Book Description
* Real-world postproduction paths show how it's being done today
* Numerous HD tables clear up what format is used for which purpose
* Ample information on HDV
* Debunks myths and answers common questions about HD
Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4x3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors.
This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples.
From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD.
* Real-world postproduction paths show how it's being done today
* Numerous HD tables clear up what format is used for which purpose
* Ample information on HDV
* Debunks myths and answers common questions about HD
Customer Reviews:
Excellent book, Great Resource.......2007-09-04
Working in the Television world,and with more and more shoots being done in the mysterious HD format, it can often be confusing, understanding which frame rates to use and knowing what can be cheated in post, etc. I Bought this book and i found it to be one of the best HD books on the market. It has cleared up much of the confusion, misconceptions and has taken the myustery out of HD shooting/editing. I have already recommended it to many of my collegues and it is a huge resource, which can be refered back to again and again. MANY THANKS
i liked it, i wrote it.......2007-09-02
Mr. Redrocker is certainly entitled to his opinion and I am sorry he didnt like my book. I think he was looking for a different text: 2k and 4k are used for film post production. Also, my text is designed be an overview of HD and the post production field, not be cutting edge. The internet is far more current especially concerning a fast evolving technology like HD. I purposely designed the text to NOT be out of date. The DTV, HD, HDV information, examples and discussions are still valid. My suggestion for 2K and 4K information would be to look at Digital Intermediates for Film and Video or books like it. Steve Browne.
Disappointing and thin.......2007-08-25
Looked forward to the book, but found its organization rambling, and its content offering little more than a cataloging of the hd formats. It's endorsement of HDV is troublesome, given the problems of using that codec in post. No mention of 2k or 4k, and scant mention of the nonlinear systems that handle HD. Sadly, it already feels out of date.
Great introduction to HD technology.......2007-06-01
Bought this book as a starting reference for HD technologies. It gave me a great start and will be put in a handy location for future references. Already lending it out to another HD newbie.
Book Description
Are you an associate producer who needs to juggle projects and vendors while keeping on top of the latest trends and formats? Or an independent filmmaker who can't afford a misstep in the crucial postproduction phase? Take a step back and get a clear overview of the process. This guide will show you how to navigate each step in taking a TV or film project from production to final delivery. Start by getting a handle on the critical issues of budgets and schedules. From there, you'll learn the smoothest way to manage dailies, sound, editing, and completion. Detailed instructions and checklists for film, video, and High Definition procedures will teach you new ways of doing things and help you avoid costly errors.
The second edition is fully updated and information-packed. There is extensive new material on high definition as it affects dailies, editing, and delivery. The chapter on the film laboratory has been expanded further to include discussions on troubleshooting film damage and YCMs, which are so important in maintaining film assets. The latest information on film restoration, digital technologies, acquisitions, and a chapter on what's on the horizon round out the update.
* Manage the postproduction process with this step-by-step guide
* Learn how to stay on budget and on schedule with helpful forms, flowcharts, and checklists
* Find out how the latest developments in high definition, e-cinema, and acquisitions are changing the post world
Customer Reviews:
This step-by-step guide to managing the postproduction process is an essential reference.......2005-09-13
Now in a fully updated and expanded second edition, Guide To Postproduction For TV And Film: Managing The Process continues to be a seminal work for aspiring film and television production producers and managers. With extensive new material on high definition as it affects dailies, editing, and delivery, this step-by-step guide to managing the postproduction process is an essential reference. Aspiring producers will learn how to stay on budge and on schedule by utilizing the helpful forms, flowcharts, and checklists provided them. Of special note is the chapter of the film laboratory which has been expanded to include discussions on troubleshooting film damage. Also not to be missed is the latest information on film restoration, maintaining film assets, digital technologies, acquisitions, and the chapter on what's on thee horizon for postproduction technologies and trends. The Guide To Postproduction For TV And Film is a core addition to personal and professional filmmaker instructionals, as well as film school library reference collections.
An Editorial Disaster - Stay Away!.......2003-06-03
I was suckered into buying this worthless book for a survey class I took on Post-Production for Film and Television. What I hoped would be an enabler to my education turned out to be a hurdle: the book is poorly organized, the concepts aren't clearly explained, and the entire text is fraught with spelling errors and grammatical mistakes. When the authors aren't clogging the text with jargon, they're giving you advice on how to do business in this industry. If you work in the industry, as I do now, this book won't tell you anything you don't know already. If you want to learn about the process, this book won't enlighten you. Do yourself a favor and stay away from this editorial disaster!
