is like reading poetry-he did retain the right to extrapolate and modify his answers before any interview was published-with each sentence and word well chosen. Only complaint: there are no interviews with Kubrick regarding The Shining; why this film was left out is curious. Gorgeously printed with a spartan design, sturdily bound, set in Stone serif, rag right, this is a very reader-friendly book.

Vital to anyone's Kubrick library.......2001-07-24

Considering the fact that Stanley Kubrick rarely gave interviews, this book is a godsend. Compiling articles and interviews over a span of several decades, "Stanley Kubrick: Interviews" offers a fascinating insight into one of the cinema's greatest directors. Many of these have been widely reprinted already, but it's great to see them all in one collection. Once you've bought this book ...get the Stanley Kubrick Collection DVD box set!

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A photo chronicle of one of the greatest filmakers of all time
The Man Behind the Camera
An insightful photographic odyssey.

Stanley Kubrick
Christiane Kubrick
Manufacturer: Little, Brown
ProductGroup: Book
Binding: Hardcover

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Book Description

One of the great film directors of our time, Stanley Kubrick had a profound influence on motion pictures. He was a notoriously private man, rarely granting interviews. For the first time, his life will be portrayed in over 200 images from film, photographs, and the words and full-color paintings of Christiane Kubrick, his wife for over 42 years. Never before seen photographs offer a unique perspective on a man, his times, and his films-from his very first, Day of Flight (1950), through to his last and unrealized project, finished by Steven Spielberg, A.I. (2001). STANLEY KUBRICK: A Life in Pictures explores the many and varied aspects of its subject-the director, the producer, the photographer, the writer and, not least of all, the man himself.

Customer Reviews:

A photo chronicle of one of the greatest filmakers of all time.......2006-08-20

Although Stanley Kubrick made many other movies with a powerful message, I will always associate him with "2001: A Space Odyssey." The power of the movie overwhelmed me the first time I saw it and it still does each time I view it again. The music seems to penetrate your entire being and each time I watch it a new thought about the human condition pops into my mind. It is one of the few movies that you never seem to be able to completely talk out. I always wished that Kubrick had continued making films out of the additional novels by Arthur Clarke such as "2010." Kubrick's other films also have the quality of overwhelming you, viewing "Dr. Strangelove" is a life altering event, it points out the absurdity of a rational discussion concerning a nuclear war.
This book is not about the films that Kubrick made, but a chronicle of his life in photographs. Few of them are personal; almost all show him executing some act in the making of a movie. Generally, he is on the set of his films, we see stills from "Lolita", "Spartacus", "Full Metal Jacket", "Dr. Strangelove", "2001", "A Clockwork Orange", and "Eyes Wide Shut." The photos show him doing everything from examining a script to intensely watching a rehearsal to walking away at the end of the day. If you are a fan of Kubrick, and quite frankly I don't know how such a condition can be avoided, then this book will interest you. Showing him in the creation of his works, he was truly a man with vision, putting things down on film that stay with you long after the credits have disappeared.

The Man Behind the Camera.......2003-01-06

"Stanley Kubrick: A Life in Pictures" is more of a compendium to the documentary video released with the Kubrick Collection boxed set than a book of its own inspration. It's a trip through times past for both wife and author Christiane Kubrick as well as for the viewer who grew up with Kubrick's marvelous films. The book allows a deeper and more accessible view of the Man Behind the Camera.

Watching Kubrick's films, one gets the sense that something greater than a single man is directing these movies. Looking at these behind the scenes photos I hear the words "Dont' pay attention to the man behind the camera," as Kubrick plays the Almighty Oz in the production of his films.

The book is presented in a large hardback volume with glossy pages; all of the photos are black and white. We see Stanley from an infant all the way through to his work on "Eyes Wide Shut." The final pages also offer some pre-production sketches for "Artificial Intelligence." It is less of a book to read than a book to look through, although there are small captions to each picture that Christiane gives the reader the time and place and offers a little insight into Stanley's thinking.

With a foreward by Stephen Spielberg (the eventual director for "A.I."), "Stanley Kubrick: A Life in Pictures" is designed for the Kubrick fan, but serves as a memoir for Mrs. Kubrick. As she mentions in the introduction, "The photographs will...correct the mistaken view of Stanley as some sort of isolationist misanthrope out of Dr. Mabuse by way of Howard Hughes."

An insightful photographic odyssey........2002-11-01

'STANLEY KUBRICK: A Life In Pictures' (c. Oct 2002) by Mrs. Christiane Kubrick, is an insightful photographic odyssey of Stanley Kubrick, America's very original and probably only auteur director.

Mrs. Kubrick presented, in chronological order, rare family photographs of Stanley Kubrick from his childhood in the Bronx and through his teenage years in high school and working for LOOK magazine. This included his very first 1945 photograph of a newspaper vendor he sold for twenty-five dollars to that publication.

The chronology then continued as a mix of Stanley Kubrick in his various movie publicity stills and with candid photographs of the behind the scenes activity as Director Kubrick lined up his shots on movie cameras; interacted with his crew; conversed with his stars; "having a little game of chess"; or the very obvious serious discussions with cast and technicians. (The pictures of Stanley Kubrick cracking-up laughing on the set of '2001' are priceless; as are the touching photographs of him holding his young children.) The photographs continued until the filming of his last movie, 'Eyes Wide Shut', showing a mature and greying director.

