Customer Reviews:
A well written, truthful biography of a powerful Movement.........2005-04-23
I'm so glad I read this book, but am sorry it took me more than a decade to learn that Dr. Abernathy hadn't "sold out" Martin Luther King as was reported in the media when this book was first published. Unfortunately, Dr. Abernathy died before he knew all of black America hadn't turned on him. He told a truthful story of a movement led by strong, yet very "human" men and women. None of us are without our weaknesses, but those weaknesses do not define the total of who we are. Just as Dr. Abernathy's depiction of the weaknesses in himself and in Dr. King don't define the whole tone of this book. I'm glad I read it, and I shared it with my mother who also read it from cover to cover with relish. I appreciate the MLK's and the Ralph David Abernathy's who made such a sacrifice so I could have the rights of every other human being living in the United States.
The Most Powerful Civil Rights Collection of stories.......2004-09-05
I have ever read- Ralph David Abernathy gave a beautiful window into the realities of America's struggles with racism. He and Martin Luther King's unique experiences all over America are scintillating. Having been raised by a military father all over America- a few places and cultures I had observed were in this book. Military housing was integrated 5 years before I was born, so my first experiences of obvious racism were when I was a young adult in civilain environments. I read this when it first came out, for the local TV station in Detroit (WB). At the time this book came out, I was to interview Mr. Abernathy. I started to brief "And the Walls Came Tumbling Down" - I could not put it down until I finished it in 36 hours. He canceled his tour to Detroit, and then died shortly after this book was published. I was very saddened this book did not become embraced more fully by the African American community- as Mr. Abernathy's writing is a powerful diamond on the crown of struggles for goodness. Ralph David Abernathy was truly a holy man for the 20th century.
truth without varnish.......2002-10-01
Ralph Abernathy wrote his life's story warts and all. He also spoke honestly about his dear friend, Doc and his private life. Doc was Martin Luther King Jr. and a lot of people reacted almost violently to the revelations in the book. Abernathy was called a traitor, a Judas and an Uncle Tom. He was also accused of being senile or insane with jealousy of Dr. King's memory. Sadly, with all the name calling people forgot or ignored the fact that it's a good autobiography and a valuable edition to the historical record of the Civil Rights movement.
Not what you've been led to believe.......2001-07-21
When this first came out around 1990, stupid rumors abounded that Dr.King's right-hand-man and surrogate brother had written a sleazy text about Dr. King's sex life. This bunch of hogwash and the cruel responses by people who beleived the hype drove Dr. Abernathy to his grave! This is actually a very good book filled with interesting anecdotes about Dr. Abernathy's years as a soldier in the Civil Rights movement. However, he pulls no punches regarding the infighting that destroyed what was left of the movement after Dr. King's death. This is an important historical memoir by one who was certainly there.
Book Description
Beginning with the 1968 Soviet invasion of Czechoslovakia and culminating in the 1989-1991 revolutions, The Walls Came Tumbling Down is a sweeping, vivid narrative of the gradual collapse of Eastern European communism. Focusing on the decades of unrest that precipitated 1989's tumultuous events, and including information obtained firsthand from personal interviews, Gale Stokes provides a comprehensive history of the various communist regimes and the opposition movements that brought them down, including the "March Days" and Solidarity Movement of Poland, the 1975 Helsinki accords, Czechoslovakia's Charter 77 opposition movement, the autocratic policies of Romania's Nicolae Ceaucescu that brought his people to the point of violent outrage, and every other major event that marked the crumbling of communism. Stokes also examines the first tottering steps in 1990-1991 toward pluralist government, from the resignation of Mikhail Gorbachev to the bloody partitioning of war-torn Yugoslavia. For courses in communist studies or recent history, The Walls Came Tumbling Down is ideal for making clear the most widespread and significant upheaval of the latter twentieth century.
Customer Reviews:
Stokes places Communist Bloc in larger European context.......2000-05-09
The value of Stokes's account of Communism in Eastern Europe is twofold. First of all, Stokes provides us with an incredibly detailed account of how and why the Communist Bloc nations abandoned their socialist regimes and ended the Cold War. By exploring the roots of the Cold War in the immediate postwar era, Stokes successfully traces the rise and fall of the nuanced Communist regimes of Eastern Europe.
