Book Description
Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.
Reid's discussion of black independent films--defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks--ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.
In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.
Reid's innovative critical approach, which transcends the "black-image" language of earlier studies--and at the same time redefines black film--makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
Book Description
In this engaging and provocative book, S. Craig Watkins examines two of the most important developments in the recent history of black cinema—the ascendancy of Spike Lee and the proliferation of "ghettocentric films." Representing explores a distinct contradiction in American society: at the same time that black youth have become the targets of a fierce racial backlash, their popular expressive cultures have become highly visible and commercially viable.
"Watkins is at his most sophisticated and persuasive when he explains the surprising success of hyper-talented, entrepreneurial, and energetic black artists."—Archon Fung, Boston Book Review
Customer Reviews:
An excellent accessment of Hip-Hop Culture and Black Film........2000-12-25
I highly recommend this book. It is very enjoyable and informative reading that is right on target for insight into the Black Urban Culture, the rise of Hip Hop and it's influence on Black produced American film. It was used as a main text for a Rap and Black Cinema university course successfully. Although very sociology based, it was understood by college students of other majors who appreciated the book's honesty of a much maligned topic.
Book Description
In Black City Cinema, Paula Massood shows how popular films reflected the massive social changes that resulted from the Great Migration of African Americans from the rural South to cities in the North, West, and Mid-West during the first three decades of the twentieth century. By the onset of the Depression, the Black population had become primarily urban, transforming individual lives as well as urban experience and culture.
Massood probes into the relationship of place and time, showing how urban settings became an intrinsic element of African American film as Black people became more firmly rooted in urban spaces and more visible as historical and political subjects. Illuminating the intersections of film, history, politics, and urban discourse, she considers the chief genres of African American and Hollywood narrative film: the black cast musicals of the 1920s and the "race" films of the early sound era to blaxploitation and hood films, as well as the work of Spike Lee toward the end of the century. As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.
Book Description
In Bright Boulevards, Bold Dreams, Donald Bogle tells–for the first time–the story of a place both mythic and real: Black Hollywood. Spanning sixty years, this deliciously entertaining history uncovers the audacious manner in which many blacks made a place for themselves in an industry that originally had no place for them.
Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day. We discover that Black Hollywood was a place distinct from the studio-system-dominated Tinseltown–a world unto itself, with unique rules and social hierarchy. It had its own talent scouts and media, its own watering holes, elegant hotels, and fashionable nightspots, and of course its own glamorous and brilliant personalities.
Along with famous actors including Bill “Bojangles” Robinson, Hattie McDaniel (whose home was among Hollywood’s most exquisite), and, later, the stunningly beautiful Lena Horne and the fabulously gifted Sammy Davis, Jr., we meet the likes of heartthrob James Edwards, whose promising career was derailed by whispers of an affair with Lana Turner, and the mysterious Madame Sul-Te-Wan, who shared a close lifelong friendship with pioneering director D. W. Griffith. But Bogle also looks at other members of the black community–from the white stars’ black servants, who had their own money and prestige, to gossip columnists, hairstylists, and architects–and at the world that grew up around them along Central Avenue, the Harlem of the West.
In the tradition of Hortense Powdermaker’s classic Hollywood: The Dream Factory and Neal Gabler’s An Empire of Their Own, in Bright Boulevards, Bold Dreams, Donald Bogle re-creates a vanished world that left an indelible mark on Hollywood–and on all of America.
Customer Reviews:
Bright Boulevards, Bold Dreams.......2007-09-25
I enjoyed this book. It provided some insight into the Black Hollywood scene from it's humble beginnings through the 1950s. Since I'd previously read books about Stepin Fetchit, Hattie McDaniel, Sammy Davis, Jr., Ethel Waters, and Dorothy Dandridge, Bogle rehashes alot of information that I already knew. He did, however, talk about some of the lesser known stars like Herb Jeffries, Madame Sul-Te Wan, Fredi Washington, et al. Bogle also talks about the wonderful contributions of architect Paul Williams - someone who I'd never heard of but would love to find out more about. We get to read about the famous Central Avenue and it's smoking clubs and swanky hotels. We get some inside dish on career breaking interracial relationships and some pretty detailed info on just how and where the Black stars lived. If you like Bogle's other works about Black film/Hollywood and it's contributions to the entertainment world, you'll probably like this effort.
