Prologue
The door to Dr. Hannibal Lecter's memory palace is in the darkness at the center of his mind and it has a latch that can be found by touch alone. This curious portal opens on immense and well-lit spaces, early baroque, and corridors and chambers rivaling in number those of the Topkapi Museum.
Everywhere there are exhibits, well-spaced and lighted, each keyed to memories that lead to other memories in geometric progression.
Spaces devoted to Hannibal Lecter's earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted Attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
The palace is a construction begun early in Hannibal's student life. In his years of confinement he improved and enlarged his palace, and its riches sustained him for long periods while warders denied him his books.
Here in the hot darkness of his mind, let us feel together for the latch. Finding it, let us elect for music in the corridors and, looking neither left nor right, go to the Hall of the Beginning where the displays are most fragmentary.
We will add to them what we have learned elsewhere, in war records and police records, from interviews and forensics and the mute postures of the dead. Robert Lecter's letters, recently unearthed, may help us establish the vital statistics of Hannibal, who altered dates freely to confound the authorities and his chroniclers. By our efforts we may watch as the beast within turns from the teat and, working upwind, enters the world.
Chapter 6
Lothar heard it first as he drew water, the roar of an engine in low gear and cracking of branches. He left the bucket on the well and in his haste he came into the lodge without wiping his feet.
A Soviet tank, a T-34 in winter camouflage of snow and straw, crashed up the horse trail and into the clearing. Painted on the turret in Russian were AVENGE OUR SOVIET GIRLS and WIPE OUT THE FASCIST VERMIN. Two soldiers in white rode on the back over the radiators. The turret swiveled to point the tank's cannon at the house. A hatch opened and a gunner in hooded winter white stood behind a machine gun. The tank commander stood in the other hatch with a megaphone. He repeated his message in Russian and in German, barking over the diesel clatter of the tank engine.
"We want water, we will not harm you or take your food unless a shot comes from the house. If we are fired on, every one of you will die. Now come outside. Gunner, lock and load. If you do not see faces by the count of ten, fire." A loud clack as the machine gun's bolt went back.
Count Lecter stepped outside, standing straight in the sunshine, his hands visible. "Take the water. We are no harm to you."
The tank commander put his megaphone aside. "Everyone outside where I can see you."
The count and the tank commander looked at each other for a long moment. The tank commander showed his palms.
The count showed his palms. The count turned to the house. "Come."
When the commander saw the family he said, "The children can stay inside where it's warm."
And to his gunner and crew, "Cover them. Watch the upstairs windows. Start the pump. You can smoke."
The machine gunner pushed up his goggles and lit a cigarette. He was no more than a boy, the skin of his face paler around his eyes. He saw Mischa peeping around the door facing and smiled at her.
Among the fuel and water drums lashed to the tank was a small petrol-powered pump with a rope starter.
The tank driver snaked a hose with a screen filter down the well and after many pulls on the rope the pump clattered, squealed, and primed itself.
The noise covered the scream of the Stuka dive bomber until it was almost on them, the tank's gunner swiveling his muzzle around, cranking hard to elevate his gun, firing as the airplane's winking cannon stitched the ground. Rounds screamed off the tank, the gunner hit, still firing with his remaining arm.
The Stuka's windscreen starred with fractures, the pilot's goggles filled with blood and the dive bomber, still carrying one of its eggs, hit treetops, plowed into the garden and its fuel exploded, cannon under the wings still firing after the impact. Hannibal, on the floor of the lodge, Mischa partly under him, saw his mother lying in the yard, bloody and her dress on fire.
"Stay here!" to Mischa and he ran to his mother, ammunition in the airplane cooking off now, slow and then faster, casings flying backward striking the snow, flames licking around the remaining bomb beneath the wing. The pilot sat in the cockpit, dead, his face burned to a death's head in flaming scarf and helmet, his gunner dead behind him.