And for those who follow the interesting lives of the actors in his films, 'STANLEY KUBRICK: A Life In Pictures' provided dozens of revealing off-camera images of his interactions with such noted personalities as: Marlon Brando; Kirk Douglas; Lawrence Olivier; James Mason; George C. Scott; and Sterling Hayden. Equally as interesting as his cinematographic technique was his managerial style as he presided over some of Hollywood's most powerful movie stars, dozens of cast and crew, and sometimes thousands of extras, which one can only infer from the objectivity of this black & white photographic collection.

This collection contained a touch of poignancy as photo #57 showed a publicity still of Stanley Kubrick, Sterling Hayden, and Kola Kwariani pouring over a chess game together in the chess club set of 'The Killing'. In this 1956 movie, Kola Kwariani played professional wrestler Maurice Oboukhoff, who instigated a very memoriable diversion for the race track robbery. In real life, Kola Kwarinani was a real wrestler and expert chess player who played in the same New York 'Chess & Checker Club' (alias The Flea House) as Stanley Kubrick. The neighborhood changed, and in February 1980 at age 77 while playing in 'The Flea House' Kola Kwariani was beaten to death by five black teenage hoodlums.

The book: 'STANLEY KUBRICK: A Life In Pictures' is neither biography nor history but simply an important collection of objective photography mutely capturing the working details, values, and personality of America's only world class movie director.

Book Description

From the apocalyptic satire of Dr. Strangelove, to the epic vision of 2001, to the dystopian nightmare of A Clockwork Orange, Stanley Kubrick produced a wide-ranging body of work cherished by film lovers the world over. The critical controversy surrounding his highly anticipated final picture, Eyes Wide Shut, has confirmed his stature as one of the greatest filmmakers of all time. In Kubrick, author and screenwriter Michael Herr gives us a personal look at the allegedly reclusive, compulsively brilliant director. He also recounts the evolution of their unique friendship, from their first meeting at a screening for The Shining in 1980, to their collaboration on the screenplay for Full Metal Jacket, through their years of marathon phone conversations on topics ranging from film and technology to philosophy and literature -- the last of which occurred mere days before the director's death. In describing Kubrick, Herr strips away the myths surrounding his friend, revealing a man who was not introverted and misanthropic (as the media and his biographers claimed), but instead warm, gregarious, and endlessly inquisitive. He was also profoundly complicated. Though he loved America -- and even embraced such pop culture touchstones as professional football and TV sitcoms -- he permanently emigrated to England because of his distrust of Hollywood. Though he disdained elitism, he would allow only the most brilliant and talented inside his inner circle. He had a tremendous love and respect for the actors and screenwriters he worked with, but his style of filmmaking often led to bitter confrontations. Filled with personal insights and previously untold anecdotes, Michael Herr's Kubrick is a probing view into the inner life of one of the most provocative visionaries of modern cinema, a man whose creative passion and powerful intellect changed the art of filmmaking forever.

Customer Reviews:

Well Observed and Honest.......2006-03-03

It is hard to say what people expect of any book about Stanley Kubrick, much less a memoir. The film genius was eccentric and monkish -- perhaps necessarily so to be able to accomplish his exhaustively meditated film products, delivered with an attention to detail and nuance that would make most men insane. Then if you got close enough to respect what was really at work with the guy, people accuse you of worship. Herr's book-length essay has received such unfair treatment.

The little book is well-observed and candid. You get Kubrick in dashes and glimpses, but when you get him you're there. Herr has appreciation both for the pressures and realities of the film industry, and the necessary space Kubrick needed to survive in it. Truth be told, doubtless very few people ever got close to the elusive but essentially cordial directer. Eccentricity is not the same thing as lunacy and Herr makes that clear, and stands up for a world in which geniuses have the space they need to do their work and, yes, occasionally fail as all men do. While terse, when Herr hits he hits deeply, and his record of his encounter is not one that can be easily forgotten.

short but articulate. Mike Herr gets it .......2006-01-01

Michael Herr writes so good but too short. however i give this one 5 stars just because i never would have read about Kubrick if not for michael herr. this book might get you interested in a brilliant film maker as well as his films.

A sketch of Kubrick's personality, nothing more.......2005-03-09

Most books on Kubrick analyse his movies, rather than recount how he was. Michael Herr seemingly knew Kubrick well, so those who seek some traits of personality of the great filmmaker should be satisfied. But don't expect much. Herr mostly talked to Kubrick on the phone (or, rather - Kubrick talked to Herr).
There are a few anecdotes, a kew quotations, and that's it.

A nice companion to the life of Kubrick.......2004-03-04

This book should be used as a companion while studying Kubrick, as Herr discusses Kubrick as a man and a friend rather than going into Stanley's films in depth. The book is well written, flows easily, and brings the legendary director to life.

A glimpse of genius.......2002-04-12

Michael Herr wrote this book to restore some balance to the discussions of Stanley Kubrick after his death -- as Herr notes, "The strangely contentious and extremely disrespectful tone that lurked inside so many of the obituaries and tributes was unpleasant to the many people who loved Stanley, but not surprising." The reviews of Kubrick's final, and probably unfinished, film Eyes Wide Shut didn't help -- with a few exceptions, the critics seemed happy to use the film to confirm all of their preconceived notions of Kubrick's life and art.

Herr's book offers a pleasant defense of his friend, as well as some interesting and amusing anecdotes, but little more than that. Personally, I'd hoped he would reveal more about how he and Kubrick worked on Full Metal Jacket, but the film is seldom talked about directly, though it is often mentioned, tantalizingly, in passing. Ultimately, the book is little more than a long magazine article put into hardcover; it's nice to have, and would make a fine gift for a Kubrick fan, but it's definitely not a "must-have" book.