More importantly, however, Stokes puts the rise and fall of the Communist regimes into the context of twentieth century European history and attempts to tackle the larger question of what we can conclude about Europe as a whole. Viewing Europe as inherently united and indivisible, Stokes pegs Communism as the second major tiding that kept Europe apart (Fascism being the first). Just as Communism seemed to be the most expedient solution for postwar recovery after 1945, by 1989, the bloc countries had realized that they had not found the solution.
This book is a must-read for anyone looking to learn more about the dividing force that was Communism, how and why the regimes revolted against it, and where the newly liberated countries are headed. Although it is not an easy book to get through (an abundance of details makes the book particularly dense), it is well worth the effort. For the most part, the writing style is effective and holds your interest, and the understanding of the Cold War and the meaning of the 20th century in Europe is invaluable.
Customer Reviews:
not another brick in the wall.......2003-06-02
a psychedelic, philosophical screenplay that proves unique and thought-provoking.
I don't so much mind that it wasn't made into a film as the direct dialogue between Wilson and your own brain frequently evokes the most satisfying images.
A script from the vault.......2002-05-17
Robert Anton Wilson wrote this film script in the late '90's while settling into a new environment (Los Angeles) and recovering from a collapsed film deal. Wilson waited nearly a decade before publishing it. This is not one of Wilson's better works. Wilson's books of philosophy and social criticism shine with brilliance, wit and a clarifying debunking. Praise of these points festoons the covers here, but it is not The Walls Came Tumbling Down that earner that lauding. In the story Michael, an academic scientist, is so barraged with hallucinations and the paranormal that his entire reality is upset for reality only to emerge as a world run by a controlling shadow government with an extraterrestrial treaty. The quick scene changes and short dialogues threaten to unseat even the reader. The Golgotha imagery, folk hallucinogens and parallel universe theorization is a grab bag of alternate reality models that may have been advanced in the late '80's. However, it now reads as predictable, unexciting and not revealing at all. Certainly a necessary addition to the library of the Wilson completists, but a better entry point into his wisdom can be found in Reality is What you can get Away With or Prometheus Rising.
A RAW SCRIPT.......1999-11-29
Robert Anton Wilson's screenplay which he attempted to have produced in a film is about the adventures of a scientist who Flashes back on LSD and experiences future memory blocks. Eventually time and space skip from one place to another to an ending I will not reveal here. Entertaining and a well written script, however, I can understand why Hollywood passed the idea. Scattered somewhat, however visually appealling it may be (even to the unconscious). More likely a better read, nonetheless, Wilson is Wilson, so if you enjoy reading Wilson, then this Wilson will be good enough for you.
What a wonderful book.......1999-11-09
Wilson has done it again. This screenplay tells a story of transformation, a parable of overcoming prejudice and illuminating reality. Check it out.
Fasten your seat belts!!!.......1998-07-28
This book is based on a movie script that has not yet been produced. The style of prose lures the reader deeply, exquisitely into what it is that they don't know.
Amazon.com
Fitzpatrick wastes no time making his point in this fertile and compelling story of perhaps the most important college basketball game ever played: "What a piece of history," Arkansas basketball coach Nolan Richardson exclaims in an opening quote. "If basketball ever took a turn, that was it."
Richardson may be underestimating. The 1966 NCAA championship final between the heavily favored, all-white University of Kentucky, and the "No Names from Nowhere" all-black starting five of upstart Texas Western (now the University of Texas-El Paso) was a sporting insurrection in a time of social chaos and upheaval. Played out in black and white, everything about this David-and-Goliath confrontation was washed in complex and layered shades of gray.
Through strong interviews and contemporary accounts, Fitzpatrick builds toward the ineffable climax, recreated in spirited detail, on a Saturday night in Maryland. He lays his foundation with a contextual chronicle of the turbulent times, emphasizing the importance of white basketball to Kentucky's image of itself. He lays up strong profiles of the universities, their hoop traditions, the players, and the two extraordinary coaches who led them--the Miners' rumpled tactician, Don Haskins, and the Kentucky squire, Adolph Rupp, whose legend is sadly choked by his racist roots.