Lothar alone survived in the yard and he raised a bloody arm to the boy. Then Mischa ran to her mother, out into the yard and Lothar tried to reach her and pull her down as she passed, but a cannon round from the flaming plane slammed through him, blood spattering the baby and Mischa raised her arms and screamed into the sky. Hannibal heaped snow onto the fire in his mother's clothes, stood up and ran to Mischa amid the random shots and carried her into the lodge, into the cellar. The shots outside slowed and stopped as bullets melted in the breeches of the cannon. The sky darkened and snow came again, hissing on the hot metal.
Darkness, and snow again. Hannibal among the corpses, how much later he did not know, snow drifting down to dust his mother's eyelashes and her hair. She was the only corpse not blackened and crisped. Hannibal tugged at her, but her body was frozen to the ground. He pressed his face against her. Her bosom was frozen hard, her heart silent. He put a napkin over her face and piled snow on her. Dark shapes moved at the edge of the woods. His torch reflected on wolves' eyes. He shouted at them and waved a shovel. Mischa was determined to come out to her mother—he had to choose. He took Mischa back inside and left the dead to the dark.
Mr. Jakov's book was undamaged beside his blackened hand until a wolf ate the leather cover and amid the scattered pages of Huyghens' Treatise on Light licked Mr. Jakov's brains off the snow. Hannibal and Mischa heard snuffling and growling outside. Hannibal built up the fire. To cover the noise he tried to get Mischa to sing; he sang to her. She clutched his coat in her fists.
"Ein Mannlein . . ."
Snowflakes on the windows. In the corner of a pane, a dark circle appeared, made by the tip of a glove. In the dark circle a pale blue eye.
Excerpted from HANNIBAL RISING by Thomas Harris Copyright © 2006 byThomas Harris.
The Hannibal Lecter Books
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Book Description
HE IS ONE OF THE MOST HAUNTING CHARACTERS
IN ALL OF LITERATURE.
AT LAST THE EVOLUTION OF HIS EVIL
IS REVEALED.
Hannibal Lecter emerges from the nightmare of the Eastern Front, a boy in the snow, mute, with a chain around his neck.
He seems utterly alone, but he has brought his demons with him.
Hannibal’s uncle, a noted painter, finds him in a Soviet orphanage and brings him to France, where Hannibal will live with his uncle and his uncle’s beautiful and exotic wife, Lady Murasaki.
Lady Murasaki helps Hannibal to heal. With her help he flourishes, becoming the youngest person ever admitted to medical school in France.
But Hannibal’s demons visit him and torment him. When he is old enough, he visits them in turn.
He discovers he has gifts beyond the academic, and in that epiphany, Hannibal Lecter becomes death’s prodigy.
Customer Reviews:
Funniest one yet! Nabakov could not have done better.......2007-10-02
One of the top ten funniest books I've ever read: rarefied European nobility, Japanese aesthetics, post-adolescent crush, brutal crude enemies, and sweet sweet hot-blooded revenge. This is a comic book.
There is a rule in writing novels: start as close to the ending as you possibly can and push the action. There is a rule in filming monster movies: don't show the monster until you absolutely have to. There are rules about heroes and anti-heroes too, but they have become so hopelessly muddled in our post-post-post-(ideological zeitgeist of the day) that even the term "hero" is suspect [deconstructionists, hold your glee, I am *not* on your side].
Harris was clearly in a bind. Folks want more Hannibal, and those cases of Petrus cooling in his Long Island cellar aren't getting any easier to come by in this gilded age. But what to do? How to show the monster? But the monster is more powerful *not* explained! If you explain the monster, you've brought everybody backstage and showed them how the fog machine works. Honestly, isn't Michael Myers the unexplained killing machine in the first Halloween movie so much more interesting than the lame back story they finally cobbled together about him?
Thomas Harris was in trouble. Showing the monster means damning the monster to withered force. Sunlight on the vampire.