Stanley Kubrick: A Biography
Average customer rating:

Enigma

A Suetonian Biography!

Enjoyable read for non-expert movie lovers.

A look at the man, not the movies

Readable, enjoyable--not terribly deep

Stanley Kubrick: A Biography
John Baxter
Manufacturer: Carroll & Graf Publishers
ProductGroup: Book
Binding: Paperback

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Customer Reviews:

Enigma.......2004-06-28

Stanley Kubrick was an enigma of a man. Because of the secrecy that shrouded his life, there is much that fans of his work may never know. John Baxter's work is gives insight mostly into Kubrick's films and their creation.

Baxter's first two chapters seem irrelevant and tedious in the scope of the book. They only serve to allow Baxter to praise Kubrick's work. After these chapters, we are introduced to Stanley's growth and development in films. Kubrick's early films which he thought were bad in hindsight, show his growth and experimentation. Going through his other films, I found the chapters which discussed "A Clockwork Orange" and "2001" to be the best presented. This is adventageous because these are his best loved films.

I believe that it was merciful for "Eyes Wide Shut" to be given so little coverage since Kubrick never truly was able to put his final stamp on the film. He tinkered with work often up until days before its release. Aside from his horrid choice of actors, his death left this work unfinished.

Kubrick's idiosincrisies, including his fear of cars, flying, and distrust for machines, are discussed in the book. While they may seem irrevelant, these discussions help us to know who Kubrick was. The discussions are no more irrelevant than some sections of the book which talk about events regarding his movies that have little to do with the overall picture. Also, I felt it was unnecessary to go into discussion of every script he rejected. Some ideas he rejected to quickly to be important enough to mention.

I was grateful that Baxter mentioned "Artificial Intelligence", being developed by Kubrick. Fans are curious as to how his final script may have looked. I am certain that it would have been better than Speilberg's.

A Suetonian Biography!.......2002-09-22

Uncompromising to Stanley Kubrick, STANLEY KUBRICK: A BIOGRAPHY (c.1997) by John Baxter, is a first order inquiry which took the Suetonian view towards biography and depicted its subject as a gelid autuer director motivated by an obsessive/compulsive need to control his environment in order to materialize his artistic vision on film. John Baxter focused on the opinions, observations, and views of those who worked for Stanley Kubrick; and also those who claimed to have been alienated by him.

Apparently following the advice of former British prime minister Lloyd George when that prime minister stated: "All biographies should be written by an acute enemy", John Baxter picked up on every error, mistake, and indecision of Stanley Kubrick in the course of his career. This gave Stanley Kubrick a historical perspective which included a somewhat realistic account of the man behind some of America's most influential motion pictures ever produced.

Yet biography is not history and John Baxter's work contained some obvious logical and historic errors as when he included a photograph indicating actress Ms. Suzanne Christiane as Kubrick's future second wife; or in his bibliography giving Vincent LoBrutto's book of Kubrick a copyright of 1996 - yet in Lobrutto's work, the T.P. verso indicated 1997 as the copyright.

Kubrick's intelligence, or motive, was also brought into question by John Baxter as he included in his book an explanation of Kubrick's compulsive notetaking by erudite British actress Ms. Adrienne Corri that "All this notetaking is just a way of accumulating what other people know" and also, "He (Kubrick) was not an intelligent or a curious man". But one need only to have seen in 1968 the premeire of '2001: A Space Odyssey' in 'Cinerama' (with the wrap-around screen) to be convinced that there was a brilliance behind its direction. But Baxter alluded to brilliance only in the sense of a Bobby Fischer or of a Thomas Edison - that is, brilliant in a limited and focused capacity.

While John Baxter's bibliography on Stanley Kubrick included some obvious short-comings to the careful reader, it also contained some undeniable eyewitness observations of the subject's character.

A good book to read in accompany with John Baxter's view is: 'STANLEY KUBRICK: A Biography'(c.1997) by Vincent LoBrutto, which gives a kinder Plutarchian view of its subject. It would be advantageous to also read: 'STANLEY KUBRICK: A Life In Pictures' (c. 2002) by Mrs. Suzanne Kubrick, with her objective collection of mostly black & white Kubrick photographs, mostly shot in his studios.

With new information appearing all the time, the definitive biography on Stanley Kubrick has yet to be written (there are 400 biographies on Mahatma Ghandi) and both John Baxter and Vincent LoBrutto's account are good starting points on the life of Stanley Kubrick.

Enjoyable read for non-expert movie lovers........2001-09-05

Helps you realize why you love Kubrick, if you can read between the lines and if you don't get fixated on the tales of Kubrickophobism. While entertaining, they are not all that the book is about. The author does not present Kubricks work in 5-syllable Aestheto-socio-philosophical terms, nor does he fuss about the geometrical aspects of panning and scanning, yet he encourages you to re-visit Kubrick, and multiply your viewing experince!

Not a text book, for sure!

A look at the man, not the movies.......2001-07-27

Not being a Kubrick fundi and not knowing all that much about the man behind the (enormous) myth, I found this book readable and interesting. I have to agree that it does not contain much in the way of analysis of Kubrick's movies, but that is probably not what the author had set out to do. It would have been a colossal and much less accessible work had he dealt at length with each of the movies.