"No one has ever studied the effect Texas Western's victory had on integration, nor would such a thing be entirely measurable," Fitzpatrick observes, but it was nevertheless unmistakable. "The number of black athletes at major colleges surged immediately afterward ... and basketball, which had always been linked with sweet-shooting country boys from places like Indiana and Kentucky, became the 'City Game.'" And for young blacks in America, the accomplishment provided something beyond a national title; it held out a hint of hope. Walls' ultimate achievement--by no means a small one--is not letting us forget that. --Jeff Silverman
Book Description
I remember sitting in Mr. Grillo's high school English class one Friday afternoon in 1966 when the subject of that weekend's NCAA basketball tournament arose.
As basketball fanatics, my friends and I argued the merits of the Final Four participants. No one mentioned Texas Western except to disparage the stunning racial makeup of their starting five.
Five blacks! It was one thing for an inner-city high school to start five blacks, but for a college team at the Final Four, it was unprecedented.
"All you have to do is get ahead," said one of my friends. "They give up when they're behind."
"Kentucky is too smart," said another. "I'll bet all Texas Western can do is run-and-gun."
The sad part was I believed it too.
So when Kentucky was upset by Texas Western, with their tenacious defense, disciplined play, and marvelously named players like Big Daddy Lattin and Willie Cager, we were all stunned. My beliefs were shaken as severely as they would be in religion class that same junior year. Maybe I was wrong about the capabilities of black basketball players. About Catholicism. About a lot of things.
So begins Frank Fitzpatrick's stunning account of the 1966 NCAA championship game.
Late on the night of March 19, 1966, in the University of Maryland's Cole Field House, five unassuming black men from Texas Western stepped onto the court to face five white men from the University of Kentucky. On the surface, this was just another basketball game. But there were hidden forces at work. Kentucky's legendary coach, Adolph Rupp, had resisted the pleadings of his president to recruit his first black player in thirty-six years. Meanwhile, Texas Western administrators were concerned that coach Don Haskins was playing too many blacks. Almost everyone believed the game's result was a foregone conclusion: There was no way Texas Western's unheralded blacks could beat Rupp's mighty Kentucky Wildcats, featuring All-America Pat Riley. Yet Texas Western did win and American sports embarked on a new era.
That 1966 NCAA title game -- played at a turbulent moment in civil rights history -- marked the first major sporting championship in which an all-black starting team had played, let alone defeated, a white one. Not since Jackie Robinson broke baseball's color barrier in 1947 had such a cultural watershed occurred in American sports. Sociologically and historically it was the most significant game ever in college athletics.
In And the Walls Came Tumbling Down, veteran sportswriter Frank Fitzpatrick examines the game, the history that preceded it, and the sweeping changes that followed in its wake. In profiling the coaches, the players, and the administrators, he details the impact of that championship game and paints a nuanced portrait of the events that belied the easy black-and-white characterization. Through his close look at this rare moment when sports led rather than followed the forces for social change, Fitzpatrick takes readers on an unparalleled journey that brings the riveting story of this landmark season to life.
Customer Reviews:
1966 NCAA Title Game: Texas Western 72, Kentucky 65.......2002-04-01
Ironically, "And the Walls Came Tumbling Down: Kentucky, Texas Western, and the Game That Changed American Sports," preserves a stereotypical view of the game that presumably challenged a prevailing stereotype. The controversial figure in this story has always been Adolph Rupp, coach of the Kentucky Wildcats, whose "Rupp's Runts" were the last all-white team to play for the championship in the NCAA mens basketball title game. Fitzpatrick makes Rupp the iconic figure of white racism. Indeed, before the game, Rupp told the press that a team of five black players could not beat a team of five white players. However, certainly Rupp was not alone in that holding that stupid position. While it would not be surprising that Rupp, as a older Southern white man, would be a racist, his attempts to recruit future pros Wes Unseld and Butch Beard would seem to suggest he might have been something short of a card carrying member of the Klan. Yet Rupp is demonized throughout the book, while his players, most notably Pat Riley and Louie Dampier, are forced into the role of apologists. Unfortunately, Rupp's legacy pretty much ended with this game, while Riley and Dampier both got to prove their willingness to play not only against but with blacks in professional basketball.
