ART OF POCAHONTAS, THE

Customer Reviews:

great for art/"Pocahontas" fans in general.......1998-08-24

I love flipping through this book once in a while just to be in awe of Disney animators all over again, but I agree w/ some of the other reviewers who say that there isn't enough about the actual people behind this artwork. I'd like to find out more about how the artists & voices influenced different aspects of the story, reacted to deadlines, etc. too--but the art almost makes up for it. The book also provides some more insight into the personalities of the characters in "Pocahontas," which I found enlightening. Overall, it's a beautiful accompaniment to the movie, and very inspiring as well--makes me want to learn how to draw a little better.

A book as beautiful as its main character.......1997-12-27

The art of Pocahontas is, to my mind, one of the most beautiful books about animation art. Its composition following the making of the film step by step helps the reader to understand how a huge production such as Pocahontas is made and all the production aeras are represented. The pictures taken from the film and the artist's sketches shown in it are so great they could make anyone that did not like the design of Pocahontas ( and god knows they are a lot in France ) loves it. The only thing that could be improved is about photos of the artists in their work environment, there should be more.

Weak parts, but worth taking a look at........1997-11-30

The only thing holding this book together is the easy way it flows. In the tradition of other Disney "Making of..." books, it follows the format of each animation process from concept to script to storyboard to animation. Its interesting, but at times bogs down some nice visuals. Not all the visuals are great, though. The pre-production art seems weak and cliche like the drawings of pilgrims and Indians you remember as a kid. Only in the animation chapters does it pick up, particularly the work of Glen Keane. As chief animator of the title character, his storyboards and animation seem the most inspired and studied. Other character designs seem less bold against Disney's first eco-feminist heroine who paved the way for post-feminist heroines like Esmeralda from Hunchback and Meg from Hercules. The book not unnique in its execution or format, but its worth taking a look at to compare with other films and books and to see the evolution of the thought process of great Disney animators like Keane and Ruben Aquino. And of course it has its share of Disney we-are-doing-this-and-no-one-else-can attitude.

Very beautiful!.......1997-11-26

First of all, I assume that these reviews are supposed to refer to the large hardcover edition, which was published in 1995, and not the smaller 1996 edition. The large one is gorgeous, allowing a look into the world of how the artists develop a film from start to finish. Some of the concept art is so beautiful that you wonder why it didn't make it into the film. My only gripe with this book is that, like Rebello's other books, it deals almost entirely with the visual aspect of the films and, although it talks about how songs developed the movie (the Colors of the Wind section is especially well done), what about the voices? In The Art of Animation: From Mickey Mouse to Beauty and the Beast, descriptions and photos are included of the actors who voiced the characters. While you might say that this sort of thing doesn't belong in an "Art of" book, I think it does, because the actor who voices a character often has a tremendous influence on the visual development of that character. For example, Belle in Beauty and the Beast would not have had the lock of hair that kept falling into her face - an endearing gesture that helped make her more real to the audience - if Paige O'Hara, her voice, had not had it first. The Art of Pocahontas would be perfect if it offered similar insights. But it's definitely worth reading or just looking at, to bask in the sheer beauty of the artwork.

Miniature Poachontas Book is Big on Color and Information.......1997-03-06

Don't let the small size of "The Art of Pocahontas"fool you; the authors have crammed the 5.5" by 4.5" book with loads of colorful artwork and interesting insights into the recent Disney masterpiece.

"The Art of Pocahontas" traces the creation of the film from conception to completion, including wonderful reproductions of concept sketches, background paintings, layout drawings and final animation art. The 189 pages of this small volume contain over 400 color and black-and-white illustrations.

The text was written by Stephen Rebello, an editor of "Movieline" and author of "Alfred Hitchcock and the Making of 'Psycho.'" He provides many insights into the collaborative and creative process behind the making of "Pocahontas."

Book Description

Between the classic films of Walt Disney in the 1940s and the televised cartoon revolution of the 1960s was a critical period in the history of animation. Amid Amidi, of the influential Animation Blast magazine and CartoonBrew blog, charts the evolution of the modern style in animation, which largely discarded the "lifelike" aesthetic for a more graphic and often abstract approach. Abundantly found in commercials, industrial and educational films, fair and expo infotainment, and more, this quickly popular cartoon modernism shared much with the painting and graphic design movements of the era. Showcasing hundreds of rare and forgotten sketches, model boards, cels, and film stills, Cartoon Modern is a thoroughly researched, eye-popping, and delightful account of a vital decade of animation design.

Customer Reviews:

Cool, Fun and Essential.......2007-07-17

This book covers a vital an oft-neglected period in animation history. When I first laid eyes upon it, in a bookstore, I think I audibly gasped. It is that beautiful. Do not hesitate to purchase this book, which incidentally, won the Theatre Library Association Award for outstanding book in the area of film or broadcasting. Hopefully, there'll be a sequel.