Great Read.......2007-06-08
It is very informative of Life in Los Angeles for Afro Americans the first part of the 20th century as well as the Movie stars and the growth of the community springing out from its base from Central Ave.
Great book. Fills in the blanks for me regarding Black Hollywood heritage.......2006-12-22
I'm a black woman with a lifelong fascination with Hollywood, but who had next to no knowledge about the contributions of African-Americans to the field. During the early 90s, I had taken university level film courses, and I even earned a communications degree, but never once during that time did any of my profs ever discuss the contributions of Black people to the motion picture industry...except for Spike Lee and even at that time he was blown off by some as an "upstart."
Well, thank heavens for Donald Bogle for partially "completing my education" in this subject with this book. I thoroughly enjoyed reading Bright Boulevards, Bold Dreams. I learned a lot that I hadn't known before, and had many urban legends and myths dispelled in the process.
For example, all my life I've had immediate knee jerk reactions to the movies Birth Of A Nation, Gone With The Wind and Imitation Of Life because of negative reations from my mother and other people. They would just say "it's demeaning" but never go into the reasons why they felt that way...they'd just change the subject.
While I will probably never warm to any of those three flicks, at least Mr. Bogle's book has helped me to understand why none of those movies or black actors in them can be dismissed out of hand, and how each motion picture in its own way spurred black people to get out there and find their own voice in Hollywood.
It has certainly inspired me to get out there, learn more, find and watch those "race" movies. I've discovered my local library has a lot of them both silent and "talkies", and quite a few are available for purchase online. In the past few weeks, I've watched two Oscar Micheaux movies, and I finally saw St Louis Blues (1929) in its entirety with Bessie Smith. I also discovered the "soundies" from the 1940s, those were the percursers to MTV...
Beause of Mr. Bogle's book, I am making plans to further my self-education on Black Hollywood history by collecting these films, visiting the graves of several black Hollywood pioneers when I visit Los Angeles next spring...and I will also go see and photograph their stars on the Walk of Fame, too. My mission? To make sure their contributions are NEVER forgotten, nor blown off by uninformed snarks who don't remember anything prior to the 1980s 'hip-hop' culture. Why is this so important? Because when you think of it, if there were no Birth Of A Nation, there may not have been an Oscar Micheaux...and perhaps no Spike Lee! If there was no "Gone With The Wind", then maybe we'd still be waiting for a black woman to win an Oscar...or not...one can never tell.
The only real complaint I have about the book? I wish there had been more pictures included! Otherwise, I think it is a real winner overall...and I recommend it for any person of color who is a serious student of theatre or film.
How can Bogle stay so consistent?.......2006-03-30
Here's a long but informative review!
Naturally since Bogle is the only one writing about early Black film stars people believe everything he says. He plays it safe by always talking about the same ole' stars that he talked about in his last books. Never does he introduce the public to unsung talents we never heard of. He spends most of the time talking about how mulatto, how light or how dark such and such is and how such and such couldn't do this or that because of this or that. When whites write on their stars they don't write about how blonde, how brunette or how red head someone was and how Irish or Italian one looked. Which proves how stuck on skin color Blacks really are! Why do Blacks feel they always have to spend time talking about race instead of giving these stars their recognition and due, forgetting how they look and telling of their life and versatile careers, who they really were, where they come from, making one reading feel like they knew the person all their lives, make one feel the happiness and sadness.
Bogle spends more time on what they didn't do then what they did do. Which is sad, the public is missing out on a lot. So again, do for yourself the research and don't' depend on others all the time.
Bogle loves talking about how white Fredi Washington looked instead of writing about her extensive, incredible career, she done more in her life then most of us could dream about it, she didn't let others prejudices hold her back. She was no tragic mulatto, another stupid name, minus well call Stepin Fetchit a tragic ni**er which he wasn't, he was the first black millionaire and no more of a stereotype then Black pimps, gangsters of today who are getting rich off of it like Step got rich off of his stereotype. Fredi will be the first to say she had a great life and career. She wasn't sad or confused but a strong black woman. Bogle is no better than a white writer who puts down a black but thinks its okay to coin a book Toms, Coons, Mulattoes, Mammies and Bucks because he's black, I'm sure if a white titled a book that we be yelling racism, don't Black talents deserve a better title?