I had spent years booing Don Haskins and the Miners in the Pit in Albuquerque for years before I found out that UTEP had once been Texas Western and how won the NCAA title in 1966. The final score was 72-65, but as they often say, the game was never really that close. Fitzpatrick does assemble all the stories and quotes needed to give you a sense for what happened and how it was seen as important. The collision course between the two teams, the programs, the two coaches, the two ways of thinking, is crystal clear from start to finish. However, despite its importance, primarily in opening up the SEC to black basketball players and other athletes, this game certainly did not impact on the national championships for the rest of the decade. After all, the argument could be made that the only reason Texas Western won in 1966 was because freshman were not eligible to play and two-time defending national champion U.C.L.A. had the best player in the country, Lew Alcindor, playing on their freshman team. U.C.L.A. would win the next seven NCAA titles and all of John Wooden's 10 title teams were won by integrated teams. I have to believe, that even if Texas Western had lost, that the value of black players would have been lost on the rest of the country.
As interesting as the story about this pivotal game happens to be, the story about the story is equally fascinating. While it was obvious to everyone who watched the game that a team of black players beat a team of white players, the sports media managed to cover the game without dealing with the racial aspects of the encounter. The aftermath of this story abounds with more irony. Kentucky did not recruit a black player until 1969, at which point Don Haskins was having trouble recruiting black players because of a Sports Illustrated story claiming he was exploiting black athletes by bringing them to Texas Western just to win the national championship (I know, think about it a bit and pretend it makes sense). When Rupp coached and lost his final game, it was again an instance of his five white players losing to a team of five black players. Ultimately, the picture of Rupp in this book makes him more of a pathetic figure than anything else. I guess when you have a larger than life figure like that it is impossible to put anything else in perspective because they overwhelm any story in which they are involved. But even though they are tearing down Cole Field House at Maryland, where this game took place, it is certainly a moment in sports history that needs to be recalled from time to time.
The Walls crashed.......2001-05-05
This book was very inspirational to me. Before 1966 there was a myth that five African-American couldn't play on the basketball court together without having one white person on the court to keep things in order. This championship game of 1966 with five African-American's starting as well as winning the game busted integration wide open. If minorities as a whole can apply the same techniques to academics that they apply athletics, we as a race will be able to tear down many racial barriers whether we have affirmative action or not. Just look at the blacks that are in big time positions that are not athletes. Kenneth Chenault/CEO American Express, Frankie Raines/CEO of Fannie Mae, etc.
Well researched.......1999-12-25
This is a nice, easy read about a milestone game in college basketball history. It certainly dispelled some of the myths I had about the contest. Fitzpatrick talked to all sorts of people and checked many resources, leaving the reader impressed.
This book is one-sided and misleading........1999-04-28
This book is a huge disappointment. Frank Fitzpatrick buys into all the criticisms of Rupp while ignoring or dismissing out of hand much of the contradictory evidence (freely available to anyone who can use a search engine) which shoots holes through his basic premise. The author spends so much time villifying Rupp and covering for Texas Western coach Don Haskins that he loses all sense of perspective on the state of society during that time. The characters that Fitzpatrick presents are one-dimensional and overly simplistic. The result being that the readers are not provided with a complete picture of the complexities and hard decisions which were made by everyone during integration of college basketball in the South and nation in general. This prediliction towards blaming Rupp for just about everything is one result of a willful decision by Fitzpatrick to not understand the man, a flaw the author has basically admitted to. In an interview with Billy Reed, the author states "I still don't feel I have a real grasp of the guy. In a lot of ways, I think he was a simplistic figure." This basic flaw should, by itself, prevent anyone from wasting their time with this book.
Excellent book on how sports integration came to the S.E.C........1999-04-21
Frank Fitzpatrick has provided readers with a vibrant, well written book about the beginning of the end of intercollegiate athletic segregation at southeastern schools after the 1966 Kentucky/Texas Western NCAA championship basketball game. The two teams were complete contrasts in skin color, coaching, and recruiting.