Superlative.......2007-06-08

If you're an animation buff, you won't want to miss Amid Amidi's "Cartoon Modern: Style and Design in 1950s Animation". Lushly paged, and densely packed with generous, colorful, brightly saturated illustrations, "Cartoon Modern" is the cel animation cartoon fan's dream come true - the kind of volume you'd find in a favorites bin in a dream and try to take out into the waking world with you! Amid Amidi is clearly another one of us toon fangeeks: he eagerly sifts through tons of studio, production and biographical information but doesn't skimp on small details only another fangeek would enjoy - intriguing factoids and behind-the-scenes animator gossip relevant to the period abound throughout this thick, heavy book. You will never tire of the clippings, sketches, layouts, articles and character designs. Far from limited to the gorgeous coffeetable book it resembles - don't be fooled by its size and stylish appearance! - "Cartoon Modern" is an authoritative tour of one of American animation's most important creative periods. I personally look forward to more animation books from Amidi, and I hope he will someday take a literary look at the animation of the classic, cartoon modern-influenced 1969-1976 period of PBS's "Sesame Street" and "The Electric Company". As a generous portion of "Cartoon Modern" concerns the works of animators John and Faith Hubley, and the Hubley Studios generated a good 40-50% of the animation for both shows, such a book may not be far from the realm of possibility. Superlative.

More than Disney...........2007-04-19

We had forgotten how much treasured animation was created during this very stylistic era in film history.

Most importantly, the book deserves a publishing prize simply for the design of the text. Absolutely beautiful... flawlessly designed... with quality binding and printing that should last for a century to come.

We were pleasantly surprised by the beauty and class within these covers, and we are pleased to highly recommend this text for the most discriminating animation libraries.

Cartoon Modern.......2007-03-19

Absolutly wonderful visuals, with OK text. Text suffers from almost no acknowlegement of foriegn animation that preceded and drove the U.S. animation design, but still very informationl and a good referenxce book.

Great Book.......2007-01-22

I think this book is a nice purchase. It has great visual reference for cartoon styles and is really easy to brouse through as each "animation studio" has its own chapter. Two other people from my work purchased the book as well, and seem to like it too!

Average customer rating:

A must-have item!
Animator's Ultimate Guide
Disillusioned. Skip It.
Wonderful
this is a great book!

The Illusion of Life: Disney Animation
Ollie Johnston , and Frank Thomas
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786860707

Customer Reviews:

A must-have item!.......2007-09-15

For those people who wants to work with graphics, It's very important to have contact with newest technologies and media. But to have real growth, the basis is here. Beautiful book! Compared to price, is the best benefit in whole amazon site!

Animator's Ultimate Guide.......2007-09-04

It's an amazing book! Everything you want to know about the business and the pure art and joy of being an animator from the masters.

Disillusioned. Skip It........2007-08-27

This is a biased and officially licensed piece of pro-Walt Disney propaganda. The animation tips from Frank Thomas, one of the greatest animators who ever lived, are priceless. But he and his buddy Ollie Johnston (who was not nearly as talented as Thomas) are biased, and as a history, it is severely flawed.

Many vital artists to the Disney style of animation are given the shaft, which essentially anyone outside of the Nine Old Men. Fred Moore, Art Babbitt, and Bill Tytla are almost completely ignored. Director Jack Kinney and animator John Sibley, the team responsible for Disney's inarguably best short subject series, Goofy, are not even mentioned. They do a good job of erasing all of the 'bombs' such as Alice in Wonderland and Three Caballeros as well.

I also am repulsed at the lauding of such features as Robin Hood and The Rescuers, in favor of work by the studio many years earlier that was inarguably superior. And any tome this size that gives only four mentions to Dumbo is not worth owning.

Skip it.

Wonderful.......2007-08-05

Wonderful and very useful book, highly recommended for everyone who's interested in the world of animation and its history.

this is a great book!.......2007-03-13

great shipping and good condition!
i think this book is very important for student who is studying animaion.

The Animated Man: A Life of Walt Disney (Simpson Book in the Humanities)

Average customer rating:

An Excellent Biography
A VITAL & ALIVE BIOGRAPHY
The Best Biography of Disney yet
The Animated Man: A Triumph for Michael Barrier
A rich account

The Animated Man: A Life of Walt Disney (Simpson Book in the Humanities)
Michael Barrier
Manufacturer: University of California Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0520241177