Bogle also plays it safe by always talking about Lena Horne and Dorothy Dandridge, never telling the stories and never giving recognition to other black actresses like Nina Mae McKinney, Mildred Washington, Theresa Harris, Fredi Washington, Edna Mae Harris, Florence O'Brien, Louise Franklin, Daisy Bufford, Jeni LeGon Evelyn Preer, Suzette Harbin, Hilda Simms, Francine Everett, Shirley Haven and countless of others who had a chance to display their talents on the screen in Hollywood and helped fight discrimination and help in the enhancement and betterment of blacks on screen but he gives all the credit to Horne and Dandridge, who didn't do as much as others if you want to get down to the truth, but I'm glad he don't talk about them in a way because he'll butcher up their life stories, I'll give them their due though. Many aren't remembered because maybe they didn't do as much, who cares about who has done more, were suppose to be remembering them for accomplishments and talents, right? White film historians sure remember all their stars, little or big. Someone like Louise Brooks, considered a early Hollywood icon is highly regarded as a great actress despite she only had a few good films and wasnt a big movie star. The woman is more remembered for one good film and a bobbed hairstyle but white historians will make sure you know her, her achievements and what she DID DO for the film industry. Why can't Bogle be like that instead of criticizing everyone and judging them by white people's standards of what success and beauty is? I guess it's true that you gotta work twice as hard as whites to be someone in this world, whites can be remembered for little things, few successes, Blacks gotta have many successes to get rememberance and recognition even for other Blacks to remember them. Bogle is one of the few black film historians, you would think he would write more positively of blacks in Hollywood but he treats many worse then whites treated them when they were alive. Bogle never mentions Willie Covan and Marie Bryant (and appeared in movies also and was a good friend of Lena Horne's too) who choreograhed many white stars, they were behind the scenes but contributed to Hollywood. He suppose to be giving credit not taking away. Either Bogle is too lazy or likes to show favoritism because he sure won't tell other unsung talents stories. If he does he clutter it up with talking about their looks especially if he doesn't know how to write about them. Bogle knows nothing about the great career of Nina Mae McKinney, the first movie star of Hollywood and Europe, who done more films then any other black actress of her time, the first to appear on many magazines, she had so many achievements, yet he gives her one little page, if you don't know about a person, I rather you not write about them at all then to write lies. He never talks about the Black Cinema independent movie stars or the industry who was apart of American cinema, I guess their too hard for him to research, so he takes the easy path in writing about stars he already wrote about a million times. He never writes about Ethel Moses, Francine Everett, Dorothy Van Engle, Edna Mae Harris, Margaret Whitten, Tomiwitta Moore, Bee Freeman, Lorenzo Tucker, Monte Hawley, Ralph Cooper (created the first black studio in Hollywood), Oscar Micheaux, Spencer Williams and countless other black movie stars who appeared in films for blacks made by blacks in the 30's and 40's, I guess that's too mediocre for him but they done more for the enhancement of Blacks in movies by creating their own images, own roles, own portrayals, playing people from all walks of life unlike ones in Hollywood who were stuck playing the same types of roles and being the same images he always complaining about well I feel give due to ones who at least tried to do for themselves and become what they wanted but see they weren't cross-overs so their looked at as non-important by some which kind of dictated by whites who we should remembered and who's important. It's hard researching Black Cinema stars but boy it's worth it plus studying them, watching them perform gives you a good idea of who they were even if you can't find info on them. I still find the time to give them due and I'm no professional or anything but Bogle is a high class guy who only likes to write about Hollywood and his favorite gals Horne and Dandridge.
Ive done more research on unsung, forgotten stars then he has and it has been pleasurable teaching others on the net about blacks who contributed to stage and screen, stars who were just as important as Dandridge and Horne. I'm glad there are other people who are taking it upon themselves to tell the true stories of many unsung black legends and don't write in the same fashion as Bogle. Anyone who is hung up on skin color and don't want to think outside the box and like to hear the same stories then Bogle is for you but someone like me who researched many early black stars of stage and screen on my own and found out the real deal, found how they really were, found how they were really looked at, and found the true stories wouldn't appreciate Bogle's work much. I've talked with some legendary Blacks of the early years, some of their relatives also and they gave a completely different view then how Bogle describes them which shows he just goes by hearsay and documents and don't do accurate interviewing and researching.