As an Auburn University archivist and the athletic museum curator, I noted a few things written by Mr. Fitzpatrick about Auburn University which I do not find in our records. First, Auburn University is located in Auburn, Alabama, not Anniston, Alabama (pages 233 & 238). Nor did Auburn have, in Adolph Rupp's last game as coach in 1971-72, four blacks on the basketball team (page 222). Acccording to our basketball media guide from that year, Auburn had two blacks on the basketball team. One of them was Mr. Henry Harris, Jr.
But the most disturbing thing to me is the author quoting Mr. Perry Wallace, the first member of his race to play basketball in the SEC, to the effect that Henry Harris' experiences at Auburn as its first black basketball player may have directly or indirectly led to Mr. Harris' suicide in 1974 (page 238). Mr. Fitzpatrick offers no other sources to back up this hypothesis. None from Mr. Harris' family, his former teammates, the Auburn Athletic Department, or the Auburn University Archives, which houses records of this era from the Athletic Department, the President's Office, and University Relations. This is not the kind of research or reporting I would expect from Mr. Fitzpatrick. It does make me wonder about the accuracy of other parts of the book.
Average customer rating:
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And the Walls Came Tumbling Down
Jack Fishman
Manufacturer: MacMillan Publishing Company
ProductGroup: Book
Binding: Hardcover
 General
| Europe
| History
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General
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General
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ASIN: 0025384708 |
Book Description
From the authors of the critically acclaimed Ladies and Gentlemen of the Jury comes a collection of closing arguments that spans 250 years and eight landmark trials that have redefined civil rights in America and profoundly affected our society.
Every day millions of Americans enjoy the freedom to decide what they do with their property, their bodies, their speech, and their votes. However, the rights to these freedoms have not always been guaranteed. Our civil rights have been assured by cases that have produced monumental shifts in America's cultural, social, and legal landscape over the past three centuries.
Until now, the closing arguments from these trials have been unavailable to the lay reader -- except in the lasting effects of the decisions that they influenced. But here the authors have collected some of the most pivotal and exciting closing arguments in history -- from the Amistad case, in which John Quincy Adams brought the injustice of slavery to the center stage of American politics, to the Susan B. Anthony decision, which paved the way to success for women's suffrage, to the Larry Flynt trial, in which the porn king became an unlikely champion for freedom of speech.
One instance demonstrates how bad lawyering can make bad law -- the Carrie Buck case, in which the Supreme Court upheld the forced sterilization of women, a decision still on the books today.
Each of the eight chapters presents a case in the context of American society -- then and now -- and includes a brief historical introduction, a biographical sketch of the attorney involved, an analysis of the closing argument, and a summary of the impact of the trial's conclusion on its participants and our country. In clear, jargon-free prose, Michael S Lief and H. Mitchell Caldwell make these pivotal, society-changing cases come to vibrant life for every reader -- fully revealing the trials that have helped resolve America's most complex civil issues and define our lives.
Customer Reviews:
Another Brilliant Work of Legal Art.......2004-11-02
Another brilliant piece...Lief has done it again! A must read for the legal novice or the established professional. Lief has a gift for dissecting the subject cases like the legal Ninja he is. This latest work of legal art engages the reader's interest and won't let go... Should be mandatory reading in all the law schools.
Outstanding Piece of Work.......2004-10-29
An outstanding review of civil rights cases were people stepped up to represent and provide for the freedoms of others and protected what America is all about. High School, college students, and others can really appreciate our history and from where today's societal norms came.
Intresting throughout.......2004-09-27
Couldn't put the book down. Every chapter was well written and to the level of the average reader. You don't need to be a lawyer to read and enjoy this book. If you love Law and Order this is the real life stuff. Would recommend to anyone.
Book Description
The second volume in a must-have trilogy of the best closing arguments in American legal history
Every day, Americans enjoy the freedom to decide what we do with our property, our bodies, our speech, and our votes. However, the rights to these freedoms have not always been guaranteed. Our civil rights have been assured by cases that have produced monumental shifts in America's cultural, political, and legal landscapes.
And the Walls Came Tumbling Down showcases eight of the most exciting closing arguments in civil law -- from the Amistad case, in which John Quincy Adams brought the injustice of slavery to the center stage of American politics, to the Susan B. Anthony decision, which paved the way to success for women's suffrage, to the Larry Flynt trial, in which the porn king became an unlikely champion for freedom of speech. By providing historical and biographical details, as well as the closing arguments themselves, Lief and Caldwell give readers the background necessary to fully understand these important cases, bringing them vividly to life.