Book Description

Walt Disney (1901-1966) was one of the most significant creative forces of the twentieth century, a man who made a lasting impact on the art of the animated film, the history of American business, and the evolution of twentieth-century American culture. He was both a creative visionary and a dynamic entrepreneur, roles whose demands he often could not reconcile.
In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects. A consummate storyteller, Barrier describes how Disney transformed himself from Midwestern farm boy to scrambling young businessman to pioneering artist and, finally, to entrepreneur on a grand scale. Barrier describes in absorbing detail how Disney synchronized sound with animation in Steamboat Willie; created in Snow White and the Seven Dwarfs sympathetic cartoon characters whose appeal rivaled that of the best live-action performers; grasped television's true potential as an unparalleled promotional device; and--not least--parlayed a backyard railroad into the Disneyland juggernaut.
Based on decades of painstaking research in the Disney studio's archives and dozens of public and private archives in the United States and Europe, The Animated Man offers freshly documented and illuminating accounts of Disney's childhood and young adulthood in rural Missouri and Kansas City. It sheds new light on such crucial episodes in Disney's life as the devastating 1941 strike at his studio, when his ambitions as artist and entrepreneur first came into serious conflict.
Beginning in 1969, two and a half years after Disney's death, Barrier recorded long interviews with more than 150 people who worked alongside Disney, some as early as 1922. Now almost all deceased, only a few were ever interviewed for other books. Barrier juxtaposes Disney's own recollections against the memories of those other players to great effect. What emerges is a portrait of Walt Disney as a flawed but fascinating artist, one whose imaginative leaps allowed him to vault ahead of the competition and produce work that even today commands the attention of audiences worldwide.

Customer Reviews:

An Excellent Biography.......2007-07-10

I'm in full agreement with other reviewers that this is one of if not the best Biography of Walt Disney ever written. The recent Neil Gabler biography has received more publicity (and it not bad) and is the most obvious book to compare to, I found Michael Barrier's "The Animated Man" much better in terms of the insight into the life of Walt Disney. I read Barrier's biography about 2 months after Gable's and found Mr. Gabler delved way to much into speculation where Barrier seemed to give insight into Walt.

I don't often write a review, but I thought this book was worth giving the positive review.

Mr. Barrier tells the life of Walt Disney, warts and all. Walt comes off a real person with real problems while doing great things. I have over 100 books on Walt Disney and the things he helped to create including many books and articles by those that new Walt first hand, and Barrier's book seems to give the most accurate and unbiased view of Walt of any biography I have ever read. It seems to give an accurate picture of Walt behind the scenes.

A VITAL & ALIVE BIOGRAPHY.......2007-06-11

Barrier has drawn with precise selectivity from an immense amount of original research and then pursued a careful, true balance in the writing - there is not a false note in it - to create an informative, entertaining and also stimulating biography of Walt Disney. He has clearly engaged deeply with the subject and the material and has brought careful thought to bear on every aspect and angle. As a result, each page comes alive, with a vitality not found in lesser books that merely rehash old arguments. When future generations once again focus on animation and attempt to reassess the moving drawing, with the benefit of hindsight, I'm sure Barrier will be one of the authors whose works will be considered indispensable

The Best Biography of Disney yet.......2007-05-12

This is an extraordinarily good book. After giving up on the Neal Gabler book (too many words and not enough understanding, really, of who the man was), I love the approach of this book. Barrier knows animation inside and out, and he uses his knowledge to give us a picture of a real man and boss who tried to make animation great. The nitty gritty of those details make a real life comprehensible. The immense research is felt even though Barrier doesn't try to impress us with it; the book is a captivating read that propels you along. Highly recommended.

The Animated Man: A Triumph for Michael Barrier.......2007-05-11

If you were thinking of passing by The Animated Man in favor of Neal Gabler's biography of Walt Disney, think again. "...Complete access to the Disney archives..." notwithstanding, Gabler couldn't in many, many cases, figure out just what exactly to do with all the information he was supposedly buried in for five+ years. And as such, the reader comes away at times with more questions than answers about just who Walt Disney was.

This is not the case in Michael Barrier's fine biography of Walt Disney, The Animated Man: A Life of Walt Disney. Although he may not have had the unfettered access to the Disney archives accorded Neal Gabler, one would hardly be aware of that particular handicap. He was able to utilize a great deal of information housed there, which along with interview after interview makes for a mighty informative read. And since many of the interviews utilized throughout the book date back over 30 years, Barrier was able to talk with many Disney employees who "were there" at or near the start of Walt Disney's impact on the world.

So many of the interviews captured by Barrier provide an insight into what made Walt Disney `tick' that simply don't exist from the materials Gabler was able to unearth. More than once while reading through The Animated Man did I stop to re-read a paragraph as a particular tidbit of information provided an "a-ha" moment, helping to fill in some blanks pertaining to either Walt Disney himself or the legacy he left behind.
Also, Michael Barrier was able to weave his knowledge of animation throughout the text, providing additional insights not available to authors with less refined skills in that area.

In spite of it being half the length of Gabler's tome, I feel most readers will come away feeling more than fulfilled with few asking for more as Barrier's raison d'être of the book is his pinpoint focus on Walt Disney and what really made him tick.