Solution: make it subtly out-of-cannon like the alternate universe comic books so popular nowadays. Hey, why not even make it a comic book? But Harris clearly got bored with that process and then proceeded to disguise the comic book for his own amusement.
In the words of Anthony Hopkins, "Okey Dokey".......2007-09-30
For a piece of entertainment literature, "Hannibal Rising" wasn't a total waste time.
In my opinion, it was certainly better than "Hannibal", which was too far over the top.
This book does, however, lack the good vs. evil race against time sleuthfests that made "Red Dragon" and "The Silence Of The Lambs" such compelling reads (if you liked those two novels, you should check out The Alienist: A Novel by Caleb Carr).
What we have here is an at least somewhat plausible explaination of how Dr. Lecter acquired his appetites, for both the aesthetic and the horrific.
Of course, as others have noted, given what we know of the character, there was only so much Harris could do with this prequel.
Maybe the handful of people who start off with this book would give it higher marks.
Plus, there is the gap between "Hannibal Rising" and "Red Dragon" that Harris could flesh out, so there's hope, or at least another novel possible.
p.s. As far as actors are concerned, Brian Cox did an excellent job portraying Lecter in "Manhunter". The Lecter character wasn't the focus of this early film, but Cox's performance was memorable.
PayBack Time.......2007-09-23
The was a wonderful book. I didn't detect any false notes at all. I just might re-read the other few books which I read a very long time ago. There was just so much beauty described in a fanciful way. But it was not described adequately why a brilliant mind would become hatefilled forever after it extracted the venegence it required. Was it because Hannibal inadvertently ate the soup? Maybe that's it. The Lady and the Detective could see that he had become a Monster but I couldn't. So perhaps that's the flaw of this book. We were never shown Hannibal killing people just for the joy of killing them. It was Payback Time and we sure have seen that in the media over and over in a zillion guises. Hannibal had his little taste of human flesh and later became addicted, right? First the soup and then "A brochette, cheeks and morels." Yum.
A disappointment for me.......2007-09-03
I have to say being a fan of the Hannibal stories; I was disappointed with this book. It starts off well and with a lot of promise and becomes quit predictable. I would say it's still worth a read for anyone who enjoys the Hannibal books to see what started it all, but I don't think I would recommend this book as a first read for anyone interested in the series, as you may never pick up a Thomas Harris book again.
The story is about revenge and has quite a few graphic torture scenes in it, in pure Hannibal Lecter style.
Nothing to write home about........2007-08-29
Another reviewer stated that Lecter in this latest book is a vigilante avenging wrongs done to him and his family by deserters and scavengers. I honestly think that of all the people that Hannibal killed it was in some way right a wrong or a flaw in the persons charecter. The only thing good to ever come out of this is Sir Anthonys protrayal of the good doctor.
Average customer rating:
- A page turner and modern day thriller classic
- Still Rates an All-Nighter After All These Years
- Worth reading, even if you know how it's going to end
- Great Thriller
- The Real Villan?
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![Hannibal [BARGAIN PRICE] [Hardcover] by Harris, Thomas](http://images-eu.amazon.com/images/P/B00009EF82.01.THUMBZZZ.jpg)
Hannibal [BARGAIN PRICE] [Hardcover] by Harris, Thomas
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The Silence of the Lambs, by Thomas Harris, is even better than the successful movie. Like his earlier Red Dragon, the book takes us inside the world of professional criminal investigation. All the elements of a well-executed thriller are working here--driving suspense, compelling characters, inside information, publicity-hungry bureaucrats thwarting the search, and the clock ticking relentlessly down toward the death of another young woman. What enriches this well-told tale is the opportunity to live inside the minds of both the crime fighters and the criminals as each struggles in a prison of pain and seeks, sometimes violently, relief.