I would think Bogle would spend more time on talking about the beauty of black women from dark to light and their wonderful achievements to the world. Black women are quite unique but instead Bogle tells the story of black women from white people's perspective it seems, he tells how black women were looked at from whites perspective not from a true black person's perspective that has pride for his race, maybe Bogle has a white person's way of thinking who is partial. Because I would commend these women, embrace and make the world embrace their beauty, courage, and talents; their many gifts to the world isn't as nearly written about as their skin tones are.
He loves spending time writing about how light, dark or mulatto someone looks. Again, he makes it seem like such and such suffered because she was mulatto, light or dark, come on man, if she had a tragic life it was her own fault if she suffered. He makes it seem like color and race was the problem for everything which is false, actually many of these women profited from the race sometimes and plus women in general face discrimination, no matter what race or color. Don't you think these women went through enough being judged by skin tone or looks, they wished in their life for being to judge their talent, at least give them that now, Bogle doesn't. Who isn't discriminated against in this world? Bogle makes it look like Black is a curse when these female performers change the world and introduce the world to their greatness and the greatness of the race. He loves talking about whether someone should of passed for white or not like when he's talking about the great Fredi Washington. He misses out on showcasing other great talents like Valaida Snow, Blanche Calloway, Una Mae Carlisle, Eunice Wilson, Adelaide Hall and others but that's okay because they have been written beautifully about by other writers. Well, many are dead so they cant stick up for themselves and Bogle takes advantage of that, he hasn't even interviewed or actually talked to ones who he writes about, he just goes by hearsay. Have your favorites but when you write a book, you can't show favoritism which he does all through which hurts others who has a story to tell but he only give honor to his faves. It seems no black can make him happy, he always has something to criticize. In his words every Black woman is a tragic, confused mulatto and every black man is a coon, or some other stereotype, he wouldn't say that to the young black guys or gals in entertainment today though, he takes advantage of the dead who can't stick up for themselves.
There is a website on unsung black talents of stage and screen, you all will enjoy.
http://www.angelfire.com/jazz/ninamaemckinney/
"Excellent research book".......2006-03-21
I found this book excellent in its writing style and information. I finished it in 5 days and use it often to research on black hollywood. I loved it!!!
Average customer rating:
- Incredible stuff
- The black cinema comes into the light.
- A Separate Cinema - A Must!
- An eye-opener for every movie loving person.
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A Separate Cinema: Fifty Years of Black-Cast Posters
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Customer Reviews:
Incredible stuff.......2006-05-04
After skimming through a friend's copy of A Separate Cinema one evening, Mr. Danger was so impressed that I purchased it myself the very next day. This is an amazing book, essential to the collection of any student of American film. Within it's 150 oversized glossy pages are theaterical posters, from hundreds of mostly forgotten Black films dating back to the roaring twenties, to train your eyeballs on. Entire chapters are dedicated to the great Paul Robeson, Jazz and sports themed pictures, and early Black musicals such as the classic Hallelujah!. Donald Bogle contributes an essay on the often obscure history of American Black cinema, and every poster is accompanied by a paragraph about the film it represents. Spike Lee even wrote the introduction! Rarely have I gotten so much replay value from a single book. In fact, I've been inspired to watch as many of these films as are available on DVD (criminally few). The only drawback is that ASC seems to now be out of print, but don't let that deter you. Scour the used bookstores and flea markets in your area. It's well worth the effort.
The black cinema comes into the light........2002-12-17
I doubt any future book will cover the subject of black cast movie posters as well as this one. As a designer interested in the look of popular culture I was surprised that there were so many posters for this niche market. Over two-hundred are shown in this very well designed book (thanks to Debbie Glasserman) they are all in color and each has a very detailed caption. I must say though that as designs they are all uniformly uninspiring (except for Uncle Tom's Cabin, 1927 and The Green Pastures, 1936) but what they lack in stylish graphics and type they make up for in an exuberance of color, flamboyant images plus huge angled titles and cast lists, all to put across what the movie was about and pull the customer into a downtown picture palace.