As has been stated many times, and is still true today: the definitive Disney biography has yet (if ever) to be written, but Barrier comes as close as anyone has to date. There are plenty of books about Walt Disney and the Walt Disney Company to keep most of us glued to our reading glasses for some time to come. And one could round out one's knowledge by continuing on to Gabler's bio or even Bob Thomas' and certainly The "E" Ticket fanzine for very insightful and unique interviews with those who worked with Walt (primarily on the parks) - to name but a few. But I strongly feel the best starting point would be to grab a copy of Michael Barrier's biography and be prepared to be wowed.

A rich account.......2007-03-24

This book is so rich with detail! You can picture yourself there when a young Walt is growing up as a farm kid in Marceline, Missouri, or later when he's struggling to make a living.

The endless first-person accounts and interviews really bring Disney's world -- indeed, much of a whole bygone American world -- to life. At times it reads almost like an oral history. It's a great complement to Neil Gabler's "Walt Disney: The Triumph of the American Imagination."

The book is not published by the Disney company, and the author is no corporate flack. But he's also no muckraker. You'll come away with a definite opinion of Walt Disney, his work and his life, but it's one you'll form yourself.

-- By Julie Neal, author of The Complete Guide to Walt Disney World.

Average customer rating:

A bit disappointed though!!
Johnston and Thomas Together Again!
GET IT when you can...
A Worthwhile Read For Any Disney Fan!

DISNEY VILLAIN, THE
Ollie Johnston
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 1562827928

Customer Reviews:

A bit disappointed though!!.......2002-04-08

The book is not bad, but not really as good as I expected. After having read the extraordinary book "The illussion of life", I wanted more from the same drawer. I picked the villains book.
In the beginning Frank'n'Ollie explain why they did the book, and apparently it was made on command, I couldn't help thinking about that when I read it. The chapters in the book are very short, and there is too little information about how they decided to make their characters as they turned out. Each chapter begins with an (Too long) introduction of the characters role in the film. Of course you can not expect everybody to have seen every disney film that exists, but too much space in the book is used to explain things you already know if you've seen the films.
I would have prefered to know more about how the animators felt about their characters and how they developed the personalities, for instance the thin line of making the beast in "Beauty and the Beast" looking like a beast that you could still end up having feelings for. I would like to have seen more development drawings and sketches and even some animation continuity with some good examples of change in expression of the villains as well.
Some times you read about villains that actually ain't villains. The bear in "Fox and a hound" is actually no villain because it is just following natural instincts, but how about Chief, the big old dog in the movie, nothing about him? A book that is not deep enough. but still not bad. Guess I still shouldn't have read it after just finishing "Illussion of life".

Johnston and Thomas Together Again!.......2000-02-04

Anything by these two wonderful authors and amazing animators should be a must in anyone's collection. Yet, I am baffled that all of their books are currently out of print. I am sure one will not have trouble looking at a used bookstore for a copy of this. This book deals precisely with what the title says: The Disney Villians. In their usual classic and lucid style, the authors discuss the troubles they ran while devising a villian. One that is wicked, yet appealing to the audience. Going through their catalog of movies from Snow White to Aladdin, they discuss in detail what a villian is all about, and how the villian relates to the story, style and main character of each film. Whether one should be more realistic, or have harder edges, or what kind of mannerisms will this villian have. Highly reccomended for the animator and artist, as well as the Disney book lover as these are presented so well. For the enthuseist, which I also own, there is also a more expensive version of this book, hardcover with a slipcase, signed by each of the authors and a print of the filmstrip from Snow White.

GET IT when you can..........1999-05-14

Why did they do it? Frank and Ollie wanted to give a thorough insight into the making of believable, memorable animated characters. For all to learn from... and they did just that! Another MUST-HAVE from the makers of some of this worlds most entertaining animation.

A Worthwhile Read For Any Disney Fan!.......1998-07-11

Who better to bring us the history of the villain in Disney films than two people responsible for the creation of so many of them? Ollie Johnson and Frank Thomas' remarkable survey of the history of bad guys begins with the obligatory history of Disney animation and proceeds to describe all of the villains created from the earliest cartoon shorts to Aladdin. Concept drawings, poster art and stills from the film make up the many illustrations and each film is described along with interesting information on each villain discussed. The one drawback - an obvious one when dealing with so prolific a studio - is the fact that this book cuts off at Aladdin, missing the many sinister villains that followed, notably Scar, and Hades.

Walt Disney's Nine Old Men and the Art of Animation

Average customer rating:

I want John Canemaker's privileges
Nine Lives
Discovering the Genius Of Exactly What Made Disney "Disney"

Walt Disney's Nine Old Men and the Art of Animation
John Canemaker
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786864966

Book Description

Most Disney characters between 1930 and 1970 were animated by one of the Nine Old Men. Through the span of their careers, these nine highly skilled men, exhibited a loyalty to one another and their employer unparalled in most professions. This candid narrative of their lives and contributions will continue to be a significant, essential source for stury and inspiration.