What I cannot understand is the reaction of some of the reviewers, saying that the author was intent on crucifying Kubrick. That was certainly not my impression when I read the book, but then I do not regard Kubrick as per se a wonderful person becasue he made acclaimed movies. He comes across as a much warmer and more human person than I expected, give his reclusive lifestyle, but also as someone who had some flaws, like an inability to start and finish projects. And that is also what was said about him after his death, so I think Baxter is maybe not that far off the mark in his portrayal.

Readable, enjoyable--not terribly deep.......1999-07-30

I found Baxter's book an enjoyable read, lively and somewhat informative, though apparently not the work of awesome scholarship that Lubrutto's book is. I haven't read that tome yet, but will soon, fascinated as I am by all things Kubrick. I didn't have the reaction that others have had concerning Baxter's feelings toward Kubrick. As far as I could tell, he seemed to have an appropriate level of respect. Baxter is obviously not a film scholar or someone too well versed in the technical side of filmmaking, but he keeps the book moving along briskly. This certainly a good start-up for someone new to Kubrick's films.

Stanley Kubrick: Visual Poet 1928-1999 (Midsize)

Average customer rating:

Nice piece of Information!
Kubrick's career, in pictures

Stanley Kubrick: Visual Poet 1928-1999 (Midsize)
Paul Duncan
Manufacturer: Taschen
ProductGroup: Book
Binding: Paperback

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ASIN: 3822815926

Customer Reviews:

Nice piece of Information!.......2004-01-01

This book is not a very orthodox look at kubrick's work,but you will have a nice read about his career early stage as a photographer.
The author talks about how Kubrick made it all the way up to be one of the greatest (or the gratest?)filmakers ever,and also talks about each of his films with some interesting details and stories of the director,so give it a shot...you'll enjoy it!

Kubrick's career, in pictures.......2003-12-14

This is a book-length essay on the films of Stanley Kubrick, accompanied by an enormous number of beautiful photographs. Most of the photos are stills from the films (as you might expect), but there are also quite a few shots of Kubrick at work. The examples of his work for Look magazine and stills from his first two movies are a nice touch.

The essay covers familiar ground for those who know his career: Growing up in New York playing chess and composing photographic essays, the early noir films, and then the classics: Lolita, Dr. Strangelove, 2001, The Shining, etc. The entire body of work is covered, including Eyes Wide Shut. The final pages feature promotional posters for half of the films and an extensive bibliography of books and articles for further reading.

Amazon.com

Hurriedly published to coincide with the July 1999 release of Stanley Kubrick's final film, Eyes Wide Shut, this slim, rather obviously titled volume by the film's distinguished screenwriter offers considerably less than its cover copy leads you to expect. But for avid followers of Kubrick's career, even a cursory glimpse of the late director's lifestyle and creative methods will prove to be fascinating. And while Frederic Raphael instantly drew criticism and controversy from Kubrick's family and friends for describing Kubrick as "the sedentary wandering Jew, rootlessly rooted within his own defenses," this and other remarks must be considered in context. Eyes Wide Open must ultimately be seen to reflect Raphael's conflicting emotions about a filmmaker he clearly admires and respects, even if their collaboration resulted in equal parts elation, exasperation, and hard-won rewards.

Using notebook entries, vivid recollection, and re-created scenes in screenplay format, Raphael paints a portrait as revealing of himself (if not more so) than of Kubrick, and neither man comes across without blemish. Simultaneously self-indulgent, frustrating, and fascinating in its attempt to probe Kubrick's closely guarded psyche (a mission Raphael ultimately fails to accomplish), the book finally reveals--in fragments of sensitive insight--that Kubrick's reputation as a reclusive genius did in fact hide a very complex, intensely intelligent, and surprisingly human being. In one passage Raphael observes that "Stanley was so determined to be aloof and unfeeling that my heart went out to him. Somewhere along the line he was still the kid in the playground who had been no one's first choice to play with." Whether such observations are an accurate representation of Kubrick's personality is beside the point; that Raphael made the observation speaks volumes of both men, and this book is filled with similar revelations.

In addition to offering a privileged look at Kubrick's collaborative process, the book also reveals elusive details about Kubrick the man--pet lover, intellectual challenger, gracious host--and the result is a warmer image of him than that afforded by decades of distant speculation by journalists too willing to perpetuate the "myth" of Kubrick as omnipotent genius. If Raphael's book invites criticism and charges of blatant opportunism (with Kubrick unable to defend himself), it also provides a rare and often fascinating look at an artist who constantly eluded the gaze of outsiders. Raphael takes us inside Kubrick's gated domain, and we're grateful for the visit. If the truth resides somewhere between the protest of Kubrick's family and the insights presented here, we can at least use this book as a guide through previously uncharted territory. --Jeff Shannon

Book Description

We've all heard the rumors.

He was a hermit. He refused to fly and wouldn't be driven at more than thirty miles an hour. He avoided having his picture taken and was terrified of being assassinated. As a filmmaker, he was obsessed with perfection. He insisted on total control of every facet of the process. Simple scenes required one hundred takes. No wonder he made only six movies in the past thirty-five years.

But what was he really like?

For more than two years, Frederic Raphael collaborated closely with Stanley Kubrick on the screenplay of what was to be the director's final movie, Eyes Wide Shut. Over time, as his professional caution was replaced by a certain affection, Kubrick lowered his guard for Raphael as he never had with journalists or biographers, to reveal much about his early life in the cinema and of the reverses and humiliations he had to endure. They spoke for hours about a variety of subjects, from Julius Caesar to the Holocaust, from Kubrick's views about other directors to reminiscences of the many stars with whom both men had worked (or nearly worked)--Kirk Douglas, Audrey Hepburn, James Mason, Peter Sellers, Marisa Berenson, Sterling Hayden, Marlon Brando, and Gregory Peck.