Donald Bogle writes a short essay on the history of black movies but strangely makes no comment about the posters or who produced them. John Kisch, who collects black cast movie posters suggests in his Author's Note that frequently the poster artwork was more interesting than the movie itself. Get this book if you are into the graphic history of American movies, it covers one small historical part and does it very well.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
A Separate Cinema - A Must!.......2000-02-20
The images of Black in the history of American cinema is in constant need of exploration. Too often what we are presented with are images and visions created by movie moguls and mavens that bear little resemblence to the rich vitality of Black life and culture in America. Mammies. Coons, and Sambos are omnipresent in most studies, adding a buffoonish, yet toxically inaccurate picture whenever Blacks are portrayed. Fortunately, "A Separate Cinema" is a move in the right direction of presenting an alternative view. Complete with colorful and vivid posters and information, the reader is returned to a period where such early pivotal Black auteurs as Oscar Micheaux attempt to show Black images on screen through Black eyes. Paul Robeson is shown in all of his splendor. The sauve and handsome Ralph Cooper makes his appearance. Movies that are now in the dustbin of history returns to the viewer. As a teacher of U.S. history and African-American history, "A separate Cinema" never fails to enlighten and impress my students - both Black and White. This book is a must for those willing to move beyond the stereotypical version offered by traditional hollywood accounts. It not only offers a Separate Cinema, but a separately created vision of reality. I highly recommend this book for all progressive students of American film history.
An eye-opener for every movie loving person........1999-03-23
A simple love of movie-posters has turned into a serious interest of African-American cinema. Something I never really knew about. This book showes the viewer a history in pictures about pictures mostly unseen in The Netherlands or anywhere outside the US. If you just like posters, it is unmissable. If you like film-poster history, it's unmissable. If you're interested in anything besides pure Hollywood-soaked books and paraphernalia, this book is simply a must-have. Fantastic!
Book Description
Inspired by her Sundance Festival award-winning film "Daughters of the Dust," Julie Dash has put her cinematic vision on the page, penning a rich, magical new novel which extends her story of a family of complex, independent African-American women. Set in the 1920s in the Sea Islands off the Carolina coast where the Gullah people have preserved much of their African heritage and language, Daughters Of The Dust chronicles the lives of the Peazants, a large, proud family who trace their origins to the Ibo, who were enslaved and brought to the islands more than one hundred years before. Native New Yorker Amelia Peazant returns to her mother's home to trace her family's history. From her multigenerational clan she gathers colorful stories, learning about "the first man and woman," the slaves who walked across the water back home to Africa, the ways men and women need each other, and the intermingling of African and Native-American cultures. Through her experiences, Amelia comes to treasure her family traditions and her relationship with her fiercely independent cousin Elizabeth. Daughters of the Dust is ultimately a story of homecoming and the reclaiming of family and cultural heritage.
Customer Reviews:
The Gullahs.......2007-06-26
I thoroughly enjoyed having a fictional, birdseye view into the world of the Gullahs of the Sea Islands of South Carolina. They are a distinct patch in the African American journey. Ms. Dash allows each character to tell their story.
The collective stories are like quilt patches, they are worthless until they are pieced together to make a beautiful quilt. We must tell our own stories in our on words. When you allow someone else to tell your story, they will tell it from an outsider's point of view, with their prejudices and biases.
The Gullahs are a fascinating branch of the African American tree. I am encouraged to read more about them. Their culture and lifestyle is quickly fading. We must capture as much as we can before all the old folks pass on to glory and the developers completely take the land.
AWESOME!.......2004-09-20
I arrived late to this book. It is more than ten years old and I feel as if I just missed a friend who had waited for me as long as they could, but had to leave. I've always been curious about the surviving tribes of Afrika (I chose to spell it that way)that live off the coast of South Carolina. I've often wondered what sets them apart from the rest of us. What made them so different? Now, I know. The book was fascinating. The story was beautifully written and I was entertained as well as educated. I loved the "old" ceremonies and the "lies" (which I believe)that actually gives Afrikan people living in this country a look into their history. Our people have always had strong belief systems and these have survived. They are alive and well today. I would encourage anyone that has read this book to follow up with other books that will let us see the history of our people without judgement and the ability to live and survive independently of outside factions. A triumphant and informative work of literature.
Wow...the "Geechees". I'll be seeing you soon.
Can we truly learn more about ourselves through the past?.......2003-09-11
Daughters of the Dust is set on the Sea Island. The story follows the lives of the Peazants. In one sense, it is historical fiction in that the plot refers to the slave trade in explaining how the residents arrived on the island. The author also interspersed some of the history of the Africans and Native Americans in explaining the characters. Finally, she also uses the oral tradition of Africans to further allow the reader to see into the heritage of the characters.