Clarice Starling, a precociously self-disciplined FBI trainee, is dispatched by her boss, Section Chief Jack Crawford, the FBI's most successful tracker of serial killers, to see whether she can learn anything useful from Dr. Hannibal Lecter. Lecter's a gifted psychopath whose nickname is "The Cannibal" because he likes to eat parts of his victims. Isolated by his crimes from all physical contact with the human race, he plays an enigmatic game of "Clue" with Starling, providing her with snippets of data that, if she is smart enough, will lead her to the criminal. Undaunted, she goes where the data takes her. As the tension mounts and the bureaucracy thwarts Starling at every turn, Crawford tells her, "Keep the information and freeze the feelings." Insulted, betrayed, and humiliated, Starling struggles to focus. If she can understand Lecter's final, ambiguous scrawl, she can find the killer. But can she figure it out in time? --Barbara Schlieper
Book Description
Hannibal Lecter. The ultimate villain of modern fiction. Read the five-million-copy bestseller that scared the world silent....A young FBI trainee. An evil genius locked away for unspeakable crimes. A plunge into the darkest chambers of a psychopath's mind-- in the deadly search for a serial killer....
Customer Reviews:
A page turner and modern day thriller classic.......2007-08-30
THE SILENCE OF THE LAMBS by Thomas Harris
August 30, 2007
Amazon Rating: 4/5 stars
I had read RED DRAGON about five years ago and I enjoyed it a lot. I also saw the first two movies featuring Hannibal Lecter, and I decided I had to read all the books. So I finally got to THE SILENCE OF THE LAMBS. I am going to admit that I probably cannot give a good unbiased review because I remember a lot of the movie starring Jodi Foster and Anthony Hopkins, but I don't remember enough of it to say whether the movie deviated at all from the book or not.
With that said, there are two story lines. The main theme is the search for a serial killer referred to by the press as BUFFALO BILL. But there is another theme which caught on with readers and viewers, that of the murderer Doctor Hannibal Lecter, a criminal so insane that his acts will make you nauseous. His cravings for sweet meats is what leads him to his heinous acts; for example, he attacks a nurse while in jail, breaking her jaw and then eating her tongue. But what is so fascinating about the good doctor is his intelligence and his uncanny instincts pertaining to other people, especially towards other murderers.
With Lecter's help, the FBI goes in search of the mysterious Buffalo Bill, who is murdering and flaying overweight women for unknown reasons. There is no obvious pattern, no clue as to who he is. Jack Crawford of the FBI's Behavioral Science section pulls out a student from class, Clarice Starling, to help track down this killer. The latest missing victim is the daughter of a high profile senator, and knowing what has been happening so far with Buffalo bill, Clarice and Jack know that their time is limited to save Catherine Baker Martin. Every step they take is crucial, and must be precise and calculated, in order to get Hannibal the Cannibal's cooperation. Unfortunately, not everyone is cooperating, and because of some errors made, they may lose Catherine to the serial killer, who has an obsession with moths, one of their first clues.
The journey in search of the killer is of course an important aspect of the novel, but what readers will enjoy the most is the relationship that develops between Clarice and Dr Lecter. It's difficult to describe, but it is one of the more fascinating components of the story. While Dr Lecter has an evil streak, something changes when he is in the vicinity of Clarice. And Clarice knows that she has an edge with Dr Lecter for whatever reason, trusting Dr Lecter to a point that they behave as equals. The two play cat and mouse while she gets as much information out of him, while at the same time she gives him information about herself. The game is a race with time, as she has to figure out who Buffalo Bill is before this serial killer decides it's time to skin his latest victim.
While I'm not a regular reader of suspense and thrillers, I seem to enjoy them a lot when I do read them. So far I am enjoying the series of books by Thomas Harris, and while Dr Lecter was not the main focus in RED DRAGON, I found it interesting how Harris decided to turn the doctor into a full-blown main character in the rest of the series. My overall assessment of THE SILENCE OF THE LAMBS was that it was one of those books that I thoroughly enjoyed and savored every page, just as Lecter savored his fava beans and Amarone! Fans of horror and thrillers should enjoy this modern day classic.