Here, with his own distinctly cinematic style, Raphael chronicles their often fiery exchanges, capturing Kubrick's voice as no one else could. Disdaining false veneration, he opens our eyes to the mind and art of a truly complex and hitherto elusive twentieth-century genius.

Customer Reviews:

The sad face of envy and the sick power of projection........2007-02-15

While it purports to be a memoir of Stanley Kubrick, this book is most effective in revealing the degree to which a person can grow older without ever growing up. Raphael's neuroses are myriad and are made all the more pathetic by his own willful projection of them onto Mr. Kubrick. Having seen Eyes Wide Shut again, now years after the hype has died away, I have come to believe that Raphael was picked to write the script because of his own old-boy dumbass ideas of the way things are and always shall be. If the film is about that peculiarly American aversion to and obsession with sex, that senseless jealousy that can ruin lives, then Raphael was absolutely the right person to write the script. He judges Kubrick harshly for not appreciating every little passive-aggressive gift he offers all the while referring to prostitutes as "whores" and whinging about the amount of work that's required of him. Raphael hopes that Kubrick will just open his eyes and recognize what a genius he is. He feels continually misunderstood, ironically because it seems to me that Kubrick understood him perfectly. The book remains interesting mostly as a chronicle of someone who just doesn't get the great joke being played on him. It would be sad for the same reason of Kubrick were still alive, but in that case it wouldn't have been published. Raphael is a ghoul who offered up his story because he knew it would be rushed into print because its subject was dead and no more "memoirs" would be forthcoming. Bah.

Gratifying to read the negativity of most of these reviews........2005-12-14

I just happened to wander onto this site for Raphael's book. It is very gratifying to learn that the majority of your reviewers concur with the Kubrick family's response to this pretentious tome. Raphael never misses an opportunity to claim his intellectual superiority to Kubrick, in a way that he would not have dared had Kubrick lived to see his last film released. He is a grave - robber in short and roundly despised for his action in writing and publishing this book which greatly shocked and dissapointed Kubrick's family. Happily there have been many better books written about Kubrick in the intervening years. Except as a revealing but turgid study of an artist's ego, [ guess who I am talking about] this book has nothing that is interesting to say, nothing that is true at least. Jonathan Finney [family member, so not utterly disinterersted]

A rare but shameless look into the great director.......2003-10-09

Despite that Frederic Raphael wrote this to cash in on the opening of Eyes Wide Shut, Kubrick's final (and some believe unfinished) film, it's still a guilty pleasure since it affords a point of view absent from the legion of Kubrick books that appeared before and after the director's death.

Maybe it's a sign of respect for the working relationship that some of Kubrick's other collaborators had that they never went ahead and told all, but in the end this book will attract the Kubrick fan who isn't always willing to accept the man as omnipotent myth maker. Eyes Wide Open does become as much about Raphael as Kubrick (if not more) but it still works to paint Kubrick as human, something that reams of analysis, criticism and speculation consistently fail to highlight.

Rather than fawning on Kubrick over the slim length of the book, Raphael continually reminds all that HE himself is an intellectual, blah blah blah, and the tone becomes hard to bear. It's not particularly cohesive or earth shattering, and the conversations that appear in transcript-like form work to put words in the director's mouth. However, it's still valuable in that it offers a rare glimpse into working with the elusive Kubrick. I would take this with a grain of salt, and Kubrick's family did not appreciate this effort in the least, denouncing it on their website.

It may still be of interest to people who want an inside view (albeit skewed) that the many tomes dedicated to breaking down Kubrick's small but mighty canon of films don't bring to the table.

But be warned: with Kubrick gone, it's Raphael who tries to get in the last word...

Is Frederic Raphael always this high and mighty?.......2003-08-08

Eyes Wide Open was a suprisingly quick read. There is not much to speak of in these memoirs since Frederic Raphael mostly talked on the phone with Stanley Kubrick and communicated with faxes. I would have expected perhaps some stories from the set of Eyes Wide Shut, but I was very, very wrong.

The book is mostly about how Raphael had to put up with odd requests and deadlines from Kubrick whilst writing the screenplay for Eyes Wide Shut. The most eventful part of the book is when he meets the famed director for the first time at his secluded England home. Aside from that, Raphael talks about all of the faxing they did back and forth.

But the thing that bugs me the most is Raphael's tone. He never wants the reader to forget that he is the intellectual giant in this creative duo and that we can all go and read his other stuff if we ever doubted such a thing.

For instance, I recall a passage in which the topic of Full Metal Jacket, Kubrick's 1987 picture about Vietnam, came up in a phone conversation between the two men. 'You've seen the movie, right Freddie?' Kubrick would ask him. 'Yes', Raphael replied. He also managed to inject a comment to Kubrick that because the movie unfolded in an unlinear fashion, that Aristotle would have hated watching it.

Who cares what Aristotle would have thought of Full Metal Jacket?

Well worth reading. Critics did too!.......2003-06-08

Frederic Raphael's "memoir [emphasis here]" of the final years of Stanley Kubrick's life while making `Eyes Wide Shut' either flies bluntly as a work of half-lies or is the single most important book ever written on Stanley Kubrick. If you have read anything about Kubrick then you have probably learned that he lived the life of a film-making hermit in one of England's largest estates where he barricading himself off from the rest of the world. Apparently, Stanley liked to use the phone a lot when talking to people and remained much to himself and family except for when it came to shoot, and that is another story entirely and what seems to be another different person described in many other limited biographies of the man himself.