Amelia grew up with her father, mother and maternal grandmother. The dynamics of the household are disturbing to Amelia. Her grandmother, Hagar, is bitter and runs the household with an iron fist. Her father spends much of his time at the family business. Both her grandmother and father tend to verbally abuse or ignore her mother who just seems to suffer through it all. Amelia is the only bright spot in her mother's days. Amelia vaguely remembers trips to the "island" and her mother's family. She has a lot of curiosity about this facet of her family. Neither her father or grandmother has anything nice to say about the island but her mother seems to long for the island. Amelia decides to go to the island to "study" her family with her mother's blessing and against her father & grandmother's wishes.
On the island, Elizabeth befriends Amelia. Elizabeth is the one who has ventured away from the island and furthered her education. She routinely works for two older white women on the "mainland" as well as teaching on the island. Elizabeth is Amelia's guide to not only life on the island but their family's history. Elizabeth, like Amelia, must chose between staying with family or following her dreams.
The supporting characters in Daughters of the Dust are colorful and endearing to say the least. There are children, teenagers, elders, newlyweds, hopes & dreams realized and lost in the lives of the supporting characters: they each have a tale to tell. Ms. Dash does a great job of telling a "story" with strong African-American women of character. I would recommend this book to anyone that is curious about the history of Africans in America and enjoy reading about the challenges of family life.
Leanna Bailey
R.E.A.L. Reviewers
MOVING.......2002-12-04
Daughters of the Dust is a very moving, mystical journey full of haunting imagery and simple pleasures. It is the story of Amelia, an anthropology student, who has to decided to study the people of Dawtah Island as her thesis. Dawtah Island has been a mystery to her for as long as she can remember. Her mother and grandmother were born on the island. Her grandmother seems to despise everything about the island especially the people and their ignorant and backwards customs. In direct contrast her mother's fondest memories are of her life on the island, she remembers being truly happy there. Amelia has only visited the island once and was in awe of the simplicity of life there.
It is decided that Amelia will live with Eula and Eli, her aunt and uncle, while she studies the culture and customs of the island. Initially she finds the residents of the island reluctant to talk to her. They consider her an outsider and fear she will not understand them. As the islanders become more familiar with Ameila they begin to open up and share their stories with her. Through their stories she realizes their culture is rich in customs; they live in harmony with the animals and elements. They live a simple life but they control their own destiny and revel in life's simple pleasures. Their stories also tell of the joys of love and heartaches of lost or unrequited loves.
Reserve a couple weeks to read this one, it's a "ponderers" delight.
Is there a daughters of the dust part 2.......2000-02-29
This was such a well written book. The way Julia Dash developed the characters and described the scenery of the Gullah Islands caused me to want to visit South Carolina myself. I recommend this book to anyone.
Book Description
In the winter of 1992, nearly one hundred years after motion pictures were invented, the first nationally distributed feature by an African American woman was released in the United States. The film tells the story of an African American sea-island family preparing to come to the mainland at the turn of the century. In her richly textured, highly visual, lyrical portrayal of the day of the departure, Julie Dash evokes the details of a persisting African culture and the tensions between tradition and assimilation. Daughters of the Dust: The Making of an African American Woman's Film, which includes Dash's complete screenplay, describes the story of her extraordinary sixteen-year struggle to complete the project.
Customer Reviews:
a good book about a fascinating movie.......2001-10-24
Daughters of the Dust was a fascinating movie about the struggles of a female-headed, multigenerational family moving to the American mainland. It was made in fits and starts due to continual fundraising for the movie that Dash had to do. This book documents getting the movie made. It has a good section in which Dash and cultural critic bell hooks discuss the symbolisms in the film. Given that even Spike Lee has trouble raising money for his films, it is essential that incipient black filmmakers get advice on what they'r getting into. In that way, this book is an important first tool. Those majoring in film studies, feminist studies, or Afro-American studies will want to have this book.