Customer Reviews:

I want John Canemaker's privileges.......2003-05-01

Once again John Canemaker has made me envious of his access to such beautiful artwork. The behind-the-scene stories of the personalities who created the characters we grew up with is wonderful. A gorgeous book with illustrations that make it worth the money all by themselves.

Nine Lives.......2003-01-12

So much has been written and said about several of these nine legendary Disney animators that I very much doubted a lot of new ground was going to be broken, especially in a Hyperion release, but Canemaker rises to the task here, and then some. I was most interested in artists like Les Clark and Johnny Lounsbery, who have received less attention than some of the others. Canemaker not only brings them vividly to life with meticulous research, but he also manages to bring new information and fresh insight to all nine of his fascinating subjects. No matter how well you thought you knew the Nine Old Men and their work, there's plenty here for you. This book reveals the lives and personalities of these men, analyzes their contributions extraordinarily well, and also their working and personal relationships with each other, and presents great new visual material from their lives in and away from the studio. The Kimball stuff is a special treat.

Who could have imagined that Marc Davis' early life was as interesting as his work? Or that Kimball and Kahl were even crazier than you thought (and even more brilliant)? Ot that the master, Frank Thomas, actually struggled with his draftsmanship? Canemaker captures the promise of each of these men's pre-Disney careers and the spark in the work that caught Walt's attention is always evident. He also captures the human quirks that played a tremendous role in the golden age of the studio and often found its way onto the screen as well.

Much of this information and all of Canemaker's excellent insight would not have come to light without his diligent effort and research, and the result is a well-written, revealing, tasteful, and very visual masterpiece.

PS We lost the great, one-and-only Ward Kimball recently...only Ollie Johnston and Frank Thomas are still with us now. God bless you both.

Discovering the Genius Of Exactly What Made Disney "Disney".......2001-11-02

John Canemaker has given readers the Disney animation book that's been missing for decades. Only it's the Readers Digest version. Canemaker is forced to compact nine amazing biographies into one book. Each of his nine subjects - the core group of gifted animators who defined the look and feel of Disney animation from the 1930's through the 1970's - is deserving of far more time and space than a single volume can deliver. Nevertheless, he's done an amazing job, and he introduces us to these men with the same careful critical objectivity he did in "Before the Animation Begins", Canemaker's marvelous 1996 book focusing on the great Disney visual development and story artists.
The author gives us the best un-fairy-dusted glimpse of the real day-to-day workings of Disney's shop since animator Jack Kinney's 1988 "Walt Disney And Assorted Other Characters" (admittedly limited in objectivity, but still enormously entertaining in its candor.) It's impossible not to feel the same admiration and passion as the author. Even in his harsher analysis of temperaments and turmoil the author is writing about the best of times among a group of very real artistic heroes who were such extraordinary people that you'd have treasured any time you could have spent in their company. Sadly, Canemaker only gets to brush on topics such as how the old generation influenced the new. Many of the current generation of Disney artists are interviewed for this book and they have a great deal of insight to contribute (both Andreas Dejas and John Lasseter in particular)and one wishes that the author had been afforded the luxury of a more critical analysis of the older generation's influence on this generation -- both by their presence and their absence; e.g. - in the best chapter in the book, Milt Kahl is characterized as having had the greatest influence on the look of Disney characters. Questions about what affect Kahl's abrupt departure in 1976 had on the next generation - whether by way of his absence or his reluctance to be a true mentor - deserve more space than alotted. Similarly, the reader wants to know more about how veteran Eric Larson was treated by Disney executives who handed over "The Small One" to the ambitious Don Bluth, who later broke ranks and left the studio to start his own production company leaving the studio talent pool seriously decimated.
Canemaker is both the obvious choice and greatest risk for authoring this important animated version of "The Lives of the Artists" (Cainmaker states it was his hope to emulate Vasari's work) as he is admittedly very close to two of his subjects - animators and authors Frank Thomas and Ollie Johnston. Similarly, Ward Kimball and the late Marc Davis were friends of the author's, but he pulls fewer punches in his sharp but loving focus on the latter two. Even so, it would be hard to imagine any other author would have such an unprecedented level of trust from his subjects and their parent company, and thus such privileged access. And though his focus seems less sharp in the chapters on Thomas and Johnston, any biographer suffers from similar lapses when focusing on a living subject, particularly one whom they and the vast majority of the public hold in great affectionate esteem.
The book makes it clear that the memories of the living affect a much harsher view of the dead from among this old boy's network of disparate personalities who helped to define something as far reaching in popular culture as Disney's animated characters. Withered rivalries and carefully aged egos still pepper the perspective here and it only adds to the books ability to evoke something real, and not just the Halceon days of animation. The fact that the dead can't defend themselves even through living relatives and numerous ex-wives is a minor and admittedly unavoidable flaw, and in his preface Canemaker attempts to acknowledge it with a quote from a letter from Thomas to the author re undertaking the project. Even with obvious affection personal favorites, the author has done a terrific job of sharing insights into the passions of each of these nine men whose personalities were made immortal once filtered through such old friends as Captain Hook and Cruella DeVil.
It's to Canemaker's credit that we long for even more on each of these animators -- particularly Kahl and Larson -- and more examples of what made them great animators. Which brings us to the book's only glaring flaw: the illustrations. There simply aren't enough examples of scenes and sequences attributed to each artist -- particularly raw pencil drawings -- and the quality of photo reproductions from finished film frames and other archival material seems oddly yellow or green in tint and not up to the usual Disney publishing standards. e.g. a series of frames showing the Duke from "Cinderella" rolling his monocle between his fingers is so dark that you can barely see the referenced movement it serves to illustrate. This is greatly disappointing. Granted that many such sequences are found in Thomas & Johnston's "The Illusion of Life", but the book is out of print, and the vast resources of the Disney Animation Research Library as well as Mr. Canemaker's personal collection must be able to yield fresher and more fitting illustrations than what's found here. Again, Kahl's chapter gives us more to feast on than others, but it still isn't enough. After all, this is a visual medium we're discussing and a picture here only serves to give us reason to read another thousand written words. But, be that as it may, the book is both a MUST READ and a MUST HAVE for anyone interested in film history, animation, acting and/or Disneyana, and one hopes that Mr. Canemaker's upcoming book on Disney artist Mary Blair heralds a series of more extensive and more intimate (and hopefully much better illustrated) biographies on Kahl, Davis, Reitherman et. al. A long awaited and fine accomplishment, and easily the best book from Disney's publishing arm in 2001.