If you trust Frederic Raphael then you can be rest assured that this book will reveal more to you about the mind of Kubrick than any other piece of literature that you can find on the topic. I have read endless books on this highly overrated director and each one of them does a good biography job but leaves the reader none the less wiser as to Kubrick's motivations and intentions. The director rarely, if ever, did interviews that lasted over a minute. He once worked for the press as a photographer but since then closed himself off entirely to that side of the universe. As one of the world's most celebrated film makers he certainly is an oddity... but that is something he seems to semi-enjoy.

Frederic's coverage is not as illusive as some may have you think. It does have its many moments and there are many indicators as to what makes Kubrick tick. Kubrick appears to be one of the most avid researchers you can find with a lot of time and patients on his hands. A man who likes to think about how other people think. A man who appears to like to study other people and their motives. There is something about his interest in the writer, Raphael, who while penning Eyes Wide Shut seemed to notice that Stanley had more of an interest in him than the material itself and this is why the book sheds more light on Kubrick than anything else you will probably find out there.

Raphael's conversations with Kubrick are done in film screenplay style and this will bolster approval from most readers of film making material for its inventiveness. There is much more to this book than first meets the eye and it certainly does merit a second reading. However Raphael sometimes interjects little moments of tabloid technique which only seem to reduce the overall integrity of the book. One example is where Raphael so easily states that he should be present on set when Kidman gets her kit off. It comes out of nowhere and seems a little dab exploitive of the director given the fact that he seems to resent talking about other people's private matters or his own life. Maybe he said it for a laugh but then again it is hard to imagine that this guy would giggle at such a thing while at the same time demanding straight-faced for material on Roman orgies.

Another thing which makes this book worthwhile is that most writers and crew members who worked on Eyes Wide Shut had to sign a contract which included a section on non-disclosure. This was omitted from Raphael's contract so he was set loose to scribe as he pleased while Warner Brother execs probably tore their hair out and fired a whole staff of legal employees for their mistake. Read it while you can. Stuff like this is a rare opportunity indeed!

By the way, Raphael never did get to go on set and this is not a biography about Kubrick. Raphael has been knuckle-wrapped for exploiting the man, in a manner which seems to make him out to know more than Kubrick. There is some truth to that. There is also truth in the matter that he released this just after Kubrick's death to make a buck. However there is something in this book which makes it more truthful than most would care to admit. There is plenty of material here which you can cross-reference with Arthur C. Clarke's revelations about his collaboration with the man on 2001 and much of Kubrick's methodology seems to fit there as it does here. And for die hard Kubrick fans who think that the director was such a lovely person who didn`t deserve this - one need only to refer to the way he treated people on set, not to mention his highly overrated rape of Steven King's The Shining, while at the same time pulling the mickey out of American`s with Dr. Strangelove. If the man could give a little then surely he could also take a little!

Kubrick
Average customer rating:

An excellent overview of entire Kubrick's career

We were waiting

DEFINITIVE, INDEED!

Most precious visual book about Kubrick.

Glad to see this back and in such fine form.

Kubrick
Michel Ciment
Manufacturer: Henry Holt & Co (P)
ProductGroup: Book
Binding: Paperback

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ASIN: 0030639492

Book Description

The classic study of Kubrick--available once again and fully updated

If Stanley Kubrick had made only 2001: A Space Odyssey or Dr. Strangelove, his cinematic legacy would have been assured. But from his first feature film, Fear and Desire, to the posthumously released Eyes Wide Shut, Kubrick created an accomplished body of work unique in its scope, diversity, and artistry, and by turns both lauded and controversial.

In this newly revised and definitive edition of his now classic study, film critic Michel Ciment provides an insightful examination of Kubrick's thirteen films-including such favorites as Lolita, A Clockwork Orange, and Full Metal Jacket-alongside an assemblage of more than four hundred photographs that form a complementary photo essay. Rounding out this unique work are a short biography of Kubrick; interviews with the director, as well as cast and crew members, including Malcolm McDowell, Shelley Duvall, and Jack Nicholson; and a detailed filmography and bibliography.

Meshed with masterful integrity, the book's text and illustrations pay homage to one of the most visionary, original, and demanding filmmakers of our time.

Customer Reviews:

An excellent overview of entire Kubrick's career.......2004-01-11

With Stanley Kubrick dead and his final film released, Michael Ciment had the opportunity to update his biography/analysis of the great director's career. Rather than rewrite the entire book, he's decided to update it with new interviews and an additional chapter or two on Eyes Wide Shut. (The previous edition was updated to include Full Metal Jacket.) He's also added a lot more photographs --- stills from the films and images of Kubrick at work. The photos of Kubrick working on EWS are particularly interesting.

Early in the book, after a short biographical chapter, Ciment goes through a list of common motifs in Kubrick's films. These include the use of masks, actors in dual roles, character playing games such as chess and cards within the film, circular set design, and a close shot of a main character's eye. Because this section was not updated to include Full Metal Jacket or Eyes Wide Shut, you can decide for yourself if these motifs were carried on in the those two films. (In my opinion, many of the motifs are not found in his last two films.)