Post-Production Bible!!!!.......2003-04-23
Susan Spohr and Barbara Clarke have created nothing short of a post-production bible. BRAVISSIMO to them both!! I would not have survived the last year in my job without their brilliant book!!! Everything flows in a clear, concise way, bringing the reader visually into the post-production process. Read this book and keep it with you as a reference tool! I guarantee you it is well worth your time!
An Excellent Handbook.......2003-03-13
The Guide to Postproduction for TV and Film: Managing the Process is an excellent resource for anyone working in the entertainment industry. I haven't been able to find another book that so effectively takes you through the nuts and bolts of post production, from scheduling all the way through to delivery. If you are an entertainment executive, a film student, or anywhere in between, this book will be an invaluable resource. I've been working in the film and television industry for twelve years and this book has helped me in jobs at two major television networks and in feature post production at several studios. The new edition provides accurate and up to date information and is the only book I've been able to find that adequately covers the film laboratory. The Guide is the one book I always have at my desk. I strongly recommend it.
An Excellent Handbook.......2003-03-12
The Guide to Postproduction for TV and Film: Managing the Process is an excellent resource for anyone working in the entertainment industry. I haven't been able to find another book that so effectively takes you through the nuts and bolts of post production, from scheduling all the way through to delivery. If you are an entertainment executive, a film student, or anywhere in between this book will be an invaluable resource. I've been working in the film and television industry for twelve years and this book has helped me in jobs at two major television networks and in feature post production at several studios. The new edition provides accurate and up to date information and is the only book I've been able to find that adequately covers the film laboratory. The Guide is the one book I always have at my desk. I strongly recommend it.
Average customer rating:
- old school for NLE editors
- mostly outdated and nearly useless
- Only general information in this book
- Filled from cover to cover with tips, tricks, and techniques
|
Video Editing: A Postproduction Primer, Fourth Edition
Steven E. Browne
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0240804023 |
Book Description
Video Editing is a comprehensive, practical guide to editing techniques and practices that covers both technical and creative aspects of video postproduction. Aimed at helping the reader to become knowledgeable about and comfortable with these concepts and techniques, its direct approach and user-friendly style make it accessible to readers at all levels, from students to practiced editors. This thoroughly updated edition also covers the new DTV formats, newer random access editing systems, and offers tips to help readers become comfortable with the new formats and systems.
Focusing on cutting edge technology, the fourth edition examines the conceptual and practical aspects of the next evolution--the new DTV formats. DTV provides picture quality similar to 35 mm. movies with sound quality similar to that of the CD. Discussions of industry procedures also help make the editing process easier to follow
* Covers DTV formats and new random access systems
* Accessible to both students and professionals
Customer Reviews:
old school for NLE editors.......2007-09-10
Yes, it is old technology, it is history but everyone still uses video tape. It is amazing how many adobe, final cut and avid editors know nothing about control track, ins and outs and don't even know how to read an EDL. They're all good until tape is involved.
I agree the technology is old but much of the information is still being used. I know more than one filmmaker who could have used the production advice, including recording room tone.
mostly outdated and nearly useless.......2004-01-08
I like to find in the book the material which I expect from its title. I would've rated this book much higher if it were called "History of video editing", which is pretty much what it is about. The fourth edition of this book, published in 2002, is heavily based on its earlier editions, which date back to the early 1990s or late 1980s. The majority of illustrations depict equipment which was used back in the 1970s-1980s. The technical editing tools presented by the author look like museum items compared to the modern computer-based editing tools, and the manuals of these programs would tell much more about digital editing than this book. The old material is occasionally updated by references to high definition TV standards and modern video tape formats, which are not clearly separated from the old ones, and it is not even clear which of 10+ standards used in consumer-level camcorders and in professional equipment. Some ideas on how to shoot videos to avoid common mistakes are useful, but again it is just a short chapter. To make things worse, the book contains a lot of practically useless, for most people, information such as structure of tracks on 2-inch-wide video tape used in the first videorecorder introduced in 1956, or (more modern example) position of audio and video tracks on VHS tapes. A consumer like I am can edit home videos without any of this knowledge.