Average customer rating:

Pretty Good!
Designing Disney: Imagineering and the Art of the Show
superb explanation of how the Imagineers operate
So you want to see how to make sausages...
Nice behind the scenes look.

Designing Disney
John Hench , Wendy Lefkon , and Peggy Van Pelt
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786854065

Book Description

Designing Disney sets into history and puts into context the extraordinary contributions of John Hench, who, at the age of 94, still comes into his office at Imagineering each day. His principles of theme park design, character design, and use of color have made him a legendary figure, not only for Disney fans but also for students and aficionados of architecture, engineering, and design. Designing Disney reveals the magic behind John's great discoveries and documents his groundbreaking work in several key areas, including the values, attitudes, aesthetics, and logic that went into the original design concepts for Disney theme parks. Hench details the essence and various meanings of colors and how they work in the parks, and lets the reader in on the how and why of the Disney characters' inherent popularity-their timeless human traits, archetypal shapes and gestures that suggest their qualities graphically, and their emotional resonance in our lives.

Customer Reviews:

Pretty Good!.......2007-08-23

I do like this book, but it doesn't have the great pictures that the other Imagineering book does. I would recommend this book to anyone interested in the Imagineers. It has a lot of text, which will help you understand many aspects of what it means to be an Imagineer. I would recommend getting the other one first, and this one second if you are still interested. They are both great.

Designing Disney: Imagineering and the Art of the Show.......2007-04-30

not exactly what I expected. I was hoping for a more historical perspective, but overall a good book.

superb explanation of how the Imagineers operate.......2007-03-10

This is a fascinating look into the mind of the premier Disney designers. Hench explains how every single detail of the Disney parks is designed to fit into a great whole: color, form, space, and even time must reinforce a narrative theme in every single ride or experience, as if the viewer had entered a film sequence. All detail is foreseen - with storyboards! - discussed, and built with this kind of total consistency of experience in mind. I was astounded that the parts were so much more deeply planned than I had imagined.

I read this as part of my research for a writing project on Disney. For this, it was extremely useful and informative. It strikes me that the imagineering method is of great relevance to all managers.

While easy to read quickly, this book will give anyone who likes Disney a fascinating new perspective on one of the great American success stories. Warmly recommended. The writing is clear and to the point, while elegant.

So you want to see how to make sausages..........2005-07-07

For most Disneyland guests, the nuts-and-bolts details behind the many attractions will ruin their illusions. Most people who are shown the tricks behind stage magic cannot get over feeling cheated. If you had to watch the process of making sausages from birth of the meat animal (pig or whatever) to the grilling of your breakfast in the restaurant kitchen, odds are that you'd enjoy your oatmeal instead.

But I enjoy seeing projects grow from project to fruition. John Hench's "Designing Disney: Imagineering and the Art of the Show" in an insiders peek at the Disney theme parks and cruise line. Concept art is directed at a specific audience. Usually the task for concept art is to sell the idea to the "suits"--who are a very different audience than Disneyland guests. It's been said that executives consider everyone else subhuman--especially their customers and subordinate employees--so what "sells" a concept to a panel of executives will leave the end customer unimpressed. Once the project gets the go-ahead, changes will happen. "No plan survives contact with reality!" At Disneyland, "finished attractions" will continually be changed due to economics or guest feedback until the attraction is replaced. The Disneyland Monorail is a fine example of this. On pages 26 and 27 and on page 33 monorail concept art differs significantly from today's Disneyland Monorail. John Hench wrote about how this occurred.