Average customer rating:
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The Wall Came Tumbling Down: The Berlin Wall and the Fall of Communism
Jerry Bornstein
Manufacturer: Random House Value Publishing
ProductGroup: Book
Binding: Hardcover
General
| Politics
| Nonfiction
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Communism & Socialism
| Ideologies
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General
| Political Doctrines
| Political Science
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Socialism
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General
| Germany
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ASIN: 0517033062
Release Date: 1990-03-14 |
Customer Reviews:
An Inspirational Read.......2006-07-31
The Walls Came Tumbling Down is the true story of a group of men who changed the face of sport. Coach Adolph Rupp defied the status quo and changed the face of basketball by drafting five black players onto the 1965-66 Texas Western Miners, and then led that team to a championship.
It's a story of the turbulent times and the social upheaval that inspired these men to take on the culture for the sake of the thing that mattered to them most-winning.
Talk about playing the race card for $$$$$$$$- Exploitation!.......2005-03-18
This was two groups of young men playing for their love of the game not some social agenda. Their biggest concern was basketball, chicks, food and cars and not necessarily in that order. The author is playing into the hands of todays political agenda and totally left out that the fact the Pat Riley, a very reliable and respected source, said that Lattin called him a honky during the game. That is just part of the game on both sides to get into other players'heads and that does not make Lattin a black racist and the history of the game in retrospect does not make Rupp a racist. Rupp gets vilified unfairly just as the Texas Western kids gets glorified too much. Loyola won the title with 4 blacks years earlier yet they get no respect for being instrumental in using black players because they happened to have one white player. Nobody buys that nonsense that people thought you needed one white- 4 blacks and your star is black was the real major breakthrough. Like some white roll player really made all the difference- nobody was that nieve. And what about San Francisco, and Cincinnati who's superstars were black? They were ther true pioneers. Bill Russell was the man!!
Interesting topic, but not a quick read.......2003-10-20
The author has researched well this game in 1966, but the writing leaves a little to be desired. I felt the author could have done a better job of caputring the players as charachters in the book rather than just topics of a history paper.
Why the dunk was outlawed.......2001-01-13
This is the best book available on the monumental historic 1966 NCAA men's basketball championship of Texas Western, the first team to start 5 blacks in the Final Four. It is very well researched, with an extensive bibliography. The civil rights impact is well dealt with, as are the racial attitudes of several of the major players. The Kentucky coach, Adolph Rupp, is treated fairly and the reader is left to make his own decision about his character. This is tricky to handle, because his attitudes had to be presented on a backdrop of his times and environment.
I have two minor criticisms of the book, which prevent me from awarding it 5 stars. The first is that the racial attitudes of Don Haskins, the Texas Western coach, were not clearly portrayed. We are left with the impression that he cared about the game more than anything, and we know that he was a little bit country, but we never really find out whether he harbored any prejudices.
Second, while the race issue is well dealt with by Fitzpatrick, he does not deal in depth with the problem with gentlemen's agreements. This refers, for example, to the rule of thumb "2 at home, 3 on the road, 4 when behind" that apparently many coaches used to define their quota for black players. A discussion of this, including who knew about these agreements and how widespread was their impact, would definitely have been in order in this book which is trying to place that basketball game in its spot in history.
Books:
- Anime from Akira to Howl's Moving Castle, Updated Edition: Experiencing Contemporary Japanese Animation
- ART OF POCAHONTAS, THE
- Art of Technique, The: An Aesthetic Approach to Film and Video Production
- Batman Begins: The Official Movie Guide
- Beautiful Stories for Ugly Children: What If This Were Heaven, Wouldn't That Be Hell? (Beautiful stories for ugly children)
- Bound and Gagged: Pornography and the Politics of Fantasy in America
- Bring Me That Horizon: (Welcome Book)
- Cinema 2: The Time-Image
- Considering Doris Day
- Contemporary Asian Cinema: Popular Culture in a Global Frame (Asian Cinema)
Books Index
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