Still Rates an All-Nighter After All These Years.......2007-08-19
Thomas Harris's "The Silence of the Lambs," a bone-chilling thriller, was an immediate hit upon its 1988 publication. Now, nearly twenty years later, most of us inevitably approach, or reapproach, it knowing something about it; with the famous movie based on it firmly in mind. Yet, I, at least, had to fight off the temptation to stay up all night to finish it, although I surely knew where it was going.
Harris, to be sure, writes a great, tense story of suspense. He'd already published "Black Sunday," and "The Red Dragon--" where we were first introduced to Dr. Hannibal Lector. "Lamb's" plot concerns the efforts of the Federal Bureau of Investigations to catch a serial killer nicknamed Buffalo Bill. The agency sends trainee Clarice Starling to interview Dr. Hannibal Lector, former psychiatrist, imprisoned in a Baltimore insane asuylum, after having been found guilty of nine sadistic, cannibalistic murders. Lector has unusual tastes, and intense curiosity about the darker side of the mind. The formerly eminent medical man's understanding of himself, Starling, and the killer forms the core of the book.
"Lambs" benefits from a complex, multi-layered plot. As it proceeds, we realize that Lector knew all along where it had to lead. The author's timing is impeccable: he hits his high notes, then gives us a moment to unwind. We hardly dare breathe during the Lector/Starling Tennessee scenes -- we're waiting with dread for what we know will come; when it does, it's overwhelming. The plot's also titillating, let's be honest about it, sex change operations and all. Furthermore, serial killers were new to us then; the genre is still remarkably popular, judging by the countless rip-offs of it since. Finally, a lot of the story deals with gruesome material, but the forensics are still fresh, and it's always leavened by the author's black humor.
Harris created two of the most memorable characters in modern fiction in Lector and Starling. The author has an acute ear for dialogue: who doesn't believe the Lector/Starling duets? At another point, Harris has Barney, sole knowledgeable orderly in the mental hospital where Lector has been held, say to Starling," Listen, when you get Buffalo Bill -- don't bring him to me just because I got a vacancy, all right?"
The writer's eye and ear serve him well. He describes a character's car as "a black Buick with a De Paul University sticker on the back window. His weight gave the Buick a slight list to the left." He describes Clarice's thoughts: "Sometimes Crawford's (her boss's) tone reminded Starling of the know-it-all caterpillar in Lewis Carroll." Early in the book, he has Starling driving back to FBI headquarters at Quantico, "back to Behavioral Sciences, with its homey brown-checked curtains and its gray files full of hell. She sat there into the evening, after the last secretary had left, cranking through the Lector microfilm. The contrary old viewer glowed like a jack-o'-lantern in the darkened room...." Sorry, but ya just gotta read the book to get this stuff.
Worth reading, even if you know how it's going to end .......2007-03-17
I read Silence of the Lambs despite the fact that I've seen the movie (many times). I wasn't sure if I would enjoy it because the film version is so faithful to the novel. But there are still some variations between the film and the novel and there is a strange fascination for diehard fans in discovering them. In any adaptation there are elements of the novel that simply can't fit into the film. For example, in the novel Starling runs up against an FBI bureaucracy and internal politics that threaten to stall or even jeopardize her budding career and Jack Crawford copes with his wife's terminal illness. These plot lines add depth to the novel that isn't in the film.
The most compelling reason I found to read this novel though is that despite my familiarity with the story, it was still suspenseful. Even though I knew what was going to happen I still found myself furiously flipping pages. It's just that good a novel.
The heart of the novel, as with the movie, is the relationship that develops between Lector and Starling. While Lector first appeared in Red Dragon, it is in Silence of the Lambs that Harris really breathes life into the character. Lector, as fascinating as he is, never evolves. It is Starling who must take emotional risks, playing mind games with a sociopath, standing firm against a corporate culture that marginalizes women, and persevering in a political system that seems intent on holding her down.