Many ideas don't make it to the concept stage. Disenyland was very much the experimental community during the 1950's and 1960's. The Enchanted Tiki Room was originally conceived of as a dinner show. Around 1960, the South Pacific was considered romantic and adventurous. Today, the Enchanted Tiki Room is considered ho-hum boring by most--but just try to rid Disneyland of it! My visits to Disneyland are incomplete if I cannot see the Tiki Birds at least once!

Hench wrote about the central theme of the park attractions, how "show" was the focus. Some of the rides and attractions at Disneyland (Disney's California Adventure is a worse offender) are just rides or exhibits. They have little if any tie-in, no synergy, with the rest of the park. Walt Disney told stories with his park attractions. The "nuts and bolts" of telling stories with a walk-in theater and live actors is explained in simple terms. No math! Imagine equations for the curve radii and bank on Big Thunder Mountain Railroad! Color, character, form, space, and time are some of the elements used to tell the story.

I like the panaramic photos of Main Street, Disneyland on pages 68 through 71. Disney theme parks keep changing. I like to see how the park has changed over time. Hench explained why these changes occured.

This book is a nice addition to my Disney library.

Nice behind the scenes look........2005-04-08

After a recent trip to Disney World, I became captivated by all that went on there and immediately went online to find any behind the scenes books that might be lingering about. Designing Disney was a great read from cover to cover. Written by John Hench, possibly the longest serving Imagineer, you're given insight into some of the things that went into creating the enchanting parks that we all know and love.

Particularly interesting, I thought, were some of the techniques that the Imagineering group developed along the way, and some ingenious tricks that were used from the need for creative solutions.

This book is great for Disney fanatics, but even if you're not all that enthused about the parks, this book should keep anyone that's interested in the process of creation entertained until the very end.

Average customer rating:

AMAZING ART ANIMATION
A fantastic example of concept art for anybody!
Best of the "The Art Of" series!
Wonderful graphics, including ones the public never sees
Great book for animation art lovers.

Art of the Lion King, The
Christopher Finch
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786860286

Customer Reviews:

AMAZING ART ANIMATION.......2005-07-03

"The Lion King," Disney's 32nd animated film proved to be a smashing success, appealing to young, old, and those in between. As it filled movie houses, Disney mania swept the country again. The breathtaking visual effects that fascinated so many are brought to stunning life in "The Art of the Lion King" by Christopher Finch.

This lavish folio-size volume traces the creative process utilized in making the film, from black and white sketches to glorious full-color reproductions and even splendid fold-outs, one exhibiting the surreal beauty of the African natural world.

Actor James Earl Jones, the voice of Mufasa the Lion King in the film, contributes the foreword, while the text is by Christopher Finch, author of "The Art of Walt Disney."

Those fascinated by the art of animation and those touched by the story of Mufasa, Simba and Scar will treasure this color and fact filled memento.

- Gail Cooke

A fantastic example of concept art for anybody!.......2004-02-18

Apart from the fact that my copy was close to pocket size, i thought that this book was fantastic. Not only does it come filled with amazing concepts, it also is accompanied with the Lion King Storyline. As an illustrator and student animator, it is a wonderful addition to my resources. The sketches through to the complete full colour images are for any Lion King fan, artists or just someone wanting a beautiful coffee table book. If your from overseas like myself and cannot get these kind of books in Australia, i reccommend Amazon and their associate stores. Buy this, its great.

Best of the "The Art Of" series!.......2000-06-06

I received this book as a birthday present last month. To say the least, I was overwhelmed with all the artwork in this book. I love it! The artwork and production animation is breathtaking! It's a really awesome book, I'd get it if I were you! You can't go wrong with "The Art of The Lion King"!!!

Wonderful graphics, including ones the public never sees.......1999-01-22

This book is one of the most exquisite things to come out of The Lion King. The graphics are beautiful. Most of the pictures are ones that are used for the storyboard and layout scenes. I reccommend it to anyone who loves The Lion King, or just Disney in general. Order with confidence - the book is worth much more than its price tag. It is also much more convient than the larger, more expensive version which I believe is no longer being produced.

Great book for animation art lovers........1998-10-01

This book is great if you like to see all the art work that was created during the development of the movie as well as the finished scenes. They show you a lot of the concept art that was used so that you get a sense of how ideas developed and gives you a glimpse behind the scenes. The book is mostly pictures with less explanatory text than you usually see in similar books. So it's mostly a book to look at as opposed to reading. It's great if you enjoy looking at animation art.