Amazon.com
Thank goodness Antwone Fisher's story has a happy ending--otherwise, his searing memoir would be nearly unbearable to read. His father was killed by a gunshot blast shortly before he was born in 1959; his 17-year-old mother gave him up for foster care. Unfortunately for Antwone, his foster mother was as successful at browbeating and demeaning her many wards as she was at lying to the Child Welfare authorities. His working-class African American neighborhood in Cleveland became purgatory for a sensitive, intelligent boy who quickly turned into a withdrawn underperformer at school. In Fisher's blow-by-blow account of his childhood, his sexual abuse at the hands of a female neighbor is hardly more horrifying than his foster mother's relentless cruelty--especially because respectable, churchgoing Mrs. Pickett justifies it all as due to the boy's wicked faults. Readers will be relieved when she dumps 15-year-old Antwone back at the Child Welfare office, even though he will endure homelessness and a scary spell of criminal employment, before an 11-year stint in the Navy provides him with a way forward. Grim though his tale is, Fisher displays throughout it the grit and stubborn integrity that kept him sane. He musters up some understanding (not forgiveness) for the dreadful Mrs. Pickett, and his eventual meeting with his burned-out mother is painfully poignant. He certainly deserves the beautiful wife and cute two-year-old daughter, cooking pancakes for him in the book's closing and redemptive scene. --Wendy Smith
Book Description
Soon to be a major motion picture starring and directed by Denzel Washington, Finding Fish is the memoir of Antwone Fisher's miraculous journey from abandonment and abuse to liberation, manhood, and extraordinary success -- a modern-day Oliver Twist.
Baby Boy Fisher -- as he was documented in his child welfare caseworkers' reports -- was raised in institutions from the moment of his birth in prison to a single mother. After beginning his life in an orphanage, Antwone was placed in a temporary foster home until, around age two, he was transferred to a second foster home. It was there, over the next thirteen years, that he endured emotional abandonment and physical abuse. Removed from this foster home not long before his sixteenth birthday, Antwone found fleeting refuge in a boys' reform school but was soon thrust into the nightmare of homelessness.
Though convinced he was unwanted and unworthy, Fish, as he came to be known, refused to allow his spirit to be broken. Instead, he became determined to raise himself, to listen to social workers and teachers who intervened on his behalf, and to nurture a romantic heart along with a scathing sense of humor and a wondrous imagination -- all of which sustained him with big dreams of a better day. Fatefully, just as Antwone's life on the streets hit rock bottom, he enlisted in the United States Navy, where he remained for the next eleven years. During that time, Fish became a man of the world, raised by the Navy family he created for himself.
Finding Fish shows how, out of this unlikely mix of deprivation and hope, an artist was born -- first as the child who painted the feelings his words dared not speak, then as a poet and storyteller who would eventually become one of Hollywood's most well-paid, sought-after screenwriters. But before he ascends those lofty steps, Antwone's story takes us from the Navy to his jobs as a federal correctional officer and then a security guard at Sony Pictures in Hollywood. In its climactic conclusion, the mystery of his identity is finally unraveled as Antwone returns to Cleveland to locate his mother's and father's surviving family members.
A tumultuous and ultimately gratifying tale of self-discovery written in Fisher's gritty yet melodic literary voice, Finding Fish is an unforgettable reading experience.
Customer Reviews:
Finding Fish.......2007-01-29
Finding Fish, by Antwone Fisher, is a passionate and heart wrenching look into the life of the author as a ward of the state. Thankfully, he escapes the terrors of his childhood and eventually finds success. Fisher writes with a distinctive voice. He is able to convey the emotions of the young boy he portrays in the memoir, rather than telling the story through the voice of an adult. The memoir is an honest, and shocking, look into the world of an orphan without anyone to protect him. His father had been shot two months before his birth and his mom is in prison. Throughout his life with the Picketts,his foster parents, Antwone is forced through horrific events that are painful to read about. He is molested at a young age by a babysitter, beaten, mentally abused, and treated like a ghost. He becomes reserved and shy, lacking love and the comfort of a family. Even worse, his social workers are sadly oblivious to the abuse because the Picketts are able to transform into respectable and polite adults when in public. Remarkably, Antwone braves through his torturous childhood, as well as homelessness for a short time, and finds himself in the Navy. This becomes his miracle, and inspires him to do more with his life. He finds himself traveling around the world, educating himself about different cultures as well as teaching himself English with the help of a thesaurus. In comparison to his childhood, Antwone is in paradise. This transition from a hopeless child with no allies in the world to a strong, successful Navy officer illustrates a major theme in the memoir. No matter how horrible somebody's life is, with perseverance and hope it is possible to achieve anything. Although Antwone is thrown into a terrible life, he finds his own success and thankfully escapes his past and finds happiness. This book is an emotional rollercoaster and any reader will become attached to Antwone, rooting for him against the negativity in his life.