Silence of the Lambs is an excellent movie, but before that, it was a damn good novel. I highly recommend both. If there is anyone out there that hasn't seen the movie and is thinking about reading the novel - wow - are you in for a ride. If you have seen the movie and you are wondering if you can still enjoy the novel, I think you can. You may know how it's going to end, but the ride is still worth it.
Great Thriller.......2007-02-23
Thomas Harris really pulls you in to the story from the very beginning. This book is so much better than the movie. Do yourself a favor and pick up this book.
The Real Villan? .......2007-02-16
Hannibal Lector and Buffalo Bill make this book worth reading...they keep it moving...but they ae not the real villan we should worry about. The real villan is "Dr." Chilton...few of us will meet a Hannibal or a Buffalo Bill in our lives (thank, god!!) but we meet folks like Chilton every day. They are everywhere among us.
And they would do to us, what he did to Clarice. The Chiltons of the world are the ones we should worry about. Enjoy Hannibal, but fear the Chilton's of the world.
The book doesn't say, but I hope Hannibal got Chilton in the end. It would be his just desserts, though Hannibal, who did have a sense of honor, would probably spit him (Chilton) out as being distasteful. Hannibal, like Darth Vadar, is a villan we love to hate...not so with Chilton.
Book Description
Released in 1990, The Silence of the Lambs is one of the defining films of recent American cinema. Adapted from the Thomas Harris novel and directed by Jonathan Demme, its central characters, Clarice Starling and Hannibal Lecter, have become contemporary icons. Jodie Foster is Starling, a rookie FBI agent on the trail of "Buffalo Bill," a serial killer who flays his victims. Anthony Hopkins is Lecter, the psychopathic former psychiatrist whom Starling consults about Bill's identity.
With its pairing of a perverse, invasive anti-hero and a questing, self-searching heroine, The Silence of the Lambs is a narrative of pursuit at several levels. In this study, Yvonne Tasker explores the way the film weaves together gothic, horror, and thriller conventions to generate both a distinctive variation on the cinematic portrayal of insanity and crime, and a fascinating intervention in the sexual politics of genre. She identifies the film as a key reference point for tracking the 90s obsession with police procedure and serial killing, analyzing its key themes of reason and madness, identity and belonging, aspiration and transformation.
Customer Reviews:
Never judge a book by it's movie..........2003-04-16
Just kidding, this book and movie share a common deliciousness. Very little can be said, that hasn't been said already, other than if you have seen the movie, you should by all means, read the book!
Average customer rating:
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The Silence of the Lambs/Red Dragon
Thomas Harris
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Customer Reviews:
BAD AUDIO.......2006-11-07
OVERALL THE TAPES WERE GOOD BUT ONE OF THE TAPES HAD VERY DISTORTED AUDIO THROUGHOUT THE ENTRIE TAPE I WAS VERY UPSET THAT I'D ALREADY PAID FOR IT...BUT THE OTHER TAPES WERE GOOD
Product Description
3 Titles By Thomas Harris Hannibal Lecter Series (1-3) : 1. Red Dragon 2. The Silence of the Lambs 3. Hannibal. Three mmpb books.
Customer Reviews:
No Problems.......2007-08-16
The items I ordered were in the condition in which they were advertised and were delivered in a timely manner.
Average customer rating:
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El Silencio De Los Corderos / The Silence of the Lambs (Best Seller)
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Customer Reviews:
lambs to the slaughter.......2001-06-04
Lambs to the slaughter is a very interesting book and has exellent litreture in it.It is a good horror story and I would defiently recommend it to someone who likes horror storys.
The chilling truth..........2000-03-30
This is a very frightening book. What makes it even scarier is that it's true. But, before you read this book, first read or see "Silence of the Lambs." That's what makes this book.
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