This is followed by an essay on 'Kubrick and the Fantastic,' a dull and pretentious piece that doesn't add much. It leads to the best part of the book, the second half, in which Kubrick and his collaborators are interviewed. Kubrick responds to questions with answers that are full of information, but he's evasive when he describes his own films. Later on, the author explains why: Kubrick felt his movies should be self-explanatory (after multiple viewings) and didn't like the "What's this movie about?" question.

The interviews with actors, set designers, co-writers, and costume designers are very good. Everyone has the same reaction: Kubrick exasperated them as he demanded their best work . . . but they wouldn't trade that experience for anything in the world. It's a testament to Kubrick that he choose people who were not petty. (The only sour note is Frederick Raphael, the co-screenwriter for Eyes Wide Shut. He seems smart, but not in Kubrick's league.)

If you're a casual Kubrick fan, this book is a worthwhile introduction. The photos are very good and, as an overview, it's excellent. It is, however, pretentious at times in the analysis of the films. For the hardcore Kubrick fan who has read (or is planning to read) everything on the director, this book ranks third or fourth. Read Baxter's and Herr's books first.

We were waiting.......2003-08-19

This book has been held in high regard ever since it first appeared. Earlier editions were becoming collectible and were always disappearing from libraries.

I guess it was safe for a reappearance following the passing of Stanley Kubrick and the completion of his body of work. The book has been reworked beautifully, including all of the amazing color photos, essays, and interviews from before plus some new additions, namely chapters on Full Metal Jacket and Eyes Wide Shut chapters. There are additional interviews with various collaborators.

In short, in the wake of Kubrick books that sprouted up following the director's death in 1999, Ciment's Kubrick ranks right at the top. It's a gorgeous volume, and the interviews (done by Ciment following Clockwork Orange, Barry Lyndon, and The Shining) are some of the most enlightening words from the director.

Highly recommended for the Kubrick fan and the film buff. Also recommended is Thomas Allen Nelson's Kubrick: Inside a Film Artist's Maze.

DEFINITIVE, INDEED!.......2001-12-01

I am glad Mr. Ciment waited until Kubrick's oeuvre was completed before updating what is, indeed, the very last word on this very unique artist's films. Everything is here from the first edition which was out-of-print for quite awhile plus the films that were made after. With Stanley Kubrick's death we now have the very best study of the themes, techniques and recurring visions of a very singular artist. Anyone who wants to understand the evolution of Stanley Kubrick can disregard all the other flawed books out there and put this one on the shelf as a keeper. With detailed analysis and tons of pictures, any serious fan of his films will appreciate this as only the subtitle says it is - the definitive edition.

Most precious visual book about Kubrick........2001-01-02

I have this book. 5,6 years ago, I bought this at second hand book store. So book I have is second handed one, and Japanese special edition. As other reviewers say, it's very very great pity that this book is out of print now. I think some publisher had better make new edition title, added to a visualy wondeful film-Eyes Wide Shut!! If you have found it at bookstore and you are a Kubrician, you must take it, buy it, bring it your home, and enjoy these so many precious fotos or very important his interviews in this book. I have various books about Kubrick, but this Michel Ciment's Kubrick is the best book in published ones ever I think. Do your best for finding one!! All your efforts for this book would not be wasted, EVER!

Glad to see this back and in such fine form........2000-04-21

It's a pleasure to see this book back in print. Although Ciment's analysis is a little heavy on the semiotic side, he does an interesting job of illuminating the various thematic threads in Kubrick's work. Profusely illustrated, the book juxtaposes various stills to show the recurrance of visual motifs in each and every one of Kubrick's films (though he manages to miss my absolute favorite -- the imaculate bathroom). There are roughly two essays in the book, one dealing with Kubrick the modernist and the other on Kubrick's use of the fantastic. However, the real gems of this tome are the various interviews, three conducted with the man himself (four if you count a Q&A conducted by mail) following the releases of Clockwork Orange, Barry Lyndon and The Shining. Somehow the author got Stan to open up in a way, that I've never seen him do in any other interview (the exception being the one for Playboy in '68). This edition also contains some fine interviews, some recently added, with Ken Adam, Jack Nicholson, Malcolm McDowell, Diane Johnson and Marisa Berenson. There is an added chapter on Eyes Wide Shut (which in part explains why it took him so long to do the film) and a memorial essay which gives a fine and tender goodbye to a great director and good friend.

Average customer rating:

Great book on a complex genius
Not definitive but still intriguing
Full Paper Jacket
Uma Análise Visual
good, but not as exceptional as Cimet's book

Stanley Kubrick, Director
Alexander Walker , Sybil Taylor , and Ulrich Ruchti
Manufacturer: W. W. Norton & Company
ProductGroup: Book
Binding: Hardcover

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ASIN: 039304601X

Book Description

An exclusive window on one of the most brilliant --and most secretive --filmmakers in history. No moviemaker has kept his world so tightly sealed against intruders as the late great Stanley Kubrick. While many of his films have turned into modern metaphors --we speak of "a 2001 world" or "a Clockwork Orange society" --the man himself has withdrawn into his own obsessive visions. Few have known him personally; fewer still have gained his confidence and seen him at work. For over thirty years, Alexander Walker, a renowned film historian, has been one such privileged observer. Stanley Kubrick Directs first appeared in 1971, giving readers the most authoritative view possible of Kubrick at work by providing an in-depth look at his films, his technique, and his often unpredictable genius. Now expanded, this unique cine-biography includes analysis and photographs of all of Kubrick's films, right up to his latest and final film, the erotic thriller Eyes Wide Shut, starring Tom Cruise and Nicole Kidman. Kubrick himself allowed the use of illustrations taken directly from the film's frames. In text and pictures, this fascinating book provides a rare glimpse into the work of one of the greatest and most eccentric directors of our time. This new edition now includes material on Kubrick's films Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut.