FINDING FISH carries a profound impact..........2006-08-22
and taught me something. It taught me how much we all share--the need to belong, for family, to search, to question. This book is unexpected tender and this boy's journey impacted my own journey, my own questions of family, of accceptance.
~Carol D. O'Dell
Author, MOTHERING MOTHER
Kunati Publishing, April 2007
A magical child matures and we get to be in on it!.......2006-08-13
At first I resisted this book because it seemed to be written by an adult looking over his childhood from a very mature place. However, late in the book it is a revelatory experience to find that this is exactly what happened when an unfair accusation concerning Antwone at age 25 during his Navy experience 'caused' him to buy a dictionary, a thesorus and learn writing almost from scratch at this age. He soon found that he couldn't stop. Later he wrote this book that has become a best seller very deservedly. It is full of remarkable coincidences that could not be other than genuine because of hundreds of tiny clews that all add up to this person having been there. This is a profound work concerning human holistic Intelligence that Confirms Joseph Pierce's 'Magical Child Matures."
Good Book!.......2006-03-16
Finding Fish was a good book. I first learned of Antowne Fisher a few years ago when he appeared on the Montell Williams show. After hearing his story on the show I immediately wanted to go out and buy his book to find out more about this wonderful young man but could never find the book. A few years went by and then a movie of his life was made. After seeing the movie, which I thought was very good, I decided that the movie did a good job of telling his story and that I no longer wanted to purchase the book. Some years later I was in a book store looking for some books to purchase and came across Finding Fish on the book shelf. Since I was in a thrift book store I said what the heck and purchased this book along with some others. Well needless to say it was meant for me to read this book. The movie just touched on a small portion of his life and did nothing to give us a better understanding of Antwone's full story. The book went into more detail and was just phenomenal. I have such respect and admiration for Mr. Fisher and all that he endured. The saying is true: "All things happen for a reason" were it not for his horrific
childhood I don't think Antwone would be the man he is today. Kudows for Mr. Fisher!! If you have not read this book I recommend you do.
FINDING FISH.......2006-03-06
Wow..if you thought the movie was thought provoking..
the book is beyond that!
This book covers Antwone's childhood, where in the movie,
we only saw a taste of it.
This book tells the story of a little boy who beat the odds,
and used his innate ability to survive, extreme verbal, emotional
sexual and physical abuse.
Book Description
Just one look into Morgan Freeman's eyes and it is apparent that this is a man who has lived a full, sometimes hard, life. To better appreciate his achievements and successes, this book will equally show the triumphs and the struggles and failures he has overcome in his colorful life through an assortment of personal accounts and entertaining anecdotes.
Customer Reviews:
This biography does not do him justice.......2007-06-09
Morgan Freeman is an icon in the world of film and theater. As someone in this book says, everything in which he appears becomes better because of his presence. Author Kathleen Tracy shows us Freeman's early days and his rise to fame, but somehow she never gets inside his head. She writes the facts as a reporter would, but I never felt as if I got to know what makes this man "tick". There are lots of quotes about what he thinks and feels about acting, but not much about what he feels about life. His family life is glossed over, both his early years and his relationship to his wife and children. I have the utmost respect for this man, but was disappointed not to learn more about what makes him the great actor that he is.
Parsimonious!.......2007-02-09
I was very disappointed with this book and can not recommend it. I think that Morgan Freeman is a very dynamic actor. I enjoy his performances in every movie he had a part in. I read a lot of biographical books. A good one will leaving you feeling like you have had a one-on-one conversation about one's life journey. I felt that this book should have been marketed as a behind the movie scenes type of book. Either Mr. Freeman was being parsimonious with his biography or Kathleen Tracy just could not get him to share. Even the "behind the movie scenes" info was slow and boring.
However, Mr. Freeman some of your fans (like me) really want to know more about you, your journey, and pearls of wisdom. I look forward to another biographical book about you in the future.
By:
Pam Jarmon-Wade
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