WALT DISNEY IMAGINEERING: A BEHIND-THE-DREAMS LOOK AT MAKING THE MAGIC REAL

Average customer rating:

Very inspiring, if not completely detailed
Spectacular Book!!
I admit it...
great book for the Disney fan
Any Imagineering Enthusiast Needs this Book

WALT DISNEY IMAGINEERING: A BEHIND-THE-DREAMS LOOK AT MAKING THE MAGIC REAL
The Imagineers
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Paperback

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ASIN: 0786883723

Customer Reviews:

Very inspiring, if not completely detailed.......2007-09-05

I loved this book because it has so many pictures. It is most interesting to see aspects of the rides that you might not get to view by visiting the park. The enthusiasm of this book is inspiring for anyone who is interested in theme park design. It does not get into anthing too technical, or show you what an Imagineer does from day to day on a regular basis. I would reccomend this book if you are interested in seeing Disneyland from another angle or if you want to be a theme park designer. It is a very good book if you aren't looking for technical advice, just to have fun and get excited!

Spectacular Book!!.......2007-07-11

Fabulous book!! Framable quality pages and chock FULL of amazing images. Details the making of films and has frame by frame development by the Imagineers. If the book seems a little spendy, it is. And it is worth it. Not just a coffee table book. You will page through it over and over again and find new things each time!

I admit it..........2007-04-02

...I didn't realize that Imagineering was going to be exclusively based on the Disney theme parks. I was... well, more than a little disappointed when I opened it up and looked for the many illustrations and stuff about the making of the movies, that I confess I thought would be there. The book in itself was nicely put together, and DOES look attractive, in terms of what was in there. I can clearly see why anyone would greatly enjoy it. Nevertheless, in my case it sits collecting dust on my shelf.

I blame myself: I should have looked just a little deeper in what the book was going to be about, before purchasing it. A technical explanation of the process of the theme parks' creation was... uh, boring. *laugh*

great book for the Disney fan.......2006-11-10

This is a beautiful informative book. My kids just enjoy looking at the pictures from their favorite movies and the theme parks. The accompanying stories are interesting and full of fun facts. So much is written about the imagineers it's nice to find one book that is first hand accounts and backgroundn info. If you've ever visited WDW or Disneyland this book gives you a whole new insight into what went into creating these magical places.

Any Imagineering Enthusiast Needs this Book.......2005-12-01

Anyone who has ever dreamed of being an imagineer needs this book. It has interesting construction photographs and artist renderings, however it doesn't have as much in depth and truly new information as I hoped it would. Overall, worth the money.

Disney A to Z: The Official Encyclopedia (Third Edition)

Average customer rating:

A Book that Disney Fans should not live without!
Great source of infomation!
Great Gift
Disney A to Z
Great resource!

Disney A to Z: The Official Encyclopedia (Third Edition)
Dave Smith
Manufacturer: Disney Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786849193

Customer Reviews:

A Book that Disney Fans should not live without!.......2007-10-03

"Disney A to Z" is an awesome book that a true Disney fan cannot live without. It is a great book that will help you find out about old Disney movies, that you might have not seen. "Disney A to Z" encyclopedia is also an essential source for those that love to play the "Disney Seen it" board game. It gives a short description of ALL Disney movies including the short ones that came out after the World War II. I LOVE IT!!!

Great source of infomation!.......2007-05-12

This book is a great resource for all Disney fans. All the characters, all the movies (unfortunately, the Mephisto movie made in collaboration with Salvador Dali is not in the book) and all the attractions, parks, properties and influentials employees are mentioned. Maybe just not as exhaustive as I would like it; it is, however, a great resource.

Great Gift.......2007-03-15

This is a great gift for any Disney fan. Many listing bring back great memories and coll trivia.

Disney A to Z.......2007-01-29

Great source for references to Disney films, characters and much more.

Great resource!.......2007-01-17

This is a wonderful resource for a one-stop look at "all things Disney." However, be forewarned that this book does have its mistakes and is not completely thorough, so don't expect something exhaustive...but this is pretty close to it. Descriptions tend to bounce back and forth between incredibly descriptive to incredibly nondescriptive. A tv show that lasted literally only a month will sometimes have a much longer description than a park attraction that had been up for years. There are other mistakes that veteran Disney lovers will also note. For example, the encyclopedia lists "Pecos Bills" eatery (Frontierland) in Disney World as serving some Mexican fare. However, that is incorrect...the Mexican fare is served at "El Pirata y El Perico" eatery (Adventureland), but this eatery is not even listed in the book at all. The two do share an outside dining area. It lists "Caribbean Plaza" (home to the Pirates of the Caribbean ride) in Disney World as "near Adventureland", when it's actually a part of Adventureland and borders Frontierland. Those are just a couple of examples of little mistakes throughout the book. That said, it is a wonderful compilation of everything Disney and is a great gift for any Disney lover!

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