Customer Reviews:

Great book on a complex genius.......2002-03-17

"Stanley Kubrick, Director" is probably the best book I have read yet on this great, but often debated about, filmmaker (I have yet to read Ciment's book, though, which I hear is much better) Kubrick was known for making controversial movies being "harsh" to his actors. The films examined in this book are his most well known and cover his various themes about humanity: "Fail Safe" machines going haywire (Dr. Strangelove), the dehumanization of men into machines and vice versa (2001, A Clockwork Orange, Full Metal Jacket) and man in collision with destiny and the past (Barry Lyndon, The Shining).

To date, this is the only major book made with the cooperation of Kubrick himself. The photographs in each chapter are taken from still frames from the actual films. The author provides brief summaries for each photograph, showing its use of lighting, camera placement or relation to another Kubrick film (Slow Motion shots, light used is from the light source one would expect at the actual location).

According to the author, anything in Kubrick's movies has symbolism or some meaning to it, and this is where the book's only flaw is. Camera angles, lighting, set design and decoration even phrases numbers and placements of objects can be interpreted to have some meaning. He also has interesting ideas about the movies (One of my favorites is his belief that the soldiers in Full Metal Jacket's boot camp are lab mice being experimented and reconditioned on). However, this can also be very, very helpful to understand the films more. The author shows that each Kubrick film can have more depth than meets the eye (If you still think "2001" is only about boredom, you need this book). Just make sure you have seen the movies before reading for there are major plot spoilers.

Not definitive but still intriguing.......2001-08-31

This is an interesting book, with a huge number of photographs detailing most of Kubrick's films. (The only ones not examined in depth are 'Fear and Desire,' 'Killer's Kiss,' 'The Killing,' 'Spartacus,' and 'Lolita.') The book is organized chronologically, with a small section in the middle of the book about Kubrick's use of color and an epilogue detailing Walker's personal encounters with Kubrick at the end. It is fun to read about Walker's stories about Kubrick, which shed some all-too-needed light on the personal life and motivations of the reclusive filmmaker.
On the whole, Walker's analyses of Kubrick's films are good, not great: I think he is really off-base in praising Tom Cruise's acting in 'Eyes Wide Shut' and in denigrating Kubrick's use of the occult in 'The Shining.' However, his analyses of 'Barry Lyndon' and 'Full Metal Jacket' were astute, and he successfully links certain themes and motifs throughout all of Kubrick's films.
Finally, although normally I don't like a huge amount of pictures in a book because of how they always jack up the price, here the pictures are well-chosen and either help jog your memory about the films or help you understand them if you haven't seen them. I will say that some of the pictures were much larger than they needed to be - I didn't need a full two-page spread of the atomic bomb exploding in 'Dr. Strangelove' - but that's a minor criticism.
All in all, a generally fun book.

Full Paper Jacket.......2000-11-07

This may be, as the notes above claim, the "most
comprehensive" book yet written on Kubrick. And it's clear the
author's personal relationship with him enhances understanding of his
films. But it's also obvious that the book was rushed onto the shelves
to capitalize on the publicity surrounding Kubrick's last film and the
director's death -- unless, of course, the typos and printer errors
are an artistic statement about mankind's pointless quest for
perfection...

The strongest part of the book is in finding subtle
similarities among the films, both in style and content, and in
tracing the evolution of the director's ability to put his ideas
onscreen.

But the writing is occasionally overblown, presenting
obvious points as if they were major revelations. The section on
'Kubrick's Use of Color' is almost laughable, looking like a
four-color decoy for the rest of the book's cheaply done b/w. its
analysis pretty much boils down to 'He used a lot of red.'

An
editorial description above refers to 'frame-by-frame' analysis, but
that's pretty misleading. There is some detailed technical insight,
but not for every film. And in sections that discuss particular
sequences, the accompanying photos are often on different pages. The
section on EWS is pretty splapdash.

But there is also some really
interesting stuff here. It's just too bad they didn't spend a little
more time sealing the cracks.

Uma Análise Visual.......2000-04-22

O melhor livro sobre Kubrick se você pretende ter uma visão mais acurada das imagens e intenções de seus filmes. Bem mais gratificante do que ler a biografia feita por LoBruto. Walker analisa o trabalho de Kubrick para esplicar o autor e não o contrário, como o acima citado autor. Só na análise das cores nos filmes é que o livro é um tanto rasteiro, pedindo por uma ampliação. Mesmo assim, é melhor do que nada, visto a escassez desse tipo de discussão em outros livros sobre o autor.

good, but not as exceptional as Cimet's book.......1999-12-10

This book doesn't quite stand up to Michael Cimet's long out of print book on Kubrick from the 80s, but it does a fine job. The analysis of the films are in-depth, but lack a true piercing analysis that would otherwise make it a masterpiece. Most of the book is in black and white, with a lone color section providing stills from 2001, Barry Lyndon and Eyes Wide Shut. The accompanying essay about Kubrick's color use is somewhat shallow and could use a lot more detail. This book is also loaded with pictures from the films, many of them behind the scenes, about 90% of them individual frame enlargements. Although they are black and white, they are clearly printed. If you've read other Kurbick books, you already how most of them use the same stills over and over and over. Since the subject is a film director, they took the time to gather together a ton of photographs.

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