It was interesting to learn when the first videotape recorder was invented and see a picture of that device and its designers, including Ray Dolby who later founded Dolby Labs. But you know, I expected to find in this book much more up-to-date and much more practical things, judging by its title and its 2002 (for the 4th edition) publication date. It took me 20 minutes to read the book (or whaever I thought was useful) from the beginning to the end.
I suppose, the 1996 year edition depicted at the top of this page is even more outdated.
My opinion and advice: Don't waste you money on it.
Only general information in this book.......2002-08-28
This book offers only general information. It's a good start to get information about concepts used in video editing but is far from offering you in depth information. Although I found some good info, I was relatively disappointed (3 stars), but maybe I had wrong expectations.
Filled from cover to cover with tips, tricks, and techniques.......2002-06-06
Now in a revised and completely updated fourth edition, Video Editing: A Postproduction Primer by Steen E. Browne (Senior Online Editor, New Wave Entertainment) is a very direct and straightforward "how-to" manual of the basics and the nuances of properly editing videotape. Individual chapters address creating video effects, random-access editing, audio postproduction, and much more, in this comprehensive, strongly recommended guide filled from cover to cover with tips, tricks, and techniques appropriate for video editors of all experience and skill levels.
Book Description
Fourth in the popular Screencraft series, Editing & Post-Production examines, through example, the craft of cutting and how films are created in the cutting room. Fifteen internationally-acclaimed editors discuss their work in film, revealing fascinating anecdotes and tricks of the trade, as well as the impact recent video technology has had on their profession. From the technical aspects of selecting takes, viewing the rushes, setting up the cutting room and creating efficient systems to the relationships involved with the script itself, the composer, the producer and the director, this beautifully designed book is an intriguing insight into the role of the editor and the post-production team. It will inspire professionals, students, and movie buffs alike.
Part of the popular Screencraft series, the first books to explore the crafts of filmmaking through the eyes of leading practitioners
Lavishly illustrated with stills from world famous films
Discussions by internationally acclaimed editors will inspire professionals, students and movie buffs
Average customer rating:
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Videotape Editing: A Postproduction Primer
Steven E. Browne
Manufacturer: Focal Pr
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Binding: Paperback
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ASIN: 0240801512 |
Book Description
This digital document is an article from EDP Weekly's IT Monitor, published by Millin Publishing, Inc. on December 17, 2001. The length of the article is 518 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: AMD ATHLON MP PROCESSOR BOOSTS PERFORMANCE OF PINNACLE SYSTEMS VIDEO EDITING SOFTWARE.
Publication:
EDP Weekly's IT Monitor (Magazine/Journal)
Date: December 17, 2001
Publisher: Millin Publishing, Inc.
Volume: 42
Issue: 49
Page: 1
Distributed by Thomson Gale
Book Description
This digital document is an article from District Administration, published by Professional Media Group LLC on December 1, 2001. The length of the article is 2635 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: The digital video revolution: digital video production, editing and publishing offer genuine opportunities for students to learn and express their knowledge in new ways.(Product/Service Evaluation)
Author: Gary S. Stager
Publication:
District Administration (Magazine/Journal)
Date: December 1, 2001
Publisher: Professional Media Group LLC
Volume: 37
Issue: 12
Page: 46(5)
Article Type: Product/Service Evaluation
Distributed by Thomson Gale
Book Description
This digital document is an article from Advanced Imaging, published by Cygnus Business Media on November 1, 1999. The length of the article is 1007 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: No Penalty for Clipping: SAN-BASED VIDEO FOR FOOTBALL TRAINING.(Digital Editing Services' product, OMEGA Sports Network Solution)(Brief Article)(Statistical Data Included)
Author: Mike Obstgarten
Publication:
Advanced Imaging (Magazine/Journal)
Date: November 1, 1999
Publisher: Cygnus Business Media
Volume: 14
Issue: 11
Page: 21
Article Type: Brief Article, Statistical Data Included
Distributed by Thomson Gale
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- In the Can: The Greatest Career Missteps, Sophomore Slumps, What-Were-They-Thinking Decisions and Fire-Your Agent Moves in the History of the Movies
- Its All Your Fault: How To Make It As A Hollywood Assistant
- Its All Your Fault: How To Make It As A Hollywood Assistant
- James Dean: Fifty Years Ago
- Kate: The Woman Who Was Hepburn
- Later Novels and Other Writings: The Lady in the Lake / The Little Sister / The Long Goodbye / Playback /Double Indemnity / Selected Essays and Letters (Library of America)
- Lawrence Sanders: Three Complete Novels
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